Tag Archives: jack gaughan

[September 2, 1967] Of Genies and Bottles (October 1967 IF)


by David Levinson

The radiant genie

They say that, once you let the genie out of the bottle, it can be very hard to get him back in. Twenty-two years ago, we unleashed the genie of atomic warfare, and it has loomed ominously over humanity ever since. Most of us remember the tension of the Cuban Missile Crisis just five years ago (though it seems both farther in the past and more recent) and probably still feel a little uneasy whenever a warning siren goes off. Current predictions estimate as many as 25-30 nuclear-armed countries within 20 years.

William C. Foster, the chief American representative to the Eighteen Nation Committee on Disarmament.

Is this an inevitability? Perhaps not. In 1960, the Ten Nation Committee on Disarmament, composed of five Western and five Eastern countries, met briefly in the spring and early summer, but adjourned indefinitely in the face of the U-2 incident and the collapse of the planned Paris summit. Toward the end of the following year, the U. N. created the Eighteen Nation Committee on Disarmament, composed of the original ten countries and another eight non-aligned nations, which has been meeting regularly in Geneva since March of 1962. On August 11th, William C. Foster, the chief American representative on the committee, announced that the United States and the Soviet Union have agreed in principle on the terms of a nuclear non-proliferation treaty. The two nations submitted identical drafts to the U. N. on the 24th. These will (hopefully) form the basis of a treaty to be voted on by the General Assembly, that will at least rein in the genie.

A bottle of jinn

There are a couple of metaphorical genies out of the bottle in this month’s IF, not to mention all the demons of Hell. Let’s pop the cork.

The art is intriguing, but none of this happens in Hal Clement’s new novel. Art by Castellon

Ocean on Top (Part 1 of 3), by Hal Clement

Our unnamed narrator (he hates his name and won’t say what it is) is an investigator for the Power Board looking into the disappearance of three other investigators near Easter Island. Stealthily sinking to the bottom of the sea, he discovers lights shining on the sea floor – a massive and criminal waste of power – and what seems to be an entire settlement of people. After being found out, he nearly escapes, but is ultimately captured and brought into the base. There he is astonished as he observes his captors removing their helmets, regardless of not only the tremendous pressure, but also the fact that they are still in a watery environment. To be continued.

These underwater criminals ought to be crushed before they have the chance to drown. Art by Castellon

Since this is Hal Clement, there’s undoubtedly some scientific principle at work, but this is otherwise an unusual story for him. This first installment is almost all action (albeit in slow motion, as befits the underwater setting) and has a much darker tone than he usually uses. At this point, we’re left mostly with questions.

Three stars.

Conqueror, by Larry Eisenberg

Joe is a member of the occupying forces on an alien planet. Command keeps careful control on soldiers’ access to booze and sex in order to maintain peaceful relations with the locals, and Joe is getting desperate for the latter. He’s not willing to use one of the androids the natives use, and local women willing to offer themselves to the occupiers are few and far between. So when he runs into a woman willing to go with him in exchange for food, he jumps at the chance.

Eisenberg’s output has been fairly hit or miss thus far. This tale doesn’t quite have the punch he’d like it to have, but it’s reasonably well done and has a sting in its tail.

A high three stars.

Fans Down Under, by Lin Carter

Science fiction fandom isn’t just an American phenomenon, so Our Man in Fandom has decided to take a world tour. First stop is Australia, which seems to be a real hotbed of SF activity, with Melbourne the apparent center. Despite its name, the Australian Science Fiction Review is not a serious, literary fanzine, but one that looks at SF as entertainment and offers lively criticism that pulls no punches. Meanwhile, the Melbourne Science Fiction Club has come up with the idea of holding regular screenings of SF movies and also maintains a lending library. I imagine both are the consequence of the difficulty of finding SF from the rest of the world.

Three stars.

Enemy of the Silkies, by A. E. van Vogt

Silkies were thought to be genetically engineered humans capable of living underwater and in space as easily as on land. In the last story, it was revealed that they are actually aliens, and at the end the Earth was orbiting a giant sun along with thousands of other worlds. When contact is made with the ancient enemies of the Silkies, it is once again up to Nat Cemp to solve the problems of his people and planet.The Nijjan and Silkies are ancient enemies. Art by Gaughan

All three Silkie stories follow the same pattern: Nat encounters an alien threat, learns a new mental ability from the alien, and uses it to defeat the enemy. If you liked the others, you’ll probably like this one.

Barely three stars.

The Food of Mars, by Max H. Flindt

There may be lichen on Mars. Some lichens are edible. Therefore, astronauts who go to Mars will be able to eat lichen.

Never have I seen so many errors of fact in a science article, not even in an Analog article on the Dean drive or using astrology to predict the weather. The author begins with the assertion that there are obviously artificial canals on Mars, thus the areas of color change sometimes observed there must be lichen. This was written before the Mariner photos came out, but even then the idea of Martian canals was a dying, minority opinion. He then discusses lichen in the diets of some human populations (true) and details his own experiences eating Spanish Moss (not a lichen) and Ear of the Wood and Ear of the Rock bought in Chinatown (both are mushrooms).

One star.

Winter of the Llangs, by C. C. MacApp

Chimmuh is an adolescent krote whose herd has been caught in their summering place by early snows. The elderly and weak will be left behind, likely to fall prey to the vicious llangs. As tradition demands, he will remain with his mother, who will deliver a new calf soon. His ingenuity finds the group a place to camp that is easily defended against the llangs, and with luck they can hold out until the return of a hunting party under the command of his father. But that party might pass them by unaware, so it is up to Chimmuh to venture out alone to try to make contact.

Chimmuh fights a pair of llangs. Art by Virgil Finlay

This is a fine little adventure story. Not exceptional, but a decent read. This is the kind of thing MacApp can do right.

Three stars.

Mu Panther, by Donald J. Walsh

A century or so after a couple of major nuclear power plant accidents resulted in mutant predators roaming the American west, Barry Everett and his partners are hired to track down a panther that’s raiding a large ranch in Wyoming. At over 35 feet from nose to tail, this wily creature will demand all their skill and perfect coordination.

This is a standard big game adventure tale – complete with rich idiot who refuses to listen to the experts – all with a science fiction spin. It’s fairly well-written for a freshman effort, even if it’s nothing special.

Three stars.

Faust Aleph-Null (Part 3 of 3), by James Blish

Arms-dealer Baines has hired the black sorcerer Theron Ware to grant a number of high-ranking demons free reign upon the Earth for 24 hours. It goes about as well as you might expect.

Baphomet drops by for some exposition. Art by Gray Morrow

James Blish appears to have been possessed by Philip José Farmer. There’s an interesting story here, but it comes to an unsatisfying and abrupt halt. The story’s end should be the end of the second act. Worse, there’s, at most, enough here for a novelette. Much of the previous installments had subplots and character introductions that serve no purpose to the story. This time, a full page is given to rattling off the names of several white monks, who are just inserts of various science fiction authors (my favorite: Fr. Anson, “a brusque engineer-type who specialized in unclouding the minds of politicians”–note that the "A" in Robert A. Heinlein stands for "Anson"). Six pages are dedicated to the summoning, five of them just for the names and descriptions of several of the demons. This isn’t a story, it’s Blish showing off his research. Much like I said last month, interesting but not necessary. And then everything hits a brick wall and just stops.

Barely three stars for this part and only two for the whole (which is less than the sum of its parts).

Summing up

Another march down the path of mediocrity. There’s some decent stuff here, and some that could be better. Particularly the Blish. It’s a decent setting without the gem it needs. I’ve been saying I’d settle for something really bad, and I certainly got it with the “fact” article. I should be careful what I wish for. As it is, I’d be happy if, for once, I can say more than Señor Wences’ Pedro. “’S all right.”

At least a new Berserker story sounds promising.






[August 2, 1967] The Bounds of Good Taste (September 1967 IF)


by David Levinson

A diplomatic incident

In the Treaty of Paris of 1763, which ended the Seven Years War, France abandoned her claims to territory in what is today Canada (among others) in order to keep richer colonies in the Caribbean. Britain allowed her new subjects in Quebec to keep their language and religion, likely to keep them from making common cause with the fractious colonies along the Atlantic seaboard. Since then, there has been a strong undercurrent of nationalism among the French-speaking Québécois. Enter French President Charles de Gaulle.

Canada has extended an open invitation to representatives of countries exhibiting at the Expo 67 world’s fair. Last month, de Gaulle came to visit. The Canadian government was a little concerned. France hadn’t sent a representative to the funeral of Governor General Georges Vanier, who had been a personal friend of de Gaulle, or to the 50th anniversary ceremonies commemorating the Canadian victory at Vimy in the Great War. Rather than flying in to the Canadian capital Ottawa, de Gaulle arrived directly in Quebec City aboard a French naval vessel and went on to Montreal from there, with crowds cheering him along the way. He arrived on July 24th, and delivered an unscheduled speech from the balcony of the Montreal City Hall. He concluded by shouting “Vive le Québec libre!” (“Long live free Québec!”) and the crowd roared in approval.

President de Gaulle with foot firmly in mouth.

The next day, Prime Minister Lester Pearson issued an official rebuke, declaring that “Canadians do not need to be liberated” and pointing out that many Canadians died in the liberation of France. Justice Minister Pierre Trudeau wondered what the French reaction would be to the Canadian Prime Minister shouting “Brittany to the Bretons!” Even the French papers were critical. Meanwhile, de Gaulle visited the Expo and hosted a banquet at the French pavilion. The following day, he boarded a French military jet and flew home rather than making his scheduled visit to Ottawa. Whether this was deliberate interference in another country’s domestic affairs or just de Gaulle being de Gaulle, we’ll have to wait to see what the fallout may be.

Walking the line

Apropos of today's lede, at least one story in this month’s IF is about crossing or challenging the lines of what is in good taste. A couple more do that themselves.

This alien dude ranch has become a popular honeymoon spot. Art by Gray Morrow

The Fortunes of Peace, by C. C. MacApp

“Taintless” Wend, Earthborn but now stateless, is a trader operating just past the edge of human space. He’s been captured by the Kyshan pirate Junnabl, who has a plan to get his hands on an abandoned Terran Space Force cache. Wend doesn’t expect Junnabl to let him go with his share, but he has a few connections that might help.

Wend is in trouble, but ready for Junnabl’s men. Art by Virgil Finlay

When he’s not writing about Gree or trying to be funny, MacApp is a decent writer. This is basically an adventure story, but there’s some science-fictional stuff with a monstrous gravity well caused by the “bone” of a dead star, and the protagonist is more of an antihero. It’s not a story that will stick with you, but it’s a good read.

Three stars.

Bride Ninety-One, by Robert Silverberg

In Silverberg's newest piece, contract marriages are the norm, and marriages with aliens are the fad, so Paul Clay has entered a six-month marriage to Landy, a Suvornese. They’ve agreed to follow Terran mores, which leads to more than a few misunderstandings.

This silly piece of fluff seems to exist solely for its mildly suggestive “humorous” ending. The accepted Terran mores feel like they’re from a decade or more ago, not the far future. Some of that may be due to Landy using bad sources, since Paul is often confused by her, but even his attitudes feel a bit old-fashioned. Well-written but pointless.

A low three stars.

To Serve the Masters, by Perry A. Chapdelaine

'Genetic' (the character's name–people are known only by their function) is the end product of over 200 generations of selective breeding by the Masters. We follow his career from childhood to being taken to the Masters’ homeworld for the fulfillment of his millennia of breeding. Maybe the Masters should have couched their request more carefully.

Genetic receives the high honor of conferring directly with a Master. Art by Gaughan

Here is this month’s offering from a new author. It’s not bad, though it is overly long. We could have done with less detail about the alien genetics that inspire our protagonist, and I’m not sure I can really accept most of the premise. But Chapdelaine shows promise and more from him would not be amiss.

A very low three stars.

Venus Smiles, by J. G. Ballard

The community of Vermilion Sands has commissioned a sonic sculpture from a local artist. Unfortunately, everyone hates it; it’s ugly and plays eastern-style quarter tones nobody likes. A member of the Fine Arts Committee moves it to his garden, where it eventually starts playing late Romantic composers. But then it starts to grow.

As I understand it, this is largely a rewrite of Ballard’s “Mobile”, which appeared in Science Fantasy a decade ago, moving the action to Vermilion Sands and maybe adding some other things. By Ballard’s standards, this is a much more conventional story than he tends to produce these days, with only the unexplained growth of the statue being truly weird. I’m not a fan of Ballard, but others may get more out of this than I did.

Three stars.

Friday at the Fanoclasts, by Lin Carter

Our Man in Fandom takes us to a “typical” meeting of his club, though it sounds more like a party. There’s a lot of namedropping, though I was interested to hear that Alexei Panshin is looking for a publisher for a critical study of the works of Robert Heinlein. Carter also tells us that the Fanoclasts aren’t big on organization and structure. Given they’re the ones putting on this year’s Worldcon, I’m not sure that bodes well.

Three stars.

A Bowl Bigger Than Earth, by Philip José Farmer

Awakening from his deathbed, Morfiks finds himself in a hairless, sexless body sliding down the frictionless slope of a gigantic brass bowl. He is flung out the other side and lands in a river, from which he is fished out and taken to a city of brass. There, no one has a name, all are equal, and all are punished for any infraction unless the wrongdoer confesses. Everyone also studiously avoids mentioning just where it is they are.

A typical Gaughan abstract for a typical Farmer story. Art by Gaughan

As usual, Farmer gives us an interesting set-up and no real pay-off. I found the ending unpleasant and rather tasteless. In my review of Ellison’s “I Have No Mouth, and I Must Scream”, I noted that Harlan didn’t wallow in the ugliness he showed us. Farmer wallows.

Two stars.

Faust Aleph-Null (Part 2 of 3), by James Blish

Weapons manufacturer Baines has contracted the services of black magician Theron Ware. Following the successful death of Governor Rogan of California, Baines has arrived at Ware’s Italian villa at Christmas time, along with his executive assistant Jack Ginsberg and company scientist Adolph Hess. Also present is Father Domenico of the white monks of Monte Albano, sent by his superiors as an observer in accordance with the Grand Covenant.

Baines’ next target is scientist Albert Stockhausen. Because Stockhausen is a good man, his death will require greater magic than Rogan’s. Ware enlists Baines and his two companions to aid in the summoning of the demon Marchosias. Once the scientist is dead, Baines reveals his true goal: he wants all the demons of Hell released to walk the Earth for 24 hours. That’s more than Ware can manage, but he should be able to produce 50 or so. However, he will need the help not only of Baines and his men, but also Fr. Domenico. The date of the experiment is set for Easter. To be concluded.

Marchosias appears in the first of several forms. Art by Gray Morrow.

Not much happens here. There’s a subplot about Ginsberg and a succubus, but apart from the summoning, this installment consists of more people sitting around talking than a Heinlein novel. And while a lot of it is interesting, I’m not sure it’s necessary. The first two installments could easily have been condensed to a medium-length story. Much of the rest feels like Blish showing off the depth of his research.

Three stars.

Invader, by Harl Vincent

Chuck Radford awakens to the sensation of something attaching itself to the back of his neck. Meanwhile on Tau Ceti II, the mind of Princess Arla has fled, and Prince Bor’s mind must be sent after her. Chuck and his partner receive an unexpected windfall and decide on sudden vacations, with Chuck uncharacteristically picking Las Vegas as his destination. After an incredible run of luck, he wins just enough to pay off the debts of the troubled Jan Jones, whom he then rescues from a mysterious gunman.

Chuck’s most amazing skill is the ability to deliver a roundhouse kick in an elevator. Art by Vaughn Bodé

Harl Vincent was a pretty big name before the War, big enough to be chosen to do a round-robin story with the likes of Murray Leinster, Doc Smith and Stanley Weinbaum. As you can tell from the recap, the bones of this story are pretty pulpy. The writing, on the other hand, feels more modern; nothing special, just not the heavy slog of something from 30 years ago. If I have a real complaint, it’s that the gunman is never adequately explained. It was otherwise an enjoyable trifle.

Three stars.

Summing up

Another C to C- issue. There’s some forgettable fun and some stuff that’s sure to upset Mrs. Grundy and maybe even those less easily offended. (I certainly didn’t expect to find a term for an artificial phallus in IF, and I’m not sure that’s what Blish meant.) I miss the heady days of the March issue or wish for at least one stand-out story.

An oceanic theme from Clement. I wonder if this is related to Raindrop or The Mechanic.






[July 8, 1967] Family lines (August 1967 Galaxy)


by Gideon Marcus

Royal Families

The news always likes to focus on heads of state, especially when they are flashy or glamorous in some way.  From Princess Grace of Monaco to Crown Prince Akihito of Japan, these leaders are instant idols, somehow more compelling for having the reins (and reigns) of nations even though they presumably put their pants/skirts/obis on the same way as the common folk.

This week scored a triplet of spotlights.  For instance, in the island nation of Tonga, Taufaʻahau Tupou IV was crowned monarch in a ceremony that included a feast of 71,000 suckling pigs!  And that, by itself, tells you all you need to know about the current Jewish/Moslem population of Tonga…

Closer to home, El BJ, chief of the United States, has got his first grandson.  Patrick Lyndon Nugent is the newborn child of First Daughter Luci Nugent (neé Johnson).  There is no word, as yet, whether his toddler status will grant him deferment in the lastest draft lottery.

Finally, junta chairman General Nguyen Cao Ky, the flamboyant leader of South Vietnam since 1965, has decided not to run for President in the upcoming democratic (perhaps) September elections.  Premier Thiệu has been backed by the junta for the top role, instead, with Ky getting the Vice Presidential nod.  It's all a lot of musical chairs, anyway. After all, Ky has asserted that the only politician he admires is Hitler, which tells you all you need to know about the state of democracy in that country (and its current Jewish population…)

Watching Big Brother

Fred Pohl, one of the original Futurians and a pillar of the SF community, has had his hands full for nearly a decade.  After he took over the reins of Galaxy and the newly acquired IF from H. L. Gold, rather than sit on his laurels, he looked for new worlds to conquer.  Thus, Worlds of Tomorrow was launched in 1963.  But juggling three mags (plus a few reprint-only titles) was a challenging job, often resulting in uneven quality and occasionally right-out flubs.  For instance, last year's issue of Worlds of Tomorrow where the pages got all mixed up.

One would think, with WoT going out of publication, that things might be less hectic over at the Guinn Co. mags.  But, in fact, this month's issue of Galaxy is even more higgledy-piggledy, making reading a real challenge.


by Sol Dember

Which is a shame, because there's some quite good stuff in here (mixed with some mediocre stuff, to be sure).  Thankfully, you've got me to be your guide.  Just grab your compass, or you might get lost.

Hawksbill Station, by Robert Silverberg


by Virgil Finlay

One-way time travel is developed in the early 21st Century.  Since humanity is deathly afraid of creating paradoxes, the new portals are used by the totalitarian regime for just one purpose: shipping undesirables into the far past, a sort of Paleozoic Botany Bay.

Hawksbill Station is the one reserved for male subversives, established sometime in the late Cambrian (Silverberg repeatedly gives a date of two billion years ago, but of course, the Cambrian went from about 600-500 million B.C.) Our perspective is that of Barrett, the de facto head of the more than 100 settler/prisoners on the coast of what will one day be the Atlantic Ocean.  It is a community slowly decaying as its denizens age along with no greater purpose in life.  That is, until a new young convict arrives from the future, one who appears to be a government spy…

This is more of a travelogue than a story, and the ending comes on a bit abruptly.  But the characterization, the details, the setting are all so gripping that I tore through the novella in no time, despite the labyrinthine page distribution.

Four stars, and if it ever gets expanded into a novel, it could make five.

Angel, Dark Angel, by Roger Zelazny

In another future-set tale, society is maintained by a sort of corporate Angel of Death who, with the help of ten thousand teleporting assistants, brings death to citizens after they have made sufficient contribution to humanity (and are, perhaps, on the verge of being detrimental).

One noteworthy woman has cultivated the aesthetic race of spirules (depicted on the cover) as an antidote to the cold, mechanistic technology of her time.  A subordinate angel is sent to dispatch her, but things prove more complicated.

This is a middlin' Zelazny story, not an empty poetic suit like some, but not a near masterpiece like some of his other works.  Three stars.

We're Coming Through the Window, by K. M. O'donnell

Throwaway vignette about a fellow who keeps duplicating himself due to time travel and needs Fred Pohl's help to get out of it.

Cute.  Three stars.

Ginny Wrapped in the Sun, by R. A. Lafferty

Ginny seems to be a precocious four year old, but in fact, is actually just a baseline human, maturing at age 4 and going on as an upright monkey.  It's the rest of us who are evolutionary aberrations, having five times as many heartbeats that a creature our mass should have.  Inevitably, Lafferty suggests, we'll all go ape.

This tale doesn't really work, and it's a bit more impenetrable than Lafferty's usual fare.  Two stars.

For Your Information: A Pangolin Is a Pangolin, by Willy Ley

Ley's article on the strange mammal that is neither aardvark nor anteater nor armadillo is interesting, but not much more than you might get from a rather good encyclopedia entry.

Three stars.

9-9-99, by Richard Wilson

Two wizened old characters are determined to settle an old score since both have outlived their wagered death dates, the bet having been made back in the 30s.

Whether it is even possible for them to collect given the state of the Earth in the late '90s is another matter…

Good enough, I guess.  Three stars.


by Wally Wood

Travelers Guide to Megahouston, by H. H. Hollis


by Wally Wood

This is a very long, somewhat farcical account of a 21st Century evolution of the Astrodome, in which domes enclose whole cities.

Pretty dull stuff.  Two stars.

The Being in the Tank, by Theodore L. Thomas

An alien being materializes in the heart of a hellish hydrazine factory and demands to speak to the President.  But is he the real deal?

Forgettable, but inoffensive.  A low three stars.

Hide and Seek, by Linda Marlowe

A childhood game is adapted into a method of population control.  It has shock value, but little else.

Two stars.

The Great Stupids, by Miriam Allen deFord

Mad scientist makes everyone under 50 a mental moron, all in service of a rather lame joke at the end.  DeFord was once one of the stars of the genre, but her light has waned over the years.  Here's hoping she's a Cepheid variable and not a dying dwarf.

To Outlive Eternity (Part 2 of 2), by Poul Anderson


by Jack Gaughan

It is fitting that the final long piece of the issue is a sort of mirror image of Silverberg's novella in terms of strengths and weaknesses.  As we read in last month's installment, the ramscoop colony ship Leonora Christine suffered damage to its decelerators while traveling at near light speed on the way to Beta Virginis.  The solution: to accelerate to terrific velocities instead, plunging through the heart of the galaxy and out into the comparative emptiness of intergalactic space where repairs might be effected.

In this half, event after event conspires to force the Christine to travel ever faster and faster, ultimately spanning the lifespan of the universe and beyond in a matter of months.  The story is told as a series of problem-solving conversations spread out over the weeks, and each character largely exists solely to have these conversations.  Except for the women, of course, who are almost universally hysterics or hangers-on…except for the First Officer who ultimately whores herself out for the good of the crew.

In short, the setup and ideas are really neat, but its a plot outline, not a novel.  And where Poul Anderson does try to characterize, it's with quick stereotypes, and usually not agreeable ones.  As for setting, there really isn't one.  The crew of the Christine might as well be floating heads in blank spaces for all we really get to experience the ship.

Readable, but badly flawed.  Three stars.

Matrix Goose, by Jack Sharkey

Last up, some very familiar nursery rhymes as they might be rendered by robots–after the demise of humanity.  It's cute.  Three stars.


Perhaps my favorite example, art by Gray Morrow

Cross-eyed Kin

And so, Galaxy ends up a largely enjoyable, but unremarkable read — just under 3 stars in ranking.  Perhaps, with the demise of Worlds of Tomorrow further in the rear-view mirror, Pohl will be able to concentrate on (and concentrate the best stories into) his remaining mags.

On the other hand, perhaps he hasn't learned his lesson.  He's got a new magazine is coming out next month…





[July 4, 1967] Angels and Demons (August 1967 IF)


by David Levinson

The angels of our better nature…

It all started in January with a day of music and speeches called the Human Be-In in San Francisco’s Golden Gate Park. Young people came from all over, and as many as 30,000 people attended. When spring break rolled around, more and more descended on the city’s Haight-Ashbury district and other places around the Bay Area. Alarmed by the growing “hippie problem”, the Mayor and Board of Supervisors tried to stem the tide, but only drew greater attention to the mass migration. The trickle has become a flood, and tens of thousands of “flower children” have come to San Francisco. In response to the city’s inaction, various groups and organizations formed the Council for the Summer of Love, creating a free clinic and helping newcomers to find food and housing.

The official poster created by Bob Schnepf

Music is important to the youth movement, and two events in the Bay Area proved very popular. On June 10th and 11th, radio station KFRC held the Fantasy Fair and Magic Mountain Music Festival in the Cushing Memorial Amphitheater on Mount Tamalpais in Marin County, with all proceeds going to the Hunter’s Point Child Care Center. Bands from the region and farther afield performed on two stages, while visitors could also wander through the arts and crafts fair in the woods around the theater. Some of the bigger names included Dionne Warwick, the Byrds, Jefferson Airplane and the Doors. The event appears to have gone off without incident.

The festival was delayed one week due to bad weather.

One week later, the Monterey International Pop Festival took place down the coast. Inspired by the Monterey Jazz Festival and the Big Sur Folk Festival, this brainchild of John Phillips (of the Mamas and the Papas) and record producer Lou Adler was put together in just seven weeks. There was some overlap with the Fantasy Fair (Jefferson Airplane and the Byrds, for example), but there were some really big names as well, such as Simon and Garfunkel, the Animals, the Who, and of course the Mamas and the Papas. Sunday afternoon was given over to sitar player Ravi Shankar. The Who and Jimi Hendrix were afraid of being upstaged by the other, so they flipped a coin. Hendrix got to go second on Sunday evening, and after the Who finished their set by smashing their instruments, Hendrix topped them by setting his guitar on fire, smashing it and tossing the pieces into the audience.

This poster is a good example of the new psychedelic art style.

Summer officially begins with the solstice, when the sun reaches its northernmost point. In the pre-dawn hours on the 21st, a thousand or so hippies climbed the Twin Peaks in the heart of San Francisco to greet the sunrise with chants, drums and incense to inaugurate their hoped for Summer of Love. The sun even managed to burn through the fog around 7:00. Whether it really will be a summer of love or another long, hot summer like last year remains to be seen.

Hippie Randall DeLeon greets the sun and makes the front page of the San Francisco Chronicle.

… and the demons of our worst

This month’s IF is full of demons: personal, metaphorical and literal. But first, editor Fred Pohl makes the death of Worlds of Tomorrow official. The problem was distribution. Not enough news stands carried the magazine, and digests (unlike the slicks and their high ad rates) can’t get by on just subscription sales. So some of the features exclusive to Worlds of Tomorrow have been rolled into IF and the price is going up, both of which are reflected on the cover.

That’s not quite how black magic works in the new Blish novel, but it ought to be. Art by Morrow

Faust Aleph-Null (Part 1 of 3), by James Blish

Arms dealer Baines has come to Italy to meet with Theron Ware, a magician specializing in crimes of violence, whose power comes from trafficking with demons. Baines is naturally skeptical and asks Ware to prove his abilities by causing the apparently natural death of Governor Rogan of California. Meanwhile, the monks of Monte Albano, who derive their powers from dealing with angels, have learned through divination that something serious will come of this meeting. In accordance with ancient agreements, they send an observer, Father Domenico. Following the death of Governor Rogan, Fr. Domenico and Baines arrive at Ware’s villa on Christmas Day. To be continued.

Ware has set a demon to follow Baines around, probably until his check clears. Art by Morrow

Interesting. This is our world, but magic works, though not openly. I suspect this may have been inspired by Blish’s research for his novel about Roger Bacon a few years ago. In any case, the writing is sound, much better than The Hour Before Earthrise, although none of the characters – not even the white monks – are terribly pleasant. I’m curious to see where this is going.

A solid three stars.

The Trouble With Vegans, by Roger Deeley

Vegans are inveterate smugglers, aided by their unusual biology. The former Chief Customs Officer of Newyorkport explains how he lost his job.

Here is this month’s new author. It’s not bad for a freshman effort, but it’s also rather contrived. Acceptable, but the author has a lot of room to grow.

Barely three stars.

Clear as Mud, by Keith Laumer

Retief is Vice-consul of the Terran envoy to Slunch, a planet beset by massive mudflows. He has a plan for fixing the problem, but is interrupted by the arrival of a trade mission. Rainsinger, the head of the mission, proceeds to make things much worse.

Retief and Magnan head for the source of the mud. Art by Gaughan

While this is a lesser Retief story, a couple of things do set it apart. For one thing, Retief is barely in it outside of the action scenes. Most of the focus is on his usual immediate superior, Ben Magnan. For another, the high-ranking diplomat recognizes and acknowledges his mistake, apologizes for it, and then helps Retief set things right. Very unusual.

A low three stars.

Fan Into Pro, by Lin Carter

Picking up where he left off last month, Our Man in Fandom talks about fans who have become writers. After name-checking a few older writers like Ray Bradbury and Fred Pohl, he looks at some newer writers to come out of fandom, with people like Ted White, Tom Purdom or Terry Carr. Artists also come out of fandom, like Frazetta and Morrow.

Three stars.

The Winged Helmet, by Fred Saberhagen

On a world where a quirk of physics has humanity fighting the deadly Berserkers across time, the life-hating machines have killed the semi-legendary King Ay. In the present, Time Ops has only a few days to find the keyhole that will let them correct the disaster before the ripples of the change in history catch up to them. The only person who can go back to Ay’s day and not lose his memory is the Stone Age man Matt. Has time operative Derron suggested Matt’s name because that’s the man for the job or because the girl he loves is in love with Matt?

Matt, posing as Ay, fights a “demon”. Art by Wood

This is a direct sequel to Stone Man from the final issue of Worlds of Tomorrow. The main characters here are all from that story, but this reads well enough without knowing the other tale. Saberhagen continues to keep this series fresh, especially because they’re really about the people in them, not the war against the machines. The parts set in the past read like a decent fantasy story, so I wonder if it might not be time for Mr. Saberhagen to branch out and write about something else.

Three stars.

Paint ‘em Green, by Burt K. Filer

Ambrija (America, Britain, Japan) and Russia are locked into a Cold War race to come up with a non-nuclear superweapon. Junk dealer Jack Booth might be able to help engineer Charlie come up with something, but it’s going to be expensive.

Filer’s sophomore outing is slightly better than his debut, but only slightly. The writing is fine, but the story has little internal logic and is hurt by leading to a “humorous” conclusion.

Two stars.

When Women Rule, by Sam Moskowitz

Moving over from Worlds of Tomorrow, Sam Moskowitz takes a look at the long fascination with stories in which women are in charge, with or without the presence of men. He traces those stories from the Greek myths of the Amazons, through the Spanish novel which gave California its name, and on through the Pulp Era to today (his most recent example is Amazon Planet, which I’m not sure he actually understood). As usual, his knowledge is encyclopedic, but he doesn’t do much with it beyond reciting a catalogue. He also fails to engage with the question of why the women are of enormous size in so many of these stories. The best he can do for a conclusion is that society needs both men and women, but he seems content with the status quo.

Barely three stars.

The Felled Star (Part 2 of 2), by Philip José Farmer

On the Riverworld, Samuel Clemens, aided by the ape-man Joe Miller and Lothar von Richtofen, has joined forces with a group of vikings led by Erik Bloodaxe to find a large source of iron. Bloodaxe wants power, Sam wants a steamboat. Having survived the fall of a giant meteor, they’ve landed where they think it fell, but have no luck finding it. One night, Sam is visited by a Mysterious Stranger claiming to be a high-ranking member of the Ethicals, the people responsible for calling humanity back from death. The Stranger is opposed to the goals of his compatriots and is recruiting a group to thwart their aims. He tells Sam where to find the resources he needs and promises to find Sam’s wife Livy. Sam puts the whole thing down to a drug-induced dream, but Joe says he can smell the Stranger and reveals that he encountered people who smell like that in his original life back on Earth. But first, Sam is going to have to betray Bloodaxe before Bloodaxe betrays him.

The Mysterious Stranger sends a fellow by the name of Odysseus to help Sam. Art by Gaughan

There’s a story here, but it’s awfully incomplete. Most of it is Sam wrestling with his inner demons and some exposition about the overarching story of why the Riverworld exists. Farmer drops the bombshell of Joe encountering Ethicals hundreds of thousands of years ago, but its only purpose is to get Sam to believe in the Mysterious Stranger. And the whole thing ends on a huge cliffhanger. There’s obviously much more to come, and I can only hope Farmer gets to it soon. Unfortunately, we all know he has problems with endings.

Still, three stars for this and the serial as a whole (pending a real conclusion).

Summing up

Another stroll through the garden of mediocrity. The new Blish serial certainly looks promising, but he’s not an author I necessarily trust. The Farmer could have been a lot more than it is, if only he’d written the rest of the story. But then, he’s another author I don’t really trust to get things right. I don’t mind middle of the road if there’s also something that really stands out. At this point, I’d take a really bad story, just to enjoy ripping it apart. Better luck next month.

Harl Vincent. Now that’s a name I’ve not heard in a long time.






[June 20, 1967] Yours sincerely, wasting away (July 1967 Fantasy and Science Fiction)


by Gideon Marcus

When I get older, losing my hair

Age afflicts us all.  I remember once having a beautiful mop of curly hair with a line that was two inches from my brows.  Now, the front is racing toward the back, and my only compsensation is the flourishing stuff coming out my ears.

Of course, people age in different ways.  Robert Preston sang in last year's musical hit, I do! I do!–"Men of forty go to town. Women go to pot," but in my experience, it's quite the opposite. I'd like to think that I'm "entering my prime," but who knows?

Science fiction magazines are going through a midlife crisis, too.  The oldest of them, Amazing, turned 41 this year.  But is it "delightfully witty" and "wise"? Has it "stood the test of time"?  In fact, the magazine that Gernsback built is consistently the lowest rated of the SF digests, packed mostly with cheap reprints.  How about Analog, neé Astounding, rapidly approaching its Jack Benny birthday (he's eternally 39, you see)?  Well, I suppose it depends on whom you ask, but I think it's safe to say that Campbell's mag is definitely in a rut, fossilized into the features it had some fifteen years ago.

Even the newer crop has had a stormy adolescence.  Galaxy is 17.  Once a brilliant child, it is now an often insipid teenager.  If it stays this staid, it may not make it to voting age.  And how about Fantasy and Science Fiction, which just left its minority this year?  The venerable mag, the most literary of its kind, has had an unstable family life, with revolving editors through its teen years.  As a result, the wrinkles are already showing in this 18 year old.

Ed Ferman seems to be aware of his institution's aging.  Indeed, this month's issue, which begins and ends with (and devotes half its words to) the subject of growing old, seems a deliberate acknowledgement of the predicament.


by Jack Gaughan

The Day Before Forever, by Keith Laumer

Steve Dravek, late a denizen of the 20th Century, finds himself on a street near the end of the 21st.  Only shreds of memory remain, enough to give him a sense of identity, but no idea how he arrived in the future (young again, when he had been middle aged) nor why the black uniformed mooks of Eternity Incorporated (ETORP) are after him.

After being beset by "the lowest of the low" in a park, he is apprehended by "Jess", self-proclaimed "highest of the low", for purposes unknown.  Dravek uses force and wit to turn the situation around, making Jess take him to the heart of ETORP's facility on Long Island in pursuit of the truth…and himself.

Forever uses the latest gimmick everyone seems to have latched onto lately: cryonics.  That's the idea that one can be flash frozen before death in the hopes that any malady one is suffering from can be cured in the future.  Fred Pohl, editor of Galaxy and IF has gone into it in a big way, but now it's showing up here, too.

Anyway, there are more twists and turns than a new Los Angeles freeway interchange, and a lot of it gets explained in the end rather than shown as the story goes, but it's a readable potboiler, the kind Laumer can crank out in his sleep.

Three stars.

Balgrummo's Hell, by Russell Kirk

60+ years ago, Laird Balgrummo was sealed in his decaying manor house after committing an unspeakable crime against humanity and nature.  Now the world is waiting for him to shuffle off this mortal coil…save for Horgan, a greedy thief who would rob Balgrummo of his fortune of paintings while he sleeps.

Except Balgrummo sleeps not.  He lurks.

There are no surprises in this story, which reads like something out of Weird Tales' early days.  But the telling is delicious. 

My favorite story of the issue: four stars.

Alter Ego, by Hugo Correa

If you could make an identical new you, one unhindered by all of your life's wrong choices, who would be the better person?  You, or the android duplicate?

More a philosophical piece than science fiction, I found it stayed with me.  Three stars.

Encounter in the Past, by Robert Nathan

On the other hand, Nathan's story of the rediscovery of a Mesozoic human civilization doesn't make a lot of sense.  I reread the short piece a few times, and I still can't make heads or tails of it.

Two stars.

The Master's Thesis, by David Madden

Worse still is this pointless piece about a Professor Swinnard and the young man who insists on afflicting him with his master's thesis.  The story goes 'round in circles as Swinnard is increasingly disarmed and discomfited by the student's rudeness and the haste with which he finishes his project…yet I am at a loss to understand whence stems the horror, nor what the final thesis is actually about.

Am I stupid?  Is the point obvious to anyone else?

One star.

Flight Between Realities, by Doris Pitkin Buck

Buck's poem from the standpoint of an omniscient being sipping her sherry is a bit hard to parse, but seems to be of great moment.

Three stars.

The Sea Monster and the Mayor of New York City, by Gahan Wilson

On the perils to a monster's digestion due to the consumption of a fraught metropolis. 

Frivolous.  Two stars.

Twelve Point Three Six Nine, by Isaac Asimov

The Good Doctor explains the foolishness of associating significance to chance juxtapositions of numbers by creating his own, tying together the relation of the lunar and solar calendars to the Bible.

It's cute, and I found some of the historical bits interesting.  Three stars.

The Vitanuls, by John Brunner

In the early 21st Century, the birthrate has slackened.  But new births are not unknown, and as a kind of medical immortality is introduced, more and more babies are born healthy but vacant.  Void of intellect or animus.  Could there be a connection?

This story has a lot of problems.  Not only is the piece structurally flawed, telegraphing its ending from the beginning but taking forever to get there, but it also doesn't seem to understand how souls work.  Set in India, there is much reference to Hindu reincarnation and such.  But the story suggests that there is a limited number of human souls, and by cheating death, we're robbing the young of life. 

I'd always understood that, per Hinduism, animals and plants and…everything…had souls, all of which could serve in a human form.  Even if that were not the case, I think Brunner's math is off.  Yes, it's true that half of the people who've ever lived are alive today, but if the living outnumber the dead, it won't be because of immortality, but simple birthrate.  And does the store of human souls grow over time, or was it fixed, like the memory store of a mainframe, at a specific number deemed sufficient a million years ago, but now inadequate?

Two stars for this poorly thought out shock tale.

Will you still need me?  Will you still read me?

I understand summer is when magazines put out all their inferior stuff since readership is at its lowest ebbs during the dog days.  Still, if this latest issue (which scores just 2.7 on the Starometer) be any indication of where the magazine is headed, quality-wise, I have distinct concerns that it may never make it to the ripe old age of 64…


by Gahan Wilson





[June 2, 1967] Uneasy Alliances (July 1967 IF)


by David Levinson

Persecution and division

It’s rarely discussed, but a major condition of the decolonization of Africa has been that the newly independent nations are expected to retain their old colonial boundaries. The stated reason is to prevent squabbling and even armed conflict over redrawing those boundaries, such as we’ve seen between Pakistan and India. It sounds good on paper; unfortunately, paper is where those boundaries were drawn, often with little regard for people living there and leaving major tribes and ethnic groups split by lines on a map. Add in the tendency of colonial administrations to favor one tribe over others and you have the basis for a lot of unrest.

Nigeria is proving to be a case in point. Economic problems, tensions between the Muslim north and Christian south, government corruption, and an election widely seen as fraudulent all came to a head in an attempted military coup at the beginning of last year. Although the coup failed, the military was left in charge, and military governors were placed in the four states. An attempt to create a more centralized government led to a counter-coup and the near dissolution of Nigeria. Under Western pressure, the new head of the government, Colonel Yakubu Gowon, restored the federal system.

Then pogroms in the north against the Igbo (a largely Christian tribe from Eastern Nigeria) and other eastern groups left as many as 30,000 dead and over a million refugees fled to the east. The strain on the east led to negotiations between Colonel Gowon and Eastern military governor Colonel Chukwuemeka Odumegwu Ojukwu seemed promising, but have fallen apart. On May 27th, Gowon declared that Nigeria would be divided into 12 states (cutting the Igbo off from oil money). The same day Colonel Ojukwu declared the independence of Eastern Nigeria. As we go to press, it has been announced that the new country will be called the Republic of Biafra. Nigeria is unlikely to accept this assertion of independence.

l.: Colonel Yakubu Gowon of Nigeria. r.: Colonel Odumegwu Ojukwu of Biafra.

Mediocrity strikes again

Similarly unstable is this month’s IF, full of shaky partnerships, from famous authors and vikings to complicated family politics. Some expect betrayal, others will find themselves surprised.

Joe Miller is the most fearsome warrior these vikings have ever seen. Art by Gaughan

The Felled Star (Part 1 of 2), by Philip José Farmer

Twenty years ago, everyone who ever lived and reached the age of five or so awoke on the Riverworld, brought back to life by someone for mysterious purposes. Samuel Clemens (better known to the world as Mark Twain) is traveling with a band of vikings led by Eric Bloodaxe. Also along is Sam’s best friend, Joe Miller, a “titanthrop” or ape-man with a nose like a proboscis monkey. They’re seeking a source of iron, which is almost non-existent. Bloodaxe carries an iron axe, most likely from meteoric iron, but he wants more for the power it will bring. Sam wants to build a steamboat (and find his beloved wife Livy). They also hope to reach the headwaters of the River, which Joe once visited and saw a mist-shrouded tower and flying boats.

The group is attacked by a settlement of 19th century Germans, equipped with gliders and bombs. The fall of a huge meteor several valleys away smashes everything with a massive wave, but the viking boat manages to ride out the destruction. They fish Lothar von Richthofen (the younger brother of the Red Baron) out of the wreckage, and he gladly joins their quest.

Curse you, Red Baron’s little brother! Art by Gaughan

This brief installment is largely set-up. Mostly, we get everyone’s motivations and witness a possible source of a lot of iron. The most interesting bit here is Joe Miller. His tale of the tower is very well done. The implication that this distant relative of Homo sapiens counts as human for whoever is behind the great resurrection also raises some fascinating questions. We’ll see what Farmer manages to do with all this.

Three stars.

Pelandra’s Husbands, by E. A. Walton

Pelandra is destined to become an immortal and marry the immortal leader of an expedition to a planet circling another star. Along the way, she is expected to marry a series of men selected for their compatibility as spare parts for the immortals. Unfortunately, she has fallen in love with husband Number Three, and he is scheduled for recycling very soon.

Walton is a British fan, making her first professional sale. Very little makes any sense. The whole situation is contrived just to create the problem and obvious ending.

Two stars.

Population Implosion, by Andrew J. Offutt

The oldest people are dropping dead for no apparent reason, and what constitutes oldest is getting younger every day. It turns out that the death rate now corresponds exactly with the birth rate. International efforts try to reduce the birth rate, but somebody’s cheating.

Bob Hope and (presumably) Bing Crosby starring in The Road to Armageddon. Art by Vaughn Bodé

Another story that makes no sense and has more holes than all the cheese in Switzerland. It’s an interesting “what if?”, but Offutt doesn’t do anything with it.

Two stars.

A Ticket to Zenner, by C. C. MacApp

Tom Larrow has worked on the planet Merob for several years, but a revolution means that all non-Merobans must leave. He was attacked and had his passport and ticket for Earth stolen. Lucky for him, since the ship blew up just as it entered space. His assailant also kindly left behind another passport and a ticket to Zenner. With the help of his employer, Tom gets away with a ring of little value and the name of a contact, but someone is still hunting for him.

Tom tries to smuggle himself off the starship. Art by Virgil Finlay

When he’s not writing about Gree or trying to be funny, MacApp is a decent writer. Somebody like Keith Laumer might have made this story (which owes more than a little to North by Northwest) a bit more exciting and tied things up a bit better, but MacApp’s rendition is serviceable.

Three stars.

The Tusk, by L. Sprague de Camp

A very short poem musing on a mammoth tusk in a museum.

Art by Gaughan

I have a poor sense of meter, but the rhythm here feels jarring and inconsistent. The punchline is also facile at best. Not Sprague’s best work.

Two stars.

The Purpose of Fandom, by Lin Carter

It doesn’t have a purpose, says Carter. But here he looks at how science fiction fandom differs from others. Notably, the large number of fans who become pros. This month, it’s those who became publishers and editors, next month will be writers.

Three stars.

Adam’s Eva, by Alan Dirkson

A minor mishap during his activation leaves Adam Pilot more ambitious and more prone to ask questions than most robots. His first day on the job, he meets Eva Hostess, who goes to great lengths to make everything perfect in the hopes that today there will be Passengers. But Passengers never come, and flights are often canceled due to fuel shortages. When Eva disappears, Adam does everything he can to find her, even going down to the Slag Heap, where he makes a big difference to the lives of the unfortunates there and eventually learns why there are never any Passengers.

Adam on the Slag Heap. Art by Virgil Finlay

Here is our second first-time author this month. Line by line, the writing is serviceable, though nothing special. But the whole thing is painfully obvious, and the title really gives away the ending. It’s also a bit long.

A very low three stars, though that might be generous.

Spaceman! (Part 3 of 3), by Keith Laumer

Billy Danger accidentally found himself aboard a spaceship where he committed himself to seeing to the safety of the beautiful Lady Raire. He lost her, found her and lost her again. Now he’s a slave. He befriends a fellow slave, the insect-like Fsha-Fsha, and they plan an escape. Before they can pull it off, Billy is sent to a punishment assignment. He’s rescued by Fsha-Fsha and Srat, whom he thought had betrayed him. Srat is killed, but Billy and Fsha-Fsha gradually work their way toward Raire’s home planet, having several adventures along the way. Eventually, he’ll have to rescue Raire one final time.

Billy became an expert swordsman by… sorting fruit. Laumer almost makes it believable. Art by Castellon

All in all, it’s a decent space adventure, but that’s all it is. Laumer is capable of much better. This also feels like it’s based on his notes for Earthblood and ideas he pitched to Rosel Brown that they didn’t use. It’s a fine novel, but if you have to choose between reading this or Earthblood, choose the latter. However, reading them together will give you a greater appreciation of Brown as an author.

Three stars for this installment and the novel as a whole.

Summing up

A pretty weak issue overall. Some stuff that’s okay and some that fails to reach that level. The Farmer has potential, but we all know he has problems with endings. There’s also a letter from James Blish, talking about his Star Trek book. Apparently, it’s done very well, and both he and the publisher have been deluged with fan mail. There’s a second volume due out towards the end of the year.

Speaking of Blish…






[May 12, 1967] There and Back Again (June 1967 Galaxy)


by Gideon Marcus

Living in the Past


Dancing on the main stage

The Renaissance Pleasure Faire has really taken off since it first opened in 1963.  Sort of a reaction to modern society, it is several acres of the 16th Century surrounded by semi-arid modern Southern California.  And as a refuge from the horrors of today (and sanitized to be free of the horrors of yesterday), it has become a prime sanctuary for hippies and other counter-culture freaks to enjoy some solace.


A typical scene–we pretend the "mundanes" aren't there…

And the Journey is no exception!


Iacobus of Constantinople (left) confers with Lord Sir Basil, Count of Argent (me!)


Lorelei has found her chosen weapon.


Captain Clara Hawkins (time traveling from the 17th Century) and Lorelei ride unicorns.


Good writers don't grow on trees, but some, like Elijah, play in them.


The whole gang.  Note associates Elijah (purple, third from left), Joe (center, back), Abby (gold, center front), Lorelei (to her right), and Tam (second from right).

Living in the Future

The pages of this month's Galaxy also offer an escape, and for the most part, a pleasant one!


by Gray Morrow

To Outlive Eternity (pt 1 of 2), by Poul Anderson

Things open with a literal bang.  The Leonora Christine, zooming through space at relativistic velocities on a mission of colonization, rams into a small nebula at near light speed.  Though the 50 or so crew and scientists are unhurt, the ship has lost its ability to decelerate.  It is now doomed to travel through the galaxy and beyond, its tau (or time) compression factor ever increasing, such that the entire life of the universe might pass in a lifetime.

Earth is now long in the past; can the Leonora Christine's complement effect repairs such that they can at least someday cease being a cosmic Flying Dutchman?


by Jack Gaughan

Poul Anderson, when he's got his blood high, fuses science and character better than most (when he's in it for the paycheck, he gets the science right, but the rest is dull as dishwater).  The near-light Bussard ramjet concept was explored recently in Niven's The Ethics of Madness, but this gripping tale promises to reward the reader more fully.

Four stars.

Mirror of Ice, by Gary Wright

Gary must have recently watched Grand Prix, for his tale of high-speed bobsledding of the future, with its 10% fatality rate per race, strongly evokes that vivid movie.  Or the author is just a big racing fanatic.  After all, such was the topic of his last story.

Anyway, perfectly acceptable, if not too memorable; I wonder if he'd originally intended this for Playboy…or Sports Illustrated!

Three stars.

Polity and Custom of the Camiroi, by R. A. Lafferty

A three-person anthropological team investigates the highly libertarian planet of Camiroi.  Society there is highly advanced, seemingly utopian, and utterly decentralized.  Sounds like a Heinleinesque paradise.  However, there are indications that the Terrans are being put on, mostly in an attempt to just get them to leave.

The result is something like what might have happened if Cordwainer Smith and Robert Sheckley had a baby.  That'd be one weird tot…but an interesting one.

Four stars.

The Man Who Loved the Faioli, by Roger Zelazny

The Faioli are ethereal beauties who appear in a man's (or a woman's?) last month of life.  Or perhaps they are the cause of impending demise.  In any event, they pay for the quick mortality with the most pleasant company imaginable, perhaps feeding on the emotional feedback.

Here is the tale of a man living-in-death (or dead in living?) who romances a Faioli and remains to tell about it.

Zelazny is capable of beautiful, effective prose, but sometimes, it seems he just waxes purple and hopes his readers can't tell the difference.  This one feels like the latter.

Three stars.

For Your Information: Another Look at Atlantis, by Willy Ley

Mr. Ley, Galaxy's science columnist, is back to form with this quite interesting article on all we know for certain (and it's not much!) about the mythical continent of Atlantis.  Worth a read.

Four stars.

Spare That Tree, by C. C. MacApp


by Dennis M. Smith

Inspector Kruger of the Interstellar Division is back (we first saw him in the January issue of IF).  This time, he's on the trail of a kidnapped tree, prized possession of an Emperor whom the galactic federation wishes to keep on the good side.

David observed that Laumer or Goulart could do a better job with these tales, and they are, indeed, the authors I was reminded of while reading this piece.  It starts out genuinely interesting and funny, but the last half meanders into a whimper.

A high two (or a low three, depending on your mood).

Howling Day, by Jim Harmon

In this epistolary, an agent keeps sending a spec script to the wrong kinds of publishing houses.  They all appreciate the quality of the work, but it's not quite right for what they put out.  Which makes sense–turns out it's not a spec script at all…

I found this one a bit tedious and old-fashioned.  Two stars.

The Adults, by Larry Niven


by Virgil Finlay

From the center of the galaxy comes Phthsspok, a super-intelligent, highly determined alien looking for a long lost colony.  He has reason to believe it is Earth…or was, hundreds of thousands of years ago.  Phthsspok is a Protector, with armored hide and hyper-reflexes.  Utterly beyond human capabilities.

Except, when Phthsspok runs across and kidnaps Jack Brennan, a Belter in his middle-40s, the connection between Protectors and humanity turns out to be closer than anyone expected.

Set in the same time and setting as World of Ptavvs, and featuring Lucas Garner and Lit Schaeffer from that book, The Adults is a fascinating read.  And it offers the compelling question: would you trade your sex and your outward humanity at age 45 for the privilege of immortality and extreme intellect?

Forty-four year olds in the audience, are you reading?

Four stars.

Alien's Bequest, by Charles V. De Vet

Wrapping things up, we have a new twist on The Puppet Masters.  It's mildly intriguing, and I am always happy to see De Vet's name, but ultimately, the story doesn't quite go anywhere.

Three stars.

Return to Reality

What a nice weekend that was!  First centuries past, then centuries to come.  I'm not sure I'm ready to face Vietnam, another summer of protests, or a second season of The Invaders.

Oh look!  The June issuse of Fantasy and Science Fiction has arrived.  Just in time…





[May 2, 1967] The Call of Duty (June 1967 IF)


by David Levinson

[L]et us to the end dare to do our duty as we understand it.
– Abraham Lincoln, Address to the Wisconsin State Agricultural Society

A duty to a higher power

On April 28th, heavyweight boxing champion Muhammad Ali (whom many papers insist on calling by his former name, Cassius Clay) refused induction into the United States Army. In a matter of hours, the New York State Athletic Commission revoked his boxing license, and the World Boxing Association stripped him of his title. For those paying attention, Ali’s refusal came as no surprise. He had been classified as 1-Y (fit for service only in times of national emergency) due to his poor performance on the qualifying test, but when the army lowered its standards last year, he became subject to reclassification as 1-A. The draft board in Louisville Kentucky did so, and he appealed, seeking exemption as a Muslim minister (often incorrectly reported as conscientious objector status). The board denied the appeal in January, and Ali vowed to go to court. After moving to Houston, Texas, the champ again sought reclassification and was again denied.

Muhammad Ali is escorted from the induction center in Houston, Texas.

When called up, Ali appeared as ordered at the Houston induction center and participated in all the pre-induction activities. But when called to step forward for induction, he refused. He was taken aside and the consequences were explained, but he once again refused. After that, he signed a statement indicating his refusal and was escorted outside. He didn’t address the reporters and television cameras waiting for him, but handed out copies of a four-page statement indicating that he is aware of the penalties he faces, but that accepting induction is inconsistent with his “consciousness as a Muslim minister and [his] own personal convictions.” The case has been referred to the U. S. Attorney. If convicted, Mr. Ali faces a maximum of 5 years in prison and a $10,000 fine.

A sense of duty

Like Muhammad Ali, almost everyone in this month’s IF is motivated by strong beliefs: their duty to king and country, humanity at large, or their own personal beliefs and obligations.

Uncle Martin and Tim (from My Favorite Martian) seem to have had a falling out. Actually, this is supposedly from Spaceman!
Art by Wenzel.

Wizard’s World, by Andre Norton

Hunted for being an Esper, Craike decides death is preferable to capture and hurls himself from a cliff. And finds himself in another world, one where people like him are seen as wizards who maintain order for the feudal lords and will not tolerate unregulated Espers. He soon falls afoul of these Black Hoods by rescuing an attractive young woman who was being punished for being outside of the established system.

Takya and Craike set a trap for the Black Hoods. Art by Gray Morrow

We’ve all read this story a hundred times. Man from our world or one reasonably close finds himself mysteriously transported to another world, where he uses his knowledge and different way of thinking to upset the bad social order and get the girl. From John Carter to Lord Kalvan, the template has few variations. Norton’s typical strong writing lifts this above the usual fare, but she offers us nothing new. And there are bits that bother me. For all her power and maturity, Takya is clearly meant to be a young teen, who spends the whole story clad only in her hair. Then at the end, the wooing she expects from Craike borders on rape, however consensual it may be.

Three stars, strictly for being well-written.

Berserker’s Prey, by Fred Saberhagen

Gilberto Klee was working on a youth farm when he was captured in a berserker raid. Now aboard a human ship converted to berserker use, he meets other prisoners, one of whom is sure he can fly the ship if only they can destroy the berserker brain piloting it. Because human captives are suffering from dietary deficiencies, the berserkers order Gil to grow something to end the problem. He suggests a fast-growing squash, though the others disdain him for aiding their captors. Is Gil trying to be viewed as “goodlife” or is there something else going on?

As fellow Journey writer Victoria Silverwolf recently noted, Saberhagen is able to return to this setting over and over again without repeating himself. Perhaps that’s because most of these stories, like this one, tend to be character pieces with the action secondary to the plot. The tight focus on Gil’s internal thoughts without giving away the ending is extremely well done. The ending is also quite symbolic for the overall struggle against the great killing machines.

A very high three stars.

All True Believers, by Howard L. Morris

Not quite two years after thwarting the invasion of Briden by the Freunch under Naflon (see Not by Sea), Sir Hubert Wulf-Leigh (Wilfly) stumbles upon a new Freunch plot: a simultaneous rising in Cullenland and a landing by the Pantlerist pretender in Celtland. Once again, his brilliant mind – aided by a regrettable lack of wine – is up to the challenge.

A strand-gleaner makes an important discovery. Art by Virgil Finlay

The previous story by this author, though readable, was a little too long and tried much too hard to be funny. Morris has largely corrected those problems, though he’s stuck with the ridiculous place names. This piece is clearly based on British fears during the Napoleonic Wars of an Irish rebellion and an attempt by the Stewart pretender to claim the throne and is really no more plausible here than it was in reality. Also the Finlay art seems to be repurposed from Treasure Island or something and doesn’t fit at all. Still, it's all an improvement.

Three stars.

The N3F and Others, by Lin Carter

After looking at a number of less successful attempts at creating national fan clubs last month, Carter looks first at the strange story of the Cosmic Circle and then the more successful National Fantasy Fan Federation. The N3F has lasted a quarter century at this point, but Carter seems ambivalent. In his opinion, it and its extensive membership list offer a reasonable first step and a way to meet fans near you and around the country, but he feels that the organization doesn’t really do anything in fandom. Nevertheless, it seems to be a good introduction for those without a local club in their vicinity.

Three stars.

The Castaways, by Jack B. Lawson

A handful of people are on their way to Smith’s World in suspended animation aboard an automated spaceship when an unexpected nova sends the ship off course. They’re able to find a habitable world, but it’s one without any other people. Can the end products of 6,000 years of civilization survive in a primitive setting?

While the writing is strong on a line-by-line basis, the story itself is so bleak and pessimistic I can’t bring myself to like it.

A very well-written two stars.

Spaceman! (Part 2 of 3), by Keith Laumer

Seeking shelter from a blizzard, Billy Danger accidentally stowed away on a spaceship, ultimately finding himself marooned with the beautiful Lady Raire and a collie-sized cat named Eureka. Raire was taken away by strange, dwarfish aliens, and Billy had to wait for rescue. Billy then spends a few years working his way up the ladder to Chief Power Engineer and also working his way towards Raire’s home planet near the galactic core. He learns that the aliens who took Raire are known as the H’eeaq. After several (mis)adventures, he finds himself in possession of a stolen spaceship and the assistance of a H’eeaq named Srat.

They begin scouring the scattered worlds of the Galactic Zenith, looking for those who took Raire. On the verge of giving up, he finds Raire enslaved and buys both her and another human. Staggering drunkenly back to his ship after finalizing his purchases, Billy watches as the ship takes off with Raire aboard and then finds himself arrested for illegally manumitting a slave. When he wakes up, he discovers that he has been implanted with a control device. Billy is now a slave. To be concluded.

Billy meets Srat for the first time. Poor Srat. Art by Castellon

This installment reminded me a lot of Earthblood, especially the protagonist rising through the ranks as he travels and moves ever closer to a seemingly impossible goal. While Rosel George Brown’s steadying influence there gave us moments of introspection, Laumer alone is free to indulge in wild adventure and action. He also has a tendency to rely too much on coincidence to move the plot along. It’s still an enjoyable read, though.

Three stars.

Family Loyalty, by Stan Elliott

A series of letters between Joe Seaworthy, who is emigrating off-world, and his cousin and former employee Harry Aimes, who senses a chance to get himself out of a bind.

Here is this month’s new author. The first letter feels very unnatural, although there are reasons for that. Things improve after that, and Elliott does a pretty good job of telling us a lot about the world without direct exposition.

A low three stars.

Driftglass, by Samuel R. Delany

Cal Svenson is an amphiman, someone who has been surgically altered so that they can live and breathe underwater. Eighteen years ago, he was severely injured while trying to lay a power cable in an oceanic trench known as the Slash. Unable to work due to a paralyzed leg and torn swim membranes, he has a pension and a house on the Brazilian coast provided by the company he worked for. He spends his days searching for driftglass (also called sea glass) and chatting with his friend Juao, a local fisherman. Encountering a young amphiman woman, Cal learns that the company is planning to try laying a cable in the Slash again the next day. Juao’s two children, Cal’s godchildren, have been accepted into the amphiman program and must leave for Brasilia the next day as well. Cal has to sort out his feelings about both of these things and their consequences.

Cal is injured. Art by Gaughan

Simple. Beautiful. Subtle. Delany writes with a maturity far beyond his 25 years. This story alone is worth your 50¢.

Five stars.

An example of some sea glass

Summing up

That’s another month in the books. Mostly fair to middlin’, but two of the shorter works stand out. The Saberhagen is very good, even if it doesn’t quite deserve a fourth star, and Driftglass is amazing. I expect to see it on all the awards lists. I’m nominating it for a Galactic Star right now, with not even half the year gone.

This is presumably the Riverworld story promised for Worlds of Tomorrow. The lack of other information suggests that Fred is scrambling to deal with the loss of a magazine.






[April 14, 1967] Earth, Air, Fire, and Water (April 1967 Galactoscope)


by Victoria Silverwolf

Two new science fiction novels take readers from the dry land to the depths of the sea, and down from the sky in a burst of flames. Will they make proper use of the traditional four elements of ancient times, and reach the exalted level of the aether, that fabled quintessence that was of a more refined nature than the others? Let's find out.

Canada's Gift to American Science Fiction

Alberta-born writer Gordon Rupert Dickson, now living in the USA, has been publishing fiction since 1950. It's hard to say that there's a particular kind of Dickson story. He's written light comedy, such as the Hoka series with fellow Minnesotan Poul Anderson (currently a resident of the San Francisco region), all about aliens who look like teddy bears and cause trouble by imitating human beings. He's written entertaining adventure stories, some for a juvenile audience. In recent years, he's gained notice for more serious and thoughtful works.

His novella Soldier, Ask Not (Galaxy, October 1964), part of the Dorsai series, won the Hugo award, and the novelette Call Him Lord (Analog, May 1966) won the Nebula award less than a month ago. Will his latest novel add to his reputation?

The Past is Prologue


Cover art by Richard Powers.

It's something of a challenge to jump into The Space Swimmers without any preparation. The author throws a complex background at you in bits and pieces, and it's obvious that a lot has gone on before the novel begins. That's because it's a direct sequel to the novelette Home from the Shore (Galaxy, February 1963).


Cover art by Jack Gaughan.

Surf 'n' Turf

In brief, humanity has split into land dwellers and ocean dwellers. The sea people have developed abilities that make them valuable space explorers. Humans encounter the so-called space swimmers, beings that are gigantic in size but tiny in mass, beyond Mars. They die every time people try to capture them. This causes the sea folk to rebel, and withdraw their services from the space vessels of the land folk. The result is war, with the land dwellers destroying the underwater communities of the ocean dwellers.

This is where the novel begins. The war has cooled off slightly, although the land folk sometimes hunt the sea folk for sport, in the tradition of Richard Connell's famous story The Most Dangerous Game.

Our hero is Johnny Joya, who more-or-less instigated the rebellion of the sea folk in the novelette. He lives in isolation in the frigid waters of the Arctic with his young son Tomi after the death of his wife during the war. Tomi has even greater abilities than his father. The sea people can communicate with dolphins, but Tomi can also communicate with killer whales. Father and son become involved in an attempt to reconcile the two branches of humanity.

It seems the space swimmers can teleport instantaneously from one place in space to another. If Tomi can communicate with one of the mysterious creatures, he may be able to discover the secret of interstellar travel. Complicating matters is the fact that both sides have developed doomsday weapons that could wipe out the other.

I've only scratched the surface of a novel that has a heck of a lot going on in only one hundred and sixty pages. I haven't mentioned major characters or important subplots. Suffice to say that Dickson keeps things moving at a brisk pace.

There's a certain vagueness in some of the book's concepts that leads to confusion at times. We're told more than once that the ability of the sea people to communicate with dolphins is not telepathy, but this is left unexplained. Johnny works on problems by making use of so-called analogs (a nod to the magazine of the same name?) but I didn't understand how this was supposed to work.

It may seem unlikely that the sea people are willing to completely destroy life on land through a series of devastating earthquakes, and that the land people are willing to destroy all life in the ocean through modified disease organisms. The way each of these terrifying weapons is described, it seems as if either one would completely wipe out both sides. The fact that we live in an age of Mutually Assured Destruction (to make use of a term coined by Hudson Institute researcher Donald Brennan, appropriately known as MAD) may add some plausibility to this part of the book.

Worth reading, but I don't think it will win any awards. Three stars.

Sterling Silver

Native New Yorker Robert Silverberg has been an extremely prolific author in multiple fields since 1954. Not all of his work has been notable for its quality, it must be admitted, but he won a Hugo award in 1956 as the Most Promising New Author, beating out Harlan Ellison, Frank Herbert, and Henry Still. (Who? He hasn't published anything since 1961. Sic transit gloria mundi.)

I won't mention the many sex novels he's published under multiple pseudonyms, except to say that eroticism plays an important role in Those Who Watch, his latest novel (unless another one comes out while I'm writing this, given his speed at the typewriter.)

Three Times Two Equals Six


Anonymous cover art.

Aliens have been monitoring Earth for centuries, cruising the skies in flying saucers hidden from human eyes by a screening device.  One of the hundreds of saucers filling the atmosphere has a disastrous failure, causing it to explode over New Mexico.  The three crewmembers bail out, landing in separate areas and sustaining serious injuries.

The trio consists of two males and a female, all part of a mating group.  (We'll find out later that such a triad is normal for the aliens, although sometimes it's two females and a male.) Although not described in any detail, the extraterrestrials are small beings, each one wearing an artificially created human body.  Their real bodies are intimately connected with their external disguises, so they experience the pain of their damaged human bodies and other sensations.

At this point, the narrative alternates among the three aliens and the human being each one encounters. 

One extraterrestrial appears to be an ordinary man of middle years.  A young American Indian boy, living in a pueblo that keeps its traditional ways only to attract tourist dollars, brings him food and water while he recovers from a spine injury that renders him paralyzed.  In exchange, the highly intelligent lad, who figures out very quickly that he's dealing with an alien, learns about the other's native world.  He also acquires a piece of advanced technology that could be deadly.

Another alien takes the form of an extraordinarily handsome young man.  He gets aid from a young widow with a small child.  The two fall in love, in the first of two human/alien couplings we'll see.

Paralleling this is the mating between the female alien, disguised as a voluptuous woman, and a military man, bitter because a medical problem kept him from becoming an astronaut.  He and the widow eventually come together, after their alien lovers leave Earth.

Meanwhile, rival aliens, who also have hundreds of unseen flying saucers orbiting the planet, try to track down the three, in order to charge them with violating an agreement not to land on Earth.  (There seems to be a sort of Cold War going on between the two species.  Neither one is supposed to be on the surface of the planet, but they both have secret agents on Earth.)

This is a leisurely novel, despite the attempt to create suspense in the form of the enemy aliens.  Much of it consists of conversations between each of the three aliens and the human being that renders aid.  The two sexual encounters between a lonely human being and a benign extraterrestrial may be too much of a good thing. 

The sections of the novel about the American Indian boy are probably the best.  The author avoids stereotyping Indians, and shows a great deal of empathy for their situation in modern society.  Silverberg displays a gift for characterization in his intimate portraits of the three humans; perhaps not quite so much for the aliens.

He's still a promising, if not quite so new, author.  Three stars.



by Gideon Marcus

Ring in the Old

If Silverberg is a new old hand (or an old new hand), and Dickson is a plain old hand, then Murray Leinster is the oldest of hands.  In fact, Will Jenkins (Leinster's real name) has been a pubished author of scientifiction since 1919–before the genre even had a name.  Suffusing his work with a patina of scientific accuracy, up through the '50s, his name was a welcome one on the masthead of any magazine.  I particularly enjoyed his Med Series tales of Dr. Lincoln Calhoun and his pet/assistant, Murgatroyd.

Those happy days are years in the past, and as John Boston and I can tell ya, his latest works have been phoned in…from a booth in Duluth that hasn't been serviced in decades.  Thus, it was with trepidation that I picked up Leinster's latest, Miners in the Sky.

It's actually not bad.

Set in the lawless rings of the planet Thutmose, a Saturn analog in a star system far from Earth, it details the perils faced by a space miner named Donne.  He's no sooner set foot on the trade asteroid of Outlook, a sizable rock within Thutmose's rings, when his little "donkeyship" explodes.  He quickly deduces that word has (mistakenly) gotten out that he has discovered the Big Rock Candy Mountain, a bonanza rock laden with the "abyssal crystals" that facilitate solar system travel.  Donne must get off Outlook as soon as possible: his partner, Keene, is stuck on the ringlet they are mining.  He may run out of air, or worse, already have also been the target of an assassination.  Complicating things is the arrival of Keene's sister, Nike, who insists on coming with Donne.  So begins a long chase through the rings of Thutmose, with a murder-inclined criminal on Donne and Nike's heels.

I had worried that the story would be simply a gussied up Western, but there's a bit of physics and a lot of pretty description of the Thutmosian locale that makes Miners reasonably SFNal.  To be sure, it is written in Leinster's current mode: all short sentences, lots of exclamation marks, and characterization as shallow as a kiddie pool.  Add to that the several times Leinster points out that, as a woman, Nike "instinctively" looks to a man for help. 

Miners in the Sky will definitely win no awards.  It is yet another in a long line of stories cranked out on autopilot to pay the bills.  Still, I don't regret the time I took reading the book.  Sometimes, all you need is a little adventure.

Three stars.






[April 8, 1967] Swan Songs (May 1967 Worlds of Tomorrow)


by Victoria Silverwolf

After the Ball is Over

According to my sources in the publishing world, the latest issue of Worlds of Tomorrow is the last one that will be published. I can't say I'm completely surprised, given Frederik Pohl's juggling act of editing three magazines at once. Worlds of Tomorrow is the youngest of the literary siblings, and seems to have received the least attention. (The fact that it went from bimonthly to quarterly is a strong clue.)

While the band plays Goodnight, Ladies and my corsage begins to wilt, let's take one last waltz around the ballroom.

Save the Last Dance For Me


Cover art by Douglas Chaffee.

Stone Man, by Fred Saberhagan


Illustrations by Hector Castellon.

Here's the latest story in the author's Berserker series, featuring ancient machines bent on destroying all organic life. This yarn features a peculiar kind of time travel, which requires some explanation.

Humans settled a planet where some kind of weird space/time warp sent them into the remote past. It also wiped out their memories, so they pretty much started from scratch as cave dwellers. Many generations later, society evolved into one with advanced technology. Then the Berserkers showed up.

The planet's surface became a war-scarred wasteland, and the remaining population went underground. Making use of the same space/time warp, the Berserkers try to completely eliminate the human population by sending war machines to the past.


Our hero, a young cave dweller, and a Berserker device.

The main character sends his consciousness into an armored suit that goes back in time, in order to intercept the machines. (I will refrain from making a head 'em off at the past joke.)


A closer look at the enemy. The cave folk call it a stone-lion, and call their rescuer a stone-man.

It won't surprise you that our hero saves the day, after a very tough battle. (Let's ignore the fact that his body remains in the future while his mind inhabits the armor, so his life isn't really in danger. Anyway, if the Berserkers had won, he and the rest of the people on the planet would never have existed. Time travel is confusing, isn't it?)


He deserves to celebrate his victory.

What most impresses me about the Berserker series is that the author avoids repeating himself. (I wish I could say the same for the Gree and Esks series, or even Retief.) This is a pretty good story, but I have some quibbles.

There's a character I haven't mentioned yet, a young woman who suffers amnesia during one of the Berserker's attacks on the underground dwellers. (In the future, not the past. Are you still with me?) Her only role in the story seems to be to listen to the hero's expository dialogue. The premise is a complicated one, so I understand why the author needs to explain things to the reader via this character. However, like the plot itself, this strikes me as contrived.

I'd say a solid three stars for this one.

The Negro in Science Fiction, by Sam Moskowitz

Another article from the walking encyclopedia of fantastic fiction. As usual, this essay wanders all over the place, from dime novels of the Nineteenth Century to the present day. A lot of time is spent on obscure old stuff. The author seems to have his heart in the right place, decrying science fiction's failure to deal with modern issues of civil rights, but he also makes excuses for grotesque stereotypes from the last century. (As long as characters are on the side of the good guys, it doesn't seem to matter how they look, talk, or act.)

Two stars for a dull look at a very important topic.

Squared Out with Poplars, by Douglas R. Mason


Illustrations by Dan Adkins.

On behalf of the museum where he works, the protagonist journeys to the remote home of an eccentric fellow who intends to sell his collection of valuable artifacts. Along the way he runs into the elderly guy's beautiful granddaughter, who is headed the same way. After a difficult struggle to even reach the place, they discover the old man's bizarre secret project.


Dragging away one of the fellow's minions.

This is an odd story. I don't want to give away too much, but the premise involves truly weird technology that includes computers, human consciousness, and the trees that give us the title. In essence, it's a Mad Scientist yarn, with maybe a touch of James Bond. It's also written in an eccentric, affected style. The author doesn't seem to intend it as a comedy, but there are snide remarks from the hero all the way through it. At least it didn't bore me.

A wobbling three stars for originality, if nothing else.

The Uncommunicative Venusians, by David H. Harris


Illustrations by Jack Gaughan.

Forget the title. This is an article on symbolic logic, using syllogisms with science fiction elements that could have easily been replaced with something more mundane. The author seems to know what he's talking about, but his attempt to sugarcoat a math lecture with aliens and UFOs doesn't liven things up much.


The best thing about this piece is the above illustration, which adds a futuristic touch to Sir John Tenniel's original portrait of the Caterpillar from Alice's Adventures in Wonderland.

Two logically derived stars for this homework assignment.

Base Ten, by David A. Kyle


Illustrations by Vaughn Bode.

A man in a spaceship comes across a derelict rocket on an asteroid. The relic is way out of date, so he knows it's been there quite a while. Surprisingly, there's still someone alive inside the thing, in very bad shape.


Studying the castaway's notes.

The survivor tells him an incredible story about running into small aliens on the asteroid. They were friendly enough, but didn't want Earthlings to know about their existence.


Examining the old rocket's complex operating system, which is an important part of the plot.

The older fellow, who is half-insane from many years of isolation, offers vague hints of why he wasn't able to leave the asteroid, although the rocket had plenty of fuel. Meanwhile, the younger man tries to figure things out from the survivor's records.


Including drawings of the so-called Redheads, who resemble potato/mushroom combinations with limbs.

Try as he might, the young fellow isn't able to keep the older man from suffering a tragic fate.


Giving in to despair.

At the end, he figures out why the survivor was unable to return to Earth.


Saying goodbye.

The beginning intrigued me, but the aliens are silly and the solution to the mystery is disappointing and implausible. I'm not sure why this minor puzzle story needed so many drawings, but I'm sure the artist was glad for the work.

Two heavily illustrated stars.

Syracuse University's Science-Fiction Collections, by Richard Wilson

There's not much to say about this article. It talks about the archive of books, magazines, manuscripts, and such mentioned in the title. It's good to know that scholars will have access to all this stuff, anyway.


A nifty example of the university's collection.

Two carefully indexed stars.

Whose Brother Is My Sister?, by Simon Tully


Illustrations by Jack Gaughan.

Some time after aliens arrived on Earth, the two species intermingled to such a degree that there are more extraterrestrials on the planet than humans. (The situation is said to be similar on the alien home world, but that's not really part of the plot.) The aliens are able to travel across the cosmos because they figured out that the current universe is absorbed by a new universe every instant.

(Don't worry if that doesn't make much sense to you. I felt the same way. And don't get me started on the debate as to whether the new universe is a lot smaller or a lot bigger than the old universe.)

The aliens have a chance to enclose the current universe inside some kind of so-called box, which will stop the passage of time. For some reason, they assume this will lead to an eternal paradise for everyone. Hardly anybody, human or alien, disagrees with this nutty scheme, except for a few religious folks.

Can you guess that things don't go as planned?


The arrow is a clue.

The best things in this story are the aliens. The author shows a great deal of creativity and imagination in describing their physical appearance, culture, and biology. (They have three sexes!) I would gladly read about their lives instead of all the nonsense about universes instantaneously eating up other universes, putting a box around the universe, and freezing time.

An ambiguous three stars.

The Throwaway Age, by Mack Reynolds


Illustrations by Gray Morrow. Notice the fine choice of reading material.

At some time in the near future, both the capitalist West and the communist East have expanded their territories, but the Cold War has cooled down considerably. So much so, in fact, that the best undercover agent for the West is reassigned from covert action behind the Iron Curtain to domestic snooping.


Sing along with me! There's a man who lives a life of danger . . .

The superspy, a fervent anti-communist (understandable, given his background) is bitter about what seems like a severe demotion. However, he accepts what he thinks will be a trivial assignment to infiltrate a very small and loose group of folks who want to change the economic system. They don't even have an organization, really, or a name for their movement. Harmless enough, but he runs into trouble along the way.


. . .With every move he makes/another chance he takes . . .

The members of this loose-knit bunch range from a gung-ho activist to a statistician to a ex-CIA agent. The one thing they have in common is the belief that both the West and the East are wasting resources and preventing humanity from reaching a higher level of civilization.

Did I mention that one of them is a pretty young woman, the daughter of the group's de facto leader, with whom the spy interacts in true Bondian fashion?


. . .Swingin' on the Riviera one day . . .

This is a manifesto disguised as a spy story, which in turn is disguised as science fiction. The futuristic elements, such as personal hovercars, are irrelevant. The espionage plot is just an excuse for lectures about socioeconomic issues.

I wish I liked this story more than I do. Reynolds is one of the few authors willing to deal with such topics, and he does so in a sophisticated way. He also has the rare virtue, for an American writer, of being cosmopolitan. His foreign settings and characters are authentic and vividly portrayed. Too bad this isn't really a work of fiction.

Two disappointed stars.

We'll Meet Again

I may have to take back what I said at the start of this article. Editor Pohl plans to continue the magazine for a while, or so he says.

That contradicts everything I've heard about the impending demise of the publication. We'll see which one of us is the better prophet.

Looking back on the magazine's history, it's a very mixed bag. There were a few excellent works of fiction, along with a lot of lesser pieces. Among the very best were All We Marsmen by Philip K. Dick (now available in book form as Martian Time-Slip; To See the Invisible Man by Robert Silverberg; The Totally Rich by John Brunner; The Worlds That Were by Keith Roberts; and The Star-Pit by Samuel R. Delany. I may have forgotten other outstanding stories. The frequent nonfiction articles were not as noteworthy.

Whether Worlds of Tomorrow shows up again in a few months or not, I am grateful that the Noble Editor gave me the opportunity to trip the light fantastic with it.


Let's tango!