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[August 4, 1970] Through the Wasteland (Harlan Ellison's the Glass Teat)

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photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

My World and Welcome to It

Have you ever found that if you read too much Harlan Ellison, you end up sounding like the guy?  That same glib, hip, outraged polemic dripping with occasional yiddish and modisms.  It's cool for a while, but it ultimately gets a little tiresome. 

That's why it's a good idea, kiddies, to sample his latest collection, The Glass Teat, a little at a time.  Otherwise, you might find yourself with acid in the belly and fire at your typing fingers.

Unlike the Ellison books we've reviewed before here at the Journey, Teat is a wholly unique animal—a collection of articles Harlan wrote for The Los Angeles Free Press (the "Freep") as its TV columnist from September 1968 to January 1970.  For the most part, these are not reviews; Harlan was not hired as a critic of individual shows, but the whole small screen zeitgeist.  And because the subject that most interests Harlan (just ahead of skirts and social justice) is Harlan, the column serves as a kind of memoir, the travel diary of a TV writer.  Hey, write what you know, right?

Interestingly, though I consider myself something of an Ellison devotee (it's a love-hate relationship, but no one can argue the fellow can't compose), I found out about his latest opus in a roundabout fashion.  Dig, I was reading the June 1970 issue of Yandro, wherein I found a delightful column by Liz Fishman.  It's worth reading—you can write the Coulsons to see if they can get you a back issue, assuming the mimeo stencils and their cantankerous Gestetner is up for another run.

An image of the column heading, reading 'Through The Wringer -- Column by Liz Fishman'. Liz's name is in all lower caps.

Long story short, after being accosted by a lech who puts Laugh-In's Tyrone F. Horneigh to shame, Liz was saved by a sunny "Matisse painting come to life".  They got along just fine until said savior noticed what Liz was reading.  It was "sho-nuff a dirty book."  That is to say, it was by Ellison, and it had the typical blue phrases that punctuate his writing.  The kind of shit you'd never find in my work.

Well, upon learning about Harlan's new book and its unusual nature, I scoured the bookstores of San Diego and managed to come up with a used, hardly touched, copy.  Its spine was as smooth as a chiropractor's nightmare.  As a result, I didn't get much off the cover price, but I don't mind supporting local business.

Land of the Giants

Leo and Diane Dillon cover for
Cover by Leo and Diane Dillon

So open the cover, and what have we got?

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Magazine/Anthology, Science / Space Race, Science Fiction/Fantasy, Serial

[July 31, 1970] Not so Brillo… (August 1970 Analog)

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Don't miss tonight's Spocktacular edition of Science Fiction Theater!  Starts at 7PM Pacific.  Also featuring the last appearance of Chet Huntley on the Huntley/Brinkley Report!

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Paine-ful exit

The proverbial rats are leaving the sinking ship.  Not too long ago, a clutch of NASA scientists departed America's space agency, citing too much emphasis on engineering and propaganda.  Now, Thomas O. Paine, who took NASA's reins from its second adminstrator, Jim Webb, has announced his resignation.  He leaves the agency on September 15.  He lasted less than two years; contrast with Webb, who was there seven and a half.

Newspaper clipping of Thomas O. Paine with white hair, thick glasses, and a black tie. The caption reads 'Thomas O. Paine Leaving NASA post Paine Lists Problems of NASA.'

Paine did not characterize his departure as any indication of disagreement with the agency's current direction.  He said he was leaving NASA in strong shape, and that this was the most appropriate time for his departure.  He's going back to a management position with General Electrics.

But Paine cannot be very happy with how things have been going lately.  NASA's work force has been gutted–from 190,000 to 140,000 personnel; the last Saturn V first stage will be completed next month; and the future of Apollo's successor, the Space Shuttle, is in doubt.  The poor director has watched the space agency go from the pinnacle of human achievement to a nadir unseen since the late '50s.  If only we'd adopted the Agnew "Mars Plan"…

Deputy Administator George M. Low will take Paine's place for the time being.  A replacement has not yet been tapped.  Stay tuned!

Painful effort

If Paine left willingly, Analog editor John Campbell, on the other hand, seems determined not to let his magazine go until he does.  Which is sad because this month's issue is yet another indication of how far the once-proud property has fallen in quality."Two astronauts meet one another between a large satelite.
Cover of the August 1970 issue of Analog Science Fiction featuring a rocky lake landscape, with a large burning mass in the background. In the foreground, there is a rock-like alien with two eye stalks
Cover by Kelly Freas

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[July 20, 1970] The Goat without Horns…among other things (August 1970 Fantasy and Science Fiction)

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photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Of horses and streams

Tom Paine is trying the most desperate of Hail Mary passes.  Aviation Weekly just published a piece that the NASA administrator is pitching the idea of an international space station with at least six astronauts from a number of countries, possibly even from behind the Iron Curtain, to be launched in the Bicentennial year of 1976.

The price?  Diverting Apollos 15 and 19 to the Skylab program, scheduled to start in 1972, and shifting Apollos 17 and 18 to the new space station.  As a result, only two more Apollo missions would fly to the Moon.

There's some logic to this—after all, the Soviets have given up on the Moon, and we've already been twice.  Moreover, the Reds are now focusing on orbital space stations (if the recent Soyuz 9 flight and the prior triple Soyuz mission are any indication).  Shouldn't we change course, too?

I have to think this idea a plan to save the Space Shuttle.  With Senators Proxmire and Mondale sharpening their knives to gut the space agency's budget, Paine figures that the way to keep the next-generation orbital launch vehicle in business is to give it a fixed destination.  After all, once the two Apollos have been used, the only way to get astronauts to the station will be on the Space Shuttle.

A Space Shuttle Orbiter docks with the NAR Phase B Space Station using a module deployed from its payload bay and linked to the docking port atop its crew cabin. Image credit: North American Rockwell.
A Space Shuttle Orbiter docks with the NAR Phase B Space Station using a module deployed from its payload bay and linked to the docking port atop its crew cabin. Image credit: North American Rockwell. (text by David Portree)

The timing is awfully tight, though.  The Shuttle won't be done until at least 1977, which means the station will have to lie fallow for a while until the vehicle is online.  That's assuming the advanced station can even be developed and deployed in six years, which seems doubtful.  Skylab is just an adapted Saturn V upper stage.  This proposed station would probably be something entirely new.

In any event, it seems foolish to squander Kennedy's legacy and barely scratch the surface of the Moon, scientifically speaking, when an infrastructure for further exploration is already in place.  Shifting course so rapidly stinks of desperation.  As Walter Matthau once said, playing a gambler in an episode of Route 66, "Scared money always loses."

Of dolphins and dreams

The realm of science isn't the only dubious one this month.  Take a gander at the latest issue of Fantasy and Science Fiction to see what I mean…

Cover of The Magazine of Fantasy and Science Fiction's August issue, featuring 'The Goat Without Horns' by Thomas Burnett Swann and 'Isaac Asimov on astrology'-- the cover illustration is a black-haired nude white woman facing away from the viewer, standing thigh-deep in a claret sea and peering downward. Three improbably large & erect black dorsal fins tightly orbit her, cutting a circular wake, and an onyx platform floats above, out of her reach. Three crescent moons hang large in the sky, the largest one refracted through the only other feature projecting from the waves-- left of the woman is an enormous lenticular crystal within which is embedded vertically a chalky nude man, twisted to face the moon. Red and white flares lay a track of parabolic arcs charting from the horizon towards the crystal.
Cover by Bert Tanner

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[July 6, 1970] The Day After Judgment (August/September 1970 Galaxy)

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photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Hello, Louie!

Enough talk about Cambodia, Israel, and the Race Problem.  How about some happy news for a change? 

Satchmo, sometimes known as Louis Armstrong, had a birthday this last Independence Day.  The famed trumpter and gravel-throated crooner, known for his ear-splitting smile and breaking racial barriers, has just finished his seventh decade.

"It's awful nice to be breathing on your 70th birthday, let alone feeling in the pink," he observed.

Photo of a smiling Louis Armstrong, with a cigarette and a bottle of cognac.

A big tribute was held in Los Angeles' Shrine Auditorium for Armstrong on July 3rd, perhaps the most influential jazz musician since the genre was born.  While he did not puff his cheeks to blow his horn (he is still recovering from a kidney infection), he did sing for his audience, joined by a number of fellow jazz greats.  Proceeds from the event will go to the Louis Armstrong Statue Fund.

So, happy birthday to New Orleans' favorite son.  What a wonderful world.

Hello, Jimmy!

As Galaxy approaches its 20th birthday, I see it has reverted to the format the magazine took back in 1958: it is once again an overlarge bi-monthly (like sister mag IF, which means we essentially get three mags every two months).  On the one hand, this makes room for bigger pieces, like the superlative story that headlines this month's issue.  On the other hand, it means more room for dross like Heinlein's new serial that taillines the book.

Read on.  You'll be grateful I did the screening for you…

The cover of <i/>Galaxy. It shows a silver rocket, resembling a wide-winged airplane, speeding towards a futuristic city that is engulfed in an inferno of green, yellow, and red. A banner on the cover says, in all capital letters, 'LARGER THAN EVER — 32 MORE PAGES!'
Cover by Jack Gaughan

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[June 30, 1970] Star light… per stratagem (July 1970 Analog)

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photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Up in the Sky

Apollo 13 may have made for great TV, but it's been terrible for NASA.  This morning, in testimony before Senate Committee on Aeronautical and Space Sciences, NASA Administrator Dr. Thomas O. Paine reviewed the results of the Apollo 13 accident investigations and announced that the next (Apollo 14) mission had been postponed to Jan. 31, 1971–a three month delay.  I imagine this is going to snarl up the meticulously planned schedule of Apollos 15-19, especially since Skylab is supposed to go up somewhere in that time frame.

A color image showing three satellites orbiting the Earth against a background of stars.  The orbit is indicated by a circle.  The image is titled Skylab Program Major Areas of Emphasis.  The satellite on the left is aiming a beam of light up at the top of the image, and is labeled Science: Solar Astronomy.  The satellite in the middle is aiming a beam of light down at the earth and is labeled Applications: Earth resources, materials, processing.  The satellite on the right does not have a light and is labeled Long Duration Missions: Habitability, Medical, and Work Effectiveness.

…If any of these missions happen.  In a recent poll of 1520 Americans, 55% said they were very worried about fate of Apollo 13 astronauts following mission abort, 24% were somewhat worried, 20% were not very worried, and 1% were not sure.  More significantly, a total of 71% expected fatal accident would occur on a future mission.  Perhaps its no surprise that the American public is opposed by 64% to 30% to major space funding over the next decade. 

The scissor-wielders on Capitol Hill are heeding the call.  Yesterday, Sen. Walter F. Mondale (D-Minn.), for himself, Sen. Clifford P. Case (R-N.J.), Sen. William Proxmire (D-Wis.), and Sen. Jacob
K. Javits (R-N.Y.), submitted an amendment to H.R. 17548 (the Fiscal Year 1971 Independent Offices and HUD appropriations bill.  Not a happy one.

It would reduce NASA's R&D appropriation by $110 million–which just happens to be the amount requested by NASA for design and definition of space shuttle and station.

A color diagram labeled Mission Evolution Through Hardware Commonality.  The legend explains the color coding of the vehicles.  Green: Space Station Module; Red: Space Shuttle; Orange: Nuclear Shuttle; Yellow: Tug.  The diagram has a black background and shows Earth in the top left corner, the Moon slightly left of center beneath, and Mars near the right corner of the image.  Curved lines connect Earth to Mars and to the Moon, and orbital circles surround each, with Earth having two orbitals.  On the smaller Earth orbital, three bodies are depicted.  An orange Nuclear Shuttle has a red space shuttle above it.  A Space Base and a Low Earth Orbit Space Station are both green and yellow.  On the outer orbital sits a green and yellow Synchronous Orbit Station.  On the surface of the moon, a green and yellow Lunar Base is perched, with a green and yellow Lunar Orbit Station on its orbital. On the curve leading from Earth to Mars, an orange Orbit Launch Vehicle carries a green Mars Spacecraft.  An unlabeled green satellite is on the Mars orbital, with a green Mars Base sitting on its surface.

Mondale excoriated the proposal: "This project represents NASA’S next major effort in manned space flight. The $110 million. . .is only the beginning of the story. NASA’s preliminary cost estimates for development of the space shuttle/station total almost $14 billion, and the ultimate cost may run much higher. Furthermore, the shuttle and station are the first essential steps toward a manned Mars landing. . .which could cost anywhere between $50 to $100 billion.  I have seen no persuasive justification for embarking upon a project of such staggering costs at a time when many of our citizens are malnourished, when our rivers and lakes are polluted, and when our cities and rural areas are decaying."

A black and white photo of Walter Mondale, a white man with dark hair wearing a suit and tie.  He is looking to the right of the viewer with a neutral expression.

This seems a false choice to me.  Surely there is such wealth in this country that we can continue the Great Society and the exploration of space, especially if we gave up fripperies like, oh I don't know, the war in Cambodia.  To be fair, I know Fritz Mondale opposes the war, too, but we're talking a matter of scale here–the shuttle and station are going to cost peanuts compared to the outlay for the military-industrial complex.

That said, maybe Van Allen is right, and we shouldn't be wasting money on manned boondoggles, instead focusing on robotic science in space.  On the third hand… "No Buck Rogers, no Bucks." 

What do you think?

Down on the Ground

A color image of the front cover of the July 1970 edition of Analog.  Beneath the magazine title, the featured story is listed: Per Stratagem by Robert Chilson.  Below, a large brown insectoid creature stands on six legs against a yellow background. It has four tentacles emerging from the top of its body and is wearing a tool belt with a pouch on it around the lower part of the carapace.  It is angled away from the viewer, such that the only feature visible on its pointed head is its large open mouth full of humanoid teeth.  Facing it, a white man with gray hair wearing a brown shirt and pants stands in a doorway, looking at the creature with a look of concern.  Another humanoid figure is in shadow behind him.
Illustration by Leo Summers

Well, if we lose our ticket to space in the 1970s, at least we'll have our dreams.  Thank goodness for science fiction, and even for the July 1970 issue of Analog.  Dreary as this month's mag is, it's got enough in it to keep it from being unworthy.

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[June 24, 1970] In love with "Ishmael in Love" (July Fantasy and Science Fiction)

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photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Mazel tov!

This article is going to be short on news as the Marcus family has been occupied this past week.  The Journey has had its first inter-staff wedding!  The Young Traveler and Trek Correspondent Elijah broke the glass under the chupah on the 19th.  Sadly, the pictures aren't back from the Fotomat, so in lieu of that, here is a shot from my nephew David's wedding to Ada Argov in Israel from 1962.

Very blurry black-and-white photograph of a couple at their wedding. The bride is wearing a translucent veil and a slim, sleeveless, unadorned white dress. The groom is wearing a plain white shirt, black pants, and a conic hat.

The issue at hand

Between last-minute dress alterations and sifting through RSVPs, I managed to snatch time to read the stories of this month's Magazine of Fantasy and Science Fiction.  Unlike the marriage of Lorelei and Elijah, it is not a flawless affair, but it is also not without its charms.  Let's take a look:

Cover for The Magazine of Fantasy and Science Fiction for July 1970. It announces stories by Isaac Asimov, Robert Silverberg, L. Sprague de Camp, Joanna Russ, Barry Malzberg, and Sterling Lanier. The cover illustration shows two men in long robes, one with a wizard hat and the other with a horned helmet. At the center of the illustration is a human face with mechanical eyes.
by Ronald Walotsky

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[June 10, 1970] I will fear I Will Fear No Evil (July 1970 Galaxy)

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photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Tired of it all

Antiwar protesting isn't just for civilians anymore.

About 25 junior officers, mostly Navy personnel based in Washington, have formed the "Concerned Officers Movement".  Created in response to the growing disillusionment with the Indochina war, its purpose is (per the premiere issue of its newsletter) to "serve notice to the military and the nation that the officer corps is not part of the silent majority, that it is not going to let its thought be fashioned by the Pentagon."

Reportedly, C.O.M. came about because an officer participated as a marshal at the November 15, 1969 Moratorium anti-Vietnam War march, got featured in the Washington Post, and later received an unsatisfactory notation for loyalty in his fitness report.  The newsletter and movement are how other officers rallied in his support.

Copy of a Concerned Officers Movement newsletter dated April, 1970.

Because C.O.M. work is being done off duty and uses non-government materials, it is a completely lawful dissent.  According to Lt. j.g. Phil Lehman, one of the group's leaders, there has been no harassment from on high as yet.

We'll see how long this remains the case.

Really tired of it all

After reading this month's issue of Galaxy, I'm about ready to start my own Concerned Travelers Movement.  Truly, what a stinker.  Read on and see why:

Cover of July 1970's Galaxy Science Fiction, featuring a red cover depicting the bald head of a man held by electrodes floating in the background while a short haired woman stands in front. The cover depicts the titles, 'Robert A. Heinlein's Latest and Greatest Novel I WILL FEAR NO EVIL THE ALL-AT ONCE-MAN R.A. Lafferty THE THROWBACKS Robert Silverberg
cover by Jack Gaughan

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[May 31, 1970] A Compulsion to read (June 1970 Analog)

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photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Monster-eyed bug

Last week, NASA released the news that the Apollo 12 astronauts brought back a fourth astronaut at the end of their flight last November.  A common human germ, Streptococcus mitis to be exact, was found to have hitched a ride back with Surveyor 3's camera, after surviving some 32 months in the harsh environment of the lunar surface.

Streptococcus mitis under a microscope.
Streptococcus mitis (c) Ansel Oommen

Frederick J. Mitchell, a scientist at the Lunar Receiving Laboratory, stated that it was "notable, but not unexpected" that a bacterium might make and survive the trip to the Moon as a stowaway on a terrestrial spacecraft.  Thanks to insufficient clean-room procedures, it was probably deposited on Surveyor's camera when the camera's shroud was removed for repairs and then replaced, and then launched with the soft-lander in 1967.  The high vacuum of space actually freeze-dried the bug, allowing it to remain viable indefinitely. 

The Surveyor 3 camera on a black background.
the Surveyor 3 camera

Given that we were unable to prevent terrestrial life forms from contaminating our nearest celestial companion, one has to wonder if we will taint Mars or Venus when we launch probes to the surfaces of those planets in the next decade.  It's a bit like Schrödinger's equations—just as you affect what you see by looking at it, you can't investigate a planet without risking an alteration of said planet.  It may well be that humans will land on Mars in the 1980s to find icy ponds rimed with Earth bacteria.

It's enough to make you want to leave well enough alone!

Bug-eyed caterpillars

Cover of analog Science Fiction, June 1970 featuring a futuristic barge on a craggy ocean shore. The featured title is 'STAR LIGHT' by Hal Clement
by Kelly Freas

On the other hand, this month's Analog is quite good, and well worth your time.  Let's take a look:

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[May 16, 1970) The Tocsin and The Believing Child (June 1970 Fantasy and Science Fiction)

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photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Rime of the Recent Mariner

I always cast about the news for tidbits to head my articles.  After all, when people read my writings, say, a half-century hence, I want them to be appreciated in the context in which they were created.  Creations, and critique of those creations, cannot stand in isolation (or so I believe).

But, wow, how many times can I talk about the latest protest/riot (six killed in Atlanta last week), or Cambodia (Admiral Moorer recently assured us that the reason we can't destroy the mobile NVA base is…because it's mobile; but we did liberate 387 tons of ammunition, 125 tons of prophylactics, and 83 tons of Communist finger puppets so the Search & Destroy mission was absolutely a success), or the Warm War going on in the Middle East (2 Egyptian Mig-21s shot down the other day, 2 Syrian Mig-17s the day before, but the Israelis absolutely did not lose an F-4 over Lebanon) before it all sounds the same?  Even Governor Reagan's latest escapades into cost effectiveness and court stacking are old hat.

Photograph of a middle-aged white man in a military uniform.
This iteration of Bull Wright instills less confidence than Dan Rowan's…

To heck with it.  Today, I'm going to stick with news in my bailiwick, and nifty news to boot.

You folks surely remember Mariners 6 and 7, twin probes sent past Mars last year, returning unprecedented information and photos from The Red Planet.  Well, even now, both probes are contributing to science, long past their original mission.

JPL astronomer Dr. John D. Anderson and Cal Tech astronomer Dr. Duane O. Muhleman are using the two spacecraft to test the validity of Einstein's theory of relativity.  Per Einstein, the velocity of light slows in the presence of a gravitational field.  If that's the case, then the signals from the Mariners, as they pass the Sun, should decrease—slightly, but measurably. 

To measure this, the two scientists had to wait until Mariner 6 and Mariner 7 passed behind the Sun with respect to the Earth.  For the former, this happened on April 30; for the latter, May 10.  The precise distance-measuring system the two scientisits built in the Mohave Desert should register a slow-up of 200 millionths of a second in the spacecrafts' round trip signal.

This confirmation, should it be reported, will help put paid efforts by other scientists who say that Einstein's theories are wrong or inaccurate, by as much as 7% according to Princeton's Dr. Robert H. Dicke, who needs that to be the case for his theory of Mercury's curious orbital eccentricities.

Black-and-white photograph of a house-sized parabolic antenna. Text below the image says: The Mars Station of the Deep Space Network, with two-hundred-and-ten-foot reflector, high-power transmitter, and quick-change tri-cone feed, tracks Mariner six and Mariner seven through superior conjunction, beyond the Sun, at ranges up to two hundred and forty million miles.

In other Mariner news, New Mexico State Univ. astronomer and Mariner project scientist Bradford A. Smith has some neato news about Phobos, the larger of Mars' moons.  Mariner 7 snapped a picture of the little rock at a distance of 86,000 miles.  JPL photo-enhancement techniques indicated that Phobos was nonspherical and was larger and had a darker surface than previously thought.  It's just 11.2 by 13.7 miles in dimension, elongated along the orbital plane.  Its average visual geometric albedo is just 0.065, lower than that known for any other body in the solar system.

With its weird shape and composition, all signs point to Phobos not being a sister or daughter of its parent planet, but rather, probably a captured asteroid.

Very blurry black-and-white photograph of the Martian moon Phobos, visible only as a tiny smudge of irregular shape against a gray background.

The issue at hand

In a happy, elevated mood, now let us turn to the latest issue of Fantasy and Science Fiction—after all, it doesn't do to review stories on an empty soul.

Cover of The Magazine of Fantasy and Science Fiction for June 1970, announcing stories by Isaac Asimov, Ron Goulart, D. F. Jones, Harry Harrison, and Zenna Henderson. The illustration shows a man in a diving suit near a rift in the ocean floor.
cover by Jack Gaughan illustrating

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