[June 27, 1970] Deeper than Amber, more mindless than a Worm… (June Galactoscope: The Third)

And yet our June Galactoscope continues!  We have a work by a brand new novelist (though the author is no longer new to the SFnal scene), an exciting novel by a vanguard of the New Wave, and the return of two familiar but still fresh writers.  Science fiction truly is a young man's game this month!

A banner showing the covers of the three books in this article -- <i/>Deeper than the Darkness by Greg Benford, <i>Nine Princes In Amber</i> by Roger Zelazny, and <i>The ESP Worm</i> by Robert Margroff and Piers Antony.

Continue reading [June 27, 1970] Deeper than Amber, more mindless than a Worm… (June Galactoscope: The Third)

[June 26, 1970] Hard Hats & Flower Power Collide

Black-and-white portrait of a fair-haired white woman wearing a woven hat and looking to her right, directly into the camera, with a slight smile
by Gwyn Conaway

“Flowers are better than bullets.”

This has been said upon occasion, especially over the last decade, but in bygone eras as well. War-weary Americans and English poets alike have waxed poetic over the familiar adage. These days, however, the sentiment is laced with gunpowder.

B&W photograph of a white woman with short dark hair holding a daisy to her face, as a line of soldiers stand opposite her with bayonets out-thrust
Jan Rose Kasmir put flowers in guns pointed at her during a protest at the Pentagon in 1967 at which she wore a cotton shift decorated in daisies. She recalls being saddened by how young the soldiers were. These were men she could have been on a date with, if only there weren't a philosophical trench separating them.

Allison Krause also said this as she put a flower in an Ohio National Guardsman's gun at Kent State University on the weekend of May 4th, 1970, less than two months ago. Later, the Ohio National Guard opened fire on student protestors, wounding nine and killing four, including Miss Krause. Since then, students nationwide have protested in the name of peace and a growing distrust of the government's motivations to use deadly force, both at home and around the world.

Of course, the photograph of Mary Ann Vecchio, just 14 years old, will live in infamy for generations. The chilling scene still haunts me, the young girl wailing over the body of a fallen boy with shaggy hair and a pair of flat-soled sneakers.

B&W photograph of a dark-haired white teenager kneeling in the road next to a prone body with her arms outstretched and her face raised in shock and grief, as a crowd of concerned people begins to re-congregate
Mary Ann Vecchio, 14, cries over the body of Jeffrey Miller, one of the four victims during the Kent State Massacre on May 4, 1970.

And just four days later, during a New York City protest honoring that boy in his sneakers and the other students that died, a band of several hundred laborers and office workers also took to the streets. The Hard Hat Riot was a culture clash that illustrates the divide in America.

Long hair versus trim cuts. Band shirts versus button-downs. Bell bottoms versus slacks. This division is more than a generational or political gap. Our country is splitting down the seams of ideology. The Hippies had been a countercultural movement in the sixties, but I am certain that events like these will transform their radical ideals and fashions into the mainstream.

B&W photograph of clean-cut white men in belted trousers wearing sunglasses and hard-hats kicking at a smaller-group of long-haired, jeans-wearing people sitting hunched protectively on the ground
Though people on opposite sides of the picket line see dramatically different messages when they judge the fashion identities of these men, the message couldn't be clearer. The rift in America will have a lasting impact.

Since the Vietnam War protests began in 1965, “Flower Power” has been a consistent message for the movement, expressed in wacky, beautiful, creative, and bold ways. Daisies, a flower ubiquitous across the nation in gardens and the wild, is the flower of choice with its pure white petals and plush center. The term signals a commitment to pacifism and peaceful protest but is transforming before our eyes.

B&W fashion photograph of a white man with a neatly trimmed moustache and a styled mop of curls and a pair of glasses where the lenses have been blacked out, and the right lens has been painted over with a stylized daisy blossom.  He wears multiple long strands of beads as necklaces over a floral/paisley patterned dress shirt with a matching neck-tie
A British man wearing a provocative flowerpot hat decorated in silk flowers with a pair of spectacles, one of which is patterned as a daisy. He likely wore this to a festival in 1967.

Continue reading [June 26, 1970] Hard Hats & Flower Power Collide

[June 24, 1970] In love with "Ishmael in Love" (July Fantasy and Science Fiction)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Mazel tov!

This article is going to be short on news as the Marcus family has been occupied this past week.  The Journey has had its first inter-staff wedding!  The Young Traveler and Trek Correspondent Elijah broke the glass under the chupah on the 19th.  Sadly, the pictures aren't back from the Fotomat, so in lieu of that, here is a shot from my nephew David's wedding to Ada Argov in Israel from 1962.

Very blurry black-and-white photograph of a couple at their wedding. The bride is wearing a translucent veil and a slim, sleeveless, unadorned white dress. The groom is wearing a plain white shirt, black pants, and a conic hat.

The issue at hand

Between last-minute dress alterations and sifting through RSVPs, I managed to snatch time to read the stories of this month's Magazine of Fantasy and Science Fiction.  Unlike the marriage of Lorelei and Elijah, it is not a flawless affair, but it is also not without its charms.  Let's take a look:

Cover for The Magazine of Fantasy and Science Fiction for July 1970. It announces stories by Isaac Asimov, Robert Silverberg, L. Sprague de Camp, Joanna Russ, Barry Malzberg, and Sterling Lanier. The cover illustration shows two men in long robes, one with a wizard hat and the other with a horned helmet. At the center of the illustration is a human face with mechanical eyes.
by Ronald Walotsky

Continue reading [June 24, 1970] In love with "Ishmael in Love" (July Fantasy and Science Fiction)

[June 22, 1970] We’ll All Go Together When We Go (Doctor Who: Inferno [Parts 5-7])


By Jessica Holmes

We last left the Doctor trapped on a parallel world, surrounded by fascists, monsters, and fascist monsters. Does the final serial of this year’s run go out in a blaze of glory, or does it all go up in smoke?

Welcome to the end… of Inferno.

The drilling facility with smoke billowing out and an eerie red glow.
This looks perfectly normal…

Continue reading [June 22, 1970] We’ll All Go Together When We Go (Doctor Who: Inferno [Parts 5-7])

[June 18th, 1970] A Case of Déjà Vu (Vision of Tomorrow #10)

Black & White Photo of writer of piece Kris Vyas-Mall
By Mx Kris Vyas-Myall

As I am writing this, voting in the UK General Election is taking place. However, we will have to wait until tomorrow for the results. As such, I want to address one of the biggest perpetual issues in Britain, the housing crisis.

It has become a kind of a dark joke over the last 50 years. At election time, every party leader will say how much they feel for the plight of the homeless and pledge to end the crisis. Then, as soon as voting is over, they will go back to ignoring the issue. Therefore, I feel, it is worth listing off the endemic problems causing this.

For a start, there is the obvious matter of money and organization. The UK spends a smaller share of GDP than the rest of Western Europe on housing and leaves decisions in the hands of local councils, which have a patchwork of plans. On top of that, housing building largely relies on the private sector who are more interested in high-priced luxury developments than on those for the poorest families.

Colour photo of the Ronan Point tower block, post-disaster where one corner has collapsed with ceilings hanging like loose tiles
Ronan Point, post-disaster

With this combination of political short-terminism, lack of investment and reliance on the private sector, it has led to a lot of poor-quality housing stock. An infamous example was the Ronan Point Disaster, where a gas explosion collapsed the corner of a tower block.

Black and White Advertisements for Homeless Charity Shelter.
On the Left is one with a knife. The text reads:
Sentenced the day he was born.
He was born in a crumbling tenement, grew up in a room his family shared with rats and cockroaches. With no hope of escapee.
He lived like a wild animal and was put away when he reacted like one.
Over a million people live in conditions that are breeding grounds for delinquency, mental and physical illness, illiteracy, broken marriages.
Shelter helps re-house  some of the most badly off, and fights to get something going for the others.
Our crying need is money. Give to shelter and you help give him a decent chance.
The advert on the right has a razor blade. The text says:
If Mrs. F. kills herself, it'll be third time lucky.
For Mrs. F. death would be a happy release from the stinking hole she and her family live in.
Twice she's tried suicide. To escape the stench, the damp, the flying insects, the peeling walls. At least a million people live in conditions that are breeding grounds that spawn mental and physical illness, crime, illiteracy, broken marriages.
Shelter helps rescue some of the worst-hit and campaigns vigorously to get something done for the rest. But it's a big job. It takes big money. Please give all you can.
Some of Shelter’s recent advertisements

With this lack of a political solution, it is unsurprising that several groups in the voluntary sector have been trying to fill the gap. The biggest of these is Shelter and, whilst all major parties praise their work, they seem to be getting sick of the situation. They are now withholding funds from local authorities that don’t help the poorest in their communities and running advertisements blaming the current biggest social ills on the housing crisis.

There are also other groups taking more direct action. Running in the election in London is a loose party grouping called “Homes Before Roads”, opposing the plans to try to deal with London’s congestion by building a series of ring roads through current residential districts. In a different way there is also the Squatters’ Movement, who are taking control of empty housing stock and trying to get official recognition for their use by those who cannot afford to go anywhere else.

However, I am not hopeful of even direct action resulting in a solution. Whether Wilson or Heath are Prime Minister next week, I suspect the situation will still be much the same in the mid-70s: homelessness and poor-quality housing are endemic; the political parties say what a scandal this is; make vague promises at a solution; promptly ignore it again.


I am also getting a sense of déjà vu from the latest issue of Vision of Tomorrow, with an expansion of articles on the history of SF and the writers retreading old ground:

Vision of Tomorrow #10

Painted Colour cover for Vision of Tomorrow #10 (July 1970). Cover illustrating Echoes of Armageddon by Lee Harding. It shows the close up of the face of a man of ambiguous ethnicity in an environmental suit looking scared. In front of him are two people in environmental suits running along a path way dodging laser fire from futuristic flying drones. Behind this all is shadowy ruined Earth.
Cover by Stanley Pitt

Continue reading [June 18th, 1970] A Case of Déjà Vu (Vision of Tomorrow #10)

[June 17, 1970] Time and Again (June Galactoscope Part Two!)

So many books this month, and this time, we've got all superlatives.  Check out the second June Galactoscope!

Continue reading [June 17, 1970] Time and Again (June Galactoscope Part Two!)

[June 16, 1970] Solaris, Year of the Quiet Sun…and a host of others (June 1970 Galactoscope #1)

This month saw such a bumper crop of books (and a bumper crop of Journey reviewers!) that we've split it in two. This first one covers two of the more exciting books to come out in some time, as well as the usual acceptables and mediocrities.  As Ted Sturgeon says: 90% of everything is crap.  But even if the books aren't all worth your time, the reviews always are!  Dive in, dear readers…

collage of six book covers described more thoroughly below

Continue reading [June 16, 1970] Solaris, Year of the Quiet Sun…and a host of others (June 1970 Galactoscope #1)

[June 14, 1970] Talkin' Loud, Swingin' Soft (June 1970 Watermelon Man, The Landlord, and Cotton Comes to Harlem)

Black and white photograph of a besuited and clean-shaven young Vietnamese man with dark, shoulder-length hair wearing glasses looking at something below the camera and grinning
by Tam Phan (Secret Asian Man)

There’s a volcano that’s ready to erupt on the silver screens, so prepare yourselves for a blast of truth, fury, and funk that has no patience for politeness. These three films, Watermelon Man, The Landlord, and Cotton Comes to Harlem, take a swing at the beast that is American racism as they stumble in their own strange ways trying to wrap their arms around it. These films attempt to not let their audiences off easy as they slap them across the face, daring white America to feel what it’s like to be on the wrong end of the stick. Whether you’re a white boy having your spiritual awakening in a Black neighborhood or a white man literally waking up Black, these films don’t just entertain. They challenge and provoke you with some honesty and a loud Black voice that is no longer asking to be heard.

Continue reading [June 14, 1970] Talkin' Loud, Swingin' Soft (June 1970 Watermelon Man, The Landlord, and Cotton Comes to Harlem)

[June 12, 1970] Something Good! and Nothing Terrible (July 1970 Amazing)


by John Boston

The July Amazing is fronted by John Pederson, Jr.’s second cover, an agreeable Martian-ish scene, reminiscent of nothing so much as . . . Johnny Bruck on a good day.  So maybe the new commitment to domestic artists isn’t quite the boon I thought it was.  We’ll see.

Cover for Amazing magazine, July 1970. The illustration shows a small space colony on a desert planet. In the foreground, two men in astronaut suits ride a futuristic car. Text on the cover announces stories by Piers Anthony, Bob Shaw, and Robert Silverberg.
by John Pederson, Jr.

The non-fiction this month is a bit less gripping than usual.  White’s editorial recounts his unsatisfactory encounter with a woman who wanted to write an article about SF fandom, but apparently never did (or it never got published).  He then segues to a discussion of Dr. Frederic Wertham and his campaign against comic books which culminated in his book The Seduction of the Innocent.  Then, finally, to the point: Wertham is now saying he too will write about SF fandom and White doesn’t think it will be any good.  He’s probably right, but until we see what Wertham produces, discussing it is a little pointless. 

The letter column remains contentious but is getting a little repetitive; at this point it’s hard for anyone to say anything new about New Wave vs. Old Farts, and no more inviting topic has emerged.  The fanzine reviews are as usual, and the book reviews . . . are missing, damn it!  To my taste they have been about the liveliest part of the magazine.  I hope the lapse is momentary.

But speaking of SF fandom, I’ll take this lack of much to talk about as an occasion to mention something fairly striking about the magazine’s contents under Ted White’s editorship: there is an unusually large representation of Fans Turned Pro, authors who have—like White—been heavily involved in organized SF fandom.  This issue features Bob Shaw, a leading light of Irish fandom and heavy contributor to the celebrated fanzines Slant and Hyphen, who later won two Hugo Awards as best fanwriter among other distinctions; he also had a story in the second (7/69) White-edited issue.  Greg Benford (once a co-editor with White of the also-celebrated fanzine Void) has one of his co-authored “Science in Science Fiction” articles (the fifth) in this issue, and three stories to boot in White’s eight issues, as well as regular appearances in the book review column.  Robert Silverberg, who published a slightly earlier well-known fanzine Spaceship, supplied an impressive serial novel and has a story in this issue.  Terry Carr, another renowned fan editor, had a story in the last issue.  Alexei Panshin is not to my knowledge a fan publisher but has won the Best Fan Writer Hugo for his prolific contributions to others’ fanzines.  Harlan Ellison (short story in 9/69 issue) published the legendary Dimensions in the 1950s.  Joe L. Hensley (same) is a member of First Fandom and published a fanzine in the 1940s. 

And what does it all mean?  The floor is open for sober analysis and wild speculation.

Continue reading [June 12, 1970] Something Good! and Nothing Terrible (July 1970 Amazing)

55 years ago: Science Fact and Fiction