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[August 22, 1967] Boldly Going Down Under (Star Trek, Spies and space in Australia)

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by Kaye Dee

Since Star Trek debuted in the US last year, I’ve been eagerly awaiting its appearance Down Under after reading all the fascinating episode reviews that my fellow writers have produced for the Journey.

As I’ve mentioned before , the arrival of overseas television programmes onto Australian screens can vary wildly, from a few months to several years after premiering in their home country, so I had no idea how long I might have to wait. Thankfully, this time it’s only taken about ten months for the adventures of the crew of the USS Enterprise to reach our shores, with the series premiering in Sydney on TCN-9, the flagship station of the Nine Network, on Thursday 6 July.

Who’s Watching Out for the Watchers?
Like the introduction of Doctor Who in Australia, Star Trek’s presence on our screens has had to pass the scrutiny of the Australian Film Censorship Board (AFCB), which reviews all foreign content for television broadcast in Australia – and like Doctor Who, it has not escaped unscathed. The good Doctor’s Australian premiere was delayed by the AFCB considering its early episodes not suitable for broadcast in a “children’s” timeslot. Other episodes have experienced censorship cuts of scenes considered scary for children, and the entire Dalek Masterplan story was even banned for being too terrifying! (I really must write a future article on the curious censorship of Doctor Who in Australia).

Similarly, The Man Trap , screened as the first episode in the US, has also been banned here, deemed unsuitable for the show’s 8.30pm timeslot due to its themes of vampirism! Apparently, the ACFB thinks Australian adults can’t handle a good, suspenseful horror-themed story at a decent viewing hour, even though it permits B-grade (or should that be Z-grade?) vampire and other horror movies to be screened after 10.30pm, as part of the Awful Movies show hosted by Deadly Earnest (the nom-de-screen of local television personality Ian Bannerman, seen above in character). However, that show plays on another network, so it is unlikely that we’ll see The Man Trap turn up there any time soon.

Meanwhile, the AFCB is still reviewing some of the first series episodes, but hopefully they won’t ban any more from screening in the normal Star Trek timeslot. However, the review process seems to have thrown any adherence to the US screening order out the window and the seven episodes shown so far have appeared in quite a different sequence. Commencing with The Corbomite Manoeuvre as the first episode, we’ve now seen Menagerie (parts 1 and 2), Arena, This Side of Paradise, A Taste of Armageddon and Tomorrow is Yesterday. Galileo Seven is scheduled for this coming Thursday. My favourite so far? Tomorrow is Yesterday : I'm always up for a time travel story.

This order may be at least partly based on what TCN-9 has available while the AFCB completes its reviews. But it could also be that the television station staff have been indulging in the apparently common practice (so I’m told by my friend at the Australian Broadcasting Commission) of picking episodes at random off the shelf, when no specific screening order has been defined. Still, as long as we get to see the rest of the episodes, in whatever order, I’ll be happy, even if we will only be watching them in black and white (as we’re not likely to get colour TV in Australia until the mid-1970s on current government planning).

A Sydney Exclusive For Now
Star Trek is only screening in Sydney at the moment, although it will be shown nationally later in the year on other Nine Network capital city stations. The reason for this broadcast strategy is not clear, but perhaps Nine is waiting to see how popular the series is in Australia’s largest market before scheduling it elsewhere? Even though the various Irwin Allen productions have had reasonable ratings on Australian television, science fiction is still seen as something of a gamble by Australian commercial broadcasters and Nine may not be as confident in its purchase of the series as it seems.

On the other hand, rumour has it that Mr. Kerry Packer, the son of the Nine Network’s chief shareholder, media baron Sir Frank Packer, is something of a science fiction fan – I do have it on good authority that he’s a fan of that wonderfully quirky British series The Avengers. Maybe Mr. Packer wants to enjoy Star Trek in his home market of Sydney first, before sharing it with the rest of the country?


Everyone Loves Mr. Spock
While the arrival of Star Trek hasn’t had a huge promotional campaign attached to it – unlike the debut of Mission:Impossible (see below) – Sir Frank has certainly made use of the resources of his Australian Consolidated Press magazines and newspapers to plug the series. The Australian Women’s Weekly, the country’s most popular women’s magazine, is rather conservative and not exactly known for embracing “out there” interests like science fiction. Yet its television critic, Nan Musgrove, gave Star Trek a very positive review in her column (and it does feel like a genuinely positive review, not just a promotion for a Packer interest).

A full page colour spread about Star Trek (above) has recently appeared in the 2 August issue and a further article about Mr. Nimoy’s Emmy nomination in the 9 August issue. Articles about Star Trek have also appeared in the Packer-owned TV Week magazine and Daily Telegraph newspaper.

The television critics of other newspapers and television guides have also generally reviewed the series favourably, although one did dismiss it rather scathingly (but then, I think he dislikes science fiction as a matter of principle!) Mr. Spock certainly stands out as the most intriguing and popular character to the reviewers, and to letter writers to the newspapers and magazines. Several have also commented very favourably on the multi-national nature of the Enterprise crew and the lack of racial prejudice in the series – these latter comments undoubtedly influenced by the racial unrest we’ve seen in the US in recent times.

Who's Watching?
I’ve not been able to obtain any ratings figures yet for these early Star Trek episodes, so it’s hard to really judge the show’s popularity with the viewing audience. But if what I’m hearing at the university is anything to go by, and what my sister and her husband tell me they are hearing at the hairdresser and at work, people who would not consider themselves science fiction fans (or even interested in science fiction) are watching Star Trek and enjoying it.

And it’s not just the adults that are watching Star Trek, either. My niece Vickie, who recently turned 10, asked to be allowed to stay up and watch Star Trek for her birthday (as her normal bedtime is 8.30pm). Her first episode was Arena – and she was so taken by it that she refused to go to bed at the usual time the following week, insisting that now she is a "big girl", she's old enough to stay up an extra hour one night a week! Well, how could we refuse a budding fan? So now she joins her parents and I in our new Thursday night routine of watching Hunter at 7.30, followed by Star Trek at 8.30pm.


Spies are All the Rage
Hunter, which precedes Star Trek (and commenced on the same evening that Star Trek premiered), is a new Australian-made spy drama from the Crawford Productions stable. Better known for its radio dramas and police show Homicide, Crawfords has decided to cash in on the current popularity of the espionage genre by producing a very slick, American-style spy drama based around the exploits of John Hunter, a Bond-like intelligence agent for an Australian security organisation, COSMIC (Commonwealth Office of Security & Military Intelligence Co-ordination).

Being on the Nine Network, Hunter has also been heavily promoted in the Packer-owned press, but nothing like the way in which the 0-10 Network has promoted the debut of its prize overseas spy-drama purchase, Mission: Impossible. Ahead of that show’s first screening at the end of June, TEN-10 in Sydney flew 50 journalists and celebrities down to Canberra on a specially chartered flight. The station’s guests were treated to an in-flight meal of champagne, fillet mignon and “super spy cocktails” (served by silver-mini-skirted hostesses), before enjoying an exclusive preview of the first episode, screened at the museum within the Royal Australian Mint! The 0-10 network must be expecting great things from Mission: Impossible, to spend so lavishly on its promotion. 

Crawfords has preferred to spend its Hunter budget, not on promotion, but on extensive location filming. This has included segments of its first six-part story, The Tolhurst File, being shot on location at the Woomera Rocket Range. Hunter is the first commercial television programme to receive permission to film at Woomera, and it’s rumoured that Hector Crawford himself made use of his high-level political connections to obtain the clearances – because right now Woomera is a very busy place indeed!

ELDO Launches at Woomera
Of course, I wouldn't let a piece on science fiction go by without a bit on actual science as well–and there is plenty to report.

It’s been over twelve months since I wrote an update on the activities of the ELDO programme. After the Europa F-4 launch was un-necessarily terminated by the Range Safety Officer in May last year, a replacement flight to test the all-up configuration of the three-stage vehicle had to be arranged. This took place on 15 November 1966, with an active Blue Streak first stage and inert dummies of the French second stage and West German third stage. The rocket’s dummy test satellite also carried instrumentation to measure the conditions that a real satellite would experience during launch.

Fortunately, this test flight was a complete success, reaching a height of over 60 miles. The dummy upper stages separated successfully from the active first stage, with all the vehicle’s components falling, as planned, into the upper region of the Simpson Desert, south-east of Alice Springs in the Northern Territory.

Not so successful, however, was the flight of Europa F-6, launched just a couple of weeks ago on 4 August. This mission was intended to be the first trial flight with active first and second stages (the third stage and satellite still being dummies). Initially planned for 11 July, the flight experienced 10 aborts and launch delays over more than two weeks due to systems problems and weather.

When the mission finally launched, while the first stage once again performed as planned, the French second stage failed to ignite. The cause of this failure is not yet known, but as many components of the French Coralie stage were reaching the end of their operational life due to the launch delays, investigations of the failure are focussed on this aspect. A reflight, already dubbed F6/2 is being scheduled for later this year, possibly November.

An "Australian" Astronaut
And Australia now has its "own" astronaut, in the person of Dr Phillip K Chapman, just this month selected as part of NASA's second group of 11 scientist-astronauts. Although Chapman, who is now an American citizen (as he had to be, in order to be eligible for the astronaut programme), will not fly as an astronaut wearing an Australian flag on his shoulder, we are all excited that he will probably participate in the Apollo Applications Program, which is planned to follow-on from the initial Apollo lunar landing program: maybe he will even get to walk on the Moon as the Apollo programme expands?

Originally from Melbourne, Chapman (seen here in the back row, extreme right) is one of the first two naturalised US citizens to be selected as an astronaut. A physicist and engineer, specialising in instrumentation, Chapman studied at the University of Sydney and the Massachusetts Institute of Technology (MIT), from which he obtained a degree in aeronautics and astronautics.

Prior to his astronaut selection, Chapman's career has included studying aurorae in Antarctica, as part of the Australian expedition there during the International Geophysical Year. He also worked on aviation electronics in Canada before joining MIT as a staff physicist in 1961. Prior to his selection as an astronaut, Chapman has most recently been employed in MIT’s Experimental Astronomy Laboratory, where he worked on several satellites. I hope I'll have the opportuntiy to meet Dr Chapman some time soon, and I look forward to reporting on his future astronaut career. 

And while I wait for a real life Australian astronaut to make his first flight, I can at last enjoy the adventures of the crew of the USS Enterprise for myself – and hope that one day they'll add an Australian to its crew as well!



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Science / Space Race

[August 16, 1967] Boxes, Big Steel Boxes: The Rise of the Shipping Container

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by Cora Buhlert

A Strangely Familiar Monk

Poster The Monk with the Whip

A few days ago, Der Mönch mit der Peitsche (The Monk with the Whip), the latest movie in the Edgar Wallace series, premiered in West German cinemas. Director Alfred Vohrer delivers the best colour film in the Wallace series to date (the series switched to colour last year) and creates striking visuals as a scarlet robed monk stalks the fog-shrouded grounds of an exclusive girls' school. The organ-heavy score by Martin Böttcher contributes to the eerie atmosphere

Monk with the Whip
The Monk with the Whip is engaging in murder and villainy in the fog-shrouded woods.

However, the plot seems strangely familiar, probably because we've already seen this very same film one and a half years ago under the title Der unheimliche Mönch (The Sinister Monk). Star Uschi Glas even played a supporting role in the earlier movie.

Monk with the Whip: Uschi Glass
Sir John (Siegfried Schürenberg) and Inspector Higgins (Joachim Fuchsberger) comfort Ann Portland (Uschi Glas) after a run-in with the monk.

So has it finally happened? Has the Edgar Wallace series run out of ideas after a stunning twenty-nine movies in the past eight years? On the other hand, Edgar Wallace was a very prolific writer and much of his work remains unadapted. So maybe there is life in the old warhorse yet?

However, not just the Edgar Wallace movies have switched to colour. West German television will begin broadcasting in colour later this month to coincide with the Internationale Funkausstellung (International Radio Exhibition) in Berlin.

Magic Boxes

Meanwhile, a revolution just as significant as the switch from black and white to colour is quietly happening in a completely different sector. At the centre of this revolution is an unassuming 20 x 8 x 8.5 foot box of aluminium or corrugated steel: the shipping container.

Cargo ships may not be as glamorous as the big ocean liners and cruise ships or as impressive as a Navy destroyer or aircraft carrier, but they are the backbone of international trade. Pretty much every product from overseas, whether it's cars from Japan, import paperbacks and comic books from the US, coffee from Brazil, tea from India, canned pineapples from Hawaii or even that fanzine mailed from America, comes to you by cargo ship, because air freight is much too expensive and only reserved for the most urgent of cargos.

However, shipping cargo from one port to another takes time. Now unless there is a revolution in engine technology, which is currently not in sight, the speed of a modern ship has reached a maximum. The SS United States set The Blue Riband record for the fastest crossing of the Atlantic fifteen years ago, and this achievement is not likely to be broken anytime soon.

But the actual sea voyage is only a part of cargo transport. Freighters spend a large chunk of time in ports, because loading and unloading the cargo takes a lot of time and manpower (roughly twenty longshoremen are needed to load or unload a single freighter). Hereby, a large part of the problem is that cargo comes in all shapes and sizes. Cars are different from sacks of coffee, which are different from cans of pineapples, which are different from bales of cotton, which are different from boxes of books, which are different from bags of mail. All of these differently sized cargos must be individually unloaded, with the help of cranes, where necessary.

Loading the MV Rothenstein in Port of Sudan
Longshoremen are loading bags aboard the MV Rothenstein in Port of Sudan in 1960.
Bags being unloaded in the port of Bremen
Bagged cargo is being unloaded in the port of Bremen.
Cotton bales being unloaded in the port of Bremen
Bales of cotton are being unloaded in the port of Bremen.
Damaged coffee bag
Another drawback of breakbulk cargo is that the cargo can get damaged, such as these coffee beans spilling out of a bag in the cargo hold of a freighter.

Father of the Modern Shipping Container

The slow loading and unloading process is a constant source of frustration for shipping companies. Among the frustrated was a man named Malcom McLean, co-owner of a trucking company from North Carolina. Some thirty years ago, McLean had the brilliant idea that instead of the current time-consuming process, it would be much quicker to just load a trailer with the cargo onto a ship and then unload trailer and cargo at the destination and connect it to a tractor unit.

Eventually McLean refined his idea to load not entire truck trailers onto a ship, but simply transport the cargo in boxes of the same size that are easy to load, unload and stack, whether they contain books or shoes or sacks of coffee or bales of cotton or canned pineapples or bags of mail. And thus, the shipping container was born.

Malcom McLean
Malcom McLean overlooks his empire in Newark in 1957.

Initially, the shipping industry was sceptical about McLean's idea – after all, a box would add extra weight and reduce the available payload – and he had problems finding backers. So in 1955, he sold his share in his trucking company, bought a steamship company he named Sea-Land Corporation Ltd. and two decommissioned US Navy tankers, which he had converted for transporting containers. The first of these two ships, the SS Ideal X, disembarked on its first voyage from Newark to Houston on April 26, 1956.

Container aboard the Ideal X
Containers being loaded aboard the Ideal X for its first voyage in 1956.

The breakthrough for the shipping container and a lucrative contract for Sea-Land finally came with the Vietnam War, because McLean's containers turned out to be ideal for transporting supplies to the US troops in Vietnam.

The Container Comes to Bremen

But while McLean and Sea-Land were slowly revolutionising cargo shipping in the US, European and particularly West German shipping companies remained sceptical of this new-fangled container idea. And so it took until May of last year for Sea-Land to start a regular transatlantic cargo service and for the first container vessel, the MV Fairland, to come to Europe.

The Fairland's first port of call was Rotterdam. Her second port of call was my hometown of Bremen and this is why I was lucky enough to see the Fairland and her cargo of miracle boxes in person. A friend of mine works as an engineer at the AG Weser shipyard and was asked to stand by with a team of technicians and electricians in case there were any problems while unloading the Fairland's cargo of containers. He invited me along to serve as an interpreter in case of language issues.

Fairland in Bremen port
The MV Fairland moored in the port of Bremen last year.

And there definitely were problems unloading the Fairland, because the port of Bremen is not set up for the handling of containers and German trucks turned out to be not all that well equipped for transporting containers with American dimensions. And because containers are still very new in Europe, things like corner castings and twist-locks, which keep the container in place aboard a ship or on a truck bed, are unknown here.

MV Fairland in the port of Bremen
Another look at the MV Fairland in the port of Bremen last year. Note the containers on deck.

The first of the 226 containers on board was unloaded without a hitch. However, disaster struck when the second container, a refrigerated unit called a "reefer container", carrying frozen chicken legs from Virginia, slipped from the hook of the on-board cargo crane of the Fairland and crashed down onto the driver's cab of a brand-new truck waiting below. Thankfully, the driver was not seriously injured. The container survived the fall as well, as did the chicken legs, though the truck did not.

While the Fairland was being unloaded, several Bremen merchants and representatives of West German shipping companies were watching the proceedings with great interest. Initially, the merchants and shipping companies were highly sceptical and the accident during the unloading of the second container did not help matters. However, when the Fairland was fully unloaded after only sixteen hours and two shifts rather than the customary several days or even weeks, depending on the size of the ship and the type of cargo, the gentlemen were intrigued.

The Container Revolution

The Fairland would not remain the only container freighter to moor at the port of Bremen. But while there was still a lot of scepticism towards the metal box, Bremen senator of harbours Georg Bortscheller (nicknamed "Container Schorse" for his championing of container shipping) and Gerhard Beier, head of the Bremer Lagerhaus Gesellschaft, the company which manages the loading, unloading and storage of cargo in the harbours of Bremen and Bremerhaven, were both convinced by Malcom McLean's idea and also saw great potential for Bremen's harbours in the introduction of the shipping container. Because if Bremen's harbour was better set up to handle containers than competing harbours like Hamburg, Rotterdam or Antwerp, container ships and the resulting business would go here. And indeed, the United States Line and the Container Marines Lines now have a regular container service to Bremen in addition to Sea-Land.

Senator Bortscheller
George Bortscheller a.k.a. "Container Schorse", Bremen's senator of harbours.

As a result, the first specialised container bridge was installed in Bremen harbour in October 1966, only five months after the arrival of the Fairland. Now container vessels could be unloaded even faster than before. Last months, the 100,000th container was unloaded in Bremen harbour, a remarkable number considering that the first 100 containers were unloaded from the Fairland only a little more than a year ago.

First container bridge in the harbour of Bremen
The first container bridge in the port of Bremen began operations in October of last year.

But West German shipping companies were also taking note. The first container vessel built in West Germany, the Bell Vanguard, was launched in March 1966 in Hamburg, two months before the Fairland arrived in Bremen. But though the Bell Vanguard was commissioned by the West German shipping company Jürgen Heinrich Breuer of Hamburg, it was chartered out to the Irish shipping company Bell Lines and it currently in service between Ireland and continental Europe.

Bell Vanguard
The MV Bell Vanguard, the first container vessel built in West Germany.

Meanwhile, two of the biggest West German shipping companies, the Hamburg-Amerika-Linie a.k.a. Hapag of Hamburg and the Norddeutscher Lloyd of Bremen are also getting into the container business. Initially, Hapag had some of its fast freighters of the Westfalia und Nürnberg classes converted to be able to transport containers in addition to regular breakbulk cargos, while the Norddeutscher Lloyd is doing the same with Burgenstein class vessels and the brand-new fast freighters of Friesenstein class. My friend, who works at the AG Weser shipyard, is in charge of these conversions and is currently overseeing the freighters being outfitted with twist locks, plugs for reefer containers and rails to allow for moving and storing containers on deck.

MV Alemannia
HAPAG's MV Alemannia, retrofitted for container transport.
MV Bayernstein
The Norddeutscher Lloyd's MV Bayernstein, retrofitted for container transport.
MV Birkenstein
The Norddeutscher Lolyd's MV Buntenstein, retrofitted for container transport.

But both companies have even bigger plans and the long-time rivals are cooperating to make them a reality. For Hapag and the Norddeutscher Lloyd are planning to order four dedicated container vessels of their own and will jointly operate them under the name Hapag-Lloyd. The first two of these ships, the MV Weser Express and MV Elbe Express, are expected to go into service next year. This is good news, particularly for the troubled Hapag, since one of their ships, the freighter MV Münsterland, is currently stuck in the Great Bitter Lake in the Suez Canal due to the Six Day War. It is unknown when the Münsterland will be able to return to Hamburg.

Freighters trapped in the Suez Canal due to the Six Days War
Hapag's MV Münsterland and several other freighters stuck in the Great Bitter Lake in the Suez Canal due to the Six Days War.

Will the container revolution continue or will it fizzle out? So far, the future is still up in the air. However, the rapid growth of container turnover in the harbour of Bremen, the fact that Senator Bortscheller has announced that a brand-new container terminal will be built in the harbour of Bremerhaven as well as the fact that big shipping companies such as Hapag and the Norddeutscher Lloyd are jumping into the container business indicate that the shipping container is not a passing fad, but here to stay.

The container does have its drawbacks. For example it endangers the jobs of many longshoremen, but overall the world will profit from the rise of the container and the faster turnover times it makes possible, because it means that goods from overseas, whether coffee, tobacco, cotton, canned pineapples, Japanese cars and radios, frozen chicken legs from Virginia, books and magazines, and yes, even the postage for that fanzine mailed from the US, will become more plentiful and cheaper. And this is something that will benefit us all.

MV Europa
Freighters may be the backbone of the shipping industry, but the glamour still plays a role as well, as exemplified by the Norddeutscher Lloyd's flagship, the beautiful MV Europa, which is offering both liner service between Bremerhaven and New York as well as cruises.
MV Europa in the foggy outer Weser
The MV Europa on the foggy outer Weser. However, she'll soon reach sunnier climes.
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Science / Space Race

[July 22, 1967] Getting the mail through (Australia introduces Postcodes)

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by Kaye Dee

In my first article for the Journey, just over three years ago, I talked about rocket mail and flying postmen. Well, we haven’t seen either of them yet – despite continual promises that they are “only a few years away”. This month, though, Australia has taken a step into the future of postal technology with the introduction of Postcode, the new national mail sorting system.

Zipping the Mail Along
Postal codes are not exactly new. They were first developed in large cities like London (where they were introduced in 1857) to help improve the speed of mail sorting and delivery as populations and the size and complexity of cities grew.

Modern postal codes were first introduced in the Ukrainian Soviet Socialist Republic in 1932, followed by Germany (1941), Singapore (1950) and Argentina in 1958. Britain began introducing its current postal code system in 1959, while the US Postal Service introduced the five-digit ZIP code in 1963. I was interested to learn as I prepared to write this article that the ZIP part of ZIP code is actually an acronym standing for Zone Improvement Plan. I always thought that it was just a play on the idea of zipping, or speeding, the mail along to its destination. Switzerland was the most recent country to introduce postal codes before Australia, in 1964.

Mechanising Mail Sorting
What made the Postmaster General’s Department (PMG), which manages all Australia’s postal, telephone and telegraph services, decide that we needed to follow suit and speed up our mail by using a postal code system? After all, Australia’s current population is only 11.87 million – less than the population of New York City, which I understand is about 15.6 million.

Until now, mail sorting in this country has primarily been done by skilled human sorters, who have a detailed knowledge of geographical localities, reading the address on each letter. However, there are about 8,000 delivery offices around the country, so getting the mail to its final destnations has required at least two or three stages of sorting.


Mail sorting at the Sydney General Post Office in 1964

Australia has long been a world leader in in postal service mechanisation, and as early as 1958, the PMG decided to introduce large-scale mechanical mail sorting systems across Australia. As the first stage of this plan, the Sydney Mail Exchange opened in the suburb of Redfern in 1965, to automate and centralise the mail sorting facilities for New South Wales. It’s the largest and most advanced mechanised mail centre in the Southern Hemisphere, and the new electronic equipment and technology is attracting Worldwide interest. I’ve even heard that the Mail Exchange’s design concept is being considered as a possible future system by the US Postal Service.


Sydey's ultra-modern new mail exchange, in the inner-city suburb of Redfern

Sydney is our largest city, and New South Wales, the most populous state, so it makes sense to introduce a new Postcode system to work in conjunction with the state-of-the-art electronic mail handling equipment at the Sydney Mail Exchange, through which so much mail passes. Postcodes simplify the sorting process, as the mail sorter is now a coding operator, who enters the postcode using their data entry terminal, enabling the letters to be rapidly sorted electronically and speedily despatched to their delivery offices.


The Sydney Mail Exchange's state-of-the-art data entry system for the new sorting computers. Conveyors drop individual letters in front of the operators, who then type the postcode or suburb identifying the letter’s destination

The computers controlling this process occupy a large amount of space in the Mail Exchange building. Similar mechanised sorting systems will be gradually introduced around the country over the coming years: they’ll be immediately able to take advantage of the Postcode system to speed their mail sorting, without many of the teething problems that have bedevilled the Sydney mail Exchange.

The Australian Postcode System
The Postcode system was introduced on Saturday, 1 July. The new four-digit number system replaces some earlier postal sorting systems, such as Melbourne's letter and number codes (e.g., N3, E5) and a similar system that has been in use in rural and regional New South Wales. Nearly 5,000 postcodes have been allocated across the country, to every city, town, suburb and small regional centre.

Postcodes have been allocated following a broad geographical pattern, with Postcode numbers for capital city suburbs beginning in the west and moving to the north, east and south. A similar pattern is followed for regional country areas. The first digit of the Postcodes in each station corresponds to radio station call signs for that state: 2 (New South Wales and the Australian Capital Territory – our equivalent of the District of Columbia), 3 (Victoria), 4 (Queensland), 5 (South Australia), 6 (Western Australia), 7 (Tasmania) and 8 (Northern Territory).

I think this is a good idea because everyone knows the radio callsigns, so it will make it easier to remember Postcodes for their friends locally or interstate. Subscriber Trunk Dialing for telephones, which commenced last year, is also using the state radio call sign number as the basis of the dialing codes for each capital city, so I imagine that will help with remembering the direct dial codes too. 

Getting the Word Out

The first edition of the Postcode booklet, listing every national Postcode, is being distributed free by mail this month to every Australian household and business address. A total of 4.5 million booklets are expected to be distributed, along with a postcard identifying the recipient’s own postcode. Of course, with 5,000 postcodes to include in the booklet, and with some geographical oddities to contend with, it’s not surprising that diligent nit-pickers have already found faults in the booklet to complain about and have been writing carping letters to the editors of local and major state newspapers.

There has been extensive advertising about the new Postcode system in the newspapers and on television and radio, but so far, we have not been treated to a catchy jingle like the one that introduced us to decimal currency last year.

The PMG is hoping that if we all start using the Postcodes properly at the end of addresses, not only will it improve the speed of mail delivery, but that next year it will make it easier to introduce “post office preferred-size envelopes” as well, whose standardised sizes will further improve the speed of mechanised mail sorting! 

And then I can finally get my postcards from the Traveler in a timely manner!



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Science / Space Race

[June 28, 1967] Around the World in Two Seconds (Our World Global Satellite Broadcast)

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by Kaye Dee

I love how our world is drawing closer every day to some of the amazing futures that science fiction has spread before us. I’ve written before about the importance of satellite communications in connecting this divided planet. Just two days ago, 24 countries around the globe were linked together in the first world-spanning live satellite broadcast, titled – appropriately enough – Our World.

Our World's visual symbol incorporates a modernised version of da Vinci's "Vitruvian Man", with arms encircling the globe, and vertical and horizontal lines representing longitude and latitude

Down Under Comes Up Live – from a town with no television!
For us in Australia, being instantaneously connected to the rest of the world through phone and television is a major step in breaking the “tyranny of distance” that has shaped our national history. Our first Satellite Earth Station was opened just last October in Carnarvon, a remote township in Western Australia, whose only other connection to the rest of the world is a phone line. It’s no wonder NASA wanted to provide a satellite connection back to the United States for its tracking station located there, using the INTELSAT communications network. Just after the station opened, a mishap with the launch of the first INTELSAT II satellite (Blue Bird) on 26 October placed the satellite into the wrong orbit, providing an opportunity for the first satellite broadcast from Down Under.


SES Carnarvon's unusual antenna, one of only four that have been built for the INTELSAT network. Officially described a 42-foot aperture cassegrain-fed folded-horn antenna, you can see why it's nicknamed the “sugar scoop”

According to my friend at the Australian Broadcasting Commission (ABC), some hasty calculations revealed that short segments of television broadcast could be relayed to the United Kingdom via INTELSAT II in its unplanned elliptical orbit. So the ABC and the BBC quickly put together a plan for a live telecast, called Down Under Comes Up Live, from Carnarvon – a town which doesn’t even have a television service!

Connection was the theme, and ordinary people were the stars of the show. The program reunited three families of British immigrants living in Carnarvon, two of whom who happened to be employees of the NASA tracking station, with their relatives in the BBC studios in London. It also included some interviews with local residents talking abut life in their remote community. Introducing new babies to family is a universal ritual, and it's delightful to see that it was one that played out in both Down Under Comes Up Live and Our World.

Down Under Comes Up Live was a direct one-way broadcast (a return signal was not possible for technical reasons) that was a complex undertaking (and a good rehearsal for our involvement in Our World). Without a local television station in Carnarvon, ABC outside broadcast vans and their technical staff made a 560 mile trip from Perth to produce the program. The vision was sent live to London from the satellite station, but the audio to and from London was transmitted separately by cable.

On Friday 25 November 1966, more than twelve minutes of television was broadcast to London. Although the program was seen live in the UK, rather ironically, we couldn’t see it live in Australia because there are no television links between Carnarvon and Perth. We had to wait for a few days to see this history-making program, once a film copy of the UK broadcast was flown back to Australia.

Incoming – Australia Day at Expo 67
Apart from a few test transmissions, it was just three weeks ago that we saw the first satellite broadcast into Australia – a live telecast of Australia’s ‘special day’ at Expo 67 in Montreal. This time the transmission came via NASA’s Applications Technology Satellite (ATS)-1. To support this program, NASA has established a temporary satellite station at Cooby Creek dam, about 14 miles north of Toowoomba in Queensland.

The picturesque setting for NASA's Cooby Creek tracking station that brought both Australia Day at Expo 67 and Our World to Australia via ATS-1

Several hundred thousand people around the country, including my sister’s family and I, watched live through the early hours of 7 June our time, as Australia took centre stage in Canada. The program commenced with Prime Minister Harold Holt officially opening the Australian Pavilion at the Expo. Special events for “Australia Day” included boomerang throwing, sheep-dog trials, wood chopping contests and tennis matches with members of the Australian Davis Cup team. Celebrity was an important theme for the variety concert, "Pop Goes Australia", which showcased Australian talent, including the internationally-known Rolf Harris and The Seekers.

The clarity of the satellite picture from Montreal was surprisingly good: I’ve heard that hundreds of viewers rang the ABC in Sydney wanting to be assured that the vision really was being broadcast live from Canada! I just wish I could find some decent reproductions to show you or had thought to take a picture on the screen of our TV set. 

Our World – joining hands (almost) around the planet
So, with just two satellite broadcasts under its belt, from 4.50am Australian Eastern Time on 26 June, Australia participated in the Our World program, helping to string Puck's "girdle around the world". We joined 13 other nations in providing television content for the first live global television broadcast, which instantaneously linked 24 countries on six continents via four communications satellites, with the signals travelling around the world in just 2 seconds!

The brainchild of the BBC, though produced under the auspices of the European Broadcasting Union, the global telecast was controlled from the BBC in London, with America’s National Educational Television in New York City feeding items from the United States, Canada, Mexico, Australia and Japan to the British Control Centre. Literally thousands of technicians handled the outside broadcasts and studio operations around the world. Satellite ground stations in Australia (NASA's Cooby Creek facility again), Japan, Canada, the United States, Britain and France transmitted sound and vision to and from the satellites. As each of the contributing countries provided commentary in their own language, there was also the necessity of rapidly translating the various languages, so that everyone in the receiving countries could understand what was being said.

The technical complexity of Our World is evident from this diagram, which shows just part of the world-wide links between television stations and satellites necessary to make the global broadcast a reality

Given the incredible technical complexity of the television transmission, it’s quite amazing that the two-hour program was carried through with very few technical problems – especially when the entire broadcast was televised live, with no filmed insertions or other previously produced material apart from the opening montage. We saw everything as it happened.

Our World was intended as a major achievement for both space technology and international relations, a bridge between East and West in these troubled times of wars cold and hot. Unfortunately, at the last minute, politics reared its ugly head and the USSR and several Eastern European nations that were originally going to participate pulled out of the broadcast just a few days before, as a protest against the recent war in the Middle East. This was disappointing and made for some hurried re-arrangement of parts of the program, but it didn’t dampen the mostly aspirational tone of the broadcast as a celebration of human achievement and hope for a more peaceful future. There was also the irony that a US segment about the Glassboro, New Jersey conference between American president Lyndon Johnson and Soviet premier Alexei Kosygin was still included in the broadcast, although – since the Our World producers insisted that no politicians could be shown – only an external view of the house where the conference was being held was televised.

New Babies and their World
The broadcast crossed countries, seas and time zones, and was presented as fusing “yesterday”, “today” and “tomorrow” (by dint of the different time zones around the world) into a globe-encircling “now”. The birth of several babies across the world opened the program, which was presented in a sense as a “survey” of the world into which these newborns are entering.

A baby in Mexico, born live on television for all the world to see!

The babies are introduced to their new world through several themes: This Moment's World (what people were doing are doing at that moment around the world); the Hungry World (what scientists are doing to attempt to solve or alleviate the hunger problem); the Crowded World (looking at proposed solutions to the population explosion); Aspiration to Physical Excellence (the continual attempt to develop physical skill); Aspiration to Artistic Excellence (the drive to excel in the arts); and the World Beyond (focussed on astronomy and space travel. Within these themes, vignettes of life and activity from around the world formed the tapestry of the program. Even if some of the actual presentation was, quite frankly, dull and pedestrian (the excitement was, after all, the fact that we were seeing something live from another part of the globe), I thought the concept was an interesting way to approach telling the story of our planet. If an extra-terrestrial civilisation one day happens to intercept this program as its signals travel through space, they'll learn a lot more about the reality of the Earth and its people from Our World than they will get from episodes of I love Lucy.

Everyday Life

The theme This Moment's World presented a panorama of people and activities in various parts of the globe, moving through evening in Europe to afternoon in New York City, with a visit to Tunis along the way. I loved the views of old and new parts of the city. We saw Marshall McLuhan being interviewed in a Toronto television control room, people swimming at the beach at lunchtime in Vancouver, Canada (making us Aussies all envious on a cold winter's morning) and workmen digging a subway at 4am in Japan. Since the program took place between 5.00 am and 7.00 am Australian Eastern time, our first contribution commenced at 5:22 am local time, with a visit to the Hammer Street Tram Depot in Melbourne, where the first tram of the day was departing to service Monday morning commuters. 

This segment was the first cross to the Southern Hemisphere and came directly after the broadcast from Japan. The switch from Japan to Australia was apparently the most technically complicated of the program, as the Japanese and Australian satellite stations had to switch immediately from transmission to receiving mode and back again. The material coming into Australia also had to be converted from the 525-line system to our 625-line format for local broadcast, while the segment going out of Australia had to be converted from 625 to 525-line in order to be sent back to the US and then on to London!

Sweden gave us the first – and almost the only – female presenter in the program!

Global Concerns
Australia also featured in the Hungry World theme, which concentrated on food production and the issues of feeding an ever-growing world population. In addition to items from the United States and a shrimp farm in Takamatsu, Japan, we visited the Canberra phytotron, a laboratory run by the national scientific research agency, CSIRO. In the phytotron, plants can be grown under a wide range of closely controlled climatic conditions. It’s claimed to be one of the world's finest and most up-to-date facilities for plant research, and a number of international scientists work there alongside local researchers.

The CSIRO phytotron's Director, Dr. Lloyd Evans, at work in his plant laboratory. Apparently, he often starts his workday at 5am, so he didn't have to get up earlier than usual for the show!

A couple of segments that were of interest to me in The Crowded World theme were a visit to Cumbernauld (near my father’s home town of Glasgow, Scotland), which was the recipient of an international award for best planning in a new town, and a glimpse of Habitat, a new concept of living accommodation, on display at Expo '67.

Human Achievement
In Aspiration to Physical Excellence, there were contributions from Rome, Sweden, France (where a parachutist made a dizzying free fall with a camera strapped to him), and Winnipeg, Canada, where a 16-year-old Butterfly champion attempted to beat her own world indoor swimming record.


We get to watch live as actors rehearse the wedding scenes from Italian director Franco Zefferelli's next film, Romeo and Juliet
Aspiration to Artistic Excellence included a visit to the Maeght Foundation museum of modern art in France, with artists Marc Chagall and Joan Miro, Leonard Bernstein and pianist Van Cliburn rehearsing Rachmaninoff's Third Piano Concerto. Opera singer Maria Callas, and painter Pablo Picasso also featured. In the context of this theme, it’s interesting to note that the Our World anthem, which accompanied the opening montage was composed by Frenchman Georges Delerue, whose musical score credits includes the recent Academy Award winning motion picture, A Man for All Seasons. He wrote the melody based on the rhythm established by the words “Our World”, sung in 22 different languages by the Vienna Boys’ Choir.

But the highlight of this theme has to be a ‘fly on the wall’ visit to a recording studio where the fabulous Beatles were recording their latest anthem “All You Need is Love”, which was specially written for the Our World broadcast! You can see them below, surrounded by their many friends in the music world, who came to the recording party and became informal backing singers. The black and white shot shows how we saw the FAB Four in the live broadcast, while the colour photo was taken just before the televised performance. 

 
Reaching for the Stars
The World Beyond theme took us to the heart of the Space Race, with a visit to Cape Kennedy to see a Saturn V Moon rocket on the pad being readied for its first flight. The telecast also came to a close on the theme of outer space, with a visit to Australia’s Parkes radio telescope – at 210 ft. the largest fully-steerable radio telescope in the world. Here we sat in on an observation of the most distant object currently known – a mysterious quasar only discovered last year by the Parkes telescope's director, Dr. John Bolton. It’s so far away that its light and radio signals take 13,000 million years to reach us!

An ABC cameraman, wearing a heavy jacket in the early morning winter cold, prepares for filming the Our World segment at the Parkes Radio Telescope.

So that was Our World. A fascinating mix of banality and creativity, made magical by the technology of the Space Age, and the knowledge that everyone watching was sharing the experience simultaneously with millions of others across our planet in a way that has never before been possible. With a worldwide audience estimated between 350 and 700 million, the broadcast was a potent demonstration of the potential reach of satellite television. I'm sure that before too long, satellite television from around the world will be a regular occurrence, bringing us news, sport, entertainment and major world events – and we here in Australia will have to get used to being up at all hours of the night to watch! But I wonder what will top this broadcast's incredible audience reach? The first manned landing on the Moon, perhaps?



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Science / Space Race

[June 14, 1967] What's Easy for Two (Venus 4 and Mariner 5)

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by Gideon Marcus

Red Venus?

Every 19 months, Venus and Earth reach positions in their trips around the Sun such that travel to the former from the latter uses a minimum of energy. Essentially, a rocket blasts off and thrusts itself toward the Sun just long enough to drift inward and meet Venus after about half an orbit (a direct path would be very costly in terms of fuel use). The less energy used, the bigger the spacecraft can be sent. That means more payload for experiments.

The Soviets have been trying to reach the Planet of Love, Earth's closest neighbor (besides the Moon) for more than six years now. In February 1961, they launched Venera 1 (Venus 1), the first interplanetary probe to fly by another world–but it had gone silent by the time it got there.  Veneras 2 and 3 went up three opportunities later, in November 1965, but fell silent the next spring, just before reaching their target.  Indeed, Venera 3, a soft-lander, is believed to have rammed the cloud-shrouded world, becoming the first artificial object to reach another world.  Either way, no useful data was received.

Why didn't they launch any Veneras in 1962 or 1964?  In fact, it looks like they did.  The Soviets don't herald their failures.  Nevertheless, according to NASA officials, we have a pretty good catalog of them, thanks to careful parsing of Russian news reports as well as radar and telemetry data we've managed to gather.  Three Russkie Venus probes were launched in September 1962 and three more in February 1964.  Getting out of Earth orbit can be tough, requiring a second firing of onboard engines once a spacecraft is circling our planet.  Apparently, these six probes never got away.

But Venera 4, launched on June 12, 1967, has apparently passed that first hurdle.  Moreover, at one and a quarter tons, it is several hundred pounds heavier than any of its predecessors.  We don't know much about what's on the latest Communist probe, but scientists speculate some of the extra weight has been devoted to heat shielding.  Venus is very hot, perhaps 900° Fahrenheit, and it is believed that heat is what caused Venera 3 to fail.  Given that TASS, the Soviet news service, reported that Venera 4 is going to Venus, rather than by, it is assumed the spacecraft will make another landing attempt.

Provided it doesn't go slient like its predecessors.  Communicating across planetary distances is a hurdle the Soviets only recently surmounted with their Zond 3 probe, which tested radio reception at about 150 million kilometers' distance–far enough for a Martian mission.  Essentially, Zond 3 was the Soviet version of Pioneer 5–but five years later.  This is suggestive as to the Soviet level of communications technology, at least.  America would seem to have the clear lead there.

Well, I wish the Soviets luck.  Politics or no, I want to know more about that mysterious, seared world that is Venus!

Yankee Two-dle

If Venera 4 fails, it has a back-up of sorts.  Mariner 5, itself a back-up for the Mars-bound Mariner 4, was launched today early this morning, destination: Venus.

Already several hundred thousand kilometers from Earth, zooming at more than 10,000 kilometers per hour, it should reach Venus in October.  The spacecraft, launched via Atlas-Agena, the same rocket that launched our first Venus probe, Mariner 2, is barely a quarter the mass of Venera 4.  Moreover, Mariner 4's TV camera has been deleted, a decision that likely irks Venus scientist Dr. Carl Sagan, who insists doing so is short-sighted, clouds or no. 

But that removal, along with the reduction in the size of the solar panels (less is needed so close to the sun) means that when Mariner 5's planned flight path brings it within 3000 kilometers of Venus, it will be able to investigate the planet with a wide suite of instruments.  An ultraviolet photometer should not only refine temperature estimates of the Venusian upper atmosphere, it will tell us a bit about what gasses constitute it.  For instance, if there be any water there, perhaps life exists in the cloud tops, above the intense heat at the surface.

The rest of the instruments are likely ho-hum for the general audience, but should return a bonanza for scientists.  They include a magnetometer and various radiation sensing equipment that not only will measure the Venusian version of the Van Allen Belts (if they exist–Mariner 2 couldn't find any), but also tell us a lot about the solar wind on the way to Venus.

I will say, I'm glad we're sending a craft to Venus, and it does seem we did it on the cheap ($35 million), but I think I'm with Sagan on this one: for all the effort, it seems we're not going to find out very much about Venus with Mariner 5.  Another reason to root for Venera 4.

And a good reason to write your Congressman about the importance of planning a bigger Venus shot, perhaps on the more powerful Atlas Centaur rocket, when the next opportunity rolls around in January 1969!

Want to find out what we currently know about Venus?  Come read our previous articles on the planet of love!



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Science / Space Race

[May 28, 1967] Around the World in 80 Months (May 1967 Space Roundup)

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by Gideon Marcus

Between the tragic aftermath of this year's twin space disasters (Apollo 1 and Soyuz 1) as well as the dramatic results from the Lunar Orbiter and Surveyor Moon explorers, it's easy to forget the amazing things being done in Earth orbit.

So here's a little news grab bag of some flights you may have missed over the last several months (and even years, in some cases):

Moscow calling

Two years ago, the Soviets joined the world of comsats with the orbiting of their first Molniya satellite.  Launched into an eccentric orbit that takes them up to geosynchronous altitudes but then swooping down to graze the Earth, they work in pairs to facilitate transmissions across the 11 time zones of the Soviet Union.

It's an impressive system–half a ton of satellite broadcasting at 40w of power, more than twice that of the Intelsat "Early Bird" satellites.  Unfortunately for the Soviets, it's also been a balky system.  Both of the first two satellites stopped working within a year, Molniya 1B failing to keep station in space.  It's a bad thing when your comsat moves out of position!  This is something more likely to happen in an eccentric orbit than in a more-stable geosynchronous orbit where a satellite goes around the Earth once every 24 hours, remaining more or less stationary (except for a little figure eight over the course of the day) from the perspective of the ground observer.  Worse, because the Molniyas scrape so close to the Earth, it doesn't take much to send them careening into the atmosphere, which happened to 1B March 17, 1967.

Still, the Soviets prefer their odd orbit because it's ideal for their purposes (giving coverage to Eurasia) and, I suspect, requires less booster power.  And it still carries the satellites high enough to return photos like this one, shot by Molniya 1A last year–the first all-Earth photo ever:

Molniya 1C was launched on April 25 last year, Molniya 1D on October 20.  They were replacements for their non-functioning companions.  But Molniya 1C may well have given up the ghost, too.  Molniya 1E was launched on May 24, apparently to replace it. 

May they solve their teething problems sooner rather than later!

A Pair of Imps

Out beyond the Earth's magnetic field is the sun's domain.  High energy plasmas (the "solar wind") and our star's magnetic field fill the vacuum of interplanetary space.  Not very densely, to be sure, but with profound effects on the planets and offering clues as to the nature of the stellar furnace that creates them.

It is not surprising that NASA has devoted so many satellites to understanding and mapping this zone given how many spacecraft (including the upcoming Apollos) will travel through it.  Explorer 18, Explorer 21, and Explorer 28 were all part of the "Interplanetary Monitoring Program" (IMP).  The first two have already reentered, and the last just stopped working a couple of weeks ago.  Luckily, virtually uninterrupted service has been maintained thanks to the launches of Explorer 33 and Explorer 34!


Explorer 33

Explorer 33, launched July 1, 1966, was supposed to be the first of the "anchored" IMPs, returning data from the orbit of the Moon (which does not have a magnetic field or radiations of its own).  Unfortunately, the satellite was shot into space a bit too rapidly to safely decelerate into orbit around the Moon.  Instead, it now has an extremely high (270,000 miles perigee!) but eccentric (low apogee) orbit from which it still can return perfectly good science.  Indeed, NASA planned for this eventuality.


Explorer 34

The other Explorer, #34, was just sent up on May 24.  It is a more conventional IMP and will pick up where #28 left off. 

With four years of continuous data, we now have terrific data sets on the Sun through a good portion of its 11-year cycle, including the recent solar minimum.  I look forward to a slew of reports in the Astrophysical Journal over the next few years!

Yes, I read those for fun.  Doesn't everyone?

Bright Future

If the IMPs exist to monitor the Sun's output, the Orbiting Solar Observatories' job is to directly watch the Sun.  Prior to 1967, two of these giant satellites had been orbited: OSO 1 on March 7, 1962, and February 3, 1965.  A third launch was made on August 25 of the same year, but it failed.

Sadly, the OSOs haven't quite provided continuous coverage over the last five years.  Still they have returned the most comprehensive data set of solar measurements to date.  And, as of March 8, the wiggly needles that mark the collection of data are jiggling again: OSO 3 has been returning data from its nine instruments on all manner of solar radiation–including and especially in the ultraviolet, X-Ray, and cosmic ray wavelengths that are blocked from terrestrial measurement by the Earth's atmosphere.

The timing is perfect–the Sun is just entering its period of maximum output.  OSO 3 will not only tell us more about the nearest star, it will report on its interactions with the Earth's magnetic field and the space environment in near orbit.

A Meteoric Rise

The Soviets have been awfully cagey about a lot of their launches.  Every couple of weeks, another unheralded Kosmos heads into orbit, stays there for a week, then lands.  It's an open secret that they are really Vostok-derived spy satellites that snap shots and return to Earth for film development.  This is utterly reprehensible–certainly WE would never do anything like that.

But while many of Communist flights have been hush hush, one subset of their Kosmos series has been pretty open: the weather satellite flights of Kosmoses 122, 144, 149, and 156!

The first of the Soviet meteorological satellites went into space on June 25, 1966, broadcasting for about four months before falling silent.  For a while, it seemed the Russkies were going to keep the pretty weather photos to themselves, but on August 18 of last year, they suddenly started sharing data over the Washingon/Moscow "Cold Line"–both visibile and infrared pictures, too.  It appears the delay was due to the Soviet reluctance to announce a mission until they're sure of its success.  It is entirely possible that some of the unexplained Kosmoses before 122 were failed flights.


Kosmos 122

The picture quality was pretty low at first, probably due to the length of the line the data must be sent over.  Improvements were made, and the new stuff is great.

Since 122, the Soviets have launched Kosmos 144 on February 28, 1967, Kosmos 149 on March 21 (it reentered on April 7–a failure of its weather-related mission, but it successfully tested the first aerodynamic stabilizer in orbit), and the latest Kosmos, #156, just went up on April 27, 1967.  It is my understanding that photos are being regularly shared with the National Environmental Satellite Service (NESS) in Suitland, Maryland.  I don't know if these are revolutionizing our view of the planet given our successful ESSA and NIMBUS programs, but it does give a warm glow of international cooperation.

If the nukes fly, at least we'll know if it's nice weather over their targets…

From the Far East into the Drink

The Japanese have been working their darndest to become the sixth space power (after the USSR, US, UK, France, and Italy).  Unfortunately, all of their efforts have thus far come up a cropper.

Their Lambda 4S rocket is the first one capable of launching a satellite into orbit, specifically an ionospheric probe with a 52 pound science package.  The problem is the vehicle's fourth stage.  The truck-launched Lambda 3 has been pretty much perfected, but when the new engine was put at the top of the stack, everything went to hell.


The successful precursor of the Lambda 4S, the Lambda 3

On September 26, 1966, the first Lambda 4S was lost when the fourth stage attitude control failed.  The fourth stage didn't even ignite the second time around on December 20.  That happened again on April 13 of this year during the third flight.

It looks like Nissan and JAXA engineers will be going back to the drawing board before trying another flight.  Maybe 1968 will be the year the Rising Sun joins the rising sun above the Earth…

What's next?

This summer, our eyes will surely turn beyond the Earth to Earth's twin, the planet Venus, for June marks the latest opportunity to send probes to the second planet at a premium on fuel consumption and payload allowance.  You can bet we'll be covering Mariner 5 and Venera 4 when they launch!


Testing Mariner 5



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Movies, Science / Space Race, Science Fiction/Fantasy

[April 28, 1967] Tempest in a Teacup (The Terrornauts)

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by Mx. Kris Vyas-Myall

Next week will see the launch of third satellite in the British Ariel programme. Assuming this is successful, it will be significant for a couple of reasons.

UK3 Satellite, hoping to become Ariel 3 if it gets in orbit
UK3 Satellite, hoping to become Ariel 3 if it gets in orbit

Firstly, whilst it is being launched in partnership with NASA in California, it will be the first satellite to be entirely made and tested in Britain, whereas the first two were made in the US. In cooperation between the Royal Airforce, British Aircraft Corporation and General Electric Company, its success would help show that Britain can, if not exactly compete in the space race, at least get a nice chance at a bronze medal.

Secondly, it is carrying five different experiments for UK research facilities, from measuring electron density to atmospheric noise, all of which are going to be important for a more detailed understanding of our world.

One of the most interesting experiments to me is that Jodrell Bank is using it to study medium frequency waves that occur in space. As well as helping understand radio transmissions better this may also help better detect signals coming from extra-terrestrial intelligences. Which is what The Terrornauts is concerned with.

Mr. Brunner…We’re Needed!

The Wailing Asteroid

Back in the ancient days of 1960 our esteemed editor gave a rather damning review of the original novel. However, largely this was due to the prose and the story being dragged out and it was noted that “the premise is excellent”. As such, if a good team was assembled it might well make a good motion picture.

John Brunner

Step forward the first member of this team, John Brunner. One of Britain’s brightest SF authors. Whilst, to the best of my knowledge, he has not written a film script before, he is adept at producing both readable space operas and extremely literary works. He reportedly wanted to remove all the dated pulp era material to concentrate on core science fiction ideas and character work.

Montgomery Tully

Next up, a steady experienced hand of a director is needed, enter Montgomery Tully. Director of over 60 films across 4 decades, including last year’s excellent horror thriller Who Killed The Cat? Although not experienced in SF, many of the best productions of recent years have come from experienced directors outside the field. I will take a Godard or Kubrick experiments over another Irwin Allen or Ed Wood picture.

Amicus Posters

This production is from Amicus studios, the main rival to Hammer studios, with the enjoyable horror anthology Dr. Terror’s House of Horrors, the middling Dalek films and…. whatever The Deadly Bees was. Whilst they do not have the budget of their competitor, they have had ambition to try to do interesting films. Could this be their next success?

Added to this an array of talented actors listed on the cast sheet and things seem setup for a great cinematic experience.

What Could Possibly Go Wrong?

As it turns out, a lot!

Working in the Lab

Let us start with the plot itself. It begins with people working in a field of current interest to many SF fans, attempting to use high powered radio telescopes in order to attempt to find intelligence life outside of our solar system. Dr. Burke’s team have been working on the project for 4 years but failed to produce any results, to the frustration of Dr. Shore, who is annoyed they are using the equipment on the project. Having just 3 months left to discover a sign of life, they receive a repeating signal from an asteroid.

Finding the Cube in an Archeological Dig

What is particularly surprising is it is the same signal Dr. Burke heard as a child. At an excavation with an archaeologist uncle, a mysterious black cube was uncovered. He was given it as present and inside he found strange black crystals that hummed. Falling asleep holding one, he had a dream of an alien world. On that world he heard the same sound. As you can probably tell, this is going to require you to accept a lot of coincidences.

Lab is Taken

After sending a signal back, a spaceship comes and takes the lab away (although not the control room or telescope it was sent from), along with Dr. Burke, his assistants Lund and Keller, and two comedy characters, the accountant Yellowlees and the tea lady Mrs. Jones.

We do have to talk about the odd comic turns. There's no problem with having some light comedy to emphasise the drama and the use of ordinary characters out of their depth is a common charming feature of Nigel Kneale’s SF plays or Hammer Horror films. The issue here is that it is played so broadly in contrast to the po-faced stance of the rest of the cast it sticks out. Charles Hawtrey is a regular member of the Carry-On cast and Patricia Hayes is probably best known for her regular appearances on the Benny Hill Show. I could not help but wonder at times if they had just walked off of those sets temporarily. Just toning down their performances and lightening the others would have done wonders.

ultrasonic hallucination monster
A terrifying ultrasonic hallucination as part of the tests.

Our five space farers find themselves in a structure on the asteroid and spend a lot of time wandering about and solving a series of logic puzzles to prove intelligence (likely inspired by a similar sequence in The Dalek Invasion of Earth), they are given a cube like Dr. Burke received as a child. It turns out to be a store of information on their mission. An ancient race explored the stars and encountered a race only known as “The Enemy” that want to eliminate other intelligent life by using rays that reduce intelligence. The signal from the base indicates The Enemy’s signals are approaching Earth and it is up to these five to use the base to defend humanity.

There is also a brief side trip where Lund trips on to a ‘Matter Transmitter’ and gets sent down to a planet full of green people in togas and shower caps who want to sacrifice her, but this seems largely to be a way to have a traditional pulp action sequence more than anything else. In fact, for such a short film, there is enormous amount of time being wasted. Most egregious is a sequence where they are trying to find a cube to help them and spend ages sampling them all, only to have the real cube presented to them by the unconvincing robot of the base.

Wobbly robots and very unconvincing moons
Wobbly robots and very unconvincing moons

Although looks are not everything it has to be said this film looks cheap. Yes, the budget was smaller than Daleks – Invasion Earth 2150 A.D. or Thunderbirds Are Go, but it is at a comparable level to Island of Terror and The Projected Man, neither of which look as bad as this (despite their many other faults). Even BBC episodes of Doctor Who or Out of the Unknown, which work on less than 10% of the budget for similar runtimes, rarely resemble this level of shoddiness.

The Torch of Doom vs. the Flappy Base
The Torch of Doom vs. the Flappy Base

At the end it looked like we could have a tense and exciting space battle, but instead we have the attacking ship opening to reveal a red torch light and the fortress flailing about like a drunken Octopus.

Finally, the attacking fleet is destroyed but not before the final ship comes to crash into the base. The team manage to use the Matter Transmitter to escape and land in the same archaeological dig the black cube was found by Burke’s uncle. However, not having passports, they are arrested by a local police officer. Given how much The Terrornauts tends towards terrible cliché, it, of course, ends on a bad joke from Mrs. Jones:

I never did much like foreign parts

Hilarious…

Naut The Best Film

Mrs. Jones brings lab techs tea
Why not have a cup of tea and read a magazine instead?

As you can probably tell, this is a poor picture. Logic is consistently tenuous. There is barely enough plot to fill a Ferman vignette, instead being reduced to run-arounds. If I didn’t know its origins, I would have assumed this was a fan’s attempt at a Doctor Who script that was rejected by the production team.

But I think its worst sin is it is just incredibly dull. I don’t think this is due to lack of incident, but it is not about anything. There are no themes or interesting ideas I can tease out, it is just some people from Earth put into space to fight invaders, which they do via following recorded instructions.

Even this might have been salvaged if we had good character work but they all as thin as cigarette cards. Burke is the hero who is always right and can apparently do anything. Lund is his assistant who does whatever he says or randomly gets into trouble so she can be rescued. Keller is there for Burke to talk to. Yellowlees is the fussy and cowardly comic relief. And Jones is the ordinary person who does not quite understand what is going on, also for humour value.

They do not have any growth or go on a real quest. There is no significant difference I can see between the people when they leave Earth and arrive back.

In the end I cannot give this production more than one star.

Future Terrors

2001 Set photo
Kubrick and Clarke, on the set of what we all hope is not The Terrornauts Raid Again

Coming out very soon (we are continually promised) is 2001, the collaboration between another British SF author and experienced British director. Will this end up meeting the same fate? We shall see…



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Science / Space Race

[April 26, 1967] Fallen Cosmonaut ( The Loss of Soyuz 1)

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by Kaye Dee

Back in November last year, while writing about Gemini 12, I asked “where are the Russians?”, since there had not been a manned Soviet space mission since Voskhod 2, in March 1965. I didn't expect that when I finally came to write about the next Soviet space flight, it would be to report the first death to occur during a space mission: an incident as deeply shocking as the Apollo 1 fire just three months ago. Sadly, the return of Soviet manned spaceflight and the introduction of its new Soyuz spacecraft (the name means “Union” in Russian) has been mared by the death of its crew and the destruction of the spacecraft itself.

Re-entry Mishap
Early yesterday (25 April Australian time), after more than twelve hours of silence about the mission, the official Soviet newsagency TASS announced that Cosmonaut Vladimir Komarov had been killed after the failure of the parachute on his Soyuz 1 spacecraft, following re-entry. As I write this, little is known about what actually happened, but it appears that the parachute lines became tangled in some way, preventing the chute from fully opening, so that the spacecraft smashed into the ground at high velocity. However, it is not clear whether Cosmonaut Komarov died before the spacecraft hit the ground, or whether he was killed on impact.


Newspaper article from the 25 April edition of The Canberra Times announcing the loss of Soyuz-1

New Spacecraft, Ambitious Mission
As is always the case with the USSR’s space programme, nothing was known about the Soviet Union’s latest space mission until it was safely in orbit. We now know that Soyuz 1 was the first flight of a new spacecraft, believed to be even bigger than the Voskhod, which, as we saw, could carry a crew of three. Moscow television has supposedly described the Soyuz as “huge”. Just as Mercury and Vostok, and Gemini and Voskhod, could be considered parallel programs, Soyuz is assumed to be the equivalent of Apollo, and part of the USSR’s Moon landing programme about which we know so little. Could the Soyuz be capable of carrying a crew of four, or even five cosmonauts?

Unconfirmed reports suggest that Soyuz 1 was intended to undertake a surprisingly ambitious mission for the shakedown flight of a new vehicle. The craft was apparently planned to rendezvous in orbit with at least one, and possibly two, other spacecraft, with between six and nine cosmonauts joining Komarov in space before the end of the mission. The low altitude of Komarov's orbits (the lowest to date in the Soviet manned programme), only 138 miles above the Earth, certainly hint that rendezvous and docking operations were included in the flight programme, as a low orbit conserves power resources. This would have been a significant spaceflight first indeed, especially if – as has also been rumoured – there were plans for a crew transfer between one of these other spacecraft and Soyuz 1.

Crew Transfers Planned?
The fact that Komarov was the only cosmonaut on board Soyuz 1 certainly gives the crew trasnfer rumour some credence, as cosmonauts from one or two other spacecraft could have transferred to Soyuz 1 to fill its empty crew couches. Of course, we have no idea whether this transfer would have taken place through a docking tunnel between two spacecraft, or via a spacewalk, since we know nothing about the Soyuz vehicle itself. However, unless the Soviet manned space programme has been conducting an equivalent to the Gemini programme in secret over the past two years, its cosmonauts have little rendezvous experience (apart from Vostok 3-4 and 5-6), no docking experience, and have conducted only one spacewalk, whereas NASA has firmly mastered these critical techniques needed for the Apollo Moon programme. Perhaps the USSR intended to start catching up by carrying out extensive practice of these techniques during this first Soyuz mission? Or perhaps they have largely ignored them because they are planning a completely different approach to their manned lunar programme?

The official photo of Cosmonaut Komarov, released when the Soyuz 1 mission was announced, shows him wearing a spacesuit similar to that worn by Cosmonaut Alexei Leonov when he made the world’s first spacewalk. This photo can be seen in the reproduction of the article from The Canberra Times, above. It offers an intriguing hint that Komarov himself was possibly intended to make a spacewalk, or swap into another spacecraft for his return to Earth. However, confusing the issue is the picture below, which shows Komarov walking to board Soyuz 1 wearing a flight suit (similar to the one he wore as commander of Voskhod 1) rather than a spacesuit.

Problems with the Soyuz Spacecraft?
So why didn’t this rumoured space feat take place? Soyuz 1 was launched on 23 April. No problems were publicly reported during the early orbits of the mission, and Cosmonaut Komarov sent greetings from space “to the hardworking Australian people”. In another message, he also slammed the Vietnam War, in which Australia is fighting alongside the United States and other allies, sending a propaganda broadcast from orbit: "My warm greetings to the courageous Vietnamese people, fighting with dedication against the bandit aggression of American imperialism for freedom and independence", he said.

Soyuz 1 returned from space on its 19th orbit, after just 27 hours in space. It seems unlikely that this was the intended mission duration if rendezvous/docking and spacewalks with multiple spacecraft were really planned. The shortness of the flight may therefore be an indication that there were problems with the spacecraft, which is not necessarily unexpected with the first flight of a new vehicle. No other spacecraft launched to rendezvous with Soyuz 1, so perhaps this aspect of the mission was abandoned when problems arose.

Reports from amateur space-trackers in Italy also claim that they picked up messages in which Komarov complained to the Soviet Mission Control that they were “guiding [him] wrongly” during re-entry. Whether problems with the Soyuz spacecraft in orbit were responsible for the parachute failure that caused Soyuz 1 to plummet to Earth is perhaps something that we may not know for decades, if ever, given the habitual secrecy of the Soviet space programme.


One of the few photos available showing what remained of Soyuz-1 after its imapct with the ground

Lost Cosmonaut
As commander of the earlier Voskhod 1 mission, Colonel Vladimir Komarov was one of the handful of Soviet cosmonauts already known to us in the West. At 40, he was the second oldest of the cosmonauts (after Voskhod 2 mission commander Pavel Belyayev) and the first cosmonaut to make two spaceflights. Said to be highly respected by his cosmonaut colleagues, Komarov overcame a heart murmur, similar to that which grounded Astronaut Donald K. "Deke" Slayton durng the Mercury programmme, and other medical issues to retain his place in the Soviet comsonaut team. He was
married with a 15-year old son and 9-year old daughter. Komarov's 38-year old wife wife, Valentina, has been quoted as saying that she did not even know her husband had been assigned to the Soyuz 1 flight until it was publicly announced after launch. The identity of the cosmonauts slated to fly the other other spacecraft due to be launched as part of Soyuz-1's mission is completeley unknown at this point.


Cosmoanut Komarov with his wife Valentina and daughter Irina

Accident or Incompetence?
Was the loss of Soyuz 1 and Cosmonaut Komarov’s death just a tragic accident? There are persistent rumours that the spacecraft was not actually ready to be flight tested, and that political pressure was brought to bear on the space programme to produce another significant achievement in advance of a major conference marking 50 years since the October Revolution. Another question that arises is whether or not the unexpected death in January 1966 of Chief Designer Sergei Korolev (whose identity was only revealed after he passed away), could have had any impact on the development of the Soyuz and its subsequent fatal first flight?

Professor Sergei Korolev, the formerly anonymous Chief Designer of the Soviet space programme

An Honoured Hero
Like the lost crew of Apollo 1, Col. Komarov is a hero of the quest to explore space and has been posthumously awarded his second Hero of the Soviet Union medal and Order of Lenin. A Kremlin statement expressed the "profound grief" of the Soviet leadership at Komarov's death, and was signed by the Communist Party Central Committee, the Presidium of the Supreme Soviet and the
Council of Ministers. A ten-minute public announcement of Komarov's loss on Moscow television showed the Soviet space monument and a black-bordered version of the official photo of Komarov wearing his spacesuit, while Moscow radio is said to have played sombre music. Komarov’s funeral will be held today, after which his ashes will be interred in the Kremlin Wall. The United States requested permission from the Soviet authorities for two astronauts to attend the funeral as a mark of respect, but disappointingly this was turned down.

Presumably the USSR will now launch an accident investigation similar to that being conducted by NASA to find the causes of the Apollo 1 fire, and will place the Soyuz programme into a hiatus until the invetsigation is complete. With both participants in the Moon race now investigating tragic accidents that have led to the loss of astronaut and cosmonaut lives, will the Moon race ever resume? Or will both programmes instead return to spaceflight with different goals? Only time will tell…. 



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Magazine, Science / Space Race, Science Fiction/Fantasy, Serial

[March 20, 1967] Vistas near and far (April 1967 Fantasy and Science Fiction)

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by Gideon Marcus

I see you!

We have now entered a phase of the Space Race where there's enough stuff in orbit that other stuff in orbit can take pictures of it.  Not just deliberate rendeszvous' like dual missions of Gemini 6 and 7, but snapshots of opportunity, like Gemini 11's photo of the Soviet Proton 3.

Last week, NASA released perhaps the most extraordinary example of this nature: the first snapshot of a spacecraft sent to the Moon…by a spacecraft sent to the Moon!  Lunar Orbiter 3, launched early last month, has been busily mapping our celestial neighbor, searching for the choicest landing spots for Apollo (whose first manned mission, I've just learned, has been delayed until next year due to the Apollo 1 fire.) In the course of its surveying, Lunar Orbiter 3 caught a glimpse of Surveyor 1, the first American soft-lander.  It all makes the Moon feel that much closer.

While the newspaper brings us tales of science fiction-made-fact, the stf mags continue to provide the visions of science-to-be.  The latest edition of The Magazine of Fantasy and Science Fiction offers several visions of the future: some poetic, some bleak, and some not really worth reading.  Good thing I'm here to tell you which is which, huh?

A pail of tomorrows


by Gray Morrow

Dawn, by Roger Zelazny

Lord Siddhartha, the Buddha, arrives as the capital for a bit of revelry.  There, he is greeted with honors, for he is a prince of this land, redolent with the smells of spice, the bustle of medieval commerce, the prayers of the devoted.  At first glance, Dawn seems as if it will be a pure fantasy in a richly drawn world.  But there are signs that underneath the veneer of ancient India lies a strictly scientific core.

Indeed, we learn quite soon that Siddhartha is actually Sam, one of the original colonists on this world, a planet whose technology has been deliberately restrained by the cabal of the Firsts and their lackeys, the Masters.  Their firm grip lies in their stranglehold on immortality, facilitated by their ability to transmigrate souls from body to body at will.

Sam wants to bring progress to the world.  Can he and his band of rebels undo the work of centuries?

Zelazny's latest novella is reportedly the first part of a longer work, to be titled "Lord of Light".  If it is as expertly rendered as this fine start, then it'll be a good read, indeed!

Four stars.

The Two Lives of Ben Coulter, by Larry Eisenberg

"The greatest disappointment of Ben Coulter's life was his inability to play the violin well."

So begins the tale of a fellow who turned instead to engineering for the purpose, failing to find it there until he co-developed a technique for the remote control of a living being.  Perhaps, at last, he could program mastery into himself.

Most science fiction authors take inspiration from the science news of the day.  Some, like Doc Smith, are actually scientists.  Larry Eisenberg is perhaps unique in the SF community for extrapolating a scientifiction application of his own invention, the remote controlled pacemaker.

His story, if not quite as personally affecting as his crowning scientific achievement, is a pleasant little piece, nonetheless.

Three stars.

Cloud Seeding, by Theodore L. Thomas

In this fictionless vignette, Thomas suggests combining cloud seeding with chemical distribution.  After all, if you're putting stuff in the sky to make rain, why not use fertilizer or poison of what have you.

Thomas forgets that the seeds for the raindrops are necessarily uselessly tiny.  I almost feel as though these little exercises are not to present interesting ideas, but are puzzles for the reader: spot the fallacy and win a hundred dollars!

Two stars.


by Gahan Wilson

Problems of Creativeness, by Thomas M. Disch

The 21st Century is an overcrowded, socialist paradise.  Everyone is on the childless dole, unless they can prove themselves exceptional, finish college, or join the guerrila forces.  Birdie Ludd, the least exceptional of young men, doesn't want to do any of these things.  But for the love of Milly, pretty enough almost to be a movie star, he was willing to endure almost anything.

Less a story and more a slice-of-life from the perspective of an indolent youth, Problems relies mostly on a vivid stream-of-consciousness style and copious use of the first profanity I've read within F&SF's pages.

Three stars, I guess.

The Sword of Pell the Idiot, by Julian F. Grow

Farquhar Orpington-Pell, late a subaltern in Her Majesty's Own Midlothian Dragoons, falls in with a Western doctor on the late 19th Century range.  Their crooked path takes them to a subterranean complex inhabited by aliens.  Things Happen.  Supposed-to-be-funny-but-just-tedious things, capped off by the rather insulting punchline that the transpirings inspired a much better, well known set of books.

Feh.  One star.

"Virtue. 'Tis A Fugue!", by Patrick Meadows

An advanced world refuses the entreaties of humanity to join a terran federation.  Professor Thomas Gunn, a musicologist, provides the key to reaching the hearts of the aliens.  Their language is the culmination of tonality, you see, each sentence its own song.  Our hyper-efficient, sound-codified speak was too declassé to appeal.

It's all a lot of "mun, mun" to me, and in any event, the revelation came out of nowhere.  Indeed, Gunn's story and that of the contact team are completely unrelated until he suddenly appears on the planet in the story's last scenes.

Two stars.

A Matter of Scale, by Isaac Asimov

The Good Doctor goes way out with his latest article.  You know those "the sun is a beachball, and the planets are various small fruit several hundred feet away" models you read in all the science books for kids?  He's decided to go one better, substituting atomic analogs so the distances can be more relatable.

I'm sure it was a fun exercise for him.

Three stars.

Randy's Syndrome, by Brian W. Aldiss

Lastly, another tale of the next, shoulder-to-shoulder, anti-utopian 21st Century.  The foetuses of the world go on strike, refusing to be born into such an awful place.  But is it really a mass strike of the unborn, happy in their womb world of racial memory and distorted, second-hand sensory inputs?  Or is it some kind of planetary neurosis of the mothers?

Whatever it is, it's not science fiction, more a modern myth.  Some might find it clever.

Two stars.

Under the Moon

After such a bright beginning, the April 1967 F&SF stumbles to a finish.  I recognize that science fiction is cautionary as well as aspirational, but I feel one needs to say more than "this future we're heading toward is gonna stink..and by the way, the future is now." 

The Zelazny is worth your time, however.

And, hey, at least the newspaper brings us pretty pictures!



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Science / Space Race

[January 28, 1967] "Fire in the cockpit!" (The AS-204 Accident)

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by Kaye Dee

As I write this, I’m still in shock. It’s only a few hours since the news broke here in Australia of the tragic loss of the crew of Apollo 204 in a fire on the launchpad at Cape Kennedy, during a launch rehearsal. Spaceflight is difficult and dangerous – we know that. Astronauts Freeman, Bassett and See were killed in plane crashes during training; Armstrong and Scott had a narrow escape from inflight disaster during Gemini VIII.

Unconfirmed rumours abound of Soviet cosmonauts who died in unsuccessful space missions before Gagarin, and the Russians have probably had training accidents to which they have not yet admitted. When I wrote about Gemini VIII’s aborted mission, I asked if spaceflight was moving too fast. There’s certainly been a headlong rush on NASA’s part to get to the Moon ahead of the Soviet Union, so perhaps this tragedy is the answer to my rhetorical question.


The first image available showing the fire-ravaged interior of the Apollo 204 spacecraft

Details are still sketchy at this time, although no doubt more information about the accident will emerge in the coming days and weeks as investigations take place. But right now, let’s explore the background to the mission and what we know about the catastrophe.

The Lost Crew
Apollo 204 (AS-204) was intended to be the first manned test flight of the new Apollo Command and Service Modules, the spacecraft that will be used to carry the first NASA astronauts to the Moon within the next few years. As such, two experienced astronaut test pilots were assigned to the flight: USAF Lt. Colonels Virgil “Gus” Grissom, the Command Pilot, and Senior Pilot Edward White. Grissom was the United States’ second space traveller, flying the Mercury MR-4 mission. He also commanded the first manned Gemini mission, Gemini III. Rumour even has it that Grissom was already under possible consideration to command NASA’s first lunar landing mission. Lt. Col. White is famous as the first American to make a spacewalk, during Gemini IV. These veteran astronauts were joined for this mission by rookie US Navy Lt. Commander Roger Chaffee. Chaffee was selected as a member of the third astronaut group and specialised in communications: he had been a CapCom for both Gemini III and IV.


Official Apollo 204 crew portrait, including a model of the new Apollo Command Module which their mission was intended to test. Left to right Ed White, "Gus" Grissom and Roger Chaffee

The Apollo 204 back-up crew consists of experienced Mercury and Gemini astronaut Walter Schirra and first-time fliers Donn Eisele and Walter Cunningham. Astronaut Eisele had originally been assigned in Lt. Commander Chaffee’s role for the Apollo 204 mission but had to be replaced when he needed shoulder surgery in early 1966. I assume that once Apollo missions resume after the accident investigation, this crew will fly the first orbital mission that should have been accomplished by AS-204.

What’s in a Name?
The design for the official Apollo 204 patch, developed by the crew and illustrated by North American Rockwell artist Allen Stevens, carries the designation Apollo 1. At the time that it was approved by NASA, in June 1966, this was the flight’s official name. However, it seems that only recently some doubt arose as to whether the formal designation of the mission would be Apollo 1 after all, which is why it is presently being referred to as Apollo 204, or AS-204. I’ve heard from the Australian liaison officer at NASA, that just last week approval for the patch was withdrawn and that, if this accident had not occurred, the patch might have had to be redesigned, depending on the final mission designation.

But as it stands, the mission patch uses the American flag for a background, with a central image depicting an Apollo spacecraft in Earth orbit. The Moon appears to the right of the Earth, reminding us of the eventual goal of Project Apollo. The designation Apollo 1 and the names of the crew appear in a border around the central image, while the patch is edged with a black border – a touch that is poignantly even more appropriate in view of the loss of the crew. I do hope that this patch, and the designation Apollo 1, will be re-instated as the official insignia of this mission in honour of its lost crew.

The Mission that Should Have Been
The fire that has killed the Apollo 204 crew occurred during a preflight test ahead of a launch scheduled for 21 February. It was planned to be the first manned orbital test flight of the Apollo Command and Service Modules, launched on a Saturn IB rocket. The mission was to have tested launch operations, ground tracking and control facilities, as well as the performance of the Apollo-Saturn launch vehicle. Depending on how well the spacecraft performed, the mission might have lasted up to two weeks, perhaps equalling Gemini VII's record spaceflight and demonstrating that the Apollo spacecraft could function successfully for the duration of the longest Moon flights currently in planning.


The Apollo 204 crew in front of Pad 34, from which they should have launched, and where they have been killed

The Command Module allocated to Apollo 204, CM-012, was a so-called “Block I” version, originally designed before the lunar orbit rendezvous landing strategy was selected. Block 1 spacecraft aren’t able to dock with a lunar module, but future “Block II” versions will.

Was It a Lemon?
The Apollo Command and Service Modules are undoubtedly far more complex than any previously-built spacecraft, so it isn’t surprising that their development has had many teething problems. Over the last few months, I’ve heard from my former colleagues at the WRE that many issues with the Command Module became evident last year, especially when CM-012 was delivered to Kennedy Space Centre in August to be prepared for its flight. Even before it arrived, the Apollo 1 crew had expressed concerns to Apollo Spacecraft Program Office manager Joseph Shea about the quantity of flammable materials, such as nylon netting and Velcro, being used in the spacecraft cabin to hold tools and equipment in place. It seems that, even though Shea ordered these flammable materials removed, this may not have happened.


The Apollo 204 crew sent Program manager Jospeh Shea a parody of their crew portrait to express their concernes about the spacecraft. They are shown praying, and the picture carried the inscription: "It isn't that we don't trust you, Joe, but this time we've decided to go over your head"  

When CM-012 arrived at Kennedy Space Center, there were still 113 significant planned engineering changes to be completed, and another 623 engineering change orders were made following delivery! This suggests that many issues with the spacecraft design were still being resolved. Apparently, the engineers in charge of the spacecraft training simulators just couldn’t keep up with all these changes, and I’ve heard that Lt. Colonel Grissom expressed his frustration about this by bringing a lemon from a tree at his home and hanging it on the simulator.


CM-012, at that time designated Apollo 1, arriving at Kennedy Space Centre

There were several problems with the environmental control unit in the Command Module, which was twice returned to the manufacturer for designed changes and repairs. During a high-speed landing test, when the Command Module was dropped into a water tank to simulate splashdown, its heat shield split wide open, and the ship sank like a stone! There were also apparently concerns about a propellant tank in the Service Module that had ruptured during pre-delivery testing. NASA had it removed and tested at Kennedy Space Centre to be sure there were no further problems. 

CM-012 finally completed a successful altitude chamber test on 30 December and was mated to its Saturn IB launch vehicle on Pad 34 at Cape Kennedy on 6 January. So, was this particular spacecraft a lemon – an accident waiting to happen? Or has this tragedy shown that the design of the Apollo Command Module is inherently flawed? We’ll undoubtedly have to wait for the results of the accident investigation before we know the answer.

Countdown to Disaster
At this point, we still know very little about the disastrous fire or what led to its breakout, but my WRE colleagues have helped me put together some information accident from their contacts at NASA. The fire broke out during what had apparently been a trouble-plagued launch simulation known as a "plugs-out" test. This kind pre-flight simulation is intended to demonstrate that the spacecraft will operate as it should on internal power, detached from all cables and umbilicals, and successfully carrying out this test was essential for confirming the 21 February launch date.


The AS-204 crew in the CM simulator on 19 January, as part of their preparations ahead of the "plugs out" test

Almost as soon as the astronauts entered the Command Module, there were problems when Grissom experienced a strange odour in his oxygen supply from the spacecraft, which delayed the start of the test. Problems with a high oxygen flow indication that kept triggering the master alarm also caused delays. There were also serious communications issues: at first, it was Command Pilot Grissom experiencing difficulty speaking with the control room, but the problems spread to include communications between the operations and checkout building and the blockhouse at complex 34, forcing another hold in the simulated countdown.

Fire Erupts
It was not until five and a half hours after the simulation began that the countdown finally resumed, and when it did instruments apparently showed an unexplained rise in the oxygen flow into the crew’s spacesuits. Within seconds, there were calls from the spacecraft indicating that a fire had broken out in the cabin and that the astronauts were facing a serious emergency, trying to escape. The final transmission from inside the spacecraft ended with a cry of pain.

Of course, there are emergency escape procedures for the Command Module, but with the triple spacecraft hatch, it requires at least 90 seconds to get it open, and it seems that the crew had never been able to accomplish the escape routine in that minimum time. There is some evidence that Lt. Col. White was trying to carry out his assigned emergency task of opening the hatch, but in the pure oxygen atmosphere of the spacecraft, the fire became incredibly intense very rapidly and rising internal pressure would have made it difficult, if not impossible to open the inward-opening hatch.


Picture taken shortly after the fire was extinguished showing the external damage to the Command Module caused by the hull rupture resulting from the fire

In less than 20 seconds from the first detection of the fire, the pressure inside CM-012 rose to the point where it actually ruptured the hull of the spacecraft, sending flame, heat and dense smoke into the pad service structure. The ground crew bravely tried to rescue the astronauts, but the dangerous conditions and unsuitable emergency equipment made it virtually impossible. Many were later treated for smoke inhalation. There were fears the CM had exploded, and that the fire might ignite the solid fuel rocket in the launch escape tower above it. If this happened, it could set fire to the entire service structure.

It took about five minutes for the ground crew to finally get the spacecraft hatch open, but their efforts were in vain, as the astronauts were already dead. The exact cause of death has yet to be determined: it may have been physical burns from the fire, or carbon monoxide asphyxia, from the fire's by-products.

Whatever the cause, three brave men have died, and an exhaustive investigation of the fire and its causes will now take place as part of the accident investigation. Exactly what effect this tragedy will have on the future of the Apollo programme will very much depend upon the findings of that investigation. If the design of the Command Module is found to be intrinsically flawed, the necessary redesigns could delay the programme for years, causing NASA to miss President Kennedy’s deadline for a Moon landing, and allowing the Soviet Union to overtake the United States again in the Space Race.

Grissom and White have both said in past interviews that they recognized the possibility that there could be catastrophic failures and accidents in spaceflight and that they accepted that possibility and continued with their work. I’d just like to give the last word in this article to Astronaut Frank Borman, who said in a 1965 interview "I hope that the people in the US are mature enough that when we do lose our first crews they accept this as part of the business". It would not honour the loss of the Apollo 204 crew if this tragedy led to the termination of the Apollo programme.



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