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[February 20, 1970] Fun-nee enough… (OSCAR 5 and the March 1970 Fantasy and Science Fiction)

[New to the Journey?  Read this for a brief introduction!]

A black-and-white photo portrait of Kaye Dee. She is a white woman with long, straight dark hair worn down, looking at the camera with a smile.

by Kaye Dee

Recently, The Traveller covered the launch of the TIROS-M weather satellite, noting that the rocket’s payload also included a small Australian-made ham radio satellite, OSCAR-5 (Orbiting Satellite Carrying Amateur Radio), also known as OSCAR-A.

Photograph of the cover of Goddard News depicting a rocket staged for launchCover of NASA's Goddard Space Flight Centre's in-house magazine, marking the launch of ITOS-1/TIROS-M and Australis-OSCAR-5

A New Star in the Southern Cross

It was exciting to be in “Mission Control” at the University of Melbourne when the satellite was launched in the evening (Australian time) on 23 January. You should have heard the cheers! After all, Australis-OSCAR-5 (AO-5), as we call it, is Australia’s second satellite. It’s also the first amateur radio satellite built outside the United States and the first OSCAR satellite constructed by university students – in this case, members of the Melbourne University Astronautical Society (MUAS).

Photograph of seven suited white men with exuberant expressions standing in an alley presenting the model satelliteThe MUAS student team with the engineering model of Australia's first amateur radio satellite

Radio Hams and Satellite Trackers

Commencing in 1961, the first OSCAR satellite was constructed by a group of American amateur radio enthusiasts. Cross-over membership between MUAS and the Melbourne University Radio Club (MURC) encouraged the students to begin tracking OSCAR satellites, moving quickly on to tracking and receiving signals from many other US and Soviet satellites.

Satellite photograph of cloud fronts moving over the continentNimbus satellite image of the western half of Australia received by MUAS for the weather bureau

One of MUAS’ achievements was the first regular reception in Australia of images from TIROS and Nimbus meteorological satellites. By 1964, they were supplying satellite weather images daily to the Bureau of Meteorology, before it established its own receiving facilities.

"How Do We Build a Satellite?"

After tracking OSCARs 3 and 4 in 1965, the MUAS students decided to try building their own satellite. “No one told us it couldn’t be done, and we were too naive to realise how complex it would be to get the satellite launched!”, an AO-5 team member told me at the launch party. MUAS decided to build a small ‘beacon’ satellite which would transmit telemetry data back to Earth on fixed frequencies.

Even before Australia’s first-launched satellite, WRESAT-1, was on the drawing board, the Australis satellite project commenced in March 1966. Volunteers from MUAS, MURC and university staff worked together to design and build the satellite, with technical and financial assistance from the Wireless Institute of Australia and a tiny budget of $600. The Australian NASA representative also gave the project invaluable support. The students acquired electronic and other components through donations from suppliers where possible: the springs used to push the satellite away from the launcher were generously made by a mattress manufacturer in Melbourne. Any other expenses came out of their own pockets!

Picture of AO-5 in launch configuration, somewhat resembling a metal-wrapped gift bound up twine holding the furled antennae down as 'the ribbon'Carpenter's steel tape was used to make AO-5's flexible antennae, seen here folded in launch configuration. Notice the inch markings on the tape!

AO-5 is a fantastic example of Aussie ‘make-do’ ingenuity. A flexible steel measuring tape from a hardware shop was cut up to make the antennae. The oven at the share house of one team member served to test the satellite’s heat tolerance, and a freezer in the university's glaciology lab was unofficially used for the cold soak. Copper circuit boards were etched with a technique using nail varnish, and a rifle-sight was used to help tune the antennae! Various components, including the transmitters and command system, were flight-tested on the university’s high altitude research balloon flights.

Colour photograph of the bare circuit-boards set up in a freezer
Colour photograph of a payload collection staged at the back of a truck in preparation for balloon flight
A university lab freezer and hitching a ride with university experiments on US HiBal high altitude balloon flights in Australia used to test the ruggedness of AO-5 components

A Long Wait for Launch

Australis was completed and delivered to Project OSCAR headquarters in June 1967, well before WRESAT’s launch in November that year. Unfortunately, AO-5 then had to wait a few years for a launch to be arranged by the Amateur Radio Satellite Corporation (AMSAT), which now operates the OSCAR project. However, it is surely appropriate that, as OSCAR-5, it finally made it into orbit with a weather satellite.

Colour photographs of the launch vehicle staged at Vandenberg Air Force Base, both before and during ignition

After launch from Vandenberg Air Force Base, AO-5 was placed into a 115-minute orbit, varying in altitude between 880 – 910 miles. This means it will be in orbit for hundreds of years – unlike the short-lived WRESAT.

In Orbit at Last!

Battery-powered, Australis-OSCAR-5 weighs only 39 pounds and carries two transmitters, beaming out the same telemetry signal on the two-metre and 10-metre amateur radio bands. Its telemetry system is sophisticated but designed for simple decoding without expensive equipment. The start of a telemetry sequence is indicated by the letters HI in Morse code, followed by data on battery voltage, current, and the temperature of the satellite at two points as well as information on the satellite's orientation in space from three horizon sensors.

Colour photograph of the Australis OSCAR 5 (a rectangular box) with metal antennae extended

AO-5 includes the first use in an amateur satellite of innovations such as a passive magnetic attitude stabilisation system (which helps reduce signal fading), and a command system to switch it on and off to conserve power. Observations are recorded on special standardised reporting forms that are suitable for computer analysis.

Photograph of a telemetry coding form noting that the satellite is spinning at four rotations per minute

Just 66 minutes after launch, the first signal was detected in Madagascar and soon other hams reported receiving both the two and 10-metre signals on the satellite's first orbit. At “Mission Control” in Melbourne, we were thrilled when MURC members managed to pick up the satellite’s signals!  By the end of Australis’ first day of operation, AMSAT headquarters had already received more than 100 tracking, telemetry and reception reports.

Photograph of news clippings from The Australian (and other publications).  They provide a photograph of the satellite in pre-launch attitude (with furled metal antennae) and photographs (including a portrait of Richard Tonkin) of members of the Melbourne team who designed and built it.A selection of local newspaper cuttings following AO-5's launch. There was plenty of interest here in Australia.

The two-metre signal failed on 14 February, but the 10-metre transmission continues for now. How much longer AO-5’s batteries will last is anybody’s guess, but the satellite has proven itself to be a successful demonstration of the MUAS students’ technical capabilities, and the team is already contemplating a more advanced follow-on satellite project.

Picture of a post-card (posted Jan 23 1970, with an Apollo 8 stamp) with an illustration of a satellite over what appears to be a map of weather fronts. Above the illustration it reads 'ITOS-1 Day-Night Weather Eye', and to the side it reads 'Oscar 5' and 'Australis'
This philatelic cover for the ITOS-1/TIROS-M launch, includes mention of AO-5, but the satellite depicted is actually OSCAR-1


photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Fantastic emanations on Earth

And now that you've had a chance to digest the latest space news, here's some less exciting (but no less necessary) coverage of the latest issue of F&SF.

Cover of The Magazine of Fantasy and Science Fiction's March issue-- the cover illustration is a square wrapped wrapped in digits with the top sequence running from 1-17, and the others presenting variations on the sequence.  The inside of the square appears to show four mirrored illustrations of men laying under blankets as though awaiting surgery.  Extending from the crowns of their heads to the center of the square are matching banded gradients from pale to dark blue.
by Ronald Walotsky

The Fatal Fulfillment, by Poul Anderson

Well, this is very interesting.  You remember that Ellison story that impressed me so much this month?  The Region Between, it was called. Well, it has an intriguing genesis.  I'll let editor Ed Ferman explain:

Five of science fiction's best storytellers were asked to write a novella beginning from a common prologue (written by Keith Laumer), to be combined in a book called Five Fates.  The Anderson story and one by Frank Herbert (coming up soon) will be published in F&SF.  We suggest that you look for the book (out in August from Doubleday) in order to catch up with the others: by Keith Laumer, Gordon Dickson and Harlan Ellison.

The prologue, as you may recall, involves a fellow named Douglas Bailey being euthanized.  We don't know why he goes there, but he ends up very much dead.  In the Ellison story, he goes on to have his soul stuffed in a series of different bodies (five of them described in detail) until he rebels against his puppetmaster and becomes God.

Anderson's story is different.

Bailey in his tale is suffering from insanity brought on by the burgeoning population, stifling technology, and all the other bugaboos of modern society.  Each of his fates (five of them!  I see a motif developing) involves a different "cure" for his malady.  The first was obviously destruction.  The second involves radical therapy.  A third involves government subsidy.  Number four takes place in a post-pandemic world where the remaining 5% of humanity is enlightened to a degree that precludes craziness.

The fifth, well… that explains what's going on.  Anderson lays the crumbs such that, if you don't figure it out by the end, you'll at least find the conclusion well set up.

It's not a bad piece, though not nearly as gripping as Ellison's.  Moreover, it's one of those that makes you go "why bother" for too long before you realize Poul's actually got a point to his meanderings.

Three stars.

Books , by Gahan Wilson

Banner reading 'Books' with an illustration of a shelf of books bracketed on the one side by a miniature of a rocket staged for liftoff, and on the other with a diorama of an astronaut having landed on a book acting as a book-end

F&SF's (and Playboy's, and who knows how many other magazine's) illustrator returns to host the book review column.  All are collections/anthologies, and none are SFnal (being either horror or mystery in genre).  He does spent a good page expressing discomfort at how universally misogynistic the stories in Splinters: A New Anthology of Macabre Modern Fiction are, noting that virtually all the tales feature evil women who get their gruesome comeuppance.  He concludes the review by conceding that many of the stories are excellent, and that readers of the macabre will enjoy the volume, but suggests that the next such volume should be misandrist to compensate.

I bring this up because time and again (and again, and again) the Journey has been criticized for just this sort of column—daring to impugn the worth of a work simply because it treats women badly.  Indeed, we are often told that "no one cares" about such things.

We do, and obviously others do, too.

An inked cartoon labeled 'The Dark Corner' which depicts a shadowy blotch with two eyes and a smile in the corner of a room underneath a cobweb

The Night of the Eye, by Dennis Etchison

A fellow is driven off the road by Death in a Car.  He survives, but upon being driven home from the hospital by his harridan wife, Death reappears.

A nothing story.  Not even frightening.  One star.

Harvest, by Leo P. Kelley

If you read Joanna Russ' Initiation in last month's issue, then you already know the premise for this similar story: humans from Earth are making planetfall on a remote colony where the settlers' descendants have widely diverged from the original stock.

In this case, the colonists were involuntary emigrés from an overpopulated Earth, and the incoming ship holds the last vestiges of humanity fleeing from an exploded Sun.

I spent the whole time waiting for the author to drop the other shoe—the way humanity on this new world had changed such that they would be repugnant to the newcomers.

It wasn't worth the wait.  Two stars.

The Falls of Troy, by L. Sprague de Camp

A table where the column headers read 'Schliemann', 'Dorpfeld', and 'Blegen', with the rows indicating the different ways that they classified the various sites from newest (Classical/Roman/Roman & Hellenistic) to oldest (Trojan) and by which cultures they believed to be dominant.

Did the Troy of The Iliad exist?  The answer is a maddening mix of "yes", "no", and "not exactly"—for there were no fewer than nine Troys, all with their unique history and character.  F&SF writer and historian, De Camp, offers up a fascinating, if all-to-brief, summary of what we know about the history of the hill towns on Hissarlik.

Invaluable stuff to the amateur classicist.  Five stars.

Fun-Nee, by Miriam Allen deFord

Sort of a children's tale, it's all about the importance of tolerance, especially on an alien world where the two races are just different enough to elicit physical revulsion, but close enough to be good friends anyway.

A little simple, and perhaps mawkish, but then, I like happy endings.

Three stars.

The Chameleon, by Larry Eisenberg

A politician with a talent for exactly meeting expectations runs afoul of a focus group with too many conflicting desires.

Short, fun, and to the point.

Three stars.

Bridging the Gaps, by Isaac Asimov

Banner reading 'Science' with inset illustrations of an atom (in the style of Bohr), an optical microscope's view of microorganisms, an oscilloscope's view of a sawtooth wave, a satellite in orbit, and a spiral galaxy

The Good Doctor explains how elements fit in the Periodic Table… without really explaining why.  I just don't get chemistry, and he's not making it any easier.

Three stars.

Ink editorial cartoon with a werewolf wearing a spacesuit seated at a cockpit simulator with the moon filling the screen.  In the foreground, one lab-coated scientist relates to the other 'I'm afraid this simulator test indicates Commodore Brent would be a poor choice for the lunar expedition'
by Gahan Wilson

The Tangled Web of Neil Weaver, by Charles Miller

Pretty typical Satanism/voodoo tale about a college kid on the make who crosses a co-ed coven leader when he tries to bed a young witch.  There are no heroes in this admittedly well-told story.

Three stars.

Tuning in

All in all, this is one of those issues that sounds worse than it was.  It was diverting enough, just not stellar.  Given the low lows we've had, this is perfectly acceptable.  Let's just try to up the average next month!

Back cover of March 1970 Fantasy and Science Fiction magazine sharing readership demographics (they're overwhelming young with 84% under 45, and 62% have attended college) and advertising the availability of French, Spanish, and German language editions.



[New to the Journey?  Read this for a brief introduction!]


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[January 31, 1970] Both sides now (February 1970 Analog)

[New to the Journey?  Read this for a brief introduction!]

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

All night long

Woody Allen likes to quip that being "bi-sexual" (liking both men and women) doubles of your chance of getting a date on the weekend.

NASA has just doubled the amount of weather they can look at in a single launch.  TIROS-M (does the "M" stand for "Mature"?) was launched from California on January 23rd into a two-hour orbit over the poles.  12 times a day, it circles the Earth, which rotates underneath.  Unlike the last 19 TIROS satellites, TIROS-M can see in the dark.  That means it gets and transmits a worldwide view of the weather twice a day rather than once.

More than that, the satellite is called the "space bus" because it carries a number of other experiments, measuring the heat of the Earth as well as solar proton radiation.  Launched "pickaback" with TIROS-M was Oscar 5, an Aussie satellite that broadcasts on a couple of bands so ham radio fans can track signals from orbit.  Maybe Kaye Dee will write more about that one in her next piece!

Clouds got in my way

If the distinctive feature of the Earth as viewed from space is its swaddling blanket of clouds, then perhaps the salient characteristic of this month's Analog is its conspicuous degree of padding.  Almost all of the stories are longer than they need to be, at least if their purpose be readability and conveying of point.  Of course, more words means more four-cent rate…


by Kelly Freas, illustrating "Birthright"

Birthright, by Poul Anderson

Emil Darmody is the manager for the terran trading station on the planet of Suleiman, a sub-jovian hulk of a world with a thick hydrogen atmosphere, primitive alien inhabitants, and a rare and valuable spice.  When Burbites, an off-world alien race who are the main purchasers of the spice, drop robots to harvest the spice themselves, Darmody must find an ingenious way to stop them without inciting an interstellar incident.  In doing so, he attracts the attention of trade magnate Nicholas Van Rijn, who likes the adventurous sort.


by Kelly Freas

If someone were to ask for a generic example of a story set in the Polesotechnic League, you could do worse than to pick this one.  It has all the usual features: compelling astronomy and sufficiently alien beings; a bold, if naive, hero; women as competent professionals; daring-do; and a cameo by the corpulent and lusty Van Rijn.

Three stars.

Dali, for Instance, by Jack Wodhams


by Peter Skirka

And now, the padding begins.  Golec is a truly alien being who wakes up one day in the form of a human on present-day Earth.  Eventually, he recalls that the mind transference was intentional, a form of reconnaissance.  The problem is, it's not reversible, and he finds his new body disgusting.  Knowing that there may be others of his race on the planet in the same predicament, he seeks them out.  Golec is told that he might as well go native.  Things could be worse.

All of this should have been a one-page prelude to an actual story.

Two stars.

The Wind from a Star, by Margaret L. Silbar

I'm very happy to see Ms. Silbar back, as her last piece, on quarks, was excellent.  This time, she talks about a topic near and dear to my heart: the solar wind.

I've actually just given a talk on this very subject, so most of what she says is familiar.  It's nicely laid out, very interesting, and with some details that are new to me.  Newcomers may find it a little abstruse, and as with her last piece, an extra page or two of explanation, or splitting things up into two, simpler articles, might have been in order.  Asimov would have taken three or four (though, to be fair, he has half the space).

Four stars.

The Fifth Ace, by Robert Chilson


by Kelly Freas

The planet of Hyperica is the outpost of the Realm of Humanity closest to the "Empire", a separate polity of unknown constitution.  One day, a liaison between the two governments brings a gift from the Empire: several giant cat-creatures in cages.  They break out of confinement at the same time an Imperial spy-craft crashlands on Hyperica.  The local Hypericans attempt to deal with both.

This one took me two reads to grasp for some reason.  Much of the story is told from the point of view from the felinoids, who are intelligent and the real invasion, the spy ship being a decoy.  There is a lot of description of the stratified human culture, a host of characters, and a great deal of lovingly depicted gore. 

A lot of pages for not a lot of story.  I did appreciate the portrayal of actual aliens, but I didn't need a page of explanation of how their retractable claws work.

Two stars.

In Our Hands, the Stars (Part 3 of 3), by Harry Harrison


by Kelly Freas

In this installment, the Daleth-drive equipped Galathea, takes off for Mars with an international contingent of observers.  Shortly into the flight, both Soviet and American agents vie for control of the ship.  The ending is not at all what I expected.

This is such a curious book, in some ways just a vessel for delivering polemics.  Worthy polemics, perhaps, on the nobility and folly of national pride.  Nevertheless, it's definitely not one of Harrison's best, with none of his New Wave flourishes, nor any of the progressive brilliance of, say, Deathworld.  His characters are bland—Martha a particular travesty—and there's not much in the way of story.  In fact, I think the whole thing could have been a compelling, four-star novella… forty or fifty pages, tops.

As is, the final installment keeps things from falling below three stars, but no more.

The Biggest Oil Disaster, by Hayden Howard


by Leo Summers

A man named Sirbuh ('hubris' backwards) has a penchant for wildcatting oil wells in the deep sea.  When one of his digs creates the biggest oil spill in history, blackening California's beaches, Sibrah doubles down and calls for the use of a nuke to both seal it and create an undersea storage cavern.  Sibrah's son, devastated by the environmental catastrophe and sickened by Sibrah's cold calculations, can only watch as the inevitable unfolds. 

I assume this is a parable on the excesses of capitalism, though editor Campbell probably enjoyed it as an endorsement of the casual use of atomic weapons.  Either way, it goes on far too long and repetitiously.

Two stars.

The Reference Library (Analog, February 1970), by P. Schuyler Miller

Miller is a great book reviewer; even though he's been writing for decades, and despite writing for the most conservative of the SF mags, he keeps an open mind.  I'm afraid this year might have broken him, though.  The New Wave claimed the Hugos, and so Schuy is trying to wrap his head around the New Wave.  The result is a column that's a bit more scattered and less engaging than most.

He does have fun moments, though, particularly his review of Moorcock's The Final Programme:

"[Jerry Cornelius] is the Cthulhu mythos of the New Wave.  Michael Moorcock..originated him in his "novel" but other authors are making him the antihero of their "stories" just as a group of authors did with the assumptions and beings created by H.P. Lovecraft..

May all of Lovecraft's most powerful entities help the poor befuddled soul who tries to fit all the Cornelius stories together."

Miller also reviews Asimov's Opus 100, which he liked better than Algis Budrys did.  Perhaps Mrs. Miller hasn't had her posterior pinched by the Good Doctor.

Reading the data

It's not so much that Analog is bad these days, it's just that it isn't very good.  The Star-O-Meter for this one pegged at 2.6.  That's worse than virtually all the other mags/anthologies this month:

  • Fantastic (3.3)
  • Galaxy (3.3)
  • IF (3.1)
  • New Worlds (3.1)
  • New Writings #16 (3)
  • Vision of Tomorrow (3)
  • Venture (2.8)

    Only Fantasy and Science Fiction (2.3) was worse, a most unusual state of affairs.

    In the spirit of TIROS-M, here are some other vital figures for the month: ten magazines/anthologies were released this month (though Crime Prevention in the 30th Century only had two new stories).  The four and five star stuff would fill three magazines, which I suppose is a normal distribution.

    Women wrote 5% of new fiction.  On the other hand, Silbar's piece means 33% of the nonfiction is by a woman.  Progress!

    Like NASA, the Journey is expanding its capacity to review the flood of new material.  Let's pray for more stuff in the greater-than-three-star territory.

    It's more fun to review "the day side" of fiction!



    [New to the Journey?  Read this for a brief introduction!]


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