Tag Archives: dan adkins

[July 12, 1966] Cool It! (August 1966 Worlds of Tomorrow)


by Victoria Silverwolf

The Long, Hot Summer

There has been intense heat in many major cities in the eastern United States this month, particularly over the Independence Day weekend. On Sunday, July 3, New York City reached an all-time high for that date with a temperature of 107 degrees. Newark wasn't far behind, at 105 degrees, and Philadelphia was close, with 104.


And Long Island, too.

Cold, Cold Heart

As if editor Frederik Pohl wanted to help us forget about the blistering heat wave, the latest issue of Worlds of Tomorrow is centered around a topic that is literally chilling.


Cover art by Paul E. Wenzel.

Before we step into the freezer, however, let's take a look at the lead story, mistakenly called a Complete Short Novel on the title page, although even the magazine's table of contents admits that it's just a novelette.

Heavenly Host, by Emil Petaja


Illustrations by Jack Gaughan.

Our hero's name is Kirk. If what I read in the trade papers is correct, that is also the name of the main character in the upcoming science fiction television series Star Trek. I assume that's just a coincidence. I guess Kirk is a good, manly name.

Anyway, this Kirk serves aboard a spaceship. He's a bit of a rebel, and winds up punching the tyrannical captain of the vessel. He's thrown into the brig, but manages to escape in a sort of lifeboat. (The implication is that the captain and the ship's cook kind of encouraged him to get away.)

This seems to be a case of jumping out of the frying pan and landing in the fire. (Pardon the corny metaphor. The heat must be getting to me.) Kirk winds up on a planet that is covered with a tangle of stinky vines. He manages to survive by eating the smelly plant and drinking rainwater, but life is hardly pleasant. There are holes here and there in the vines, so Kirk goes down to take a look around.


Exploring the world below.

After narrowly escaping being devoured by a giant worm, Kirk discovers that there's a wondrous Utopia under the odoriferous flora. He meets a beautiful woman, dancing gracefully, who quickly starts smooching on him and takes him on a boat ride.


A self-propelled gondola is the best way to travel in style.

At this point, the reader figures that the woman is just a figment of Kirk's imagination. Her name is Sombra, Spanish for shadow, which seems at first to be another hint that she's a phantom. Besides that, we already know that Kirk has imaginary conversations with his wise Mexican grandfather. However, she and the lovely community wherein she dwells turn out to be quite real.


Is this the Emerald City of Oz?

It seems that a bunch of colonists landed on the planet long ago, and managed to create a society without want, the population devoting all its time to artistic endeavors. This seemingly impossible task, they say, was done with the help of a benign deity called Hur. Kirk and Sombra are in love, of course, and he's eager to marry her, but things change when he gets his first look at the god responsible for this paradise.


Kirk meets Hur.

This is a strange story. It starts off as a tale of survival, becomes something of a wish-fulfillment fantasy, adds a touch of horror, and ends in an ambiguous fashion. I wouldn't call it boring, but I never believed anything that was happening. (One major quibble occurs to me: the people in the utopian city claim that they depend on folks like Kirk showing up to avoid inbreeding. Am I supposed to believe that people randomly land on this seemingly worthless planet frequently?)

Two stars.

Immortality Through Freezing, by Long John Nebel, et al.

This is actually an abridged transcript of a panel discussion broadcast on a New York City radio station. The topic is the possibility of freezing people at the moment of death and reviving them in the future, when medical technology will be able to cure their ailments and bring them back to life.

Besides the host, radio personality Long John Nebel, the group included Frederik Pohl, editor of this very magazine; R. C. W. Ettinger, who wrote a book on the subject, an excerpt from which appeared in the second issue of Worlds of Tomorrow; Joseph Lo Presti, an ophthalmologist; Shirley Herz, a public relations consultant; and the famous pianist/comedian Victor Borge.

That's an oddly mixed group of folks, and I wonder if they just happened to grab whoever was hanging around the radio station at the time. In any case, the guests discuss the definition of death and whether extreme cold could keep people in a state of suspended animation. This is nothing new to science fiction fans, and it pretty much just rehashes the previous article I mentioned. At least the subject matter might help you feel a little cooler and beat the heat.

Two stars.

Deliver the Man!, by Ray E. Banks


Illustrations by Norman Nodel

A starship is on its way to a conference of various alien civilizations. It seems that Earth is considered as something of a backwater, worthy only of being conquered. The ambassador aboard the vessel must reach the meeting on time and manage to convince the extraterrestrials otherwise.

Complicating matters is the fact that Martian colonists, now the enemies of Earth, attack the ship while it's on its way. A space battle follows.


A female warrior in a dogfight in space.

Our hero comes to the rescue of an inexperienced pilot, saving her bacon when she faces two opponents at once. She is hurt but survives the skirmish, only to face further challenges aboard the vessel.


Injured in battle.

There's a planet that insists the ship wait around while they celebrate an anniversary, so that the ambassador will be much too late to save Earth from destruction. The captain stays behind, allowing the vessel to sneak away, although he knows this will mean his death when the deception is discovered. An unpleasant fellow takes command, leading to a love triangle that ends in tragedy.


A crime of passion.

As if that weren't enough trouble, there's the possibility that an alien spy, disguised as a human being, is aboard the ship, intending to sabotage the mission. More deaths follow.


Another murder aboard ship.

All seems hopeless by the end, until our hero steps up and does what has to be done. The conclusion involves the ship's navigator, an eccentric woman who also serves as the hero's love interest.


The enigmatic navigator.

There's certainly enough action going on to satisfy readers looking for slam-bang adventure. The hero has so many obstacles in his way that it almost becomes ludicrous. You also have to assume that starship officers are going to act in completely irrational ways out of sexual jealousy.

Although partly depicted as objects of lust, it was nice to see women aboard the ship in important positions. The navigator, in particular, is an interesting character, although you'll probably figure out what role she plays in the plot.

Two stars.

The Most Delicious Foe, by Lawrence S. Todd


Illustrations by the author.

Our hero runs a business that will perform just about any service for the right fee. (I was reminded of Robert A. Heinlein's 1941 story "–We Also Walk Dogs". Proofreader, please note that the dash and quotation marks are part of the story's title.)

His latest job is to stop a war between two alien species. Each one wants to eat the other. The reptilian aliens just think the centipede-like aliens are tasty, while the centipede-like aliens savor the experience of imagining the lives of the reptiles while devouring them.


Two reptilian aliens read the news. Yes, the text states that they wear tam-o'-shanters.

Our hero has to figure out a way to please the appetites of both species in order to prevent wholesale slaughter.


Who is having whom for dinner?

As you can tell, this is a silly story, apparently intended as a comedy, although nothing particularly funny happens. The author is much better known as a cartoonist and illustrator, and he might want to stick to that line of work in the future.

Two stars.

Tom Swift and the Syndicate, by Sam Moskowitz

The indefatigable historian of all things related to science fiction delves into the subject of children's adventure books of the late nineteenth and early twentieth centuries. As the title suggests, the main focus is on the countless stories of Tom Swift and his amazing inventions. However, the article also includes many other endless series, such as Nancy Drew and the Hardy Boys. The bulk of these were plotted by a single man and actually written by a bunch of authors under house names. The Tom Swift, Jr., series continues to this day.

As usual, the author possesses an absolutely astounding amount of information about the subject. Also as usual, the resulting essay is less than compelling.

Two stars.

Homogenized Planet, by Allen Danzif


Illustrations by Dan Adkins.

One of the members of an exploration team on Mars goes off for several days, much longer than he could possibly survive with his limited air supply. Incredibly, he comes back just fine. In fact, he can survive in the extremely thin Martian atmosphere without any problems.

The other folks sedate him and strap him down during the voyage back to Earth. I guess they don't want to take the chance that he's really a Martian shapeshifter or something. Despite their precautions, things start to go wrong. People change from one person into another, or disappear entirely.


An eerie transformation.

At this point, you might think of John W. Campbell, Jr.'s 1938 novella Who Goes There?, with its shapeshifting alien. (Not so much the 1951 movie The Thing from Another World, which eliminated the shapeshifting. On the other hand, I was reminded of the 1958 film It! The Terror from Beyond Space.)

However, things turn out quite differently than expected, and the mood changes drastically. When we finally find out what's really going on, the premise is of some interest, but it requires pages and pages of exposition. The story really grinds down to a halt during its last section.

Two stars.

Island of Light, by Lawrence A. Perkins


Illustrations by Arkin. I have not been able to discover the artist's last name. Could it possibly be Alan Arkin, the star of this year's hit comedy The Russians Are Coming, The Russians Are Coming? He's had a couple of stories published in Galaxy.

In the near future, a city in the northwestern part of the United States takes drastic measures against crime. There is only one way to get into the place, which has expanded so greatly that it takes up part of three states. The normal activities of everyone in the city are recorded, so that computers can predict their whereabouts at any particular time with reasonable accuracy. There are many other methods used to ensure that it is nearly impossible to get away with a crime.


Citizens of Utopia?

A detective from outside the city arrives to observe the local crimefighters. A woman is beaten and robbed, left alive but in a coma. The investigation demonstrates the city's unusual methods, and reveals something about the visiting detective.

The premise is an interesting and provocative one, raising many questions about the proper way to balance freedom and security. Frankly, this story came as something of a relief after all those outer space adventures. The biggest flaw is that it's full of long expository speeches, as the local detective explains things to his guest.

Three stars.

We're Havin' a Heat Wave

Well, that was a disappointing issue, not doing much to take my mind off the hot weather. Perhaps the best way to use it would be to flap the pages against your face to cool down. Either that, or read it while sitting in a room made nice and comfortable by modern technology.


You don't really need to wear a snowsuit while running an air conditioner.



Tune in to KGJ, our radio station, for the coolest and the hottest hits!




[July 8, 1966] South Pohl (August 1966 Galaxy)


by Gideon Marcus

The Big Bang

The Americans and Soviets have signed onto a Partial Test Ban Treaty, restricting nuclear tests to deep underground. The Chinese and French are under no such obligation, however.  Not only have the Chinese detonated two (or was it three?) atomic devices in the open air, but now the French have begun their own series of above-grown tests.

These big bombs are being burst on the French Polynesian atoll of Moruroa.  I don't know what the indigenous South Seas population thinks of the blasts, but I imagine their opinions will sour as quickly as their strontium-90 laced milk.

The Big Fizzle


by Gray Morrow

The French may be making a big noise in the Southern Hemisphere, but Fred Pohl, editor of IF, Worlds of Tomorrow, and the formerly august Galaxy, has barely been squeaking by.  Indeed, the August 1966 issue of Galaxy is the most feeble outing I've read in a long time.

The Body Builders, by Keith Laumer


by Nodel

Opening things up, Keith Laumer extrapolates a future that is a straight-line evolution of our current boob tube culture.  Since so many of us are content to live vicariously, eyes plastered to the small screen, why not take things a few steps further?  And so a large portion of humanity lives flat on their backs, plugged into life support machines.  Their senses are hooked into humanoid surrogates of plastic and metal, optimized for task, emphasized for beauty. 

Our protagonist is a prize fighter, or at least, he remote controls a synthetic boxer.  Another artificial being provokes our hero into a duel while he's inhabiting his sport model body rather than his brawler suit.  So he goes on the lam.  Troubles, high jinks, and happy endings ensue.

Elements remind me of Robert F. Young's Romance in a Twenty-First Century Used-Car Lot (shuttling around in personally molded chassis) and Steel (human boxer steps into the ring against a robotic opponent), but this is a nice new spin.

Three stars.

Heresies of the Huge God by Brian W. Aldiss

A giant creature, thousands of miles long, crashes into the Earth.  Its bulk causes tremendous damage, alters our seasons, and thoroughly discombobulates our society.  This after-the-fact chronicle of the millennium following the alien's arrival is both unsettling and rather funny.

Four stars.

For Your Information: Scheherazade's Island by Willy Ley

This month's science column details the unusual creatures that inhabited Madagascar until quite recently: Big birds, giant lemurs, and other exotics.  They may, indeed, yet live there in remote areas of the enormous island.

Interesting topic but bland presentation.  Three stars.

The Piper of Dis by James Blish and Norman L. Knight


by Gray Morrow

Authors Blish and Knight return us to the overcrowded world of 2794 on which ten trillion humans live.  In this installment, the asteroid Flavia is headed toward Earth, where it will cause tremendous damage.  Millions of North Americans must be evacuated to the spare town of Gitler.  There are two wrinkles: 1) a convention of the Jones family is currently occupying the city, and they must be evacuated out before refugees can be evacuated in; 2) an insane criminal member of the Jones family, Fongavaro, doesn't want anyone in the city lest he be extradited back to his home in Madagascar.

Actually, there's another wrinkle: it's a dreary potboiler of a story in an implausible world.  I hope this is the last piece in the series.

Two stars.

Among the Hairy Earthmen by R. A. Lafferty

What if the Renaissance was really the work of bored aliens?  In this typically whimsical piece, a band of seven humanoid cousins arrive at medieval Europe and make history their plaything. 

This one of those tales that's all in the telling, and the telling is pretty charming.  Three stars.

The Look, by George Henry Smith

Women, hare-brained slaves to fashion that they all are, succumb to trends so horrendous that no man can bear to look at them.  It's the plot of a pair of homosexual fashion designers to ensure they have all of mankind to themselves.  Or so we're meant to think.  The "twist" is that it's actually a ploy of Alpha Centaurians to depopulate the Earth.

If we had a negative counterpart to the Galactic Stars, this would win the prize. One star.

Heisenberg's Eyes (Part 2 of 2) by Frank Herbert


by Dan Atkins

Last issue, we were treated to the first half of Frank Hebert's latest short novel.  It takes place in a far (like tens of thousands of years from now far) future in which the human race has completely stagnated in technology, society, and biology.  The "Optimen", sterile ubermenschen who are essentially immortal, rule over the mostly sterile humans whose offspring are all produced out of womb and with scrupulous surgical control.

Last installment, the Durant couple had stolen their embryo from under the noses of the Optimen with the help of the Cyborgs, a competing sub-race of humanity that has traded their emotions for computerized sturdiness.  The Durant embryo, due to some unexplained quirk, is the first bog-standard human to be spawned in millennia.  Able to reproduce, it may hold the key to toppling the static society of humanity.

This installment begins with the Durants stealthily escaping the megalopolis of Seatac. This takes up most of the part, and is ultimately pointless as the triumvirate of rulers is aware of their attempt the entire way.  The Durants, their assisting Cyborgs, as well as Svengaard, the surgeon they had taken hostage, are summoned before a full council of the Optimen for punishment.  Violence breaks out.  Two of the triumvirate are killed.  Calapine, the impulsive, simpering woman of the ruling trio, is both outraged and excited by the new feeling of mortality.  Nevertheless, she is committed to destroying her captives before they destroy the current order.

Until it is pointed out that the order is just its own kind of death, a sentence of eternal boredom.  In any event, it's doomed to failure since even the immortals need increasing doses of enzymes to stay alive, a situation that is quickly becoming untenable.

There is a solution!  It turns out that being implanted with an embryo produces all the enzymes one needs to stay alive indefinitely.  So women (and men) can be installed with pre-tykes that are made to gestate for thousands of years, and that will keep them alive forever.  Thus, humanity can return to some sort of natural (if prolonged) rhythm.

Never minding the utter implausibility of, well, everything about this book, all of the above could probably have been written in about 20 pages.  But when you're paid by the word, and you're one of the hottest authors in the genre (I can imagine a half century from now that Dune will replace The Bible as the most-read book in the world; there ain't no justice), I suppose sentences must flow.

Two stars for this part, two and half for the whole book.

Who Is Human? by Hayden Howard


by Jack Gaughan

Starting in medias res, we have the latest story of the Esks: people who look like Eskimos, but are actually born in a month and raised to adulthood in five years.  In this installment, which really does not stand alone as a separate story, we learn that the Esks have been artificially created by alien visitors.  We are meant to believe that 1) the Esks pose an intolerable risk to the human race as we will soon be outbred and replaced by them, and 2) no one will actually believe our protagonist, Dr. West, when he explains the true nature of the Esks.  Everyone maintains they're just plain ol' Eskimos.

This is the silliest, most contrived set of premises.  The Esks are already starving due to overpopulation, and thus applying for relief.  Once free food starts being doled out, the unnatural increase in population will be known.  This may spell adversity for the real Inuit (and the Canadian budget) but it hardly threatens world domination.  And it's not like we have a Puppet Masters situation here; the Esks don't possess other humans.  They just live alongside them. 

Maybe there will be a better explanation down the road.  Two stars.

Summer Slump

It's a pretty sad affair when Galaxy clocks in at a bare 2.5 stars.  On the other hand, as Michael Moorcock informed us last month, it is not uncommon for magazines to save their weakest material for the summer, when readership is at its lowest.  Let us hope that's what is going on here!

Ah well.  At least the summer music is good:

Tune in to KGJ, our radio station!




[May 2, 1966] By Any Other Name (June 1966 IF)


by David Levinson

That which we call a purge

Successful revolutions often seem to devolve into vicious internal fighting as various factions turn on each other. Many of us are old enough to remember Stalin’s purges in 1937, and I’m sure we all remember learning about the Reign of Terror during the French Revolution when we were in school. Now it looks as though China may be gearing up for some purges of its own.

The five year plan of 1958, dubbed the Great Leap Forward, proved to be a disaster. The plan’s policies produced three years of famine, killing an untold number of people. As a result, Communist Party Chairman Mao Tse-tung stepped back and left the day-to-day running of the country to Liu Shao-ch’i and Teng Hsiao-ping. But Mao may be attempting to seize the reins of power once again.

Last November, an opera by a playwright named Wu Han was attacked as being subversive and critical of Mao’s leadership. On April 10th, the Communist Party issued a directive that condemned almost all literature written since the end of the revolution as “anti-party and anti-socialist.” Every author and poet is now considered suspect. Six days later, poet and journalist Teng T’o was chastised as counterrevolutionary in the official government newspaper. On the 18th, the new movement was given a name in the army’s daily newspaper: the Great Socialist Cultural Revolution. Now, President Liu Shao-ch’i, Mao’s chosen successor, has been publicly criticized as a capitalist and insufficiently supportive of Mao. I’d say the purges are about to begin. It remains to be seen just how bad they will be.


Chairman Mao Tse-tung (r.) and President Liu Shao-ch’i (l.) meet last year with Prince Sihanouk of Cambodia (in the dark jacket).

Smells, sweet and otherwise

This month’s IF offers a mixed bouquet. Overall, it’s visually disappointing, and a couple of the blossoms really could have used a different name.


This allegedly illustrates “The Weapons That Walked”. It doesn’t. Art by McKenna

Mandroid, by Piers Anthony, Robert E. Margroff and Andrew J. Offutt

In the forests of Oregon, the last two humans left alive, Bill Jackson and Tony Baker, finish killing the last android. The androids were created as servants, but were made to be stronger, faster and maybe smarter. Eventually, a war of extinction broke out when the androids asked for equality. Suddenly, the narrative is interrupted by a click, and strange voices which speak in the present/past/future ponder their failure in getting Man and Android to mate. And the story begins again from a little earlier. And so it goes, each time getting a little closer to success, but ending in failure. Finally, one of the strange voices concocts a dangerous plan. If it fails the fabric of TimeSpace will be/is/was ripped beyond repair.


Bill and Tony are observed from outside of time and space. Art by Gaughan

Mandroid sounds like a B-movie from a decade ago. And with three authors, you wouldn’t be at all surprised by something that schlocky. While Margroff only has the sub-par “Monster Tracks” to his credit, and I’ve not read either of the stories credited to Andy Offutt, Anthony (a Cele Lalli discovery) has produced some good work. Maybe it’s his hand that keeps all these cooks from spoiling the broth. This is a good story with a couple of flaws that keep it from reaching four stars. The first is the heavy-handed Biblical allusions at the end; the second, unless I’m reading something that isn’t there, is the veiled hints at Bill’s sexuality that promote some unpleasant stereotypes.

Three stars.

Fandom U. S. A., by Lin Carter

This month, Our Man in Fandom takes a look at fan clubs. Carter takes a quick look at some of the better known clubs on the east and west coasts and in the mid-west, and then talks about what happens at meetings, whether they be formal or informal. It’s a handy resource that could help a lot of people in the States to find a club near them and maybe encourage others to start a club. Plus, Carter finally has a handle on his voice.

Three stars.

The Weapons That Walked, by D. M. Melton

Explorer Joe Hanley’s landing craft fails on the way down to Kast III, and he’s forced to bail out. Unfortunately for Joe, the scouting group on Kast IV is in even worse shape, and the main ship has to go to their aid first. Joe is going to have to make do on his own for several days. Fortunately for Joe, he grew up among the redwoods of northern California and he’s one of the few nature-lovers left. He’s got a plan and this planet might be just what he’s looking for. But then the animals in the area start acting as though they’re being directed by some greater intelligence.


Joe encounters a local predator. Art by Adkins

From the title, you’d expect something from 1926, illustrated by Frank R. Paul, that Joe Ross would think twice about before reprinting it in Amazing. It’s better than that. This is Melton’s second story, following “The Fur People”. Like that story, it’s fairly unobjectionable and shows promise. Better, the female character actually has a name. Showing promise is all well and good, but Melton needs to improve if he wants to stick around.

A low three stars.

The Dream Machine, by Carol Easton

Harry Carver invents a machine that allows users to have extraordinarily real dreams of the things they want. There are consequences.

Easton is this month’s first-time author. I’m not impressed. There are one or two decently written passages, but that’s it. There aren’t really any characters, there’s no actual story (just a recounting of events) and it’s painfully obvious where things are going.

Two stars.

Sweet Reason, by Christopher Anvil

Dr. Garvin, a human psychologist, has come to observe the work of Centran military psychologist Major Poffis. The Centrans have astonishingly high success rates, achieved quickly. Garvin observes the Major treating a patient and the two discuss the theory and practice of psychology. Are human and Centran approaches compatible?


The Centran patient, prior to his treatment. Art by Nodel

Why wasn’t this in Analog? I’m sure I’ve read most of the criticisms of psychology as a science in Campbell’s editorial rants, and the quality is about what Campbell usually gets out of Anvil. A couple more stories like this and we can officially say that Campbell has ruined Anvil as a writer.

Two stars.

Earthblood (Part 3 of 4), by Keith Laumer and Rosel G. Brown

When last we left our hero, Roan’s ship had been disabled by a Niss warship, he had shot his mentor and now had to leave behind his only friend, Iron Robert, who can’t fit into a lifeboat. Under Roan’s leadership, the crew is able to board the Niss ship, only to find it uninhabited. It was the automatic defenses that destroyed Henry Dread’s ship. Fortunately, there is another Terran ship aboard for Roan and his crew to commandeer.

Roan’s first stop is his homeworld. He learns of his mother’s death, but is able to track down his family’s Yill servant. He makes his way to the shop where his parents bought his embryo and learns he was the only viable embryo out of several. He also finds out he came from an ITN experimental station on Alpha Centauri. That means a very long run through backwater territory to find out where he came from.

Nearly a decade later, he and his crew reach his destination. Roan would like to go on alone, but his three most loyal crewmen insist on accompanying him. Eventually, they reach naval headquarters on Nyurth. It turns out that the Imperial Terran Navy has grown decadent and is riven by factions. Most notably, Captain Trishinist believes Roan to be part of a large conspiracy to assassinate Admiral Starbird and seize control of the navy. The Admiral has grown old in service, but still has a plan and a hidden fleet to retake Earth. Time and politics have kept him from ever carrying it out. Now he places it all in Roan’s hands. That evening, Commodore Quex tries to arrest Roan, but Roan and his crew escape easily. To be concluded.


Roan leads with his left. I picked this one as representative of how bad the art is. Art by Wood

Well, this is a big improvement over the last two installments. It’s not without its flaws. When Roan learns that the family servant was originally part of the group sent to acquire his embryo, he fails to ask who hired them. There is also some confusion about time. The run to Alpha Centauri is nearly ten years, but Roan says it’s been four years since Dread’s death. In addition, there are inconsistencies in the relationships and communications between Naval HQ at the end and Rim HQ, which Dread worked for. Hopefully, those things will be cleared up by an editor before book publication.

Despite those flaws, this is a very good installment and gives me hope for the story as a whole. Laumer is much more present this time, in the various military plans and action sequences. But what makes it better is all Rosel Brown. Roan is greatly matured here, more introspective, and the story is improved for it.

Four stars.

By Mind Alone, by Larry Niven

In 1972, a group of UCLA students who have learned the mental power of teleportation and the professor who taught them are having a weekend party in Lake Arrowhead, up in the San Bernardino mountains. When the cigarettes run out, they can’t get more, because it’s Sunday and the stores are all closed, so their hostess teleports back to her parent’s home in Hermosa Beach. But when she arrives, she is stricken by an almost fatally high fever, which quickly diminishes. The professor puts a halt on all teleportation until they can figure out what happened. Have they violated some heretofore unknown law of the universe, or are they being punished for hubris?

Niven has given us a decent little problem story. He’s clearly inspired by Alfred Bester’s The Stars My Destination and, not to give too much away, if he’s right, then Gully Foyle would be nothing more than some soot and a thin smear of organic matter after his first jaunt. I think the “magic” method of teleportation weakens the story somewhat, but it’s still a fun read. I’d like to see how someone using a more scientific approach would solve the problem revealed here.

Three stars.

Summing Up

A rose, Shakespeare says, by any other name would smell as sweet. But if it were called a dungflower, might those who stopped to smell it find the scent sweeter, because of low expectations, or maybe not as sweet, since something with that name can’t possibly smell good? I find myself wondering how much my opinions of the first two stories are influenced by their B-movie and Gernsbackian titles. What we call a thing can make a difference, and boy do those stories need to be called something else.

On the art front, Galaxy Publishing needs some new blood. The sub-par comic book stylings of Wally Wood and Dan Adkins are a waste of space and ink. Jack Gaughan’s abstract elements and heavy blocks of black are often oppressive and rarely fit the mood of the story they illustrate. When Norman Nodel produces the best illustrations in your magazine, it’s time for a change.


Been a while since we’ve seen something from Blish.





[April 2, 1966] Hidden Truths (May 1966 IF)

Don't miss tomorrow's exciting Adventure-themed episode of The Journey Show, taking you to the highest peaks, the deepest wildernesses, the coldest extremes, the vacuum of space, and the depths of the sea.  April 3 at 1PM — book your (free) ticket for adventure now!)



by David Levinson

They’re on our side (I believe)

There’s no question that French President Charles de Gaulle has a larger-than-life, albeit rather prickly, personality. It stood him in good stead through the War and in midwifing the Fifth Republic a few years ago. It’s also a big part of what underlies his “politics of grandeur”. Alas, it also makes him a sometimes troublesome partner on the world stage. As early as 1958, he was urging a greater role for France in NATO, kicking against the traces of the Anglo-American “special relationship”. In 1959, he pulled the French Mediterranean fleet and air defenses from NATO command and banned the United States from positioning nuclear weapons in France. A year later, he even tried to renegotiate the NATO treaty, but no other member nation supported him. He was fairly quiet during the Kennedy administration and showed great solidarity during the Cuban Missile Crisis, but he’s up to his old tricks again.


French President Charles de Gaulle announcing that France will go her own way.

In February, de Gaulle declared that the changed world order has “stripped NATO of its justification” and demanded French control of all foreign troops and bases in France when the current NATO agreement ends in 1969. Apparently, he decided that was too far in the future. On March 7th, he ordered all foreign troops and equipment removed from France by next year. Two days later, France formally withdrew its officers from the NATO unified command, assumed full control of the 70,000 French troops in Germany and announced that they will close all allied bases that don’t surrender to French control. President Johnson appears to have taken all this with the poise of a matador performing a verónica, with the faith that de Gaulle can be brought around in a time of need, though there is a rumor he instructed Secretary of State Dean Rusk to ask if that withdrawal includes the thousands of American war dead in French cemeteries. “De l'audace, encore de l'audace, et toujours de l'audace.”

Unearthing the past

Oftentimes, what we think we know about the past and how we got where we are is simply wrong. Learning the truth may make us change our course, shatter our identity or turn the whole world upside down. Quite a lot of this month’s IF features characters facing the consequences of just such a revelation.


Supposedly from Silkies in Space. Silkies don’t need spacesuits. Art by Schelling

Silkies in Space, by A. E. van Vogt

Nat Cemp is a Silkie, a genetically engineered human who can adapt his body so that he can live underwater or in space as easily as he can on land. While walking down the street, he encounters a man who appears to be his twin and delivers an ultimatum to Nat. All Silkies are to end their association with humans and return to the nation of Silkies or be deemed traitors. Around one fifth of all Silkies have had a similar experience at roughly the same time. The Silkie nation is traced to a planetoid that travels from outside the orbit of Neptune to inside that of Mercury, and Nat is sent to investigate. What he discovers will have enormous consequences, not only for the 2,000 Silkies of Earth, but for the entire planet.


Gregor Samsa… er, Nat in spacegoing form enters the mysterious planetoid. Art by Gaughan

This is a direct sequel to “The Silkie” from a couple of years ago. While this story largely stands alone, it might make more sense if the first story is fresh in your mind. Parts of it are quite good, other parts (mostly when Nat starts using his mental powers) rather confused and nonsensical. As we’ve discussed many times here at the Journey, van Vogt is a polarizing writer. Oddly, I find myself in both camps. There are stories I like a lot, but I’m also put off by his long fascination with supermen and his strong association with dianetics. There are bits here, like the “logic of levels” where I wonder if I’m being spoonfed Hubbard’s nonsense, and it detracts from the whole. The story goes completely off the rails at the end, as well. I’m waffling on the score, but I think I liked it just enough. Barely three stars.

The Historian, by Carroll J. Clem

We open with a chapter from a history book telling us that as humanity spread to the stars, no intelligence was found to equal man’s own. A few vignettes of humans engaging in the worst forms of colonization and oppression follow. The story concludes with the historian discussing his work with the people who commissioned it.

Clem is this month’s new writer. Stylistically, it’s decent and it’s short, but it’s also fairly obvious. Again, I find myself wavering on the score, but the fact that the author felt compelled to spell out the ironic twist is a mark against it. A high two stars.

The Hide Hunters, by Robert Moore Williams

Ed Grayson is exploring the Amazon, looking for the next big psychedelic drug. When the old chief of the tribe he is staying with begs the use of Ed’s rifle to kill the hide of his dead grandson, Ed is appalled. Later, he finds the chief skinning his grandson and horrified by the strange white filaments connecting the skin to what is inside it. His partner McPherson returns by helicopter and is worried by Ed’s behavior. Ed is going to return to civilization with the helicopter, but a poison dart attacks and kills the pilot. McPherson tries to fly them out and instead crashes near some ancient ruins, where they find Egyptian hieroglyphs and something much more disturbing.


An injured Grayson waits for his partner’s return. Art by Adkins

If Weird Tales were still publishing, this would have fit right in. The story clearly shows Williams’ roots in the pulp days, but is reasonably well updated for today, apart from the Egyptian hieroglyphs. Why not something Incan? One the whole, this is a decent representative of stories of this kind. Too bad the attack on the pilot makes absolutely no sense. Still, it’s three stars.

An APA For Everyone, by Lin Carter

Building on his look at fanzines last month, Carter takes a look at amateur press associations, an idea that goes back nearly a century. Unlike fanzines, which will send a copy to anybody willing to pay the postage, APAs limit circulation to a limited group of contributors who must submit a certain number of pages every month. There are even waiting lists for people to join. Carter examines some of the bigger APAs in fantasy and science fiction, as well as what drives someone to contribute to them. His breezy style is slightly tempered from last time, but it still grates. Three stars.

Mountains Like Mice, by Gene Wolfe

Dirk is being prepared for his Retreat by Otho the Captive. If he can avoid being found for the two months it will take for the dye to wear off, he will become a Master. That night, Otho leads him to the spot where his Retreat will begin at sunrise. Later, he sees what he thinks is Otho being captured by the gyrda, a race of people half the height of a normal person. He tracks them into the mountains with the plan of rescuing Otho. In the end, things known to Dirk are revealed to the reader, and he gains deeper insight.


A captive of the gyrda. Art by Lutjens

Wolfe is unknown to me, but after some digging I see that he had one previous sale to the “gentlemen’s” magazine Sir!. If he can write like this so early in his career, I foresee big things. He’s clearly in love with language and words, and every sentence is beautifully crafted. I don’t claim to really understand the metaphor of the title or the implications of the final paragraph, but the journey there is incredibly beautiful. Four stars.

Golden Trabant, by R. A. Lafferty

A man enters Patrick T. K.’s store to sell a huge lump of greenish gold, clearly of extraterrestrial origin. We then learn of the unscrupulous men seeking the legendary golden asteroid and the consequences of their success.

This is an unusually traditional story for Lafferty, but it still has his unique touch. Of course, it’s largely a retelling of F. Scott Fitzgerald’s The Diamond as Big as the Ritz without the romance and with a few Lafferty-esque bits. This might be a good starting point for someone who has never read Lafferty and is concerned about some of the things they’ve heard. Three stars.

Earthblood (Part Two of Four), by Keith Laumer and Rosel G. Brown

Last time, Roan, a purebred Terran who grew up among aliens, was forced to join an interstellar circus. There he met the beautiful Stellaraire and rescued her from the villainous Ithc. Now he has hatched a plan for the two of them to escape so that he can make his way back to his mother and then find lost Terra. Those plans are thwarted when Iron Robert, the rock creature who was Stellaraire’s only friend, is grievously injured in a fight. At Roan’s insistence, Robert is brought aboard the ship and nursed back to health, rather than being left behind to die.

En route to another stop, the ship is attacked by the pirate Henry Dread. Many are killed when the ship enters emergency acceleration, and the rest are gunned down by Dread’s crew. Roan is spared, because he is fully human, as is Iron Robert again at Roan’s insistence. But Stellaraire was killed, crushed by a falling beam. Dread views the world divided into three groups: Terrans, Gooks, who are humanoid and may have some Terran in them, and Geeks, the rest of the aliens. And for him only Terrans matter, so he takes Roan under his wing.

Dread takes Roan along on a raid of the old imperial capital of Aldo Cerise. Roan saves Dread’s life and afterward Dread reveals that he is actually a member of a group calling themselves the Terran Navy, supposedly formed from the remnants of the old navy thousands of years ago. He inducts Roan and explains that he’s on a long mission recruiting and financing. Eventually, they find a Niss ship and Dread’s hate leads him to make a foolish attack. Roan winds up killing Dread in an attempt to save Iron Robert, but in the end, Robert must be left behind on the dying ship while Roan leads a desperate raid on the Niss ship, their only hope for survival. To be continued.


Iron Robert meets his match. Art by Wood

Well, that didn’t go how I expected. After last month, I was sure I could see the course of this story. The circus ship would prove to be an extremely powerful warship that Roan would use to break the Niss and Stellaraire would prove not to be a sterile mule. Instead, she’s dead and the ship was about as effective in combat as a Greek trireme against an Iowa-class battleship. In fact, almost everyone who ever supported Roan is dead. His father, Stellaraire, Iron Robert (presumably) and Henry Dread.

Last time, I also expressed concern about the human superiority that was expressed. Some of that is there again, but it’s more clearly an ugly thing. Roan lashes out once at Iron Robert with the vile language Dread uses, but immediately regrets it, and his constant support of Iron Robert shows his real attitudes. I’m more hopeful.

I still don’t see much Laumer here, other than in names (Groaci and Aldo Cerise this time) and the presence of Bolos. And it looks like Wally Wood is indeed the artist for the illos. Three stars.

Summing up

Not as good an issue as last month, certainly. But Earthblood looks like it will be much more than I expected, and we have an interesting new voice in Gene Wolfe. If he can hone his craft a bit more and keep his beautiful language, he may be a force to be reckoned with.


No hype at all for next month? That’s not a good sign.





[March 14, 1966] Random Numbers (May 1966 Worlds of Tomorrow)


by Victoria Silverwolf

Printers' Devils

When I'm reading a book or magazine, if I come across a mistake in printing it takes me right out of the story. If it's a simple misspelling, it's no big deal, yet there's still that brief moment when my mind unwillingly goes back to reality.

More serious problems, such as a few lines duplicated or in the wrong place, cause greater distress. In the most extreme cases, as when entire pages are missing, the experience is ruined.

I bring this up because my copy of the latest issue of Worlds of Tomorrow contains an egregious example of this kind of technical shortcoming.

Dig That Crazy, Mixed-Up 'Zine, Man


Cover art by Gray Morrow.

Allow me to provide you with a metaphorical road map for the route you need to take between the front and back covers of the publication.

Pages 1 through 15: OK so far.
Pages 18 through 21: Hey, what happened to the other two?
Pages 16 through 17: Oh, there they are.
Pages 22 through 45: Smooth sailing.
Pages 48 through 55: Here we go again!
Pages 46 through 47: Another two pages out of place.
Pages 56 through 164: No more detours, thank goodness.

If I've managed to annoy and confuse you with that, now you know how I felt when I read this issue. The short, sharp shock (to steal a phrase from Gilbert and Sullivan's The Mikado) of jumping from an incomplete sentence on page 15 or page 45 to a completely unrelated incomplete sentence on page 18 or page 48, then having to flip through the magazine to find page 16 or page 46, then having to hop back to page 15 or page 45 to remember what the incomplete sentence said, was a pain in the neck. (That's another allusion to the short, sharp shock. Ask your local G and S fan what it means.)

Thus, if I seem a little more critical than usual, blame it on the printer (not on the Bossa Nova.) With that in mind, let's get started.

The Ultra Man, by A. E. Van Vogt


Illustrations by Peter Lutjens.

I'll confess that I have a real blind spot when it comes to Van Vogt. I know he's one of the giants, like Asimov and Heinlein, of Astounding's Golden Age, but I almost always find his stuff hard going. Often I can't follow the plot at all. When I think I understand what's going on, it usually seems overly complicated. Given my prejudice, I'll try to be as objective as possible.

The setting is an international lunar base. A psychologist demonstrates his newly acquired psychic ability to a military type. It seems the headshrinker can tell what somebody is thinking by looking at his or her face. Suddenly, he spots an alien disguised as an African who intends to kill him.

(There's an odd explanation for why the alien takes the form of an African. Something about that would give him the protection of race tension. I have no idea what that's supposed to mean. That's my typical reaction to Van Vogt.)

We soon find out that other folks have been gaining psychic abilities, all of them following a very strange pattern. The people retain the power for a couple of days, then lose it for a while, then get it back in a much more powerful form for a brief time. If there was any sort of explanation for this bizarre phenomenon, I missed it.


Like the first illustration, this is more abstract than representative.

Anyway, the psychologist and the military guy get involved with a Soviet psychiatrist and with aliens intent on conquering humanity. Only the psychologist's intensified psychic powers, of a very mystical kind, save the day.

Science fiction is often accused of being a literature full of power fantasies, and this story could serve as Exhibit A. (Just look at the title.) The psychologist's abilities eventually become truly god-like.

I have to admit that this thing moves at an incredibly fast pace. It reads like a novel boiled down to a novelette. I can't call it boring, at least, even if it never really held together for me.

Two stars.

The Willy Ley Story, by Sam Moskowitz


Uncredited photograph.

The tireless historian of science fiction turns his attention to the noted rocket enthusiast, science writer, and SF fan. As usual for Moskowitz, there's a ton of detail, as well as a seemingly endless list of early publications by Ley and others. For an encyclopedia article, it would be a model of thoroughness. As a biographical sketch for the interested reader of Ley's writings, it's pretty dry stuff.

Two stars.

Spy Rampant on Brown Shield, by Perry Vreeland


Illustrations by Gray Morrow.

A writer completely unknown to me jumps on the James Bond bandwagon with this futuristic spy thriller.

It seems that the Cold War has been replaced by a struggle between the good old USA and some kind of unified Latin America. The enemy Browns — named for their uniforms, I believe, and not intended, I hope, as a reference to their ethnicity — have a shield that will protect them from nuclear weapons. This means that the dastardly fellows can attack the Norteamericanos with impunity.

The protagonist is the typical highly competent secret agent found in this kind of story, although said to be more cautious than others. He gets a cloak of invisibility so he can sneak into the office of the Brown scientist in charge of the shield and get the plans for it.


Our hero stuns his target.

The invisibility gizmo has several limitations. Dirt and moisture render it less than effective in hiding the user. (In an amusing touch, the hero has to keep changing his socks.) Some kind of scientific mumbo-jumbo is used to explain why it shimmers when more than one source of light, of particular intensities and locations, strike it.

Much of the story consists of the spy just waiting, so he can walk through a doorway, opened by somebody else, without drawing attention. In an interesting subplot, he has to fight altitude sickness as well, because the headquarters of the scientist are located at a great elevation, way up in the Andes.


Walking through the streets of La Paz, the highest capital city in the world.

The twist ending, during which we find out the true nature of the Browns' shield technology, is something of a letdown. It also allows the hero to escape from the Bad Guys, thanks to dumb luck and pseudoscience.

Two stars.

The Worlds That Were, by Keith Roberts

Here's a rare American appearance by a new but quite prolific British author. The narrator and his brother, from an early age, have been able to escape the slum in which they live and enter other times and places. He meets a woman in a dreary public park and brings her home. This leads to a battle with his brother, who sabotages the paradises into which he brings the woman, even trying to kill her. At the end, the narrator learns the truth about his brother and the power they share.

This is a delicate, emotional, poetic tale, full of vivid descriptions of both the beautiful and the ugly. Despite the speculative content, in essence it is a love story. Notably, the narrator, despite his incredible ability, is quite ordinary in most ways. Similarly, the woman isn't an alluring beauty or a temptress, but a fully believable, realistic character. This makes their romance even more meaningful.

Five stars.

Delivery Tube, by Joseph P. Martino


Illustrations by Jack Gaughan.

More proof of the continuing effect on popular culture of the late Ian Fleming, if any be needed, appears in yet another spy yarn. The setting is the fictional Republic of Micronesia. (Given the fact that we're told this is one of the most populous nations on Earth, which is hardly true for the many tiny islands collectively known as Micronesia, I'm guessing this is supposed to be something like Indonesia.)

Anyway, the supposedly neutral Micronesians, with help from Red China, possess atomic bombs and at least one satellite to send into orbit. The paradox is that they don't seem to have any way to launch either the bombs or the satellite. Our hero, with the help of some local opposition parties and anti-Communist Chinese, investigates the mysterious construction project happening on Micronesia's main island.


What are they building in there?

Along the way, he gets mixed up with an old enemy, a Soviet agent. The USSR wants to find out what Micronesia is up to as well, so the two foes become temporary allies. A lot of familiar spy stuff goes on. I'm pretty sure you'll figure out what the construction is all about long before the hero does.

Two stars.

Alien Arithmetic, by Robert M. W. Dixon

People who hate math can skip this part of my review.

The author considers various ways to record numbers, other than our familiar base ten Arabic numerals. Before he gets to the alien stuff, he talks about Roman numerals, and demonstrates how to perform addition with them. It makes you glad you don't use them in daily life.

After a brief discussion of binary arithmetic, familiar to many of us in this modern age of electronic computers, we get to some weirder ways of symbolizing numbers.

First comes an odd and confusing system in which the column on the right uses only 0 and 1, the one to the left of that 0, 1, and 2, the one to the left of that 0, 1, 2, and 3, and so forth. As an example, 4021 translates as (4x1x2x3x4) + (0x1x2x3) + (2x1x2) + (1×1) = (96) + (0) + (4) + (1) = 101. (The author claims it translates to 99, but I'm just following his exact method of calculation, using the same example and the same steps. Somebody doublecheck me, but I think I'm right! For 99, I think the number would be 4011.)

Next we turn to a way of recording numbers by combining symbols for their prime factors. This is easier to explain via the author's diagram than in words.


An example of number symbols based on prime factors. The symbol for six combines the symbols for two and three, and so forth.

These imaginary number systems seem awfully impractical to me. The author vaguely links them to imaginary aliens, but that's really irrelevant. My formal education in mathematics ended with first semester calculus, so I'm no expert, but this kind of thing interests me to some extent (which is why this part of the review is longer than it should be.)

Number-haters can start reading again.

Two stars.

Trees Like Torches, by C. C. MacApp


Illustrations by Jack Gaughan.

We jump right into a drastically changed far future Earth, so it takes a while to figure out what's going on. Many centuries before the story begins, aliens conquered the planet. It's considered an unimportant, backwater world, so they use it as a hunting preserve. (I'm assuming this includes humans as prey, although this isn't made explicit.) They also mutated Earth creatures into new forms, so the surviving humans have to face dangerous animals.

As if that weren't enough to ruin your day, there are also human renegades who kidnap children, for a purpose not revealed until the end. The plot deals with a man out to rescue his daughter from the renegades. Help comes from blue-skinned, telepathic human mutants.


Beware the trees!

A lot of stuff goes on besides what I've noted above. Despite the science fiction explanation for everything, this fast-paced adventure story felt like a fantasy epic to me. The beings in it seem more magical than biological. It's not a bad tale, if a little hard to get into.

Three stars.

Holy Quarrel, by Philip K. Dick


Illustrations by Dan Adkins.

Three government agents wake up a computer repairman. It seems that the super-computer that monitors all the data in the world for possible threats against the United States has a problem. It claims that it needs to launch nuclear weapons against a region of Northern California. The G-men managed to stop that by jamming a screwdriver into the machine's tapes.

The danger, or so it says, comes from a fellow who manufactures gumball machines.  This seems utterly ridiculous, of course, so the government guys want the repairman to figure out what's wrong with the computer. Just to be on the safe side, they investigate the gumball magnate, and study the candy machines as well as the stuff they contain. They communicate with the stubborn computer, even trying to convince it that it doesn't really exist.


You don't really think it will fall for that, do you?

You can tell that there's more than a touch of the absurd to the plot, along with a satiric edge.  The author throws in the computer's religious beliefs, as well as an outrageous ending.  The whole thing has the feeling of dark comedy.  (There are references to the USA having attacked both France and Israel, due to the computer's perception of threats.) Like a lot of works by this author, it has a plot that seems improvised.  It always held my interest, anyway.

Three stars.

In Need of Some Repair

So, were the works in this issue as messed up as the page numbers?  For the most part, I have to admit they were.  With the shining exception of an excellent story from Keith Roberts, both the fiction and articles were disappointing, although they got a little better near the end of the magazine.  My sources in the publishing world tell me that this will be the last bimonthly issue of Worlds of Tomorrow, and that it will turn into a quarterly.  This should give the editor, and the printer, time to deal with its problems.


Even an amusement park has to close down once in a while to fix things.



The Journey is once again up for a Best Fanzine Hugo nomination — and its founder is up for several other awards as well! If you've got a Worldcon membership, or if you just want to see what Gideon's done that's Hugo-worthy, please read his Hugo Eligibility article! Thank you for your continued support.




[February 8, 1966] Feeling A Draft (March 1966 IF)


by David Levinson

Dodging the issue

Conscription has been part of American military planning for a little over a century, and it’s never been popular. From the draft riots of the Civil War to young men burning their draft cards today, there has always been resistance. During the Civil War, wealthy men could hire substitutes to go in their stead, and during the First World War, selection was done by local draft boards, which were subject to local pressure and tended to draft the poor. The interwar period saw the introduction of the lottery system in an effort to overcome the inequities of the past, and, with a brief return to local draft boards during World War Two, it has persisted to today.

On January 6th, the Student Nonviolent Coordinating Committee became the first Black civil rights organization to come out against the draft, citing the lack of freedom at home for so many and the fact that Blacks are over-represented. This statement gave the Georgia House of Representatives an excuse to refuse seating the newly elected Julian Bond. Mr. Bond is one of the founders of the SNCC and endorsed the statement issued by the group. He is probably also the most visible of the eleven Black men recently elected to the Georgia House. The claim was that by endorsing the opposition to the war and the draft, he could not swear to uphold the constitution of the United States.


Julian Bond outside the Georgia House. What possible objection could they have to him?

A long tradition

It is timely that, amid the draft protest furor, January 27th saw the death of Grover Cleveland Bergdoll, once known as America’s most notorious draft dodger (or 'slacker' as they were called during and after WWI). The scion of a wealthy Philadelphia brewing family, he enjoyed a playboy lifestyle before the war. He drove race cars and was one of the first people to learn to fly, even owning a Wright Model B. He registered for the draft, but failed to appear for a physical and was declared a deserter. He managed to stay on the run for two years, but was finally arrested in 1920 in his family home, with his mother waving a gun and threatening the authorities. Sentenced to five years, Bergdoll was released under guard to recover an alleged cache of gold, but he escaped and eventually made his way to Germany. There were two attempts to kidnap him, both ending disastrously for the would-be kidnappers. He married a German woman and settled down, though he made two extended trips back to America. He returned to the States for good with his family in 1939. Sentenced to serve the rest of his original term and an additional three years, he left prison in 1944 and moved to Virginia. He died of pneumonia, aged 72. He is survived by his ex-wife and eight children.


Bergdoll’s original wanted poster.

The issue at hand

In the theme of this heightened era of military involvement (and lack thereof) this month’s IF plays host to several seasoned veterans, as well as the monthly new recruit. The stories range in quality from 1-A to not quite 4-F. The cover is even given to a story about a draft dodger, though one not one tenth as interesting as Grover Bergdoll.


A drab cover for a drab story. Art by Hector Castellon

The Long Way to Earth, by John Brunner

Kynance Foy has a problem. Armed with a degree in qua-space physics and an encyclopedic knowledge of interstellar commerce and law, she left Earth for the outer worlds to make her fortune. But the farther out she has gone, the harder it is for a Terran to find employment, and now she can’t even scrape up the price of a ticket home. Which is why the prospect of a job that pays nearly five times the going annual wage and offers repatriation at the end of the contract it too good to pass up. The catch is that she has to spend a year as the only person on a remote planet.

The man in charge of the project is only too happy to give her the job after she rebuffs his crude advances. It’s only on arrival that she discovers just how easy it is to breach her contract and be denied so much as passage off the planet, as has happened to every other person to hold the job. When a handful of her predecessors turn up, she knows that so much as acknowledging their existence will terminate her contract, but Kynance has a plan.


Executive Shuster is about to get the surprise of his life. Art by Adkins

This is a solid story: Brunner at his best writing a more traditional tale. Which is not quite as good as Brunner at his best when writing a more modern tale, but still good. Kudos for a woman protagonist who, while beautiful, gets by on her brains and is an active, driving force of the narrative. Three stars.

Ouled Nail, by H. H. Hollis

Our unnamed narrator runs into rocket jockey Gallegher in a New York bar. Galllegher works the Earth-Mars run, where a man spends months alone between planets and can go more than a little stir-crazy. He launches into a long tale of his friend Pick Pratt, who seems to have come up with a way to help spacers get over their stress.

Hollis is this month’s first time writer. This is something of a stereotypical science fiction bar tale, but I can’t say I enjoyed it much. Gallegher is an obnoxious narrator and the conclusion has holes you could fly a fleet of spaceships through. The Ouled Nail of the title are an Algerian tribe known for sending out their women to work as dancers and courtesans in the oases and towns near where they live. I had not heard of them before, so the best thing I can say for this story is that it sent me to the library to learn something. Two stars.

Dam Nuisance, by Keith Laumer

Retief is back. This time out, the CDT is supporting South Skweem, while the Groaci are backing North Skweem. Ambassador Treadwater is trying to come up with a grand public works project, but policy says it can’t be useful. Meanwhile, the Groaci are building a dam for North Skweem, one which is causing a drought in half of South Skweem and flooding the other half. To top things off Ben Magnan has disappeared while paying a courtesy call to the Groaci mission. As usual, it’s up to Retief to put everything to rights.


The differences are apparent to any right-thinking diplomat. Art by Gaughan

Even I am beginning to grow weary of Retief. Like a song that plays every single time you turn on the radio, it doesn’t matter how good it might be, it’s getting old. The worst part is the wasted opportunity. Laumer is clearly drawing on the situation in South-east Asia, with a bit of the Aswan Dam thrown in. That’s a set-up for biting satire – which we know he’s capable of writing – but instead we get a retread. Someone who’s never read a Retief story might enjoy this, but regular readers can only sigh over what might have been. A very low three stars.

Draft Dodger, by Kenneth Bulmer

Hugo Lack has received his call-up notice to the Terran Space Navy. Desperate to avoid serving, he visits draft-dodging facilitator Jerky Jones, but about the only thing he can afford is an irreversible lobotomy. Lack is soon scooped up by the Navy and enters a dream-like, almost fugue state that sees him through boot camp and deployment. He winds up in the quartermaster corps in an out-of-the-way base, but one day the war comes to him.

What a dull, dull story. It’s not terribly engaging to begin with, but when Hugo enters his sleepwalking state, the narrative voice follows him. Bulmer is trying to say something about the way the military creates heroes and the ungrateful people back home, but mostly he perpetuates the idea that the only reason someone might not want to “do his duty” is cowardice. Two stars.

The Moon Is a Harsh Mistress (Part 4 of 5), by Robert A. Heinlein

Revolution has come to the Moon, and now it’s time for someone to travel to Earth and make the case for independence. After a harrowing journey in a cargo pod, Mannie and Prof arrive in India. They spend some time appearing before a supposedly new UN committee, but which is actually the committee overseeing the Lunar Authority. During an extended break, they go on a whirlwind tour of the Earth, with Mannie using ploys developed by Mike and Prof to drive wedges between various factions. Returning to India, they are presented a plan from the committee to turn all free Loonies (some 90% of the population) into client-employees. If they don’t like it, they can be repatriated to Earth, where most of them have never been and none can live comfortably.

As the situation turns bad, Mannie and Prof make their escape, assisted by Stu and return to the Moon. The events of the trip make excellent propaganda to fire up the people, and there is now a duly elected government in place. With a bit of manipulation, Prof winds up as Prime Minister and Secretary of State, Wyoh is Speaker pro tem and Mannie is Minister of Defense. An embargo is imposed on the shipment of grain Earthside and a grain pod is fired at an unpopulated part of the Sahara to show that the Moon can defend itself. And then Earth invades. Troop ships sent on long orbits come in from the back of the Moon where Mike can’t see them. War has come to the Moon. To be concluded.


The Earth strikes back! Art by Morrow

Heinlein continues to excel. We get what is probably the most action we’ve seen, with the promise of more next time, but most of the story is committee meetings, back-room deals and political wrangling. And it’s still compelling! We do get one bit of pure Heinleinian didacticism when Prof trots out a parable of a man whose job is polishing the brass cannon on the courthouse lawn and one day quits his job, sells everything he has and buys his own cannon to go into business for himself. I understand Heinlein wanted to call this book The Brass Cannon. Fortunately, he was talked out of it. Anyway, four stars and I eagerly await the conclusion.

Summing Up

Once again, Heinlein shines out brightly. A couple of Journey writers have noted that there are two John Brunners: the exciting New Wave writer and the conventional writer for the American market. He’s managed to bridge the gap slightly this time, though he's still much closer to the second Brunner than the first. After that, it’s Laumer going through the motions and some sub-par filler. I have to say, that doesn’t fill me with a lot of confidence about what happens once the current serial ends.


This seems like an unusual pairing, but it’s nice to see the return of Rosel Brown.





[December 2, 1965] Superiority Complex (January 1966 IF)


by David Levinson

Some people are objectively better at some things than everybody else. Sandy Koufax can pitch a baseball better than almost anybody, and Muhammad Ali is arguably the best boxer we’ve seen in his weight class in a long time.


The problem arises when that excellence in a specialized area leads to an assumption of excellence in other, unrelated areas. I certainly wouldn’t turn to either of the aforementioned men for suggestions on nuclear policy or to bring peace to South-east Asia. Worse still is when whole groups assume superiority over others based solely on an accident of birth.

Heart of Darkness

Last month, I discussed the difficulties faced by the United Kingdom in handing over power to the locals in Rhodesia due to an unwillingness on the part of the white government under Ian Smith and the Rhodesian Front to share power with Black Rhodesians. Alas, the situation has now collapsed completely. On November 5th, the colonial governor declared a state of emergency, blaming Smith and two African nationalist organizations, the Zimbabwe African People’s Union and the Zimbabwe African National Union.


Ian Smith signs the Unilateral Declaration of Independence

On the 11th, the Smith government unilaterally declared independence. Within hours, the United Nations Security Council condemned the action 10-0 with France abstaining. British Prime Minister Harold Wilson has been granted the authority to rule Rhodesia by decree, though what good that might do is hard to see. Wilson steadfastly refuses a military solution and expects economic embargoes to force Smith to capitulate. But with two neighboring nations, South Africa and the Portuguese colony of Mozambique, more than willing to ignore any embargoes, it is likely to be a long time before we see a resolution to this situation.

Conflicts Great and Small

Fittingly, there’s plenty of superiority, assumed and otherwise, in this month’s IF. Let’s get to it.


This art for “Cindy-Me” bears absolutely no relation to the story. Art by Morrow

Moonrakers, by Poul Anderson

At some point in the past, a terraformed Mars broke away from Incorporated Earth. The asteroids were colonized from there, and now, while the larger asteroids like Ceres and Pallas remain loyal to Mars, the smaller bodies are seeking their independence. The asterites are pirating Martian shipping to Jupiter with the tacit support of Earth. Because Mars has privatized most government functions, the Interplanetary Shippers’ Association has hired private investigator James Church to solve the piracy problem. His solution proves to be rather unorthodox.


An asterite salvager makes a big score. Art by John Giunta

Initially, I wondered why this story didn’t appear under Anderson’s Winston Sanders by-line, but the differences soon became apparent. Most notably, he seems to pointing out several of the flaws in his noble asterite society in that series. Earth is also somewhat less awful.

Just as a fix-up novel consists of several short pieces cobbled together to make a book, one could argue this is a fix-up novelette cobbled together from several vaguely connected vignettes without the benefit of any connecting material. We jump from incident to incident with few clues as to how we got there or how it all hangs together. This might work better fleshed out to full novel length. On the whole, it’s not objectively terrible, but I expect better from Poul Anderson. Just barely three stars.

Cindy-Me, by Don F. Briggs

Cindy and her twin brother, our unnamed narrator, are on the run from Old Ralph and trying to get to Aunt Ag. They have incredible psychic powers, but even that might not be enough to evade Ralph and his Watchers.

Briggs is this month’s first-time author. I’m not terribly impressed. The pieces don’t really fit together very well, and the tone shifts a few times. Some of that is due to the author’s attempt to play with the reader’s expectations, but he doesn’t quite achieve his aim. The title and references in the story make the twins sound like a gestalt being, but they come off as two individuals. They also grow increasingly unpleasant, which is part of the point, but they’re hard to take. Two stars.

The Moon Is a Harsh Mistress (Part 2 of 5), by Robert A. Heinlein

Last time around, Heinlein introduced us to the Moon of 2075, a penal colony on the edge of a revolution. At the end of the installment, Mannie, a computer technician, is dragooned into leading said revolution by his tutor, Professor de la Paz, a subversive from Hong Kong Luna named Wyoming Knott, and an intelligent computer nicknamed Mycroft.

Begin Part Two:

Mannie, Wyoh and Prof discuss political philosophy for a while, and then Mike is brought into the conspiracy. He predicts food riots in seven years and cannibalism in less than ten. He also calculates that a rebellion has about a one in seven chance of success and is a bit puzzled when his friends find those odds acceptable. Loonies are gamblers by nature.

What follows is a summary of eleven months of revolutionary organization and planning. Mike creates the persona of Adam Selene to head the revolution. They set up a few fake companies with the purpose of funding the revolution and building a secret electromagnetic cannon, because Mike says they will need to “throw rocks” at Earth. Also of note is the recruitment of eleven-year-old red-head Hazel Meade to oversee the children being used to distribute subversive literature and follow guards. Mannie, Wyoh and Prof start wearing heavy weights, since Mike predicts that at least one of them will need to visit Earth at some point. As the installment ends, Mannie drops in to visit a friend who acts as a judge. This will apparently have a great effect on the course of the revolution.


Our four protagonists. Art by Morrow

There’s not much to say about this one, since it’s just Heinlein setting the final pieces on the board. With any luck, the action will get under way next time. As a standalone, the installment suffers, though it’s actually enjoyable. I’m sure when it’s all together between two covers you won’t even notice.

But that does give me a chance to talk about Mannie’s voice. The Loonie patois is composed of American and Australian vernacular (Mike is a “dinkum thinkum”) and a few Russian loan words along with some Russian grammar, like the lack of definite articles. It works very well and is much easier to read than the Nadsat of A Clockwork Orange. Mannie is one of Heinlein’s best narrators in a long time.

Of final note is young Hazel Meade. I’m pretty sure we’ve met her before. At least, I can think of another Hazel with a family of red-heads and a granddaughter named Meade. She also says her name is on the monument to the revolution back on Luna. Yes, I’m fairly sure this is Grandma Hazel from Heinlein’s The Rolling Stones.

As noted, not much happens, but it has that Heinlein readability. Three stars.

Mr. Jester, by Fred Saberhagen

A severely damaged Berserker has its brain placed in a new ship. This flips a switch installed by the Builders during the testing phase of their destructive creations. A switch that renders the Berserker harmless. Meanwhile on Planet A, which has been cut off from contact with the rest of the human galaxy for a while, a man is accused of making jokes. As punishment, he is sent to an observation post on the edge of the system, where he encounters the harmless Berserker. Together they return to Planet A.


Oh, that’s not creepy at all. Art by Gaughan

This story bears a lot of similarities to Harlan Ellison’s Repent, Harlequin. Indeed, had they come out a year apart, rather than a month, I’d suspect one of inspiring the other. Maybe Fred Pohl suggested the same story seed to both authors. I’ve regularly praised Saberhagen for bringing something fresh to this series every time. The story is still fresh, but for me it doesn’t quite work. It’s not something I can really pin down, but this is the least of the Berserker stories, and I prefer Harlan’s take on the concept. Just barely three stars.

A Planet Like Heaven, by Murray Leinster

On the planet Dorade, the Dorade Corporation harvests kamun logs from a deadly, mobile tree using animal workers. As usual, the Home Office sends new instructions with the regular ship and only delivers them just before departure to keep the local managers from objecting. Headquarters is demanding a doubling of production and has instructions on how to achieve this. Orders which appall local manager Chalmers and head overseer of the workers Burke. Neither man feels he can defy orders, since that would mean quitting and then they’d have to pay for their passage back home, which would bankrupt them. The next ship brings no less than the president of the corporation, who takes charge of the operation, disgusted by the local men’s failures.


Chalmers and one of his best workers. Art by Adkins

Murray Leinster has been off his game lately. Here, he returns to form at long last. This is a good story that makes its point clearly and reasonably consicely. Alas, while it’s obvious from the text, it’s never explicitly stated until the final line that the workers are elephants. The illustration gives that away and detracts somewhat from the punch of the ending. A pity, but still a solid three stars.

The Smallness Beyond Thought, by Robert Moore Williams

Two scouts are hiking a desert canyon, collecting rocks. Finding an interesting piece of quartz, they pull out an odd device to test it. After this, we are given the history of the strange hermit who has lived here for decades beyond memory and built a number of strange structures and walkways that go nowhere. He also seems to be friends with the local rattlesnakes. Finally, we meet Ed Quimby, the number two man at the nearby observatory, who befriends the hermit after a fashion, and unwittingly gets involved when an outsider seems to be after the hermit.


Someone approaches the smallness beyond thought. Art by Gaughan

Williams presents us with a number of mysteries and resolves none of them. We learn nothing about the hermit, the (possibly two groups of) people after him or why they want him. We do learn the function of the odd structures, but nothing of their purpose. On top of that, the hermit has an incredibly annoying accent. And this all goes on and on for over thirty pages, leaving us none the wiser as to what has happened. A very low two stars.

Summing Up

Well, the stories this month are certainly full of people exerting an assumed superiority over others, from government goons to corporate heavyweights. And just like in real life, they’re frequently very wrong. Unfortunately, this time out the stories produced aren’t all that great. Let’s put this one in the books and hope for better efforts (and some actual action from Heinlein) next month.


At least it doesn’t seem to be a Gree story.





[November 16, 1965] Crime and Punishment (January 1966 Worlds of Tomorrow)


by Victoria Silverwolf

Breaking The Law On Stage

An incident in the United Kingdom earlier this month caught my attention and made me think about the limitations on artistic expression. The play Saved by Edward Bond had its premiere on November 3rd at the Royal Court Theatre in London. What does this have to do with violations of the law? Well, that requires a bit of explanation, particularly for those of us on this side of the Atlantic.

You see, ever since 1843, all plays produced for the public in England have to be licensed by the Lord Chamberlain. (Please don't ask me to explain what a Lord Chamberlain might be. That's far beyond my feeble American mind.)

The current Lord Chamberlain refused to grant a license to Saved unless it were severely censored. The folks at the Royal Court Theatre put it on anyway, trying to get around the letter of the law by calling it a private performance. From what I hear, they're going to get in trouble with the authorities anyway.


A scene from the play, in which a baby is stoned to death. You can see why this might be considered controversial.

Justice Between The Pages

Fittingly, many of the stories, and even a nonfiction article, in the latest issue of Worlds of Tomorrow deal with criminals and crimefighters, in literal or in metaphorical ways.


Cover art by Mclane. Once again, the only thing I can find out about this artist is a last name.

Project Plowshare (Part Two of Two), by Philip K. Dick


Illustrations by Gray Morrow.

It takes a while for the crime aspect of this novel to show up. Meanwhile, let's recap a bit.

In the future, the Cold War has evolved into a purely symbolic struggle. Each side has a psychic who uses drugs to perceive visions of designs for weapons. The trick is that these things are really used to manufacture odd consumer items. The ruling government, capitalist or communist, fools the public into thinking it's winning the arms race. When threatening alien spacecraft show up, the two powers bring the psychics together, hoping that they will be able to come up with a real weapon.


The invaders, who never directly appear in the story.

Things get pretty darn complicated in the second half of the novel. We find out quickly that the weapon designs perceived by the psychics come from a trashy comic book, which doesn't offer much hope for victory against the aliens. They're a serious menace, as we learn when entire cities disappear behind obscuring mists. Meanwhile, romance blooms between the two psychics, leading to a classic example of the Eternal Triangle.


Jealousy rears its green-eyed head.

Add in androids and time travel, and you've got a convoluted plot that leaves the reader dizzy. Oh, and the criminal subplot I hinted at above? That comes in the form of a nasty fellow who, for his own petty reasons, plots to assassinate members of the government who rejected him. He even kills folks who were foolish enough to join his conspiracy.


A man and his gun.

The author tosses everything but the kitchen sink into this yarn. At times, I thought he was making fun of science fiction, given the large number of mixed-up SF elements. There's definitely a touch of satire here and there, but it's not a comic novel. Some parts, in fact, are tragic. It definitely held my interest throughout, even if the climax seems to be thrown together hastily.

Four stars.

The Sleuth in Science Fiction, by Sam Moskowitz

The indefatigable historian of fantastic fiction traces the development of detective stories in the field. Starting with a nod to Edgar Allan Poe, he delves into the dusty pages of very early pulp magazines. Much of the stuff he digs up has to do with lie detection technology. This article takes the reader up to about 1930, and a sequel is promised.

Moskowitz certainly has an encyclopedic knowledge of the subject. I can admire his scholarship, but the resulting essay makes for very dry reading.

Two stars.

Sunk Without Trace, by Fritz Leiber

The weird creatures on the cover of the magazine appear in this story. One of them has a dream about an object that landed on their world, while his more practical wife insists that he get back to processing the seaweed that serves as their food. It's clear from the start that the thing is a spacecraft from Earth — the editor's blurb gives it away, too — but the rest of the plot may be a bit more surprising.

There's not much to this work other than the premise and the setting, but those are intriguing enough to make it worth a look. Of course, Leiber is incapable of writing a bad sentence, so the style adds a lot. Overall, it's a decent effort from an author who often does much better.

Three stars.

At Journey's End, by J. T. McIntosh


Illustrations by Dan Adkins.

We jump right into a confrontation between criminals and law enforcement, in a particularly crude form, near the beginning of this story of a starship on its way to a new home for humanity.

After decades of travel, it seems that tensions among the crew have reached the boiling point. A couple of murders result, and the captain acts as judge, jury, and executioner, killing those guilty on the spot. Without giving too much away, let's just say that justice is truly blind here, playing no favorites at all.

After this grim opening, we watch the ship approach the planet. They have a big surprise waiting for them when they arrive. It all leads up to a darkly ironic ending.


Our three protagonists, awaiting their fate.

At first glance, I thought the first part didn't have much to do with the resolution. After musing over it for a while, however, I realize that the author intended the two scenes to provide a sort of thematic contrast. Some of what happens may be predictable. Taken as a whole, this is a serviceable, if undistinguished, story.

Three stars.

Stars, Won't You Hide Me?, by Ben Bova

In this case, the criminal is the human race as a whole, and the punishment comes from aliens determined to wipe out the entire species. When the story begins, in fact, there is only one human being left alive, alone in his automated spaceship, wandering through the cosmos in an attempt to escape judgment.

During his eons-long journey, which leads him across gigantic distances in space, he learns of humanity's crime and discovers what became of Earth. The climax leads to a final scene of almost unimaginable immensity.

The most notable thing about this story is the vastness of the author's vision. I don't think I've read anything that covers such enormous amounts of time, except maybe the works of Olaf Stapledon. In addition to that, there's a great deal of emotional appeal. If you think Bova is just a decent science writer, you may be surprised.

Five stars.

How To Understand Aliens, by Robert M. W. Dixon

Let's get away from criminology for a while and talk about linguistics. The author imagines the difficulty of communicating with the inhabitants of other worlds. As examples, he creates beings who spend most of their time burrowing underground, as well as aliens who fly. The point seems to be that culture has an important effect on language, and it's not just a matter of translating things word-for-word.

Dixon seems to know his stuff, as evidenced by his discussion of human languages unfamiliar to most speakers of English. The fictional aliens make the article more readable than just a dry discussion of the topic.

Three stars.

Buggaratz, by John Jakes

The military has its own system of justice, dealing with such crimes as lack of discipline. That's a problem for the commander of a small outfit on another planet. The only function of the unit is to produce inflatable uniforms as toys. Given this dull and trivial chore, it's not a shock to find out that things have gotten awfully lax around the place.

A visit from an inspecting officer threatens to expose how badly the situation has gotten out of hand. The presence of the habit-forming substance named in the title doesn't help matters.

This is a pretty silly comedy, with maybe a trace of satire directed at military thinking. It's an inoffensive bit of fluff, unlikely to make much of an impression on you.

Two stars.

Riverworld, by Philip Jose Farmer


Illustrations by Jack Gaughan.

As you may recall, one year ago the magazine offered Farmer's novella Day of the Great Shout, wherein everybody who ever lived on Earth was resurrected on a planet dominated by one huge river. This new tale takes place in the same setting.

The hero is cowboy movie star Tom Mix. Along with a woman who lived during the time of Moses, and a man who died nearly two thousand years ago, he sails down the river, escaping a brutal religious dictatorship. The trio join forces with some friendly folks from the Renaissance, and war breaks out with the bad guys.


A battle along the river.

There's lots of violent action, to be sure, but that's not really the most important part of the story. The author deals with religion in ways that may seem blasphemous to many readers.

The identity of the fellow traveling with Tom Mix is clear from the start, but I won't reveal it here. Suffice to say that this is likely to be the most controversial part of the story. The fact that the two men look almost exactly alike raises a lot of questions in my mind, which seem likely to remain unanswered.

Farmer has his hands on a strong premise here, with lots of possibilities. (Another story in the series is promised for the next issue.) I'll definitely keep reading to find out who else I'll run into along the river.

Four stars.

The Verdict

In the case of The People v. FP et al., the court dismisses all charges against PKD and PJF, with special commendation for BB. The other defendants are released with a warning to avoid tedium in the future, an admonition particularly directed at SM and JJ. The court further directs FP, leader of the accused, to retain the services of a good lawyer, in case of further charges in the future.


I don't think this guy ever lost a case.






[October 2, 1965] Gimmickry (November 1965 IF)


by David Levinson

When I was a boy, a gimmick was either much the same thing as a gadget or the sort of device a crooked casino owner would use to make sure the roulette wheel comes up 22. These days, of course, it means an ingenious new angle or a trick to draw attention in advertising. It can also be the sort of thing that makes a story work or at least that the author hopes will make the story interesting.

America’s Pastime

Baseball is no stranger to gimmicks. From sending midgets up to bat to exploding scoreboards, owners and general managers will do anything to get fans to come out to the park. After starting the season by losing 21 of their first 26 games, the Kansas City Athletics have been mired in the cellar all season. Desperate to get people into the stands as the season winds down, owner Charlie Finley came up with a couple of gimmicks in the last month. September 8th, was Campy Camp Night and regular shortstop Bert “Campy” Campaneris played all nine positions in a single game. Up against the Los Angeles Angels (or I guess California by that time, speaking of gimmicks), Campy started at shortstop and moved from position to position each inning. In the eighth, he took the mound and even switch pitched, throwing right-handed to right-handed batters and left-handed to left-handed batters. Alas, while catching in the ninth, Campy was injured in collision at the plate and had to sit out a few games.

On the 25th, Finley invited several old player from the Negro Leagues to be present when Satchel Paige took the mound against the Boston Red Sox. At 59, he’s the oldest person ever to play in the big leagues (and at 34 Athletics’ manager Haywood Sullivan is the youngest manager). Satch sat in a rocking chair in the bullpen between innings, being served coffee by a “nurse”. He pitched three innings, giving up only one hit. He came out to the mound to start the fourth, but as planned he was removed. The lights were dimmed, and the crowd held up lighters and lit matches and sang “The Old Gray Mare” as Paige walked off.


Left: Bert Campaneris. Right: Satchel Paige, with “nurse”

Baseball also saw a couple of milestones. On September 9th, Sandy Koufax of the Los Angeles Dodgers pitched a perfect game against the Chicago Cubs. (For non-baseball fans, that means Koufax and the Dodgers did not allow a single opposing player to get on base through any means.) Pity Cubs pitcher Bob Hendley, who gave up only one hit in the game. Four days later, on the 13th, San Francisco Giants player Willie Mays became the fifth player and first Black player to hit 500 career home runs. Congratulations to both men, whose teams, at the time of writing, are still vying to see which will make it to the World Series. Good luck to both (though I’m rooting for the Dodgers).


Left: Sandy Koufax. Right: Willie Mays

Gimmicks good and bad

This month’s IF is not without its gimmicks. Let’s get to it.


In orbit around a collapsed star. Art by Morrow

Tiger Green, by Gordon R. Dickson

Exploration Team Five-Twenty-Nine has run into more than they can handle on the second planet of Star 83476. There are communication problems with the natives, the jungle is trying to digest their ship and eight of the twelve men in the team have gone violently insane. Navigator Jerry McWhin can feel a berserk rage building in him. As tempers flare among the remaining crew, Jerry locks the others in sick bay and heads for the native village in a bid to resolve the situation.


Jerry and the natives attempt to cure his madness. Their ideas of what either of those terms means may differ. Art by Adkins

Despite its flaws, this is a pretty solid story. There was probably room for some cuts in the first third or so to improve the pacing, and the need for several pages of expository dialog to explain what happened is a real weakness. All of which have cost the story a fourth star. Nevertheless, Dickson seems to have matured into a very good writer. He does still need to work on his female characters (of whom there are none in this story), but otherwise I look forward to a lot more from him. Three stars.

Time of War, by Mack Reynolds

Atomic war has devastated the Earth. Handfuls of civilians struggle to survive in the few areas where the radiation isn’t lethal. Alex remotely operates a “beetle” from a base on the Moon, hunting and killing civilians who may or may not be from the other side. The enemy, the Comics, do the same, flying their manned buzz-fighters from a super-sputnik in orbit.

A rather bleak tale. I rather wonder if the two sides really would attempt to utterly wipe out enemy civilians, eventually not caring if their victims were on the other side or not. I also question if it would be possible to remotely operate an aerial vehicle on Earth from the Moon, let alone engage in dogfights. The time delay of over a second each way ought to make that virtually impossible. In any case, the gimmick here lies solely on the nature of the Comics. It’s clear what Reynolds was trying to do, but that’s not enough for this piece. It either needs a lot more plot or a lot fewer words. A high two stars.

Masque of the Red Shift, by Fred Saberhagen

Seven years after the Battle of Stone Place, Felipe Nogara, the ruler of Esteel and arguably the most powerful man in the galaxy, has brought his flagship Nirvana outside the galaxy to examine a collapsed star (sometimes called a black hole). The body of his half-brother Johann Karlsen, the hero of Stone Place, who recently put down a rebellion on Flammland has arrived in cryogenic suspension. Most believe Karlsen the victim of a plague, but Nogara has had him frozen, because he feared his brother’s growing popularity.

Meanwhile, a second courier – carrying Janda, the leader of the rebellion, brain-damaged by his treatment since his arrest, and his sister Lucinda – is captured by a new form of Berserker. The Berserkers will use Janda’s body to sneak a killing machine aboard the Nirvana to make sure that Karlsen is dead.


”We willingly bring in the semblance of the terror outside!” Art by Gaughan

Saberhagen continues to impress. The Berserkers could easily have become a simple gimmick for stories about space battles. Instead, he uses them as a backdrop to write stories about people. Another author might also have paralleled the Poe story which inspired this much more closely. It’s quite good, though not quite enough for four stars; a very high three stars.

Retief’s War (Part 2 of 3), by Keith Laumer

We left Retief crashed in the jungle and threatened with becoming dinner. Naturally, he manages to talk his way out of that and instead begins uniting diverse tribes of Quoppina to fight the Voion. An emissary sent out to parlay with “Tief-Tief” proves to be Groaci General Hish, disguised, like Retief, as a native. Upon learning that the human women who also crashed in the jungle have been captured, Retief allows himself to be taken prisoner. It turns out the women have escaped, so he does as well and trails them through the wilderness, making new allies along the way. He finally catches up with them, but the mysterious Fifi has left to try and reach the army forming to fight the Voion. To be concluded.


Retief makes a friend. Art by Gaughan

There’s really not much to this installment, just Retief bantering with various natives and General Hish. There’s a hint of humor in his escape, but it could have been a lot funnier. A low three stars.

The Lonely Hours, by W. I. McLaughlin

George Rock is fleeing through space from a creature that lives in the dark between galaxies. He has a plan to set a psychic trap for it using the corpse of a creature composed of ion sheets. This somehow involves visions of Ahab and burning witches.

McLaughlin is this month’s new writer. Fred must be desperate for stories from unpublished writers, because this is awful. None of it makes any sense, and the protagonist is unpleasant. One star.

The Doomsday Men, by Kenneth Bulmer

Robin Carver is a member of ridforce. If his team can get to the body of someone who died violently within 3 minutes of death, he can explore that person’s memories to find out how they died. He was once an agent of the Americas, but was declared unstable when his wife abandoned him and their infant daughter. While investigating the death of a “gaiety girl”, he thinks he sees his now teenage daughter at a wild party in the victim’s memory.

Carol Bursham is a scientist working for Whitcliffe, the man who invented the process that allows the investigation of the minds of the recently dead. They are trying to come up with a way of recording those minds, so that there will be less pressure on the few people who can handle immersing themselves in someone else’s mind. She and Carver discover a plot which threatens the Shield which seals the Americas off from the threat of atomic attack and the rest of the world. A plot which reaches into the upper echelons of society.


Carver makes a disturbing discovery in the mind of a murder victim. Art by Morrow

Line by line, the writing is sound and there are some interesting pieces here, but they fit together poorly. The ending also involves both a rather abrupt shift in attitudes that isn’t earned and an implication that doesn’t make much sense. Points for having a couple of female characters who actually do things and aren’t there just to be rescued. On the other hand, the way Carol thinks about men is very clearly written by a man. Still, it’s a reasonably decent read. Three stars.

Summing Up

Another issue that just sort of meanders around, deviating for the most part only slightly from average. The real problem here is the story from the first-timer. The IF First program is a seemingly good idea, but it could very easily turn into just a gimmick if the editors start sacrificing quality just to run a story from a new author. There’ve been some good stories to come out of the policy, but so far I think the only real success has been Larry Niven. Well, while there’s life, there’s hope.






[May 22, 1964] Not Fade Away (June 1964 Fantastic)


by Victoria Silverwolf

Hello, Satchmo (And Mary)

A certain British quartet, which shall remain unnamed here, finally toppled from the top of the American popular music charts this month after dominating it for most of the year.  Whether or not this means the end of their extraordinary career on this side of the Atlantic remains unknown.  Whatever their fate may be, I wish them a fond farewell, at least for the nonce, and extend an equally warm welcome to two vocal artists from the United States.

Along with the proverbial flowers brought by April showers, the early part of May offered a hit song from a jazz legend whose career stretches back four decades.  Taken from a hit Broadway musical of the same name, Louis Armstrong's rendition of Hello, Dolly! reached Number One, and is likely to send more people flocking to the St. James Theatre to see Carol Channing in the title role.


Have you purchased your tickets yet?


Gotta love that smile.

Just recently, a much younger singer achieved the same chart position with a romantic rhythm-and-blues ballad.  Mary Wells, currently the top female vocalist for the Motown label, has a smash hit with the catchy little number My Guy.


The juxtaposition of the two titles on this single amuses me.

I suppose it's too early to tell if we're witnessing the slow demise of rock 'n' roll in the USA in favor of other genres, but perhaps the popularity of these two songs indicates something of a trend.  In any case, it's encouraging to see that, in a time when racial animosity threatens to tear the nation apart, music can cross the color line.

The Prodigal Returneth


by Robert Adrasta

Just as American performers reappear in jukeboxes and on transistor radios after an extended absence, a multi-talented author who has been away from the field for a while returns to his roots in imaginative fiction in the latest issue of Fantastic, and even earns top place on the cover.

Paingod, by Harlan Ellison


by Leo and Diane Dillon

After some years spent publishing a large number of science fiction and fantasy stories, as well as crime fiction, mainstream fiction, and a nonfiction account of his experiences with juvenile delinquents, Ellison migrated to the greener pastures of Hollywood.  Writing for television definitely pays better than laboring for the magazines, and you may have seen his work on Ripcord and Burke's Law.  The lure of Tinseltown hasn't kept him completely away from the pages of the pulps where he got his start, however, nor has he lost his talent for creating tales of the fantastic.

Trente, the alien illustrated on the cover, serves the mysterious, all-powerful rulers of all the universes that exist, known as the Ethos, as their Paingod.  He dispenses suffering to all the sentient beings in all the worlds that exist throughout all possible dimensions.  After performing this duty without feeling for an unimaginably long time, Trente develops something completely unexpected: a sense of curiosity, even concern, about those to whom he sends misery and sorrow.  At random, he enters the body of one lifeform on an insignificant planet, which happens to be Earth.  In the form of an alcoholic derelict, he speaks to a sculptor, who is mourning over the loss of his talent.  They both learn something about the nature of suffering, and Trente discovers the motives of the Ethos, and why they selected him to be the Paingod.

This is a powerful story with an important theme, told in a way that holds the reader's attention throughout.  Particularly effective are the scenes in which Trente dispenses suffering to an extraordinary variety of entities, described in vivid and imaginative detail.  I also greatly enjoyed the life story of the man whose body Trente inhabits.  Although the character really plays no part in the plot – he's merely a shell for the alien to wear – the complete and compassionate biography of one who knew more than his share of unhappiness adds to the story's theme, and displays the author's skill at characterization.

The rationale offered for the existence of suffering is, almost inevitably, a familiar one, philosophers having debated this question for millennia.  Ellison has a slight tendency to write with more passion than clarity; the phrase centimetered centuries threw me for a loop.  Despite these quibbles, this is a fine story, likely to remain in memory for a long time to come.

Four stars.

Testing, by John J. McGuire


by Dan Adkins

With the exception of one story in a recent issue of Analog, McGuire is another author we haven't seen around for a while.  Unlike Ellison's success with screenwriting, the explanation for this absence is simply that McGuire isn't very prolific, his few stories mostly written in collaboration with H. Beam Piper.  Our Illustrious Host didn't like his previous solo effort at all, which doesn't bode well for this one, but let's give the fellow a chance.

The narrator is the pilot of a starship carrying a small team of experts whose mission is to determine if a planet is suitable for colonization, a premise that may seem overly familiar to many readers of science fiction these days.  Also unsurprising is the fact that only one of the members of the team is female, and it's obvious that her role in the story is to be the Girl.  They foolishly break with Standard Operating Procedure and step out onto the surface of the Earth-like world without taking full precautions.  Instantly teleported far away from their landing site, they find themselves under observation by a floating sphere with dangling tentacles.  An agonizingly long and dangerous journey begins, as the team makes their way back to the starship through lifeless deserts and snowy mountains, facing deadly alien creatures, constantly under the watch of the inscrutable sphere. 

The only suspense generated by the story is wondering who's going to get killed next, and by what, since the bodies pile up quickly once the sphere shows up.  The mystery of the sphere remains unsolved, although the narrator makes some educated guesses about its nature and motivation.  If the author's main intention is to make the reader feel the suffering of his characters, he does a fair job of acting as a Paingod.  Otherwise, I found it overly long and tedious, as I kept reading about one random, violent death after another.

Two stars.

Illusion, by Jack Sharkey

by Blair

Unlike the first two writers in this issue, Sharkey shows up in the genre magazines on a routine basis, which is sometimes a good thing, and sometimes not such a good thing.  His latest yarn is a variation on the old, old theme of a deal with the Devil.  (Well, technically, a demon, and not Satan himself, but you know what I mean.) The protagonist gets three wishes in exchange for his soul, which isn't the most original idea in the world, either.  The first is for a never-ending pack of self-lighting cigarettes; the second for complete invulnerability, unless he deliberately tries to harm himself; and the third is for the power to make illusions become reality.  If you've ever read one, or two, or a zillion of these stories, you know that things don't work out well, after some slapstick antics. 

Sharkey uses the word illusion in an odd way, meaning anything from tricks of perspective (objects looking smaller when they're far away) to whatever appears on a TV screen.  The whole thing is inoffensive, I suppose, but lacking the rigid logic this kind of story needs and not very amusing.

Two stars.

Body of Thought, by Albert Teichner


by Dan Adkins

Teichner, like Sharkey, also hasn't gone away, making an appearance in Fantastic or Amazing or If every few months or so.  This time he offers us a tale about a secret government project to collect the brains of outstanding intellectuals soon after they die, keep them alive, and attach them to a computer that will allow them to work together, producing results far beyond anything one mind could do alone.  The story moves at a very leisurely pace.  We follow the main character, an elderly physicist contacted by the folks behind the project, as he visits the lab where this is going to take place, and discusses it with a colleague who is also one of its subjects. 

I had no idea where the plot was going, or what point the author was trying to make, until near the end, when a group of potential brain donors argue about what use should be made of this symbiotic, semi-organic supercomputer, each one claiming that his (never her) field is the most important.  I can appreciate the statement Teichner is trying to make about the human ego, but he sure takes a long time getting around to it.

Two stars.

Genetic Coda, by Thomas M. Disch

Disch is another perennial of Cele Goldsmith's pair of publications, either as himself or as Dobbin Thorpe, a pseudonym that always makes me smile, just because it sounds so silly.  Under his own name Disch comes up with a sardonic vision of the future.  Sextus is a humpbacked freak, living with his equally deformed father, his physically normal but perpetually angry mother, and several tutoring robots.  After his mother dies and his father vanishes, he lives alone with the machines, hidden from a world that would force him to undergo castration because of his abnormal genes.  (His father managed to escape that fate through bribery and isolation.) Determined to father a child, Sextus invents a time machine, leading to the kinds of paradoxes you expect, as well as some very Freudian complications.

I have mixed feelings about this story, which some might see as nothing more than a dirty joke, and others as a razor-sharp satire on human aspirations and pretentions.  It's very clever, but you're always aware that the author knows exactly how clever he is — far more than the dolts he writes about.  I'm going to have to be wishy-washy about it and give it a barely passing grade.

Three stars.

From the Beginning, by Eando Binder


by Michael Arndt

We haven't seen that byline in the pages of a science fiction magazine for a long time.  That's not a surprise, since this Fantasy Classic is a reprint from the June 1938 issue of Weird Tales.

As many SF fans know, Eando Binder is actually a pen name for brothers Earl and Otto Binder; E and O Binder, get it?  The introduction by Sam Moskowitz explains that Earl stopped writing after a few years, and most stories under the name of Eando are the work of Otto alone.  The present example is one of those tales, old-fashioned even in the late 1930's, where one man invents or discovers something amazing, so his friend comes over and they talk about it. 


Cover art by Margaret Brundage, who drew a lot of scantily clad ladies for this publication.

The gizmo, in this case, is an incredibly ancient metal ball, found during a paleontological expedition.  When placed in an electrical field, it produces telepathic messages from the remote past.  These reveal that a race of robotic beings with radium-powered brains came to the solar system from another star in search of radium to replace their dwindling supply.  We get a blow-by-blow history of the planets, as the robots create things like the Great Red Spot of Jupiter and the canals of Mars in their quest for radium.  Eventually they come to Earth, after they have drained the outer planets of the vital substance.  They set out for yet another star system, allowing only a small number of the elite to escape (there is only enough room aboard their spaceship for a few, so of course the upper class gets to go). The others to perish at the metal hands of an executioner.  The source of the telepathic messages is a rebel, who chose to remain on Earth alone rather than die (which seems like a reasonable choice to me.) The climax of the story tells us about the origins of the human race. 

Although some of the events in the story create a Sense of Wonder, overall it's a creaky example of Gernsbackian, pre-Campbellian scientifiction, of historic interest only.  I had to look twice to make sure it came from 1938 and not 1928. 

Two stars

Many Happy Returns?

Other than Harlan Ellison's hard-hitting fable, this is a weak issue, full of disappointing stories.  It makes me hope that the author of Paingod won't be blinded by the bright lights of show business, and will stick around for a while.


The Chicago airport probably doesn't have Ellison in mind, but what the heck.


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