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Magazine/Anthology, Science / Space Race, Science Fiction/Fantasy, Serial

[July 31, 1970] Not so Brillo… (August 1970 Analog)

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Don't miss tonight's Spocktacular edition of Science Fiction Theater!  Starts at 7PM Pacific.  Also featuring the last appearance of Chet Huntley on the Huntley/Brinkley Report!

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Paine-ful exit

The proverbial rats are leaving the sinking ship.  Not too long ago, a clutch of NASA scientists departed America's space agency, citing too much emphasis on engineering and propaganda.  Now, Thomas O. Paine, who took NASA's reins from its second adminstrator, Jim Webb, has announced his resignation.  He leaves the agency on September 15.  He lasted less than two years; contrast with Webb, who was there seven and a half.

Newspaper clipping of Thomas O. Paine with white hair, thick glasses, and a black tie. The caption reads 'Thomas O. Paine Leaving NASA post Paine Lists Problems of NASA.'

Paine did not characterize his departure as any indication of disagreement with the agency's current direction.  He said he was leaving NASA in strong shape, and that this was the most appropriate time for his departure.  He's going back to a management position with General Electrics.

But Paine cannot be very happy with how things have been going lately.  NASA's work force has been gutted–from 190,000 to 140,000 personnel; the last Saturn V first stage will be completed next month; and the future of Apollo's successor, the Space Shuttle, is in doubt.  The poor director has watched the space agency go from the pinnacle of human achievement to a nadir unseen since the late '50s.  If only we'd adopted the Agnew "Mars Plan"…

Deputy Administator George M. Low will take Paine's place for the time being.  A replacement has not yet been tapped.  Stay tuned!

Painful effort

If Paine left willingly, Analog editor John Campbell, on the other hand, seems determined not to let his magazine go until he does.  Which is sad because this month's issue is yet another indication of how far the once-proud property has fallen in quality."Two astronauts meet one another between a large satelite.
Cover of the August 1970 issue of Analog Science Fiction featuring a rocky lake landscape, with a large burning mass in the background. In the foreground, there is a rock-like alien with two eye stalks
Cover by Kelly Freas

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Magazine/Anthology, Science / Space Race, Science Fiction/Fantasy, Serial

[June 30, 1970] Star light… per stratagem (July 1970 Analog)

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photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Up in the Sky

Apollo 13 may have made for great TV, but it's been terrible for NASA.  This morning, in testimony before Senate Committee on Aeronautical and Space Sciences, NASA Administrator Dr. Thomas O. Paine reviewed the results of the Apollo 13 accident investigations and announced that the next (Apollo 14) mission had been postponed to Jan. 31, 1971–a three month delay.  I imagine this is going to snarl up the meticulously planned schedule of Apollos 15-19, especially since Skylab is supposed to go up somewhere in that time frame.

A color image showing three satellites orbiting the Earth against a background of stars.  The orbit is indicated by a circle.  The image is titled Skylab Program Major Areas of Emphasis.  The satellite on the left is aiming a beam of light up at the top of the image, and is labeled Science: Solar Astronomy.  The satellite in the middle is aiming a beam of light down at the earth and is labeled Applications: Earth resources, materials, processing.  The satellite on the right does not have a light and is labeled Long Duration Missions: Habitability, Medical, and Work Effectiveness.

…If any of these missions happen.  In a recent poll of 1520 Americans, 55% said they were very worried about fate of Apollo 13 astronauts following mission abort, 24% were somewhat worried, 20% were not very worried, and 1% were not sure.  More significantly, a total of 71% expected fatal accident would occur on a future mission.  Perhaps its no surprise that the American public is opposed by 64% to 30% to major space funding over the next decade. 

The scissor-wielders on Capitol Hill are heeding the call.  Yesterday, Sen. Walter F. Mondale (D-Minn.), for himself, Sen. Clifford P. Case (R-N.J.), Sen. William Proxmire (D-Wis.), and Sen. Jacob
K. Javits (R-N.Y.), submitted an amendment to H.R. 17548 (the Fiscal Year 1971 Independent Offices and HUD appropriations bill.  Not a happy one.

It would reduce NASA's R&D appropriation by $110 million–which just happens to be the amount requested by NASA for design and definition of space shuttle and station.

A color diagram labeled Mission Evolution Through Hardware Commonality.  The legend explains the color coding of the vehicles.  Green: Space Station Module; Red: Space Shuttle; Orange: Nuclear Shuttle; Yellow: Tug.  The diagram has a black background and shows Earth in the top left corner, the Moon slightly left of center beneath, and Mars near the right corner of the image.  Curved lines connect Earth to Mars and to the Moon, and orbital circles surround each, with Earth having two orbitals.  On the smaller Earth orbital, three bodies are depicted.  An orange Nuclear Shuttle has a red space shuttle above it.  A Space Base and a Low Earth Orbit Space Station are both green and yellow.  On the outer orbital sits a green and yellow Synchronous Orbit Station.  On the surface of the moon, a green and yellow Lunar Base is perched, with a green and yellow Lunar Orbit Station on its orbital. On the curve leading from Earth to Mars, an orange Orbit Launch Vehicle carries a green Mars Spacecraft.  An unlabeled green satellite is on the Mars orbital, with a green Mars Base sitting on its surface.

Mondale excoriated the proposal: "This project represents NASA’S next major effort in manned space flight. The $110 million. . .is only the beginning of the story. NASA’s preliminary cost estimates for development of the space shuttle/station total almost $14 billion, and the ultimate cost may run much higher. Furthermore, the shuttle and station are the first essential steps toward a manned Mars landing. . .which could cost anywhere between $50 to $100 billion.  I have seen no persuasive justification for embarking upon a project of such staggering costs at a time when many of our citizens are malnourished, when our rivers and lakes are polluted, and when our cities and rural areas are decaying."

A black and white photo of Walter Mondale, a white man with dark hair wearing a suit and tie.  He is looking to the right of the viewer with a neutral expression.

This seems a false choice to me.  Surely there is such wealth in this country that we can continue the Great Society and the exploration of space, especially if we gave up fripperies like, oh I don't know, the war in Cambodia.  To be fair, I know Fritz Mondale opposes the war, too, but we're talking a matter of scale here–the shuttle and station are going to cost peanuts compared to the outlay for the military-industrial complex.

That said, maybe Van Allen is right, and we shouldn't be wasting money on manned boondoggles, instead focusing on robotic science in space.  On the third hand… "No Buck Rogers, no Bucks." 

What do you think?

Down on the Ground

A color image of the front cover of the July 1970 edition of Analog.  Beneath the magazine title, the featured story is listed: Per Stratagem by Robert Chilson.  Below, a large brown insectoid creature stands on six legs against a yellow background. It has four tentacles emerging from the top of its body and is wearing a tool belt with a pouch on it around the lower part of the carapace.  It is angled away from the viewer, such that the only feature visible on its pointed head is its large open mouth full of humanoid teeth.  Facing it, a white man with gray hair wearing a brown shirt and pants stands in a doorway, looking at the creature with a look of concern.  Another humanoid figure is in shadow behind him.
Illustration by Leo Summers

Well, if we lose our ticket to space in the 1970s, at least we'll have our dreams.  Thank goodness for science fiction, and even for the July 1970 issue of Analog.  Dreary as this month's mag is, it's got enough in it to keep it from being unworthy.

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Magazine/Anthology, Science Fiction/Fantasy, Serial

[June 4, 1970] Something old, something new (July-August 1970 IF)

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A white man with short gray hair poses in front of a wooden wall. He is wearing a gray blazer, yellow shirt, and black necktie, and is smiling toward the left of the viewer.
by David Levinson

Voyages into the known

Readers over 30 may remember Thor Heyerdahl and his Kon-Tiki expedition of 1947. He hoped to prove that the Pacific islands had been reached from South America before Polynesians got there from the west. The balsa log raft he built eventually ran aground in the Tuamotu archipelago in French Polynesia, demonstrating that such a voyage was at least possible. However, most archaeologists and anthropologists consider it far more likely that any contact between Polynesia and the Americas (there is some highly inconclusive evidence) was initiated by the Polynesian people, who have a proven track record of crossing vast distances into the unknown.

In any case, Heyerdahl has inspired a number of imitators hoping to travel farther, including some attempts to travel west to east. On May 29th, Spanish sailor Vital Alsar Ramirez started his second attempt to sail from Ecuador to Australia. The first attempt in 1966 failed after 143 days when the raft was rendered no longer seaworthy by teredo worms.

The new raft, dubbed La Balsa, has one major improvement over the Kon-Tiki: a moving keelboard. This will allow the raft to be steered toward more favorable currents, where Kon-Tiki could only drift with assistance from the simple square sail. Such keelboards are known to Ecuadoran natives and so are a perfectly reasonable addition. Best of luck to the four men aboard.

A black and white photo of a wooden raft on the water against a foggy background.  It has a square sail on a tall mast near the center.  On the left, a person is standing holding a line attached to the sail.  Under the sail three people are sitting.  To the right of the mast there is a small shelter with a grass roof, containing boxes and barrels. La Balsa puts to sea.

Speaking of Thor Heyerdahl, his current interest is in demonstrating that ancient Egyptians could have reached the Americas in reed boats. His first attempt last year aboard the Ra got within about 100 miles of the islands of the Caribbean before it became so waterlogged it began to break apart. Now he’s giving it another go.

The Ra II features a tether to keep the stern high, which should help keep the boat from suffering the fate of its predecessor. This is something the original ought to have had; such tethers are clearly visible in ancient Egyptian depictions of reed boats. The crew also plan to take marine samples along the way to study ocean pollution. The Ra II set out from Morocco on May 17th.

Of course, as with the Kon-Tiki, proving that such a voyage could have been made won’t prove that it was. The Egyptians were never great sailors, generally contracting ocean navigation out to more maritime cultures of the eastern Mediterranean. Still, best of luck to Heyerdahl and his crew as well.

A color photograph of a modern reconstruction of an ancient Egyptian reed boat on the water, against a clear blue sky.  It has a black sail at the prow supported by a tall mast made up of two timbers leaned together in a triangle.Oars are sticking out horizontally from the main deck. One person is standing at the prow and another at the stern, where a rudder extends into the water.  Two people are standing on the upper deck near one of the mast timbers. The Ra II under way. Note the tether keeping the stern high.

Polishing the family silver

Science fiction has a lot of tried and true plots, some better than others. But good writing can occasionally make a hackneyed, sub-par plot something better, and bad writing can turn an intriguing concept into a slog. Fortunately, this month’s IF has a lot more of the former.

The front cover of Worlds of If science fiction magazine. The magazine title is in the upper left corner, and on the lower left the featured pieces are listed with titles in black and authors in red: Second-hand Stonehenge, by Ernest Taves; Time Piece, by Joe Haldeman; and The Fifth Planet, by Larry Eisenberg.  THe cover illustration is a painting of a white man's face shown half in shadow against an abstract background. The left of the background is blank white, extending in swirls into an abstract helmet surrounding the man's face.  A headset microphone extends down the right side of his face to his mouth. The right of the background is bright red with jagged yellow and black accents, which are reflected in the left side of the helmet. In front of the man's face tiny oval spaceships fly upward in an arc, surrounded by tiny blue planets and white stars, at which the man gazes intently.Suggested by “Time Piece”. Art by Gaughan

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Movies, Science Fiction/Fantasy

[May 26, 1970] A Regrettable Case of Runaway Apophenia (Erich von Däniken's Memories of the Future)

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by Arturo Serrano

When I was appointed, in recent weeks, as a cultural attaché of the Colombian embassy in Bonn, I was beside myself with excitement about the prospect of imbibing from the richness of Teutonic civilization, whose light was but briefly obscured during the war. I say this without intending in any manner to dismiss the graveness of the evil that merely one generation ago seared Europe, but not even an army of murderers can outweigh the numberless German generations possessed of extraordinary creativity that preceded them. With one glance at the poetry of Vogelweide or Eschenbach, one gives perpetual thanks for having studied the German tongue. And the pleasures aren't limited to the written word: I need only give two cardinal points, Bach and Strauss, and the mind delights in the long chain of beauty that extends between them. This is the proud nation that birthed Dürer, Gutenberg, Leibniz, Schiller, Humboldt, and that titan among titans, Goethe… And look at the Germany of today! Upon leaving the airplane, I nearly fainted as I realized I was setting foot on the land of Günter Grass, of Siegfried Lenz, of Heinrich Böll! I believe I could put you all to sleep reciting names long before I'm finished praising the inexhaustible wellspring of genius that is Germany.

Alas, the Fates judged it fit to make a mockery of my elation when it came time for me to experience my first taste of German culture in an official capacity as a foreign diplomat.

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Science / Space Race

[May 14, 1970 Another Perfect Emergency (Saving Apollo-13)

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[New to the Journey?  Read this for a brief introduction!]

A black-and-white photo portrait of Kaye Dee. She is a white woman with long, straight dark hair worn down, looking at the camera with a smile.
by Kaye Dee

On 5 May, the Apollo-13 crew visited the Grumman Aircraft Engineering Corporation factory in Bethpage, New York, to thank the company for its lifesaving Lunar Module, without which the recent lunar mission would have ended in disaster.

Three men holding presentation gifts of a lunar module model mounted on a plaque. They are on a stage with a crowd behind themleft to right: Apollo-13 astronauts Haise, Swigert, and Lovell during their visit to Grumman's Bethpage plant

The Grumman team’s contribution to the successful outcome of the mission – understanding the full capabilities of the vehicle they had designed so that it could be pressed into service as the astronauts’ lifeboat – is just one example of the innovativeness and dedication of the many NASA support teams working behind the scenes in the Apollo programme.

Today, I want to tell another behind-the-scenes story, one that comes “straight from the horse’s mouth”, as I’ve interviewed many of the personnel involved – the crucial role played by NASA’s space tracking networks, in particular the Manned Space Flight Network (MSFN) in Australia, in saving Apollo-13. I hope it will give you some insight into the complex technical and logistical operations that were required to respond to the emergency, and a feel for the urgency with which everyone was operating.

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Science / Space Race

[April 26, 1970] Red stars in space (Communist China and the USSR make leaps)

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photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

It's likely you missed the other big news in space given how much the flight of Apollo 13 dominated the air waves.  But while we were busy ensuring that Lovell, Swigert, and Haise made it back home, the ChiComs and the Russkies were accomplishing some space spectaculars of their own:

If you look up in the sky, you'll see nine new stars, all of them Red!

Colour photograph from an elevated vantage of large crowds of people gathered in Tien An Men Square, illuminated from above by brilliant lamps

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Science / Space Race

[April 22, 1970] “Houston, We’ve had a Problem Here!” (Apollo-13 emergency in space)

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[New to the Journey?  Read this for a brief introduction!]

A black-and-white photo portrait of Kaye Dee. She is a white woman with long, straight dark hair worn down, looking at the camera with a smile.
by Kaye Dee

Philatelic envelope with coloured line drawings relating to the Apollo-13 space mission.

We all breathed a sigh of relief when the astronauts of Apollo-13 returned to Earth safely a few days ago, after the Apollo programmes’ first (and hopefully last) inflight emergency, but superstitious people are claiming that Apollo-13 was unlucky because of a prevalence of “13s”! After all, the mission was launched at 13:13 Houston time (but somewhere in the world there will always be a place where the time is 13: something!) and the explosion that caused its inflight emergency occurred on 13 April (but only in certain timezones – it was already 14 April in Australia and most of the world east of the United States).

Don’t tell me the Apollo-13 crew were “unlucky”; in fact, they were immensely lucky that when something did go wrong they were a team with the right skills for the situation. As seasoned test pilots, the crew were experienced at working in critical situations with their lives on the line, and their professional skills as astronauts were matched by the “tough and competent” (to quote Flight Director Mr. Gene Kranz) Mission Control teams, backed by highly trained engineers and scientists – all determined to “return them safely to the Earth”, just as President Kennedy committed NASA to do when he set the goal of a manned lunar landing by 1970!

Diagram timeline of major mission events during Apollo-13Timeline of major mission events during Apollo-13

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Science / Space Race

[March 30, 1970] The Age of Explorer — the end of the Space Race

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photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

In February 1958, just months before Galactic Journey took to press, Vice President Nixon visited Jet Propulsion Laboratory.  He went personally congratulate the team that had built America's first artificial satellite, Explorer 1.

Vice President Richard Nixon holds a model of the cone-shaped top of the Explorer satellite with Dr. Lee DuBridge, left, president of Cal Tech, and Dr. William H. Pickering, right, director of the Cal Tech Jet Propulsion lab
Vice President Richard Nixon and a model of the Explorer satellite with Dr. Lee DuBridge, left, president of Cal Tech, and Dr. William H. Pickering, right, director of the Cal Tech Jet Propulsion lab, during a news conference in Pasadena, Calif., Feb. 17, 1958.

Now it is 1970.  President Nixon is presiding over a severe curtailing of our space program.  Next month, Apollo 13 will head to the Moon, marking the end of the first stage of lunar reconnaissance.  The original plan was for ten increasingly ambitious lunar landings, paving the way for long term exploration and exploitation.  But it's looking now like Apollo 11 was more of a conclusion than a beginning.  The Saturn V assembly line is shut down, Congress and the President are against any ambitious space endeavors, and even the three phases of Apollo flights are being cut down to two.

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Magazine/Anthology, Science / Space Race, Science Fiction/Fantasy

[March 20, 1970] Here comes the sun (April 1970 Fantasy and Science Fiction)

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photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Out, damn spot!

A couple of weeks ago, Victoria Silverwolf offered us a tidbit on the latest solar eclipse.  I've since read a bit more about the scientific side of things and thought I'd share what I've learned with you.

It was the first total solar eclipse to be seen over heavily populated areas of U.S. since 1925, greeted by millions of viewers who crowded the beaches, towns, and islands where viewing was most favorable.  The eclipse cut a nearly 100 mile wide swath through Mexico, Florida, Georgia, the Carolinas, Virginia, and Nantucket Island, Mass.  It was 96% total in New York City and 95% in the nation's capital.

A black and white collage of several photographs of a partial solar eclipse over a college building. Below the image, the headline reads Partial Eclipse as seen in North County.  The caption reads The partial eclipse seen by teh North County Saturday morning is superimposed over the Palomar College Dome Gym in this collage by staff photographer Dan Rios.  The maximum ecliplse in this area was roughly 30 per cent at 9am as shown in the fourth sun from the left.  Seven states were treated to a full eclipse.
a clipping from Escondido's Times-Advocate

But ground viewing was only the beginning.  NASA employed a flotilla of platforms to observe the eclipse from an unprecedented variety of vantages.  A barrage of sounding rockets (suborbital science probes) were launched during the eclipse to take measurements of the Earth's atmosphere and ionosphere.

In space, radio signals from Mars probe Mariner 6, currently on the far side of Sun, were measured to determine how the eclipse affected communications and to study changes in charged particles in earth’s atmosphere.

Two Orbiting Solar Observatories, #5 and #6, pointed their instruments at the Sun to gather data on the solar atmosphere, while Advanced Test Satellite #3 took pictures of the Moon's shadow on the Earth from more than 20,000 miles above the surface.  Three American-Canadian satellites, Alouette 1, Alouette 2, and Isis 1, all examined the change the eclipse caused in the Earth's ionosphere.

Earthside telescopes got into the mix, too: Observers from three universities and four NASA centers at sites in Virginia and Mexico not only got great shots of the solar corona, but also of faint comets normally washed out in the glare of the Sun.

I can't imagine anyone in 1925 but maybe Hugo Gernsback could have foreseen how much attention, and from how many angles such attention would be applied, during the 1970 eclipse.  It's just one more example of how science fiction has become science.

Waiting for the dawn

The last two months of The Magazine of Fantasy and Science Fiction weren't too hot.  Does the latest issue mark a return of the light or continued darkness?  Let's find out…

The cover of The Magazine of Fantasy and Science Fiction April edition. At the center of the dark cover, a bright swirl suggesting a star or sun is surrounded by darker wisps emanating in spirals from it.  Below it is an alien landscape with craggy mountains in teh distance and black-streaked hills in the foreground, in muted shades of blue and brown.
cover by Chesley Bonestell

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