Tag Archives: Gerald Jonas

[January 8, 1970] Slow Sculpture, Fast reading (the February 1970 Galaxy Science Fiction)

[New to the Journey?  Read this for a brief introduction!]

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

A little off the top

And so it begins.  For eight years, NASA enjoyed an open budget spigot and, through persistence and endless shoveling of money (though a fraction of what's spent on defense, mind you), got us to the Moon.  Now the tap has been cut to a trickle, and the first casualties are being announced.

Black and white photo of Apollo manager George Low speaking into a microphone in front of a NASA press backdrop.
Apollo manager George Low at a press conference on the 4th

Of the 190,000 people employed at the space agency, a whopping 50,000 are going to get the axe before the end of the year.  Saturn V production is being halted.  Lunar missions are going down to a twice-per-year cadence (as opposed to the six in thirteen months we had recently).

Apollo 20, originally scheduled to land in Tycho crater in December 1972, has been canceled.  Astronauts Don Lind, Jack Lousma, and Stuart Roosa now get to cool their heels indefinitely.  Apollos 13-16 will go up over the next two years followed by "Skylab", a small orbital space station built from Saturn parts.  Then we'll get the last three Apollo missions.

After that… who knows?  If only the Soviets had given us more competition…

Oh, and in the silly season department:

Cartoon drawing of a man holding a newspaper looking out at an apple core shaped moon. The paper reads IT COULD SAY A GREAT DEAL ABOUT THE MOON TO THE VERY CORE. NASA SCIENTIST DECLARES INTENT TO PROPOSE NUCLEAR BLAST ON THE MOON.

On the 6th, Columbia University's Dr. Gary V. Latham, seismologist and principal seismic investigator for Apollo program, withdrew his proposal that an atomic bomb be detonated on the Moon.  You'll recall Apollo 12 sent the top half of Intrepid into the lunar surface so the seismometers Conrad and Bean had emplaced could listen to the echoes and learn about the Moon's interior. 

Latham got some pretty harsh criticism of his idea, so he dialed things back, suggesting NASA should find way to hit the Moon hard enough to create strong internal reverberations. Let's hope they don't use Apollo 13…

A sampling from the upper percentiles

The news may be dour on the space front, but the latest issue of Galaxy is, in contrast, most encouraging!

The February 1970 cover of Galaxy Science Fiction Magazine featuring a long-haired abstractly drawn woman in a psychedelic art style that resembles stained glass.
by Jack Gaughan, illustrating "Slow Sculpture"

The Shaker Revival, by Gerald Jonas

In the early 1990s, America has become a hollow shell, spiritually.  All of the worst elements of our modern day have amplified: the hippies have sold out to become consumers, Black Americans are confined to walled Ghettoes, kids are dropping out in growing multitudes.

Into this era, a movement is born—the New Shakers.  They live the Four Noes: No hate.  No war.  No money.  No sex.

Pencil Drawing of a man and a woman side by side. The woman has long hair and shaded cheeks. The man wears a hat, has a long moustache and holds a saxophone.
a riff on American Gothic by Jack Gaughan

This hero of this tale, such as there is one, is a journalist who is doing a series of interviews on the movement.  As time goes on, we learn that he is also tracking down his missing son, whom he believes has been inducted by the growing cult.

It's fascinating stuff, but there's no end, nor is the piece indicated as "Part One of [N]".  On the other hand, it is concluded with "MORE TO COME", which is less dispositive than it might be since that phrase gets used often in the story proper.

Black and white photo of two men in suits sitting side by side. the photo reads GERALD JONAS INTERVIEWING HARLAN ELLISON AT THE NYCON.

I'm going to give it four stars on the assumption that we're going to see more stories in this world a la Silverberg's Blue Fire series.  If this turns out to be a literary cul de sac, then we can drop the score retroactively.

Slow Sculpture, by Theodore Sturgeon

Photocopied image of an open book with a black and white illustration of a womans face. Her hair flows upward and off of the pages. The lefthand page reads SLOW SCULPTURE by Theodore Sturgeon.
by Jack Gaughan

Ted Sturgeon can write.

There are some stories your read, and you just know it's going to be superlative.  I've felt guilty these last few months, handing out five-star reviews so sparingly, wondering if my standards had gotten too high.  And then I read something that is truly superior, and I realize that, for five stars to mean anything, it's got to be saved for the very best.

I shan't spoil things for you.  It's about a man and a woman, the former an engineer, the latter a cipher, both troubled.  It involves electricity and bonsai and an understated romance (no one writes romance like Ted Sturgeon), and it is the best thing I've read in a dog's age.

Five stars and a warm glow.

Sleeping Beauty, by A. Bertram Chandler

Image of an open book. The lefthand page is a black and white illustration of a large mantis-like creature, and a man in a vest half the size standing beside. From the center in bold letters is SLEEPING BEAUTY. The top right page reads A. Bertram Chandler. A paragraph of text runs down.
by Jack Gaughan

Another bi-month, another sequel, this one involving Lieutenant Grimes in command of the Adder courier ship.  As a result of his last adventure, Grimes is (supposed to be) no longer in the passenger business.  Instead, he is sent to a nearby star to meet with an insectoid Shari queen.  Unfortunately, the cargo they ask him to transport is…a pupate Shari princess.

This is all fine and good, so long as the nascent queen remains in cold stasis.  A power outage causes her to hatch, however, and she soon has the crew in her thrall.  Worse, she has increasing interracial designs on the young Lieutenant!

Yet another pleasant but unremarkable adventure.  We're definitely going to see a fix-up Ace Double half, I'm sure.

Three stars.

The Last Night of the Festival, by Dannie Plachta

Image of an open book. An art nouveau style black and white illustration of a young couple walking surrounded by rounded shapes in the forest fills both pages. They wear long gowns and large hats.
by Jack Gaughan

Two archetypes, Dawn and Dusk, walk through a macabre parade filled with hedonistic and gory spectacles.  Each scene is punctuated by an italicized interstitial with some oblique reference to Nazi Germany.  The story is illustrated like a picture book such that the text only fills perhaps a third of the page.

Like much of Plachta's work, it's an abstract and abstruse piece.  Are the two on their way to Hell?  Do they represent actual people?  I'd appreciate it more if I knew what he was trying to say.

Two stars.

Downward to the Earth (Part 3 of 4), by Robert Silverberg

Image oF an open book. the top lefthand corner is shaded in pencil. The Top right page is illustrated by a drawing of a small creature overlooking a ravine. The text below says DOWNWARD TO THE EARTH.
by Jack Gaughan

Continues the journey of Edmund Gunderson toward the mist country of the planet he once administered as a mining colony.  The key beats include a reunion with his lover, Seema, who stayed behind when he left.  She has become enamored with the planet, surrounding her station with a garden of native life.  She is also caring for her husband, Kurtz, who was horribly distorted by his attempt to participate in the Rebirth ceremonies of the elephantine indigenous Nildoror.

Another key beat is his entry into the misty cold of the temperate zone.  It is implied that Rebirth involves the swapping of consciousnesses between the Nildoror and the simian Sulidoror, the other intelligent race on the planet.  We learn that Gunderson plans to emulate Kurtz—to offer himself as a Rebirth candidate as a sort of expiation for his sins against the indigenes.

This section is more episodic and Heart of Darkness than the prior ones, and it left me a bit cold.  I do appreciate how much time Silverberg has spent developing a truly alien world, however, and the anti-colonialist sentiment is welcome.  I just have trouble relating to or even buying the characters, and that deliberate abstraction, distancing, gives the whole affair a shambling sleep-walk feel to it.

If that's your bag, you'll love it.  For me, we're at three stars for this installment.

After They Took the Panama Canal, by Zane Kotker

Drawn image of a woman and two cartoonishly drawn men in the background, man on right wears a top hat and holds a bird. Caption reads MOST STORIES OF CONQUEST ARE WRITTEN BY THE VICTORS OR THE VANQUISHED. THIS IS NOT.

America is conquered by the Soviets.  Rape, re-education, and reduction ensue.

All this is told compellingly from the point of view of Myra, a not particularly bright (by design) woman, who is selected to be a consort to several conquerors, and to bear several of their children.  In the end, she helps lead a revolt of sorts.

I cannot tell the sex of the author from the name, but the style is unlike those employed by any male authors I know.  In any event, the narrative is reminiscent of 1954's A Woman in Berlin, a harrowing autobiographical account of a journalist in Germany's capital when the Russians came.

Four stars.

Sunpot (Part 1 of 4), by Vaughn Bodé

Open page image of Comic Sunpot Featuring images of Apollo and Captain Belinda Bump's bare breasts.

Here we've got a tongue-in-cheek space adventure starting Captain Belinda Bump, who for some reason is topless throughout the strip.  Actually, it seems quite natural to go nude in space—after all, Niven's Belters are nudists.  However, prurience seems intended: Bump is referred to as "Nectar Nipples" and "Wobble Boobs", and the overall style feels something like a black and white version of what fills the final pages of Playboy each month.

In this short installment, Captain Bump runs across the next Apollo mission.  High jinks ensue.

The art is fun, and I want to like the characters, but Bodé needs a new letterer.  Maybe he can borrow Sol Rosen from Marvel.

Three stars.

Doing the math

While nothing in this magazine quite hits the highs of Sturgeon, and Plachta keeps swinging and missing (no one I've talked to has managed to decipher Ronnie's intent), it's still a pleasant read from front to back.  I have a suspicion Galaxy will outlive Apollo.

That's something, at least!



[New to the Journey?  Read this for a brief introduction!]


Follow on BlueSky

[May 20, 1967] Field trips (June 1967 Fantasy and Science Fiction)


by Gideon Marcus

A peach of a visit

Here we are again in Atlanta, Gateway to the South.  Our last visit to the Dogwood City was at the invitation of Georgia Tech, who asked me, as a science fiction writer, to discuss predictions of the future.  Particularly, they wanted my opinion on the dangers of overpopulation, pollution, and nuclear annihilation–and what might be done to avoid catastrophe.

The talk went off rather well, and so now I'm at a conference addressing a bevy of biologists on the nascent science of exobiology, or more accurately, how aliens have figured in science fiction, both in our solar system and without. 

I must confess, there is a great feeling of accomplishment in being paid good money to talk about the things I love.  And the pastries are free, too!

A peach of an issue

Accompanying me on this trip is the latest issue of Fantasy and Science Fiction.  It has made a most pleasant companion (for the most part).  Let's take a tour, shall we?


by Bert Tanner

Death and the Executioner, by Roger Zelazny

First up, we have the sequel to Dawn in what is clearly a serial by another name (like Poul Anderson's The Star Fox).  As such, I will try to judge each piece as part of a great whole.

And what an excellent part!  Zelazny returns us to an unnamed world that is nevertheless explicitly not Earth (betrayed by its two moons).  Millennia ago, its colonists split into two castes: The Firsts, blessed with psychic powers, have effective immortality by swapping consciousnesses into other bodies.  Everyone else lives in enforced medieval squalor patterned after Hindu tradition.  The Firsts are, of course, associated with the Indian pantheon.

One rebel First, name of Sam, has styled himself the Buddha and is reintroducing Gautama's creed.  In this installment, the First who has made himself Yama, God of Death, arrives at Sam's purple grove to deliver a fatal message from Kali, head of the Firsts.

Just last article, Jessica Dickinson Goodman lamented that there were precious few f&sf stories that didn't derive their settings from a strongly European tradition.  Zelazny has shown that the subcontinent is as fertile a source for inspiration as any other.  And where Herbert's Persia-as-SF (Dune) fell flat for me, mostly due to Herbert's inexpertise as an author, in the hands of Zelazny, ancient India-turned-scientifiction sparkles.  Plus, there's lots of mighty thews-type combat for those who are into that sort of thing (paging Ms. Buhlert.)

Five stars for this segment.

The Royal Road to There, by Robert M. Green, Jr.

The Jackson family is on a seemingly endless freeway, headed for the unveiling of their uncle's will.  Said uncle was an eccentric who kept a horse-and-buggy factory going long after the automobile had become ascendant.

In a Twilight Zone-ish bit, the freeway ensnares the family, depositing them in the town his uncle built, where they are presented with a most unique offer, which may just require them to give up their gas-guzzling beast. 

Is the story anti-progress?  Or does it simply advocate smarter progress?  My brother, Lou, still laments the removal of the little red trains that used to knit Los Angeles together.  Now, the San Gabriel Valley is a basin of smog and a snarl of endless traffic.  If there had been more sensible city planning and incorporation of public transit and rail, perhaps it wouldn't be this way.

Three stars.

Gentlemen, Be Seated, by Charles Beaumont

In the future, comedy is dead.  It seems the progressive types who were offended by racial humor and violent slapstick inadvertently caused the extinction of laughter.  It's up to a secret society, armed with bad puns and blackface, to restore hope to mankind.

I hate to speak ill of the dead (Beaumont died on my 48th birthday this year), but this story is as bad as it sounds.

One star.

"…But for the Grace of God", by Gilbert Thomas

A predator of the masculine variety comes across a much more capable predator of the feminine variety.  A bit too long-winded and predictable to be truly effective, but I appreciate what the author is doing, nevertheless.

Three stars.

Non-Time Travel, by Isaac Asimov

Every so often, the Good Doctor finds himself so at a loss for ideas, that he picks a pointless subject to expound upon.  His piece on the International Date Line is pleasant enough, but it could just as easily have been a paragraph long.

Three stars.

The First Postulate, by Gerald Jonas

On a remote Mexican island, where the Mayan tradition still runs strong, the first two deaths due to natural causes in over forty years of worldwide immortality have been reported.  The scientific team dispatched there encounters increasing resistance from the locals, who ultimately fire their base to retrieve the corpses.  Is it a kind of insanity that drives the indios?  Or is it a natural reaction to an unnatural situation?

Readable, vivid, if not particularly memorable.  Three stars.

A Discovery in the Woods, by Graham Greene

Lastly, another after-the-bomb tale, told from the perspective of a band of bandy youths who encounter a house of the giants.  This one is all in the telling, a lovely tale that reminds me of Edgar Pangborn's Davy.

Four stars.

Miles to go before I sleep

So ends a perfectly suitable (with one small exception) issue.  My only real complaint is that I finished it on the flight out!  Luckily, I've got another book reserved for the flight back, which you'll hear about next month.

In the meantime, please wish me luck for tonight's speech!


by Gahan Wilson





[November 22, 1966] Ha ha.  Very funny.  (December 1966 Fantasy and Science Fiction)


by Gideon Marcus

Joke's on me

I have a buddy in the Costume Designers Guild (you know her, too — she's Gwyn Conaway).  She keeps me up to date with the inside dope on Hollywood.  One tidbit she offered up recently was something she paraphrased from a manual for actors published this year: the last words of the actor, Edmund Gwenn, who passed away in 1959.  A visitor to his deathbed exclaimed that his final ordeal must be hard for him.

Gwenn replied, "Dying is easy.  Comedy is hard."

I think it was in Lighthouse, a fanzine for pros, that Lester del Rey suggested more writers should go into comedy rather than flogging the same tired "serious" science fiction canards.  The problem is that humor is harder than seriosity.  An inexerpt attempt to make one laugh produces the opposite effect.

And God help us all if an editor decides to fill an entire magazine with failed attempts.  This month's Fantasy and Science Fiction, for example…

No laughing matter


by Howard Purcell

Sabotage, by Christopher Anvil

Chris Anvil normally writes for Analog.  His stories often pit humans outstmarting aliens with a bit of clever sophistry those stupid ETs (inevitably made of straw) could never conceive of, let alone counter.  How one of these tales got into F&SF, I'll never know.

The setup: the vaporous Tamar and Earth are in a stalemated war.  Earth has the technology, but Tamar has the psychology.  They possess our people and try to sabotage our efforts.  None of their attempts have been particularly successful, but the latest threatens to be a doozy.  College students are becoming increasingly disaffected by something they're being taught, and while the immediate effect is small, the cascade could be disastrous.  Luckily, Officer McAmerican (every character's name is in Rank Surname format) is able to counter the insidious teaching with a lesson plan of his own.

Obviously, this is some kind of anti-Communist metaphor; again, one wonders why Campbell didn't pick it up.  Perhaps he's full up on Anvil stories.  F&SF may pay more these days, too.  Anyway, Sabotage is three times longer than it needs to be — or it's infinity times longer, if you feel the story never needed to be written.

Two stars.


by Gahan Wilson

The Mystery of the Purloined Grenouilles, by Gerald Jonas

In his first published story, Jonas gives us a baroquely told tale of a man who creates energy through reverse Galvanism: he hooks frogs up to a generator and tickles their legs.

Two stars.

Doubting Thomas, by Thomas M. Disch

Disch is an author who started so promisingly, but if this story, of a computer designed to suss out the veracity of magical events, is any indicaton of where he's headed, he might as well throw in the Smith-Corona. 

It just ain't funny, nor is it fun to read.  One stars.

The Martian Atmosphere, by Theodore L. Thomas

The "science" article describes what we know about the components of Mars' atmosphere.  Thomas seems to believe that because there's no oxygen that something must have happened to it.  Which presupposes it was ever there in the first place.  He also assumes that the carbon dioxide that makes up the majority of the Martian atmosphere is a byproduct of respiration.

At some point, we're going to have to come to terms with the fact that there's no life on Mars.

Two stars.

Von Goom's Gambit, by Victor Contoski

Take any position of the pieces on the chessboard. Usually it tells of the logical or semi-logical plans of the players, their strategy in playing for a win or a draw, and their personalities. If you see a pattern from the King's Gambit Accepted, you know that both players are tacticians, that the fight will be brief but fierce. A pattern from the Queen's Gambit Declined, however, tells that the players are strategists playing for minute advantages, the weakening of one square or the placing of a Rook on a half-opened file. From such patterns, pleasing or displeasing, you can tell much not only about the game and the players but also about man in general, and perhaps even about the order of the universe.

Contoski's tale, also apparently his first, is about an opening so repulsive, it is irresistible.  I'm a sucker for chess stories, and this is the first readable piece in the issue. 

Three stars.

The Green Snow, by Miriam Allen deFord

At first, it seems deFord will provide a bulwark against the droll tide.  After all, deFord is quite deft with menace and creep, skilled at eliciting deep and dark emotion, but she doesn't do comedy.  Thus, while a story that begins with the gentle falling of green-tinted snowflakes could have been a romp for others, in deFord's hands, it's clear we're in for a horror.

She executes it well-enough, though there's something of the last decade about it in its flavor.  But then, as if prodded by an editor overeager to have every story fit his chosen theme for the month, deFord adds a heavy handed joke at the end.

Which, of course, falls flat.  deFord doesn't do comedy…

The Gods, by L. Sprague de Camp

If there is humor in this short poem about the passage of the gods from human devotion, it is ironic.  In all fairness, I did enjoy this piece quite a bit.

Four stars.

The Symbol-Minded Chemist, by Isaac Asimov

The always good-humored Doctor A manages to stave off the jokeyness for another dozen pages, writing on the origin of chemistry's alphabet soup.  I always enjoy etymological articles, although the list of elements by alphabetical order of their chemical name seems a bit of padding.

Four stars.

Bumberboom, by Avram Davidson

It is centuries after The Bomb, and the resulting, almost anarchic society that sprawls across the Eastern Seaboard is threatened by Bumberboom.  It is a great cannon, though it has not fired a shot in generations, tended by an increasingly inbred crew, whose Captain Mog, somewhere between an idiot and a moron, is the brightest of the bunch.

Enter Mallian, son of Hazelip, who sees the ancient gun as an opportunity to carve a feudal realm out of the upstate New York, with him as its sovereign.

Bumberboom reads something like a cross between Jack Vance and R. A. Lafferty, combining the poetic resonance and creative settings that are the signatures of the former with the sometimes incomprehensible whimsy of the latter.  Davidson's problem is that when he decides to go for funny, he often writes himself into a twisted corner, his sentences meandering to get free of themselves.

Still, once you're into it, it's not so bad. Three stars.

The punchline

But not so bad is also not so good.  My nephew, David, called me last month to let me know he'd let his subscription to F&SF lapse.  I told him he was overreacting, that things had gotten better since Ferman had taken over from Davidson.  Now I can already hear an "I told you so" coming my way.

No joke!


Not me this month.





[Mar. 18, 1965] Per Aspera (April 1965 Fantasy and Science Fiction


by Gideon Marcus

A Storm is Coming

"These are the times that try men's souls"

Thomas Paine

The times, they are a changing.  If the post-Korea decade was a national honeymoon for the United States, then the tumult following Kennedy's assassination surely marks the dawn of a new era.  To be sure, that decade of "good times" was secured in part on the back of many, be they Black, female, and otherwise.  Nevertheless, it felt like we, as a country, were moving toward racial justice and equality, toward shared prosperity, toward peace in the world.

Not anymore.  Where it seemed there might be rapprochement between East and West, now there is, once again, active American military involvement in Asia.  Some 3,000 troops have been dispatched, and the USAF is taking an active role in the campaign rather than simply propping up our South Vietnamese allies (whomever is leading them this week).

The Chicago Tribune says the national mood is tilting in favor of this involvement, a recovery from dashed morale just a few weeks ago after several Viet Cong incursions.  At the same time, the peace movement, which I wholly endorse, has also picked up steam, viz. the sit-in of 11 protesters at the White House last week.  I take this as a hopeful sign.

Progress toward civil rights has been a matter of two steps forward followed by one backward.  The "backlash" against newly won Black rights was in full display on March 7 when uniformed police brutally shut down a planned march for voting rights from Selma to Montgomery, Alabama.  Quickly dubbed "Bloody Sunday," it was an adamant Southern rejection of the Negro's right to basic humanity.

Even Dr. Martin Luther King Jr.'s arrival on March 8 could not immediately change affairs, and an attempt made March 9 was blocked at the bridge out of town.

But the South has never lead this nation, not in the 1860s, nor in the 1960s.  Those who saw this injustice were appalled, and this disgust reached the highest quarters of government.  On March 13, President Johnson declared this restriction of free expression to be "a national tragedy", and on March 15, in an address to the jointly assembled Congress, announced sweeping Voting Rights legislation.

Yesterday, a federal judge set aside restrictions against the march.  It will proceed as planned, starting as early as tomorrow or the next day.  Again, a sign that we can make it through adversity to our dreams.

Weathering Through

The Magazine of Fantasy and Science Fiction has had its own tribulations after a decade of unparalleled excellence under its first two editors.  The Avram Davidson era, 1962-64, was something of a nadir for the proud publication.  Now that the magazine's owner, Joe Ferman, has taken over the editorial helm (though there are rumors that it's his son, Ed, doing the work), the magazine seems to be pulling out of its nosedive.  Come take a look at the latest issue:


by Bert Tanner

Arsenal Port, by Poul Anderson

Once again, Poul Anderson takes the cover with the continuation of the adventures of Gunnar Heim, last seen in January 1965's Marque and Reprisal.  The retired space captain had obtained a letter of marque from the French government to harry the Alerion regime, which had taken the Terran planet of New Europe hostage after a short war.  Off went Heim to space in the cruiser, Fox 2, along with a scurvy crew, and there the first story ended.

Port takes place on the environmentally hostile planet of Staurm, where Heim has stopped to obtain arms for the trek.  Possessed of heavy gravity and a toxic atmosphere, not to mention carnivorous trees and insane battle robots, it is perhaps even more difficult a world than Harrison's Pyrrus.

Complicating matters is the arrival of Heim's ex-lover, a xenobiologist named Jocelyn, who rather pointedly rekindles the affair.  But is her love sincere, or is it merely to sabotage Heim's mission in furtherance of the goals of the Peace Party?

On the one hand, this installment is beautifully written, and the depiction of Staurm's weird planetology is hard science fiction at its best.  We get a bit more of Heim's background and some nice color on his executive crew, too.  On the other hand, Port boils down to a fairly simple adventure trek and doesn't further the main plot.  It's roughly analogous to the middle third of Heinlein's Have Spacesuit, Will Travel, which also featured in F&SF.  It's enjoyable reading, but you could just as easily skip it.

I waver between three and four stars.  I'm going to settle for a high three and wait for the outrage.



F&SF is now experimenting with cartoons.  Here's one by Gahan Wilson.  There will be others.


Keep Them Happy, by Robert Rohrer

In the future, the death penalty is retained; but in order to be as humane as possible, the condemned are made as happy as possible before the execution.  The story begins with a convicted murderer being told he has been acquitted and can go free — before being killed by a blow to the head by Kincaid, the psychologist/executioner-in-chief.  The rest of the tale involves a bitter widow who killed her husband for infidelity, and Kincaid, who undertakes to find out what it will take to make her happy. 

I found Happy to be disturbing and not a little anti-woman.  And, in the end, completely predictable. 

It's decently written, however, so it gets a low two star rating.


F&SF by Ed Emshwiller

Imaginary Numbers in a Real Garden, by Gerald Jonas

Here's a cute poem that utilizes mathematical symbols to complete its rhymes.  But I fail to see why one looks beyond the stars for complex numbers (you look in electric circuits) and in any event, "i" is the symbol that should have ended the piece.

Three stars.

Blind Date, by T. P. Caravan

Hapless lab assistant is catapulted to the future by a mad scientists, only to find himself immediately made part of festivities celebrating his trip through time.

This tale is the very definition of forgettable; twice, I had to refer to the magazine to remember what this rather goofy tale was about.

Two stars.

The History of Doctor Frost, by Roderic C. Hodgins

Ah, but here's a good one.  Frost is a fresh take on the Deal with the Devil genre (indeed, it's stil possible!) On the threshold of making a vital mathematical discovery, Dr. Frost is visited by a servant of Satan who offers to guarantee the man's success if only he will surrender his intellect and abilities to the devil after his demise.  Frost demurs and is given 24 hours to make his decision, which he uses to consult with, in turn, a Jesuit Priest, a psychologist, and a female friend.  In the end, the decision is entirely Frost's.

It's rather beautifully done, an archetypical F&SF story.  Four stars.

Lord Moon, by Jane Beauclerk

Jane Beauclerk is back with another tale set on the nameless world we were first introduced to in July 1964's We Serve the Star of Freedom.  Said planet is inhabited by humaniform aliens under the authoritarian regime of the Stars, venerable scholar/tyrants each with their own specialties. 

This story involves Lord Moon, a sort of knight, who sails to the lawless twelve thousand islands of Lorran hoping to free and marry the daughter of a Star held captive there.  It is not until the end that we have any encounters with actual Terrans, and the whole story is told in a magical legend sort of way.  Indeed, it is left an open question whether or not magic works, side-by-side with science, on this particular world.

It's an acquired taste, but I enjoyed it.  Three stars, like the last one.

The Certainty of Uncertainty, by Isaac Asimov

Doc A offers up a non-fiction article on quantum mechanics.  Such is always a bold decision as it is an abstruse topic that does not lend itself well to popularization.  Indeed, Asimov runs into the same problem as everyone else: he doesn't end up explaining it very well.

Having taken quantum mechanics in college (it was very new stuff then), I can tell you that it's not that complicated or difficult to comprehend — provided you have a solid grounding in calculus and second-year physics.  Without them, any explanation is just pointless analogy. 

I'm not trying to be a snob, and the Good Doctor does do a good job of explaining how tiny things live in a universe of their own, increasingly different from our everyday world as the scale shrinks.  But in the end, you're left with a lot of gee whiz stuff and not much understanding.

Three stars.

Eyes Do More Than See, by Isaac Asimov

F&SF's science columnist by-and-large gave up fiction writing with the launch of Sputnik.  He still keeps his hand in, every so often, though.  Eyes involves energy beings of the Trillionth Century, our long distant descendants, who decide to return to dabbling with physical forms…and quickly discover why they'd given it up.

Apparently, this short-short was originally rejected by Playboy.  In any event, it displays a rarely seen poetic side of the author, but whether you'll find it moving or maudlin depends on your particular sensibilities.

I fall right in the middle.  Three stars.

Aunt Millicent at the Races, by Len Guttridge

And last, here's a modern-day Welsh fairy tale about a boy whose aunt is transformed into a horse, and how the boy's father exploits the occurrence for financial gain.

Normally, this kind of silly plot would be too trivial to keep my interest, and no doubt played for laughs.  Neither is the case.  Guttridge's writing, so tight and evocative, so cinematically vivid, makes this my favorite piece of the issue.  It misses five stars, but only just.

The Star of Hope

Yes, times are currently tumultuous, and things can often seem hopeless.  It's important at junctures like these that we reflect on what's positive in our life, the power we have to make things better, and the security that comes of knowing that things that have gone bad can truly come 'round.

And that's something to celebrate!


New York's Saint Patrick's Day parade, yesterday