by David Levinson
A different civil rights struggle
When Ireland gained independence in 1922, six predominantly Protestant counties in the north of the island opted to remain part of the United Kingdom, forming what is today known as Northern Ireland. In the almost 50 years since the partition, there have been tensions both between the two parts and within Northern Ireland between those who want a unified Ireland—predominantly Irish Catholics—and those who prefer the status quo: predominantly Protestants whose ancestors emigrated from Scotland. There have been riots and armed attacks over the decades, but the last few years have been relatively peaceful.
Irish Catholics in the north face discrimination in housing and employment, their political power is diluted by carefully drawn electoral districts, and they are grossly underrepresented in the police, which are backed by Protestant paramilitary units. In the last few years, a civil rights campaign has developed in an effort to right these wrongs. The first of several civil rights marches took place last August. In October, a march took place in Londonderry (called by its older name of Derry by the Irish) despite being denied permission. Television cameras caught images of police attacking the peaceful marchers, sparking outrage around the world.
Spurred by those images, a group of students at Queen’s University in Belfast formed People’s Democracy. On New Year’s Day, they began a march from Belfast to Derry, in imitation of Dr. King’s Selma to Montgomery marches. Along the way, they were met by counter-protests and occasionally attacked. On the 4th, as they approached a bridge in the village of Burntollet a few miles outside Derry, they were attacked by 200-300 Ulster Loyalists (a group not unlike the Citizens’ Councils in the American South) wielding stones, iron bars, and sticks spiked with nails. Meanwhile, the police stood by and did nothing.
Counter-protesters armed with sticks and iron bars attack civil rights marchers while the police look on
That evening, the police stormed into the Bogside neighborhood, attacking Catholics in and outside their homes. Residents forced the police out and set up barricades. Police were denied any access to “Free Derry,” as it came to be known, for nearly a week. Eventually, the barricades came down and police patrols resumed, but tensions remain high.
At this point, a political solution seems unlikely, certainly not one from the Parliament of Northern Ireland. Proposals thus far have been not enough for the nationalists and too much for the loyalists.
A winning issue
At the 1966 Worldcon, IF won the Hugo for Best Professional Magazine. To celebrate, editor Fred Pohl trumpeted a Hugo winner’s issue. He didn’t quite succeed; Frank Herbert wasn’t able to contribute due to a health issue, and the whole thing was weighed down by an installment of a not very good Algis Budrys serial. IF won again the next year, but there was no comparable issue. Last year, the magazine took its third straight best prozine Hugo, and Fred decided to try again. This time, he got every winner to contribute, and I do mean every. Even the winners in the fan categories are here. Let’s see how it all stacks up.
The Steel General rides again. Art by Best Professional Artist Jack Gaughan
Down in the Black Gang, by Philip José Farmer
Mecca Mike is a member of the black gang, the engine crew for The Ship. (That’s an old term for the coal-engine stokers that now refers to the whole engine crew; the reason it applies to Mike might be a little different.) A shortage of hands means that he gets reassigned to Beverly Hills when a huge thrust potential is discovered there. If he can successfully develop that potential, there’s a promotion in it for him.
The thrust potential is in one of these apartments full of squabbling neighbors. Art by Gaughan
Farmer was co-winner in the Best Novella category for “Riders of the Purple Wage.” He’s dabbling in metaphysics again, which seems to be a favorite topic of his, but much better than he usually does. He even managed to bring the story to a successful ending, something he often has trouble with. Great ideas, incomplete execution, but not this time. This one’s right on the line between three and four stars, but I think I’ll be generous.
Four stars, but probably not a contender for the Galactic Stars.
Phoenix Land, by Harlan Ellison
Red is staggering through the desert on an expedition to find the risen ruins of an ancient civilization. He’s already buried his best friend and is now saddled with an ex-girlfriend and her husband, who financed the expedition. Unfortunately, he cut some corners. Whether or not they survive is an open question.
Harlan came away with two Hugos: Best Short Fiction for “I Have No Mouth, and I Must Scream” (which ran in the first Hugo winners issue I mentioned earlier) and Best Dramatic Presentation for “The City on the Edge of Forever” (which he’d probably rather not have). A lot of other winners and nominees also appeared in Dangerous Visions, which he edited. This particular story is full of that trademark Ellison anger, but the bite at the end doesn’t hit the way he wants it to.
A low three stars.
Authorgraphs: An Interview with Harlan Ellison
An interesting interview, but for a guy who can write tight, terse stories, he sure does like to run his mouth. Also, Harlan, my friend, you’re getting a little long in the tooth to be an enfant terrible.
Three stars.
Art by Gaughan
The Ship Who Disappeared, by Anne McCaffrey
Best Novella co-winner Anne McCaffrey (for “Weyr Search”) brings us another story about Helva, who is essentially a brain in a box operating a ship that has become her body. This time she’s investigating the disappearance of other brain ships while also dealing with the realization she made a bad choice in her new partner.
Helva has a chat with the bad guy. Art by Brock
Unfortunately, these stories have gotten progressively worse. They started from a very high mark, so they’re still readable, but this one barely makes the grade. Helva spends more time being unhappy about her choice of Brawn than she does worrying about disappearing ships. She succeeds mostly through coincidence and is unconscious for the key action.
Barely three stars.
The Frozen Summer, by David Redd
The centaur-like Senechi have colonized Earth, trapped in a new ice age. Looking for a quick score, two of them are investigating native legends of a valley where it is always summer, full of gold and gems, and guarded by a goddess. To the man she has held captive for centuries, she is simply “the witch.” Who, if any, will manage to escape?
The witch turns the skeletons of those who invade her valley into golden ships. Art by Virgil Finlay
Redd is the only fiction author in this issue not to have won a Hugo. Powerful women in frozen landscapes seems to be a recurring theme with him, and all of his stories, on that theme or not, have a strange beauty to them. This one is no exception.
Four stars.
The Faithful Messenger, by George Scithers
George Scithers is the editor of Amra, which took home the Best Fanzine Hugo. Although he’s had stories printed in various fanzines over the years, this is his first professional sale, making him this month’s IF First author. As I understand it, Amra focuses on sword-and-sorcery tales; they carry a lot of critical articles on Conan and the like. Scithers’ story, on the other hand is more an old-fashioned SF tale of two human scouts encountering a robotic mailman on a distant planet. It’s well-told and nowhere near as hokey as it sounds.
Three stars.
Endfray of the Ofay, by Fritz Leiber
Someone is diverting supplies intended for poor Blacks to the white reservations around North America, always with the message “Courtesy of the Endfray of the Ofay!” When these antics start to interfere in the war “between North America and Africa to Make the World Safe for Black Supremacy,” the Empress in Memphis (the one in Tennessee) demands something be done.
Her Serene Darkness is displeased. Art by Gaughan
Fritz Leiber (Best Novelette for “Gonna Roll the Bones”) offers us another satire in the vein of A Specter is Haunting Texas. For me, this is much less successful. Most of the humor stems from the pun where Pig Latin and Black slang overlap, with very little elsewhere. I’m also not sure a white author should be poking into some of these corners. It’s often hard to tell if he’s mocking or perpetuating some stereotypes.
A low three stars.
If… and When, by Lester del Rey
Lester del Rey has never won a Hugo. Of course, he wrote most of his best stuff before the award existed. In any case, this month he looks at the differences between robots in the real world and in science fiction. Those in SF are much more mechanical men than machines. If we ever get machines that actually think, how might that differ from the way we do?
Three stars.
Saboteur, by Ted White
Mark Redwing has developed a method for manipulating public opinion and government policy through things like blackmail, riot, and assassination. It’s not entirely clear what his ultimate goal is. Nor is it clear just who the saboteur of the title might be.
Mark Redwing and his trusted assistant Linda. Art by Best Fan Artist George Barr
Ted White won the Hugo for Best Fan Writer. Even filthy pros still write for the fanzines occasionally. This story is fully in pro mode, and it’s a good one. It should make you think and come back to you when you least expect it.
Four stars.
Creatures of Darkness, by Roger Zelazny
Zelazny (Best Novel for Lord of Light) wraps up the issue and his strange tale of Egyptian gods who are actually human beings in the far future. It’s impossible to say much about this convoluted story in the space available here, but it has that quintessential Zelazny-ness to it. It’s probably best read along with the other two bits, since characters have more than one name, and it’s sometimes hard to remember who is who. There are also clearly pieces missing from a larger whole. I look forward to seeing it all in one place.
Four stars, with the potential for five when it’s complete.
Osiris brings his greatest weapon to bear against Typhon. Art by Reiber
Summing up
There it is, a contribution from every single one of last year’s Hugo winners, fan and pro. One or two feel a bit dashed off or could have benefited from more time for another rewrite, but none are bad. On the whole, it’s a success. If every issue could be this good, IF would be guaranteed to walk off with a fourth Hugo this year in St. Louis.
Has it been long enough since the last Retief story for a new one to feel fresh?
