All posts by Gideon Marcus

[April 26, 1969] Downbeat (May 1969 Fantasy and Science Fiction)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Impending collapse

The end may be near for the nascent would-be-state of Biafra.  For two years, the Nigerian breakaway has seen its land systematically (re)taken, and the eight million Biafrans, mostly Ibo people, have been crammed into ever small regions under Biafran control—just 3,000 out of an original 29,000 square miles.

Starvation rages, killing more than gunfire.  Yet the Biafrans remain unbowed, converting diesel generators to run on crude petroleum, keeping churches open (at night, anyway), and getting food via threatened air strips.

But on the 22nd, the capital and last Biafran city, Umuahia, fell to Nigerian forces.  Chukwuemeka Odumegwu Ojukwu, President of Biafra, has vowed he will continue the struggle in guerrilla fashion.  Only Gabon, Haiti, Ivory Coast, Tanzania, and Zambia have recognized the secessionist state, although tacit assistance has been provided by such diverse states as France, Spain, Portugal, Norway, and Czechoslovakia. 

At this point, it's hard to imagine the Biafran experiment succeeding.  But surely there must be more that we can do apart from watch helplessly.  I wish I knew what it was.  Support the Red Cross, I suppose.

Impending mediocrity

I don't have a great segue from that bummer of a news item.  All I have is the lastest issue of Fantasy and Science Fiction.  While it's not entirely unworthy (the opening serial is pretty good), the rest offers little respite from the bleakness of the real world:


by Jack Gaughan

Operation Changeling (Part 1 of 2), by Poul Anderson

Back in the '50s, Poul had a great series that took place on a parallel Earth.  Its history was not dissimilar to ours, but wizardry replaces technology in many regards.  It's a bit like Garrett's Lord D'Arcy series, but a touch sillier.  The stars of the series are a magical duo comprising a werewolf and a magic-using dragoon Captain.  In the latest story (a decade ago!) the two had gotten married.  In the latest installment, Ginny and Steve are the proud parents of a beautiful little girl.

Unfortunately, Valeria Victrix has been born into a difficult time.  Adherents of St. John, whose outwardly clement brand of Christianity hides disturbing cultist elements, are waging a war against authority and the military-industrial complex—including the defense contractor that employs Steve.  The Johnnites are essentially stand-ins for the current peace movements, albeit more sinister.

The conflict with the less-than-civil resisters recedes in importance, however, when on her third birthday, Valeria is abducted by no less than the demonic forces of Hell.  It is now up to Steve and Ginny to rescue their little girl before she is incurably corrupted…and to determine if the Johnnites are at all responsible!

Anderson has three main modes: crunchy, compelling science fiction; crunchy, dull-as-dirt science fiction; and lightish fantasy.  This short novel, despite the dark subject matter, promises to be the most fun romp since Three Hearts and Three Lions.

Four stars so far.

The Beast of Mouryessa, by William C. Abeel

A French sculptor is commissioned to create a replica of an obscene, demonic figure, unearthed recently in the Avignon region.  The original stone creature has a history of causing catastrophe to those who behold it, but the lovely matron who wants the copy seems unperturbed.  Of course, the sculptor has all sorts of ill feelings and second thoughts, but he does nothing about them.  In the end, he is possessed by the spirit of the thing, and awful stuff ensues.

Aside from all the sex and frequent references to the statue's enormous dong, this story is pretty old hat.  Lovecraft did this kind of thing better.

Two stars.


by Gahan Wilson

London Melancholy, by M. John Harrison

A host of eerie mutants roam post-apocalyptic London in this absolutely impenetrable, unreadably purple piece.

One star.

For the Sake of Grace, by Suzette Haden Elgin

Thousands of years from now, Earth and its solar colonies have organized into a patriarchal, caste-based system.  The Kadilh ban-Harihn has much cause for joy: four sons who have all passed the stringent test to become 4th degree members of the Poet caste.  But he also has a hidden pain; his sister was one of the rare women to dare entry into the coveted ranks of the Poets.  Her fate for failing was that of all women who fail—eternal solitary confinement.

'Unfair!' you cry?  Well, at least it keeps women from trying such a foolhardy endeavor.  Which is why it hits the Kadilh all the harder when he learns his youngest child, his only daughter, also has decided to try to be a Poet, a task of which she is most certainly incapable…

This is a scathing piece, a refreshing attack on sexism.  I'd give it higher marks if it had included even one poem, given the theme, but I still quite liked it.

Four stars.

The Power of Progression, by Isaac Asimov

The Good Doctor explains why our current rate of population growth cannot go on—even if we manage to get off planet, that just means the universe will be clogged with humanity within the millennium. 

I appreciate the doomsaying sentiment, but there comes a point when exponents become specious, a masturbatory effort in mathematics.

Three stars.

Copstate, by Ron Goulart

I used to like the tales of Ben Jolson, lead agent of the shapechanging Chameleon Corps, but they've gotten pretty tired of late.  This last entry is the least.  Ben is tapped to infiltrate a tightly controlled security state to retrieve a revolutionary polemic.

Goulart is capable of writing funny, light, riproaring stuff, but this one is just a bust.

Two stars.

The Flower Kid Cashes In, by George Malko

Item two in the cavalcade of anti-utopian incomprehensibility.  Per a conversation I recently had with David and Kris:

Me: Can anyone explain the last story in this month's F&SF to me?
David: Not really.  Aging hippie survives after the Bomb falls and sort of commits suicide by staying true to his priniciples?  I think it was too concerned with being literary to mean something or be about anything.
Kris: I am not even sure if it is trying to be literary so much as "with it".  But either way it seems very hollow.

Your guess is as good as mine.  At least it's short.  Two stars.

The Body Count

Comparing the lastest F&SF to the Biafran tragedy is probably beyond the realm of good taste.  I'll just note that 2.7 stars is an inauspicious sign.  However, given that the first few issues of the year were significantly better, I don't think this lapse foretells a permanent downturn.

At least some things are salvageable.  See you next month.






[April 8, 1969] Distractions (May 1969 Galaxy)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Instant Classic

There are few expressions as irritating to me as the oxymoronic "Modern Classic"…but I have to admit that the shoe sometimes fits.

Mario Puzo's third novel, The Godfather, came out last month, and I can't put it down.  It's not a small book—some 446 pages—but those pages turn like no one's business.  It's the story of Vito Corleone, a Sicilian who arrives in the country around the turn of the Century and slowly, but inexorably, becomes crime boss of Manhattan. 

The Mafia has had a particular allure of late.  LIFE just had a long bit on the recent death of Vito Genovese and the current scramble to replace him as head of the Genovese family.  For those who want a (seemingly accurate) introduction to the underworld of organized crime, The Godfather makes a terrific primer.

Bloody, pornographic, blunt, but also detailed and even, in its own way, scholarly, The Godfather is a book you can't put down. 

Which is a problem when you're supposed to get through a stack of science fiction magazines every month.  Indeed, how is a somewhat long-in-the-tooth, middle-of-the-road mag like Galaxy, especially this latest issue, supposed to compete?


by Vaughn Bodé

Little Blue Hawk, by Sydney J. Van Scyoc

Imagine an America generations from now, after eugenics has gone awry.  After some initial promising results, a significant number of humans became dramatically mutated, with profound physical and mental variations accompanied by even more pronounced neuroses.  Over time, these mutants have mingled with baseline humans, spreading their traits.

This is the story of Kert Tahn, a wingless hawk of a man, who bears a weighty set of obsessions and compulsions, as well as a dandy case of synesthesia: to him, words are crystalline, shattering into dust and leaving a pall over everything.  An urban "Special Person", plucked as an infant from one of the rural Special Person-only communities, he harbors a strong urge to fly, which is why he takes up a job as a hover-disc pilot, ferrying customers out into the hinterlands now reserved for the genetically modified.  "Little Blue Hawk" is a series of encounters with a variety of more-or-less insane individuals, and how each helps him on his road to self-discovery.


by Reese

There are elements I really liked in this story.  Though the causes of neuroses are genetic, it is clear Van Scyoc is making a statement—and an aspirational prediction—as to how mental illnesses might be accommodated rather than simply cured…or its sufferers tucked away.  All Special Persons have the constitutional right to have their compulsions respected, and they are listed on a prominent medallion each of them wears.  Of course, this leads to a mixture of both care by and disdain from the "normal" population.

I also thought that a set of neurotic compulsions actually makes for a dandy thumbnail sketch of an alien race—a set of traits that make no sense but are nevertheless consistent,

The problem with this story is simply that it's kind of dull and doesn't do much.  I found myself taking breaks every five pages or so.  With the Puzo constantly emanating its bullet-drenched sirensong, it was slow going, indeed.

Two stars.

The Open Secrets, by Larry Eisenberg

A fellow accidentally enters into his timeshare terminal the password for the FBI's internal files.  Now that he has access to all the country's secrets, he becomes both extremely powerful…and extremely marked.

Frivolous, but not terrible.  Two stars.

Star Dream, by Terry Carr and Alexei Panshin

On the eve of the flight of the first starship Gaea, its builder finds out why he was fired just before its completion.  The answer takes some of the sting from being ejected from the vessel's crew.

This old-fashioned tale is rather mawkish and probably would have served better as the backbone of a juvenile novel, but it's not poorly written.

Three stars.

Coloured Element, by William Carlson and Alice Laurance

A new measles vaccine is dumped willy-nilly into the water supply, not for its salutory benefits, but for a side effect—it turns everyone primary colors based on their blood type!  Ham-handed social commentary is delivered in this rather slight piece.

Two stars.

Killerbot!, by Dean R. Koontz

The mindless, cybernetic monsters from Euro are on the rampage in Nortamer, and it's up to the local law enforcement to dispatch the latest killer.  The new model has got a twist—human cunning.  But when the monster is taken down, the revelation is enough to rock society.

What seems like a rather pointless exercise in violent adventure turns out to be (I think) a commentary on the recent rash of gun violence—from the murder of JFK to the Austin tower shootings.  It's not a terrific piece, but I appreciate what it's trying to do.

Three stars.

For Your Information: Max Valier and the Rocket-Propelled Airplane, by Willy Ley

I was just giving a lecture on rocketry pioneers at the local university the other day, and Max Valier was one of the notables I mentioned.  Of course, I assumed from the name that he was French.  He was not.  That fact, and many others, can be found in this fascinating piece by Willy Ley on a man most associated with the rocket car that killed him.

Four stars.

A Man Spekith, by Richard Wilson


by Peñuñuri

The last man on Earth is Edwards James McHenry—better known by his DJ monicker, Jabber McAbber.  Well, he's not actually on Earth; right before the calamity that ripped the planet asunder, a Howard Hughes look-alike ensconced him in an orbital trailer with a broadcaster, a thousand gallons of bourbon, and a record collection.  Unbenownst to him, Ed also has a mechanical sidekick called Marty, a computer with colloquial intelligence.

Thus, while Ed more-or-less drunkenly transmits an unending, lonely monologue to the universe, Marty provides a broadcast counterpoint, explaining the subtext and background to Ed's plight and thoughts.

It all reads like something Harlan Ellison might have put together, a little less dirtily, perhaps.  Hip and readable.  Four stars.

The Man Inside, by Bruce McAllister

A henpecked father has gone catatonic with stress, but a new technique may be able to interpret his internal monologue.  The result is suitably tragic.

Pretty neat; perhaps the best thing Bruce has turned in so far, but it leaves a bad taste in the mouth.  Three stars.

And Now They Wake (Part 3 of 3), by Keith Laumer


by Jack Gaughan

At last, we reach the action-packed conclusion of this three-part serial.  All the pieces are in motion: both Loki and 'Thor, immortal soldiers in an ages-long intergalactic war, who have been at each other's throats for 1200 years, are trudging through the rain for the runaway broadcast power facility on the Northeastern American seaboard.

As the Army tries and fails to bring the powerplant under control, the hurricane in the Atlantic intensifies.  Meanwhile, we learn what the other unauthorized power-tapper is: none other than Loki's autonomous spaceship, Xix, which is charging its own batteries pending the unhatching of a terrible scheme.  The climax of the novel is suitably climactic.

Laumer writes in two modes: satirical and deadly serious.  And Now They Wake is firmly in the second camp, grim to the extreme.  But it is also very human, very immediate, and, even with the graphic violence depicted, very engrossing.  This is the closest I've seen Laumer come to Ted White's style, really engaging the senses such that you inhabit the bodies of the characters, but without an offputting degree of detail (even the gory bits are imaginative and non-repetitive.)

It's not a novel for the ages, and the tie-in to Norse mythology is a bit pat, but this is probably the best Laumer I've ever read, and the one piece that actually made me forget about The Godfather…for a few minutes, anyway.

Four stars.

Back to (un)reality

The first half of this month's Galaxy was certainly a slog, but at least the latter half kept my interest—if only I hadn't started from the end first!  That's a bad habit I may have to overcome.  I just like seeing the number of pages I have to read dwindle, and that gets easier to mark if you read in reverse order!

Anyway, the bottom line is that Pohl's mag will win no awards on the strength of this month's ish, but Puzo's book may very well.  Pick up The Godfather right now…and maybe the Laumer when it's put into book form!






[April 4, 1969] Hey, Mack! (April 1969 Analog)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Mars ho!

Well, this is exciting!  For the first time ever, two identical Mariner probes are on their way to an interstellar destination.  On March 27, Mariner 7 blasted off for Mars, joining its sister, Mariner 6, which was launched last month

black and white photograph of an Atlas-Agena taking off from Cape Canaveral

Normally, twin probes are launched for redundancy, and it's a good thing.  Venus-boundMariner 1 died when its booster exploded back in '62.  Mars-bound Mariner 3 never hatched from its egg (the shroud of its Atlas-Agena rocket) back in 1964.  Mariner 5, which went to Venus in 1967, was a solo mission (indeed, a spare Mariner of the 3/4 class).

But now we've got two Mariners winging their way to the Red Planet, which means we'll get twice the coverage and a redundant set of data, always a welcome occurrence for scientists!  We'll have more on them when they pass by Mars in July.

Mack ho!

cover illustration of two white-suited futuristic cops beating a red-suited man underneath a futuristic monorail
by Kelly Freas

Just as we have two Mariners dominating the head of this article, so we have science fictioneer Mack Reynolds dominating this latest issue of Analog science fiction.  Under his own name, and under his pseudonym "Guy McCord", more than half of this issue is a Reynolds contribution.  If you like the guy, you'll like the mag.  If not…

The Five Way Secret Agent (Part 1 of 2), by Mack Reynolds

black and white illustration of a suited man on a pedestal facing five sinister figures, one a futuristic cop with a whip, one holding a gun, one with both, a woman with a hoop, and a bald man with his hand on his hips
by Kelly Freas

We once again return to the Reynolds' late 20th Century, where America languishes under the stratified People's Capitalism.  This novel is also the second adventure of one of the last private detectives, Rex Bader (whose first job was just a couple of months ago.  As with that freshman outing, Bader is offered a job that seems too good to be true, and he refuses, but no one else buys that he did.

In this case, the job was offered by the head of one of the world's biggest corporations.  He wants Bader to go to cross the Iron Curtain to contact other corporation buffs so as to help take down the Meritocracy—the powers that be that have entrenched themselves in the highest levels of society.

The mob also contacts Bader, wanting him to be their double agent.  Then the Defense Department gets involved.  Finally, a group of latter-day Technocrats make their pitch.  Presumably, the "fifth way" will be Rex Bader's own.

This book is typical Reynolds: the setting has been well established over the years, all the way back to the Joe Mauser, Mercenary days.  There are historical dissertations woven in at every opportunity, mostly on early 20th Century political theory.  The writing is serviceable, somewhat wry—a more grounded Keith Laumer.

What makes this particular piece stand out are the new wrinkles Reynolds introduces.  First, this is the first time we've learned how elections work in this world: it's based on income—one vote for every dollar earned (investment income does not impart voting rights).  Thus, the masses on "Negative Income Tax" have no franchise.

Reynolds continues to invent plausible future technology, too.  My favorite is the pocket TV/phone/credit card/identity all citizens carry.  A handy device, but also vulnerable to surveillance—which is done by computers which listen for key words; if they hear any, they alert a government agent.

So on the one hand, as far as quality of writing and enjoyment is concerned, I'd give this piece three stars.  But I admire Reynolds for doing stuff few others do, so I'm actually awarding four.

Hey But No Presto, by Jack Wodhams

black and white illustration of a short, ruddy man entreating a young man looking askance with hands at his sides, an image of him seated, eyes closed, in the background
by Leo Summers

Folks are being snatched out of psionic teleportation booths as they try to go to Earth.  They get sent to this backwater planetary resort where they are charged outrageous rates to stay in mediocre lodgings.  They stay because the cost to go home is set even higher.  An interstellar cop is sent to investigate.

This one-note tale is so padded, it could replace a warehouse of pillows.  One star.

They're Trying to Tell Us Something (Part 2 of 2), by Thomas R. McDonough

photo from below of a hard-hatted worker atop a radio telescope grid

Last month, Tom McDonough talked about pulsars—those rapidly beeping star-type objects—and did his darndest to convince us that they are artificial beacons operated by Little Green Men (LGM).

This second part is more of the same, though he actually does mention other possibilities, including the most fashionable one that they are rotating neutron stars.  My problem with this segment is it is heavy on the layman's lingo and light on the showing of work.  It all feels a bit fluffy.  Also, he talks about how pulsars emit light bursts at twice the frequency as their radio bursts, and he makes it seem like that's mysterious.  If the pulsar is really a rotating neutron star, then it makes sense for any emissions to be linked.  Why we only get radio signals from one side, I don't understand off the top of my head, but I suspect anyone with a Bachelors in Physics could tell me.

Three stars.

Cultural Interference, by Walter L. Kleine

black and white illustration of a flying saucer careening toward a planet, with inserts of a mustached man looking at a naked woman helping a naked man out of the saucer on the surface, a man in a cowboy hat with a sheriff's star, and two lab-coated men looking at a giant, narrow monolith
by Leo Summers

A couple of scientists begin an experiment with broadcast power.  Coincidentally, a couple of extraterrestrial spaceships accidentally intercept and soak up the power, causing them to crash.  Chaos ensues.

Wireless power seems to be the rage these days, figuring prominently in Keith Laumer's serial, And Now They Wake.  This particular tale is overpadded and pointless.

Two stars.

Opportunist, by Guy McCord

black and white illustration of a seated, wizened man wearing a Native American outfit done in tartan, a rock hut in the background
by Kelly Freas

This is the third tale of Caledonia, a backwards planet probably in the same universe as his United Planets tales in which every world has its own uniquely evolved political and social structure.  Caledonians all hail from a single crashed colony ship, and their culture is a mix of Scots and indigenous American, based on the few books that survived planetfall (shades of Star Trek's "A Piece of the Action".

In this installment, Caledonia has been largely subjugated by mining concerns from Sidon, and the native Caledonians must resort to guerrila tactics.  John of the Hawks, Chief Raid Cacique of the Loch Confederation is captured by the Sidonians and offered a job in their civilian government.  After being told the virtues of civilization and capitalism, he decides to hang up his claidheamhor and war bonnet and sell out.

I din't like it.  Two stars.

Oh ho!

three women operate a room full of line printers somewhere in the Soviet Union

Well now, here is a case of science fiction definitely being less compelling than science.  With the exception of the serial, this was a drab ish, barely scoring 2.7.  This puts Analog under Fantasy and Science Fiction (3), IF (3.1), Galaxy (3.5), and New Worlds (3.6).  Campbell's mag only beat out the usual losers: Fantastic (2.5), Famous #8 (1.8), and Famous #9 (2).

From eight mags, you could barely fill two big ones with the good stories this month, although part of the reason for that is Famous being so awful.  Women produced just 7% of the new fiction stories this month. 

I guess the moral is: read your newspapers and your Pohl (and UK) mags first.  Pick up Analog only if you've finished the rest.  Or if you really like Mack Reynolds…






[March 20, 1969] Going through the motions… (April 1969 Fantasy and Science Fiction)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

What's the news across the nation?

And now for the man to whom the news wouldn't be the news without the news… here's Gidi!

Dateline: 1969

Apparently, President Nixon and Soviet head of government Kosygin have agreed not to blow up nuclear bombs on the ocean floor, of which there have been somewhere between zero and not many. This is being hailed as a tremendous accomplishment in the field of disarmament. The next great achievement will be banning test explosions on the 32nd day of every month.

I think the two deserve a Flying Fickle Finger of Fate, or the "Penetrating Pinky" as the producer calls it.

photo of a two men in suits (Dan Rowan and Dick Martin), the one on the right holding up a golden statuette of a hand with its index finger pointing and crowned by wings

Dateline: 1969

Britain is building a giant radio telescope to hear the beginning of the universe. Astronomers believe the cosmos apparently was once compressed into a tiny point, even smaller than Governor Reagan's brain, and when it expanded, the temperature of the stuff dropped, as it always does when you maintain the amount of matter but increase the volume of its container.

A temperature that was once immeasurably high has now gotten so low that it radiates at very low energy levels—detectable by super-sensitive antennas! I imagine the observatory will determine if this radio hiss is uniformly distributed or not. They're also looking for quasars, those objects that are super bright in the radio spectrum, but invisible to the naked eye, and which may be the most distant (and thus, the oldest) objects in the universe.

Of course, we all know the oldest thing you can get on the radio is Jack Benny…

Dateline: 1969

Two airliners were hijacked to Havana yesterday. That's the sixth time this year that there has been a "double-header" seizing. We must be running out of rebels and Communists by now—I would not be surprised to hear that the hijackers are just retirees looking for someplace cheaper than Miami.

Dateline: 1969

President Nixon is coming to San Diego tomorrow.  This will lay to rest any dispute, at least while he's here, as to the biggest Dick in town.

What's the news inside this issue?

I've just come back from a little bubble of time inside the roiling chaos that is the real world.  It was a little Los Angeles SF conclave called Escapade, filled with fans of all things fannish.  Keeping me company on this trip was the lastest issue of F&SF.  Although not quite such a rousing success as the con, the issue did have a couple of things to strongly recommend it.  Read on, and you'll see what they were:

illustrated
by Bert Tanner

Deeper Than the Darkness, by Gregory Benford

Greg Benford is a young man, part of an identical twin fannish duo, who I'm pretty sure lives right here in San Diego.  He was catapulted into the ranks of the professionals when he won an F&SF writing contest a few years back, and he's written a couple of pieces since then.

His latest is a space adventure involving Captain Clark, a tramp ship skipper impressed into navy service when the mysterious Quarm begin impinging on Terran star colonies.  Clark is one of the few men of caucasian ancestry left after the hot wars of the fraught centuries, and human civilization is now dominated by Asians and Polynesians.  Society is changed, too, more of a communal affair knitted together by cooperative social activies.  Prime among them is Sabal, also referred to as The Game, which is a sort of roleplaying exercise in which each participant offers up vignettes, epigrams, and other creative orations designed to complement rather than dispute the last speaker.  When fully harmony is reached, the Game is over.

It is frequent usage of Sabal that keeps the novice crew together as it reaches Regeln, a colony recently ravaged by the Quarm.  But Sabal is no defense against, and indeed, a exacerbator for, the particular malady spread by the aliens—a kind of extreme agrophobia that drives humans to literally burrow away from the light, from each other, from the universe.

This downbeat tale is readable, but its psychological and racial underpinnings are a little implausible and more than a little unsettling.

Three stars.

Some Very Odd Happenings at Kibblesham Manor House, by Michael Harrison

A WW2 veteran runs across a much aged and enervated war buddy.  Over beers, it turns out that the afflicted soldier has had an unfortunate run-in with the Celtic cult of Cybele, the Earth Mother.  Said sect, prominent two thousand years ago, demands great sacrifices of its adherents.  The male priests must scourge themselves, ultimately sacrificing that which most distinguishes them as men.

And Kibblesham, built on an ancient temple, infects all who inhabit it with Cybele's compulsion…

This is one of many old-fashioned pieces in the book, almost Lovecraftian in tone.  Not really to my taste.

Two stars.

line drawing of a man and woman picnicking, the trees around them false front props, and the man is saying,
by Gahan Wilson

Not Long Before the End, by Larry Niven

Some 12,000 years ago, before the final Ice Age, great magical societies were the rule.  One of the age's great sorcerers is a man simply known as Warlock.  In his 200 years of life, he has seen his powers wane several times, each instance compelling him to move on to a new locale, where his mana has been restored.  Upon investigation, Warlock determines a terrible truth, one which spells doom for his spell-based civilization.

In the meantime, a stupid swordsman named Hap, wielding the eldritch blade Glilendree (or is it the other way around?), shows up to challenge the wizard.  The ensuing battle is noteworthy, indeed.

This is one of Niven's only fantasies, and it's superb.  While "magic was common before the modern age" is a frequently mined lode, from Lord of the Rings to Conan to Norton's recent Operation: Time Search, Niven is the first, perhaps, to explain why the magic goes away.

Five stars.

Trouble on Kort, by William M. Lee

This is a police mystery set on the planet of Kort, on which a dozen outworlders have disappeared (kidnapped?) and a dozen natives have taken their own lives—all in the space of just a matter of weeks.  Peace Corps officer Jan Pierson is sent in to investigate.

It's a rather unremarkable tale, oddly juvenile in tone and occasionally tedious, but it's not unenjoyable.  I appreciated the love interest, the Kortian named "Marty", who did not get enough page time.

A low three.

The House, by P. M. Hubbard

A married couple, awarded a homestead plot in the bombed out fringes of London, tries to build a house amidst the rubble.  But the tumulus they choose as a foundation may already be occupied…

This tale is atmospheric but rather trivial, another of the throwbacks.  Two stars.

The Incredible Shrinking People, by Isaac Asimov

Last issue, the Good Doctor explained the pitfalls of neglecting physics when dealing with miniaturized or enlarged people.  This time, Isaac explains how he accounted for same while writing the novelization of Fantastic Voyage.

Neat stuff.  Four stars.

The Freak, by Pg Wyal

There are beggars and there are beggars.  The most deformed, crippled, and otherwise unordinary ones band together to form a union of sorts.  Tired of their low income, they go on strike, ensuring that the beautiful citizens of Gothopolis have no one to compare themselves to.

Soon, the "normal" Gothopolians go crazy, and their John Lindsay analog must come up with a drastic solution.

The build-up wasn't bad, but the message isn't as profound as Wyal (or editor Ferman) thought it was.

Two stars.

Say goodnight, Dick!

Just as the week's news was much of a muchness, so was this issue of F&SF more a marking of time than the making of a landmark.  Still, I am grateful for the Asimov and particularly the Niven, and the rest was not so much unpleasant as forgettable.

Good enough for now.  I look forward, as always, to next month's issue—and I hope you do, too!




[March 18, 1969] What a way to go! (Star Trek: "All Our Yesterdays")


by Gideon Marcus

The other shoe dropped on February 17: Star Trek is officially canceled. Moreover, ABC won't pick it up for its "Second Season" in January. Fan efforts are being directed at CBS, but I can't say the prospects are promising.

One has to wonder if the decision was made due to the spate of lousy episodes that have plagued the second half of the Third Season. On the other hand, the decision was probably made based on the reaction to the first half of the season, which was actually quite good, so maybe Trek was always destined for the block.

This makes the latest episode, what appears to be the penultimate (if, indeed, they even air the last episode sometime in May after eight weeks of reruns and substitutions), particularly bittersweet. "All Our Yesterdays" is possibly Trek's finest hour, even as the clock ticks the show's last minutes.

title card "All Our Yesterdays" in front of Enterprise orbiting an Earth-like blue and green planet

That the show is so good comes as no surprise; writer Jean Lisette Aroeste wrote the sublime "Is There in Truth No Beauty", and director Marvin Chomsky ran the excellent "Day of the Dove". It is also an unique episode in many ways, from the profusion of excellent sets, to the complete absence of the Enterprise from the show (a phenomenon I cannot recall occurring in any prior episode).

For those who missed it, Kirk, Spock, and McCoy beam down to the planet of Sarpedon, a civilized world doomed to be destroyed when its star, Beta Niobe, goes nova—in just a handful of hours. I guess they're there to pick up refugees (if so, there won't be very many…)

The Big Three find themselves in what looks like a post office or safety deposit box annex attended by an elderly Mr. Atoz. This fellow, assisted by several kindly replicas, is a "librarian" who has used his "Atavachron" (a great name for a time machine) to send all of the citizens of Sarpedon into the past, where they will be safe from the stellar explosion. Mr. Atoz assumes the three officers are Sarpedonites who are late to the party, and he gives them run of the archive to find eras to jaunt to.

Spock and McCoy stand behind Kirk, who is looking down at Mr. Atoz, a balding, white-haired man in a black gown, sitting at a table with some kind of viewer and mirror-surfaced disks
"You've run up some considerable overdue book fines, young man!"

Well, through misadventure, Kirk ends up in Cromwellian England, where he is locked up under accusation of witchcraft, and McCoy and Spock end up in the planet's last Ice Age, risking frostbite and worse. Apparently, Sarpedon's past is identical to that of Earth, which would be egregious if we hadn't seen similar phenomena in "Miri" and "Bread and Circuses". Indeed, this is actually a welcome data point rather than risible.

two men in 17th century clothing accost Kirk in a brick alley
"You're under arrest, guv'nor…for overdue book fines!"

Spock and McCoy are shivering against an ice wall
"It's colder than a witch's left…" "Agreed, Doctor."

Luckily for Kirk, his judge is one of the refugees from the future, who helps him find the portal back to the library. Luckily for the other two, a lovely woman named Zarabeth, exiled from a time prior to the Enterprise's era, rescues them and gives them refuge in her cave. She quickly falls for Spock (who wouldn't?) and the half-Vulcan finds himself reverting to savagery as a result of his psychic bond with primordial Vulcans of five thousand years ago. Spock peeves at McCoy, moons at Zarabeth, and acts the least Spocklike we've seen him since "This Side of Paradise" in a very honest and affecting way.

A seated McCoy talks to Zarabeth, viewed from behind, wearing a fur bikini, a Spock looks at him with folded arms, in a red-lit cave

Bones convinces Spock to go back to where they arrived in the Ice Age so as to find their way back to the library, which they manage with the help of Kirk. Returned to his time, Spock becomes himself again, but not without a touch of subdued regret at the loss of yet another opportunity at love.

The pacing for this episode is leisurely but consistent, really letting us soak in the environs, the characters, their emotions. The Act-end cliffhangers are unusual and sometimes not even danger points. All of the cast turn in masterful performances, and the guests do as well—standouts include Mr. Atoz (the actor last seen in "Bread and Circuses") and the magistrate who saves Kirk. Mariette Hartley (Zarabeth) is fine, and there is no question that she is lovely, but it's the pickpocket who Kirk rescues in his era, with her period speech and game manner, who is truly memorable. The optical effects are stunning, particularly the Atavachron portal effect.

A florid, long-blond-haired, older man in a black hat and robe visits Kirk in jail
"Just give the book back. No one will press charges."

Though something of a cul de sac in terms of development of the setting (time travel on Sarpedon only goes to Sarpedon, and the system blows itself up at the end of the episode), it is the opposite of a bottle show. There is absolutely nothing wrong with this episode, and so much that is right.

Five stars


Historically Inaccurate

by Erica Frank

In this episode, we see a mirror-image of the usual dynamic between Spock and Doctor McCoy. The doctor is the rational one, driven to find a solution that lets them get back to the Enterprise—while Spock is distracted by strange circumstances and a pretty lady, and he risks isolating them both because of his emotions.

He attacked McCoy over the epithet "pointy-eared Vulcan"… and although the insult was clear in McCoy's voice, it's also a simple fact: Spock is a Vulcan and his ears are pointy. McCoy has said more directly insulting things to him in the past, but this was apparently his breaking point.

Spock has his palm wrapped around McCoy's neck, the doctor pressed against the cave wall
You'd think if he wanted McCoy to shut up, he'd use the Vulcan neck pinch on him. Instead, he grabs him by the throat and brings him in close.

We are supposed to believe that tensions have come to a head because Spock is stuck in the past and atavistic patterns are controlling his behavior. That Spock reverts to savagery because the Vulcans of several thousand years ago were warlike barbarians who ate "animal flesh" and fought for dominance over petty insults.

The problem with that is…

Five thousand years ago on Earth, the Aegean Bronze Age was starting. Imhotep built the Step Pyramid of Djoser; around the same time, Stonehenge was built. Those were ancient human cultures, but they were not so alien from modern humans that a person transported to that time would find their entire nature changed. A modern human thrown back to that time — even with their cell structure and brain patterns adjusted to fit in — would act much like humans do today.

Our records show that human activities and motivations have been very similar throughout history, even as our technology and religions have changed. People complained about politicians, bemoaned their rebellious teenagers, and mourned the passing of beloved pets. Some fought over minor differences and more sensible people denounced those who could not get along with their neighbors. Some were involved in huge, elaborate projects that would not see completion in their lifetimes, and yet they found reason to participate and build on the work of those who had gone before.

Black and white photo of the large, rectangular bloks that comprise Stonehenge with visitors in front of them
Visitors at Stonehenge, perhaps considering what life might have been like 5,000 years ago on Earth.
"Stonehenge 1960s" photo by Annabel M, CC-BY 2.0

Are we to believe that Vulcans were violent barbarians much more recently than humans? That while humans were developing cuneiform and hieroglyphs, establishing the basics of accounting and medical texts, Vulcans were irrational and vicious—but have since surpassed humans in technology and developed powerful psychic abilities?

Something about this doesn't add up. I can more easily believe that Spock, badly disoriented by the trip through time and deeply worried about his friend's survival, latched onto the first viable way to cope: Accept that they are stuck here and focus on surviving in their new home.

Of course, this is only plausible if one believes that Spock would give up his friendship with Kirk for a life with McCoy and a woman he met an hour ago. That possibility raises even more questions.

Four stars. I can quibble over some of the "science," but the character dynamics were riveting.


Treasure from Trash


by Joe Reid

This week’s episode of Star Trek contained many interesting elements: a star about to go Nova, eliminating a solar system and the desperate race to find survivors. A man with duplicate copies of himself. A civilization with the power to travel in time. All interesting concepts that could fill volumes of science fiction. Sadly, these concepts were cheapened by the unnecessary common plot devices which ran rampant in this episode. From jumping to conclusions to failing to ask questions, there didn’t appear to be any characters in this episode unwilling to make critical mistakes that made situations worse than they already were.

Let’s start our examination on an individual level with Kirk and Atoz. Kirk and crew went to a doomed planet where everyone was gone, looking for people to save. Atoz, having saved everyone, was perplexed as to why these newcomers hadn’t escaped yet. This left us with a comedy of errors that shouldn’t have occurred. Had Kirk or Atoz not jumped to conclusions and taken a minute to fully introduce themselves and state their purposes, all parties would have been allowed to move on with their respective businesses without incident. Instead, we were forced to bear witness to two men fighting so hard to save each other they were willing to almost kill each other.

Mr. Atoz tries to push Kirk through the trapezoidal portal of the Atavachron, whose activation is indicated by a bright yellow light
"Kirk, go to your room!"

The second cause of frustration in this episode revolved around the fact that questions were never asked during the times when people were the safest. Again, our two subjects are Atoz and Kirk, but mainly Kirk. Had Kirk asked before he leapt to aid the sound of a screaming woman, he might have saved himself some trouble. Even Spock and McCoy fell into the same situation, chasing after Kirk’s voice as he had the woman. Have none of them ever been taught that the time to ask questions is when you are still at the library, not after you’ve left? Eventually Kirk and crew were able to formulate questions after they found themselves in predicaments. They discovered the answers which led to their salvations. All completely avoidable.

At the end of the day, these mistakes lead to the exploration of fantastical places with many surprises. The journey to the frozen wastes, where Spock and McCoy find the lonely and beautiful prisoner, pushes Spock and McCoy to the brink both physically and emotionally. Kirk has to find unwilling allies in a strange past to save himself from his own prison, and after all that, has to fight to prevent re-imprisonment to save the lives of this crew. I found it amazing that this episode was able to push beyond the cheap narrative devices to deliver a worthy hour of TV. It ultimately rewarded the viewer’s patience for putting up with these forgivable follies to get to some good sci-fi at the end. All gripes aside, I enjoyed watching “All Our Yesterdays”.

Four stars.





[March 8, 1969] Around the Universe (April 1969 Galaxy)


by Gideon Marcus

Around the World

Richard Nixon, 37th President of the United States, is back from a tour of Europe.  All of his visits made headlines, particularly when he went to the Vatican and a couple hundred students held signs that said, "Nixon go home!"

Hey now—we don't want him either!

The Dick met with the "Jesus of the Franks", General DeGaulle, for a high profile religious summit.  Our President failed to return with the next Ten Commandments nor a commitment to allow Britain into the European Community (much less France's return to NATO).

Nixon is now back in the States.  Apparently, Jack Benny managed to buy more than a gallon of gas at Texaco since he made it all the way to Andrews Air Force Base to amuse the President upon his return.  Well, maybe the air fare was on the country's dime.

newspaper photo of a profile of a laughing Richard Nixon, his wife smiling full-face to his left

One of the places Nixon did not stop, but sent a staffer in his stead, was the funeral of Israeli Prime Minister Levi Eshkol.  The Jewish leader's death was rather a surprise, and his interim replacement is something of a dark horse: 70 year old foreign minister Golda Meir.  She is the first woman leader of the Jewish state, and one of the few female national leaders this century.  It is possible she will step down in favor of her party confederate Yigal Allon when he stands for the next regular election against conservative rival General Moshe Dayan.

newspaper photo of Golda Meir's face—she is an elderly, Jewish woman with dark hair, bushy eyebrows, and a big nose; she is wryly smiling

Into the wild Blue/Black yonder

As I type this, Apollo 9 is currently in orbit, its crew practicing a series of maneuvers that will be duplicated on this summer's trip to the Moon.  It's sort of like a Gemini training mission (two of the astronauts, Scott and McDivitt, are Gemini veterans) but with Apollo hardware.  It is fitting, therefore, that the latest issue of Galaxy deals with space in almost all of its stories:

cover painting of a spaceship descending on a planetoid, a wary-looking, bipedal alien looking up at it
by Reese

Witch Hunt, James E. Gunn

line drawing of two bearded and mustached men in 17th Century outfits dueling with swords
by Adkins

Centuries after a nuclear apocalypse, the Earth's four billions reduced to just one hundred million, humanity lives in a patchwork of low-technology communities.  There are the farmers, who make up the vast majority; the villagers who comprise a rude middle class; the Luddites, barbarians who plunder, mostly for fun; the arrogant Neo-Scientists, who enslave many so that a few may reconstruct the wisdom of the past; and the Empires—petty states whose influence extends no further than their capital regions.

And there are the witch-doctors, who use "magic" to heal and educate, and the pilgrims, who seek the truth.  "Witch Hunt" is the tale of two such pilgrims, their tour of America's degraded communities, and a survey of their relative merits and lacks.  Of course, the story reveals the truth they have been searching for.

There is more than a whiff of Silverberg's Nightwings serial here, and while the prose is not quite so beautiful, it is serviceable.

Four stars.

Beam Us Home, James Tiptree, Jr.

Hobie was a precocious child whose life was irrevocably influenced by Star Trek, though the TV show is never mentioned by name. 

A successful teen and, later, frustrated serviceman, he can't shake the feeling that he is somehow separate from the human race.  The story's conclusion bears much in common with that of "Witch Hunt". I wonder if putting thematically-similar stories together was deliberate or coincidental?

Something about this story reminds me a bit of the works in our Rediscovery anthologies, or perhaps a bit of the works in the fanzines. In particular, the focus on Trek and also the fact that the protagonist is a minor for much of the piece set it apart from many of the stories we encounter regularly.  I had to check the byline to make sure it wasn't by Evelyn E. Smith, or Rosel George Brown, or Zenna Henderson, for example. 

As a whole the story isn't bad, but unfortunately, Tiptree botches the end. Three stars.

How Like a God, Robert Bloch

line drawing of a tailed, bipedal alien looking into what appears to be the heart of a giant cave or geode
by Reese

Pride goeth before a fall: Mok is an incorporeal being who refused to surrender his personality to the group; as a consequence, the divine Ser confines him to an alien, physical body and banishes him to a planet of primitives.  There, Mok becomes a kind of Prometheus, elevating the aborigines' culture and technology.  But is Mok a God…or a serpent in the garden?

Kind of a neat piece.  I think it falls on the lower side of the three/four star divide.

Buckets of Diamonds, Clifford D. Simak

line drawing of a man holding a set of pipes approaching a pile of electronic junk; someone is throwing a bucket of diamonds on the pile
by Reese

Simak loves to write "pastoral science fiction" set in his stomping grounds of Minnesota, and so, "Buckets of Diamonds" reads a bit like The Andy Griffith Show meets The Twilight Zone.  Drunk Uncle Charlie gets locked up in the pokey one day when he is found staggering down the street, an Old Master's canvas under one arm, and carrying a bucket of diamonds.  Later, he disappears from jail and turns up driving a hovercar alongside a sour-faced alien…who presently encourages all of the citizenry to dispose of their technological gadgets!

All of this is much to the chagrin of Charlie's nephew-in-law, a local attorney who must sort the mess out.

Not much to this tale, which ultimately doesn't go anywhere, or when.  Three stars.

Slave to Man, Sylvia Jacobs

Tony is an editor for one of those schlock-houses that produces "the sexies" (prurient pulps).  One day, he notices he's getting a lot of torn off covers from returns that say "Help!  Help!  I am being held in bondage!  I am only 15 years old!"

Who he finds when he seeks the poor soul out, and how said soul revolutionizes the sexies industry is both amusing and, perhaps, prescient.

Four stars.

And Now They Wake (Part 2 of 3), Keith Laumer

line drawing of a man hitting with a sledgehammer a collection of cylinders
by Jack Gaughan

The saga continues of two immortal aliens destined for a final confrontation somewhere in 21st Century America.  Last time, we learned that Gralgrathor had self-exiled from his stellar Federation to go native amongst medieval Vikings.  His confederate, Lokrien, murdered 'Thor's wife and child to incentivize his return to galactic civilization.

In this installment, Lokrien, now fully healed from vicious scars he carried for decades, is looking for 'Thor, who now goes by the name of Grayle.  Grayle, as you recall from last time, escaped from the Caine Island maximum security prison, where he had been languishing for over a century.  Both immortals have assistants: Lokrien's is a mercenary cabbie who is efficient with his fists; Grayle has picked up a lovely woman named Anne who insists on helping him despite not knowing the whole story.

Meanwhile, an enormous whirlpool is growing in the middle Atlantic, generating hurricane force winds across the hemisphere.  It seems to be powered by the newly online broadcast power plant on the Eastern seaboard.  Attempts to shut down the plant are all thwarted by some unknown force.  You can bet that the aliens are somehow involved, however…

Still interesting stuff.  Four stars.

For Your Information: The Drowned Civilization, Willy Ley

This month's article is a potpourri dedicated to three questions: 1) how easy would it be for a planet to capture a new moon, 2) how would the Earth's land contours change should the ice caps melt, and 3) what kind of creature is the biblical zaphan?

Three stars.

There and back again

Well, that was rather fun!  Nothing spectacular, but all in all, a rapid, enjoyable read.  Galaxy remains my favorite of the monthlies, and I can't wait to see how the Laumer turns out.  I am also happy to see that we're getting at least one woman writer each month again.  The magazine was at its best when that was the case back in the '50s, and Sylvia Jacobs turned in one of my favorites of the issue.

Until next time…keep up to date with Nixon on Laugh-In, and science fiction on the Journey!






[March 1, 1969] Beyond this Horizon (March 1969 Analog and Mariner 6)

photo of the face of a long haired man with glasses
by Gideon Marcus

On to Mars!

black and white photo of Mariner 6, a round probe with four rectangular solar panels jutting from it at right angles

Four years ago (has it been that long?) Mariner 4 became the first space probe to sail by Mars.  This event instantly destroyed a thousand dreams.  The 21 grainy, black and white pictures returned by the spacecraft's TV cameras showed a cratered, lunar-type surface.  The Martian atmosphere was found to be less than 1% as dense at the surface as that of Earth.  Gone was the romantic Mars of Edgar Rice Burroughs and Leigh Brackett.

These findings should not have come as such a surprise—the abundance of craters and the thin atmosphere had already been suspected before Mariner 4 ever got there.  But the photographic evidence was the final nail in the coffin.  Mars is dead.

Or is it?

Mariner 4 was a rather limited spacecraft.  We only got 21 pictures, after all.  And while 7 millibars may not seem like much, that's a veritable atmospheric blanket compared to the Moon or Mercury.  We need more data.

This is why a second generation of spacecraft, Mariners 6 and 7, are being sent to Mars.  These are heavier spacecraft with more sophisticated equipment: infrared and ultraviolet radiometers (measuring Martian energy output in those wavelengths), a better TV camera, and the ability to reprogram the spacecraft in flight, as needed.

color photo of an Atlas Centaur rocket taking off from a red launch complex at night

Mariner 6 took off last week on the 24th, and Mariner 7 will blast off March 21st.  We've yet to have both members of a Mariner pair make it to its destination (Mariner 1 and Mariner 3 both had mishaps), but hope springs eternal.  Come this summer, perhaps around the same time a man sets foot on the Moon, we will unveil more mysteries of the fourth planet.

illustration of a blue-furred humanoid, stripped to the waist, looking at a viewscreen with crocodile-head humanoids waving primitive weapons furiously
by Kelly Freas

On to the stars!

Trap, by Christopher Anvil

line drawing of crocodile-headed alien holding a mouse trap clamped around the tale of a furry humanoid stripped to the waist
by Kelly Freas

I have a private joke that every Chris Anvil story for Analog begins (Mad Lib style):

[Military Rank] [WASPy male name] of [military organization] [verbed] down the [corridor/hall/base] lightly touching his [weapon] clipped to his [clippable article of clothing].

"Trap" did nothing but reinforce this cliché, and I hunkered down for a slog of a novella.

Instead, I got a reasonably interesting, technical tale about peaceably dealing with implacable aliens, who possess an unbeatable weapon.  In this case, the planet is a swampy wasteland, the aliens have the ability to teleport anywhere they've been before, and the humans and Centrans (in an alliance since the 1956 story, "Paradise Planet") must find a way to make peace before the aliens find a way to teleport onto every ship and planet in both empires.

It starts a bit slow, but I found myself compelled.  Certainly better than the fare Anvil usually offers us in Analog.  Three stars.

Mirror, Mirror, on the Wall, by R. E. Allen

How does Mannie supply all the movies and music producers with the top talent?  Why, by dowsing over each of the actor's/musician's headshots with a divining rod, of course!

Not much of a story.  Not much science fiction.  Two stars.

They're Trying to Tell Us Something (part 1 of 2), by Thomas R. McDonough

diagram of four pulsar graphs with amplitude of signal versus time

This month's science article is on those enigmatic, recently discovered interstellar radio beacons known as pulsars.  Beeping on the radio dial on the average of once a second (some are faster, some are slower), they are significant for their unwaveringly precise timing and for their enormous power output—some one billion times the power output of all of Earth's civilizations!

There is a lot of interesting information in this article, but what annoys me is that McDonough seems convinced that pulsars are the work of "Little Green Men" (LGM), and presents his article accordingly.  Nowhere in the piece is the general accepted wisdom that the regularity of the signals and the fact that they seem to carry no information (not to mention their tremendous power) indicates that pulsars are rapidly rotating stars, and likely rapidly rotating, collapsed dead stars called "neutron stars".

This isn't esoteric knowledge I gleaned from The Astrophysical Journal—it's from the Sunday Supplement of Escondido's rag of a paper, The Times-Advocate.  So, its exclusion from McDonough's piece must be conscious, and that makes his arguments suspect.  Perhaps he'll discuss neutron stars in the next piece, but they really should have been front and center.

Three stars.

Minitalent, by Tak Hallus

line drawing of a courtroom setting with an older judge with glasses, a steno clerk woman behind him, and a gallery of seal-like aliens, looking at a worksuited human with a gallery of humans behind him
by Leo Summers

Alice Culligan, third mate and computer officer on the space ship Iphigenia, witnessed a crime: gun runners had smuggled cruel "nervers" to a race of aborigines.  They were caught, but the company they're working for looks to get away scott free.  They will do anything to ensure that verdict—including silencing Miss Culligan forever.

But Alice has an ace up her sleeve: a minor talent for telekinetics.  And in a computerized world, sometimes a little push is all that's needed…

Similarly premised as Larry Niven's sublime "The Organleggers", this tale (Tak Hallus' first) is not as deftly told.  That said, it is pretty good, and I liked the heroine very much.  It's clearly in the vein of, say, James H. Schmitz, so if you like him, you'll like this.

By the way, Tak Hallus is simply Arabic for "pseudonym", so who knows?  Maybe it really is Schmitz!

Four stars.

From Fanaticism, or for Reward, by Harry Harrison

line drawing of a man with a beam rifle shooting at a robot that looks like a suit of armor
by Leo Summers

An assassin named Jagen performs a job and, with the help of a teleportation system, escapes The Great Despot's justice.  But is there any ultimate evasion the efficient robot machines of the Despot's police force?

The well-written piece is really a setup for the philosophical question posed at the end.  The answer is surprising for such a libertarian mag as editor Campbell's.

Five stars.

Wolfling (Part 3 of 3), by Gordon R. Dickson

line drawing of two stylized men in tunics dueling with glowing rods, a woman crouched over a body in the background
by Kelly Freas

And now, the conclusion of Wolfling.  By Gordy Dickson.

Jim Weil, archaeologist and Ace of All Trades (the term "bannou" (万能) is even more appropriate), had infiltrated the High-Born empire he was sent to detachedly examine, becoming a general in its armies.  Having discovered a plot to destroy the imperial warrior race of Starkiens, Jim quickly returned to the throne world to thwart a plot on the Emperor, himself.  He is successful in defeating the pretender, the Emperor's cousin, but now he must return to Earth and face treason charges for possibly incurring the imperial wrath on humanity.

In a dramatic courtroom scene, Jim explains his actions, how they saved the Earth, and the true origin of humanity vis. a vis. the High-Born.  Did we come from them, or did they come from us?

The answer is rather disappointing, more along the lines of something I'd expect written in the pulp era than modern times.  In addition, all of the energy-saber dueling seemed unnecessary; when everyone can teleport at whim, how do you keep your foe in the same room long enough to dispatch him?  Or keep your foe from materializing behind you?

But most of all, I had expected a statement against eugenics, but instead got something of a defense of it.  If not for the skilled writing, I might rate it more poorly.

Three stars for the serial as a whole.

On to the numbers!

black and white photo of a plump Black woman leaning over an eighth-grade white girl seated at a computer, a eight-grade black boy behind her, mathematical equations on the blackboard behind them all

You know, it's been quite a month!  With Analog clocking in at 3.4 stars, it's near the top of the heap rather than taking its usual place in the middle.  Ahead of it were Fantasy and Science Fiction (3.4) and IF (3.5).  The good news is, the spread was pretty narrow: Galaxy scored 3.3, New Worlds 3.2, New Writings 14 3.  Only Amazing scored below the three-line (2.7), and it was still better than usual.

In other vital statistics, women produced 11% of the new fictional content.  The superior stuff this month would fill three full-sized magazines.  Given that there were seven published this month, that's a good ratio.

Stay tuned for the end of next month when we find out how April's magazines do…and how Mariner 7 flies!






[February 22, 1969] Good and Bad Trips (March 1969 Fantasy and Science Fiction)


by Gideon Marcus

Davey Jones has company

This week, the regional news has been filled with the death of a local hero.  Aquanaut Berry L. Cannon, a resident of Sealab III off the coast of La Jolla, died while diving 610 feet to repair a helium leak in his undersea home.

picture of a crewcut man in a diving suit behind a ship's lantern

It wasn't a matter of foul play or (so far as is currently known) an accident.  The 33 year old Cannon, subject to the rigors of a deep dive and 19 times the pressure out of water, simply succumbed to a cardiac arrest.  He was declared dead on arrival at the hospital.

The three other divers who had gone with him had no physical troubles.  The repair effort had come shortly after the habitat had been lowered to the bottom of the Pacific Ocean pending long-term habitation by eight aquanauts.  Cannon was a veteran of the second Sealab experiment, back in 1965.

newpaper illustration depicting the cylindrical Sealab III under the water while a supply tanker floats above

We talk a lot about the space program here on the Journey, but it's important to know that humanity is pushing at all the frontiers, from Antarctica to the sea bottom.  And in all such dangerous endeavors, there are tragedies as well as triumphs.  Sacrifice is part of the bargain we make for survival of the species, but it never goes down any easier.  Especially for his wife, Mary Lou, and their three children…

Davy Jones has company

In less tragic news, the latest issue of F&SF is filled with the kind of madcap, surreal adventures you might expect to find on the (sadly cancelled) The Monkees, particularly the first tale:

cover painting showing a lovely bust of a young black woman and a side profile of a young Jewish man
by Ronald Walotsky, illustrating the title story

Calliope and Gherkin and the Yankee Doodle Thing, by Evelyn E. Smith

Like, far out—two Greenwich Village type 17 year-olds, the Jewish "Gherkin" and his Black girlfriend "Calliope" are set up to take the biggest trip of their life.  Like, they don't trip out on acid or pot, but literally are snatched for a jaunt to the stars, where they hook up with some of the sexiest green-furred cats you ever did saw.

Was it all an illusion?  Or were they really summoned beyond the stars for stud duty?  The plot thickens when Calliope begins to show in a motherly way…

This is the first I've seen of Evelyn E. Smith since she was a frequent star of Galaxy in the early '50s.  Her chatty, droll style translates pretty well into the modern day, with her madcap, satirical melange of race relations, drug culture, and extraterrestrial high jinks.  It runs, perhaps, a bit overlong, and also overdense, but it's not unenjoyable.  Welcome back!

Three stars.

Party Night, by Reginald Bretnor

Carce is a scheming woman-user, all veneer and bitterness.  When his multi-year attempts to seduce the woman he wants from her husband fails, he goes on a driving jag that plunges him further and further into a night determined to karmically repay him.  The pay-off is horrific, though appropriate.

Typical Twilight Zone or Hitchcock stuff, but nicely presented.

Four stars.

cartoon of a man in a phone booth looking down in surprise at a discarded Superman costume
by Gahan Wilson

After Enfer, by Philip Latham

A milquetoast of a man, paralyzed by fear, decides (at the urging of his wife) to find a better job than the museum position he's been stuck in for 16 years.  He is recruited to explore the Nth Dimensions with an eye toward opening up tesseractal space for colonization, the world being intensely overcrowded. 

We never get no details of the trip; we just know that no one has ever managed to deal with the terror of 3D+ space before.  Frankly, without that, the story is just sort of frivolous and a let down.

Two stars.

The Leftovers, by Sterling E. Lanier

The latest Brigadier Ffellowes shaggy-dog-story-told-in-a-pub-setting is the least of the three Lanier has written thus far.  This time, it's about a Paleozoic race of sinister, intelligent bipeds that inhabit the southern coast of Arabia, and how the Brigadier and his Sudanese sidekick narrowly escape their pursuit.

Lovecraft was doing such stories better many decades ago.  A low three stars.

An Affair with Genius, by Joseph Green

Valence is a gifted biologist, plodding and methodical.  For twelve years, he has been estranged from Valerie, a volatile genius in the same field, with whom he had shared a brief but remarkable relationshop.  Success tore them apart, as she got the credit for their landmark discovery, and then seemingly abandoned him for a senior professor.

So, when she reappears in his life on the desiccating planet of Tau Ceti 2 where Valence had been researching the colony life forms that eke out a bleak existence, he is shattered, even to the point of contemplating her death.

Fate intervenes in the form of a sudden sand storm, and Valence must save Valerie's life.  In the ensuing moment he comes to the realization that without her, he was nothing–just a persistent technician, while Valerie had all the real talent.

But the truth is more complicated; sometimes, it takes yin and yang to make a complete unit…

This is a beautiful story.  Perhaps I'm just the intended audience, but I loved it.  Five stars.

Just Right, by Isaac Asimov

The Good Doctor offers up, this month, a piece on the square-cube law—explaining why it's not possible to simply shrink or grow the scale of an object and think it will be subject to the same physical laws.  He lambasts the TV show Land of the Giants in the process, as is appropriate.

It's a good article, and the final sentence is hilarious.  Four stars.

The Day the Wind Died, by Peter Tate

An old man squats on his roof, in a senile dream reliving his days as an ace in World War I, planning to soar on artificial wings he has just purchased.  His son Charlie, a harried weatherman, drops a mirror while shaving.  His son notices that the wind around their house has abruptly stopped, and he believes his father caused it.  He tells his friends.

And the plainclothes agents for the Bureau for the Investigation of Weather Incidents takes notice, certain that Charlie has stilled the wind for nefarious purposes—to ensure his father falls to his death when he takes to the sky on his wings.

Is Charlie a wizard?  Who are these agents?  Is this our world at all?

A surreal, rather puzzling story.  I give it three stars.

Benji's Pencil, by Bruce McAllister

Maxwell, an English teacher, wakes from cold sleep two centuries hence only to find the world crammed with people and utterly lacking in color.  But beauty exists as long as poetry is possible, and Maxwell makes sure that his multi-great grandson has the power of simile before the teacher is sent to the euthanasia chamber at age 70.

The story is written in a hopeful tone, but the subtext is entirely cynical.  As usual, McAllister shows promise, but there is still a rawness that holds his work back from greatness.

Three stars.

Coming up for air

A good issue, this, and thankfully, no one had to risk perishing to explore these frontiers.  Then again, perhaps it is prose daydreams like the ones in F&SF that drive men to explore onward.  No coin is without two sides, I suppose.

Here's to future expeditions, both literary and actual, and safe travels to all who undertake them!

back painting showing a green-furred woman in the distance waving
by Ronald Walotsky





[February 12, 1969] Slick stuff (March 1969 Galaxy science fiction)


by Gideon Marcus

The Bad Kind

For 12 days, 21,000 gallons a day of crude oil spilled into the Pacific ocean off the coast of Santa Barbara.  Only on February 8 was the leaking undersea well finally capped. This debacle, courtesy of the Union Oil Co., has blackened the harbors and beaches of the San Gabriel Valley coastline, killing hundreds of sea birds.  Even Governor Reagan is declaring this mess a disaster, making federal funds available for cleanup.

Newspaper picture of Coast Guard Admiral Chester Bender and Senators Muskie and Cranston inspect the oil slick at Santa Barbara Harbor

Nevertheless, the Governor did not relieve the oil company of its obligation to the government agencies and private citizens harmed by this catastrophe.  It will likely take more than 1000 men three weeks to clean up the mess.

The silver lining is that only about 1% of the local seabird population has been affected, and virtually none of the seals.  Indeed, the damage is only about a quarter of that caused two years ago when the super tanker Torrey Canyon broke up off the coast of Southwest England.

Still, if the best we can say is that this crisis is not as bad as the worst, I think we can do better.

The Good Kind

In refreshing contrast to the environmental incident described above, the latest issue of Galaxy is anything but a tragedy:

cover featuring a bird-like aircraft floating on an ocean, with a man on top. Similar aircraft are flying in the distance.
by Douglas Chaffee illustrating The Weather on Welladay

And Now They Wake (Part 1 of 3), by Keith Laumer

In 1981, just as broadcast power switches on for the first time, an inmate by the name of Grayle makes a daring escape from a New York prison.  He is an enigmatic man, an inmate who looks 35, but who has been incarcerated since before World War 2.  He also possesses an uncanny ability to heal from wounds.

At the same time, another fellow with similar powers stumbles drunk out of a bar, making his way to a steam room where he miraculously heals a profound set of scars and ejects an antique Minie ball from a wound in his back.

These events are coincident with the appearance of a tremendous water spout in the middle of the Atlantic, and interwoven with tales from a thousand years ago of a renegade from the Galactic Fleet named Thor, and his comrade-turned-betrayer, Loki.

Viking era scene where a slave is beset by a haughty noble while others watch. Backdrop is a long ship which has just made shore.
by Jack Gaughan

Who are these two immortals, and why has their story suddenly come to a head?  I don't know…but I'm hooked!

Four stars, so far.

The City That Loves You, by Raymond E. Banks

The Alpha Centauri city of Relax offers everything to its twenty million inhabitants—comfort, company, computerized guidance.  But what happens when a citizen wants to leave?  What if every inducement, soft and hard, is made to keep him there?  Does the fellow really have a choice in the matter?

I read the whole story waiting for the other shoe to drop, and I was not displeased with the result.  In the end, for a place to truly be paradise, there must be a way out.  The socialiast utopias of the world, from Bulgaria to Beit Ha Shita, might take note.

Four stars.

Leviathan, by Lise Braun

An advanced submarine, akin to the Seaview from Voyage to the Bottom of the Sea rescues a primitive fisherman lost at sea in the Atlantic Ocean.  This inadvertently gives rise to a number of familiar legends.

This is an old-fashioned story; it would have been right at home in Imagination in 1954.  I do like the clever, organic way Braun conveys that the action takes place thousands of years in the past, and the reading is pleasant, if not extraordinary.

Three stars.

The Weather on Welladay, by Anne McCaffrey

illustration of a woman in a skin-tight, belted suit, gripping her shoulder. She stands in what looks like a big rock formation. A man in a black, skin-tight suit is behind her, arm oustretched.
by Reese

The sodden, storm-lashed world of Welladay seems too bleak a world for settlement.  However, schools of whales that inhabit it produce a valuable radioactive substance prized for medical applications.  A team of hardy fishermen taps these whales for their lymphic treasure, braving the waves and weather.

But some pirate has been draining the whales dry, decimating the population and threatening the economy and health of the Federation.  Is it one of the four fishers?  The mysterious woman space pilot shot down at the beginning of the tale, who crashes on a lonely archipelago?  Or someone else?

This is definitely one of McCaffrey's better stories, with far more atmosphere (no pun intended) and far less barely suppressed violence and hokey romance.  It goes on a little long, and I find it improbable that this vast planet seems to have exactly six people on it, but I enjoyed it.

Three stars.

For Your Information: Collision Course, by Willy Ley

Mr. Ley's piece this month is on asteroids that cross Earth orbit, particularly Icarus, which precipitated the 49th end-of-the-world scare since the birth of Christ.

Interesting and useful, though rather brief.

Three stars.

four-panel image depicting the stages of crater formation, from meteorite impact, to explosion, to resulting crater.

The Last Flight of Dr. Ain, by James Tiptree, Jr.

A sick scientist and his dying love make a multi-stop air flight around the world.  At each landing, he makes sure to expose as many people as possible to what appears to be an aerosol for cold symptoms, and he feeds bread crumbs to migratory birds.  As the story unfolds, told mostly in third-party reports, we learn the scientist was working on a deadly disease, and that he thinks of humanity as a blight on the Earth.

There's no subtext to the story—it's all on the surface—but it's beautifully told and very eerie.  I liked it; my favorite from Mr. Tiptree so far.  Four stars.

The Theory and Practice of Teleportation , by Larry Niven

drawing of various teleport booth configurations: E and F face each other, a man shooting a gun into E and getting hit in the back of the head from F; C is on top of a cliff, A and B are on the ground, and D is on a railroad track

Adapted from a lecture Niven gave at Boskone in front of the MIT Science Fiction Society, this is an interesting look at the effects of teleportation, in all its potential developmental paths, on society.

Four stars.

Greeks Bringing Knee-High Gifts, by Brian W. Aldiss

A darkly humorous story set in the near future, satirizing the world of executives. They all hate each other but are not allowed to express it or complain, so they do things that they can claim are generous as an act of passive aggression.

For instance, one gifts another with a genetically tailored midget Tyrannosaurus…which promptly eats the recipient's leg.  Said giftee then names the dinosaur after the giftor's coquettish wife and turns up at the giftor's funeral with the creature to terrorise people, but in doing so claims it is a lovely tribute.

Rather obtuse and pointless.  I didn't like it.

One star.

(with thanks to Kris for co-writing this review-let).

Godel Numbers, by J. W. Swanson

three men in suits look at an enigmatic black flat cuboid that looks like a bar of dark soap
by Jack Gaughan

200 miles west of Cairo, archaeologists have dug up what they're calling the "Cairo Stone".  It is a black tablet, obviously artificial, clearly advanced, and meticulously carved with a series of scratch marks.  Dated to 3000 B.C., it could not have been made by a contemporary terrestrial civilization.  It's up to three scientists, a melange of linguists and computer engineers, both to crack the code of the tablets and to fend off Soviet agents.

In the end, the tablet serves much the same purpose as the monolith(s) in 2001, jump-starting humanity's progress.  It's an amiable, old-fashioned sort of tale, and so esoteric that it probably would have done well, if not better, in Analog.

Three stars.

Cleaning up

All in all, the latest Galaxy makes for pleasant, if not outstanding, reading.  I would certainly much rather read about Godel numbers, teleportation, immortals, and isotopic pirates than oil slicks any day!






[January 28, 1969] Slidin' (February 1969 Analog)


by Gideon Marcus

Mudslides

Winter is the wet season for Southern California, and we've been just drenched these past weeks.  I understand seven inches of rain fell in the Los Angeles area, causing terrible mudslides, property damage, and injury.  Apparently, things were made worse by a spate of arson last year that got rid of the stabilizing undergrowth.

Ontario's Foothill Boulevard looking west toward Red Hill Country Club Drive, flooded. (Daily Report photo)
Ontario's Foothill Boulevard looking west toward Red Hill Country Club Drive, flooded. (Daily Report photo)

I've had many friends ask if we're alright, afraid we might have been swept downstream in the torrent.  Rest assured that Vista is disaster-proof (knock on wood), and our house is at the top of a hill.  We had some deep pools of water in the backyard, but they've since drained.  Our neighbors have gotten invaded by bugs seeking refuge from the storm, though.

A man runs past a station wagon that was washed two blocks down Carnelian Avenue, along with part of the road surface. (Daily Report photo)
A man runs past a station wagon that was washed two blocks down Carnelian Avenue, along with part of the road surface. (Daily Report photo)

Ups and Downs

If the physical world is getting washed away, one edifice that manages to stand firmly, if not always proudly, is Analog, science fiction's most popular magazine.  Has this month's issue slid at all, or is it holding fast?  let's see:

Analog cover featuring drawing of woman holding a baby swathed in christmas light glows data-recalc-dims=
by Kelly Freas

A Womanly Talent, by Anne McCaffrey


by Kelly Freas

We're back in the world of psionic talents, perhaps related to the stories that involve ladies in towers.  A pair of politicians want to pass a law protecting and enabling the psionically adept, legitimizing things like professional prognosticators and psychic manipulators.  A Luddite strawman, name of Zeusman, is against it.

Meanwhile. Ruth is the wife of Lajos, a precog.  She is frustrated because she has an unidentified talent, and also because she really wants to be a mom.  Eventually, the latter frustration is relieved, and her daughter ends up demonstrating what Ruth's power really is.

Aside from the tale beginning with ten pages of conversation that reads more like a Socratic dialogue than a story, I just find McCaffrey's writing so flat and amateur.  I'm sure all the psi stuff was music to editor Campbell's ears, including lines like "Those who truly understand psionic power need no explanation. Those who need explanation will never understand," but it doesn't work for me.  Beyond that, McCaffrey's attitudes on the relations of the sexes is so atavistic, although I suppose she gets points for talking about sex at all.  Maybe Campbell likes that, too.

Two stars.

You'll Love the Past, by J. R. Pierce

Illustration for You'll Love the Past with a bunch of heads of the characters in the story
by Leo Summers

A time traveler from the 21st Century takes a trip in a time machine to the 24th Century.  A war has transformed society: America is now largely mixed race, with the whitest of the population an inbred and stupid group.  Socially, the continent is organized into placid socialist cooperatives run by religious Brothers, advanced technology provided by the Japanese.  It's the sort of world one can be happy in…provided one is favored by the status quo.  Every so often, one of the non-favored tries to escape.

Not a bad story, even if it seems to be obliquely casting aspersions on Communists of darker hue.

Three stars.

The Man Who Makes Planets, by G. Harry Stine

picture of Ken Fag holding a globe of Mars he has painted in front of a large globe of Saturn he painted. data-recalc-dims=
Photos by G. Harry Stine

A nifty piece by Analog's resident rocket enthusiast about a fellow who makes model planets for a living.  I'd get one for my house, but they're a bit pricey—a quarter of a hundred large!

Four stars.

Extortion, Inc., by Mack Reynolds

Illustration of a man in a suit holding a bottle of whiskey looking like he's being exploded toward the viewer
by Leo Summers

Yet another piece set in the (anti-) Utopian future of People's Capitalism, where North America has become a stratified welfare state, and money is a thing of the past.

Rex, last of the private dicks, is engaged by a government minister to find out who stole the plans for a miniaturized nuclear bomb, and why said criminal is blackmailing him, threatening to distribute the plans should a ransom not be paid promptly.

The solution to this mystery is actually trivial, and the story isn't quite long enough for what it's trying to do.  Nevertheless, I always find this setting interesting.  And perhaps prescient.  There was piece in last week's newspaper about the National Urban League's proposal for a universal income…

Three stars.

Wolfling (Part 2 of 3), by Gordon R. Dickson

illustration of the main character teleporting into a space, wearing a beret and tartan, surprising two alien soldiers and their leader
by Kelly Freas

Back in part one, Jim Kiel was sent from Earth to study the intergalactic empire whose fringes were discovered when a Terran probe made it to Alpha Centauri.  An anthropologist and ubermensch, Jim is essentially a spy, though the High Born of the empire don't know that—they think that he's an interesting curiosity, favored for his bullfighting skills and independent thinking.

This installment begins just after Jim's first encounter with the Emperor, a genial, capable man who, nevertheless, seemed to suffer a stroke.  A stroke that no one but Jim noticed.  Much of this middle installment is devoted to Jim's navigation of High Born society, attempting to master the reading machines to determine if Earth really is a long-lost colony of the empire or something else, and also how he discovers and foils an insurrection attempt with designs on incapacitating the empire's leader.  In the last portion, Jim is promoted to the equivalent of a Brigadier General and sent to quell a rebellion.  This is actually a trap designed to kill him, but he neatly sidesteps it.  Now he wants to know why he's marked for death.

The pot continues to boil.  There's a lot of the flavor of Dickson's Dorsai series, but with a different, perhaps even more interesting, setting.

Four stars.

A Chair of Comparative Leisure, by Robin Scott

illustration of a suit-vested professor and little bubbles surrounding him illustrating seens from history
by Leo Summers

A stammering professor somehow manages to be the most magnetic, as well as effective at conveying information.  Does his technique go beyond the verbal?

(Yes.  He has the power of psychic projection.  Whoopee.  Two stars.)

Calculating the damage

Japanese ad for a Hitachi computer with a Japanese woman leaning over a machine

You win some, you lose some, and this month's issue clocks in at exactly three stars.  While nothing could compare with the superlative four-star Fantasy and Science Fiction, three stars is still lower than New Worlds (3.3) and Galaxy (3.2).  It does beat out IF (2.8) and Fantastic (2.2), however.

You could fill as many as three issues with good stuff out of the six that were put out—in large part thanks to how great F&SF was this month.  Nevertheless, women contributed very little of that, with only 6.67% of new fiction written by female writers, most of that Anne McCaffrey's drudge of a story.

Still, in an uncertain world, I can't complain too much.  Especially since, mudslides or no, the Post Office still manages to get me my magazines on time!