Tag Archives: miriam allen deford

[April 8, 1970] All Too Finite (Infinity One, edited by Robert Hoskins)

A young white man with short hair wearing a navy P-coat, blue polo collar, and green t-shirt.
by Brian Collins

There must be a growing demand for original anthologies of science fiction, because they keep coming—both standalone titles and series. Infinity One is, going by its title, the first in yet another series of these, although notably there is one reprint between its covers (really two reprints, as you'll see), a story that many readers will already be familiar with. Robert Hoskins is an occasional author-turned-agent-turned-editor, whose high position at Lancer Books has apparently resulted in Infinity One. Will there be future installments? Does it really matter? We shall see.

The tagline for Infinity One is “a magazine of speculative fiction in book form,” which strikes me as a sequence of words only fit to come from the mouth of a clinically insane person. This is a paperback anthology and nothing more nor less. I mentioned in my review of Nova 1 last month that Harry Harrison claimed that he simply wanted to put together an anthology of “good” SF, although I’m not sure if Hoskins had even such a basic goal in mind.

Infinity One, edited by Robert Hoskins

Cover of Infinity One. Against a black background, an bubble-helmeted astronaut in silver dances in front of a stylized circuit board, flowing into the shape of a rocket above, and a red planet below. Beside this illustration, in an all-lowercase font, reads the following legend: 'introduction by isaac asimov/a short novel by poul anderson/infinity one/new writings in/speculative/fiction/edited by/robert hoskins/plus/anne mccaffery/robert silverberg/gordon r. dickson/r.a. lafferty/kris neville/k.m. o'donnell/ron goulart/katherine maclean/miriam allen deford/featuring/arthur c. clarke'. Clarke's name, and the title, are in yellow. The other names are in pink, red, and turquoise.
Cover art by Jim Steranko.

Continue reading [April 8, 1970] All Too Finite (Infinity One, edited by Robert Hoskins)

[February 20, 1970] Fun-nee enough… (OSCAR 5 and the March 1970 Fantasy and Science Fiction)

[New to the Journey?  Read this for a brief introduction!]

A black-and-white photo portrait of Kaye Dee. She is a white woman with long, straight dark hair worn down, looking at the camera with a smile.

by Kaye Dee

Recently, The Traveller covered the launch of the TIROS-M weather satellite, noting that the rocket’s payload also included a small Australian-made ham radio satellite, OSCAR-5 (Orbiting Satellite Carrying Amateur Radio), also known as OSCAR-A.

Photograph of the cover of Goddard News depicting a rocket staged for launchCover of NASA's Goddard Space Flight Centre's in-house magazine, marking the launch of ITOS-1/TIROS-M and Australis-OSCAR-5

A New Star in the Southern Cross

It was exciting to be in “Mission Control” at the University of Melbourne when the satellite was launched in the evening (Australian time) on 23 January. You should have heard the cheers! After all, Australis-OSCAR-5 (AO-5), as we call it, is Australia’s second satellite. It’s also the first amateur radio satellite built outside the United States and the first OSCAR satellite constructed by university students – in this case, members of the Melbourne University Astronautical Society (MUAS).

Photograph of seven suited white men with exuberant expressions standing in an alley presenting the model satelliteThe MUAS student team with the engineering model of Australia's first amateur radio satellite

Radio Hams and Satellite Trackers

Commencing in 1961, the first OSCAR satellite was constructed by a group of American amateur radio enthusiasts. Cross-over membership between MUAS and the Melbourne University Radio Club (MURC) encouraged the students to begin tracking OSCAR satellites, moving quickly on to tracking and receiving signals from many other US and Soviet satellites.

Satellite photograph of cloud fronts moving over the continentNimbus satellite image of the western half of Australia received by MUAS for the weather bureau

One of MUAS’ achievements was the first regular reception in Australia of images from TIROS and Nimbus meteorological satellites. By 1964, they were supplying satellite weather images daily to the Bureau of Meteorology, before it established its own receiving facilities.

"How Do We Build a Satellite?"

After tracking OSCARs 3 and 4 in 1965, the MUAS students decided to try building their own satellite. “No one told us it couldn’t be done, and we were too naive to realise how complex it would be to get the satellite launched!”, an AO-5 team member told me at the launch party. MUAS decided to build a small ‘beacon’ satellite which would transmit telemetry data back to Earth on fixed frequencies.

Even before Australia’s first-launched satellite, WRESAT-1, was on the drawing board, the Australis satellite project commenced in March 1966. Volunteers from MUAS, MURC and university staff worked together to design and build the satellite, with technical and financial assistance from the Wireless Institute of Australia and a tiny budget of $600. The Australian NASA representative also gave the project invaluable support. The students acquired electronic and other components through donations from suppliers where possible: the springs used to push the satellite away from the launcher were generously made by a mattress manufacturer in Melbourne. Any other expenses came out of their own pockets!

Picture of AO-5 in launch configuration, somewhat resembling a metal-wrapped gift bound up twine holding the furled antennae down as 'the ribbon'Carpenter's steel tape was used to make AO-5's flexible antennae, seen here folded in launch configuration. Notice the inch markings on the tape!

AO-5 is a fantastic example of Aussie ‘make-do’ ingenuity. A flexible steel measuring tape from a hardware shop was cut up to make the antennae. The oven at the share house of one team member served to test the satellite’s heat tolerance, and a freezer in the university's glaciology lab was unofficially used for the cold soak. Copper circuit boards were etched with a technique using nail varnish, and a rifle-sight was used to help tune the antennae! Various components, including the transmitters and command system, were flight-tested on the university’s high altitude research balloon flights.

Colour photograph of the bare circuit-boards set up in a freezer
Colour photograph of a payload collection staged at the back of a truck in preparation for balloon flight
A university lab freezer and hitching a ride with university experiments on US HiBal high altitude balloon flights in Australia used to test the ruggedness of AO-5 components

A Long Wait for Launch

Australis was completed and delivered to Project OSCAR headquarters in June 1967, well before WRESAT’s launch in November that year. Unfortunately, AO-5 then had to wait a few years for a launch to be arranged by the Amateur Radio Satellite Corporation (AMSAT), which now operates the OSCAR project. However, it is surely appropriate that, as OSCAR-5, it finally made it into orbit with a weather satellite.

Colour photographs of the launch vehicle staged at Vandenberg Air Force Base, both before and during ignition

After launch from Vandenberg Air Force Base, AO-5 was placed into a 115-minute orbit, varying in altitude between 880 – 910 miles. This means it will be in orbit for hundreds of years – unlike the short-lived WRESAT.

In Orbit at Last!

Battery-powered, Australis-OSCAR-5 weighs only 39 pounds and carries two transmitters, beaming out the same telemetry signal on the two-metre and 10-metre amateur radio bands. Its telemetry system is sophisticated but designed for simple decoding without expensive equipment. The start of a telemetry sequence is indicated by the letters HI in Morse code, followed by data on battery voltage, current, and the temperature of the satellite at two points as well as information on the satellite's orientation in space from three horizon sensors.

Colour photograph of the Australis OSCAR 5 (a rectangular box) with metal antennae extended

AO-5 includes the first use in an amateur satellite of innovations such as a passive magnetic attitude stabilisation system (which helps reduce signal fading), and a command system to switch it on and off to conserve power. Observations are recorded on special standardised reporting forms that are suitable for computer analysis.

Photograph of a telemetry coding form noting that the satellite is spinning at four rotations per minute

Just 66 minutes after launch, the first signal was detected in Madagascar and soon other hams reported receiving both the two and 10-metre signals on the satellite's first orbit. At “Mission Control” in Melbourne, we were thrilled when MURC members managed to pick up the satellite’s signals!  By the end of Australis’ first day of operation, AMSAT headquarters had already received more than 100 tracking, telemetry and reception reports.

Photograph of news clippings from The Australian (and other publications).  They provide a photograph of the satellite in pre-launch attitude (with furled metal antennae) and photographs (including a portrait of Richard Tonkin) of members of the Melbourne team who designed and built it.A selection of local newspaper cuttings following AO-5's launch. There was plenty of interest here in Australia.

The two-metre signal failed on 14 February, but the 10-metre transmission continues for now. How much longer AO-5’s batteries will last is anybody’s guess, but the satellite has proven itself to be a successful demonstration of the MUAS students’ technical capabilities, and the team is already contemplating a more advanced follow-on satellite project.

Picture of a post-card (posted Jan 23 1970, with an Apollo 8 stamp) with an illustration of a satellite over what appears to be a map of weather fronts. Above the illustration it reads 'ITOS-1 Day-Night Weather Eye', and to the side it reads 'Oscar 5' and 'Australis'
This philatelic cover for the ITOS-1/TIROS-M launch, includes mention of AO-5, but the satellite depicted is actually OSCAR-1


photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Fantastic emanations on Earth

And now that you've had a chance to digest the latest space news, here's some less exciting (but no less necessary) coverage of the latest issue of F&SF.

Cover of The Magazine of Fantasy and Science Fiction's March issue-- the cover illustration is a square wrapped wrapped in digits with the top sequence running from 1-17, and the others presenting variations on the sequence.  The inside of the square appears to show four mirrored illustrations of men laying under blankets as though awaiting surgery.  Extending from the crowns of their heads to the center of the square are matching banded gradients from pale to dark blue.
by Ronald Walotsky

Continue reading [February 20, 1970] Fun-nee enough… (OSCAR 5 and the March 1970 Fantasy and Science Fiction)

[October 24, 1969] How sweet it isn't (November 1969 Fantasy and Science Fiction)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Rats!

A study just completed by the Department of Health, Education, and Welfare has concluded that cyclamates may cause bladder tumors in rats.

How does this affect you?

Decades ago, it paid to be plump.  It was a sign of wealth and health.  It was attractive!  These days, we're in the Grape Nuts generation, and it's now all about fitness and being slender.  How to reconcile the popularity of fizzy sweet sodapop and the desire to cut sugar from our diets (despite the Sugar Council telling us it's good for us)?

Early this decade, a slew of soft drinks came out, sweetened not with sugar, but with a blend of artificial sweeteners—saccharin and cyclamates.  Diet Rite and Tab may not have tasted just like Coke and Pepsi, but they did the job and preserved the waistline.

But now, thanks to the HEW report, soft drink companies are all pulling their cyclamate sodas off the market as of February 1, 1970.  Grab your vintage colas while you can, because they won't exist come next spring!

What does the future hold for diet sodas?  Well, for now, saccharin is still legal, though by itself, it's a bit bitter (remember the "sach" tablets Winston Smith put in his coffee in 1984)?  There is talk of putting sugar back into diet sodas…just less of it.

And, since this is a science fiction 'zine, we can always speculate that new and better sweeteners will be developed.  Maybe even on purpose this time—did you know that both saccharin and cyclamates were discovered by accident?  Constantin Fahlberg was researching coal tar derivatives and forgot to wash his hands before going for lunch, when he discovered saccharine was discovered in 1879.  And grad student Michael Sveda was working on anti-fever drugs in 1937; some got on a cigarette, and when he took a drag, it tasted sweet.

Cue the commercials:

Bob: My cigarette just isn't doing it for me anymore.
Larry: Try mine!  It's new.
Bob: Hey! Not bad…sweet!
Larry: You better believe it.



by Jack Gaughan

Of course, with a lede like the one I just wrote, you can guess that the latest issue of Fantasy and Science Fiction is less than palatable.

Continue reading [October 24, 1969] How sweet it isn't (November 1969 Fantasy and Science Fiction)

[October 8, 1968] Probing the future (November 1968 Galaxy)


by Gideon Marcus

Professional opinion

Fred Pohl opens up this month's issue of Galaxy with a summary of the letters he's received from readers on how they would, in 100 words or fewer, successfully resolve the war in Vietnam.  He has great faith in the power of harnessing a bunch of smart folks to spit out solutions to problems.  I honestly don't know how useful someone's cursory stab at peace in Southeast Asia can be, even if it's from the pen of a clearly clever person like Judith Merril or Larry Niven.

He did, however, talk about a different kind of brain-tapping, one that has me very excited.  There's something called Sigma, which is a scientific way of presenting scenarios to people and assessing their likelihood, feasability, and desirability.  A consensus can then be reached and a mass-mind prediction derived. 

And as it turns out, I recently was sent a copy of Probe a 14-volume compilation of technological predictions made by the folks at TRW's Space Technology Laboratories—the folks who gave us Pioneers 0, 1 and 2, Explorer 6, Atlas Able, Pioneer 5, the Orbiting Geophysical Observatory, and parts of the Apollo Lunar Excursion Module.  I've only just started perusing it, but it makes for fascinating reading.  Of course, only time will tell if their predictions are accurate, or if they're even asking the right questions.

Of course, science fictioneers have been predicting the future in their own way for half a century.  And while the stories in this issue may not depict situations that ever come to pass, I have to say that are, at least, quite entertaining!


by Sol Dember, illustrating Building on the Line

Perris Way, by Robert Silverberg


by Jack Gaughan

I had not expected a continuation of the story, "Nightwing," but "Perris Way" is a direct sequel.  The tale picks up with our nameless Watcher, whose profession of scanning the skies for alien invasion, is no longer relevant as the invasion has come and succeeded, heading toward Perris (Paris) with his companion, the former Prince of Roum.  That latter, a member of the Dominator caste, was blinded during the invasion by the alien-in-disguise Gormon for forcing himself upon the Flier, Avluela, whom Gormon loved.  The two arrived at France's former capital to become members of the guild of Rememberers.

The erstwhile Watcher becomes an apprentice, and during his training discovers the true history of Earth and the hubristic crime that warranted the alien invasion.  His halcyon half-year with the Rememberers is abruptly terminated when the Prince shames the guild with a tactless act.  The Watcher, caught on the horns of a dilemma comprising the remedy to a Rememberer's anger versus (perhaps misplaced) loyalty to the Prince, comes up with a solution that ultimately pleases no one.  It also leaves room for a Part 3, which, if a novelization be forthcoming, is probably necessary to reach the appropriate length.

Silverbob's language is exquisite.  His poetic SFnal prose is probably even better than Zelazny's, and more approachable than Delany's.  His history of Earth is as fascinating as any that has been drawn.  On the other hand, he never treats his women well, and they are always sex objects, one way or another.  Contrast that with James Schmitz's Dr. Nile Etland, showcased just last month in Analog, lest someone want to lecture me on how "this is just the way things are."  Women do not exist just to be scenery, as much as those who hum "I'm a Girl Watcher" and hound the bosomy New Yorker Francine Gottfried on the way to work might like to think so.

It's still terrific stuff, but I can't give it more than four stars.

Keep Moving, by Miriam Allen deFord

Science fiction stories often play with the premise, "If this goes on…"  DeFord, one of the genre's most venerable authors, offers up a 22nd Century in which freeways pave virtually every square inch of the planet, and commuter culture has become the norm.  People don't even have homes anymore—they simply live in their cars, driving constantly to obtain food, entertainment, and presumably working while moving.

One man decides he's had enough and founds the "Live-In" movement, boldly staying put in one place over night.  This crazy idea wins the casual endorsement of dozens and the fervent support of one particular woman, a rather famous poet.  The ensuing partnership proves unstoppable.

Absolutely silly, but also quite charming.  Three stars.

Building on the Line, by Gordon R. Dickson


by Gray Morrow

Clancy and Plotchin are mismatched, feuding workers on the Line, a galaxy-spanning set of teleporter stations.  The two are building a set of Starlinks on the hostile world of XN-4010 when its incorporeal, gibbering race of "hobgoblins" unleashes a meteorite storm upon them.  Plotchin is incapacitated, maybe dead, but there is hope that an experimental cryogenic unit in the man's suit might be sustaining him.

Clancy decides that staying put and waiting for rescue is less desirable than making the 36-mile trek back to the main exploration ship.  And so, with Plotchin in his arms, he begins the brutal trek through the ice and near-vacuum of XN-4010, the hobgoblins nibbling at his psyche the entire way.  This bit is truly thrilling, reminiscent of the middle section of Heinlein's Have Spacesuit, Will Travel when our heroes are making a similar journey across the frozen wastes of Pluto.

The denouement, however, is a rather windy extolling of the virtues of heroic men expanding the horizons of mankind.  It all felt a little hollow, especially as it is intimated that the hobgoblins may not be malicious but simply trying to defend their world from an onslaught of human tourists.  That, to me, was the more important point, and it was tossed aside.  Framed differently, Line's premise could have made an excellent novel, with themes similar to those explored brilliantly in Silverberg's The Man in the Maze.  Alas.

Still, it's beautifully written, and the first two thirds are a wild ride.

Four stars.

For Your Information: My Friend, the Nautilus, by Willy Ley

This is quite a neat piece, definitely a throwback to Willy's better days.  It's really the evolutionary history of mollusks, with an eventual focus on nautiloids and their relatives, the ammonites.  No, this is not a Pennsylvania religious sect but a prolific family of shelled mollusks that thrived during the Age of Dinosaurs.

Given that octopuses (Ley calls the plural 'octopi', tsk tsk) are shockingly intelligent, and ammonites were advanced nautiloids, I think stories about sapient Mesozoic shellfish would be fascinating.  Be sure to credit me with the idea if you use it.

Four stars.

The Market in Aliens, by K. M. O'Donnell

An unscrupulous fellow runs a brisk trade in sapient aliens.  He has occasional twinges of guilt, but he perseveres, nevertheless.

This is a dark, ugly story.  Looking back on it, I think I have to give it four stars.  It says a lot with a little.

Locust Years, by Douglas R. Mason


by Brock

In the not too far future, universities literally recreate the past, casting lines through time to reel in prehistorical happenings for student viewing.  But when a construction accident summons a wounded mastodon and opens up a time vortex, no one is safe—up to and including humans from other time frames!

This is an interesting story, if initially difficult to apprehend.  Probably the best thing the author has written to date.  Three stars.

The Tell-Tale Heart-Machine, by Brian W. Aldiss

This one's about bitter, middle-aged man, reeling from the recent loss of his wife and his ejection from the board of the company that made his fortune.  Said company has discovered the secret of synthetic life, starting with the recreation of dinosaurs, and with the aim of creating complete humans.  Ostensibly, the man hates his father-in-law, erstwhile partner in the endeavor, for his lack of morality, and for the coldness he has hitherto shown his family.  In fact, there is something deeper going on, and a rift that may not be mendable, even as the father-in-law attempts to attone.

I found myself moved by this one.  Definitely one of Aldiss' better efforts of late.

Four stars.

Eeeetz Ch, by H. H. Hollis


by Dan Adkins

I had gone into this one expecting from the title some sort of joke story.  It's not.

Dolphins are hot news this decade.  From Flipper to People of the Sea to World of Ptavvs, the idea of porpoises being partner sapients is catching on in a big way.  Hollis' story details the visit of the junior Senator from Hawaii, Ramon Coatl (presumably of Filipino ancestry), to a Caribbean research center.  There, the dolphin called Andy but really named Eeeetz Ch is being fitted with artificial hands and tested on advanced machinery.  But the tests go both ways—the two scientists working with him (a man and a woman, the woman being the senior engineer; Silverbob, take notes) are fitted with artificial gills that plug into a plate surgically embedded in their sternums.

There's doesn't exactly seem to be a plot to the whole thing, until it's done, and you understand the stakes of Coatl's visit.  Hollis says a lot about intelligence and handicaps, about technology and ethics, without spelling it out too heavy-handedly.  Most impressively, all of the characters are extremely well realized.  Andy the dolphin, in particular, is an alien.  A likeable, sympathetic one, but not human.

This is my favorite story of the issue.  It's both conventional and new, prosaic and profound.  It made me laugh a couple of times.  It kept me riveted.

Five stars.

Like, wow!

What a contrast, huh?  Last month, Galaxy finished at a dismal 2.4.  This month, we're at 3.9, probaby the best mag of the year.  It reminds me of the old Gold days of the early '50s.  Of course with a spread like that, it's hard to make any solid predictions, but at least there's always a chance every month that Galaxy will knock it out of the park like it did this month.

That's something to look forward to!

(oh, and dig the cool offer on the back of the mag—Trek is everywhere!)






[February 20, 1968] 1-2-3 What are we fighting for? (March 1968 Fantasy and Science Fiction)


by Gideon Marcus

Sock it to me

In the middle of this month's issue of F&SF is this ad:

In short, 68 members of the science fiction community (most of them authors, but some I only know of from fandom) have paid lucre to support staying the course in Vietnam.  Some of the names on the list surprised me: Biggle, Buck, De Vet, Galouye… I should have thought they'd be less belligerent.  And, of course, Bradley's name just makes me sick.

But, as David pointed out, the language is "weasel-worded. It's perfectly possible to be opposed to the war, but feel that the US has an obligation to South Vietnam."

I'll also note that, for this ad to have come out in this issue, it must have been prepped last year.  This is before the recent offensive, when it could be said with a straight face (albeit with decreasing credibility) that we were slowly but surely "winning" in Vietnam.

I was rather surprised to find this ad in F&SF, to be sure.  It's the most liberal of the SF mags–this felt like it would be more at home in Analog.  But then, flipping to the back of the issue, I found this:

That's right–half again as many authors and fans are against staying in Vietnam (they use the older spelling, "Viet Nam").  One wonders which ad came first, and did the two campaigns know about each other?

Does this kind of political posturing belong in our science fiction magazines?  I was already seeing buzz about this in the fanzines even before the ad was printed (I somehow ended up out of the loop, but San Diego is a bit of a fandom backwater).  One fan opined that fans had no business politicizing our sacred pages.

I just think it's a mark of how polarizing and important this debate is that it now has spilled over into our sanctum sanctorum, the monthly escapist literature.  I can only imagine the war of ads will become more bitter now that the actual fight has escalated.

Doo-whackadoo


by Gahan Wilson

Aside from the shots traded in the dueling ads, the rest of the issue is actually surprisingly pleasant, if not entirely placid.  A number of these stories could have been played for horror, but instead, deliberately eschew it.  Intentional?  Or just a happy coincidence?  (I prefer my stories with happy endings.)

The Egg of the Glak, by Harvey Jacobs

Harold North is an unprepossessing campus cop, whose life is irrevocably changed when he meets and befriends the eccentric Professor Hickhoff.  In addition to being obssessed with the monopthongization of the English language (as well as with Harold North), the rotund professor also has a secret of the zoological kind.  Upon his untimely passing, his dying request is that North procure the egg of the last Glak, a Labradorian avian, from a local pet store owner.  After hatching it, North must release it in its home wilds.

Thus ensues a lusty, mildly hazardous, and rather droll journey in which North procures the egg and keeps it from the clutches of Nagle, an anthropologist who would make his reputation on the discovery.  Along the way, North finds romance, of a sort, but mostly haplesses his way through the endeavor.

What makes this tale is the telling.  It threads the line between light and serious, literary and earthy, bawdy and chaste.  It's something Goulart or Lafferty might have come up with on one of their better days.

Interestingly, Harvey Jacobs has only appeared on Galactic Journey twice before, and both were unfavorable outings.  This one, on the other hand, I thoroughly enjoyed.

Five stars.


by Gahan Wilson

The Ajeri Diary, by Miriam Allen deFord

DeFord, on the other hand, is a name that needs no introduction; she's as grizzled (in her ladylike fashion) as they come.  This tale is of an anthropologist who visites the rigidly segregated planet of Ajeri.  divided along sexual lines into "eskons" and "orgs", the researcher gradually learns that those terms do not precisely align with male and female.

Knowing deFord's penchant for horrific stings in the tail, I was on tenter hooks for much of the piece, especially when the anthropologists finds himself having more and more in common with the neuter "eskons".  But in the end, what we really have is a thoroughly logical state of societal affairs–indeed, something of an utopia…

For some values of utopia, in any event!

Four stars, and the Anti-Queen Bee Award for the month.

Whose Short Happy Life?, by Sterling Lanier

Two hundred years after the Atomic Apocalypse, a hunting party invades the Reserve in search of the most deadly game–the preserved tribes of The Enemy.  About halfway through, you'll figure out that something is amiss, but it's worth the ride to the end to figure out what it is.

Four stars.

Dinosaurs in Today's World, by L. Sprague de Camp

Unusually, we have two science fact articles this issue.  This is the weaker of the two, a piece on whether dinosaurs could yet live somewhere on the globe.  It's sort of a poor man's version of a Ley piece I'm sure I read several years ago.

Three stars.

Budget Planet, by Robert Sheckley

Here is an excerpt from an upcoming book, Dimension of Miracles, that (sort of) stands on its own.  It's the account of a planet builder who cuts corners every chance he gets, and his personal reminiscence of his contract with a certain Jehovah.

It's a lot of fluff, but kind of fun.  Three stars.

The Shapes, by J. H. Rosny aîné

This piece is a contender for the "oldest reprint" award.  A Damon Knight translation from the French (he's quite good at those), it is the story of an extraterrestrial invasion in a pre-Sumerian (but more advanced) Mesopotamia.

Not bad, though the "scientific account" portion in the middle both drags and feels strongly out of flavor with the beginning and end.

Three stars.

The Seventh Planet, by Isaac Asimov

This is a good, but somehow hollow account of the discovery and nature of the planet Mercury, one of the harder planets to observe as it never is very far from the Sun (I had little difficulty finding it when I lived in the desert — the horizons are very low there).

Four stars, I suppose.

That High-Up Blue Day That Saw the Black Sky-Train Come Spinning, by David R. Bunch

Finally, the most forgettable story is this piece of frivolity about two drunks who concoct an alien menace as a prank–but was one of them actually serious?

Two stars.

Who cares? I don't give damn!

However one may feel about the expanding war in Southeast Asia, I think we must remain united on this one matter: the March 1968 issue of F&SF is pretty darned good.  And if we be not united, well, I'd like to hear where you agree or disagree.

You won't even have to pay me to take out an ad…



[October 10, 1967] Jack the Ripper and Company (Dangerous Visions,Part One)


by Victoria Silverwolf

There's a new anthology of original science fiction and fantasy stories in bookstores this month. It's certain to be the topic of a lot of discussion among SF buffs, and maybe even some arguments.

It's also big; more than five hundred pages, and it'll set you back a whopping seven bucks. It's so big, in fact, that Galactic Journey is going to slice it into three pieces and discuss it in a trio of articles. (Why three? Because it's got thirty-three stories in it, and eleven articles would be silly.)

Let's dig into the first part of this mammoth collection and see if it's destined to be the Sgt. Pepper's Lonely Hearts Club Band of speculative fiction, or just another dud.

Dangerous Visions, edited by Harlan Ellison


Wraparound cover art by the husband-and-wife team of Leo and Diane Dillon, who also provide an interior illustration for each story.

Before we get to the nitty-gritty of fiction, we've got no less than two forewords by Isaac Asimov and a lengthy introduction by the editor.

In The Second Revolution, the Good Doctor outlines the history of modern science fiction from Gernsback through Campbell, and into the New Wave. Astounding was the first revolution, you see, and now we're in the second one. That may be a little simplistic, but it gets the point across.

Harlan and I, on the other hand, is a personal essay about Asimov's relationship with the editor, ending with a teasing anecdote. Ellison adds a long footnote offering a different version of their first encounter.

More substantial is Thirty-Two Soothsayers, the editor's longwinded but endlessly entertaining and informative account of what this book is supposed to accomplish, and how it came to be. Ellison wanders all over the place in this piece, and it's a fun ride. In brief, the stories he chose are supposed to be both enjoyable and provocative, with new ideas that might not appear in the usual SF markets. We'll see.

(If you're wondering why thirty-two and not thirty-three, it's because one writer supplies two stories; but that's for another time.)

I should mention that each story comes with an introduction by the editor and an afterword by the author, except for the one case when those roles are reversed. You'll see what I mean in a while.

I'm going to do something a little different here. I'll rate the quality of each story with the usual one to five stars, but I'll also add an indication for how dangerous each one is. This will be determined by sexual content, violence, profanity, experimental narrative style, taboo subject matter, etc. GREEN = safe to proceed, YELLOW = caution indicated, RED = hazardous conditions.

Let's begin.

Evensong, by Lester del Rey

An unnamed character flees through the universe in an attempt to escape those who have overthrown his reign. To say anything else would give away the point of the story, which is an allegory.

Three stars. YELLOW for questioning the deeply held beliefs of some readers.

Flies, by Robert Silverberg

In a premise similar to his excellent novel Thorns, the author presents a severely injured astronaut who has been put back together by aliens. In this case, however, his body has been restored to normal, but his mind has been made more sensitive to the emotions of others. That doesn't work out well.

Silverberg has become a fine writer, one of the best now working. Like Thorns, this is an uncompromising look at human suffering.

Five stars. YELLOW for scenes of extreme cruelty.

The Day After the Day the Martians Came, by Frederik Pohl

Set in the very near future, this tale deals with humanity's reaction to the discovery of ugly, semi-intelligent lifeforms on the red planet. Mostly, people make nasty jokes about them. The intent of the story is to expose human prejudices, in a way that's about as subtle as a brick thrown through a window.

Three stars. YELLOW for dealing with a major social problem in the USA today.

Riders of the Purple Wage, by Philip Jose Farmer

This is, by far, the longest story in the book. It is also incredibly dense and fast-paced, so any attempt to describe the plot would be a miserable failure. That said, I'll just mention that it takes place in a very strange future, involves an artist and his tax-dodging ancestor, and contains a ton of wordplay. There are scenes of slapstick violence that are simultaneously hilarious and offensive. It's a wild rollercoaster ride, so keep your seatbelt tightly secured.

Five stars. RED for a Joycean narrative style and Rabelaisian humor.

The Malley System, by Miriam Allen deFord

In the future, the worst criminals receive a very unusual punishment. This is a grim story, that doesn't shy away from the horrors perpetuated by human monsters.

Three stars. YELLOW for violence.

A Toy for Juliette, by Robert Bloch

In a decadent future, a man uses the only time machine in existence to kidnap people from the past, in order to satisfy the whims of his sadistic granddaughter. He picks the wrong potential victim. This is a spine-chilling little science fiction horror story with a twist in its tail.

Three stars. YELLOW for sex, torture, and murder.

The Prowler in the City at the Edge of the World, by Harlan Ellison

This is a direct sequel to the previous story, with an introduction by Bloch and an afterword by Ellison. An infamous murderer finds himself in the far future, where the inhabitants enter his mind in order to enjoy his sensations as he kills.

Written in an experimental, almost cinematic style, this is an unrelenting look at the evil that lurks inside all of us. Not for weak stomachs.

Four stars. RED for explicit violence.

The Night That All Time Broke Out, by Brian W. Aldiss

People get so-called time gas supplied to their homes through pipes. It allows them to enjoy better times in the past. As with any form of technology, things can go wrong. This is a light comedy with a unique premise.

Three stars. GREEN for whimsy.

The Man Who Went to the Moon – Twice, by Howard Rodman

A young boy takes a trip to the Moon by holding on to a balloon, becoming a local celebrity. Many years later, as a very old man, his only claim to fame is not as valued as it once was. Reminiscent of Ray Bradbury, this is a gentle, quietly melancholy tale.

Three stars. GREEN for wistful nostalgia.

Faith of Our Fathers, by Philip K. Dick

The Communist East has won a hot war with the Capitalist West. The protagonist is a bureaucrat given the task to determine which of two term papers truly represents the Party line. Meanwhile, a seemingly harmless substance allows him to perceive what appear to be multiple and contradictory truths about the Mao-like Party leader.

That's a vague synopsis, because this is one of the author's stories in which you've never quite sure what is real and what is illusory. Ellison strongly hints that it was written under the influence of hallucinatory drugs. Be that as it may, it's a provocative and disturbing look at the possible nature of reality.

Four stars. YELLOW for politics, drug use, and existential terror.

The Jigsaw Man, by Larry Niven

A man is sentenced to death for his crime. His organs will be harvested for transplant. Through a series of unusual circumstances, he manages to escape from prison, but his troubles aren't over yet.

The full impact of this story doesn't hit the reader until the very end, when we find out the nature of the man's offense.  Other than that, it's an ordinary enough science fiction action/suspense story.

Three stars.  GREEN for futuristic adventure.

One Down, Two To Go

So far, this is a fine collection of stories, without a bad one in the bunch.  Sensitive readers might want to stay away from the more dangerous ones, but most mature SF fans will enjoy it.






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[July 8, 1967] Family lines (August 1967 Galaxy)


by Gideon Marcus

Royal Families

The news always likes to focus on heads of state, especially when they are flashy or glamorous in some way.  From Princess Grace of Monaco to Crown Prince Akihito of Japan, these leaders are instant idols, somehow more compelling for having the reins (and reigns) of nations even though they presumably put their pants/skirts/obis on the same way as the common folk.

This week scored a triplet of spotlights.  For instance, in the island nation of Tonga, Taufaʻahau Tupou IV was crowned monarch in a ceremony that included a feast of 71,000 suckling pigs!  And that, by itself, tells you all you need to know about the current Jewish/Moslem population of Tonga…

Closer to home, El BJ, chief of the United States, has got his first grandson.  Patrick Lyndon Nugent is the newborn child of First Daughter Luci Nugent (neé Johnson).  There is no word, as yet, whether his toddler status will grant him deferment in the lastest draft lottery.

Finally, junta chairman General Nguyen Cao Ky, the flamboyant leader of South Vietnam since 1965, has decided not to run for President in the upcoming democratic (perhaps) September elections.  Premier Thiệu has been backed by the junta for the top role, instead, with Ky getting the Vice Presidential nod.  It's all a lot of musical chairs, anyway. After all, Ky has asserted that the only politician he admires is Hitler, which tells you all you need to know about the state of democracy in that country (and its current Jewish population…)

Watching Big Brother

Fred Pohl, one of the original Futurians and a pillar of the SF community, has had his hands full for nearly a decade.  After he took over the reins of Galaxy and the newly acquired IF from H. L. Gold, rather than sit on his laurels, he looked for new worlds to conquer.  Thus, Worlds of Tomorrow was launched in 1963.  But juggling three mags (plus a few reprint-only titles) was a challenging job, often resulting in uneven quality and occasionally right-out flubs.  For instance, last year's issue of Worlds of Tomorrow where the pages got all mixed up.

One would think, with WoT going out of publication, that things might be less hectic over at the Guinn Co. mags.  But, in fact, this month's issue of Galaxy is even more higgledy-piggledy, making reading a real challenge.


by Sol Dember

Which is a shame, because there's some quite good stuff in here (mixed with some mediocre stuff, to be sure).  Thankfully, you've got me to be your guide.  Just grab your compass, or you might get lost.

Hawksbill Station, by Robert Silverberg


by Virgil Finlay

One-way time travel is developed in the early 21st Century.  Since humanity is deathly afraid of creating paradoxes, the new portals are used by the totalitarian regime for just one purpose: shipping undesirables into the far past, a sort of Paleozoic Botany Bay.

Hawksbill Station is the one reserved for male subversives, established sometime in the late Cambrian (Silverberg repeatedly gives a date of two billion years ago, but of course, the Cambrian went from about 600-500 million B.C.) Our perspective is that of Barrett, the de facto head of the more than 100 settler/prisoners on the coast of what will one day be the Atlantic Ocean.  It is a community slowly decaying as its denizens age along with no greater purpose in life.  That is, until a new young convict arrives from the future, one who appears to be a government spy…

This is more of a travelogue than a story, and the ending comes on a bit abruptly.  But the characterization, the details, the setting are all so gripping that I tore through the novella in no time, despite the labyrinthine page distribution.

Four stars, and if it ever gets expanded into a novel, it could make five.

Angel, Dark Angel, by Roger Zelazny

In another future-set tale, society is maintained by a sort of corporate Angel of Death who, with the help of ten thousand teleporting assistants, brings death to citizens after they have made sufficient contribution to humanity (and are, perhaps, on the verge of being detrimental).

One noteworthy woman has cultivated the aesthetic race of spirules (depicted on the cover) as an antidote to the cold, mechanistic technology of her time.  A subordinate angel is sent to dispatch her, but things prove more complicated.

This is a middlin' Zelazny story, not an empty poetic suit like some, but not a near masterpiece like some of his other works.  Three stars.

We're Coming Through the Window, by K. M. O'donnell

Throwaway vignette about a fellow who keeps duplicating himself due to time travel and needs Fred Pohl's help to get out of it.

Cute.  Three stars.

Ginny Wrapped in the Sun, by R. A. Lafferty

Ginny seems to be a precocious four year old, but in fact, is actually just a baseline human, maturing at age 4 and going on as an upright monkey.  It's the rest of us who are evolutionary aberrations, having five times as many heartbeats that a creature our mass should have.  Inevitably, Lafferty suggests, we'll all go ape.

This tale doesn't really work, and it's a bit more impenetrable than Lafferty's usual fare.  Two stars.

For Your Information: A Pangolin Is a Pangolin, by Willy Ley

Ley's article on the strange mammal that is neither aardvark nor anteater nor armadillo is interesting, but not much more than you might get from a rather good encyclopedia entry.

Three stars.

9-9-99, by Richard Wilson

Two wizened old characters are determined to settle an old score since both have outlived their wagered death dates, the bet having been made back in the 30s.

Whether it is even possible for them to collect given the state of the Earth in the late '90s is another matter…

Good enough, I guess.  Three stars.


by Wally Wood

Travelers Guide to Megahouston, by H. H. Hollis


by Wally Wood

This is a very long, somewhat farcical account of a 21st Century evolution of the Astrodome, in which domes enclose whole cities.

Pretty dull stuff.  Two stars.

The Being in the Tank, by Theodore L. Thomas

An alien being materializes in the heart of a hellish hydrazine factory and demands to speak to the President.  But is he the real deal?

Forgettable, but inoffensive.  A low three stars.

Hide and Seek, by Linda Marlowe

A childhood game is adapted into a method of population control.  It has shock value, but little else.

Two stars.

The Great Stupids, by Miriam Allen deFord

Mad scientist makes everyone under 50 a mental moron, all in service of a rather lame joke at the end.  DeFord was once one of the stars of the genre, but her light has waned over the years.  Here's hoping she's a Cepheid variable and not a dying dwarf.

To Outlive Eternity (Part 2 of 2), by Poul Anderson


by Jack Gaughan

It is fitting that the final long piece of the issue is a sort of mirror image of Silverberg's novella in terms of strengths and weaknesses.  As we read in last month's installment, the ramscoop colony ship Leonora Christine suffered damage to its decelerators while traveling at near light speed on the way to Beta Virginis.  The solution: to accelerate to terrific velocities instead, plunging through the heart of the galaxy and out into the comparative emptiness of intergalactic space where repairs might be effected.

In this half, event after event conspires to force the Christine to travel ever faster and faster, ultimately spanning the lifespan of the universe and beyond in a matter of months.  The story is told as a series of problem-solving conversations spread out over the weeks, and each character largely exists solely to have these conversations.  Except for the women, of course, who are almost universally hysterics or hangers-on…except for the First Officer who ultimately whores herself out for the good of the crew.

In short, the setup and ideas are really neat, but its a plot outline, not a novel.  And where Poul Anderson does try to characterize, it's with quick stereotypes, and usually not agreeable ones.  As for setting, there really isn't one.  The crew of the Christine might as well be floating heads in blank spaces for all we really get to experience the ship.

Readable, but badly flawed.  Three stars.

Matrix Goose, by Jack Sharkey

Last up, some very familiar nursery rhymes as they might be rendered by robots–after the demise of humanity.  It's cute.  Three stars.


Perhaps my favorite example, art by Gray Morrow

Cross-eyed Kin

And so, Galaxy ends up a largely enjoyable, but unremarkable read — just under 3 stars in ranking.  Perhaps, with the demise of Worlds of Tomorrow further in the rear-view mirror, Pohl will be able to concentrate on (and concentrate the best stories into) his remaining mags.

On the other hand, perhaps he hasn't learned his lesson.  He's got a new magazine is coming out next month…





[November 22, 1966] Ha ha.  Very funny.  (December 1966 Fantasy and Science Fiction)


by Gideon Marcus

Joke's on me

I have a buddy in the Costume Designers Guild (you know her, too — she's Gwyn Conaway).  She keeps me up to date with the inside dope on Hollywood.  One tidbit she offered up recently was something she paraphrased from a manual for actors published this year: the last words of the actor, Edmund Gwenn, who passed away in 1959.  A visitor to his deathbed exclaimed that his final ordeal must be hard for him.

Gwenn replied, "Dying is easy.  Comedy is hard."

I think it was in Lighthouse, a fanzine for pros, that Lester del Rey suggested more writers should go into comedy rather than flogging the same tired "serious" science fiction canards.  The problem is that humor is harder than seriosity.  An inexerpt attempt to make one laugh produces the opposite effect.

And God help us all if an editor decides to fill an entire magazine with failed attempts.  This month's Fantasy and Science Fiction, for example…

No laughing matter


by Howard Purcell

Sabotage, by Christopher Anvil

Chris Anvil normally writes for Analog.  His stories often pit humans outstmarting aliens with a bit of clever sophistry those stupid ETs (inevitably made of straw) could never conceive of, let alone counter.  How one of these tales got into F&SF, I'll never know.

The setup: the vaporous Tamar and Earth are in a stalemated war.  Earth has the technology, but Tamar has the psychology.  They possess our people and try to sabotage our efforts.  None of their attempts have been particularly successful, but the latest threatens to be a doozy.  College students are becoming increasingly disaffected by something they're being taught, and while the immediate effect is small, the cascade could be disastrous.  Luckily, Officer McAmerican (every character's name is in Rank Surname format) is able to counter the insidious teaching with a lesson plan of his own.

Obviously, this is some kind of anti-Communist metaphor; again, one wonders why Campbell didn't pick it up.  Perhaps he's full up on Anvil stories.  F&SF may pay more these days, too.  Anyway, Sabotage is three times longer than it needs to be — or it's infinity times longer, if you feel the story never needed to be written.

Two stars.


by Gahan Wilson

The Mystery of the Purloined Grenouilles, by Gerald Jonas

In his first published story, Jonas gives us a baroquely told tale of a man who creates energy through reverse Galvanism: he hooks frogs up to a generator and tickles their legs.

Two stars.

Doubting Thomas, by Thomas M. Disch

Disch is an author who started so promisingly, but if this story, of a computer designed to suss out the veracity of magical events, is any indicaton of where he's headed, he might as well throw in the Smith-Corona. 

It just ain't funny, nor is it fun to read.  One stars.

The Martian Atmosphere, by Theodore L. Thomas

The "science" article describes what we know about the components of Mars' atmosphere.  Thomas seems to believe that because there's no oxygen that something must have happened to it.  Which presupposes it was ever there in the first place.  He also assumes that the carbon dioxide that makes up the majority of the Martian atmosphere is a byproduct of respiration.

At some point, we're going to have to come to terms with the fact that there's no life on Mars.

Two stars.

Von Goom's Gambit, by Victor Contoski

Take any position of the pieces on the chessboard. Usually it tells of the logical or semi-logical plans of the players, their strategy in playing for a win or a draw, and their personalities. If you see a pattern from the King's Gambit Accepted, you know that both players are tacticians, that the fight will be brief but fierce. A pattern from the Queen's Gambit Declined, however, tells that the players are strategists playing for minute advantages, the weakening of one square or the placing of a Rook on a half-opened file. From such patterns, pleasing or displeasing, you can tell much not only about the game and the players but also about man in general, and perhaps even about the order of the universe.

Contoski's tale, also apparently his first, is about an opening so repulsive, it is irresistible.  I'm a sucker for chess stories, and this is the first readable piece in the issue. 

Three stars.

The Green Snow, by Miriam Allen deFord

At first, it seems deFord will provide a bulwark against the droll tide.  After all, deFord is quite deft with menace and creep, skilled at eliciting deep and dark emotion, but she doesn't do comedy.  Thus, while a story that begins with the gentle falling of green-tinted snowflakes could have been a romp for others, in deFord's hands, it's clear we're in for a horror.

She executes it well-enough, though there's something of the last decade about it in its flavor.  But then, as if prodded by an editor overeager to have every story fit his chosen theme for the month, deFord adds a heavy handed joke at the end.

Which, of course, falls flat.  deFord doesn't do comedy…

The Gods, by L. Sprague de Camp

If there is humor in this short poem about the passage of the gods from human devotion, it is ironic.  In all fairness, I did enjoy this piece quite a bit.

Four stars.

The Symbol-Minded Chemist, by Isaac Asimov

The always good-humored Doctor A manages to stave off the jokeyness for another dozen pages, writing on the origin of chemistry's alphabet soup.  I always enjoy etymological articles, although the list of elements by alphabetical order of their chemical name seems a bit of padding.

Four stars.

Bumberboom, by Avram Davidson

It is centuries after The Bomb, and the resulting, almost anarchic society that sprawls across the Eastern Seaboard is threatened by Bumberboom.  It is a great cannon, though it has not fired a shot in generations, tended by an increasingly inbred crew, whose Captain Mog, somewhere between an idiot and a moron, is the brightest of the bunch.

Enter Mallian, son of Hazelip, who sees the ancient gun as an opportunity to carve a feudal realm out of the upstate New York, with him as its sovereign.

Bumberboom reads something like a cross between Jack Vance and R. A. Lafferty, combining the poetic resonance and creative settings that are the signatures of the former with the sometimes incomprehensible whimsy of the latter.  Davidson's problem is that when he decides to go for funny, he often writes himself into a twisted corner, his sentences meandering to get free of themselves.

Still, once you're into it, it's not so bad. Three stars.

The punchline

But not so bad is also not so good.  My nephew, David, called me last month to let me know he'd let his subscription to F&SF lapse.  I told him he was overreacting, that things had gotten better since Ferman had taken over from Davidson.  Now I can already hear an "I told you so" coming my way.

No joke!


Not me this month.





[April 16, 1966] Non-taxing (May 1966 Fantasy and Science Fiction)


by Gideon Marcus

Three certainties

They say you can only be sure of two things in life: death and taxes.  I can't offer any personal assurances on the former, but I can say a thing or two about the latter.  Yesterday was, as it has been since my second year on the Journey (1955), tax day.  That special time of the year when Uncle Sam gets his due so that the potholes can be filled, the guns can be loaded, and (more recently and most welcomely) the poor can be relieved.

As you know, LBJ got his predecessor's big tax cut passed a couple of years back, a move that outraged the conservatives.  Of course, the benefits of that have largely passed me by — I make enough from running Journey Press to buy a cup of coffee, second-hand.  (Feel free to help change this state of affairs by buying more of our books!) On the other hand, a penurious existence means I don't have to cough up much dough come April 15.

Nevertheless, I did part with some shekels.  It was fortunate indeed that the latest issue of F&SF was at hand to balm the wound.  As has been the case for several months now, the mag was decidedly non-taxing.  Thank you, Ed Ferman, for giving us a third certainty in our lives!

The Issue at Hand


by Mel Hunter

And Madly Teach, by Lloyd Biggle, Jr.

With the advent of TV has arisen the notion of educational television, augmenting the classroom with studio-produced classes.  They have the advantage of combining nearly universal reach as well as the possibility of securing the best professionals.

But what if, in the interests both of frugality and inflicting the least bother on children, the traditional classroom is completely eschewed for the new format?  One might get Lloyd Biggle's newest novelette, detailing the culture shift a spinster English teacher from Mars encounters when she tries to adapt to the new Terran ways.

It's about as realistic as Harrison Bergeron and perhaps not as important, but I think there are some good subtle messages layered beneath the obvious ones, and Biggle is a very good writer.

Four stars.

Three for Carnival, by John Shepley

It's carnival time in near-future New York.  Old Mother Gimp (young, clear-eyed Barbara), the Harlequin (henpecked merchant, Saul Cooperman), and Lloyd (just Lloyd) take turns being themselves and someones else through the increasing chaos overtaking the Five Roses.

A difficult, abstract story, and not really science fiction or fantasy, I nevertheless found it engaging.

Three stars.


by Gahan Wilson

The Colony, by Miriam Allen deFord

Humans found a colony light years from home.  After twenty promising years, they are overrun by rapacious half-men, who abduct a settler and generally make mayhem.  Though the abductee is recovered, the presence of alien intelligence means the colonists must leave, which they do with sadness.  But not before it is learned that the half-men are actually a variety of human.

The kicker?  The events of the story took place 30,000 years ago, and the savages were Neanderthals.

This kind of gotcha story might have flown back in the 40s, but it creaks in the 60s.  Moreover, it doesn't make a lick of sense.  It is, however, decently written.  No one can fault deFord for not knowing her craft; she just needs to take a refresher course in plot ideas.

Two stars.

Breakaway House, by Ron Goulart

Pete Goodwin scratched at his short blond hair and said, "Gretchen exaggerates, Max. We're still on our shakedown cruise with this house and little things are going to show up."

Max watched the sherry in his glass. "Of course, Jillian and I are apartment types so far. But maple syrup in the closets and bobcats in the shower. That stuff sounds unusual, Pete."

"Life is different in the suburbs, Max."

Yes, amateur occult detective Max Kearney is out of retirement for another droll tale of investigation.  This time, he and his new wife, Jillian the witch, are helping out a neighbor in the new tract housing subdivision.  It must be haunted, but Pete seems strangely reluctant to deal with it.  Is he possessed?  Has he made a deal with the Devil?  Or is it really not a very big matter after all?

It wraps up a little quickly, but it's great fun along the way.  Four stars.

Beamed Power, by Theodore L. Thomas

Someday Tesla will be proven right, and we won't need wires to transmit energy.  But will the result be a utopia or a terrorist's playground?  It's a subject worthy of a full-length article, perhaps in Analog.  As is, this is an unsatisfying appertif.

Three stars.

Flattop, by Gregory Benford

New author Benford offers up a Nivenesque tale of first contact between a human astronaut and a mobile Martian bath rug.  Except this creature has explosive capabilities for growth, and a single sample threatens an entire expedition.

Very crunchy stuff.  I liked it.  Four stars.

H. P. Lovecraft: The House and the Shadows, by J. Vernon Shea

Apparently, the Weirdest of the Weird Tales bunch wasn't quite the weirdo his stories would lead us to believe.  Racist and anti-semitic, sure (though he was buddies with Robert Bloch and he married a Jew).  Anti-social, absolutely (and yet generous to a fault despite his poverty; he wrote his fans lavish and helpful letters, even at the expense of his own writing time).  Sexless and haunted?  Arguably, but if one looks for Lovecraft in his stories, they're not going to find him.

I'm neither a lover of Lovecraft not a detractor.  I feel he had three good stories in him, and he kept writing them throughout his career until he got them right.  Along the way, he evaded critical praise but amassed a fandom that really only came to the fore after his death at 47 (ouch! That's my age!)

Shea's biography is interesting, poetic, and enlightening.  Four stars.

The Third Dragon, by Ed M. Clinton, Jr.

A lovely tale of three dragons and a girl that underscores that nice guys can finish first.  Four stars.

Time and Tide, by Isaac Asimov

The Good Doctor offers up a good, if slightly padded, piece on the mechanism of tides with a brief look at tides around the solar system.  Good stuff.  Four stars.

Man of Parts, by H. L. Gold

Lastly, a story you know has to be a reprint since the former editor of Galaxy isn't doing much of anything these days.  In brief: Major Hugh Savold of the Fourth Terran Expedition against Vega, crashes onto the peaceful planet of Dorfel.  With very little salvageable but two arms and much of a brain, he is fused with the similarly mangled Dorfellow Gam Nex Biad.

Now a living rock-borer and legally no longer human, can the Major make it back to his ship and leave the living nightmare he finds himself trapped in?

Pleasant enough, but it shows its age.  Three stars.

Summing Up

Tallying the numbers on my form 1040-GJ, I find the May 1965 F&SF scores a respectable 3.5 stars.  I wouldn't say any of the stories will be up for this year's Galactic Stars, but all of them are readable and several are memorable.

I can almost forget how light my pocketbook has become… at least until the next time I have to buy a month's worth of science fiction!






[January 20, 1966] Bombs, duds, and happy endings (February 1966 Fantasy and Science Fiction)


by Gideon Marcus

Near miss

Three days ago, a B-52 nuclear bomber crashed into a KC-135 tanker aircraft off the southern coast of Spain.  The tanker was immediately destroyed, killing its four crew, and the B-52 crashed — four of its seven crew survived.

The payload of said bomber had a similarly mixed fate: two of the bombs exploded upon hitting the ground, though the nuclear device did not activate.  As a result, there is now an irradiated zone near the fishing village of Palomares.  The third bomb did not go off at all.

A fourth bomb fell into the Mediterranean Sea.  We're still looking for that one; with luck, it will be found and all will be fine.  I can't imagine Franco will want us flying our bombers over Spanish airspace anymore, though.

Turbulent flying

While The Magazine of Fantasy and Science Fiction has not plumbed the same depths it often did under the brief editorship of Avram Davidson, nevertheless Joe Ferman's F&SF has almost as many ups and downs as a Japan-bound 707 crossing a jet stream boundary.  After last month's lousy outing (which followed the previous month's excellent issue), we're on something of a level flight path.  The stories in this month's issue range from fair to middlin' with only one stand-out and one definite clunker.


by George Salter

The Gadge System, by Reginald Bretnor

Assembly line schmo, Joe Gadge, decides to quit his job and light for Burma.  His goal: to secure the inset ruby of an idol whereby to become a millionaire and win the hand of his sweetheart.  Thus ensues an amusing send-up of the typical pulp jungle adventure.  I particularly appreciated the subversion of racist clichés.

Bretnor has mostly stayed away from the SFF scene, having devoted his energies instead to the monthly pun columns that used to curse…er…grace F&SF.  This latest piece feels like a relic of the last decade, but it's pleasant reading.

Three stars.


by Gahan Wilson

Against Authority, by Miriam Allen deFord

Two young men and an extraordinary young woman are poised to rid New Turkey of "Authority", the long-installed dictator who sprang to power in the wake of a devastating alien invasion.  But the revolt is subverted even as it starts, and the plot appears to be some kind of grooming by Authority himself to find talented agents.

Where one wheel exists within another, one can be certain a third ring remains to be discovered as well.

While this story is an enjoyable pageturner, the plot is archaic (no surprise — deFord is one of the genre's longest serving veterans) and it all ends too abruptly for satisfaction.

If the previous story scraped the line between three and four stars, Against Authority hovers just above this ranking's lower boundary.

An Afternoon in May, by Richard Winkler

A library is under siege, its elderly operators determined to turn its shelves into a literary Alamo against the ignorant mob of would-be book burners.  May covers the same ground as Bradbury's The Fireman, though with a lighter touch ("The situation is hopeless, but not serious.")

Three stars.

Witness for the Persecution, by Randall Garrett

On a far off human planet in a binary system, Walt Gayle finds himself the target of a vigorous assassination plot after purchasing the secret of artificial gravity from the Interstellar Traders.  He is only saved by the ministrations of one Jeremiah, who seems to be almost omnipotent.  Why is Gayle hunted, and what lies at the other end of the chase?

I'm not sure why this story didn't get sold to Analog, where it would seem more at home.  I do know that F&SF has been trying to get more space stories of late (to maintain the "SF" part of its name).

Anyway, it's not bad, but it's also nothing you haven't seen before, and you likely won't remember it next month.  Certainly, the "surprise" reveal at the end is anything but.

Three stars.

Desynchronosis, by Theodore L. Thomas

There is a new malady that afflicts those of us in the Jet Set: "time zone syndrome".  In this article, surprisingly bereft of the Thomas' half-baked SF story seeds, the author posits that there may be other cycles beyond the 24-hour one that rule our biology.

Three stars.  I wish it had been a full length article.

The New Men, by Joanna Russ

In 1986, a East Bloc dignitary stranded in Poland by a broken down car seeks shelter in an ancient bougeois fortress.  Its resident appears to be a 400 year old Count, dusty but well-preserved.  Literate (if obtuse and veiled) horror ensues.

Russ is very good at aping older styles of writing, and she has produced some near masterpieces in the process.  This latest story will not be one of them, I'm afraid.  Perhaps I'm not versed enough in the legend it's modernizing.

Three stars.

The Way Back, by D. K. Findlay

Often, a science fiction story will be spawned by the latest scientific discovery.  In The Way Back's case, it's the recent revelation that the universe not only was created in a Big Bang, but that it may eventually collapse under its own gravitation back into a gravitational point source. 

This rather incoherent piece suggests that the process of collapse will begin in the next few decades (it won't) and that accompanying the collapse will be a gradual de-evolution of humanity (what?!)

Two stars.

Up and Down the Earth, by Isaac Asimov

The Good Doctor takes up the subject of mountains, describing the highest heights by continent, and also under various other circumstances: distance of peaks from the Earth's core, height of mountains if the oceans were drained, etc.  Missing is the most important statistic, of course: length of ascent from base to summit.

Another geographical dart throw.  Three stars.

The Mountains of Magnatz, by Jack Vance

Speaking of mountains…

Despite the punnish name, there is no relation between this story and Lovecraft's swansong, In the Mountains of Madness.  Instead, we have the sequel to the first story of Cugel the Clever, a charlatan tasked by a sorcerer to find and return an ancient magical relic.  Cugel navigates whirlpools, deodands, and trecherous townsfolk in an adventure that is half Howard, half Baum.

A little too trivial to be sublime, it is nevertheless quite clever and a lot of fun.

Four stars.

Girls Will Be Girls, by Doris Pitkin Buck

Last up as sort of a postlude is a cautionary tale about telepathy.  A young esper woman is weary of her access to the primitive and lewed thoughts of the men around her — but she's even more horrified when the thoughts of an intended beaux do not incline toward the crude.

At least, I think that's the point of this story.

Three stars.

Cruising Altitude

And so we make it through another month of F&SF, this time without any untoward accidents, but also without many memorable incidents.  At some point, I expect the Vance will be fixed up into a book, and there won't be much reason to return to this issue.

I suppose tolerable mediocrity is better than significant dross.  We're due for a really good issue, though, I hope we get one next month!