Category Archives: Science Fiction/Fantasy

[April 10, 1970] A Style in Treason (May 1970 Galaxy)

[Be sure to tune in tonight at 7PM PDT for Science Fiction Theater!  It's Nimoytacular—plus Apollo 13 pre-launch coverage!]

A color photograph of Leonard Nimoy and a white woman standing together in front of a curtain.  He is looking down and to the right of the frame and the woman's eyes are closed as she leans on his shoulder.


photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Backlash in D.C.

50,000 people marched on Washington last week protesting the course of the Vietnam War.  Sure, you think, another day ending in "y", right?

Except these kooks were protesting for the war!

A black and white photograph of a pro-war protest outdoors in Washington DC.  Government buildings are in the background.  In the foreground a group of white women are holding up a long banner which reads Let's Demand Victory in Vietnam. The woman at the center of the banner is holding two American flags crossed over her chest.  Behind them a crowd of people are holding up signs.  The only one legible reads In God We Trust.
Photo taken by Tom Norpell

Organized by a fundamentalist coalition, religious fervor dominated the gathering.  That said, there were plenty of Birchers and Nazis in attendance, too, making this a truly ecumenical demonstration.

A black and white photograph of white men marching down a city street while carrying banners on long poles.  At the top of each pole is a symbol of a lightning bolt inside a circle.  Beneath that a sign reads NSRP, the acronym for the National States Rights Party.  The banner extending down from the sign also has the circle-and-lightning-bolt motif, with God Bless America written above and below it. A crowd of onlookers is in the background.
Photo taken by Tom Norpell

There were even counter-counter protestors.

A black and white photograph of a white man with chin length dark hair standing outdoors.  He is wearing a knit cap and leather jacket and smoking a cigarette. He has his hands in his pockets and is frowning.  Over his jacket he is wearing a pillowcase with arm and head holes cut in the seams.  On it is painted Thou Shalt Not Kill. -God.  The center of the O in Not has a button attached to it showing a hand making a peace sign. A woman in an overcoat and rain hood is standing behind him.
Photo taken by Tom Norpell

Which poses the question: can Nixon still call them a "silent" majority?

A black and white photograph from a newspaper showing more of the people attending the pro-war protest.  In the center front is a man in a wheelchair holding an Merican flag, with another man standing behind him guiding the chair.  A woman to his left is holding a sign with multiple slogans  pasted on it, including Stand Up for America and Wallace 72. In the background other protesters are carrying American flags as well as other signs, mostly reading In God We Trust or Victory in Vietnam. The newspaper caption reads: March for Victory: Some of the estimated 50,000 people who took part in the parade advocating victory in Vietnam as they assembled in Washington yesterday.

Calm after the storm

There's really nothing to protest in the latest issue of Galaxy, which offers, in the main, a pleasant reading experience.

A color photograph of the cover of the May 1970 edition of Galaxy Science Fiction Magazine  Along the left side are listed stories by David Gerrold, James Blish, Avram Davidson, and Arthur C. Clarke.  The image shows a blue and black blob-like shape with multiple eye-like orbs embedded in it, against a yellow background.  Other orbs extend upwards from the blob, attached by black threads.  Parts of the blob seem to have been pulled up like pieces of dough around these upper orbs. The upper orbs have, from left to right, a green-cast image of half of a man's face (the other half is in shadow); A red-cast image of a man standing and looking outward; and a star or galaxy against a backdrop of outer space.
by Jack Gaughan for A Style in Treason

Continue reading [April 10, 1970] A Style in Treason (May 1970 Galaxy)

[April 8, 1970] All Too Finite (Infinity One, edited by Robert Hoskins)

A young white man with short hair wearing a navy P-coat, blue polo collar, and green t-shirt.
by Brian Collins

There must be a growing demand for original anthologies of science fiction, because they keep coming—both standalone titles and series. Infinity One is, going by its title, the first in yet another series of these, although notably there is one reprint between its covers (really two reprints, as you'll see), a story that many readers will already be familiar with. Robert Hoskins is an occasional author-turned-agent-turned-editor, whose high position at Lancer Books has apparently resulted in Infinity One. Will there be future installments? Does it really matter? We shall see.

The tagline for Infinity One is “a magazine of speculative fiction in book form,” which strikes me as a sequence of words only fit to come from the mouth of a clinically insane person. This is a paperback anthology and nothing more nor less. I mentioned in my review of Nova 1 last month that Harry Harrison claimed that he simply wanted to put together an anthology of “good” SF, although I’m not sure if Hoskins had even such a basic goal in mind.

Infinity One, edited by Robert Hoskins

Cover of Infinity One. Against a black background, an bubble-helmeted astronaut in silver dances in front of a stylized circuit board, flowing into the shape of a rocket above, and a red planet below. Beside this illustration, in an all-lowercase font, reads the following legend: 'introduction by isaac asimov/a short novel by poul anderson/infinity one/new writings in/speculative/fiction/edited by/robert hoskins/plus/anne mccaffery/robert silverberg/gordon r. dickson/r.a. lafferty/kris neville/k.m. o'donnell/ron goulart/katherine maclean/miriam allen deford/featuring/arthur c. clarke'. Clarke's name, and the title, are in yellow. The other names are in pink, red, and turquoise.
Cover art by Jim Steranko.

Continue reading [April 8, 1970] All Too Finite (Infinity One, edited by Robert Hoskins)

[April 6, 1970] Uncovered (May 1970 Amazing)

Apollo 13 coverage starts tonight and goes on for the next two weeks!  Don't miss a minute.  Check local listings for broadcast times.


A black-and-white photo portrait of John Boston. He is a clean-shaven white man with close-cropped brown hair. He wears glasses, a jacket, shirt, and tie, and is looking at the camera with a neutral expression.
by John Boston

Johnny, We Hardly Knew Ye

The May Amazing presents a new face to the world.  That is, the cover was actually painted for the magazine, as opposed to being recycled from the German Perry Rhodan.  It’s not by one of the new artists editor White was talking up in the last issue, but rather by John Pederson, Jr., who has been doing covers on and off for the SF magazines since the late 1950s.  Ditching the second-hand Europeans is a step forward in itself, though this particular cover is not much improvement: a slightly stylized picture of a guy sitting in a spacesuit on a flying chair with a disgruntled expression on his face, against an improbable astronomical background.

Cover of May 1970 issue of Amazing magazine, featuring a painting of what appears to be a spaceship (made for maneuvering within an atmosphere a la a contemporary jet plane) flying away from a pair of planets.  Overlaid over that space scene, there is a picture of an aging white man in a space-suit seated in what appears to be a command chair with lap controls.
by John Pederson, Jr.

But it is an interesting development for a couple of reasons.  First, in the letter column, White goes into more detail than previously about the European connection, in response to a question about why the covers are not attributed.  White says: “The situation is this: an agency known as Three Lions has been marketing transparencies of covers from Italian and German sf magazines and has sold them to a variety of book and magazine publishers in this country, including ourselves.  These transparencies were unsigned.  One of our competitors credited its reprint covers to ‘Three Lions;’ we felt that was less than no credit at all.  Therefore, unless the artist’s signature was visible, we omitted the contents-page credit.  As of this issue, however, Amazing returns to the use of original cover paintings by known U.S. artists.”

So much, then, for Johnny Bruck, and a hat tip to the diligent investigators who have identified all his uncredited reprint covers as they were published.  In addition to Pederson, White says, he’s obtained covers from Jeff Jones and Gray Morrow, and in fact a Jones cover is already on last month’s Fantastic.  Further: “I might add that, beginning with our last issue, the art direction, typography and graphics for the covers of both magazines has been by yours truly.” So White has pried one more aspect of control of the magazine from the grip of Sol Cohen, presumably all to the good, though the visible effect to date is limited.

Continue reading [April 6, 1970] Uncovered (May 1970 Amazing)

[April 2, 1970] Being Human (May-June 1970 IF)

A white man with short gray hair poses in front of a wooden wall. He is wearing a gray blazer, yellow shirt, and black necktie, and is smiling toward the left of the viewer.
by David Levinson

Counting coups

March saw not one, but two attempts to overthrow the established government in smaller countries. One failed, but the other looks like it may have succeeded.

A color geographic and political map of the Mediterranean basin, showing the island of Cyprus in the middle of the image.
Cyprus is the island south of Turkey, west of Syria, north of Egypt

Cyprus is a troubled nation. The populace is divided between those of Greek and Turkish decent, and the long-running hostility between Greece and Turkey spilled over to Cyprus. When the island sought independence from the United Kingdom, Greek Cypriots hoped for eventual union with Greece, which was not acceptable to Turkish Cypriots. The British were able to block annexation (or enosis, as it is called in Cyprus) as a condition for independence, but relationships within the island are so rocky that UN peacekeepers had to be brought in to keep the two populations from each other’s throats.

A major figure in the independence movement was Orthodox Archbishop Makarios III, who has led the country ever since. Before independence, he was a strong supporter of enosis, but was persuaded to accept that it would have to be put off as a hoped for future event. Makarios isn’t terribly popular with western leaders; he’s been a major voice in the Non-aligned Movement. Some in Washington have taken to calling him “the Castro of the Mediterranean.” In the last few years, he’s made himself unpopular at home as well. He’s taken away guarantees of Turkish representation in government and has also moved away from the idea of enosis. His justification is the Greek military coup of 1967, stating that joining Cyprus to Greece under a dictatorship would be a disservice to all Cypriots.

A white man with short gray hair poses in front of a wooden wall. He is wearing a gray blazer, yellow shirt, and black necktie, and is smiling toward the left of the viewer.Archbishop Makarios III visiting the Greek royal family in exile in Rome earlier this year.

On March 8th, somebody tried to kill Makarios. His helicopter was brought down by withering, high-powered fire. Makarios was uninjured, but the pilot was severely wounded. Fortunately, nobody else was on board. At least 11 people have been arrested, all of Greek heritage and strong supporters of enosis. Given the military nature of the weapons used, some are also accusing the Greek Junta of involvement.

Meanwhile in south-east Asia, Prince Norodom Sihanouk is out as the leader of Cambodia. Like Makarios, he hasn’t been popular in the west, due to his cozy relations with both the Soviet Union and the People’s Republic of China. He’s also allowed Cambodian ports to be used for bringing in supplies for the North Vietnamese army and the Viet Cong, while also ignoring the use of Cambodian territory as part of the Ho Chi Minh Trail.

A color geographic and political map of the southeast Asian peninsula, with Cambodia in the center of the image.

Sihanouk was out of the country when anti-North Vietnamese riots erupted both in the east of the country and in Phnom Penh. Things quickly got out of hand, with the North Vietnamese embassy being sacked. By the 12th, the government canceled trade agreements with North Vietnam, closed the port of Sihanoukville to them, and issued an ultimatum that all North Vietnamese Army and Viet Cong forces were to leave the country within 72 hours. When the demand wasn’t met, 30,000 protesters rallied outside the National Assembly against the Vietnamese.

On the 18th, The Assembly met and voted unanimously (except for one member who walked out in protest) to depose Sihanouk as the head of state. Prime Minister Lon Nol has assumed the head-of-state powers on an emergency basis. On the 23rd, Sihanouk, speaking by radio from Peking, called for an uprising against Lon Nol, and large demonstrations followed. A few days later, two National Assembly deputies were killed by the protesters. The demonstrations were then put down with extreme violence.

Two black and white photos.  On the left, Prince Sihanouk stands outside in front of several other men.  He has black hair and a concerned expression.  He is wearing a suit and tie and an overcoat, and is gesticulating with one hand while looking to the right of the photographer.  On the right, a head shot of Prime Minister Lon Nol.  He has gray hair and is wearing a black suit and tie.  He looks directly at the camera with a neutral expression.l: Prince Sihanouk in Paris shortly before his ouster. R: Prime Minister Lon Nol.

Where this will lead is anybody’s guess. The new government (it should be noted that the removal of Sihanouk appears to have been completely legal) has clearly abandoned the policy of neutrality and threatened North Vietnam with military action. Hanoi isn’t going to take that lying down; if the war spreads to Cambodia, will the Nixon administration expand American involvement? Add in Sihanouk urging resistance to Lon Nol and the deep reverence for the royal family held by many Cambodians, and it all looks like a recipe for chaos.

What is man

Some of the stories in this month’s IF deal directly or tangentially with what it is that makes humans human. The front cover also raises a question that we don’t have an answer to. We’ll get to that at the end; let’s look at the issue first.

The cover of the May-June 1970 edition of Worlds of If science fiction magazine. The magazine name and edition date are written in yellow across the top of the cover, except the word IF which appears in large white letters over a red rectangle.  Below this is a color painting of a white man's head staring directly out at the viewer. At the top of his head there are black lava-rock-like shapes that appear to be exploding out from his forehead.  The head appears to be emerging from a red and yellow pool of lava which is surrounded by dark swirls around the edge of the pool. At the bottom of the cover titles are listed: Novelette The Piecemakers, by Kieth Laumer; The Reality Trip by Robert Silverberg; Zon by Avram Davidson; Troubleshooter by Michael G. Coney. To the right the tagline of the magazine reads: If, the magazine of alternatives.Suggested by Troubleshooter. Art by Gaughan

Continue reading [April 2, 1970] Being Human (May-June 1970 IF)

[March 31, 1970] Seed stock (April 1970 Analog)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

It's the end of the month, and that means the latest Analog is on tap.  This one starts and even mids with the usual drudgery… but the latter third breeds a little hope.

April 1970 cover of 'analog SCIENCE FICTION SCIENCE FACT' featuring a blue man in a large visor helmet with a single eye decal pointing over the shoulder of a hooded wizard writing in a notebook, wearing a large medallion. The caption reads HERE, THERE BE WITCHES
EVERETT B/> COLE
by Kelly Freas

Continue reading [March 31, 1970] Seed stock (April 1970 Analog)

[March 28, 1970] Cinemascope: No Vacancy (The Bed Sitting Room)


by Cora Buhlert

A Cold Night in Munich

In my last article, I wrote that a feeling of hope and optimism was permeating West Germany ever since the general election last fall. Sadly, on February 13, 1970, those good vibrations were disrupted by a reminder of the darkest time of German history.

It was a cold Friday night in the Glockenbach neighbourhood of Munich. The shops on Reichenbachstraße had already closed for the night and in the Victorian apartment buildings lining the street, people were enjoying the start of the weekend.

On of the buildings along Reichenbachstraße is the Munich synagogue, built in 1931. It was the only synagogue in Munich to survive the Reichskristallnacht on November 9, 1938, because the Munich fire brigade stopped the Nazi mob from setting fire to the building, insisting that a fire would spread out of control and burn down the entire densely populated street.

After World War II, the synagogue reopened and now serves as the main synagogue for the Jewish population of Munich. The Jewish congregation of Munich also purchased an adjacent Victorian apartment building to serve as a community centre, library, restaurant, kindergarten and as a home for elderly members of the congregation and students.

Shortly before nine PM, an unknown person or persons entered the community centre, took the elevator to the top floor and spread gasoline in the wooden stairwell on their way down. Then, they struck a match, lit the gasoline and fled. The resulting fire spread rapidly through the old building.

Arson at the community center of the Munich synagogue
The community center of the Munich synagogue on Reichenbachstraße all ablaze.

At the time of the arson attack, fifty people were inside the community centre, celebrating the sabbath. Forty-three of them were rescued by neighbours and the Munich fire brigade. However, the fire in the stairwell had cut off access to the upper floors of the building, trapping several resident in their rooms.

Munich Jewish community center fire 1970
A resident of the old people's home at the Jewish community center on Reichenbachstraße in Munich has been rescued and is taken to hospital.
Munich Jewish community center fire 1970
Medical student Sara Elassari escapes the fire.

Twenty-one-year-old medical student Sara Elassari, who lived on the top floor, managed to escape through the window and scramble down a drain pipe, from where she was rescued by the fire brigade. Seventy-one-year-old Meir Max Blum, who had returned from the US to his city of birth only the year before, jumped from a window and succumbed to his injuries. Six other residents aged between fifty-nine and seventy-one were found dead in their rooms. All seven victims had survived the Holocaust – some in hiding, some in exile, some imprisoned in concentration camps – only to be murdered in their homes in supposedly peaceful West Germany.

Burned out room at the Jewish community center in Munich
A burned out room at the Jewish community center in Munich.

Too Many Suspects

As of this writing, we do not know who is responsible for this terrible tragedy. The Munich police are following various leads. The obvious suspects would be the far right, since West Germany has no shortage of old and new Nazis. However, there is also evidence pointing at an eighteen-year-old far left radical with a history of arson, because Anti-Semitism does not thrive only among the right.

Finally, the arson attack might also be connected to the Middle East conflict, especially since a Palestinian terrorist group had tried to hijack an El Al plane during a stopover at Munich-Riem airport only three days before. The hijack attempt failed, but one passenger, thirty-two-year-old German-Israeli businessman Arie Katzenstein, was killed and ten other people were injured, some of them critically. On February 17, another hijack attempt was foiled, also at Munich-Riem airport but thankfully without casualties. Were the same terrorists also responsible for the arson attack? So far, we don't know.

Police officers examine the aftermath of the foiled hijacking at Munich Riem airport
Two police officers examine the aftermath of the foiled hijack attempt at Munich-Riem airport on February 10, 1970.
Munich Riem transit lounge trashed after foiled hijacking
The transit lounge at Munich-Riem airport after the failed hijack attempt.
Munich-Riem airport bus
The airport bus, where the would-be hijackers ignited a hand grenade, killing 32-year-old German-Israeli businessman Arie Katzenstein.

However, the sad truth remains that twenty-five years after the end of the Third Reich, eight Jewish people (the seven victims of the arson attack as well as the victim of the airport attack) were murdered and several others injured in the heart of Munich. The old venom of Anti-Semitism is back, if it ever left in the first place.

Nuclear War as Comedy

The Bed Sitting room German poster

When the world outside becomes too terrible to bear, the cinema offers a respite for an hour or two. And so I headed out to see a movie that debuted at last year's Berlin Film Festival, but is only now reaching West German cinemas. And since the movie was billed as a comedy, it would seem to guarantee a good time.

Continue reading [March 28, 1970] Cinemascope: No Vacancy (The Bed Sitting Room)

[March 26, 1970] A Quartet of Whimsy (Satyricon, Skullduggery, Horton Hears a Who, Necropolis)

A young white man with short hair wearing a navy P-coat, blue polo collar, and green t-shirt.
by Brian Collins

"Rome. Before Christ. After Fellini."

Federico Fellini is unquestionably one of the most beloved filmmakers in the so-called international arthouse circuit. Despite shooting Italian productions, working well outside the Hollywood system, Fellini has already garnered a back-breaking eight Oscar nominations. I won't be surprised if his latest, Fellini Satyricon (which henceforth I'll simply refer to as Satyricon), nabs him another nomination, despite its immense strangeness. United Artists, responsible for distributing Satyricon here in the States, have been shrewd in their marketing, seemingly aiming at the overlap between those who frequent arthouse theaters (people like me) and those who watch B-movies at the drive-in (also people like me).

Fellini Satyricon

Photograph of the title of the movie - Fellini Satyricon, crediting it as freely adapted from the novel by Petronio Arbitro

Normally, when writing about a film, or really any narrative, I try to give you a blow-by-blow of the plot; however, in the case of Satyricon, I don't think this would be feasible or desirable. This film is the latest effort from Fellini as both a fantasist and a storyteller who, at least since La Dolce Vita a decade ago, has clearly become disillusioned with traditional narrative. Satyricon is so loose in plot and yet so rich in imagery that to go over the plot would be doing it a disservice. I can at least give you the setup, though.

Continue reading [March 26, 1970] A Quartet of Whimsy (Satyricon, Skullduggery, Horton Hears a Who, Necropolis)

[March 24, 1970] 200 Not Out (New Worlds, April 1970)


by Fiona Moore

Greetings from the Island of Formosa, more usually known as the Republic of China! Though the local name for the island is “Taiwan.” I’m here on a visiting fellowship at National Tsinghua University.

The Republic is a hub of electronics and engineering, and so there is a great appetite for SFF here. SF is regarded by the nationalist government as a way of encouraging young people into careers in science, and also SF, of the “if this goes on…” variety, is seen as a vector of “moral teaching”.

Nonetheless, for the past twenty years Taiwan has lagged behind Korea in the production of locally-written SFF. Most what is available is foreign SF works like Asimov and Clarke, in (often not very good, or indeed legal) translation. In fact, some translators leave the author’s name off the novel and pass it off as theirs! The scene is further hampered by restrictions on Japanese cultural products, an understandable reaction to 50 years of Japanese colonisation but nonetheless one which denies Chinese people a wealth of movie and comic-book content.

However, there are signs of change emerging, with the rise of a thriving short SF fiction scene. The appearance of Zhang Xiaofeng’s clone story Pandora in the China Times in 1968 has led to the publication of a lot of stories in mainstream newspapers and magazines, the creation of dedicated SFF magazines, and even an SF short story contest. The government is said to be encouraging the development of a “truly Chinese” SF. Some authors to watch include Chang Shi-Go, an electronics engineer by day and writer by night, Zhang Xiguo, and Huang Hai, who is rumoured to be putting together an anthology of near-future science fiction stories.

Meanwhile, my copy of New Worlds has followed me safely to Asia. It’s the 200th issue: will it mark a new direction for New Worlds, or will it be more of the same old worlds?

You can probably guess.

Cover of New Worlds April 1970. It shows the silhouettes of two human figures balancing on opposite ends of a seesaw that hinges atop the edge of a cliff.
Cover by Andrew Lanyon

Continue reading [March 24, 1970] 200 Not Out (New Worlds, April 1970)

[March 20, 1970] Here comes the sun (April 1970 Fantasy and Science Fiction)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Out, damn spot!

A couple of weeks ago, Victoria Silverwolf offered us a tidbit on the latest solar eclipse.  I've since read a bit more about the scientific side of things and thought I'd share what I've learned with you.

It was the first total solar eclipse to be seen over heavily populated areas of U.S. since 1925, greeted by millions of viewers who crowded the beaches, towns, and islands where viewing was most favorable.  The eclipse cut a nearly 100 mile wide swath through Mexico, Florida, Georgia, the Carolinas, Virginia, and Nantucket Island, Mass.  It was 96% total in New York City and 95% in the nation's capital.

A black and white collage of several photographs of a partial solar eclipse over a college building. Below the image, the headline reads Partial Eclipse as seen in North County.  The caption reads The partial eclipse seen by teh North County Saturday morning is superimposed over the Palomar College Dome Gym in this collage by staff photographer Dan Rios.  The maximum ecliplse in this area was roughly 30 per cent at 9am as shown in the fourth sun from the left.  Seven states were treated to a full eclipse.
a clipping from Escondido's Times-Advocate

But ground viewing was only the beginning.  NASA employed a flotilla of platforms to observe the eclipse from an unprecedented variety of vantages.  A barrage of sounding rockets (suborbital science probes) were launched during the eclipse to take measurements of the Earth's atmosphere and ionosphere.

In space, radio signals from Mars probe Mariner 6, currently on the far side of Sun, were measured to determine how the eclipse affected communications and to study changes in charged particles in earth’s atmosphere.

Two Orbiting Solar Observatories, #5 and #6, pointed their instruments at the Sun to gather data on the solar atmosphere, while Advanced Test Satellite #3 took pictures of the Moon's shadow on the Earth from more than 20,000 miles above the surface.  Three American-Canadian satellites, Alouette 1, Alouette 2, and Isis 1, all examined the change the eclipse caused in the Earth's ionosphere.

Earthside telescopes got into the mix, too: Observers from three universities and four NASA centers at sites in Virginia and Mexico not only got great shots of the solar corona, but also of faint comets normally washed out in the glare of the Sun.

I can't imagine anyone in 1925 but maybe Hugo Gernsback could have foreseen how much attention, and from how many angles such attention would be applied, during the 1970 eclipse.  It's just one more example of how science fiction has become science.

Waiting for the dawn

The last two months of The Magazine of Fantasy and Science Fiction weren't too hot.  Does the latest issue mark a return of the light or continued darkness?  Let's find out…

The cover of The Magazine of Fantasy and Science Fiction April edition. At the center of the dark cover, a bright swirl suggesting a star or sun is surrounded by darker wisps emanating in spirals from it.  Below it is an alien landscape with craggy mountains in teh distance and black-streaked hills in the foreground, in muted shades of blue and brown.
cover by Chesley Bonestell

Continue reading [March 20, 1970] Here comes the sun (April 1970 Fantasy and Science Fiction)

[March 18, 1970] Future Cities and Past Visions (Vision of Tomorrow #7)

Black & White Photo of writer of piece Kris Vyas-Mall
By Mx Kris Vyas-Myall

My area of the UK (considered either the Northern Home Counties or Southern Midlands depending on who you speak to) is not a particularly densely populated region. Even with commuter growth since the War, there are only two towns within 50 miles that contain over 100,000 people. This is all set to change with a new government plan.

Milton Keynes Roadmap Plan with an indication of key travel routes and red dot in Bedford
Plan for new town (red dot is where I live)

The £700m plan for a new town has been approved. Called Milton Keynes (from a small village on part of the site) it is set to house 250,000 people before the end of the century and to be one of the biggest experiments in urban planning in British history.

Milton Keynes Housing Estate Plan showing square blocks on a grid system with large areas of green space
Example housing estate plan

First off, the city is designed to appeal to both ends of the social spectrum. For the upwardly mobile it is designed with the car-driving homeowner in mind. As many as half of properties are to be for sale rather than rented and with a density of 10 people per acre, to ensure that the managerial class don’t feel squeezed in. Also, the road system is designed on a grid to ease congestion with places of employment spread throughout the city, to stop rush hour traffic.

Colour coded plan of Milton Keynes
Zoning masterplan. Yellow is residential, purple employment, red commercial, blue education, green is for parks

For those less well off, there will be wide walkways for the handicapped to travel on easily and the development of a “dial-a-bus” service, ensuring that a bus will pick you up only a short walk from your house in a short period of time.

I could spend an entire article and not get close to all the experimentation to take place in Milton Keynes. The city of the future is coming soon!

Back in the magazines though, things seem to be heading in the opposite direction, as Vision of Tomorrow takes a turn towards the past:

Vision of Tomorrow #7

Vision of Tomorrow #7 Cover showing Jupiter as viewed from one of its moon's with two small astronuts in shaddow. In Bottom Left corner is listed Into The Unknown by John Russell Fearn
Cover Illustration: Jupiter as seen from Callisto by David A. Hardy

Continue reading [March 18, 1970] Future Cities and Past Visions (Vision of Tomorrow #7)