[June 8, 1970] Beneath the Planet of the… Mutants? (Not Apes)

BW photo of Jason Sacks. He's a white man, with short light hair, rectangular glasses, and headphones.
by Jason Sacks

Before you start reading this essay, let me warn you: I will be discussing major plot details from the latest Hollywood blockbuster, Beneath the Planet of the Apes. This will include the movie’s conclusion. For that matter, this article also ruins the ending of the original film. So be warned in case you haven't yet been to your local multiplex to see these in double-feature. On the other hand, you may well wish to go in with your eyes wide open… because Beneath the Planet of the Apes is both a fascinating continuation and a jaw-dropping pivot.

A color movie poster for Beneath the Planet of the Apes.  At the top in an orange block font is written, The bizarre world you met in Planet of the Apes was only the beginning.. What lies beneath may be the end! In the center are three images.  On the left, a military group of apes are in formation facing left, brandishing weapons and a pink and black striped flag.  They stand in front of a ruined building with obscured writing across the top, mostly buried in sand. At the center, the title Beneath the Planet of the Apes is written in yellow block capitals against a black rectangle. the left leg of the N in Beneath descends into an arrow pointing downward.  Beneath the title a circle is superimposed over the rectangle, in which there is an image of a man and woman wearing skimpy primitive clothing.  They appear to be stepping through the door of a building.  On the right, black text reads An army of civilized apes... A fortress of radiation-crazed super humans... Earth's final battle is about to begin -- Beneath the atomic rubble of what was once the city of New York! Beneath the text is a smaller picture of apes in military formation, perhaps an extension of the first picture but further away.

Continue reading [June 8, 1970] Beneath the Planet of the… Mutants? (Not Apes)

[June 6, 1970] Children's Crusade: If…. (the movie, not the magazine)

a slim white woman with glasses and long blonde hair. She is wearing a blue shirt with a green velvet vest
by Fiona Moore

If…. is a movie which came out a couple of years ago, but is rapidly becoming a staple of the college film society scene here in the UK and overseas. It’s firmly within the satirical-surrealist tradition that characterises the likes of The Prisoner (with whom If… shares an editor, South African activist Ian Rakoff), Monty Python, and The Bed Sitting Room. The question is, how well does that stand up as time and cinematic fashion move on?

Poster for If....

The story is set at a British all-male boarding school, where young men from the privileged classes learn the rigid, brutal, complex hierarchies and rules which will characterise their adult lives as well. Through the lens of a new arrival, we encounter a world where senior prefects enforce a rigid regime, obsessed with trivialities like hair length and permitted foods but enforcing this through corporal punishment; where younger students are forced to act as servants to their elders, with an implied sexual dimension to this servitude; where religion and the military bolster and reinforce the regime. However, the school also has its rebellious counterculture in the form of three young men, the “Crusaders”, led by Travis (played by newcomer Malcolm McDowell, whose performance here has reportedly led to Stanley Kubrick casting him in his forthcoming adaptation of A Clockwork Orange). their rebellion begins with minor acts of disobedience like growing a moustache, but grows in commitment and brutality until the climax of the story.

Continue reading [June 6, 1970] Children's Crusade: If…. (the movie, not the magazine)

[June 4, 1970] Something old, something new (July-August 1970 IF)

A white man with short gray hair poses in front of a wooden wall. He is wearing a gray blazer, yellow shirt, and black necktie, and is smiling toward the left of the viewer.
by David Levinson

Voyages into the known

Readers over 30 may remember Thor Heyerdahl and his Kon-Tiki expedition of 1947. He hoped to prove that the Pacific islands had been reached from South America before Polynesians got there from the west. The balsa log raft he built eventually ran aground in the Tuamotu archipelago in French Polynesia, demonstrating that such a voyage was at least possible. However, most archaeologists and anthropologists consider it far more likely that any contact between Polynesia and the Americas (there is some highly inconclusive evidence) was initiated by the Polynesian people, who have a proven track record of crossing vast distances into the unknown.

In any case, Heyerdahl has inspired a number of imitators hoping to travel farther, including some attempts to travel west to east. On May 29th, Spanish sailor Vital Alsar Ramirez started his second attempt to sail from Ecuador to Australia. The first attempt in 1966 failed after 143 days when the raft was rendered no longer seaworthy by teredo worms.

The new raft, dubbed La Balsa, has one major improvement over the Kon-Tiki: a moving keelboard. This will allow the raft to be steered toward more favorable currents, where Kon-Tiki could only drift with assistance from the simple square sail. Such keelboards are known to Ecuadoran natives and so are a perfectly reasonable addition. Best of luck to the four men aboard.

A black and white photo of a wooden raft on the water against a foggy background.  It has a square sail on a tall mast near the center.  On the left, a person is standing holding a line attached to the sail.  Under the sail three people are sitting.  To the right of the mast there is a small shelter with a grass roof, containing boxes and barrels. La Balsa puts to sea.

Speaking of Thor Heyerdahl, his current interest is in demonstrating that ancient Egyptians could have reached the Americas in reed boats. His first attempt last year aboard the Ra got within about 100 miles of the islands of the Caribbean before it became so waterlogged it began to break apart. Now he’s giving it another go.

The Ra II features a tether to keep the stern high, which should help keep the boat from suffering the fate of its predecessor. This is something the original ought to have had; such tethers are clearly visible in ancient Egyptian depictions of reed boats. The crew also plan to take marine samples along the way to study ocean pollution. The Ra II set out from Morocco on May 17th.

Of course, as with the Kon-Tiki, proving that such a voyage could have been made won’t prove that it was. The Egyptians were never great sailors, generally contracting ocean navigation out to more maritime cultures of the eastern Mediterranean. Still, best of luck to Heyerdahl and his crew as well.

A color photograph of a modern reconstruction of an ancient Egyptian reed boat on the water, against a clear blue sky.  It has a black sail at the prow supported by a tall mast made up of two timbers leaned together in a triangle.Oars are sticking out horizontally from the main deck. One person is standing at the prow and another at the stern, where a rudder extends into the water.   Two people are standing on the upper deck near one of the mast timbers. The Ra II under way. Note the tether keeping the stern high.

Polishing the family silver

Science fiction has a lot of tried and true plots, some better than others. But good writing can occasionally make a hackneyed, sub-par plot something better, and bad writing can turn an intriguing concept into a slog. Fortunately, this month’s IF has a lot more of the former.

The front cover of Worlds of If science fiction magazine. The magazine title is in the upper left corner, and on the lower left the featured pieces are listed with titles in black and authors in red: Second-hand Stonehenge, by Ernest Taves; Time Piece, by Joe Haldeman; and The Fifth Planet, by Larry Eisenberg.  THe cover illustration is a painting of a white man's face shown half in shadow against an abstract background. The left of the background is blank white, extending in swirls into an abstract helmet surrounding the man's face.  A headset microphone extends down the right side of his face to his mouth. The right of the background is bright red with jagged yellow and black accents, which are reflected in the left side of the helmet. In front of the man's face tiny oval spaceships fly upward in an arc, surrounded by tiny blue planets and white stars, at which the man gazes intently.Suggested by “Time Piece”. Art by Gaughan

Continue reading [June 4, 1970] Something old, something new (July-August 1970 IF)

[June 2, 1970] Turning Up The Heat (Doctor Who: Inferno)


By Jessica Holmes

I have good news and bad news. Being the little ray of sunshine that I am, I like to start with bad news . So here goes: we’re heading into the last Doctor Who serial of 1970. Yes, already. The tradeoff for some pretty spiffy stunt-work and shooting in colour is apparently a reduced episode count. The good news is that Doctor Who is turning up the heat and delivering a real firecracker of a story, full of action, monsters, and some great character work. Let’s dig into “Inferno”.

Title Card. Text reads 'INFERNO' in block capitals. The background is a volcanic eruption.

Continue reading [June 2, 1970] Turning Up The Heat (Doctor Who: Inferno)

[May 31, 1970] A Compulsion to read (June 1970 Analog)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Monster-eyed bug

Last week, NASA released the news that the Apollo 12 astronauts brought back a fourth astronaut at the end of their flight last November.  A common human germ, Streptococcus mitis to be exact, was found to have hitched a ride back with Surveyor 3's camera, after surviving some 32 months in the harsh environment of the lunar surface.

Streptococcus mitis under a microscope.
Streptococcus mitis (c) Ansel Oommen

Frederick J. Mitchell, a scientist at the Lunar Receiving Laboratory, stated that it was "notable, but not unexpected" that a bacterium might make and survive the trip to the Moon as a stowaway on a terrestrial spacecraft.  Thanks to insufficient clean-room procedures, it was probably deposited on Surveyor's camera when the camera's shroud was removed for repairs and then replaced, and then launched with the soft-lander in 1967.  The high vacuum of space actually freeze-dried the bug, allowing it to remain viable indefinitely. 

The Surveyor 3 camera on a black background.
the Surveyor 3 camera

Given that we were unable to prevent terrestrial life forms from contaminating our nearest celestial companion, one has to wonder if we will taint Mars or Venus when we launch probes to the surfaces of those planets in the next decade.  It's a bit like Schrödinger's equations—just as you affect what you see by looking at it, you can't investigate a planet without risking an alteration of said planet.  It may well be that humans will land on Mars in the 1980s to find icy ponds rimed with Earth bacteria.

It's enough to make you want to leave well enough alone!

Bug-eyed caterpillars

Cover of analog  Science Fiction, June 1970 featuring a futuristic barge on a craggy ocean shore. The featured title is 'STAR LIGHT' by Hal Clement
by Kelly Freas

On the other hand, this month's Analog is quite good, and well worth your time.  Let's take a look:

Continue reading [May 31, 1970] A Compulsion to read (June 1970 Analog)

[May 28, 1970] A pair of Saras: Flower of Doradil and A Promising Planet

A photo of Tonya R. Moore, a brown skinned woman with black hair, wearing a mondrian-styled dress in yellow, white, and black.
by Tonya R. Moore

The latest Ace Double features stories by two authors who both write under pseudonyms. John Rackham is the pen name of electrical engineer and author, John Thomas Phillifent, whose works include three novels from the popular American spy fiction universe series The Man from U.N.C.L.E. Phillifent was a prolific author, the majority of his works of science fiction published under the name John Rackham. The lesser-known Thomas Edward Renn’s singular novel was published under the name Jeremy Strike.

This Ace Double was my first encounter with the works of either author, yet I could not help but notice the distinct differences in literary experience and skill at the heart of each story.

Continue reading [May 28, 1970] A pair of Saras: Flower of Doradil and A Promising Planet

[May 26, 1970] A Regrettable Case of Runaway Apophenia (Erich von Däniken's Memories of the Future)


by Arturo Serrano

When I was appointed, in recent weeks, as a cultural attaché of the Colombian embassy in Bonn, I was beside myself with excitement about the prospect of imbibing from the richness of Teutonic civilization, whose light was but briefly obscured during the war. I say this without intending in any manner to dismiss the graveness of the evil that merely one generation ago seared Europe, but not even an army of murderers can outweigh the numberless German generations possessed of extraordinary creativity that preceded them. With one glance at the poetry of Vogelweide or Eschenbach, one gives perpetual thanks for having studied the German tongue. And the pleasures aren't limited to the written word: I need only give two cardinal points, Bach and Strauss, and the mind delights in the long chain of beauty that extends between them. This is the proud nation that birthed Dürer, Gutenberg, Leibniz, Schiller, Humboldt, and that titan among titans, Goethe… And look at the Germany of today! Upon leaving the airplane, I nearly fainted as I realized I was setting foot on the land of Günter Grass, of Siegfried Lenz, of Heinrich Böll! I believe I could put you all to sleep reciting names long before I'm finished praising the inexhaustible wellspring of genius that is Germany.

Alas, the Fates judged it fit to make a mockery of my elation when it came time for me to experience my first taste of German culture in an official capacity as a foreign diplomat.

Continue reading [May 26, 1970] A Regrettable Case of Runaway Apophenia (Erich von Däniken's Memories of the Future)

[May 24, 1970] Let It Be (The Beatles break up)

a middle-aged woman in a white turtleneck, wearing a beaded necklace
by Victoria Lucas

No.

No, no, no, no. no. I don’t believe it, can’t believe it, am not going to believe it.

A black-and-white photograph of Paul McCartney on stage in a suit, arms crossed
Paul McCartney

"You and I have memories,
Longer than the road that stretches Out ahead."

Continue reading [May 24, 1970] Let It Be (The Beatles break up)

[May 22, 1970] Back From The Dead (Summer 1970 Worlds of Tomorrow)

black and white photo of a dark-haired white woman with vampiric eyebrows
by Victoria Silverwolf

Resurrection

Well, what do you know.  A magazine I thought as dead as a doornail has risen from its grave.  I've reviewed every issue of Worlds of Tomorrow from its birth in 1963 to its demise in 1967.  After three years of mouldering in the grave, like John Brown's body, it has returned.  Let's take a look at this revenant to see if it was worth digging up. 

Continue reading [May 22, 1970] Back From The Dead (Summer 1970 Worlds of Tomorrow)

[May 20, 1970] Circus of Hells, Tau Zero, and Vector (May 1970 Galactoscope #2)

black and white photo of a dark-haired white woman with vampiric eyebrows
by Victoria Silverwolf

Vector, by Henry Sutton

Cover of the book Vector by Henry Sutton. The cover illustration shows some downward-facing arrows.
Cover art by Roy E. La Grone.

Henry Sutton is the pen name of David R. Slavitt, a highly respected classicist, translator, and poet. As Sutton, he wrote a couple of sexy bestsellers, The Exhibitionist and The Voyeur. Now he's turned his hand to a science fiction thriller. Let's see if he's as adept at technological suspense as eroticism.

The story begins with the President of the United States announcing that the nation will stop all research into the use of biological weapons. Instead, only defensive research will take place.

That sounds great, but it means very little. Figuring out how to defend oneself against such weapons means you have to produce them and study them.

Next, the author introduces a number of characters in a tiny town in Utah and at the nearby military base. Guess what kind of secret research goes on at the base?

Pilot error during an unexpected storm leads to a virus being released on the town. The deadly stuff causes Japanese encephalitis, a disease with a high mortality rate. Survivors often have permanent neurological damage. There is no cure.

When a number of people come down with the disease, the military seals off the town. The phone lines are cut. One character is shot in the leg while trying to leave. Meanwhile, politicians in Washington try to cover up the disaster.

Our lead characters are a widowed man and a divorced woman who happened to be out of town when the virus hit the place. (The disease is normally transmitted via mosquito bites rather than from person to person. That's why he gets away with a relatively minor set of symptoms and she isn't sick at all.)

Besides giving us the mandatory romantic subplot, these two figure out there's more going on than the military is willing to admit. The man manages to sneak out of town and sets off on a long and dangerous hike across the wilderness, looking for a place where he can make a phone call to a trusted friend with government connections.

This is a taut political thriller in the tradition of The Manchurian Candidate and Seven Days in May. Like those bestselling novels, both adapted into successful films, it creates a cynical, paranoid mood. I can easily imagine Vector as a motion picture.

Less of a science fiction story than last year's similarly themed bestseller The Andromeda Strain by Michael Crichton, Vector is a competent suspense novel. The narrative style is straightforward, meant for readability rather than profundity. The love story seems thrown in just to satisfy the expectations for mass market fiction.

Three stars.


Continue reading [May 20, 1970] Circus of Hells, Tau Zero, and Vector (May 1970 Galactoscope #2)

55 years ago: Science Fact and Fiction