Magazine

[June 16, 1966] Calm Spots (July 1966 Fantasy and Science Fiction)

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by Gideon Marcus

Hot Times

Summer is looming, and it looks like we're in for another riot season.  I suppose it only stands to reason given that inequality still runs rampant in a nation ostensibly dedicated to equality.  This time, the outrage boiled over in Chicago, and the group involved was of Puerto Rican extraction.

Things started peacefully, even jubilantly: June 12 saw thousands gather for the Puerto Rican pride parade.  But after the festivities, the cops shot Cruz Aracelis, 21, and violence erupted.  For three days, police cars were overturned, property went up in flames, and people were hurt (and some died).  Despite the exhortations of the community's leaders, the rioting continued, and it was not until Mayor Daley promised much-needed reforms that the outbreaks lapsed, on June 15.

Tectonic shifts are rarely gradual. Similarly, we lurch toward progress with the accompanying devastation of an earthquake. Just as we're starting to build for seismic destruction in California, if we want to see riot summers a thing of the past, we'll need to build real systems for equality sooner rather than later.

Eye of the Storm

Chicago may burn, Kansas may be savaged by tornadoes, and Indonesia might be going to hell in a hand basket, but the latest Fantasy and Science Fiction is by comparison pretty mellow stuff.  Indeed, it's a pretty unremarkable issue even compared to recent issues of F&SF!  Still, there's good reading in here.  Take a break from the outside world's madness and join me:


by Chesley Bonestell

Founder's Day, by Keith Laumer

Retief author Keith Laumer departs from comedic satire for a reasonably straight story.  In a future borrowed from Harrison's Make Room! Make Room!, the only escape from Earth's 29 billion inhabitants is a five year journey in stasis to Alpha Centauri 3.  But what really lies at the end of a grueling journey that includes a savage boot camp and the stripping away of all humanity?

A competent piece, Founder's Day nevertheless is no more than that.  This story of friction between colonist and transport crew could have been set in 19th Century Australia as well as space.  Laumer doesn't really bring anything new, in concept or execution.

Three stars.

The Plot is the Thing, by Robert Bloch

Psycho author Robert Bloch doesn't do much fantasy these days, but his turns are always slickly done.  In this vignette, young heiress Peggy is the portrait of disassociation, abandoning reality for the Late Show, the Late Late Show, and the All Night Show — any program that will give her the horror flicks she craves.  But when drastic medical intervention rescues her at the brink of death, is it salvation, or merely the gateway to greater unreality?

No surprises but the usual excellent execution.

Four stars.


by Gahan Wilson

Experiment in Autobiography, by Ron Goulart

The best part of Goulart's latest story is the double-meaning in the title.  One gets the impression that the absurd lengths to which the protagonist, a free-lance writer, must go to collect his ghosting fee, is only slightly removed from reality.

Three stars for Goulart fans; knock one off for everyone else.

Brain Bank, by Ardrey Marshall

Sturm is a brilliant mathematician cut down in the prime of his life.  Too valuable to be left to molder, Sturm is brought back as a disembodied brain, forced to offer his expertise to all who request it: students, businessmen, colleagues.  He is a true slave with no human rights and the fear of being switched off perpetually hanging over him.  Especially when an old rival, now a tenured professor who made his reputation by stealing the work of his T.A.s and associates, becomes Sturm's latest client.

In setup, it's not unlike Calvin Demmon's vignette The Switch, which appeared in F&SF last year.  But the execution here is breezy, the story more of a potboiler.

I don't know if I buy the premise, but I can easily imagine a much put-upon sentient computer in the same situation.  The rather conventional adventure story overlies some thoughtful philosophy.

Three stars.

Man in the Sea, by Theodore L. Thomas

Is oxygenated water the solution to problems posed by deep sea diving?  What about direct oxygenization of blood?  Some neat ideas that I can't immediately poke holes in for once.

Four stars.

The Age of Invention, by Norman Spinrad

This flip piece posits that our current art culture, and the ease with which it is manipulated, is no new thing at all.  Indeed, it's been with us since we've been recognizably human.

Fun fluff.  Three stars.

Balancing the Books, by Isaac Asimov

The latest article from The Good Doctor is about conservation of charge and mass in the subatomic particles.  I suspect the material could have been covered in a piece as short as Thomas' column.  Padded to ten pages, it loses its punch.

Three stars.

Revolt of the Potato Picker, by Herb Lehrman

A spud farmer, one of the last dirt agriculturalists in a time of yeast and lichen hydroponics, buys a sentient tractor to do his harvesting.  All is well until the robot's sensitive side comes to the fore.  Instead of devoting its (her?) time to picking and peeling, all it (she?) wants to do is pursue artistic interests.

Meant to be a winking, nudging joke of a story, I found it both distasteful and also just kind of stupid.

Two stars.

The Manse of Iucounu, by Jack Vance

At last, the meanderings of Cugel the Clever come to a close.  Banished to the ends of the Dying Earth by Iucounu, the mage he was trying to rob, Cugel at last finds a way home with the treasure he was sent to find.  The key turns out to be a misadventure with sapient rats and a liaison with a sorcerer liberated from their clutches.

Like the rest of the series, it wobbles between wittily imaginative and routine, too episodic to really engage.  If anything, it feels like a modern day, rather adult Oz story.  With a thoroughly unpleasant though sometimes entertaining antihero.

Call it four stars for this entry and three and a half for the series as a whole.

Emerging from Solace

There are issues of F&SF that astound, leaving an indelible impression.  There have been others (not recently) that are better left to gather dust on the shelf (if not utilized for kindling next winter).  The July 1966 issue lies on neither extreme.  But if you find yourself wanting a quiet weekend away from the strife of the real world, this issue will be a fine companion.




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Book, Science Fiction/Fantasy

[June 14, 1966] Aliens, Housewives and Overpopulation: Orbit 1, edited by Damon Knight

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by Cora Buhlert

Whale Hunt on the Rhine

Moby Dick on the Rhine
Moby Dick swims past the Duisburg copper smelter.

All of West Germany is currently kept on tenterhooks by Moby Dick. No, I'm not talking about the classic novel by Herman Melville, but about our very own re-enactment thereof on the river Rhine.

On May 18, the skipper of a Rhine barge reported having seen "a white monster" in the polluted waters of the Rhine near Duisburg. The river police initially assumed that the man was drunk, but other sightings were reported as well. The unfortunately named Dr. Wolfgang Gewalt (his surname literally means "violence"), director of the Duisburg Zoo, identified the creature as a beluga whale, which had somehow managed to swim 450 kilometres upstream.

Hunting Moby Dick
Dr. Gewalt and his crew hunt Moby Dick with stun guns and bow and arrow.

Discovering his inner Captain Ahab, Dr. Gewalt decided to capture the white whale and have it transported to his brand-new dolphinarium. However, he was about as successful as his literary counterpart and so Moby Dick, as the whale was nicknamed by the locals, repeatedly eluded the traps laid for him, with the aid of some people who believe that the whale should be free back to swim the ocean and not imprisoned in a too small basin.

Diving bell vessel Carl Straat
The specialist diving bell vessel "Carl Straat" with a tugboat on the Rhine. The "Carl Straat" was built in 1963. My Dad designed the handling gear for the diving bell.

Eluding his would-be captors, Moby Dick even swam as far upstream as the West German capital of Bonn, where he interrupted a parliamentary press conference, most likely to protest the treatment he had suffered at the hands of the West German police as well as the heavy pollution of the Rhine, which turned the pristine white skin of a whale a splotchy grey. However, there is a happy ending, because Moby turned around and made it back to the North Sea unharmed.

Moby Dick in Bonn cartoon
A cartoonist's impression of Moby Dick interrupting the parliamentary press conference, much to the chagrin of Chancellor Ludwig Ehrhard.

All-new Anthology, All-new Stories:

Moby's adventures are enough to keep the entire country at the edge of their seats. But nonetheless, I still found the time to read the new science fiction anthology Orbit 1, edited by Damon Knight, which I picked up from the trusty spinner rack at my local import bookstore. The blurb on the backcover promised nine brand-new stories by the best science fiction authors working today, so how could I resist?

Orbit 1, edited by Damon Knight

"Staras Flonderans" by Kate Wilhelm

Kate Wilhelm is not only one of the best up and coming science fiction authors, she also happens to be married to Orbit editor Damon Knight. That said, Knight wasn't playing favourites here, because Kate Wilhelm's contribution to the anthology is a genuinely good story.

A scout craft with a three person crew, two humans and the alien Staeen, approaches a derelict starship. The lifeboats are gone and the ship was abandoned by her crew in a hurry. However, our three brave explorers have no idea why, since the ship was in perfect working order. Nor is this the first time something like this has happened; other ships have been found abandoned as well.

Kate Wilhelm explores the mystery of the abandoned starship not through the eyes of the two human crewmen, but of the alien Staeen, who is described as looking like an inverted tulip at one point. Staeen is a truly alien creature, who can survive on land, underwater, in deep space and in high radiation environments. He is an empath, several millennia old and humans are ridiculously short-lived to him. In fact, Staeen's people, the Chlaesan, refer to humans as "Flonderans", which means "children" in their language. Staeen's human crewmates, two big, burly spaceman that would be at home in any issue of Analog, clearly have no idea how their comrade views them.

Staeen uses his empathic abilities and realises that the crew abandoned the ship in a fit of irrational panic. But whatever caused that blind panic is still out there, as our three brave explorers are about to find out…

At its heart, this story is a neat mystery in space that would have been at home in Planet Stories or Thrilling Wonder Stories twenty years ago. What sets it apart is Staeen's uniquely alien view of the world as well as Kate Wilhelm's writing skills.

Four stars.

"The Secret Place" by Richard McKenna

I wasn't familiar with the work of Richard McKenna, who passed away two years ago at the way too early age of fifty-one. So "The Secret Place", which was found among his papers after his death, is my first exposure to his work.

First-person narrator Duard Campbell recounts his strange wartime adventures. As a young geology student, Campbell was part of a team that was supposed to track down a uranium mine in the Oregon desert. For in 1931, a boy named Owen Price was found dead with claw marks on his back as well as some gold ore and a piece of uranium oxide in his pocket. When uranium suddenly becomes vitally important with the onset of WWII, the US Army sends a team to locate the source of the uranium oxide. The chief geologist Dr. Lewis believes that this venture is futile, because the area in question is a volcanic high plateau, where uranium does not naturally occur.

When the team departs, only Campbell is left behind. He wants to prove Dr. Lewis wrong and find the uranium vein. So he hires Owen's sister Helen, who can see things no one else can see, as his secretary to pry the secret of the uranium mine out of her. But the game Campbell plays with Helen quickly becomes dangerous for them both.

I enjoyed the vivid descriptions of the Oregon countryside, though I have no idea how accurate they are. The ending is a bit abrupt, though, and the central mystery is not really resolved, probably because McKenna died before he could finish the story.

Three stars.

"How Beautiful With Banners" by James Blish

James Blish needs no introduction to the readers of the Journey.

Dr. Ulla Hillstrøm is a scientist who runs into problems when her living spacesuit merges with a native creature, described as a floating cloak, during a research mission of the Saturn moon of Titan.

Dr. Hillstrøm realises that the cloak is trying to mate with her spacesuit. She notes a second cloak creature and deduces that it might be jealous, so she tries to use the second creature to separate the cloak creature from her spacesuit. However, she is only partly successful, because the separation destroys the spacesuit. The last thing Dr. Ulla Hillstrøm sees before she freezes to death is the mating dance of the cloak creatures.

Beautifully written, but inconsequential. The stereotype of the icy female scientist who never knew love and companionship is overused. Science fiction writers, please go and meet some actual women scientists.

Two stars

"The Disinherited" by Poul Anderson

Poul Anderson is another author who needs no introduction.

The government of an overpopulated future Earth ends the galactic exploration program and recalls scientific personnel and spaceship crews. Understandably, no one is very happy about this.

"The Disinherited" follows two characters. Jacob Kahn is a starship captain and has been for a very long time due to the time dilation effect of travelling at lightspeed. Kahn is also an Israeli Jew, something which should not be unusual, considering how many science fiction writers are Jewish, but which sadly still is. Kahn's first mate is Native American, his chief engineer is from India, the assistant chief engineer from Africa. Anderson presents us a still all too rare future populated by people other than white Anglo-Saxon Protestants, though most of them are still male.

David Thraikill is a scientist whose family has been living on the planet Mithras for three generations now and who has never been to Earth. As a result, Thraikill and the rest of the scientists do not want to leave Mithras, because this is their home now. Kahn tries to persuade them to leave by explaining that the human inhabitants of Mithras cannot maintain a high level of technology in the long run and that there will also be conflicts with the native population of Mithras, a race of peaceful kangaroo-like beings. Because as history shows, this is what always happens when one group of humans comes in contact with another group and colonises their homeland…

Considering how prolific Poul Anderson, it's no surprise that his works can be hit and miss. "The Disinherited" definitely falls on the "hit" side and offers a look at the dark side of colonialism, something our genre rarely explores.

Five stars

"The Loolies Are Here" by Allison Rice

Allison Rice is the only unfamiliar name in Orbit 1. However, the biographic note explains that Allison Rice is a joint penname used by Jane Rice, whose stories have been brightening up the pages of Unknown, Astounding and F&SF for more than twenty years now, and Ruth Allison, a mother of five and new writer.

The first person narrator – we later learn that she shares the name the authors have chosen to publish this story under – is a harried housewife and mother of four, who is dealing with a torrent of bad luck, appliances breaking down, children and pets misbehaving, etc… One day, she finds tiny footprints on the floor and wonders whether the loolies – mischievous goblins whom her sons blame for their own misbehaviour – are not real after all. Eventually, the narrator sees a bonafide loolie in the bathroom during a massive storm. But even though the loolie causes chaos, he does help the narrator get even with her useless husband.

"The Loolies Are Here" is very much a humour piece and the voice of the harried housewife and mother certainly rings true. In many ways, this story reminded me of Shirley Jackson's collection of semi-autobiographical short stories Life Among the Savages. It's a good story, but as a humorous domestic fantasy story, it doesn't really fit into what is otherwise a science fiction collection.

Four stars

Life Among the Savages by Shirley Jackson

"Kangaroo Court" by Virginia Kidd

Virginia Kidd is a well known name in genre circles as a member of the Futurians, poet, magazine publisher, literary agent, former roommate of Judith Merril and former wife of James Blish. Now she can also add short fiction writer to her resume.

A future Earth, where war is a thing of the past and space travel has been outlawed, receives strange messages from outer space, followed by the landing of a spaceship. A military officer named Tulliver Harms puts himself in charge of dealing with the alien Leloc, whom he is convinced must be dangerous – after all, they're aliens. Harms plans to annihilate the Leloc.

The only potential obstacle to this plan is the newly appointed liaison officer Wystan Godwin, who had no idea what is going on due to having spent the past few months on a retreat in monastery in Tibet. Harms does his best to keep Godwin busy and in the dark, but eventually Wystan gets to parley with the kangaroo-like Leloc, who are not just very alien, but who also believe that Earth is their long lost colony. Wystan has to muster all his diplomatic skills to avoid genocide or all-out war.

"Kangaroo Court" is an amusing story about how diplomacy rather than violence wins the day, featuring some truly alien aliens. However, it also goes on far too long and particularly the expositional sections in the middle about kangaroos, marsupials and the impossible nature of the Leloc spacedrive made my eyes glaze over like the gizmospeak in a bad Analog story.

Three stars

"Splice of Life" by Sonya Dorman

Sonya Dorman burst onto the scene a few years ago and has since established herself as one of our most exciting new writers.

"Splice of Life" opens with a young woman – she's only ever addressed as Miss D. – coming to after a car accident, just in time for a doctor to stick a hypodermic into her eyeball. The eye was injured in the accident and Miss D. worries that she may lose it. The doctors and nurses reassure her, but both Miss D. and the reader realise that something is not quite right in this hospital.

A neat tale of medical horror with a ending that packs a punch.

Four stars

"5 Eggs" by Thomas M. Disch

Thomas M. Disch is another newish author, who was one of Cele Goldsmith-Lalli's discoveries back when she was editing Fantastic and Amazing.

The unnamed writer protagonist of "5 Eggs" has been left by his lover Nyctimene on the eve of their engagement party. Gradually, we learn that Nyctimene was not quite human, but some kind of bird alien, as the reference to the figure from Greek mythology suggests. However, Nyctimene has left something behind: a basket of eggs. But leaving eggs lying around the house can be quite dangerous.

This story is well written, but there isn't much of a plot and the final twist is not as shocking as Disch probably thinks it is. The recipe for Caesar salad sounds good, though.

Two stars

Pure Food-Oil ad
If you're planning on making Thomas M. Disch's recipe for Caesar salad, mind the eggs.

"The Deeps" by Keith Roberts

British writer and artist Keith Roberts has been gracing the covers and pages of Science Fantasy and New Writings in SF for several years now, though this is his first US publication, as far as I know.

"The Deeps" starts with the by now familiar dystopian vision of an overpopulated Earth (for another recent take on this theme see Make Room, Make Room! by Harry Harrison, reviewed here by our own Jason Sacks). This time around, the ingenious solution to the overpopulation problem is cities on the ocean floor.

Mary Franklin is a suburban housewife living in one of those undersea cities. One day, her teenaged daughter Jen goes off to a dance and doesn't come home. Mary goes searching for her, wondering whether the children who grow up under the sea are not becoming steadily more fishlike.

"The Deeps" is well written. Roberts captures both Mary's frustration with her husband and her fear for Jen, though I wonder whether a frantic mother searching for her missing child would really spend two pages describing the infrastructure of undersea living. Atmospheric, but not a whole lot of plot and marred by long stretches of exposition.

Three stars

Summary Judgment

The Orbit anthology series is certainly off to a good start. The quality of the stories varies, but they do offer a good overview of the range of science fiction writing today.

Of the nine stories in this anthology, four are written by women. If we count Jane Rice and her collaborator Ruth Allison separately, we have five male and five female authors. Of course, women make up fifty-one percent of the Earth's population, so an anthology with fifty percent male and fifty percent female contributors shouldn't be anything unusual. However, in practice there are still way too many magazine issues and anthologies that don't have a single female contributor, so an anthology where half the authors are women is truly remarkable.

Three and a half stars all in all

Café on the Bremen market square
Enjoying the summer sun with a cup of coffee, a slice of snow mousse cake and a good book on Bremen's market square.
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Book, Science / Space Race, Science Fiction/Fantasy

[June 12, 1966] Which Way to Outer Space? (New Writings In SF 8)

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by Mx. Kris Vyas-Myall

Space has been big news in the British press recently. Not the current struggles of America’s Gemini-9 link-up, but rather the saga of the UK’s presence in the ELDO.

ELDO logo

The European Launch Development Organization was formed by a treaty signed in 1962 between Britain, France, Germany, Italy, Belgium and The Netherlands for the development of a three-stage rocket launch for satellite use (you can read an excellent report Kaye Dee did on the project two years ago). However, the new British Labour government has been unhappy with the increasing costs and with the fact that Britain was paying around 40% of the cost rather than investing in its own rocket program, like some of the other nations have been.

The issue apparently came to a head when estimates for the Europa 1 launcher had risen to £150m, with no expectation of much practical use before 1969. For the last week negotiations had been happening feverishly to try to come up with a solution, with concerns that Britain would have no involvement in space in the future and the whole Eldo project could end up being scrapped.

ELDO launch brochure
Brochure for the upcoming Europa 1 launches from Woomera

Thankfully, a solution has been found. Britain will still be involved but their share of the cost will be reduced to 27%, whilst other countries shares increasing to meet this shortfall, making the payments between the largest countries more equitable.

New Writings in SF 8

Space is also the main theme of this quarter’s New Writings anthology, with new angles used to look at the familiar subject.

New Writings in SF8 Cover

Before we start on the stories, can we address the fact that these Dobson hardbacks are incredibly ugly to look at? They are just the same image and format reproduced in different colors each time. The Corgi paperback editions all have much more attractive covers which are likely to intrigue the reader:

Covers for New Writings anthologies 1, 2 & 3 in paperback from Corgi
The first three New Writings anthologies in paperback from Corgi

Could the publishers please make more effort? Or at least give us some variety after two years of the same dust jacket?

Anyway, on to the stories, let us see what Carnell’s crew comes up with:

The Pen and the Dark by Colin Kapp

We have the return of Kapp’s Unorthodox engineers for a third installment (one in Carnell’s New Worlds and the other in New Writings 3). These stories seem to have fans enough to encourage more tales in this world, although I have personally not been enamored by what has been presented so far.

This time the team go to investigate a strange phenomenon on the planet Ithica. An alien vessel had appeared there, then vanished, leaving a mysterious pillar of darkness. The whole area appears to defy their understanding of physics and so the team must investigate further.

I have read some people find the stilted, unnatural dialogue in this series as a great way to give his world depth. To me it is just irritating, as it does not stray far enough from our own language to read as much other than wooden. This was also compounded for me by the fact that it is filled to the brim with scientific jargon I struggled to understand. I have a suspicion it may have been made up, as they say at the end:

And even if they’d tried to tell us, I doubt our capacity to have understood. Try explain the uses and construction of a Dewar flask to an ant – and see who gets tired first.

However, what I did appreciate was the atmosphere of adventure into the unknown he creates which dragged me along this obscure journey. Perhaps more one for the Niven fans out there?

Three stars

Spacemen Live Forever by Gerald W. Page

Page is a new writer to me but has apparently had a couple of pieces published in the American magazines. Here he produces a very grim take on the long intergalactic voyage.

Torman Graylight is first officer on a ship transporting a sleeping population to a new planet. He is the only person awake apart from second officer Kelly. But when Kelly dies in an accident, Graylight’s loneliness gets the better of him and he decides to wake one of the sleepers. But will this be enough for the two of them to survive the years of travel through the void of space?

Whilst these kinds of grim nihilistic tales are not generally to my taste, I do appreciate the skill with which he presents the atmosphere, giving us a real sense of hopelessness and isolation.

Four Stars

The Final Solution by R. W. Mackelworth

Mackelworth also serves up a grim vignette, this one on the inherent self-destructiveness of fascism. In this future, human racial supremacists (closely modelled on Nazis) encounter another species with similar ideology on The Rose World. They decide to do a series of tests to determine racial hierarchy.

Even though short it is a very poignant and necessary piece on the ease with which militarism and racism can take over a society. The only parts that stop me from giving it a full five stars are that some of the elements (e.g., calling the alien leader Slan) and the ending make the story a little too explicit, but it is still a very strong short.

A high four stars

Computer’s Mate by John Rackham

Captain Sven Soren is piloting the Stellar One through the gaps between atoms as a means of breaching light-speed, with the first attempt to Vega. To achieve this, they need a massive computer to control the ship’s complex mechanisms. Coming with it is Grant Wilson, whose job is to care for the machine and act as the link between crew and computer.

Their first “star-jaunt” is a success, with them finding an Earth style world and its inhabitants. However, the crew are distrustful of Wilson as he himself acts like a computer and are unwilling to heed his warnings of the dangers ahead.

I have decidedly mixed feelings about this piece. Whilst it is nice to see a story about a mentally disabled person (particularly where he gets to be the hero, rather than a victim) the abuse of the rest of the crew because of his differences still feels out of place. There are also large sections which are just philosophizing on the nature of life and humanity, which can be interesting at times but often seem to be used at the expense of the women crew members. And whilst it is nice to see multiple women involved in spaceship operations, they are not really shown to do much that is positive.

I think I will go straight down the middle and give it three stars.

Tryst by John Baxter

On the outer reaches of an Asimov-esque galactic empire, there is a barren, nearly forgotten colonized world called Dismas. their only real link with the central imperium is an annual ship sent to help support the colony and bring back any saleable merchandise.

However, on this shipment all the boxes of equipment sent instead contain boxes of rose petals and the new machines are made from paper and foil. Even the ship in orbit is mysteriously deserted. The young rebellious Nicholas is sent to take the ship back to Centre and find out what has happened.

This is a thoroughly sensory story, beautifully described with a real sense of wonder and melancholy. Unfortunately, the ending was a bit of a disappointment for me and the only thing keeping it from a full five stars.

Four stars

Synth by Keith Roberts

And of course, at last we come to the obligatory Keith Roberts tale! This time making up the final third of the anthology. However, this piece does not seem to have any relation to the space theme of the rest of the book, rather being one of artificial intelligence.

In the twenty-second century, Megan Wingrove is named as a co-respondent in a major divorce case, between famous painter Henry Davenport and his wife Ira Davenport, with it being claimed Megan had an affair with Henry whilst working as their maid and Ira’s companion. What makes this case unusual is that Megan is a synth, a kind of advanced robot with an organic skin and muscle structure.

As well as seeking damages for mental anguish, Ira wants to have Megan destroyed for being dangerous and behaving immorally. We observe the case unfolding as they debate as to whether or not it is possible for a human to have a sexual relationship with a synth and whether a synth can be deemed to be responsible.

I was initially cynical that Keith Roberts would be able to do this kind of tale justice but he manages to produce both a really tense courtroom drama as well as delving into questions of consent and love. This story manages to be applicable to real life (you could see the same questions emerging in a similar situation with a domestic servant) whilst also being distinctly science fictional. He gives more thought to what it would mean for human emotions and longings to hit up against our technological capabilities than I can think of in any similar story.

I am as surprised as anyone to find myself giving a Keith Roberts story a full five stars!

Back to Earth

Readjusting their focus back to traditional science fictional subjects and having a nice mix of new and old talents has really brought out the best in Carnell’s anthology series. Here they put new perspectives on these subjects and come out with a marvelous selection. Even the stories I didn’t like as much I think may have more to do with my personal foibles than the quality of the writing.

Hopefully, this can continue in issue #9 and not regress to the poor state of affairs we saw in the prior collection.

Tune in to KGJ, our radio station!  Nothing but the newest and best hits!




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Magazine, Science Fiction/Fantasy

[June 10, 1966] Summer Reruns (July 1966 Fantastic)

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by Victoria Silverwolf

Old Series Never Die, They Just Fade Away

Summertime is right around the corner, here in the Northern Hemisphere, and all patriotic Americans know what that means; reruns on television. Not only does this save the production companies money, it allows defunct programs to continue to appear on TV screens long after they're gone, like ghosts haunting a house. (Of course, they're easier to exorcise than traditional specters; just pull the plug.)

Two popular, critically acclaimed, and long-running series recently cast off this mortal coil, ready to enter the monochromatic afterlife of reruns.

Late last month, the courtroom drama Perry Mason slammed down the gavel for the last time with The Case of the Final Fade-Out. The story involved a television studio, so a large number of crew members made cameo appearances, pretty much as themselves. There was also a very special guest star.


That's executive producer Gail Patrick Jackson on the left and Hollywood columnist Norma Lee Browning on the right. The fellow in the middle? That's bestselling author Erle Stanley Gardner, creator of Perry Mason, dressed up for his role as a judge in the final episode.

At the start of this month, The Dick Van Dyke Show came to a conclusion with the appropriately titled episode The Last Chapter. Van Dyke's character, television writer Rob Petrie, finishes the book he's been working on for five years, and looks back on his life.


Because The Last Chapter was really just an excuse to reuse sequences from previous episodes, I'm offering you this scene from the penultimate episode, The Gunslinger. Surrounding Van Dyke in this Western parody are cast regulars Mary Tyler Moore and Richard Deacon.

I'm sure that both of these hit series will be reincarnated in American living rooms for quite a while.

Not all summer television programming consists of reruns, to be sure. There are so-called summer replacement series as well. In a week or so, we'll enjoy (or avoid) the first episode of The Dean Martin Summer Show (not to be confused with The Dean Martin Show, which has been going on since last year. Are you still with me?) It will be hosted by the comedy team of Dan Rowan and Dick Martin.


Rowan on the left and Martin on the right, in a scene from their 1958 Western spoof Once Upon a Horse. I wonder if they'll have any success as TV hosts.

A Home Run The First Time At Bat

Although it's not unknown for popular songs of yesteryear to return to the charts — auditory reruns, if you will — listeners are usually searching for something original. Newcomer Percy Sledge offers an notable example with his smash hit When a Man Loves a Woman. This passionate, soulful ballad, currently Number One in the USA, is not only the first song recorded by Sledge, it is the first song recorded in Muscle Shoals, Alabama, a city famous for its music studios, to reach that position.


Your fans mean it, Mister Sledge.

I've Seen This All Before

The reason I've been talking about reruns, before I get to the contents of the latest issue of Fantastic, isn't just the fact that they've been filling up the magazine with reprints for some time now. As we'll see, many of the old stories in this issue have reappeared several times before. Reruns of reruns, so to speak. Whether fans of imaginative literature will be willing to spend four bits for fiction they may have already read in collections or anthologies remains to be seen.


Cover art by Frank R. Paul.

Predictably, the front cover is also a rerun.


The back cover of the June 1943 issue of Amazing Stories. It looks better in the original version.

Before I get to the reruns, however, let's start with something new.

Just Like a Man, by Chad Oliver


Illustrations by Gray Morrow.

Three men are in an aircraft, flying over the surface of an Earth-like planet. A sudden storm forces them to abandon the vehicle, stranding the trio in an area resembling an African savannah. Because the place is full of leonine predators, they hightail it to the relative safety of a nearby rainforest.


Climbing one of the planet's gigantic trees in order to get away from the hungry cats.

They wind up far above the ground, among an unsuspected community of highly intelligent primates. These mysterious creatures help them survive, and even offer the possibility of reaching their home base, located five hundred miles away across uncharted wilderness.


Among the primates, who are not as hostile as shown here.

This is a decent tale of adventure, and the enigmatic primates are interesting. The planet is so similar to Earth — the feline predators are pretty much just lions — that you might forget you're reading a science fiction story. Overall, it's worth reading, if not outstanding in any way.

Three stars.

The Trouble With Ants, by Clifford D. Simak


Cover art by Robert Gibson Jones.

From the January 1951 issue of Fantastic Adventures comes this final story in the author's famous City series. (By the way, the title of this work was changed to The Simple Way when it appeared in book form.)


Illustration by Rod Ruth. From this point on, all the illustrations are reruns from the original appearances of the stories.

In the far future, people are gone from Earth, with the exception of one fellow in suspended animation. Long ago, humans increased the intelligence of dogs, gave them the power of speech, and built robots to serve their needs. The canines, in turn, taught other animals to speak.

Complicating matters is the fact that a man caused ants to develop technology of their own, including robots the size of fleas. Now the ants are constructing a building, for an unknown purpose, which threatens to take over the planet.

An ancient robot returns from humanity's new home in a mysterious fashion. It seeks out the man in suspended animation as part of its quest to understand the ants.

Brought together as a fix-up novel in 1952, the City series won the International Fantasy Award the next year. It is usually considered a classic of science fiction, and has been reprinted many times.


One of the many editions of this work. Cover art by Ed Valigursky.

Highly imaginative, and with a sweeping vision of the immensity of time, Simak's tales also have a gentleness and intimacy that touches the reader's heart. The mood is one of quiet melancholy, and the acceptance of the fact that all things will pass away.

Although SF fans are likely to have read this story before, its quality makes it a welcome repeat. (One can rarely say the same thing about television reruns, or else viewers would stay glued to their screens.)

Five stars.

Where Is Roger Davis?, by David V. Reed


Cover art by Robert Fuqua.

Let's take a break from stuff that has already been reprinted multiple times, and take a look at the first reappearance of this yarn, taken from the yellowing pages of the May 1939 issue of Amazing Stories. (The author is unknown to me, but I have discovered that he also writes for comics, particularly Batman. Apparently a couple of episodes of the new television series are based on his scripts for the comic book.)


Illustrations by Julian S. Krupa.

Two young men working for a New York City tour bus encounter an invisible, telepathic Martian. One of them is seduced by the alien's plot to take over the world, and soon becomes a megalomaniac.


The fact that the Martian makes robbing a bank as easy as pie is another factor in his decision.

The other fellow has to figure out a way to keep the Martians from conquering Earth.

The mood of the story changes drastically from light comedy at the start to grim tragedy by the conclusion. Given the year it was written, I wonder if the dictatorial intentions of the first man were influenced by the rise of Fascism.

The author claims that this story is a true account, sent to him by the second man. There are also bits of imaginary news articles scattered throughout, in an attempt at verisimilitude. These don't work very well, particularly the long one at the end. The only thing I found mildly intriguing, if implausible, was the way the hero manages to plot against beings who can read his mind.

Two stars.

Almost Human, by Tarleton Fiske


Cover art by Harold W. McCauley.

The introductory blurb makes it clear that the author of this story, reprinted from the June 1943 issue of Fantastic Adventures, is really Robert Bloch, using a rather absurd pseudonym. (As is common practice, this was done because he had another story in the same issue under his own name.)


Illustration by Rod Ruth.

A hoodlum makes his way into the secret laboratory of a brilliant scientist. His moll has been working for the guy, so the crook knows the genius has created a robot. The machine is being educated like a child. The gangster teaches it to be an invincible criminal, and to kill without mercy. As you'd expect, things don't work out very well.

This piece reads like hardboiled fiction from a crime pulp. The final scene is particularly gruesome, in typical Bloch style. The author shows a certain knack for the Hammett/Chandler mode, but that's about all I can say for it. Not that great a story, but somebody thought it was worth reviving for an anthology.


Cover art by Jack Gaughan.

Two stars.

Satisfaction Guaranteed, by Isaac Asimov


Cover art by Robert Gibson Jones.

Speaking of robots, here's one of several stories about the robopsychologist Susan Calvin by the Good Doctor, from the April 1951 issue of Amazing Stories.


Illustration by Enoch Sharp.

Calvin only plays a minor part in this story, which focuses on a rather mousy, insecure housewife. Her husband works for the same robotics firm as Calvin, so he brings home a test model of a new machine. It looks like a handsome young man, and is designed to be helpful around the house in many different ways. The husband goes off on a business trip, leaving his wife alone with the robot.

The housewife is frightened of it at first, but soon learns to accept it. It even helps her with home decorating, clothing, and makeup, so she learns self-confidence. A final, unexpected gesture on the part of the machine, seemingly out of character for a robot, wins her the envy of her snobbish acquaintances. Susan Calvin explains why the machine's action was a perfectly logical way of obeying the famous First Law of Robotics.


Anonymous cover art for a British edition.

The author must be fond of this tale, because he has already included it in two different collections of his work. The one shown above, as the title indicates, includes stories that take place on Earth rather than in space, despite the misleading illustration and blurb. The story also appears in an omnibus that brings together his two robot novels as well as several shorter works.


Cover art by Thomas Chibbaro.

Besides that, it is also included in the same Roger Elwood anthology as Bloch's story. My sources in the television industry tell me that it is being adapted for the British series Out of the Unknown, and should appear late this year. (Will there be American reruns? One can only hope.)

Is it worth all this attention? Well, it's not a bad yarn, if not the greatest robot story Asimov ever wrote. The housewife is something of a stereotype of an overly emotional female, dependent on a man for her happiness. (This is in sharp contrast to the highly intelligent and independent Doctor Susan Calvin.) At some point you may think that the author is violating his own rules about robot behavior, but it's all explained at the end.

Three stars.

A Portfolio – Virgil Finlay

I'm not sure if I should even discuss this tiny collection of illustrations by the great artist, but at least I can share them with you.


For The New Adam (1939) by Stanley G. Weinbaum. The magazine calls it The New Atom, which is an egregious error.


For Mirrors of the Queen (1948) by Richard S. Shaver.


For The Silver Medusa (1948) by Alexander Blade (pseudonym for H. Hickey.)

What can I say? His work is stunning.

Five stars.

Satan Sends Flowers, by Henry Kuttner


Cover art by Robert Frankenberg.

The January/February 1953 issue of Fantastic is the source of this variation on an old theme.


Illustrations by Tom Beecham.

A man sells his soul to the Devil in exchange for immortality. (The premise is similar to that of the Twilight Zone episode Escape Clause, but the twist ending is different.) He ensures that he will remain young, healthy, and all that, so Satan can't play any tricks on him. Obviously, he figures he'll never have to pay up.

The Devil demands surety in the form of certain subconscious memories the fellow possesses. After assuring him that he won't even know he's lost anything, the man agrees. Unafraid of either earthly punishment or damnation, he lives a life of total depravity.


His first crime is the murder of his mother.

Eventually, he persuades the Devil to give him back what he lost, even though Satan warns him that he won't like it. This turns out to be a bad idea.

Like most other stories in this issue, this one has already appeared in a book. (It acquired the new title By These Presents.)


Back and front cover art by Richard Powers.

I should mention that the husband-and-wife team of Henry Kuttner and C. L. Moore almost always collaborated, even if the resulting story appeared under only one name. Whoever might have been responsible for whatever parts of this work, it's a reasonably engaging tale. I'm not sure I really accept the explanation for what the man's unconscious memories represent, but I was willing to go along with it.

Three stars.

The Way Home, by Theodore Sturgeon


Cover art by Barye Phillips.

This quiet story comes from the April/May 1953 issue of Amazing Stories.


Illustrations by David Stone.

A boy runs away from home. Along the way he meets a wealthy man and his glamourous female companion, in their fancy car; a man with an injured hand who has been all over the world; and a pilot in a beautiful airplane. Without giving too much away, it's clear from the start that these men represent possible future versions of himself.


Is this the road to the future, or to home?

Like Asimov's story, this piece has already appeared in two of the author's collections, but with a slight change in the title.


Cover art by Mel Hunter.

(I'm not sure if I should really count these as two different collections, because all the stories in Thunder and Roses already appeared, along with others, in A Way Home. Such are the vagaries of the publishing industry.)


Cover art by Peter Curl.

In any case, this is a beautifully written little story, subtle and evocative. To say much more would be to ruin the delicate mood it creates.

Five stars.

Worth Tuning In Again?


Cartoon by somebody called Frosty, from the same magazine as Satan Sends Flowers.

I wouldn't call this issue bad at all, although there were a couple of disappointing stories.  It's no big surprise that the Simak and the Sturgeon were excellent, and Finlay's art is always a delight.  It's enough to make you want to tear yourself away from all those reruns on television and turn to some literary reruns instead.


In the world of cuisine, reruns are known as leftovers.

Tune in to KGJ, our radio station!  Nothing but the newest and best hits!  Even the reruns are great!




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Science / Space Race

[June 8, 1966] Pyrrhic Victory (the flight of Gemini 9)

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by Gideon Marcus

Keeping Score

It is remarkable to think how different the Space Race was just a little over a year ago.  Mercury was long past.  The Soviets had just stunned the world with two Voskhod flights.  One of them had carried three cosmonauts in space.  The other was the base for the first spacewalk.  We all waited with bated breath for Voskhod 3, sure it would leave American space efforts in the dust.

But it never happened.

The week after Voskhod 2, Gemini 3 went up.  A modest flight, barely a repeat of Glenn's mission, but with two people.  In June, Gemini 4 featured America's first spacewalk.  August's Gemini 5 mission lasted an unprecedented eight days.  December saw two Gemini (6 and 7) perform the first controlled space rendesvous.  And in March of this year, Gemini 8 accomplished the first docking in orbit.

Where are the Russians?  Indeed, the greatest threat to American space supremacy in the latest mission of Gemini 9, just concluded two days ago, was Mr. Murphy and his old back of tricks.

Prince of the Pad

Scheduled for May 17, 1966, Gemini 9 was supposed to be the first real all-up test of the two-seat spacecraft.  Astronauts Tom Stafford (veteran of Gemini 6) and Gene Cernan would dock with an Agena and conduct a spacewalk.  If successful, this would demonstrate all of the techniques and training necessary for a trip to the Moon. 

The first bit of bad luck involved the Agena docking adapter.  Shortly after liftoff on the 17th, one of the booster engines gimballed off center and propelled rocket and Agena into the Atlantic ocean.  The two astronauts, bolted into their Gemini capsule for a launch intended for just a few minutes after, had to abort their mission.

Luckily, NASA had a back-up: the Augmented Target Docking Adapter (ADTA).  The ADTA was basically an Agena without the engine.  A Gemini could practice docking with it, but the ADTA can't be used as an orbital booster for practice of the manuever that Apollo will employ when it breaks orbit to head for the Moon.

ADTA went up on June 1, no problem.  But just seconds before launch, the Gemini 9 computer refused navigational updates from the Cape.  The launch window was missed, and once again, Tom and Gene were forced to scrub.  Stafford got the nickname "Prince of the Pad."

On June 3, however, Gemini 9 had a picture-perfect liftoff, which we caught on TV, tuned into CBS for Walter Cronkite's smooth coverage.  Just a couple of hours later, Stafford had skillfully maneuvered his Gemini into docking range of the ADTA.

Angry Alligators and Foggy Visors

Unfortunately, ADTA was a mess.  The payload fairing that protected the adapter during launch had failed to come off.  It covered the front of the thing, half open, looking for all the world like, as Stafford described it, an "Angry Alligator."  Gemini 9 kept station with the adapter for a bit, but it was clear that a docking was impossible.  Eventually, the spacecraft left the ADTA behind.  There was other work to do.

Because on June 5, Gene Cernan suited up and left his cramped co-pilot seat for the longest spacewalk in American history.  This was to be a true working spacewalk, not just a sightseeing tour.  Connected to the Gemini by a long strap of nylon, Cernan clambered to the nose of the spacecraft to retrieve a micrometeorite experiment.  Then, agonizingly slowly, he made his way to the rear of the spacecraft.  It was proving much harder to operate in zero gee than expected.  That was okay; stowed in Gemini's rear was the Astronaut Maneuvering Unit (AMU).  With the AMU, theoretically, Cernan would become his own miniature spaceship, able to flit around as if on angel's wings.

Mr. Murphy would have none of it.  Struggle as Cernan might, he couldn't detach the AMU for use.  After endless struggling, during which Cernan's visor completely fogged up and his heart rate soared above a hundred beats per minute, Stafford ordered his crewmate back inside half an hour earlier than scheduled. 

Those of us who watched the TV coverage beheld things about as dimly as poor Cernan.  The transmissions from Gemini were garbled into unintelligibility, and as there was no live footage possible of the actual spacewalk, CBS had rigged up a stage setup involving a Gemini model, a rotating Earth background, and a poor fellow on wires in a spacesuit floating around.  ABC had a similar "simulation."  It was…less than convincing.

Happy Endings

The last day of the flight was uneventful.  Gemini 9 had completed, if unsatisfactorily, its scheduled activities.  I can imagine poor Tom and Gene were probably a bit glum at the lackluster record of the mission, though Stafford could take pride in being the first astronaut to fly two missions in the same spacecraft — and in the space of just seven months, to boot.

There was one bright spot in the mission, however.  After a perfect retro-fire almost exactly three days after launch, Gemini 9 came down in the Atlantic closer to its carrier recovery fleet than any previous mission.  So close did it splashdown to the U.S.S. Wasp that, for the first time, the carrier crew caught sight of the landing.

As did we at home.  Broadcast live via Early Bird satellite, we saw the beautiful spray of water followed by the graceful collapse of the parachute.  Within half an hour, the spacecraft and crew had been hoisted aboard the Wasp.  Less than four hours later, the two astronauts were already on their way back to Cape Kennedy for debriefing.  Spaceflight has become an efficient routine.

Which, if anything, marks the understated triumph of Gemini 9.  It's true that things did not go as planned during the flight.  Not in flashy, potentially deadly ways as in Armstrong's whirling flight in March, but frustratingly nonetheless.  But on the other hand, we've now had seven two-man flights in quick succession, with three more planned before the end of the year.  Compare this record to the six Mercury flights spread out over two years, the longest of which lasted barely more than a day.  America can afford less-than-perfect missions; if anything goes wrong, we can make it up in a few months.

This marks a threshold of maturity for American spaceflight.  Whereas the Soviets managed to secure an early lead in the Space Race with a series of spectaculars, like the tortoise and the hare, slow and steady will win ultimately win the competition for the United States. 

It may make for boring television, but that's a small price to pay for victory!




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Book, Science Fiction/Fantasy

[June 6, 1966] The World is Ending (Make Room! Make Room! by Harry Harrison)

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by Jason Sacks

The Earth is starting to collapse.

Smog fills the air of our greatest cities, species are dying throughout the world, and the global population continues to increase geometrically, threatening our very existence as human beings on this planet. Half the people in the world live in extreme poverty while most of the other half worry about falling into poverty. Famine threatens much of the world, even as the world’s arable land decreases due to over-farming.

If things keep going as they have been, we will be facing unparalleled destruction by the end of the century.

Rachel Carson and her important book

Our great thinkers are stepping up to warn us about global destruction. Rachel Carson’s 1962 book Silent Spring is a terrifying description of environmental degradation, while Ralph Nader’s 1965 book Unsafe at Any Speed is a timely reminder the government doesn’t always look out for the interests of everyday people. John Kenneth Galbraith stated the roots of the problem well in his 1958 book The Affluent Society, most people are blind to the destruction we’re creating:

The family which takes its mauve and cerise, air-conditioned, power-steered, and power-braked automobile out for a tour passes through cities that are badly paved, made hideous by litter, blighted buildings, billboards, and posts for wire that should long since have been put underground. They pass into a countryside that has been rendered largely invisible by commercial art… they picnic on exquisitely packaged food from a portable icebox by a polluted stream and go on to spend the night at a park which is a menace to public health and morals. Just before dozing off on an air mattress, beneath a nylon tent, amid the stench of decaying refuse, they may reflect vaguely on the curious unevenness of their blessings. Is this, indeed, the American genius?

Galbraith’s fictional family is all too real, all too likely to overlook the terrible ways we’re destroying our planet. The worst part of his scenario is a sad truth: all these issues are likely to compound, to become worse and worse over time. Eventually these trends will become so powerful, there will be no way to reverse them. If we don't reverse them, our planet is doomed.

Population growth vs the rate of food production, from a Malthusian perspective

Add to those problems the massive impact of the Mathusian theory of population growth, which states (to simplify it dramatically) that population growth is exponential while increases of food, water and other key commodities is linear. Anyone extrapolating out Malthus’s theories will discover our world population is fast outstripping our ability to feed and clothe them. Malthusians believe we’re facing a ticking population bomb – and they also believe too many people are ignoring that bomb.

A new science fiction novel has come around to remind us of that the bomb exists and is ticking.

Make Room! Make Room!

Make Room! Make Room is a major departure for author Harry Harrison. Harrison is probably best known for his Stainless Steel Rat series, which are light and silly action-adventure stories. In this book he shows his versatility with one of the most compelling and downbeat speculative fiction novels I’ve ever read.

Harrison takes the destruction of the planet to its logical conclusion. By 1999, on the edge of the new millennium, Earth is ravaged. Thousands of species of animals have gone extinct. The world’s population has exceeded 7 billion and continues to grow. Meat and vegetables are commodities more precious than gold. All the oil has been mined from the planet and all the trees have been chopped down.

As Make Room! Make Room! begins, we learn New York City is massively overpopulated. Some 35 million people live in the metropolis, and thousands of people living on the streets. Thousands more live in abandoned cars, now made useless by the lack of oil in the world. Police officers are barely paid, and they live in tiny apartments powered by batteries whose generator is a man riding a bicycle.

Only a small wealthy class of people continue to live in the city, residing in air conditioned, spacious apartments, showering with rare and precious clean water and enjoying the occasional cherished strip of black market steak.

In this world we follow police officer Andrew Rusch as he tries to track down the murderer of a rich man who lives in one of those spacious apartments. We watch Rusch fight through his wretched world to find the killer, find a new love, lose an old companion, and fight like hell to acquire even the most basic things he needs to survive. Even the pathetic SoyLentil steaks are a rare, delicious luxury. Harrison puts us in the well-worn shoes of his characters, forcing us to understand their privations and pain on a personal level.

Make Room! Make Room! is a combination cautionary tale and hard-boiled detective novel, as if Raymond Chandler and Rachel Carson had a child who they gave to Philip K. Dick to raise. Like Dick’s brilliant Dr. Bloodmoney (my favorite book from 1965), Make Room! Make Room! takes place in an anti-utopian society which has experienced a profound collapse in every one of its structures. Unlike Dick’s masterpiece, however, there is little or no catharsis or heroism in Harrison’s book. Everything is misery in Make Room! Make Room!.

Every aspect of Harrison's world brings emotional, financial, or physical pain to the people who live there. The mere act of existing in this anti-utopia is pure torture. And the true sadness of this book is that Rusch and his new girlfriend Shirl only sometimes see this world for the hellhole it is. Other times they wander through the world, like goldfish never seeing the water they’re swimming in.

Young Mr. Harrison

Harrison does a compelling job of extrapolating out the effects of environmental degradation, and he does a masterful job of portraying governmental breakdown. Despite the presence of police, the world seems nearly lawless, with civil servants shown as woefully unable to help in the world and with rebellions cutting off aqueducts into the city. While politicians argue endlessly about stupid things, bureaucrats cut back on food and water rations. Rioting breaks out in the streets and the police are unable to do anything about it. I’m not sure if Harrison is a libertarian, but his portrayal of government here shows a deep distrust of the net the current presidential administration has endeavored to create for all of us.

Another of Harrison’s main ideas is the blindness most people have to the events they’re part of. In one powerful scene late in the book, the government orders a large family to move into the apartment Andy and Shirl are sharing. The family is huge, with ten kids, a couple who have died and a few more on the brink of death. The family are filthy and pathetic, loud, obnoxious and self-involved. They have no class, which bothers Andy and Shirl deeply. But more than class or loudness, the family is horrible to live with because they are representative of the larger, broken society in which they live.

They have too many kids. Those kids get a maximum of three years education. Nobody can find a job. The family live on government rations. They have nothing to look forward to, nothing to strive for, no reason to think things will ever improve for them. Life is misery and eventually you die. If you’re rich and connected, perhaps the police will track down your murderer. If not, you’ll just die like the hundreds who die each day, unloved, unmourned, just another boring statistic in this Malthusian wasteland.

Make Room! Make Room! is a professionally written, powerful novel which took me to a place I don’t want to visit again. Harrison creates a rich and compelling anti-utopia extrapolated from the pages of The New York Times. He shows us a frightful future that seems all too likely to happen. Maybe this book will do a little bit to spur readers  to fight for our ecology and to keep population growth low. Malthus would approve.

3.5 stars.

Tune in to KGJ, our radio station!  We start where Top 40 stops!


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Science / Space Race

[June 4, 1966] Over Under Sideways Down (Surveyor 1, Explorer 32, Kosmos 110 + 119!)

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by Gideon Marcus

[With Gemini 9 currently overhead and preempting regular network programming, it's easy to forget the other space spectaculars that are going on.  Here's the skinny on four of the more exciting ones.]

Live from the Moon!

America may be second in the Moon race, but we sure aren't far behind the Soviets.  Less than a month after the Russians managed their first soft-landing (with Luna 10, after several failed efforts), NASA's Surveyor 1 did it in just one try. 

On May 30, 7:40 AM Pacific, Atlas-Centaur #8 lifted off from Cape Canaveral less than a second after its scheduled launch time.  757 seconds later, right on the button, Surveyor departed from its Centaur stage on an almost perfect path toward the Moon.  Nevertheless, just before midnight, the spacecraft made a 20.75 second mid-course burn, reducing its landing margin of error from 250 miles to just 10.

Surveyor made a flawless touchdown almost exactly two days later, at 11:17 PM on June 1.  Shortly thereafter, America got its first pictures from the surface of the Moon.

The success of Surveyor marks several major achievements. Firstly, it's a success for the rocket that carried it.  The Atlas-Centaur is the most advanced booster currently in existence, the first to utilize pure hydrogen for fuel and liquid oxygen for the oxidizer.  There is no more efficient combination in existence, and the development of a system that could successfully utilize the pair has been tough.  Now that the Centaur second stage is operational, it can be used on top of many different first stages — from Titan to Saturn.  This dramatically increases the mass of the probes that can be sent to the Moon or to other planets.  By comparison, Surveyor masses more than twice as much as the Ranger crash-lander probes, launched with the less powerful Atlas-Agena.

Surveyor's success also marks a big leap forward for the Project Apollo.  It's been bandied about that this flight shaves a year off the schedule.  This soft-lander mission was really a dress rehearsal for a manned spacecraft, and what a beautiful rehearsal.  Reaching the lunar surface at just twelve feet per second, the three legged Surveyor with crushable aluminum honeycomb feet endured no undue strain.  Moreover, it didn't sink into a quicksand of lunar dust, as had been previously feared.  The landing spot, inside the dry Ocean of Storms, is in a zone that an Apollo mission will be sent to.  If a probe can safely land, then a piloted Lunar Excursion Module can, too.

Finally, Surveyor 1 marks a triumph for lunar science.  Not a huge one, mind you; Surveyor, like the latter Rangers, serves primarily as a handmaiden to the Apollo project.  Nevertheless, we have our first hundred pictures, temperature data, seismological data, and radar reflectivity data of the lunar surface.  The selenologists (lunar counterpart to Earth-based geologists) have plenty of information to play with.

Surveyor will continue broadcasting photos for at least the next 11 days, up through the lunar night.  Then there will be several more missions in the series.  You can be sure you'll read about them here!

Son of Explorer 17

Three years ago, NASA sent up its first high orbit atmospheric satellite, Explorer 17.  It only lasted a few months, going silent on July 10, 1963, but it returned a wealth of information on the least dense regions of our atmosphere.

Every good story deserves a sequel.  On May 25, 1966, we got one: Explorer 32, a satellite so similar to Explorer 17 that it must be considered kin, was hurled into an eccentric orbit that brings the ball of a probe zooming just 150 miles from Earth before flying far, far away.

Too far, actually.  It was only supposed to reach ~500 miles from the Earth at apogee.  Instead, because the Delta booster that carried Explorer didn't turn off in time, the satellite reaches 1000 miles in altitude before looping back.

This has not adversely affected plucky 32, and we are once again getting a wealth of data on the temperature, composition, density, and pressure of the upper atmosphere.  Explorer 32 also has several improvements on its predecessor.  Explorer 32 has solar cells, so its onboard batteries will last years instead of months.  Because the satellite has a tape recorder on board, data can be stored rather than only relayed when a ground station is in sight.  This means the data set from 32 will be continuous.

Even when the satellite goes silent, thanks to its perfectly round shape, it will be useful for measuring the density of the atmosphere, as 17 has been.  A bunch of cameras are tracking 32 from the ground.  Its slow orbital decay will tell us how thick the air is way up there.

It will be a legacy any parent could be proud of!

The Other Side

There have been a whole bunch of Kosmos satellites launched since our last update.  While all of them are classified to some degree, and most of them (Kosmos 107, 109, 111, 113, 114, 115, and 117) were probably spy satellites akin to our biweekly Discoverer program, a couple stand out as unusual — mostly because we know what they are!

Kosmos 110, launched February 22, 1966, carried two caninauts: Veterok and Ugolyok.  They and a menagerie of biological samples circled the Earth for an unprecedented 22 days before safely landing.  We're not sure what capsule was used for the trip, but it was probably a modified Voskhod — I don't think they've had time to test a lunar spacecraft akin to our Apollo yet.  Nevertheless, it's certain that this feat was conducted in support of long term efforts in space: either a Moon mission or a space station effort.

Most recently, Kosmos 119 went up on May 24.  We can deduce its purpose based on what it's doing, namely emitting 31.8 kHz and 44.9 kHz radio-waves.  It is believed that 119 is an ionospheric experiment to determine if and how ultralow frequency electromagnetic waves pass through that region of the atmosphere.  Data from this satellite will be useful for estimating charged-particle concentration in the lower ionosphere.  Whether the satellite's mission is purely scientific or serves to support some sort of military application is unknown.  Nevertheless, it's nifty!

Things to Come

Of course, the big news over the next week will be how successful Gemini 9 is at completing its rendezvous, docking, and spacewalk maneuvers.  You can be certain we'll have full coverage of that mission after splashdown next week!

Speaking of adventure in space, don't miss your chance to get this amazing novel by yours truly!

From a recent review:

Imagine Nancy Drew and the Hardy Boys … in space! Kitra took me back to my childhood when I would have loved to read stories of young people in sci-fi settings overcoming difficult odds and conquering the universe. In Marcus's own words: "Tales of friendship, ingenuity, and wonder."

Take a group of diverse friends (not all human), toss in a bit of gender fluidity, cultural diversity, and conflict, and push them to their limits as they have to work together to overcome an unexpected threat. This YA fiction will thrill any number of budding science fiction fans.




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Magazine, Science Fiction/Fantasy, Serial

[June 2, 1966] Bad Decisions (July 1966 IF)

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by David Levinson

Trouble at the Cactus Curtain

It may surprise many of you to learn that there is a United States military presence in Cuba. Since 1903, the U. S. has maintained a naval base at Guantanamo Bay, near the south-eastern end of the island. Originally, it was a coaling station and then served as a shipping center during the War. Now it’s largely the base for American operations in the Caribbean.

Naturally, the Castro regime is none too happy about the situation, even though the base employs a large number of Cubans, pumping money into the local economy. Along with the perimeter fence, patrols and watch towers, the U. S. began emplacing mines “as a precaution” following the 1959 revolution, and the Cubans soon followed suit. At least 10 people have been killed, either by blundering into the minefields or through engineering accidents. In 1961, the Cubans also began planting a cordon of prickly pear cactus, quickly dubbed the Cactus Curtain.

On May 21st, a Cuban sentry by the name of Luis Ramirez Lopez was shot and killed by a Marine guard. According to the Department of Defense, Lopez was inside the fence and ignored a warning shot. The Marine then fired again, wounding the Cuban, who was able to climb back over the fence and leave. Two days later, six Cuban soldiers may or may not (depending on which side you believe) have crossed the fence and definitely exchanged fire with several Marines. No one on either side was injured.

Secretary of State Dean Rusk announced his intention to send a diplomatic note via the Swiss, insisting that Cuba cease these provocations and respect the boundary. Castro reportedly said not to bother, and then gave a fiery speech declaring that Rusk had practically threatened war and warned the Cuban people to be ready for an invasion. Tens of thousands of Cuban reservists have apparently been recalled to active duty. Now, Castro’s been pounding the drums lately, probably trying to bolster his support among his people in the face of the struggling economy, but daring the United States to attack seems more foolish than bold. Maybe he feels that with the U. S. tied up in Viet Nam, there’s no chance of them taking up his dare.


A Marine patrols the perimeter at Guantanamo Bay.

Doing the wrong thing

Nobody always does the right thing. Authors often derive interesting situations from their characters acting on bad ideas. Sometimes, though, they go too far and rely on those characters acting like absolute idiots. Boy, is that the case in this month’s IF. From super-genius teenagers to drunken conmen to high-ranking politicians, it seems like everybody left their brain at home.


This supposedly illustrates The Hour Before Earthrise. Maybe a later installment. Art by Morrow

The Hour Before Earthrise (Part 1 of 3), by James Blish

Sometime in the 1980s, the Apollo program has yet to have a manned flight and no human has been beyond Earth orbit, though automated probes have been to Mars and returned with samples. Teenager Dolph Haertel has invented anti-gravity. Rather than sensibly applying for a patent and demonstrating his invention to someone other than his almost girlfriend Nanette, he decides to go to Mars and bring back proof he’s been there. So he space-proofs a packing crate as best he can, kits it out for a round-trip and sets off. Arriving at Mars, he lands in a deep crater and finds some plant life. Unfortunately, he is unable to leave, because a vacuum tube, the one thing he didn’t bring a replacement for, has burned out. He’s stranded on Mars and is going to have a hard time staying alive.

Meanwhile, back on Earth, Nanette has figured out what Dolph is up to. She gets her hands on all of his plans, cobbles together her own ship and sets out after Dolph, taking all the plans with her. At least she leaves a note explaining what’s going on. All of this, mostly Dolph’s sections, are interspersed with lots of science. As the installment ends, Dolph is surprised to see another packing crate crash not far from his own. To be continued.


Dolph demonstrates his invention to Nanette. Art by Morrow

I admit that this story and I got off on the wrong foot, with all that stuff about the space program being a boondoggle. But with all of the science interspersed through the action, I finally came to the conclusion that the only way this thing makes sense is as a parody of juvenile SF in the Danny Dunn or Tom Swift vein. It takes itself too seriously to be parody, though. There’s undoubtedly a good story to be told about someone stranded on Mars having to do tons of science to stay alive. This ain’t it.

Two stars.

Feodar’s Box, by Robert E. Lory

When a non-descript man carrying a black box suddenly appears in the secret office of chief secret agent Chlebnik, the number three man in the Soviet Union orders the stranger seized and rushes off to the even more secret office of Palakov, the number two man. To his great consternation, the odd man and his box are already there. The little man proves to be Feodar Rodumetoff, who has been living in isolation, working on a project assigned him by Stalin. Official records state he was executed during the purges following Stalin’s death. His box allows its bearer to become invisible and insubstantial. Palakov sees opportunities in the box. There will be consequences.

Robert Lory has turned out a handful of mostly decent little tales, usually with a bit of a sting in the tail. Here, he does much the same, though striking one line from the antepenultimate paragraph might improve it slightly.

Three stars.

Bircher, by A. A. Walde

In a society tightly controlled by computers, the police tend to solve murders in a matter of minutes. When the naked body of a male in his late teens is found dead in an alley, it should be no problem for our unnamed narrator. But when the boy appears nowhere in any records, our protagonist must do lots of old-fashioned legwork while facing tremendous pressure from the press and a reporter who hates him.


Victim and detective prove to be bound by more than just the case. Art by Gaughan

Walde is this month’s first time author, and this is an ambitious undertaking, both in length and content. The author makes a strong showing – this is probably my favorite story this month – but there are a few neophyte flaws that deny the story a fourth star. Most importantly, the resolution of the mystery could have used a lot more foreshadowing. Also, the title doesn’t refer to that group of extreme conservatives who called Eisenhower a communist and voted for Goldwater despite his left-wing tendencies, but to a gang that took its name from them. So the story isn’t what you’d expect going in. Finally, the noir-ish wordplay, while often good (I heard Bogart’s voice in my head about half the time), is also a bit overdone. Still, a good story and I hope to see more from this author.

A very high three stars.

The Man from When, by Dannie Plachta

Mr. Smith is mixing a martini when there is a tremendous explosion. Investigating, he finds a time traveler, who made his journey in spite of a certain risk. Was it worth it?

Another vignette from Plachta with an attempt at an ironic ending. Possibly one of his better efforts. It’s short and not a joke this time.

A low three stars.

Cybernia, by H. H. Hollis

Gallegher is back. This time, he finds himself stranded on Mars. He falls in with a carnival mind-reading outfit and gets back to Earth with them. There, they all set up an elaborate money-making scheme that borders on a con. Eventually, Galeg’s past catches up with him.


Not sure this has anything to do with the story. Maybe some files were mislabeled. Art by Lutjens

It’s rambling. It’s tedious. Gallegher is an unpleasant character. At best, this story is marginally less offensive than Gallegher's first outing. Hollis appears to be creating a series. That’s unfortunate.

Two stars.

Science Fiction’s Holiday, by Lin Carter

This month, Our Man in Fandom looks at the Annual World Science Fiction Convention. He talks about the history of the con and what goes on at one, and then explains how the locations are chosen. Finally, he tells us about what to expect at this year’s convention in Cleveland. The best part of the article is his description of this year’s Guest of Honor, L. Sprague de Camp.

Three stars.

Earthblood (Part 4 of 4), by Keith Laumer and Rosel G. Brown

Having escaped arrest at Imperial Terran Navy headquarters, Roan sets out with his men to prevent the assassination of Admiral Starbird. Alas, a stray shot kills the admiral and one of Roan’s men is killed. Briefly arrested, they escape again, and Roan stays behind to cover his men’s retreat. Eventually, they return and rescue him. Then it’s on to Earth.

The Niss fleet proves to be as dead as the Niss ship at the beginning of the last installment. Down on the planet, Roan finds Earth ruled by the decadent Uppers, served by their intelligent dogs (less anthropomorphic than Cordwainer Smith’s Underpeople, more so than Cliff Simak’s dogs in City), while the Lowers live in squalor. After learning the final truth about his origins, Roan falls out with the Uppers. In the end, he must once again rely on his men to come to his aid.


The Lady of Shallot… no, wait. That’s Roan’s new love interest, Desiranne. The art is so bad. Art by Adkins

And so it all comes to a satisfactory conclusion, much different from what I expected after all that human superiority stuff in the first installment. I noted last month that Roan had matured and become more thoughtful and introspective, which led to me giving that piece four stars. Unfortunately, it all goes out the window this month. Roan is as rash and impetuous as he was as a teen. The redeeming factor is that he’s less selfish and has learned to rely on others. But it weakens the story as a whole for me.

A high three stars for this installment and the novel as a whole

Summing Up

There we have it. About the only people who do anything smart in the whole magazine are Feodar and the unnamed detective. Roan manages to do a couple of smart things, but only after doing something spectacularly stupid that far outweighs the smart thing. In his editorial, Fred Pohl calls on science fiction authors to stop writing about doomsday and the day after and start turning out more optimistic stuff. I fully support this, but to do that, Fred, they’re going to have to stop giving us characters who do dumb things just to make the plot more interesting.


Hal Clement. That’s a good start.

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Serial

[May 31, 1966] Worth Remembering (June 1966 Analog)

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by Gideon Marcus

Decoration Day

First the war, then the licking of wounds.  Not all wounds are physical.  After the Civil War rent this nation in two, spring became a time for remembering the dead, their blood shed in almost incomprehensible numbers.  In 1868, the ritual honoring of fallen veterans became an official holiday known as Decoration Day (for the decoration of graves).  Over time, the name changed to Memorial Day, and last month, President Johnson proclaimed the custom's birthplace to be Waterloo, New York, the event first occurring a century ago.

The last Civil War veteran passed away in 1956, but this year's Memorial Day still found us licking our wounds.  Indeed, last week marked the bloodiest seven days for American soldiers since Korea: 966 casualties in Vietnam alone, 146 of them fatal.  Will next year's day of remembrance be worse?

The Issue at Hand

A cute segue would be in poor taste at this juncture, so I'll simply proceed to the review.  The latest issue of Analog drew my attention with its striking astronomical cover.  Let's turn the page and see what delights and disappointments Herr Campbell has for us this month.


by Chesley Bonestell

The Ancient Gods (Part 1 of 2), by Poul Anderson

In the letter column, Poul Anderson talks about discovering a beautiful painting by Chesley Bonestell.  It depicts a the night sky as seen from a planet perhaps 200,000 light years north of the Milky Way.  I would guess that this painting, as well as perhaps a viewing of last year's film, Flight of the Phoenix, provided the inspiration for the author's latest tale. 


by John Schoenherr

I shall give nothing else away save that those who know me know I'm a sucker for astronomically correct tales of exploration, and that Flight of the Phoenix got my nomination for the Best Dramatic Hugo.

Four stars so far.

Early Warning, by Robin S. Scott


by Stan Robinson

Lee is a big man, a skilled man, a man whose job is to throw monkey wrenches into supposedly foolproof systems like the D.C./Kremlin Hotline and Pentagon intelligence computers.  Is he a double-agent?  A mole?  Or something more?

There's really not enough to this story to engage; it feels more like a fragment of a Joe Poyer thriller than a complete piece.  Just some workmanlike action writing and a smug, Campbell-pleasing sting. 

Two stars.

CWACC Strikes Again, by Hank Dempsey


by Gray Morrow

"Hank Dempsey" (I have it on reliable information that this is a pseudonym for Harry Harrison, apparently trying to make the big lucre by pushing all of Campbell's buttons) is back with CWACC: the Committee for Welfare, Administration, and Consumer Control, last seen last year.  Pronounced "Quack," the goal of this two-person operation is the support and representation of eccentric inventors.  You see, to the scientific community, they're just kooks, but we all know that those industrious garage inventors produce way more of the world's innovation than the anonymous folks in white coats.  Right?

Anyway, in this episode, CWACC's administrator teams up with an enemy, the local kook-catching flatfoot, to rescue a CWACCer, whose invention is being used by con artists to sucker in, of all people, the police commissioner.  Along the way, "Dempsey" gets some pseudo-scientific shots in, like the assertion that the common cold can be defeated by sufficient vitamins in one's diet. 

Vaguely readable garbage.  One star.  I hope it was worth selling your soul for four cents a word, Harry!

Live Sensors, by Carl A. Larson

This nonfiction article started auspiciously, promising to compare the biological sensors with which animals are naturally equipped to the most refined artificial detectors.  The overall package is lacking, however.  There are lots of interesting tidbits on the capabilities of creatures, but they are interspersed with larder passages that don't do too much.  Never do we find out how we might utilize or at least learn from natural sensing devices. 

It would also help if Analog employed subheadings.  Three stars.

Stranglehold, by Christopher Anvil


by Kelly Freas

My nephew David rang me the other day (on Sunday, when the rates are lowest) to tell me how much he enjoyed the new Chris Anvil story.  This may be a ringing endorsement (ha ha!) but I always take David's recommendations with a grain of salt, especially where Anvil is concerned.

A scout team following up on a lost comrade lands on a planet despite receiving a warning that such would be dangerous.  Once planetside, they find themselves subjected to illusion after terrifying illusion, only their unshakeable monitors telling the truth about reality (why wouldn't their perception of the monitors also be changed?)

Turns out the inhabitants have some kind of telepathy and can change their perception of reality and those of others.  After the team escapes with their rescued friend, they determine that a race with psychic phenomena cannot develop science since they fudge the results to their liking.  Contrarily, a race that chooses a scientific path atrophies psychic phenomena because…well, just because.

Therefore, all races, including humanity, have psychic potential, and it's only because we chose the path of science that spoonbending isn't more prevalent.  Q.E.D.

Gee, I wonder how this story got published.

What I really don't understand is what possible advantage the alien trait of mass hallucination affords.  If it were real transmutation being employed in this story, there might be something to it, but there isn't.  A being that thinks it is having its physical needs met when it is not quickly becomes a sick and/or dead being.  Maybe it's more of a reality enhancer, as in the first Cugel the Clever story, which I guess would make more sense.

Anyway, Stranglehold feels like what would happen if Bob Sheckley ever wrote for Campbell.

Two stars.

Escape Felicity, by Frank Herbert


by Kelly Freas

In Frank Herbert's latest, a lone interstellar scout plunges his ship deep into a nebulous cloud.  He is determined to fight off the "push" that causes all of his corps to return to Earth after a certain point.  But is the compulsion programmed in by BuPurs to keep scouts from going native?  Or is there an external agency involved?

I found this one of Herbert's more compelling pieces, though it falls apart a bit at the end.  And it feels like the title is a pun in search of a story; I can't figure out its applicability to this one.

Three stars.

Doing the Math

Thus, Analog ends up near the bottom of the pack with a 2.6 star rating, only beating out the mostly-reprint (and consistently lackluster) Amazing 2.5.  Ahead of Campbell's mag are New Worlds (3.1), Galaxy (3.1), Impulse (3.0), IF (3.0), and Fantasy and Science Fiction (2.8).

Worthy material comprised about an issue-and-a-half out of six this month.  Women produced 11.25% of the new fiction, at the high end of the usual range.

All told, June 1966 may not be remembered in times to come, particularly as impressive as last month was.  But, as noted at the beginning of the article, sometimes having to remember is painful.

Until next month…

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Movies

[May 28, 1966] Destination The Movies (Destination Inner Space)

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by Dana Pellebon

In my quest to expand my repertoire of sci-fi films, I was especially excited to see Destination Inner Space, currently playing in my local cinema as a part of a double feature with Frozen Alive (which I didn't have time to see). The idea of being visited by creatures from another planet is an exciting one. This movie explores what that could look like and what our reactions might be.

Opening on an underwater sea lab, the movie starts by establishing that there is important scientific work happening all around us, even on the ocean floor. An interesting cast of characters in the lab helps keep the interest up, and immediately there is tension with a new person being introduced into the mix. US Navy Commander Wayne has been dispatched to the undersea outpost because there is an unidentified object circling the lab. The researchers were already trying to approach the object to determine what it was and how to study it. The movie then explores the mystery behind what is in the unidentified object.

What is striking about this movie are the complicated relationships between members of the crew. Obvious tension between the doctors on board, and a scandal that happened long ago between the Commander and the head diver, allow for a depth in the story beyond just a creature feature. Despite some good storylines happening between the leads, there are some throw away characters that are wasted. There is an attempt at comic relief with the cook, Hong Lee. The movie treats Lee like a caricature, which is woefully out of place with the tone of the movie. This is also Sheree North's first foray back into films after spending the last 10 years on television. But she plays the Nurse, who doesn't seem to do much except bicker with Dr. Lassiter — until a surprise ending for the two of them comes out of nowhere.

While I have never been to an underwater base, what little I do know about oceans and pressure suggests that several things in the movie don't add up scientifically. Deep sea diving with minimal gear and body protection seems needlessly dangerous. Similarly, open holes to the water that serve as entrances into both the lab and the unidentified object don’t make sense. There's an open water propelled human exploration ship that at one point is slower than a diver just swimming alongside it, which led me to question: why have the ship in the first place? And there are moments of beautiful cinematography in the water with the fish and the ocean floor, which made me wish that they had been featured more prominently.

The real story of the movie involves the alien spaceship that somehow found its way to the sea floor. Sparse in decoration or life form at first, the ship is innocuous with the exception of a small door opening and releasing a hand sized cylindrical tube, and the notably chilly temperature inside the ship. When the tube is discovered by the exploratory team from the lab, they immediately pack it up to bring back for study. As any good horror movie fan knows, this will lead to disaster.

Once the tube is back at the lab, it starts to heat up in the warmer environment and a noxious gas is released, overcoming the team. Then, out from the gas jumps a human-sized amphibian fish-like creature that starts attacking the crew. It is startling (dare I say, 'impossible') that a life form could transform so fully and quickly. I would have liked to have seen a gradual transformation instead of an outright jump from tube to six foot amphibian.

The creature itself is frighteningly coherent for having spent just minutes as a sentient being on the earth. It knows to attack both the sea lab and the above ground lab communications persons. It is able to recognize what a padlock is, what it is used for, and how to lock people in a space with it. All while using fins with no opposable thumbs. This creature proves that alien life forms are definitely advanced!

It is not unusual for an actor to don a suit to play a creature such as this. But, unlike the Godzilla movies which showed the creature with a specific, characteristic gait, this creature moves not like an amphibian or fish but like a human in a fish suit. There could have been more effort to make the creature more compelling with subtle things like movement. The suit itself was well made and colorful, though.

After it wreaks havoc on the crew and ships, the Commander and head diver decide to lay a trap for the creature. At this point, I didn’t know who to root for. This creature was destructive but it also was an alien life form that didn’t have its bearings and was brought into an environment to be studied by lifeforms it didn’t know. The humans, however, needed to be able to defend themselves as the creature had killed a couple of crew members. It was a no win situation.

Weapons and eventually dynamite are used to kill the creature with the sacrifice of the head diver who had demons to exorcise from an earlier incident where he'd abandoned his crew. This time he saved the day and lost his life. The movie ends with the crew taking stock of what they are going to say to the President about this incident. It is heartening that the Commander wants not to focus on what went wrong but instead prioritizes the point that we have had contact with alien life and that we need to learn how to better communicate with them moving forward. It is a bit of self-reflection I didn’t expect coming.

Even though I had some issues with the coherence of the movie as a whole, I did enjoy watching the calamity unfold. Monster movies are not usually about depth of meaning or accuracy of science. Mostly, they are fantastical stories that make you jump from time to time. Destination Inner Space did just that. I never knew what to expect and ended up having empathy for everyone around. It was a fun flick and I look forward to more creature features!

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55 years ago: Science Fact and Fiction