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[March 10, 1966] Top Heavy (April 1966 Galaxy)


by Gideon Marcus

Stacked

For as long as I can remember, American culture has really liked people who have extra on top.  Whether it's Charles Atlas showing off his wedge-shaped physique or Jayne Mansfield letting herself precede herself, we dig an up front kind of person.

So I suppose it's only natural that this month's issue of Galaxy put all of the truly great material in the first half (really two thirds) and the rest tapers away to unremarkable mediocrity (though, of course, I'm obligated to remark upon it).

Dessert first


by Jack Gaughan

The Last Castle, by Jack Vance


by Jack Gaughan

Millenia after the Six-Star war, Earth has been resettled in a series of citadels by a league of aristocrats.  Their stratified society disdains the wretched nomads who remained on the birthplace of humanity, instead living an effete life served by a variety of caste-bound aliens: The ornamental Phanes, the laboring Peasants, the conveying Birds, and the technician Meks. 

That is, of course, until one and all, the Meks rebel.  They sabotage the human equipment and begin a methodical campaign to destroy all of the castles.  Presently, only mighty Hagedorn remains.  Can our race survive?  Should it?

In the Algis Budrys' review column this month, he laments that Frank Herbert could have made a real epic out of Dune if someone had told him they don't have to be 400+ pages long.  After all, the Odyssey, the original epic, is less than 200.  And Jack Vance has created a masterfully intricate and beautiful epic in just 60. 

There is sheer art in beginning a story in medias res, then retelling the opening scene with further detail, and then elaborating still further on this scene once more, and the result being utterly compelling.  Storytellers take note: Jack Vance knows his craft.  Not since The Dragon Masters (also Vance's) has there been such economy of impact.

Five stars.

The Crystal Prison, by Fritz Leiber

The Last Castle is a hard act to follow.  Luckily, the aforementioned Budrys column forms a refreshing interlude.  I don't always agree with Budrys, but the instant article is passionate and poetic.

Leiber's piece is rather throwaway, about two ardent striplings barely in their thirties, suffocating under the oppressive ministrations of their several century-old great-grandparents.  He is forced to wear a padded suit, and She must wear a virtual nun's habit.  Both are required to have eavesropping electronics on their persons at all time.  Oh, the old biddies mean well, but is that living?

The young'ns don't think so, and thus they hatch a plan to get away.

Three stars for this trifling cautionary tale.

Lazarus Come Forth!, by Robert Silverberg


by Jack Gaughan

Ah, but then back to the meat.  We've now had three tales in Silverberg's Blue Fire series, involving a pseudo-scientific cult (reminiscent of Elron Hubbored's, in fact) having taken over the Earth circa 2100.  Author Silverbob clearly intends making a book out of all of these, and Editor Fred Pohl is probably delighted to be able to stretch out a thinly disguised serial in his magazine. 

In this latest installment, which features lots of characters we've met before, we finally get to see Mars of the future.  The Red Planet has chosen neither the cobalt-worshipping Vorsterism of Earth nor the heretical Harmonism sect that is taking Venus by storm.  But the individualistic Martian culture is thrown for a loop when they discover the tomb of Lazarus, founder of the Harmonists.  According to legend, Lazarus had been martyred.  Actually, he is simply in cold sleep, and the Vorsterites now have the ability to restore him.

But is this merely providence or part of old man Vorster's long range plan?

By itself, I suppose it might only merit three stars, but I really like this series, and I was happy to see more.

So… four stars.

The Night Before, by George Henry Smith

When the world is going to pot, and atomic annihilation seems a button press away, it's natural to seek out wiser heads to right things.  And when all of humanity has gone nuts, your only option is to look elsewhere for guidance.

And hope they aren't in the same boat…

Smith is a new name to me, though my friends assure me he appeared in the lesser mags in the '50s and that he maintains a decent career outstide the genre.  Three stars for this somewhat inexpert yet oddly compelling story throwback of a story.

For Your Information: The Re-Designed Solar System, by Willy Ley

One of the fun things about being a science writer for decades is being able to compare the state of knowledge at the beginning of your career to that at the current moment of writing.  Ley was penning articles back when Frau im Mond debuted, more than 30 years before the first interplanetary probes.  In this latest piece, he talks about how our view of the planets has changed in these three decades.

Good stuff, interspersed with pleasant doggerel.

Four stars.

Big Business, by Jim Harmon

And now, after admiring the impressive pectoral, the well formed abdominal, and the fetching pelvic zones, we arrive at the sickly thighs, the slack calves, and the flat feet.  What remains is serviceable — after all, the body still stands — but little more can be said of these lower extremities.

Jim Harmon's piece is one of those overbroad talk pieces.  In this one, a man from the future and an extraterrestrial compete against each other for the patronage of a rich old cuss who'll see humanity burn if he can keep warm by the fire.

It's not very good.  Two stars.

The Primitives, by Frank Herbert


by Wallace Wood

Speaking of throwbacks, this is the tale of Conrad "Swimmer" Rumel, a man of surpassing intelligence but brutish appearance who, as a result, turns to a life of crime.  He ends up blowing up a Soviet sub to steal a Martian diamond, but the only one who can cut the thing is a four-breasted Neanderthal stonecutter from 30,000 B.C.  Can the neolithic Ob carve the diamond before the mobster fence's impatience proves Rumel's undoing?

Herbert crams a lot of science fiction canards into this short story (which is still half again as long as it needs to be).  It's got the same writing crudities that plague the author, but somehow I stayed engaged to the end. 

A low three stars.

Devise and Conquer, by Christopher Anvil

A joke story in which the American race problem is solved by the simple expedient of making it impossible to know what race anyone is.

Less annoying than when he appears in Analog — another low three.

Twenty-Seven Inches of Moonshine, by Jack B. Lawson


by Jack Gaughan

Finally, we peter our with this nothing "non-fact" article about fishing on the Moon in the 21st Century.  Maybe I'd have enjoyed it more if I were a rod and reel man.  Or if it were science fiction.

Two stars.

Shave a little off the bottom

Of course, the ironic thing about all this is that if you took out the subpar stuff, you'd still have a full issue's worth of material.  Ah, but people already grouse about having to pay that extra dime (Galaxy is 60 cents; the other mags are 50) for 194 pages.  They'd scream their heads off if Galaxy went to 128.  So, we end up with a mag that looks great from the waist up, but less good as you gaze goes down.

Ah well.  You can still do a lot, even with half a loaf.  Or a pair of pastries.



The Journey is once again up for a Best Fanzine Hugo nomination — and its founder is up for several other awards as well!  If you've got a Worldcon membership, or if you just want to see what Gideon's done that's Hugo-worthy, please read his Hugo Eligibility article!  Thank you for your continued support.




[February 26, 1966] Such promise (March 1966 Analog)


by Gideon Marcus

Tuckered out

Imagine training your whole life to run in the Olympics.  Imagine making it and competing in the quadrennial event, representing your nation before the entire world.  Imagine making perfect strides, outdistancing your competitors, sailing far out in front…and then stumbling.

Defeat at the moment of victory.


Ron Clarke of Australia, favored to win 1964's 10,000 meter race, is blown past at the last minute by American Billy Mills (and aced by Tunisia's Mohammed Gammoudi )

Every month, as a science fiction magazine reviewer, I am treated to a similar drama.  Usually, the law of averages dictates that no month will be particularly better or worse than any other.  But occasionally, there is a mirabilis month, or perhaps things are really getting better across the entire genre.  Either way, as magazine after magazine got their review, it became clear that March 1966 was going to be a very good month.  Not a single magazine was without at least one 4 or 5 star story — even the normally staid Science Fantasy turned in a stellar performance under the new name, Impulse.

It all came down to this month's Analog.  If it were superb, as it was last month, then we'd have a clean sweep across eight periodicals.  If it flopped, as it often does, the streak would be broken.

As it turns out, neither eventuality quite came to pass.  Indeed, the March 1966 Analog is sort of a microcosm of the month itself — starting out with a bang and faltering before the finish.

Frontloaded


by John Schoenherr

Bookworm, Run!, by Vernor Vinge


by John Schoenherr

Norman Simmonds is on the lam.  Brilliant, resourceful, and inspired by his pulp and SF heroes, he breaks out of a top security research facility in Michigan, his mind full of inadvertently espied government secrets.  His goal is to make the Canadian border before he can be punished for his accidental indiscretion. Thus ensues an exciting cat and mouse chase toward the border.

Did I mention that Norman is a chimpanzee?

With the aid of surgery and a link to the nation's most sophisticated computer, Norman is not only smarter than the average human, he has all of the world's facts at his beck and call.  His only limitation (aside from standing out in a crowd) is that he can only get so far from his master mainframe before the link is strained to breaking.  The pivotal question, then, is whether Canada lies inside or beyond that range.

Bookworm is a compelling story whose main fault comes (in keeping with this month's trend) near the end, when we leave Norman's viewpoint and instead are treated to a few pages' moralizing about why such technology must never be allowed to be used by humanity lest one person gain virtual godhood.  I have to wonder if that coda was always in the tale or if it was added by Campbell at the last minute to make less subtle the themes of the story.

Anyway, four stars for Vinge's first American sale (and second overall).  I look forward to what he has to offer next.

The Ship Who Mourned, by Anne McCaffrey


by Kelly Freas

Speaking of intelligence in unusual forms, The Ship Who Mourned is the sequel to the quite good The Ship Who Sang, starring a woman raised nearly from birth as a brain with a shapeship body.  In that first story, her companion/passenger/driver, Jennan, died, leaving Helva-the-ship distraught.

But with no time to grieve.  Her next assignment comes almost immediately: take Theoda, a doctor, to a faraway world so that she might treat the aftereffects of a plague that has left thousands completely immobile, trapped in their nonresponsive bodies.  Though Helva is initially frosty toward Theoda, they bond over their own griefs, and together, they manage to bring hope to the plague-blasted planet.

This is a good story.  I'm surprised to see it in Analog in part because the series got its start in F&SF, and also because the mag has been something of a stag party for a long long time (even more than its woman-scarce colleagues).  Despite enjoying it a lot, there is a touch of the amateur about it, a certain clunkiness of execution.  McCaffrey may simply be out of practice; it has been five years since her last story, after all.

Nevertheless, I suspect that the cobwebs will come right off if she can get back to writing consistently again.  A high three stars.

Giant Meteor Impact, by J.  E.  Enever

Asteroid impact seems all the rage this month.  Asimov was talking about it in his F&SF column, and Heinlein may soon be talking about it in If.  Enever describes in lurid detail the damage the Earth would suffer from an astroid a "meer" kilometer in width — and why an ocean impact is far, far scarier than one on land.

The author presents the topic with gusto, but a little too much length.  It wavers between fascinating and meandering.  Had we gotten some of the juicy bits included in Asimov's article, that would have made for a stellar (pun intended) piece.

As is, three stars.

Operation Malacca, by Joe Poyer


by Leo Summers

And it is here, at the two thirds mark, that we stumble.

Last we heard from Joe Poyer, he was offering up the turgid technical thriller, Mission "Red Clash".  This time, the premise is a little better: Indonesia has planted a 5 megaton bomb borrowed from the Red Chinese in the Straits of Malacca.  If detonated, it will wipe out the British fleet and pave the way for a takeover of Malaysia, Singapore, and the Philippines.  Only a washed out cetecean handler and his dolphin companion can save the day. 

Sounds like a high stakes episode of Flipper, doesn't it?

Well, unfortunately, the first ten pages are all a lot of talking, the dolphin-centric middle is utterly characterless, merely a series of events, and then the dolphin is out of the picture the last dull third of the story.

Unlike McCaffrey, my predictions for Joe's writing career are rather pessimistic.  But we'll see…

Two stars.

10:01 A.M., by Alexander Malec


by John Schoenherr

At 10:01 A.M., a couple of joyriding punks cause the hit and run murder of a little girl.  Within the space of an hour, they are swallowed by a floating "fetcher" car, hauled before a detective, thence to a judge, and capital sentence is rendered.

Malec writes as if he was taking a break from technical writing and could not shift gears into fiction writing. Compound that with a lurid presentation that betrays an almost pornographic obsession with the subject matter (both the technological details and the grinding of the gears of justice), and it makes for an unpleasant experience.

Two stars.

Prototaph, by Keith Laumer

And lastly, a vignette which is essentially one-page joke story told in three.  Who is the one man who is uninsurable?  The one whose death is guaranteed.

Except they never explain why his death is guaranteed.

Dumb.  One star.

Tallying the scores

And so Analog limps across the finish line with a rather dismal 2.6 rating.  Indeed, it is the second worst magazine of the month (although that's partly because most everything else was excellent). To wit:

Ah well.  At the very least, Campbell took some chances with this issue, which I appreciate.  And the first two thirds are good.  There was just a lot riding on the mag this month.  The perils of getting one's hopes up!

As for the statistics, I count 8.5% of this month's new stories as written by women, which is high for recent days.  If you took all of the four and five star stories from this month, you could easily fill three magazines, which is excellent.

Always focus on the positive, right?



The Journey is once again up for a Best Fanzine Hugo nomination — and its founder is up for several other awards as well!  If you've got a Worldcon membership, or if you just want to see what Gideon's done that's Hugo-worthy, please read his Hugo Eligibility article!  Thank you for your continued support.




[February 18, 1966] Fixing up the old place (March 1966 Fantasy & Science Fiction)


by Gideon Marcus

Inside the Modern Home

Interior decorating has always been a passion of mine, and few times have been as exciting to be a fan of home interiors than today.  Gone are the pastels and pillows of the 1950s; the mid 1960s are a time of bold colors, Space Age shapes, and stark contrasts. 

Dig this brightly hued dining and living space, vivid in primary colors but also subdued with its Japanese influence and pink walls.  This is a pad screaming for a party.

If you want something more intimate, how about this shaggy, flame-themed family room?


(just don't tell these happy folks that their Albers painting is hung sideways…)

Of course, not all innovation is beautiful.  Concrete has foundationed the New Brutalism, and I hate it.  I understand the new La Jolla campus of the University of San Diego is going to be done up in this shelter chic, which is a pity.  It's a good thing I'll never have to attend classes there (Lorelei, on the other hand, might well).



Inside the Modern Magazine

The changing vista of science fiction offers its beauties and eyesores, as well.  Thankfully, the latest issue of The Magazine of Fantasy and Science Fiction offers a suite of worlds that, though I may not want to live in all of them, most of them were worth a visit.


by Gray Morrow

Angels Unawares, by Zenna Henderson

Is there anything more eagerly awaited than a new story of The People?  In this case, as always, Henderson delivers.  I believe this is the earliest story in the series, chronologically, taking place as it does some time in the 19th Century.  A young woman and her mining engineer husband are heading West to the bustling copper town of Margin when they come across the burned remains of a home in the wilderness.  Four charred bodies are inside, incinerated by zealots as witches.  But a child survives, shocked into muteness but possessed of extraordinary powers.  The settlers adopt her, and thus ensues a tale of pain, maturity, and rebirth like only this author can tell.

Stories of The People feature a set group of ingredients, and yet somehow Henderson manages to make a delicious new recipe every time.  Five stars.  Bon appetit.

I Remember Oblivion, by Henry Slesar

In an effort to replace brutality with mercy in our penal system, a young murderer is taken off Death Row and given new memories.  Harsh, abuse-filled past is swapped for bright sunny days and love in the hopes of creating a well-adjusted psyche.

But the widower of the killer's last victim has other plans…

There's a kernel of a good idea here: are we the sum of our memories, or is there more to the human soul?  Unfortunately, Slesar, a screenwriter who has yet to really impress me, goes for the cheap gimmick.  The result is the least satisfying piece of the issue.

Two stars.


by Gahan Wilson

Tomlinson, by Rudyard Kipling

The author of The Jungle Book has been dead for thirty years, long enough (Editor Ed Ferman suggests) for a poem of his to be uncontroversially reprinted.  A story of life after death, it's Tomlinson this and Tomlinson that, and Tomlinson go away, as he is rejected by both Heaven and Hell for being a fellow who neither sinned nor achieved good deeds.

Pleasant enough.  Three stars.

Lil, Rorrity, and A Foamin' Sea of Steam Beer, by Richard Olin
"Daniel Rorrity was a short, stubby…fisherman," begins the tale, and so it ends as well.  In between, from his well-worn stool 'Roarey' regales Lil, the B-girl, of the adventures he'd had and the places he'd visited before his back was lamed.  And one day, he swore (when the beers were many and the mood was high), he'd buy his own boat and sail the world with his lady love.  Karl, the disdainful barkeep, inadvertently provides the impetus to transform a boastful sot into a captain of fantastic seas.

It's a lot more style than substance, but the style is lovely.  Four stars.

White Night, by John Tomerlin

In the South of France, a lost hiker takes refuge in a battered auberge.  The serving girl takes a shine to him, and they spend the night together.  But the morning reveals a hideous transformation.

A reasonable piece of trivial horror, though if the protagonist doesn't get eaten, I'm honestly not sure what the fuss is.  It's not as if he didn't have fun, regardless of what she looks like now…

Three stars.

Grow Old Along with Me, by Julius Fast

In a twist on the Deal with the Devil cliché, Fast's tale is of a young man who declines the offered gifts of Old Nick, and in turn gains something better — a friend.

Lucifer ain't such a bad guy after all!

Three stars.

The Rocks of Damocles, by Isaac Asimov

If Mariner 4 taught us anything, it's that sizable planets are just as prone to being blasted by asteroids and meteorites as moons.  In his latest article, the Good Doctor explains why it's only a matter of time before humanity gets walloped by an extraterrestrial bullet.

Sleep well!  Four stars.

The Blind God's Eye by Kathleen James

It's our world, but in a bleaker, poorer future, and Alice, living a bleak, poor life, is just trying to muddle through widow-hood as a bar dishwasher.  Then she meets Red, a burly young man with an iron liver…and a curious resonance of fate with Hugh Veron, an up-and-coming dictator who will be making a speech right in front of the bar in a few days.

A tale of love and tragedy, it's told in a sort of breathless, diary-like fashion that could have been grating, but for me was riveting.

Four stars.

Mickey Finn, by Doris Pitkin Buck

Lastly, another poem about the afterlife.  A man goes to Heaven when he's ready for it, and not before, and when he gets there, it's as dingy as he expects.

Oddly placed and somehow trivial, it is not helped by the typo in the last line.

Three stars.

Digging the Decor

It's not often that a magazine manages to crack the 3.5 star barrier, but F&SF has done it twice in four months.  Plus, Zenna Henderson makes any issue worthwhile (though I can't say I'm a fan of the lurid cover — I believe it's Gray Morrow's first for the mag).  In any event, if you're looking for a clutch of science fiction to go with your mod decor, the March 1966 F&SF is a safe bet.



The Journey is once again up for a Best Fanzine Hugo nomination — and its founder is up for several other awards as well!  If you've got a Worldcon membership, or if you just want to see what Gideon's done that's Hugo-worthy, please read his Hugo Eligibility article!  Thank you for your continued support.




[February 10, 1966] Within and without (Isaac Asimov's Fantastic Voyage and Samuel R. Delany's Empire Star)

[This month's first Galactoscope features an esteemed pair of science fiction novels.  The first is by one of the genre's most accomplished veterans, the other by one of its newest and brightest lights…]


by Gideon Marcus

Fantastic Voyage, by Isaac Asimov

A defector from beyond the Iron Curtain lies dying on the operating table, a terrible secret in his brain.  Only an operation from the inside has any chance of success.  Thus begins a fantastic voyage in which five souls in a midget submarine are miniaturized and injected into the patient.  Their destination: the blood clot that threatens the defecting scientist's mind.

A myriad of biological wonders and horrors awaits the team, from antibodies to circulatory typhoons.  But even more dangerous to the mission is the possibility of a saboteur on board.  Is it Owens, pilot and designer of the Proteus?  Duval, the brilliant but antisocial surgeon?  His expert laser technician assistant, Peterson? The cartographer of the circulatory system, Michaels?  Or could it be Grant, the agent dispatched to watch the other four?

And can the saboteur be stopped before the miniaturization wears off, killing the patient and potentially the crew?

Voyage marks the author's return to novel-length fiction after a nearly a decade.  The circumstances are unusual; I understand the book is actually a novelization of a movie script, though unusually, the movie is not due out for many months.  Dr. A is, of course, a great choice for the job.  With his chemistry and general scientific background, he renders just plausible what will likely be enjoyable folderol on the screen.  He combines a vivid depiction of the inside of the human body with his usual competent pacing and plotting.  And as an old hand at mysteries (he essentially invented the still meager science fiction/mystery hybrid genre), he does a good job turning a science fiction adventure into a whodunnit.

I suspect what I don't like about the book mostly derives from the original script.  I found a lot of the action sequences a bit tedious.  Frankly, I might have been happier with a book that was just a guided tour of the human body from within, so deft is the Good Doctor with his nonfiction writing.  I also found Grant's incessant pursuit of Ms. Peterson (first name, Cora, like our esteemed fellow traveler) annoying — just let her do her job, man!  Also, only two thirds of the book are devoted to the actual voyage, insertion not taking place until page 70.  The build-up to the action feels a bit drawn out.

Nevertheless, it's a fine book and it's great to see Asimov flexing his fictional muscles again.

Three and a half stars.

Empire Star, by Samuel R. Delany


by John Boston

Samuel R. Delany has been quietly pumping out Ace paperbacks for a while, building a reputation from the bottom up.  He’s up to six now with the newest, Empire Star, and I thought I’d better pay some attention. 


by Jack Gaughan

Empire Star is your basic unprepossessing—actually, pretty ugly—half of an Ace Double, just under 100 pages, with generically goofy blurb: "He warped time and space to deliver a message to eternity."  But open it up and it features epigraphs from Proust and W.H. Auden (a first for Ace, I'm sure), and then introduces us to Comet Jo.  What?  Is this the new Captain Future?

Fortunately not.  Comet Jo is a yokel, galactically speaking, living on a satellite (of what, it’s not clear) in the Tau Ceti system.  He’s physically graceful, with claws on one hand, and his hair is long and either wheat-colored or yellow depending on which paragraph you’re reading.  He carries an ocarina wherever he goes.  He works tending the underground fields of plyasil, more crudely known as jhup, “an organic plastic that grows in the flower of a mutant strain of grain that only blooms with the radiation that comes from the heart of Rhys in the darkness of the caves.” He got his nickname wandering away from home to look at the stars.

One day Comet Jo hears a menacing noise, sees a devil-kitten (eight legs, three horns, hisses when upset) which leads him to where “green slop frothed and flamed,” with writhing, dying figures visible in it.  One of them breaks out—Comet Jo’s double—and tells him he needs to take a message to Empire Star, but dies before he can say what the message is.  The kitten rescues a small object from the now-cooled and evaporating puddle.  This is Jewel—“multicolored, multifaceted, multiplexed, and me”—i.e., the narrator, who we later learn is a “crystallized Tritovian.” Say what?  High-powered miniature computer with a personality—at least that will do.

So Comet Jo (hereinafter denominated “CJ”) goes to the spaceport the next morning to head for Empire Star, which he knows nothing about, to deliver a message he doesn’t have.  This farmhand gets hired on the spot to work on a spaceship, no questions asked.  On the way he encounters the strikingly dressed San Severina, who tells him he’s a beautiful boy but he needs to comb his hair, gives him a comb, and offers him diction lessons.  She proves to be the owner of the ship he’s working on, and of the seven Lll aboard—sentient slaves who are great builders and project their emotions of great sadness to anyone who gets close to them.  Owning these slaves is not a lot of fun.

Why not free them?  “Economics.” San Severina explains that after a war she has “eight worlds, fifty-two civilizations, and thirty-two thousand three hundred and fifty-seven complete and distinct ethical systems to rebuild,” and can’t do it without the enslaved Lll.  She also tells CJ he has a long journey ahead and has a message to deliver quite precisely.  How she knows this is not explained, and CJ still doesn’t know what the message is.  This is one of many incidents in which the people CJ encounters seem to know more about his mission than he does.

During these events, and later, CJ is told that he and his culture are simplex, as opposed to complex and multiplex, terms which are tossed around throughout the book without being defined very precisely.  (Where is A.E. van Vogt when you need him?  Never mind, forget I said it.) We are told that multiplex means being able to see things from different points of view, and also it seems to have something to do with pattern recognition.  Also the multiplex ask questions when they need to.  It certainly means becoming more mentally capable.  A big part of the story is CJ’s getting more plexy with experience. 

San Severina leaves him on Earth on his own, but advises him to “find the Lump.” Say what?  Only clue is it’s “not a people.” The Lump—which turns out to be a linguistic ubiquitous multi-plex, also part Lll, in the guise of a portly man named Oscar—finds him.  They set out in separate spaceships, but CJ quickly bumps into something—the Geodetic Survey Station, whose occupants are up to volume 167, Bba to Bbaab—and narrowly escapes the wrath of a comical and homicidal pedant.  At their destination, in orbit around the inhospitable planet Tantamount, CJ and Oscar encounter the poet Ni Ty Lee, who discloses that he worked on Rhys in the jhup fields before, and also played the ocarina once, which mightily disturbs CJ, and leads into a disquisition by the Lump on the works of Theodore Sturgeon, four thousand years gone by the time of the story.  Ni Ty Lee discloses more things he has done before CJ, including hanging out with San Severina, and CJ gets even more upset.  Ni isn’t happy either; he exclaims, “Always returning, always coming back, always the same things over and over and over!” Hint, in neon!

Enough synopsis.  The book continues in similar style.  It should be clear by now that large parts of this story make very little sense, starting with CJ’s determination to leave his farm job and head for the galactic capital with a yet-nonexistent message, because he was told to do so under the most bizarre and alarming circumstances.  But that’s OK because it’s not really a story in the usual sense.  Rather, it’s a story about a story, or about Story, or about the author moving game pieces about a board, each piece decorated with a piece of the stock imagery of pulp SF.  (Towards the end there’s even a Prince leading a spaceborne army to take over Empire Star, and the heiress to the throne struggling to thwart him.) Maybe it’s better described as a confection.  There is of course a revelation at the end that purports to rationalize everything, and does to some extent, but it’s almost beside the point.

My patience for this sort of construct is generally limited, but Empire Star is extremely well done.  It’s enormously clever, with many pleasing and colorful displays along the way; there’s much more detail and incident than the foregoing half-synopsis hints, even if much remains unexplained or implausible.  Enormous cleverness colorfully rendered is never to be sneezed at.  Four stars.

[Note: We will have to read Tom Purdom's The Tree Lord of Imeton to finish this Ace Double, and also because, well, it's Tom Purdom! Stay tuned…(ed.)]



The Journey is once again up for a Best Fanzine Hugo nomination — and its founder is up for several other awards as well!  If you've got a Worldcon membership, or if you just want to see what Gideon's done that's Hugo-worthy, please read his Hugo Eligibility article!  Thank you for your continued support.




[February 6, 1966] Hello, Stranger (exploring Space in Winter 65/66)

You don't want to miss today's Journey Show!  In this first episode of the new season, we'll be talking about comics: Marvel, DC, British, European — and we'll also be discussing the new Batman show.  Y'all come!


by Gideon Marcus

It seems like a mighty long time…

Looming huge on the horizon, shining brightly at zenith, one would imagine that visiting the Moon wouldn't be all that difficult.  But making the 400,000+ kilometer trek has proved one of the hardest feats for humanity to tackle.  Just reaching the vicinity of the Moon took four Pioneers and who knows how many secret Mechtas.  And while the Soviets managed to hit the Moon in 1959 with Luna 2, the United States went through four Pioneer Ables and three Rangers before duplicating the feat in 1962.  It wasn't until last year's Ranger 7 that we managed a fully successful TV crashlanding mission.

But despite early successes, the real heartbreak kings have been the Soviets.  Since their spectacular Luna 3 mission in 1959, which was the first to return pictures from the Far Side, the Russians have failed in at least four attempts over the past year to soft-land on the Moon.

That all changed on February 3, 1966, when Luna 9 settled gently onto Oceanus Procellarum and returned the first pictures from the lunar surface.

Luna 9 was launched on January 31 amid the typical TASS fanfare.  After the prior failures, it was hard to get too excited until the vehicle actually reached the Moon.  Even then, we in the West had to find out about its success second-hand at first.  The Russians are notoriously mum about their missions until it is certain that they worked (or that news of a failure can be properly massaged).

Luckily, the good folks at Britain's Jodrell Bank radio observatory were able to intercept Luna 9's transmissions, thus giving us a pretty good idea of its timeline.  The U.S. Army also listened in on Luna 9's whole trip, though this fact wasn't broadcast initially. 

Per TASS, we know that the spacecraft began its landing sequence about an hour before landing at 1:45 PM EST.  Jodrell Bank confirms that Luna 9 broadcast a stream of pictures for the next 20 minutes followed by a second transmission at 9:00 PM. 

And this is what Luna 9 saw:

In addition to the engineering triumph that the Luna 9 mission represents, it also yielded a bonanza of scientific information.  For instance, we now know that the Moon is not covered by a dangerous quicksand of dust, which was a big concern for the Apollo people.  Luna 9 has also returned valuable cosmic ray data.

Luna 9's chief success, however, has been nationalistic.  After the two Voskhod flights, the Soviets watched helplessly as our Gemini program surpassed their accomplishments by leaps and bounds.  For the moment, the Soviets are once again ahead in at least one aspect of the Space Race.

At least until Surveyor 1 lands in May…

I got my eyes on you

The Moon hasn't been the only Soviet target these past two months. Since December 10, they have launched six "Kosmos" class satellites, almost all of which likely been photographic surveillance craft like our Discoverer series (which we have continued to launch consistently every couple of weeks).  We can tell this from the angle of their orbit, designed to maximize coverage of the West, and the fact that they land in Russia after about a week in space.  Certainly, these "scientific" probes don't seem to return much data — I think Kosmos 41 was the last with any results published in any of the journals I follow, and it was launched in August 1964.

Stormy weather

The same day Luna 9 stunned the world with its pictures, the United States launched a quieter but no less momentous shutterbug of its own.  ESSA 1, also known as TIROS 11, marked the beginning of a new era of weather forecasting.  The prior TIROS satellites were all experimental, despite their unquestioned contribution to our daily forecasts.  The new TIROS is not only better able to provide instant global weather pictures to any station in view at any time from its 700km altitude, it is the first to be managed by the new Environmental Science Services Administration. 

From test product to fundamental government equipment in six years.  Not bad!

The Sun is Shining

Completing the exploration of the Earth/Moon/Sun trinity is Pioneer 6, launched December 16, 1965.  In the tradition of Pioneer 5, Pioneer 6 is a truly interplanetary probe.  Its mission is not to encounter any other celestial bodies but to instead be a solar weather station in an orbit somewhere between that of Earth's and Venus'. 

Its six instruments have been diligently recording long term data on radiation and magnetic conditions out in deep space, thus far reporting that the "solar wind" blows at about 1,000,000 km/h during quiet periods as opposed to three times as much in active times.  The solar magnetic field appears comparatively unfluctuating, accompanied by a relatively low number of charged particles.

Pioneer 6 is the first of five such interplanetary probes planned for launch over the next few years. 

1-2-3

Our last piece of news covers the multiple launch of December 21.  The Air Force has been testing its mighty Titan IIIC, which remains the world's most powerful rocket until such time as the Saturn 1B takes off later this month.  Since science abhors a vacuum, space aboard the mighty booster was used to launch four satellites into orbit at the same time.

These satellites were OV2-3, a radiation studies probe; LES-3 and 4, communications test satellites; and OSCAR 4, a relay broadcaster designed to be used by amateur "ham" radio enthusiasts.  All of these satellites were supposed to be placed in 35,000 km high geosynchronous orbits, circling the Earth about once every day such that they appeared to remain roughly fixed in the sky.  Unfortunately, while the Titan delivered the satellites into a geosynchronous transfer orbit, a final burn never happened.  The four vehicles are thus trapped in a highly eccentric path that zooms up to 30,000 km while retaining an Earth-grazing 170km perigee.

Moreover, OV2-3 never switched on.  LES-3 and 4 appear to work, however, doing top secret work offering data on communications in the UHF and SHF bands.  OSCAR 4 has been less successful, only being used for 12 transmissions; one of them was the first ever satellite-relayed conversation between the United States and the USSR, however!

Man oh man

The space-related excitment won't stop anytime soon.  On February 20, we'll see our first real Apollo mission when the new Saturn 1B launches a full Apollo CSM on a suborbital flight.  And in March, we'll likely see our first docking in space when Gemini 8 goes up. 

Science fiction made real, indeed!






[January 31, 1966] Milk of Magnesia (February 1966 Analog)


by Gideon Marcus

Hornet's Nest

Last month, I wrote a rather savage review of the January 1966 issue of Analog, one of the more egregious examples of Campbellian excess married with an aggrieving nadir of quality.  In short order, my mailbox was deluged with denouncing letters asserting that:

  • Campbell, as the genius who founded modern Science Fiction, could do no wrong
  • I clearly could never understand why people appreciated Analog

It is instructive that when I give an issue of Analog a favorable review, which happens reasonably often, my mailbox stays empty.  But disparage the mighty Campbell at your peril!  Such are the occupational hazards of the Reviewer.

Anyway, what goes down must come up, and this month's issue of Analog is actually pretty good.  Let's take a look at the final mag of the month, shall we?

The issue at hand


by Kelly Freas

The Searcher, by James H. Schmitz

Two guards at an interstellar space port watch with momentary horror as a purple cloud of radiation erupts from a star yacht and devours them in an instant.  The alien marauder has traveled light years, from the dense nebula known as The Pit, in search of a purloined navigational beacon.  Meanwhile, a local professor with an eye to make a buck, is preparing to fence said beacon, hoping to do so before two private agents hired by the University League thwart his plans.

Thus ensues first a cloak and dagger story followed by a crime thriller and topped off with a mad chase from alien horror.


by Kelly Freas

I was excited to see James H. Schmitz' name on the cover as he's written some of my favorite works.  He also has a preference for writing women protagonists, which is refreshing. I'm afraid my review of this piece must be somewhat alloyed.  The concept is great, the characters are interesting, and I enjoyed the piece.  But.

I think the biggest problem with The Searcher is its length.  Had this been a novel length story, Schmitz could have unfolded the mystery of the alien's existence and motivations more organically, rather than relying on straightforward exposition.  We get a lot of solid chunks of explanation interspersing the action.  And it's certainly not the case that Schmitz can't write action; he does so quite admirably, beginning with the very first scene. 

Had I received this manuscript, I'd have asked for an expanded rewrite — and been happy to publish it!

As is, it's a promising but uneven three star work.

The Switcheroo Revisited, by Mack Reynolds


by John Schoenherr

A rather bumbling young Lieutenant in the KGB is dispatched to the United States to find a marvelous invention first depicted in the pages of a science fiction magazine (name unknown, but I think it starts with an A).  He's intercepted by the CIA, but rather than simply arrest him, instead they do their best to convince the agent that the fictional invention is real.  There's a cautionary sting at the end of the story.

Cute, but rather trivial for Reynolds.  I do enjoy how the author has woven a future history of the Superpowers, though, based on his extensive world travels.  The geopolitics and slang lend a tang of verisimilitude. Three stars.

Twin-Planet Probe, by Lee Correy

This is a fun piece that purports to report the results of the first Martian probe to the twin worlds of Earth and Luna, written so as to mirror the sparse and potentially misleading data obtained from Mariner 4.  The moral of the story is that we don't have enough data to make sweeping conclusions yet.

Four stars (and let's get some more data!)

An Ornament to His Profession, by Charles L. Harness

Patrick Conrad, once a chemist, later an attorney, and now a patent lawyer, is a haunted man.  Three years ago, he lost his chemist wife and their young daughter in a car accident.  This trauma has left him in something of a working daze, redoubling his vocational efforts in an effort to put the pain out of his mind.

His current problem: the patenting of a company chemical is threatened from several corners, most trivially by the impending poaching of Conrad's highly efficient secretary by another department, more seriously by a key team member's certainty that he has made a deal with the Devil to ensure success of the chemical's synthesis, and most critically by the revelation that the patent is based on a previously published college thesis.

Conrad must untangle all of these intertwined issues, all while wrestling with the pain of loss that seems also to be directly involved with the patent somehow.


by Kelly Freas

While Charles Harness is a name that may be unfamiliar to you, as it is a byline that has not appeared in more than a decade, Analog readers will certainly remember "Leonard Lockhard", a pseudonym for the combined talents of Harness and Theodore L. Thomas, who currently writes for F&SF.  I'm pretty sure Harness is a patent attorney in real life as his knowledge of the law seems prodigious.

In any event, Ornament is a beautiful story, lyrical and thoughtful — almost misplaced in this magazine, honestly.  I'm not quite sure I understood the ending, though I reread the piece to see if I had missed something; I may have simply missed a subtle reference.  In any event, it's my favorite story of the issue.

Four stars.

Minds Meet, by Paul Ash


by Kelly Freas

Lastly, we have the welcome return of Pauline Ashwell (a Campbell discovery from England who goes by both feminine and masculine bylines for some reason).  In this tale, a human and alien finally achieve true communication after seven years of frustratingly dissatisfying, if technically successful, discourse.  All it took was a little filthy intoxication.

A pleasant three stars.

Summing up

I'm sorry to disappoint those hoping to yell at me for "not understanding why people like Analog", but I liked this month's Analog.  Indeed, this issue virtually ties the (similarly returned to form) latest issue of Galaxy with a 3.4 rating, the best of the month.  Close behind are New Worlds (3.2), Fantasy and Science Fiction (3.1), and Science Fantasy (3).

Only IF (2.9) and Amazing (2.1) finished below the mediocrity line, and IF has the new Heinlein serial to commend it.

We are back to late 50s levels of female engagement in the genre: 10.2% of the new fiction was by women.  There was also a full two magazines' worth of superior content this month, more than twice as much as in December.  It really was a pleasure to be a fan this first month of January 1966!

Let's see how February fares…



The Journey is once again up for a Best Fanzine Hugo nomination — and its founder is up for several other awards as well!  If you've got a Worldcon membership, or if you just want to see what Gideon's done that's Hugo-worthy, please read his Hugo Eligibility article!  Thank you for your continued support.




[January 20, 1966] Bombs, duds, and happy endings (February 1966 Fantasy and Science Fiction)


by Gideon Marcus

Near miss

Three days ago, a B-52 nuclear bomber crashed into a KC-135 tanker aircraft off the southern coast of Spain.  The tanker was immediately destroyed, killing its four crew, and the B-52 crashed — four of its seven crew survived.

The payload of said bomber had a similarly mixed fate: two of the bombs exploded upon hitting the ground, though the nuclear device did not activate.  As a result, there is now an irradiated zone near the fishing village of Palomares.  The third bomb did not go off at all.

A fourth bomb fell into the Mediterranean Sea.  We're still looking for that one; with luck, it will be found and all will be fine.  I can't imagine Franco will want us flying our bombers over Spanish airspace anymore, though.

Turbulent flying

While The Magazine of Fantasy and Science Fiction has not plumbed the same depths it often did under the brief editorship of Avram Davidson, nevertheless Joe Ferman's F&SF has almost as many ups and downs as a Japan-bound 707 crossing a jet stream boundary.  After last month's lousy outing (which followed the previous month's excellent issue), we're on something of a level flight path.  The stories in this month's issue range from fair to middlin' with only one stand-out and one definite clunker.


by George Salter

The Gadge System, by Reginald Bretnor

Assembly line schmo, Joe Gadge, decides to quit his job and light for Burma.  His goal: to secure the inset ruby of an idol whereby to become a millionaire and win the hand of his sweetheart.  Thus ensues an amusing send-up of the typical pulp jungle adventure.  I particularly appreciated the subversion of racist clichés.

Bretnor has mostly stayed away from the SFF scene, having devoted his energies instead to the monthly pun columns that used to curse…er…grace F&SF.  This latest piece feels like a relic of the last decade, but it's pleasant reading.

Three stars.


by Gahan Wilson

Against Authority, by Miriam Allen deFord

Two young men and an extraordinary young woman are poised to rid New Turkey of "Authority", the long-installed dictator who sprang to power in the wake of a devastating alien invasion.  But the revolt is subverted even as it starts, and the plot appears to be some kind of grooming by Authority himself to find talented agents.

Where one wheel exists within another, one can be certain a third ring remains to be discovered as well.

While this story is an enjoyable pageturner, the plot is archaic (no surprise — deFord is one of the genre's longest serving veterans) and it all ends too abruptly for satisfaction.

If the previous story scraped the line between three and four stars, Against Authority hovers just above this ranking's lower boundary.

An Afternoon in May, by Richard Winkler

A library is under siege, its elderly operators determined to turn its shelves into a literary Alamo against the ignorant mob of would-be book burners.  May covers the same ground as Bradbury's The Fireman, though with a lighter touch ("The situation is hopeless, but not serious.")

Three stars.

Witness for the Persecution, by Randall Garrett

On a far off human planet in a binary system, Walt Gayle finds himself the target of a vigorous assassination plot after purchasing the secret of artificial gravity from the Interstellar Traders.  He is only saved by the ministrations of one Jeremiah, who seems to be almost omnipotent.  Why is Gayle hunted, and what lies at the other end of the chase?

I'm not sure why this story didn't get sold to Analog, where it would seem more at home.  I do know that F&SF has been trying to get more space stories of late (to maintain the "SF" part of its name).

Anyway, it's not bad, but it's also nothing you haven't seen before, and you likely won't remember it next month.  Certainly, the "surprise" reveal at the end is anything but.

Three stars.

Desynchronosis, by Theodore L. Thomas

There is a new malady that afflicts those of us in the Jet Set: "time zone syndrome".  In this article, surprisingly bereft of the Thomas' half-baked SF story seeds, the author posits that there may be other cycles beyond the 24-hour one that rule our biology.

Three stars.  I wish it had been a full length article.

The New Men, by Joanna Russ

In 1986, a East Bloc dignitary stranded in Poland by a broken down car seeks shelter in an ancient bougeois fortress.  Its resident appears to be a 400 year old Count, dusty but well-preserved.  Literate (if obtuse and veiled) horror ensues.

Russ is very good at aping older styles of writing, and she has produced some near masterpieces in the process.  This latest story will not be one of them, I'm afraid.  Perhaps I'm not versed enough in the legend it's modernizing.

Three stars.

The Way Back, by D. K. Findlay

Often, a science fiction story will be spawned by the latest scientific discovery.  In The Way Back's case, it's the recent revelation that the universe not only was created in a Big Bang, but that it may eventually collapse under its own gravitation back into a gravitational point source. 

This rather incoherent piece suggests that the process of collapse will begin in the next few decades (it won't) and that accompanying the collapse will be a gradual de-evolution of humanity (what?!)

Two stars.

Up and Down the Earth, by Isaac Asimov

The Good Doctor takes up the subject of mountains, describing the highest heights by continent, and also under various other circumstances: distance of peaks from the Earth's core, height of mountains if the oceans were drained, etc.  Missing is the most important statistic, of course: length of ascent from base to summit.

Another geographical dart throw.  Three stars.

The Mountains of Magnatz, by Jack Vance

Speaking of mountains…

Despite the punnish name, there is no relation between this story and Lovecraft's swansong, In the Mountains of Madness.  Instead, we have the sequel to the first story of Cugel the Clever, a charlatan tasked by a sorcerer to find and return an ancient magical relic.  Cugel navigates whirlpools, deodands, and trecherous townsfolk in an adventure that is half Howard, half Baum.

A little too trivial to be sublime, it is nevertheless quite clever and a lot of fun.

Four stars.

Girls Will Be Girls, by Doris Pitkin Buck

Last up as sort of a postlude is a cautionary tale about telepathy.  A young esper woman is weary of her access to the primitive and lewed thoughts of the men around her — but she's even more horrified when the thoughts of an intended beaux do not incline toward the crude.

At least, I think that's the point of this story.

Three stars.

Cruising Altitude

And so we make it through another month of F&SF, this time without any untoward accidents, but also without many memorable incidents.  At some point, I expect the Vance will be fixed up into a book, and there won't be much reason to return to this issue.

I suppose tolerable mediocrity is better than significant dross.  We're due for a really good issue, though, I hope we get one next month!






[January 8, 1966] Seems like old times (February 1966 Galaxy)


by Gideon Marcus

Nostalgia

Stop me if you've heard this one before ("Stop!  Stop!") but when I picked up that first issue of Galaxy Science Fiction magazine in October 1950, I was hooked.  I had encountered SF previously, as a kid with Edgar Rice Burroughs, H. G. Wells, and Jules Verne.  I'd devoured L. Frank Baum's works.  And through the 30s and 40s, I leafed through the odd issue of Astounding.  But it wasn't until I read H. L. Gold's mag that SF really seduced me.  Here were mature stories for adults going beyond the "gimmick" story.

In 1954, I became voracious, buying every mag in sight.  Some were worthy, like Fantasy and Science Fiction, Satellite, Beyond and (often) Astounding and Fantastic Universe.  Others were…less than worthy: Amazing, Infinity, Imagination, Super Science, and on and on.  But I read them all.  I was hooked.

Gold left the editorship in 1961, and the esteemed Fred Pohl took over.  The magazine has been in a bit of a holding pattern since the turn of the decade, rarely being outright bad, but rarely evoking the heights of those first few years of publication, when virtually every story was a stunner.

The latest issue is a stunning return to form. 

The Issue at Hand


by Virgil Finlay

Under Old Earth, by Cordwainer Smith

The enigmatic Mr. Smith has been a staple of Galaxy from early days, and I understand he is one of the folks Mr. Pohl regularly visits to obtain new stories.  Under Old Earth is the latest installment in the Instrumentality series, portraying a happy, fatuous humanity atop a slave class of altered beasts and robots. 

In this particular story, Sto-Odin, a dying Lord of the Instrumentality heads to the Gebiet, the vast underworld separate from the laws and enforced happiness of the surface world.  There, he expects to find the vital spark of humanity that can restore the race.  He encounters a self-styled Sun-God who has purloined a piece of the congohelion, a vast structure that regulates the output of stars, to make inhumanly powerful music.  And tending his altar is Santuna, dismayed with what the Sun-God has become, and destined for a great role in the eventual Rediscovery of Man.

As always, it is lyrical and lovely, different from anything else you'll ever read.  Four stars.


by Virgil Finlay

Courting Time, by Tom Purdom

The excellence continues with this marvelous treatment of polygamy in the mid-21st century on the eve of a great world fair: A composer in love with a woman comprising one eighth of an 8-way marriage wishes to become the next spouse in the cluster.  But he has strong competition in the form of a ruthless and irresistable playboy.  What's a lovelorn fellow to do?

Tom happens to be a friend of mine, and here are his notes on the genesis of this tale:

I got the idea several years before I wrote the story, when one of the older women in the Philadelphia Science Fiction Society told me she thought every woman needed four husbands, each one good at a different specialty–making money, romance, companionship, parenting.  I felt that would work for men, too.

Most stories about group marriage that I'd read, it seemed to me, were stories about group sex.  Courting Time is about the sociology of marriage.  It owes something to Morton Hunt's The Natural History of Love, a book about the history of Western ideas about sex and marriage.  Hunt concludes that our modern vision of marriage essentially demands that a two person relationship fulfill all the needs people once satisfied with their relationships with larger groupings like the extended family.  You're supposed to find one person who can be your business partner, sexual partner, romantic partner, parent to your children, and lifelong companion.  No single individual can do a five star job in all those roles.

I really liked the idea of the global world's fair.  The world fair in New York was going on at that time and I asked myself what a world fair might look like in the future.

I called the story "Courting".  I like one word titles.  Fred Pohl changed it to "Courting Time", querying my approval, which has more of a lilt.

Other than Heinlein's The Moon is a Harsh Mistress, Courting Time is the only SF story dealing with polygamy I've read in recent history.  It's a very good story, though it could use a little more development with the protagonist's falling in love with each of the spouses.  Tom agrees with my four star assessment.

Read it!

For Your Information: The Wreck of La Lutine, by Willy Ley

160 years ago, the gold ship, La Lutine, was capsized in a storm off the coast of Holland.  Since then, numerous attempts of increasing sophistication have been made to recover the lost bullion, with limited success.  Ley's account of these efforts is fascinating — maybe the Journey should put together a recovery mission of its own!

Four stars.

The Echo of Wrath , by Thomas M. Disch

Little Ilisveta, an eight year old Martian, is bored with her rough frontier life and yearns for something better, something like the Earth-trotting days her grandfather Dmitri and grandmother Sally enjoyed some sixty years prior.  But such a life can never be.

Echo is a relatively unremarkable story until the end, which struck me in the gut with the force of a train.  You've done it again, Mr. Disch.

Four stars.

Where the Changed Ones Go, by Robert Silverberg


by Jack Gaughan

Just last issue, Robert Silverberg gave us the second in a series one might call Blue Fire, a collection of loosely related novellas set in a future where the secular scientific religion of Vorsterianism has achieved currency across the Earth. 

But not across the planets.  The aloof Martians and the arrogant Venusians will have no truck with the Vorsterians.  However, for some reason, the heretical Harmonists have managed to get a foothold on the hostile second planet from the Sun.  So Nicholas Martell, a Vorsterian minister from Earth discovers when he runs across Brother Mondschein (who we met in the last story), who warns Martell that his errand is futile.

Martell, who has undergone a massive physical alteration just to live on Venus, will not be easily deterred — especially as he seems to have found his first potential convert, a young boy with the power of telekinesis.

Silverberg's Venus might as well be a random alien world, so little resemblance does it bear to the actual Venus.  Astronomical quibbles aside, however, it's a fine story.

Four stars.

Eye of an Octopus, by Larry Niven

The first expedition to Mars finds Martians, and they're far more like (and unlike!) humans than they could have imagined.  Is the well they discover for drinking or something else?

A well-drawn little puzzle story.  We've taken to reading Niven stories, when they come out, at bedtime.  Janice appreciated the wealth of detail briefly described and gave it four stars.  Lorelei was less thrilled, giving it a solid three.

I'd split the difference if I could, but it's not a novel, so I can't.  I'd say it's a worthy three star tale.

In the Imagicon, by George H. Smith

What do you give to the man who has everything?  Why, nothing of course.  A whole lot of it. 

And vice versa.

Smith is a fellow who used to write for the lesser mags back in the 50s.  He's been AWOL pretty much since I started the Journey so, until I did some digging, I thought he was a new author rather than a veteran.

Anyway, Imagicon is a pretty obvious tale.  Not bad, just primitive by Galaxy's standards.  I wavered between two and three stars, but just as suspots are pale in comparison to their surroundings despite their great heat, so Imagicon suffers for being in the company of so many good stories.

Two stars.

Mulligan, Come Home!, by Allen Kim Lang

Okay, Imagicon does have the virtue of being next to the only dud story in the issue.  Lang's tale is about a fix-it man dispatched by the government to find the elusive trickster and malcontent Mulligan Mondrian.  Along the way, we get Mondrian's full life history, detailing his start as a two-bit con man and womanizer and onward to his culmination as a larger-than-life, interplanetary con man and womanizer.

Some cute turns of phrase, but the story collapses under the weight of its own attempted cleverness.

Two stars.

The Age of the Pussyfoot (Part 3 of 3), by Frederik Pohl


by Wallace Wood

At last, we come to the thrilling conclusion of The Age of the Pussyfoot, the misadventures of a 20th Century man unfrozen after death in a 26th Century utopia.  When last we left Chuck Forrester, he had not only been fired by his alien employer, he had unwittingly been an accomplice to the alien's escape from Earth.  But when the Sirian left, presumably to return at the head of an invasion, he left the penniless Forrester nearly $100 million.

But profound wealth does little to assuage the guilt of the man out of time, especially when he is abandoned by all his newfound friends and his romantic partner.  Is he the lynchpin to humanity's salvation or its ruin?

A sparkling, farcical story, just serious enough to keep your attention, Pussycat reads like a Sheckley short story at novel length (Pohl succeeds here where Sheckley, himself, usually can't quite make long pieces work).

That said, it's a little too sketchy and silly to merit four stars.  Call it three and a half — worth reading, but probably not good enough to clinch a Galactic Star this year.

Summing Up

What a good issue this was!  3.4 stars is nothing to sneeze at.  In fact, it might well end up being the best mag of the month, though we still have five more titles to review.  If you're a long time Galaxy reader, enjoy this breath of fresh air.  And if you're new to Galaxy, perhaps this issue will tempt you into a subscription, just as that first issue did for me more than fifteen years ago…






[January 2, 1966] God of Time (The Planet Saturn)


by Gideon Marcus

Out at the edges of the known universe, a stately sentinel makes its rounds.  Not brighter than its companions, it nevertheless impresses with its constancy, its deliberate pace.

To the ancient Greeks, the planet Saturn was one of the seven "wanderers" that included the Sun, Moon, Mercury, Venus, Mars and Jupiter.  Set in the outermost crystal sphere but one, that last being occupied by the stars, the farthest planet known before the invention of the telescope was named after the King of the Titans — possibly, because his association with time (the Greek name for Saturn is "Kronos" as in "chronometer" and "chronology") matched the long period of the planet's orbit.

For millennia, nothing else was known of this world — or even that it was a world.  Then, in the early 17th Century, Galileo eagerly turned his telescope up at Saturn and was surprised to not see a smooth disk or a crescent as with the other planets.  Instead, the planet seemed to have large bulges on either side.  Stranger still, when he observed Saturn later on, the bulges had vanished!

Telescopes got better, and observers (starting with Huygens in 1655) came to realize that Saturn has not bulges but (unique among the planets, at least so far as we can currently resolve) a system of rings.  There appear to be three: A diffuse inner one, an outer one, and a bright wide central one.  They are definitely not solid; one can see stars through them at times.  Also, different ends of the rings orbit at different rates, which is more evidence that they are composed of lots of little bodies.  The clincher is that the rings lie within what's called the Roche Limit, the area near a planet where its tidal forces are too great for a solid body of appreciable size to exist.  Indeed, someday in the distant future our own Moon may spiral in too close to the Earth and become a lovely ring.

As for why the rings seem to disappear, Saturn is tilted 28 degrees with respect to the plane of the solar system in which all of the planets circle the Sun, and thus at times, the rings are edge on to us and sometimes flared to full splendor.  At the former times, they virtually disappear.

Saturn has a host of Moons, all named after Titans (including one called Titan).  Thanks to them and Newton's laws, we have a very good idea as to the planet's mass.  Saturn is 95 times as massive as the Earth.  Measuring its disk, we know it is 72,000 miles wide at its equator.  Combine those two factors together and we find that Saturn is the least dense of all the planets, with a density less than that of water!  This has led to some silly books exclaiming that, were there an ocean large enough, Saturn would float on it.

If there were an ocean large enough to float Saturn, it would collapse into a hot sun under its own weight!

The low density and the fast day (10 hours and 38 minutes) makes for an oval-shaped planet, its most distinctive feature along with the rings.  The three rings seem to have big gaps between them, perhaps having been cleared out through gravitational resonance with one of Saturn's moons or another.

For a long time, this is all we knew about Saturn.  Aside from the rings, it was a rather dull planet compared to vibrant Jupiter, glowing Venus, or crimson Mars.  With the advent of the spectrograph and the radio telescope, we've learned a bit more.  We know from density models that Saturn, like Jupiter, is composed almost entirely of hydrogen and helium.  It thus earns the name "gas giant."  Spectrographs tell us that there is methane and ammonia in Saturn's atmosphere, though there is less of the latter, probably because it has snowed out of the colder air.  Beneath the cloud layers, the hydrogen is believed to be condensed into a vast ocean with an icelike core deeper down.

The moon Titan is particularly exciting.  Not only is it bigger than our Moon (a distinction shared with only three other moons in the solar system) but it is the only moon known to have an atmosphere of its own!  The astronomer Kuiper, in 1944, determined that it is composed at least in part of methane.  This distinctive property is the reason Titan has been one of the more popular settings for science fiction stories.

From the most recent journal articles, I have learned that infrared observations suggest that Saturn's rings are made of water ice.  This makes sense.  There is a boundary in our solar system beyond which water ceases to be volatile and instead becomes a common building material.  Most of the outer moons are probably icy, too.

Interestingly, whereas Jupiter blazes like a beacon in the radio frequencies, Saturn's staticy contributions to the airwaves remain faint and sporadic, if indeed they come from Saturn at all.  More observation will be required to clinch whether or not Saturn broadcasts to us via the shortwave bands.

It is likely that we can only learn so much from terrestrial telescopes.  Eventually, we'll have to go to Saturn and get more data first hand.  While I do not know of any planned missions to the outer planets, it is not hard to conceive of one launched by our powerful Atlas Centaur rocket or perhaps a more powerful Titan/Saturn Centaur combination. 

I have also heard from a friend at Jet Propulsion Laboratories in Pasadena that a clever grad student there may have come up with a way to explore the farther planets on the cheap.  Essentially, a probe can get a two for one deal (or perhaps as much as a four for one deal given the right circumstances!) by using the gravity of the first visited planet to accelerate it and direct it toward the next.  If this theory can be perfected, we could see a combined Jupiter/Saturn probe within the next five years.  By the end of the next decade, we may well be able to launch one that visits all of the four gas giants in turn.

Something to look forward to!

With this, the planetary series of articles is complete!  Be sure to check out all the others in the series and learn what we knew about each of the nine planets of the solar system before they were visited by spacecraft.  You can also read about what Mariner 2 taught us about Venus and the new Mars revealed by Mariner 4!






[December 31, 1965] Untermag (January 1966 Analog


by Gideon Marcus

[Time is running out to get your Worldcon membership!  Register here to be able to vote for the Hugos next year.]

Ubermensch

There's no question that John W. Campbell's got an axe to grind.  Not too long ago, he wrote an editorial about how the bipedal humanoid form, the best, most efficient, most effective of body types, was the natural end result of evolution on an Earthlike planet.  In another screed, he opined that slavery warn't so bad, and that Black Americans did better ante-bellum than we think.

These aren't anomalies: from what Isaac Asimov and others have said (I've never met John personally), the editor of Analog has some very fixed views of the world, and they include a belief in a hierarchy of races, a natural superiority of some to others.

Because of this, the stories in his magazine tend to reflect this view, one way or another.  Either John adds these elements in post-production, or his authors know to include them as a way to guarantee a sale. Analog is a prestige publication, after all.

And lest you think that's John's quaint views are simply emblematic of the less-than-enlightened times we live in, I will simply point out that we review all science fiction mags at the Journey, and Analog definitely is the odd man out.

Anyway, this month's magazine is a particularly egregious example of the Campbellian Mystique.  Let's dig in, shall we?

Sein Kampf


by Kelly Freas

Second Seeded, by R. C. FitzPatrick


by Kelly Freas

In FitzPatrick's earlier story Half a Loaf, we were introduced to a revolutionary institute whose surgeons could transplant a healthy mind from a ruined body into the healthy body of a mental vegetable.  The story explored some of the ethical concerns involved and, while it didn't hit it out of the park, it was pretty interesting.

The sequel is dreadful.

A Marine Major, name of Adams, is killed along with his wife in action in Borneo.  Their infant son becomes brain dead from hypoxia, all hope of regaining cognitive functions lost.  Around the same time, the infant son of two concert pianists is in a car accident that kills his parents and leaves him a quadriplegic.  Thus, the stage is set for a human brain transplant; the new wrinkle is that the patient won't have memory of the event, will be raised by the extended Adams clan.

This would be fine, even interesting save for the endless screeds in favor of eugenics that come out of the mouths of the protagonist.  The basic argument is that there aren't enough "Great Men" in the world as it is (women, explicitly, don't count) so saving as many as possible through this surgical technique is of utmost importance.  Beyond that, it's vital that the transplanted infant brain be an Adams because the Adams family is amazing and has been so since the time of the Revolution.  As an "Adams," the pianist boy will not only be an exemplary person because his parents were prodigies, but his gonads will house Adams sperm, which will ensure the Adams genes continue.  The espouser of this view gets a bit vague and contradictory when asked if it's the actual genetics or simply the continuity of family that ensures the Adamses produce a Great Man every generation, but it's clear he tends toward the former (and this is borne out by events in the story). 

Two stars rather than one, because it's not badly written.  But yech.

Now, since I had to pay to read FitzPatrick and Campbell's offensive rant, you can get mine for free.  In my experience, all human beings are of roughly equal potential.  Sure, there are smart ones and stupid ones — abilities distribute in bell curves — but whether a person will be smart or stupid does not correlate to genetics.  This means that everyone, given resources and opportunity, can develop to the fullest of their physical capabilities.  They can be as smart, strong, and talented as is possible for them. 

There are almost three billion people on this planet.  Some of them are stupid.  Most of them are average.  Some of them are brilliant.  If we want more "Great Men", there are much better ways of growing them than cherry picking a few children with presidential surnames. 

One is to raise the standard of living for everyone so that all children have the ability to develop to their full potential.  LBJ has the right idea with his Great Society; I expect the next generation will see a lot more geniuses (and happiness) in Appalachia. 

Another is to broaden the pool from which "Great Men" are drawn.  Here's a crazy thought: what if women weren't excluded from the pool?  Wouldn't that, in and of itself, double the number of Great "Men"?  And indeed, that's just what's started to happen already.  I have written about the women scientists and engineers involved in space exploration.  Their work has been critical to the success of our space-related endeavors, and there is no guarantee that their contributions would have (or could have) been made by anyone else, at least at that juncture in history.

So I disagree with the the theme of Second Seeded.  Like all bad philosophies, it collapses in the face of empirical evidence to the contrary.  And on a related note, I disagree that future Presidents of the United States will all have to have socially acceptable WASP names like Adams, Lincoln, and Jackson (as one of the characters opines in the story).  Does anyone remember the fellow with the funny name of "Eisenhower"?  Or the Irish Catholic name of "Kennedy"?

I fully believe that we'll have a President in my lifetime with the "exotic" name of Takahashi, Singh, or Okoye.  Perhaps her first name will be Mildred.

Untropy, by Christopher Anvil


by Kelly Freas

Shaggy dog tale about a trading vessel that gets lost in hyperspace in a zone where the laws of probability leave nothing to chance.  The way they get back is obvious, and the story is rather trivial, but it's not bad reading.

Three stars.

A Bit Player, by Lyle R. Hamilton

All about the evolution of telemetry and its application to missiles and space travel.  Long, engaging, but way too high level for me (and I majored in astrophysics!) it will probably go over your head as well.

Three stars.

Kelvin Throop Rudes Again!, by E. Silverman

My outspoken nephew, David, has a habit of dashing out discourteous memos when he's peeved.  He calls them "nastygrams".  In Throop, new author Silverman offers up a collection of memos (it's not really an epistolary story as there's no story) of a middle manager kvetching at subordinates and vendors.

Not science fiction.  Not good.  One star.

Beehive (Part 2 of 2), by Mack Reynolds


by Kelly Freas

And, at last, the conclusion of Beehive, which began last issue.  Genetics takes the fore again when we learn that the enemy "Dawnworlders" have divided themselves into rigid castes, and in so doing, have thus been able to progress to tremendous technological heights.  Of course, if non-caste human beings had been given millions of years to accomplish the same feats, I'm sure we could have…

Anyway, the second half of the story is just as glib and silly as the first, with lots of speeches and exposition.  I did appreciate that there was some self awareness that Section G of the United Planets is as much a dictatorship as Phrygia, home of Baron Max, the would-be galactic Mussolini.  This was alloyed by the constant reinforcement that the protagonist's sidekick is an Indian.  He's referred to as "the Indian" and he uses the words "squaw," "scalp," and "firewater," whenever he can.

This isn't the first time Mack Reynolds has had trouble with this particular ethnicity.

Anyway, there are some interesting Laumeresque bits, but for the most part, this is a Reynolds that can be skipped.

Two stars.

Calculating the damage

Feeding the pages of the January 1966 Analog into the Star-o-meter (and setting the machine to "destroy copy after processing") I get a result of 2.3 stars.  Depressingly, I'm sure this will be one of the more popular issues of the magazine this year.

How did the other mags fare this month?  Well, Worlds of Tomorrow and New Worlds both scored 3.3 stars.  The less daring Science Fantasy got 2.8 as did IF, even though the latter was buouyed by the new Heinlein serial.  Fantasy & Science Fiction turned in a disappointing 2.5 star performance, and the mostly reprints Fantastic barely got 2.4.

They were still all better than Analog.

Speaking of shallow selection pools, women continue to be barely represented, producing two of 36 fiction pieces for a whopping 5.5% share.  Better than the 0% of last month, I suppose.  All told, the truly good stories this month would struggle to fill the pages of IF, much less a bigger mag like Galaxy

Well, tomorrow is a new year.  Perhaps Janus will favor us with auspicious auguries, and our fortunes will turn around.  And hey…Campbell won't live forever.