Tag Archives: beatles

[July 2, 1965] Gallimaufry (August 1965 IF)


by David Levinson

A gallimaufry is a kind of stew. Like any stew, it’s composed of a bunch of things thrown together and so has also come to mean any sort of hodge-podge. Since I haven’t been able to come up with some sort of overarching theme this month (and perhaps because, as I write this, I skipped lunch and it’s a couple of hours until dinner), let’s just look at the mish-mash of things that caught my eye (and ear) this month.

The British Invasion continues

On June 12th, the Beatles were named Members of the British Empire. That’s the lowest level of honor granted by the British government, but unsurprisingly a lot of old fuddy-duddies are unhappy with popular musicians being so honored. Member of the Canadian House of Commons Hector Dupuis complained, “British royalty has put me on the same level as a bunch of vulgar numbskulls.” According to my research, apart from seven and a half years in the Canadian Parliament, Mr. Dupuis’ main contribution to society is selling insurance. I’m not sure he’s the one who ought to be complaining about the comparison.


James P. McCartney, George Harrison, John W. Lennon and Richard Starkey showing their medals. You didn’t think his parents named him Ringo, did you?

Sticking with music for the moment, lately I’ve really been enjoying For Your Love by the Yardbirds. It’s a catchy little number that’s been moving up the charts the last few weeks and unusually features a harpsichord. The band took over as the house band at the Crawdaddy Club in Richmond, England when the Rolling Stones went on to bigger things and then acted as the backing band for Sonny Boy Williamson when he toured Great Britain in early 1964. They’ve had a bit of airplay with some old blues numbers, but this is their first real hit. Alas, one man’s meat is another man’s poison. One of their guitarists, a young man by the name of Eric Clapton, has left the band, unhappy with the move to a more commercial sound. He’s since been replaced by Jeff Beck. Let’s hope that Mr. Clapton is content with the relative obscurity of the blues scene.

The Miracles of Technology

On June 14th, a test planned by American and French doctors and communications experts sent an electrocardiogram from a ship at sea to a hospital in France. The ECG was taken from a passenger aboard the SS France in the Atlantic Ocean and transmitted via facsimile machine first to Cornell University hospital, then RCA Communications, Intelsat, D'Liaisons Radiotelephotographiques de France and then to Boucicaut Hospital in Paris. The image that arrived in France was clear enough for doctors to use for diagnosis. Look for this technique to be used in earnest in the future.


Facsimile technology has been used in meteorology for several years. Its use in remote diagnostic medicine shows promise.

Eppur si muove

The British journal Nature dated June 19th included a paper by astronomers Gordon Pettengill and Rolf Dyce titled "A Radar Determination of the Rotation of the Planet Mercury". They have determined that the planet Mercury is not tidally locked to the sun, but rather has a rotation period of approximately 59 days. That means a day on Mercury is about two-thirds as long as its year. Bad news for Larry Niven, whose very first story, “The Coldest Place”, hinged on the planet always showing the same face to the sun, but those are the breaks in the science fiction game.

An IFfy stew

Speaking of science fiction (and the magazine Niven first appeared in) what is Fred Pohl putting on our plate in this month’s IF? Let’s take a look at the ingredients.


Retief makes his way across town. Art by Gaughan

Trick or Treaty, by Keith Laumer

Things are looking grim for the Terran cause on the planet Gaspierre. The planetary parliament is set to decide if they’re going to be neutral, on the side of the Terries, or support the warlike Krultch, and the presence of a Krultch warship heavily outweighs that of the CDT mission under Ambassador Sheepshorn. Anti-Terry riots are blowing up all over, and Krultch soldiers walk the streets with impunity.

We open with Retief using his usual good relations with the locals to get lodgings for a troupe of Terran entertainers (if four people can be said to constitute a troupe). On his way back to the embassy, Retief cripples a couple of Krultch soldiers (they did start it) and learns from the local police that the Terrans are confined to their embassy until the ambassador is due to make his speech to parliament. After a brief consultation with the ambassador, Retief escapes the embassy, makes his way across town and enlists the aid of the entertainers in tossing a monkey wrench in the Krultch plans. Will he succeed in tipping the balance in Earth’s favor? Of course, the only question is how. Will he win the favors of the lovely, red-headed acrobat with the tattoo? Unusually, no, or at least not on the page.


The Krultch captain gets the drop on Retief. Right where Retief wants him. Art by Gaughan

I’m on record as a fan of Retief, but even I have to admit that things are getting a little stale. To carry on with the stew analogy, this is an onion that’s gone a little spongy or a rubbery carrot. The means by which Retief and friends take the wind from the Krultch’s sails are deeply improbable, bordering on the ridiculous. On the plus side, Ambassador Sheepshorn is one of the best names Laumer has come up with in ages. Is that Sheeps-horn or Sheep-shorn? I suspect that the ambassador and the author have very different opinions on that. In any case, long-time readers of the series will likely find this one a bit dull, though newcomers might enjoy it more. However, it’s not the best entry point for the series. A low three stars.

Against the Odds, by John Brunner

On the planet Galrex, an apparent crank is making a scene outside the office of the Superintendent of Galactic Records, warning that the human race is in danger. Superintendent Motice Bain emerges from his office and agrees to listen to the man’s concerns.

Falkirk, as his name proves to be, once planned to make a career in archaeology studying the vanished civilization of the planet Gorgon. The story goes that the natives of Gorgon had learned to manipulate luck and ultimately bored themselves to death. The planet was originally found three or four hundred years earlier by one of the pioneering starscouts, Morgan Wade, who supposedly figured out the lost secret and ultimately became extremely wealthy. Eight or nine years before the time of the story and before Falkirk could go to Gorgon and begin digging, a starship made an emergency landing on the planet. It took several weeks for a needed spare part to arrive, but once the ship was repaired the crew managed to destroy all that was left of the ancient civilization when taking off. Now every member of that crew is the ruler of a planet. Falkirk is convinced that these ten men are going to take over the galaxy.

Using the example of the birthday problem, which shows that it takes a remarkably small number of people to ensure that two members of the group share a birthday, Bain points out to Falkirk that in a galaxy of two trillion people, it isn’t that unlikely for ten of them to become important. After a despondent Falkirk leaves, Bain gets down to business.

There’s a twist at the end of this tale that anybody who has been reading science fiction for more than a handful of years can see coming. It’s a reasonably well told story, but a far cry from the more modern sort of stories that Brunner is capable of writing. Apparently, IF is where he sends his more old-fashioned work. It’s not bad, it’s just not anything special. Three stars.

We Hunters of Men, by Bruce McAllister

Edmond Reud is out hunting scalps when he is attacked by another hunter. He kills the attacker and takes the other man’s scalp. Ignoring the “mind-prickling” that urges him to go toward the Minced Mountain, which touches the ocher-colored sky, he returns to the underground city to exchange his scalps for pellets. Eventually, he reaches the Minced Mountain and meets an old man trapped there by a broken leg. Without pellets, the old man has had his long-term memory return. Together, they solve the mystery of the “mind-prickling”.

Interspersed throughout this are naval communiques between a ship orbiting the planet Tinni and Base Roquefort. It seems that Tinni was one of twelve planets beset by the Judicians, who managed to close the planet in a charge field when they lost the war. The navy believes that the Judicans’ weapons were destroyed, but because they are physically weak they must have found some way to control the human population. They did manage to get a device through the field which will home in on charge field generators and send out cortex wave emissions to get humans to come and tinker with the generators.


The scalper scalped. Art by Giunta

This is McAllister’s second story, and it’s not very good. Clearly the pellets affect memory and are addictive, giving the Judicians a way to get the humans to kill each other, but I fail to see how the system was originally imposed. Further the tonal shift between the two narratives is rather jarring. That on the planet is somewhat grim and rather fitting to the circumstances, while the naval communiques are rather light and a bit jokey. On the other hand, McAllister is only 18 and does show some raw talent. If he spends some time working at his craft and honing his skills he could be a decent writer down the line. But this story? Two stars.

The Crater, by J. M. McFadden

Insurance investigator Johnny Andrews appears to be on vacation in Hawaii. Actually, he’s on the trail of a group that has hijacked two shipments of irillium somewhere between the asteroids (at a guess, it’s never specified) and landing at the docks in North Africa. Waikiki is a good spot to observe the ships entering parking orbit and firing their retrorockets for landing. He figures he’s on the right track, since a couple of suspicious characters have started watching him.

After observing the next hijacking from out beyond the surf line, he manages to get pictures of the two goons, but they grab him before he can contact his home office. He’s bundled into an interisland subway and taken to Wailuku, the main city on the rather rural island of Maui. Johnny escapes and takes refuge in Fenner’s Grill, the best Mexican restaurant in the islands run by a fellow of Chinese extraction who goes by the name Manuel. From Manuel (who is seemingly related to everyone on the island), Johnny learns of the mysterious group which has taken over the ranch in Haleakala crater. With Manuel’s help, he infiltrates the ranch and sets out to thwart the hijackers for good.


Manuel and Johnny discover some really high tech cattle ranching. Art by Nodel

McFadden is this month’s first-time author. According to Fred Pohl, he’s a former naval officer and has already sold another story to IF. Beginning authors are often advised “Write what you know.” I’d bet that McFadden spent a fair amount of time stationed in Hawaii and was likely a radar officer. Anyway, this one was a rather fun adventure tale with a good dose of humor. Maybe a bit of Keith Laumer influence here. Also Manuel is a great sidekick who feels like a real islander without being an offensive stereotype. Three stars.

Patron of the Arts, by Fred Saberhagen

As the Berserker fleet closed in on Sol, the artistic treasures of Earth were loaded aboard the museum ship Franz Hals to be carried to safety at Tau Epsilon. Aboard are a two man crew and famous artist Piers Herron, a man who has lost all interest in living and with it his ability to create. The ship is captured by a Berserker and the crew killed, but Herron is kept alive for observation. He attempts to paint the Berserker and he and the Berserker, using one of its smaller remote units, discuss the meaning of art on the basis of Titian’s Man with a Glove.

Herron tries to capture his captor, while the subject looks on. Art by Gaughan

I mentioned above that Retief is getting stale. Saberhagen has certainly avoided that problem in his Berserker series. Each of the stories has been very different, even when the settings have been similar, such as one or more people being held captive by the great killing machines. That’s most likely because these stories are really about people. In the hands of many other authors, this series would be one massive space battle after another, while with Saberhagen the one story that actually was about a space battle had a tight focus on some of the people involved.

This is an ambitious story, and while that ambition carries it a long way, it doesn’t quite hit the mark. There’s a subplot about a stowaway that really doesn’t work. If Roger Zelazny wrote a Berserker story, this might well be it, and he might have gotten all the way to where Saberhagen was trying to take it. A high three stars, and I mourn what could have given it that fourth.

Skylark DuQuesne (Part 3 of 5), by E. E. Smith

As DuQuesne watches, Dick Seaton launches a brutal counterattack against the mysterious force that struck at the end of the last episode. The Skylark of Valeron, grievously damaged, beats a hasty retreat, and DuQuesne slinks away toward Earth. Seaton has identified their attackers as Chlorans, the bad guys from the last book. Apparently, intelligent life which develops on any Earthlike (or Tellus-type, as Smith would have it) world will be human. They might be green or squat and hairless, but still human. Any intelligent life that develops on a world with a chlorine atmosphere will be Chlorans, and so on. Look, if you shout at every bit of nonsense science in this thing, you’ll lose your voice and probably frighten your neighbors. Just go with it.


The Skylark of Valeron takes a licking and keeps on ticking. Art by Gray Morrow

Seaton hatches a plan to find an enslaved human world in the Chloran controlled galaxy and find or create a resistance. That will give the Skylarkers a base of operations to fight the Chlorans. Naturally, all of the men volunteer to be the one to go down and carry out the plan while all of their wives object. They leave the choice of the best person to the ship’s Brain. It, of course, chooses Seaton. He goes down to the planet chosen by the Brain, meets the resistance, turns them into an effective fighting force and snatches the planet from the clutches of those humans who willingly serve their Chloran masters.

Meanwhile, DuQuesne returns to Earth and looks up Stephanie “Hunkie” de Marigny, brilliant scientist and the one woman who can come close to piercing the armor of cynicism and disdain he’s wrapped himself in. While his agents buy up all the materials he needs to build his own Valeron, Blackie and Hunkie go on a date (Dutch at her insistence). Afterwards, he hotfoots it off to the opposite side of the universe from the Chloran galaxy, finds an uninhabited Earthlike world and, using the plans he got from Seaton, builds his new ship, which he dubs the DQ.


Dick Seaton settles a labor dispute with his foreman. Art by Gray Morrow

Although the “wherefores” continue to fly, this installment is a small step up from last month. In fact, the stuff involving Seaton setting up his resistance movement actually isn’t all that bad. Of course, Smith crams a novel’s worth (or at least a novella’s) of material into 15 or 20 pages. DuQuesne also moves back toward being a slightly more complex villain than he was last time. Two stars.

Summing Up

So, what does the dish that Fred Pohl has given us look like overall? A couple of ingredients that aren’t as fresh as they might be, but are still acceptable; a couple of tasty morsels, not quite gourmet but good; one that’s not very good, but under normal circumstances would be drowned out by the other ingredients; and then there’s the giant lump of meat that’s really gone off at the end. Outside of Skylark, there does seem to be a slight uptick in quality over the way things have been over the last year or so. That or Skylark is making the rest of the stuff look good by comparison.

Every cloud, so they say, has a silver lining. Skylark has been a big black cloud lowering over IF for a while and will continue to do so for a couple of months. The demands it has made on space (originally intended to be just three installments) has made the editorial team take a look at some of their production procedures. Starting next month IF will have 32 more pages in every issue. Fred says that’s enough for two more novelettes, four or five short stories, a complete short novel, or an extra serial installment. Best of all, the price is staying at 50¢. Five months of Doc Smith is a heavy price to pay, and 32 pages isn’t going to make up for Amazing and Fantastic going bimonthly and running more reprints, but it’s a step in the right direction.






[November 25, 1964] The Times They Are a-Changin’… Science Fantasy December 1964/January 1965

by Mark Yon

Scenes from England

Hello again!

As I report, we’re on the countdown to Christmas here. I hope you had a good Halloween. I must admit that after last month’s surprisingly mediocre New Worlds, I was quite looking forward to picking up the new copy of Science Fantasy.

Politics seems to have calmed down a little after the shock election result last month. Mr. Wilson seems to be intent on trying to change the laws created by 13 years of continuous Conservative rule. Although he’s only been in office for just over a month, it is noticeable that there are changes, but at the same time obvious that major change isn’t going to happen straight away. Nevertheless, there has already been a vote to suspend the death penalty for murder in Britain, which should happen in 1965. I suspect that we will see more and possibly even bigger changes in the next few months.

In music, I’m pleased to let you know that after I wrote last time, Sandie Shaw has been replaced as Number 1 by…. the return of Roy Orbison and Oh Pretty Woman.

I really like it, so I am pleased.

Perhaps it is only fair that we see some quality American acts in our charts in return for our British exports. I understand that you’ve recently had a deluge of British acts hoping to emulate the success of The Beatles, including another Brit favourite, The Rolling Stones, who were on the Ed Sullivan Show a couple of weeks ago. Their singer, Mick Jagger, had a few moves to show you!

At the cinema I am pleased to write that I have had a stay of execution regarding the musical My Fair Lady. As sometimes happens, the trailers led me to believe that the movie would be here in the next couple of weeks. I now understand that the film will be appearing at my local Odeon in January. The good news then is that it gives me more time to come up with an excuse to avoid it, hopefully.

As we always go as a family to see a 'movie for Christmas’, it looks like the movie we will see as a family this year will be Father Goose, starring one of my favourites, Cary Grant.

Looks like quite a different role for Cary…

On the television the genre pickings have still not been many. I am still enjoying most of Doctor Who, and Jessica’s excellent reports on that series’ progress need no further comment from me, but my latest find this month has been another popular series for children. I am quite surprised how much I have enjoyed its undemanding entertainment, as Gerry Anderson’s Stingray has been shown on ITV. Be warned though – it’s a puppet series! Nevertheless, its enthusiasm and energy, combined with great music in a wonderful title sequence has made this unexpected fun. I understand that it has been entirely filmed in colour, although like the majority of the 14 million British households with a television, we’re forced to watch it in good old black-and-white.

The Issue At Hand

Just to reinforce the mythical theme, this month’s cover of a Bronze Centaur is quite striking and would not perhaps be out of place on the front of a History magazine. It is, of course to do with the second part of Thomas Burnett Swann’s serial, The Blue Monkeys (started last issue), of which more below.

The Editorial, like the snippet in New Worlds last month, extols the virtues of Brian Aldiss’s new novel Greybeard. I haven’t got a copy yet – Christmas is coming! – but I must admit that I like what I’m hearing.

The Editorial also seems to rate Charles Harness’s The Paradox Men as a superior Space Opera, although it has been around a while. I understand Brian Aldiss likes it a lot, and it sounds like it could be my sort of thing as well. Let’s hope that Santa is kind this year.

Other than that, the Editorial makes a valid point about not labelling book covers with “A Science Fiction Novel”, as if it is something to be ashamed of, and finishes with the good news that Science Fantasy may soon go monthly.  Sales must be up, then.

To the stories themselves.

The Blue Monkeys (part 2), by Thomas Burnett Swann

The second part of this serial tells us what happens to teenage Thea and Icarus now that they are under the care of Eunostos, the Minotaur. This part of the story is written from the perspective of Eunostos.  It appears that taking Thea and Icarus into his world has not been easy.  Much of this part is about how bringing up Thaea and Icarus has changed his world, firstly by affecting Eunostos’s relationship with his friends Moschus the Centaur (presumably the cover star this month) and Zoe the Dryad and then when Icarus is coerced into bed by Amber the Thria. There’s some history – we are told how Eunostos knew the children’s parents and has been in the background of their lives since they were born, for example. The story ends when we discover what Ajax plans to do to get the children to return to the human world, which will no doubt be concluded in the final part next month.  I really like this reinterpretation of ancient myths. The style is engaging and written in a wryly amusing manner throughout which appeals to my own sense of humour. What is still surprising is how adult in tone the story is – much of this is about getting the teenagers into bed, which was a little disconcerting, but on the whole this one reads as effortlessly as last month. So, like last time, 4 out of 5.

Room With A Skew, by John Rackham

To lesser things, now. The last time I read a John Rackham story was in New Worlds with his story Crux in November 1963, although he was in Science Fantasy in the July/August issue. This is a light story about the things mad inventors create – in this case, a means of creating extra space in a flat by accessing the fourth dimension. Doctor Who would not have this problem!  It is a one plot idea that is better than the pun-ish title suggests, but really is just an amusing space-filler. 3 out of 5.

EJ Carnell – A Quick Look, by Harry Harrison

It’s nice to see the return of Brian Aldiss’s friend, editor and author Harry Harrison in this issue, although the subject matter of his non-fiction article is something less palatable to my tastes – recently departed New Worlds editor John Carnell. Despite my own personal grumbles about the poor last few issues of New Worlds, there’s no denying that John has had an impact on British SF and it would be wrong of me to not appreciate that, but really this is nothing more than a sycophantic promotional post for him. 3 out of 5.

The Charm, by Keith Roberts

Very pleased to see the return of this writer, who impressed me in the last issue. The Charm is another ‘Anita’ story, about the “very lovely but rather inexperienced” teenage witch finding her feet in a modern world. Think of her as a sexualised Sabrina the Teenage Witch (from Archie’s Mad House). This does involve her *cough* ‘finding experience’ in this story by being firstly captured by a witch-hunter and then going to bed with him. Using a witch’s power to make it work, the two use a Time Charm to travel backwards in time, where it all borrows heavily from H G Wells. The end of the story is a bit abrupt but generally Anita’s as amiable as she was last issue, albeit still with the annoying Granny. “I’m allus the same…” the Granny says. Quite. Whilst Anita as a character is an alluringly engaging enigma, and there’s not really a great deal to this story, The Charm is an entertaining read. 3 out of 5.

Not Me, Not Amos Cabot!, by Harry Harrison

And here’s Harry returning, this time to write fiction. I enjoyed this more than his non-fiction article.  Not Me, Not Amos Cabot! tells the story of a grumpy old curmudgeon who when he receives a glossy magazine in the post with the cheery message that he is about to die – and is he prepared for it? – is determined to prove the magazine wrong. It’s all a bit Twilight Zone, emphasised by the fact that it seems to be set in New York rather than, say, London. I get the impression that it’s meant to be a parody of advertising, an exaggeration of what can happen in today’s commercialised world, but it all sounds quite possible to me. Entertaining enough. Harrison’s gently humorous writing style carries a story that’s actually not very original. 3 out of 5.

The Madman, by Alistair Bevan

A writer new to me.  Like Harrison’s story, this is another one about an old man, set in the future. This centenarian upsets his family and his neighbours for saying how much better things were in the past, to the point that he is regarded as insane and incarcerated into a Sector Asylum for causing disruption. I guess that the message is that the future’s not what it’s supposed to be, but we should spend our time looking forward, not back. There is little value in the old – something I suspect historians and archaeologists may disagree with. 3 out of 5.

Joik, by Ernest Hill

After his appearance in last month’s New Worlds, Ernest returns with a poor novella that’s about a dystopian future where African people rule the planets. In the Rationale (what that actually is is unclear) any idea of beauty is severely dealt with. It’s basically Big Brother but where the dictator is black, not white.  Imagine, for example, a British Empire run by the oppressed, not the oppressors.

To give it a futuristic feel, not to mention New Wave anxiety, there’s artificial intelligence and spaceships but also metaphysical angst, weird dream states and torture. The plot, for what it is, is an investigation where Dadulina’s partner, Tantor, has disappeared. We discover that Dadulina has actually been arrested and tortured. This appears to be to do with Joik, the means of travelling around the universe, although it all rather disappears up into some sort of metaphysical mess. Obviously, this also involves taking narcotics to gain the full experience of whatever it is they are experiencing, from which I emerged confused and decidedly uninterested.

I can see why some readers might like it. It’s determined to be edgy and controversial (Drugs! Sex! Race!), creates words to make it sound like the dialogue of the future and has a fast pace. However, for me its drug-induced navel-gazing all seemed a little dull. One of those where you have to be there to gain the full experience, I feel.  2 out of 5.

One of Those Days, by Charles Platt

We finish this issue with a minor story about a character having a miserable existence in a hotter future climate, who having complained about the noise, the hot weather and his wife and children, then dies. Seems a bit pointless, other than a chance to moan about domestic life for the future male. I was almost tempted to think of it as a Ballard-ian parody, but that would give the story more value than it deserves. There’s not a lot to fuss about over here. We finish with a whimper. 2 out of 5.

Summing up

This is a tough one to summarise, as it is an issue that I both enjoyed and I got frustrated by.  It starts well, but seems to run out of steam by the end. Overall though, I’m pleased to say though that, despite my grumbles, there’s a lot in this issue of Science Fantasy that I’ve enjoyed, and it is still more enjoyable than the last New Worlds. Despite both issues having stories that are quite depressing, Science Fantasy is just more engaging for me.  I think I am still enjoying the variety and range of the stories more with Science Fantasy than I am with New Worlds.

The bottom line is that when I have finished reading the two magazines, I remember the stories from Science Fantasy  much more positively than the ones in New Worlds.  Where New Worlds does score is that it seems to be more determined to experiment with form and style whereas Science Fantasy is more about just telling a story. At the moment though, for me plot is winning over form. It’ll be interesting to see if this continues into 1965.

I should be back to a new issue of New Worlds next month. Until next time… have a great Christmas!

UK Beatles fans, of which there are many, have been sent a Christmas greeting from the Fab Four on flexidisc.

[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]

 

mall>

[November 22, 1964] A Special Gift


by Gideon Marcus

First and foremost, I wanted to thank all of my fellow travelers for being on this Galactic Journey with us.  It's hard to believe we've been chronicling science fact and fiction (and so much more) for over six years now!

Second, I want to doff my hat in memory of an event that pummeled the nation exactly one year ago.  I don't think any of us have any difficulty remembering the terrible events of Dallas that day.  But shortly thereafter, as Beatlemania was sweeping the nation in the wake of the Fab Four's appearance on the Ed Sullivan show, the dark part of my brain came up with a way that November 22, 1963 could have been even worse.

As a special present to all of our loyal fans, I present to you Sad All Over, a short story that takes place today, November 22, 1964…but in a divergent timeline.  I don't know if "enjoy" is the right word, but I hope it interests you and stimulates discussion!

Sad All Over (PDF, epub, mobi, kindle)



[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




[July 28, 1964] Beatlemania Arrives Down Under!


by Kaye Dee

I was so excited last month to talk about the first Blue Streak test launch that I completely forgot to mention another huge event occurring in Australia in June — the first tour Down Under by The Beatles! Yes, the Fab Four made a whirlwind visit to Australia and New Zealand last month and Beatlemania took the country by storm. Mr. Kenn Brodziak, the local promoter, made a lucky investment when he booked The Beatles last July to tour here, because they weren’t anywhere near as famous then as they are now. The newspapers are even saying that this tour has been the most successful event in Australian show business history.


The Beatles, arriving in Adelaide

The band arrived in Australia from Hong Kong on 11 June. An unscheduled touchdown in Darwin in the early hours of the morning was a taste of things to come, with 400 fans and journalists turning out to greet them. Unfortunately, when their plane arrived in Sydney it was bitterly cold and pouring rain (remember, it’s winter right now in this part of the world): in fact, the rain was so heavy that I could not even get out the door to go to the university — I’d have been soaked to the skin before I got to the bus stop! Oddly enough, there hasn’t been a drop of rain since and the long-range weather forecaster Mr. Lennox Walker is now predicting a drought over the next year.

To tell the truth, I didn’t mind being stuck at home because of the downpour, since it meant that Faye and I could watch the live broadcast of The Beatles arrival at Kingsford Smith Airport. There is no morning television in Australia, but both Channel 9 and Channel 7, our two commercial stations, had outside broadcast vans at the airport to provide a direct telecast. The pictures were even relayed live to Melbourne via the new co-axial cable. It shows how much everyone wants to see this amazing pop group that has taken the world by storm! There were thousands of fans at Sydney airport, braving the awful weather to catch a glimpse of the Fab Four as they struggled with umbrellas in the driving wind and rain.


The Fab Three and Jimmie Nichols braving the rain in Sydney

I say the Fab Four, but when the band arrived in Sydney, it was actually the Fab Three and a ring-in. Ringo Starr had been hospitalised with tonsillitis and pharyngitis before the start of the tour and his place was being taken by British drummer Jimmie Nicol. Ringo wasn’t able to join the tour until their first concert in Melbourne on 16 June. 


The Beatles with Jimmie Nichols

The Beatles travelled to Adelaide on a chartered plane for their first concert and when they arrived, more than 250,000 people lined the route between Adelaide Airport and the city. According to my WRE friends, this huge turnout was a ‘thank you’ to recognise that the promoter had added Adelaide to the tour schedule in response to a petition signed by 80,000 fans. I’ve read that this is the largest crowd to turn out for the Beatles so far, anywhere in the world! There’s certainly been nothing like it in Australia before: I even heard a commentator on the radio say that the eruption of Beatlemania in Australia has been more intense than anywhere else in the world so far! Mind you, not everyone has welcomed the Beatles so enthusiastically. In Brisbane, where their plane arrived at midnight to be greeted by 8,000 fans, a handful of anti-Beatles protesters threw eggs at the boys, which I think was a pretty stupid gesture.


There's Jimmie Nichol again

The Beatles played 20 shows in Australia — in Adelaide, Melbourne, Sydney and Brisbane and everywhere they were greeted by enormous crowds of screaming fans. There were a lot of reports in the press about ‘hundreds’ of fans in Adelaide and Melbourne being injured in the crowds, although Mr. Brian Epstein, The Beatles’ manager said in response to a question at the Canberra Press Club that he believes these reports to be greatly exaggerated. The police took them seriously in Sydney, though, and more than 600 officers of the Special B Squad were on duty around their concerts and other appearances in the city, to prevent major disturbances.

Faye and I managed to get tickets to one of the Sydney concerts (yes, I admit we’re fans, even if we might be a little bit older and less-inclined to scream than most of the audience). The tickets cost us 37 shillings ($3.70) each, which certainly wasn’t cheap, but it was well worth it to see the Fab Four performing live. It was just as well that we could see them, because I’ve got to say that we could hardly hear them over the screaming of the young fans. It was even more hysterical than at the Frank Sinatra concert I went to in Sydney in 1961! 


Screaming fans in Sydney

The concert itself was really entertaining. The first half of the show consisted of four Australian support acts, including Johnny Devlin (something of a favourite of mine) and Johnny Chester, who are well-known Australian singers. The local acts performed for about 45 minutes, then, after the interval, The Beatles came on for the second half of the concert. In half an hour, they gave us 10 songs from their first two albums, as well as Can’t Buy Me Love from their ‘A Hard Day’s Night’ album, which has just been released in Australia this month. Of course, I would have loved them to perform more songs, but, as they did two shows every night (one at 6pm and the second at 8:30pm), there wasn’t time for any more. I’m told that the concerts had the same format in each city and it must have been incredibly exhausting for all the performers.


On stage at Sydney

On 18 June, while The Beatles were in Sydney, Paul McCartney celebrated his 22nd birthday, with a party thrown by the Daily Mirror newspaper. After the Sydney concerts, the Beatles made an eight-day tour of New Zealand, where they performed 12 concerts in four cities. 10,000 fans saw them off from the airport in Sydney. There was an article in the newspaper saying that Johnny Devlin actually helped to solve major sound problems at the concerts in Wellington, which had annoyed John Lennon so much that he threatened to cancel the remainder of the tour. Fortunately that didn’t happen and the Fab Four were back in Australia at the end of June for their final concerts in Brisbane.


The Beatles, off to New Zealand

The Beatles tour has been a major event in Australia, with more media coverage than just about anything apart from a Royal Tour! I suspect that it’s going to have a big impact on music and teenage culture in this country. I also suspect that these talented young men from Britain are destined to go on to achieve great things in the world of music and entertainment.


[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




[July 21, 1963] Ice Cold Spies

[Did you meet us at Comic Con?  Read this to see what we’re all about!]


By Ashley R. Pollard

I like to think I keep my finger on the pulse of society. For instance, despite being in my advanced youth, I've kept up on the popular music trends.

A new four piece beat combo calling themselves The Beatles, broke out onto the music scene late last year, and they've been making musical waves ever since. Their latest song, From Me To You, reached number one on the BBCs official singles chart in May.

A first for this new band, which seems to be a sign that they'll have legs. Whether they're significant in the greater scheme of things is hard for me to assess. If time travel were possible, I could no doubt confidently answer that question.

In real life, The Beatles are a reflection of the way society is changing and that previous standards of what's considered moral are being challenged. Now, just for a moment, imagine the members of this band as protagonists in a fiction novel. Their music might well be the center of a deliberate plot to undermine society and loosen its moral underpinnings.

It makes for an interesting thriller; however, I believe the real challenge will come not from those who seek to entertain, but from those who hold Western values in contempt.

It came as a shock when Kim Philby was revealed to be the third man of the notorious Burgess and Maclean spy ring, the group that passed state secrets from the UK to the USSR throughout World War 2 and into the early 1950s.

How many more spies are yet to be uncovered?  I suspect at least a couple more.  Hence the theme of spies for this month's column.

From the post war peace we have seen rumbles of cloak and dagger espionage develop into scandals that are rocking the assumptions of British society. Which is probably why I prefer reading science fiction. It feeds my imagination, rather than destroying my faith in my fellow human beings.

The latest revelations that began in March, of what's being called the Profumo affair, all center around a young woman called Christine Keeler. Her relationship with Yevgeny Ivanov, a Soviet naval attaché, and John, 5th Baron Profumo lie at the center of the scandal.

As a result, Profumo resigned from his post as the Secretary of State for War over allegations of the impropriety being a risk to national security. Then as I said, at the beginning of July, Kim Philby was revealed to be a Soviet spy.

The web of deceit that surrounds these events is unbelievable, as in you couldn't make this up in a story and have the reader believe you. It seems to me to that the world has become a much more complicated place to be alive in.

I marvel at how quickly SF concepts have gone mainstream. With so many SF ideas transitioning into mainstream fiction, one of the current trends I see is the fascination with the Cold War and spies. Who as I've alluded to earlier, are it seems to be found everywhere.

The result is the creation of a new genre that blend SF with contemporary thriller to create what is being called a "techno-thriller." A techno-thriller will use many of the ideas that were once purely science fictional, but set them within a conventional world that's recognizable as our own.

A new novel by Allister MacLean called Ice Station Zebra has caught the public's imagination. Whether this is as a result of all the stories of spies in the news I don't know. MacLean is well known as a writer of action-adventure stories, but this new novel sees him move into a new genre.

Maclean is not the first author to do so. Fellow Scottish writer Ian Stuart wrote a similar techno-thriller, which came out last year called, The Satan Bug.

Having read both books, I can say they share a lot stylistically. One would almost think that the authors know or corresponded with each other while they were writing their books.

Both pile on exciting incidents one after the other. Both have at their core a premise that would've been seen twenty-years ago as unbelievable science fictional nonsense. In The Satan Bug it's germ warfare and spies. In Ice Station Zebra it's reconnaissance footage from a space satellite, and spies.

Apart from the SF trappings ofThe Satan Bug, the story itself is a heady mix of action leading to a heist, and in and of itself not very science fictional. Ice Station Zebra on the other hand, manages to not only exploit its SF trappings, but do what all memorable SF stories do – open the reader's mind to the effects of technological change.

On this basis, I'd say MacLean is ahead of Stuart in exploiting what the new genre has to offer. For example, all of the key events in Ice Station Zebra have real world analogues:

The United States Navy's use of nuclear power submarines and their ability to travel under the Polar ice, and in particular the voyage under the ice by USS Skate to visit Ice Station Alpha in 1958.

The United States loss of the Corona satellite, Discoverer II in 1959, when it landed in neutral Spitzbergen. Possibly retrieved by the Soviet agents. Who knows?

Then there's Project Coldfeet, which saw American agents parachuting from a B17 Flying Fortress onto an abandoned Soviet ice station. And finally, MacLean mentions the atomic powered ice-breaker Lenin too. The first nuclear powered surface ship, and civilian vessel to see service.

MacLean uses these technological advances to weave a convincing picture of a world changing from the effects of technology and science. We can do things today that were once purely in the realm. of SF. Whether we like it or not, a lot of SF themes are going to become fodder for mainstream authors.

In fact, I'm going to go out on a limb and predict that techno-thrillers involving SF ideas and spies are going to become a big thing. We saw a hint of it in the film adaptation of Ian Fleming's Dr. No. I predict that the next James Bond film, From Russia With Love, coming this October, will further raise the public's interest in the melange of SF, thrillers, and spies.

[P.S.  Did you take our super short survey yet?  There could be free beer/coffee in it for you!]