[October 8, 1968] Probing the future (November 1968 Galaxy)


by Gideon Marcus

Professional opinion

Fred Pohl opens up this month's issue of Galaxy with a summary of the letters he's received from readers on how they would, in 100 words or fewer, successfully resolve the war in Vietnam.  He has great faith in the power of harnessing a bunch of smart folks to spit out solutions to problems.  I honestly don't know how useful someone's cursory stab at peace in Southeast Asia can be, even if it's from the pen of a clearly clever person like Judith Merril or Larry Niven.

He did, however, talk about a different kind of brain-tapping, one that has me very excited.  There's something called Sigma, which is a scientific way of presenting scenarios to people and assessing their likelihood, feasability, and desirability.  A consensus can then be reached and a mass-mind prediction derived. 

And as it turns out, I recently was sent a copy of Probe a 14-volume compilation of technological predictions made by the folks at TRW's Space Technology Laboratories—the folks who gave us Pioneers 0, 1 and 2, Explorer 6, Atlas Able, Pioneer 5, the Orbiting Geophysical Observatory, and parts of the Apollo Lunar Excursion Module.  I've only just started perusing it, but it makes for fascinating reading.  Of course, only time will tell if their predictions are accurate, or if they're even asking the right questions.

Of course, science fictioneers have been predicting the future in their own way for half a century.  And while the stories in this issue may not depict situations that ever come to pass, I have to say that are, at least, quite entertaining!


by Sol Dember, illustrating Building on the Line

Perris Way, by Robert Silverberg


by Jack Gaughan

I had not expected a continuation of the story, "Nightwing," but "Perris Way" is a direct sequel.  The tale picks up with our nameless Watcher, whose profession of scanning the skies for alien invasion, is no longer relevant as the invasion has come and succeeded, heading toward Perris (Paris) with his companion, the former Prince of Roum.  That latter, a member of the Dominator caste, was blinded during the invasion by the alien-in-disguise Gormon for forcing himself upon the Flier, Avluela, whom Gormon loved.  The two arrived at France's former capital to become members of the guild of Rememberers.

The erstwhile Watcher becomes an apprentice, and during his training discovers the true history of Earth and the hubristic crime that warranted the alien invasion.  His halcyon half-year with the Rememberers is abruptly terminated when the Prince shames the guild with a tactless act.  The Watcher, caught on the horns of a dilemma comprising the remedy to a Rememberer's anger versus (perhaps misplaced) loyalty to the Prince, comes up with a solution that ultimately pleases no one.  It also leaves room for a Part 3, which, if a novelization be forthcoming, is probably necessary to reach the appropriate length.

Silverbob's language is exquisite.  His poetic SFnal prose is probably even better than Zelazny's, and more approachable than Delany's.  His history of Earth is as fascinating as any that has been drawn.  On the other hand, he never treats his women well, and they are always sex objects, one way or another.  Contrast that with James Schmitz's Dr. Nile Etland, showcased just last month in Analog, lest someone want to lecture me on how "this is just the way things are."  Women do not exist just to be scenery, as much as those who hum "I'm a Girl Watcher" and hound the bosomy New Yorker Francine Gottfried on the way to work might like to think so.

It's still terrific stuff, but I can't give it more than four stars.

Keep Moving, by Miriam Allen deFord

Science fiction stories often play with the premise, "If this goes on…"  DeFord, one of the genre's most venerable authors, offers up a 22nd Century in which freeways pave virtually every square inch of the planet, and commuter culture has become the norm.  People don't even have homes anymore—they simply live in their cars, driving constantly to obtain food, entertainment, and presumably working while moving.

One man decides he's had enough and founds the "Live-In" movement, boldly staying put in one place over night.  This crazy idea wins the casual endorsement of dozens and the fervent support of one particular woman, a rather famous poet.  The ensuing partnership proves unstoppable.

Absolutely silly, but also quite charming.  Three stars.

Building on the Line, by Gordon R. Dickson


by Gray Morrow

Clancy and Plotchin are mismatched, feuding workers on the Line, a galaxy-spanning set of teleporter stations.  The two are building a set of Starlinks on the hostile world of XN-4010 when its incorporeal, gibbering race of "hobgoblins" unleashes a meteorite storm upon them.  Plotchin is incapacitated, maybe dead, but there is hope that an experimental cryogenic unit in the man's suit might be sustaining him.

Clancy decides that staying put and waiting for rescue is less desirable than making the 36-mile trek back to the main exploration ship.  And so, with Plotchin in his arms, he begins the brutal trek through the ice and near-vacuum of XN-4010, the hobgoblins nibbling at his psyche the entire way.  This bit is truly thrilling, reminiscent of the middle section of Heinlein's Have Spacesuit, Will Travel when our heroes are making a similar journey across the frozen wastes of Pluto.

The denouement, however, is a rather windy extolling of the virtues of heroic men expanding the horizons of mankind.  It all felt a little hollow, especially as it is intimated that the hobgoblins may not be malicious but simply trying to defend their world from an onslaught of human tourists.  That, to me, was the more important point, and it was tossed aside.  Framed differently, Line's premise could have made an excellent novel, with themes similar to those explored brilliantly in Silverberg's The Man in the Maze.  Alas.

Still, it's beautifully written, and the first two thirds are a wild ride.

Four stars.

For Your Information: My Friend, the Nautilus, by Willy Ley

This is quite a neat piece, definitely a throwback to Willy's better days.  It's really the evolutionary history of mollusks, with an eventual focus on nautiloids and their relatives, the ammonites.  No, this is not a Pennsylvania religious sect but a prolific family of shelled mollusks that thrived during the Age of Dinosaurs.

Given that octopuses (Ley calls the plural 'octopi', tsk tsk) are shockingly intelligent, and ammonites were advanced nautiloids, I think stories about sapient Mesozoic shellfish would be fascinating.  Be sure to credit me with the idea if you use it.

Four stars.

The Market in Aliens, by K. M. O'Donnell

An unscrupulous fellow runs a brisk trade in sapient aliens.  He has occasional twinges of guilt, but he perseveres, nevertheless.

This is a dark, ugly story.  Looking back on it, I think I have to give it four stars.  It says a lot with a little.

Locust Years, by Douglas R. Mason


by Brock

In the not too far future, universities literally recreate the past, casting lines through time to reel in prehistorical happenings for student viewing.  But when a construction accident summons a wounded mastodon and opens up a time vortex, no one is safe—up to and including humans from other time frames!

This is an interesting story, if initially difficult to apprehend.  Probably the best thing the author has written to date.  Three stars.

The Tell-Tale Heart-Machine, by Brian W. Aldiss

This one's about bitter, middle-aged man, reeling from the recent loss of his wife and his ejection from the board of the company that made his fortune.  Said company has discovered the secret of synthetic life, starting with the recreation of dinosaurs, and with the aim of creating complete humans.  Ostensibly, the man hates his father-in-law, erstwhile partner in the endeavor, for his lack of morality, and for the coldness he has hitherto shown his family.  In fact, there is something deeper going on, and a rift that may not be mendable, even as the father-in-law attempts to attone.

I found myself moved by this one.  Definitely one of Aldiss' better efforts of late.

Four stars.

Eeeetz Ch, by H. H. Hollis


by Dan Adkins

I had gone into this one expecting from the title some sort of joke story.  It's not.

Dolphins are hot news this decade.  From Flipper to People of the Sea to World of Ptavvs, the idea of porpoises being partner sapients is catching on in a big way.  Hollis' story details the visit of the junior Senator from Hawaii, Ramon Coatl (presumably of Filipino ancestry), to a Caribbean research center.  There, the dolphin called Andy but really named Eeeetz Ch is being fitted with artificial hands and tested on advanced machinery.  But the tests go both ways—the two scientists working with him (a man and a woman, the woman being the senior engineer; Silverbob, take notes) are fitted with artificial gills that plug into a plate surgically embedded in their sternums.

There's doesn't exactly seem to be a plot to the whole thing, until it's done, and you understand the stakes of Coatl's visit.  Hollis says a lot about intelligence and handicaps, about technology and ethics, without spelling it out too heavy-handedly.  Most impressively, all of the characters are extremely well realized.  Andy the dolphin, in particular, is an alien.  A likeable, sympathetic one, but not human.

This is my favorite story of the issue.  It's both conventional and new, prosaic and profound.  It made me laugh a couple of times.  It kept me riveted.

Five stars.

Like, wow!

What a contrast, huh?  Last month, Galaxy finished at a dismal 2.4.  This month, we're at 3.9, probaby the best mag of the year.  It reminds me of the old Gold days of the early '50s.  Of course with a spread like that, it's hard to make any solid predictions, but at least there's always a chance every month that Galaxy will knock it out of the park like it did this month.

That's something to look forward to!

(oh, and dig the cool offer on the back of the mag—Trek is everywhere!)






4 thoughts on “[October 8, 1968] Probing the future (November 1968 Galaxy)”

  1. We both agree and disagree on "Perris Way." I liked the story fine and think four stars is bang on. But I don't think Silverberg tops Zelazny in language. I'd say he comes close to average Zelazny, but falls far short of Roger's best. It's not as emotional, I'd say. As for the Dalany comparison, he's more approachable, yes, in that he lacks the layers and multiple illusions of Delany. All of which means his language lacks Delany's depth; it's pretty but shallow. A trompe l'oeil, if you will. And while that history lesson was interesting, it was something of an overlarge and indigestible lump right in the middle of the story. Apparently it's exposition month at Galaxy Press.

    I simply couldn't get past the premise in "Keep Moving." There are so many problems that the whole thing becomes ridiculous. That said and ignoring the premise, this may be the best thing de Ford has written in quite a while.

    I can't get to four stars for "Building on the Line." It stumbles so badly in the home stretch that it weakens everything that comes before. Dickson had already managed to say all the things he said again in the final scene, just not so blatantly. Trust your readers, Gordy.

    Definitely a very good article from Ley. It felt like he was really interested in his topic for once, instead of just trying to make his word count. And, obviously, it's octopodes.

    My copy of the magazine says "The Market in Aliens" was written by K.M. O'Donnell. It's something of an open secret that said person is Barry Malzberg, but I suppose if he's taking over at Amazing and Fantastic he wants to separate the editor and author in some way. And I don't think I can get to four stars on this one either. I'm sick and tired of unpleasant protagonists; that really pulled it down for me.

    "Locust Years" was fine. Nothing special, but not a bad story.

    I have to come in under you on the Aldiss, too. He lost me in the last couple of paragraphs, and I didn't really grasp what he was trying to imply right at the end there.

    If you had told me after the first couple of Gallegher stories that H.H. Hollis was going to be a pretty good writer, I'd have shaken my head and questioned your judgment. But he really has turned out to be someone I look forward to seeing in the table of contents. As long he's not trying to write humor; those Inspector Kruger stories were bad. I'm not 100% sure this is a five star story for me, but it does come close.

  2. So are they actually going to print those winning suggestions for solving the Vietnam War? Or are they entirely for Mr. Pohl's enjoyment?

    I liked the first Nightwings installment significantly less than most others did and I enjoyed this one even less.

    On the other hand I liked the DeFord more, possibly due to my personal dislike of cars. She seems to be doing a good line in these silly but pointed satires at the moment, long may it continue,

    It is interesting how often Dickson gets compared to Heinlein. I guess they often explore similar themes, but whilst I often find myself bored by RH's prose, I look forward GD's. Anyway, I am in agreement. Good story, disappointing ending.

    I think I am somewhere between both of you on "Market". Probably give it three stars.

    Ah Mason! Somehow a favourite of Carnell's who has never written anything better than a low three for me. He continues that noble tradition here.

    I got confused by Aldiss' piece as well, but the may owe something to flu season.

    I am in agreement that Hollis has really become one of the surprise stars of Science Fiction. Although has only published a few stories this year, he has been one of the most consistently great writers at the moment, up there with Delany, Sellings, Leiber and Dick.

    Looking at the next month forecast, was Raymond Jones really that important a writer back in the 30s? I wasn't reading much SF back then but everything I saw of his was pretty standard pulp fare. Also, I checked my magazines and was surprised to see Pohl claim Green as a If first. He was never acclaimed so in the magazine and he had already been publishing for a while in New Worlds before then (his underrated Loafers of Refuge series).

    1. Here's my precis of Raymond F. Jones's career from about a year ago:

      "Raymond F. Jones is the very model of a modern science fiction writer.  He checks all the boxes.  His career is so generic as to be paradigmatic, or maybe vice versa.  He started out in Campbell’s Astounding, just in time to join new writers George O. Smith and Hal Clement and retread Murray Leinster in keeping that magazine going when such mainstays as Heinlein, Hubbard, Williamson, and de Camp were lost to military service or war work.  After the war, when paper shortages loosened and the pulps returned from wartime quarterly schedules to monthly or bimonthly, Jones—along with Theodore Sturgeon, A.E. van Vogt, George O. Smith and other Astounding writers—began helping to fill them as well as continuing to appear in Astounding. When specialty publishers began to muster the large backlog of magazine SF for book publication, Jones was there with his Astounding novel Renaissance and a collection of his 1940s stories, The Toymaker.  When Galaxy appeared in 1950 and instantly broadened the range of the field, Jones contributed the shocking A Stone and a Spear, which would likely have been unpublishable anywhere else.  When “juvenile” (the term is becoming “young adult”) science fiction became a big item, Jones provided the well-remembered Son of the Stars and its sequel Planet of Light to the John C. Winston series.  When SF started to be big box office, Jones’s novel This Island Earth was turned into a mediocre but high-profile movie.  But somehow his recognition never kept pace with his resume, and now he seems to have given up and been largely forgotten, with only five new stories since 1960."

      So back when, he was important for producing a rather large and varied quantity of competent material.  I would have added if I were not being a bit tongue-in-cheek at the time that he came up with fairly original ideas, or original slants on familiar ideas, frequently enough to stand out a little from the crowd.  Examples include "A Stone and a Spear," cited above; "Noise Level" from ASTOUNDING ca. 1952; "Fifty Million Monkeys," from ASTOUNDING in the early '40s; and THE YEAR WHEN STARDUST FELL, his last in the Winston juvenile series.

      1. Ah interesting, thank you. May try to take a peak at some of those. To me he was always one of those people who just seemed to fill space competently but good to know he also could be more original too.

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