Tag Archives: h.l.gold

[January 4, 1969] Not following through (February 1969 IF)


by David Levinson

The misrule of law

You may recall that Brazil underwent a military coup back in the spring of 1964. The reasons were the usual ones, and the U.S. response can be characterized, at best, as “turning a blind eye,” because then-president João Goulart (popularly known as Jango) was leaning a little too far to the left. The military junta which has ruled Brazil since prefers to call it a revolution, not a coup, but whatever you call it, the result is the same.

Seeking to give themselves more legitimacy, the military instituted a two-party system in 1966. The National Renewal Alliance (ARENA) officially represents the military dictatorship, while the Brazilian Democratic Movement (MDB) gets to make speeches against and vote no on things that are going to happen anyway. That way, the legislature doesn’t look like the rubber stamp it is.

Or was. Unrest has been growing, particularly among the young. Arbitrary arrests and the torture of politcal prisoners has been ongoing. In March, a teenager who was leading a protest against rising food prices was shot point-blank by military police. This murder sparked further unrest, to the point that officials felt they had no choice but to allow a large protest march, hoping it would let the students blow off steam. The March of the One Hundred Thousand in June saw little violence, as the protestors demanded an end to the military government.

The March of the One Hundred Thousand. The banner reads “Down with dictatorship. People in power.”

Enter Márcio Moreira Alves. He started out as a journalist and opposed the Goulart government. After initially supporting the coup, he soon began to oppose it as well, with his primary cause being an end to the torture of political prisoners. He was elected as a Federal Deputy in 1966 and has continued his fight. In September, he called for a boycott of Brazil’s Independence Day celebrations on September 7th, and urged young women not to dance with military officers (or perhaps not date them, I have seen both mentioned in reports).

That was too much. The Justice Department asked the legislature to lift Alves’s immunity so that he could be tried for treason.  On December 12th, a joint session of the Federal Chamber of Deputies and the Federal Senate resoundingly refused to do so with a vote of 216-141.

Márcio Moreira Alves delivering the speech that got him into trouble.

The very next day, President Arturo da Costa e Silva issued Institutional Act Number 5. This act, which is not subject to judicial review or legislative oversight, allows the president to rule by decree, eliminates habeas corpus for political crimes, establishes censorship, and lets the government suspend any public servant who is found to be subversive or uncooperative, along with a number of other heavy-handed measures. Costa e Silva ordered hundreds of arrests of government critics the very next day.

There is strong opposition even within ARENA, the party founded to support the junta. Whether this is merely a crackdown or the beginning of cracks in the foundation of the dictatorship remains to be seen.

Passing judgment

If last month’s issue was about forgetting, this month’s IF is about the law and judgment. There’s something else that ties almost all the fiction here together, but we’ll get to that at the end.

Time travelers on their way to meet their ancestor. Art by Vaughn Bodé

The “Hoax” Story, by H.L. Gold

Former editor H.L. Gold offers a guest editorial on the two threads in science fiction that have dominated since the days of Verne and Wells. Today we might call them hard science fiction and speculative fiction, though Gold doesn’t use those terms. It’s interesting, but rather muddled. Gold’s definition of what constitutes a hoax seems ridiculously broad and not connected to his theme.

Three stars.

Beside the Walking Mountain, by Burt Filer

After being cashiered out of the GS (never explained, but probably something like Galactic Service), Hatch bought the planet where he ruined the careers of his superior and himself, hoping to right some of the wrongs they committed. Now that superior has returned to finish what he started and get revenge on Hatch. And he has the law on his side.

In desperation, Hatch tries to get his barge over the moving mountain. Art by Brock

Filer has been an inconsistent author, sometimes good, sometimes bad. Here, he demonstrates the full range of his quality in one story. He’s created an interesting, if implausible, planet, with a mountain that follows the terminator during the 14-month day. The conflict is solid, though the antagonist may be a little overdone. But the resolution falls flat on its face. Largely because eminent domain doesn’t work the way the author thinks it does. In fact, the precedent cited in the story invalidates the ending.

Good and bad average out to three stars.

Praiseworthy Saur, by Harry Harrison

A boy is taking home an interesting lizard he’s caught. His walk is interrupted by a group of time-traveling lizardoids descended from his new pet. They want him to let their ancestor go, so she can lay her eggs safely.

A tight little story with a sting in its tail. Harrison packs a lot into a very small space and does so with skill. The boy is also a believable and skeptical modern boy, which is a nice touch. Is that enough to get it to four stars? For me, it falls just short.

A very high three stars.

At Bay with Baycon, by Robert Bloch

Robert Bloch reports on last year’s Worldcon in Oakland. After a rocky start and the requisite namedropping, he settles in to a fair report, though a lot of the humor is forced. Of course, the Journey covered Baycon several months ago, and we had pictures.

Three stars.

How many of these folks can you identify? Art by Gaughan

The Defendant Earth, by Andrew J. Offutt

It turns out that Mars, Venus, and a few other places in the solar system actually are habitable and are joined in an interplanetary union of sorts. Now, they’d like to give Earth the chance to join, but there’s one problem. The Martians are unhappy with the way they have been depicted in science fiction, going all the way back to Wells. It falls to Ohio lawyer Joe Blair to negotiate a solution.

Offutt is another author who’s been very uneven, but he does a good job here. The story is enough fun that I can overlook the lack of explanation for why the job fell to the protagonist and the reliance on a somewhat tired cliché for the resolution. It’s not a deep tale, but it is enjoyable.

Three stars.

If… and When, by Lester del Rey

This month, Lester del Rey has been reading The Biological Time Bomb by Gordon Rattray Taylor, which looks at all the recent advances in the biological sciences, what scientists are working on and advances they expect to see in the not too distant future. Organ transplants, cloning, sex selection of children, tinkering with DNA (both intentionally and unintentionally), artificial life. There’s a lot coming down the road that society, politics, and the law are going to have to deal with. Hopefully, science fiction will have plotted a safe path forward by the time these changes hit us.

Three stars.

Trial by Fire, by James E. Gunn

John Wilson is in something resembling a fugue state, unsure of anything, even his own name. His consciousness drifts between two worlds. In one, he’s on trial for arson and murder, though he has apparently been framed by an anti-science political party which is using him to further their agenda. In the other, he works as a witch doctor in a fractured United States, secretly using science to help the superstitious peasants. There he has been arrested by the secret police for witchcraft.

This isn’t happening in the world you might expect. Art by Gaughan

This rumination on anti-science and anti-intellectual attitudes is a sequel to a much older story (“Witches Must Burn,” Astounding, August 1956), but having read that isn’t necessary. Most of it is summarized by the prosecution in Wilson’s trial. Either way, it’s not very good. The drift between the worlds is interesting at first, but having the viewpoint character addled and unsure of what’s going on around him wears out its welcome quickly. Gunn still managed to keep my interest most of the way, but then we get several pages of philosophical rambling about science and the duty of scientists, followed by a climax that’s difficult to believe. Even less believable is the suggested connection between the two worlds Wilson inhabits. And all that in about twice the length the story needed.

A high two stars.

Authorgraphs: An Interview with Harry Harrison

In what appears to be a new feature, we have another interview transcribed directly from tape and again without the questions. This month, as you can tell from the title: Harry Harrison. This was a little more interesting than last month’s interview with Roger Zelazny, but then Harrison is a dozen years older and has spent time living in Europe. The highlight for me was him talking about his transition from comic book writer and inker to SF author.

Three stars.

A caricature, but recognizably Harry. Art by Rudy Cristiano

The Fire Egg, by Roger F. Burlingame

This month’s new author is a 38-year-old minister and former Fulbright scholar who wrote his story—which begins with a peasant finding the titular fire egg—as an assignment in the Famous Writer’s School. It’s well-written, as you might expect from the author’s background. Unfortunately, it’s also obvious and superficial. The sting at the end feels more sarcastic and nasty than ironic and deep.

A high two stars.

Six Gates to Limbo (Part 2 of 2), by J.T. McIntosh

In part 1 of this story, a man and two women found themselves in a pleasant but sealed off region with six portals leading away.  The man knows nothing, one woman a little, and the other more than she’s saying. As the first installment ended, Rex and Regina had run into trouble while exploring one of the worlds beyond the gateways. In this part, the explorations continue, and many questions are answered, with some surprising revelations. Finally, the trio must make a momentous decision.

Rex and Venus discover an empty world. Art by Gaughan

Last month, I feared that McIntosh didn’t have enough room to explore all six worlds. The final three are given very short shrift, with each character exploring one alone and merely reporting on what they found. Everything is rushed, the reason behind the sense of ennui and doom afflicting all of humanity made little sense to me, and the solution was far too extreme. A weak finish to a promising start.

A low three stars for this installment, but still three stars for the novel as a whole.

Summing up

In baseball, they tell batters to swing through the ball, not at it. The same goes for golf and probably every other sport that involves hitting one thing with another. It’s the follow-through that makes the difference, and that’s what is missing from all the stories in this issue except for Harrison and Offutt. The rest feel like the author simply rushed to get the story over and offers no sense of what, if anything, might come after. Gunn hints at it, but I don’t see how he gets from the end to what he tells us is coming. (Admittedly, I was bored and rushing to get it over with myself by that point.) The result is another C- issue with no standout stories. IF deserves better.

Another Hugo winners issue. Dare we hope?






[September 16, 1968] Siriusly? (October 1968 Galaxy)


by Gideon Marcus

Summertime, and the living ain't easy

Our longest, hottest summer began early with the shooting of Bobby Kennedy.  It heated up to the sound of Soviet bullets and tank treads in Czechoslovakia and reached a crescendo with the fiasco of a Democratic Convention in Chicago, shuddering in synchronicity with the quake in eastern Iran that killed 10,000.  Meanwhile, radioactive rain from the French H-bomb test soaks Japan, Pete Seeger's daughter, Mika, has been in a Mexico City jail for two months (for participating in anti-police protests), and the 82 crew of the U.S.S. Pueblo are still locked up in North Korea (for participating in unauthorized offshore fishing exercises).

But, hey, thanks to the war in Vietnam, unemployment is at its lowest rate since Korea.  And America has a new Queen, Miss Judith Ford, formerly Queen of Illinois.

Her "subjects" demonstrated a properly American sentiment toward the coronation.  Spurred by a collective called the New York Radical Women, several hundred protesters tossed "beauty" accoutrements into the "freedom trash can": bras, girdles, high-heeled shoes, fake eyelashes, etc.  So there was a bright spot, of sorts.

I wouldn't sent a knight out on a dog like this…

I apologize for coming off sour.  It's not just the season.  I've got a humdinger of a virus, and the latest issue of Galaxy is only making me feel worse.


by Douglas Chaffee

The Villains from Vega IV, by E. J. Gold and H. L. Gold


by Jack Gaughan

Fred Pohl, editor for Galaxy, likes to talk about how Gold, the founding editor for the magazine, was legendarily zealous with his red pen.  Not a single story made it through the slush pile (or any other) without looking like it had been through a Prussian duel.  Now, one could argue that there was merit to this approach: much of vintage Galaxy is superlative.

However, when Gold first submitted a story for an anthology Pohl was putting together, Fred could not help taking delight in a bit of revenge.  He contrived to mark everything, even innocuous conjunctions and prepositions.  When it was done, there was more red than black and white.  The dedication this must have taken!

Reportedly, Gold called Pohl up, and said something to the effect of, "Fred, you're the editor, and I'll defer to your judgment, of course, but…Jesus!"

In any event, it couldn't be this story to which Fred was referring since Villains was co-written by both Gold and his son, Eugene (but not, as I initially thought from the initials, his wife, Evelyn).  It's the silly story of Robert E. Li, President of Vega IV, who comes to Earth to find his young bride, who has run off to be in pictures.  Andytec, a diffident young android, is dispatched to accompany him as bodyguard and detective.

There are some interesting concepts, like the Vegan tradition of 36 year olds marrying 18 year olds, who themselves find new partners upon reaching 36.  At 54, one is then free to marry whomever one likes.  And there's the Bird of Perdition, a chimerical creature biologically rooted into the heads of former criminals (including, surprisingly, the Vegan President).  Semi-intelligent, they spout Poe-derivative prose when alarmed.

But all in all, the story is not funny enough, nor does it break enough ground (indeed, it feels vaguely like a washed out A Specter is Haunting Texas) to sustain its novelet length.  One good bit, however:

"Turn that bloody thing off!" he shouted at me.

"Off, sir?" I said vacantly.  "You can change channels and make it louder, but you can't turn it off.  With the 3V off, what would there be to do?  And it would be so lonely."

Two stars.

All the Myriad Ways, by Larry Niven


by Joe Wehrle, Jr.

Things look up a bit, as they always do, with Niven's latest.  An L.A. cop is trying to decode the recent rash of murders and suicides, all spontaneous, few logically motivated.  The timing suggests a connection with Crosstime, the company that just began producing vehicles that can transit parallel time tracks.  In addition to bringing back marvels from other histories—worlds where the Confederacy won the Civil War, or where the planet has been bombed into searing radioactivity—it has also discovered a philosophical crisis.  If everything that could ever be does exist somewhen, does anything you do really matter?

And would you kill/die to find out?

As usual, the value of the tale is in Niven's crisp telling.  I particularly liked the revelation that the world our detective inhabits is not our Earth.  There's not quite enough to the story to make it truly memorable.  It's more of an idea-piece (or, per the author, an anti-idea piece; he doesn't buy the idea of parallel universes, nor does he appreciate their implications.  This is the ad absurdum extension of the concept.)

Of course, I think there is a middle ground: probabilities do exist.  Just because there are two options doesn't mean their chance of occurring is 50/50.  Or as I tell folks, if I flip a coin, it's 50% likely it comes up heads or tails.  But it's 100% likely the coin falls down rather than up.

So while there may be an infinity of universes, it would seem they would all remain confined to the possible, and the preponderance tend toward the probable.  I could also see timelines sort of merging back together if they were close enough.

Anyway, a good story, and thought-provoking.  Four stars.

Thyre Planet, by Kris Neville


by Dan Adkins

One day, an alien race called the Thyres all, suddenly, disappeared.  They left behind an inhabitable world and a working, planetary teleportation booth grid.  Of course, humans jumped at the chance to settle the planet.

The hitch: each use of the booth has an infinitesimal but non-zero chance of killing the traveler.  Hundreds die each year.  A Terran scientist is dispatched to solve the problem.  Convinced it is tied to some abstruse physical law, he secures billions in funding to crash-start a Manhattan Project to rewrite cosmic law.  The endeavor takes on a life of its own, ultimately eclipsing the original problem.  Said problem remains unresolved until the end, and it turns out to be caused by something completely different.

I found this a deeply frustrating story.  Is it a satire of scientific institutions?  A cautionary tale advising us to look for simple explanations before complex ones?  A screed against hasty colonization?  it all muddles together without a satisfactory payoff.  Maybe I read it wrong.

Two stars.

Homespinner, by Jack Wodhams


by Joe Wehrle, Jr.

Boy, this was a hard one to rate.  It's about a fellow who lives in a future where houses can be done up in a day, rooms completely redecorated as quickly as one might, today, swap out a picture on the wall.  Said fellow is annoyed that his wife keeps changing his home on a weekly basis.  All he wants is some consistency in his life.  Indeed, you can't help wondering why the couple are together at all, so incompatible they seem.  The husband also seems awfully sexist, expecting his wife to stay at home and do virtually nothing but greet him cheerfully after work.

Of course, you'll figure out what's up with their relationship before it's revealed, and that bit is reasonably clever.  The problem is, the getting there is repetitive and unpleasant.  I get why, but I feel a more skilled author could have put it together better.

For some reason, however, I appreciate it enough to give it three stars.

Criminal in Utopia, by Mack Reynolds


by Brand

In yet another story exploring "People's Capitalism", the American welfare state of the 1980s, a citizen embarks on a crime spree to improve his lot.  After all, in a system where everyone is supposed to be equal, the only way to get ahead is to cheat.

The question is: in an economy where income is strictly tied to each person, and all transactions are electronicized and trackable, can a person get more than he deserves?

As usual for Reynolds, a mildly diverting story and some very interesting technologies.  Three stars.

For Your Information: The Orbit of Explorer-1, by Willy Ley

Despite the sexy subject matter (I dig space stuff), this piece on…well…the orbit of Explorer-1…is pretty dull stuff.  I think Ley's heart just isn't in these articles very often anymore.

Three stars.

I Bring You Hands, by Colin Kapp


by Virgil Finlay

A rather amoral fellow is a Hands merchant.  These are tape-programmable, robotic hands that can do a physical task an infinite number of times.  Perfect for replacing assembly line workers, tailors, cooks, you name it.  Along the way, the salesman has an affair with one of the workers whose job he causes to be roboticized.  The end is not a pleasant one for the Hands dealer.

I had a lot of hopes for this story.  I thought it was going to make some sort of statement about mechanization, the ensuing unemployment, and how society adapts to change.  Instead, it was all thrown away for a cheap, obvious, macabre finish.

Two stars.

A Visit to Cleveland General, by Sydney J. Van Scyoc


by Jack Gaughan

Two brothers were in an air-car accident.  Just one emerged.  So why does Albin have trouble distinguishing himself from the deceased Deon?  Why does he need to take a pill every morning "for memory"?  And what are those aerosols Miss Kling, the nurse at Cleveland General, keeps spraying to affect everyone's mood and recollection?  Particularly in surgery, where body parts are shuffled into various people, muddling the identifies of donor and recipient?

Visit is a decent enough piece, thematically and literally, though you'll guess what's going on very quickly.  Scientifically, it makes no lick of sense.

Three stars.

The Warbots, by Larry S. Todd


by Todd

You'd think I would be quite keen on a fictional history of legged assault vehicles.  This one, however, is both too goofy and far too long to scratch that itch.

Two stars.

Behind the Sandrat Hoax, by Christopher Anvil


by Safrani

My first thought upon reaching this final piece was, "Oh, great—a Chris Anvil epistolary story."

And that thought was justified.

It's about how a prospector on New Venus discovers that eating the raw stomach of a desert rat allows the consumer to digest water from grass, but the proud scientific community doesn't like the way the research is done and impedes progress.  All of the scientists are made of straw, you see.

I was surprised not to find this in Analog—I guess sometimes things are too lousy even for Campbell.  On the other hand, Campbell gets the credit for tainting Anvil so that he's now worthless wherever he publishes.

One star.

Dimmer than a thousand squibs

2.4 stars.  Not only is that dismal, but recall that an issue of Galaxy is half-again as long as a normal mag.

There's a reason I paused for breath halfway to tear through The Weathermonger (and that is a good read!) Anyway, all things pass, and summer's only got five days left to it.  Surely next season will see an improvement, yes?






[July 2, 1968] What’s the Point? (August 1968 IF)


by David Levinson

The appearance of doing something

One of the German Empire’s colonies before the First World War was German South West Africa, nestled between what are today South Africa, Angola, and Botswana. After the war, South Africa was granted a mandate over the colony by the League of Nations, similar to Britain’s control over Palestine or France’s over Lebanon and Syria. The League was dissolved in 1946 and replaced by the United Nations. In general, mandates were intended to be replaced by United Nations Trusteeship, and the General Assembly recommended that South West Africa be one of those, however South Africa refused. In 1949, South Africa declared that it was no longer subject to U.N. oversight where South West Africa was concerned, as they began to extend their apartheid system into the former colony. The following year, the International Court ruled that the U.N. should exercise supervision in the administration of the territory in place of the League, but South Africa rejected the Court’s opinion and has refused any involvement by the U.N.

A political cartoon from after the First World War.

Independence movements have swept through Africa over the last decade, and as I noted in January of last year, South West Africa is not immune. The predominant organization is the South West Africa People’s Organisation (SWAPO), and they have been lobbying the U.N. for several years. In 1966, the General Assembly terminated the mandate, giving the U.N. direct supervision of the territory. Last year, they established the United Nations Council for South West Africa to administer the territory until independence. South Africa remains recalcitrant. And so, on June 12th, the Assembly approved Resolution 2372, which, in accordance with the wishes of the people as represented by SWAPO, changed the name to Namibia. Well, that, some finger-wagging at South Africa and the nations supporting the illegal occupation of Namibia, and a request that the Security Council do something to get South Africa out. Don’t hold your breath.

Sam Nujoma (r.), President of SWAPO, shakes hands with Mostafa Rateb Abdel-Wahab, President of the Council for Namibia

Noir, nonsense, and the blatantly obvious

The stories in this month’s IF range from the patently obvious to those that leave the reader wondering why the author bothered. There are a couple of mildly entertaining stops along the way, and the high point may surprise you (even if it is more molehill than mountain).

Supposedly for Rogue Star, which doesn’t have a starship crash. Or this many characters. Art by Chaffee

Whaddya Read?, by H.L. Gold

The founding editor of both IF and Galaxy offers a defense of modern science fiction. Maybe the new stuff isn’t as different as most people seem to think. It’s just better written.

Three stars.

Getting Through University, by Piers Anthony

A few stories ago, dentist Dr. Dillingham was kidnapped by aliens and has since bumbled around the galaxy, from one emergency patient to the next. Now, he’s been given the opportunity to attend dental school and gain proper accreditation. All he needs to do is pass the entrance exam.

The doctor deals with a difficult case instead of prepping for his exam. Art by Vaughn Bodé

Surprisingly, given the previous stories and the author’s general output, I rather liked this one. A lot of what happens is ridiculously obvious, but it doesn’t lead to quite where you might suspect. This is almost the quality that Cele Lalli used to get out of Anthony. Maybe there’s hope for him after all.

A somewhat above average three stars.

If… and When, by Lester del Rey

This month, del Rey looks at Project Orion, the idea of using nuclear bombs to propel a starship. It’s not as crazy as it sounds, but he’s not shy about discussing some of the problems connected with a successful launch of the project (including the hundred billion dollar price tag). This is a clear-headed look at an interesting idea full of possibilities for science fiction authors.

Three stars.

In Another Land, by Mary Urhausen

Seeking to escape a regimented society and a failed love affair, the narrator attempts suicide only to find himself in a utopia. That utopia feels like the sort often imagined 50 or 60 years ago, but this month’s first time author does what she can with it. The shift from first person perspective to third person is slightly jarring, but gives the story what little bite it has. New author Urhausen shows definite skill. Here’s hoping she can hone it into something a little meatier.

Three stars.

Last Dreamer, by A. Bertram Chandler

Commodore John Grimes just wants to go home, but the strangeness at the Rim of the galaxy keeps throwing adventures in his way. This time, it’s a habitable planet with no sun, where everything is out of a bad fairy tale, and everyone speaks in rhymed couplets.

It comes as no surprise that Dan Adkins can’t draw a fire-breathing dragon. Art by Adkins

I generally enjoy the Grimes stories, but this is just silly – and that in a series that has had intelligent rats and an appearance by the Olympian gods. Of course, Chandler knows it’s silly and does get some humor out of the Commodore’s grumpiness about the situation. (He really should have ended a sentence with the word “orange,” though. Let’s see them rhyme that.) Overall, a disappointment; the more so because Chandler teased us with a story from the very beginning of Grimes’s career, but has since stuck with the older man near the end of his service. Let’s see some more of the younger man, whether wet behind the ears or just coming into his prime.

A low three stars.

Merlin Planet, by E.G. Von Wald

Sticking with fantasy pretending it’s science fiction, we have the story of the new man on a Terran trading team on a world where the locals can do magic (thanks to some psychic handwaving; what hath Campbell wrought?). Fortunately, the wizards can be stopped for a time by doing complicated math in your head. Unfortunately, instead of the requested mathematician, headquarters has sent a business law expert.

That’s not how you use a magic staff. Art by Wehrle

If you can get past the magic, the story isn’t terrible. However, it is twice as long as it needs to be. I saw the solution as soon as the new guy revealed he couldn’t do high order math. The rest was just an interminable wait until he figured it out. Right on the line between two and three stars, but the length drags it down for me.

A high two stars.

Song of the Blue Baboon, by Roger Zelazny

Zelazny takes us into the mind of a man who either betrayed Earth to alien invaders or carried out a clever stratagem to defeat them. The problem is that he never engages with his theme. The ambiguity of the ending could be read a couple of ways. Pretty, but shallow.

A low three stars.

What the Old Aliens Left, by D.M. Melton

Here’s our first tale with strong noir elements: an honest cop, a corrupt system, a dangerous dame. The lure of great wealth? The technology left behind by a dead alien civilization.

Most of the action takes place in a bar, too. Art by Brand

Melton continues to improve. He’s never going to get to the point where I’m excited to see his name on the cover, but at least it’s a sign of a probably-entertaining read. He might be getting a handle on writing women, but he’s working from a strong template here, one that’s not necessarily great, but at least gives them their own motives. On the whole, the story probably could have been tightened up here and there. Less going back and forth from the bar, for instance. Still an entertaining read.

Three stars.

West Is West, by Larry Tritten

The inhabitants of the planet West wallow in the cliches of old-school westerns and have names like Randolph Scott Cartwheel, even if many of them are duck-billed saurians. Sheriff Matt Cooper has to bring in Cartwheel for the unprovoked killing of another saurian. Then things go a bit noir, with a femme fatale and the Maltese Longhorn Steer.

A shootout is about the only thing missing from this story. Art by Wehrle

Tritten appears to be another newcomer, though he’s not acknowledged as an IF First. The parody here is laid on with a dumptruck and feels dated. The cliches are familiar, but the western genre has largely moved on from them. There’s no room for Clint Eastwood’s man with no name (though Rowdy Yates would likely feel at home). Ron Goulart could have pulled this off.

A low three stars.

Rogue Star (Part 3 of 3), by Fredrik Pohl and Jack Williamson

This thing doesn’t deserve a recap. I’ll merely note that the climax features actual stars battling each other. The flaws are many, but I’ll limit myself to just two. For starters, “protagonist” Andy Quam should have just stayed home. Everything would have turned out exactly the same, and he wouldn’t have had to deal with all the stress. There are also a number of unresolved subplots, most notably the strange behavior of Earth’s sun. We’re told why it’s happening, but nothing is done about it.

Two stars for this installment and barely two stars for the novel as a whole.

Edmond Hamilton just smashed planets together. What a piker. Art by Gaughan

Summing up

If you told me that, in an issue with stories by the likes of Roger Zelazny and Jack Williamson, the one I would like best was by Piers Anthony, I’d have laughed at you. Look, it’s not a great story; it’s just the one that annoyed me the least. Maybe the summer heat is making me cranky.

That’s a promising lineup.






[March 6, 1968] Trend-setter (April 1968 Galaxy)


by Gideon Marcus

Back in the saddle again

It's been a long time since the halcyon days of the early '50s, when Galaxy was setting the standard to beat, ushering in the Silver Age of Science Fiction (along with the more avante garde F&SF).  But now that editor Fred Pohl has collapsed his empire to just two mags, it seems he can afford to be more picky.  Indeed, IF is unusually good this month, and the April 1968 issue of Galaxy is by far the best I've read in a long time, and a strong contender for best magazine of March.


by Gray Morrow

Brave new worlds

Goblin Reservation (Part 1 of 2), by Clifford D. Simak

Simak is back with a odd brew of a story, perhaps in the same universe as Here Gather the Stars, as reference is made to a Wisconsin transit station.  Eschewing (for the most part) his usual pastoral motif, instead we get the first installment of the book-length adventure of Peter Maxwell, professor at the Time University in North America.  At least he was.  It seems that, while on the way to do fieldwork on the planet of Coonskin, Maxwell was duplicated.  One of him went on to his intended task.  The other ended up on a crystalline, roofed-over planet.  This world is some 50 billion years old, its inhabitants little more than ghosts, and they possess the knowledge of two universes since they lived through the last cosmological crunch and survived the most recent "Big Bang".

This latter Maxwell is the one we follow, since the other one died in a traffic accident upon arriving home.  Now, Maxwell is officially dead, out of work, and at loose ends.  Add to that there seems to be conspiracies, both human and alien, to get the secrets of the crystal planet from him, and things get very hot indeed.

That would be a twisty enough tale in and of itself.  Throw in the existence of fairies and ghosts (they've been around all along, but now they're acknowledged creatures who live on reservations) as well as working time travel (one of the main characters is Alley Oop, a brilliant Neanderthal), and things are complicated to the extreme!


by Gray Morrow

And yet, somehow Simak makes it all work.  It's an unusually humorous story, though the Morrow illustrations are perhaps too comic, and I tore through the half novel in short order.

I am looking forward to seeing where this all goes.  Four stars.

The Riches of Embarrassment, by H. L. Gold

Why does Miss McGiveney always seem to happen upon her neighbors at the most embarrassing moments?  It may just be her superpower.

This slight tale in particular feels like vintage Galaxy, perhaps because it's written by the magazine's first editor.  I hope Fred Pohl edited the story savagely…what's good for the goose is good for the gander.

Three stars.

Brain Drain, by Joseph P. Martino


by Dan Adkins

Tom Harrison, a field agent of Intelligence Imports Incorporated, is in Thailand searching for a particular kind of student, and he thinks he has his target in high school graduate Manob Suravit.  It turns out that Triple-I is on the hunt for brilliant PhD candidates, and apparently there aren't enough in America (and/or perhaps there is value in recruiting from beyond our shores).

At first, I thought it would turn out Harrison was looking for folks with psi powers–I was glad to find the object of his search was more mundane.  Most of the story is excellent, redolent with such authentic color that I have to think Martino has spent time in Thailand.

The problem is the ending, where Harrison convinces the local schoolmaster to be happy about the loss of promising students.  Not so much the reasoning, but the near-polemic way the reasoning is delivered.  What could be a thoughtful piece, with shades of gray woven in (as the story appeared to promise earlier on) becomes something more suited for Analog.  Along the lines of "Hey, sure we take your smart kids, but you weren't using them, and you've still got plenty."

A missed opportunity.  Three stars.

Sword Game, by H. H. Hollis

A bored middle-aged topologist and a grubby would-be Gypsy team up with their tessaract-based circus show.  Said mathematician shoves his partner into a cylinder of fuzzy time and space and stabs her vividly, but harmlessly, with a sword while the audience marvels.

But said topologist bores of this, too, and the result is truly macabre (though ultimately happy).

Three stars, but I could see someone going to four.

For Your Information: The Devil's Apples, by Willy Ley

Willy Ley offers up a short, but interesting piece on potatoes.  Not much to say, really.  Three stars.

Touch of the Moon, by Ross Rocklynne


by Dan Adkins

What an odd piece this is, about a romance broken when one of the partners goes to the moon.  Gravity has an irrevocable effect not only on the body, but also the psyche.  But happily, loosing one's ties to Earth is ultimately good for the species if it ever wants to claim the stars.

This could have been a good story, but it's written far too amateurishly and with too implausible a premise.  The former is surprising given that Rocklynne dates back to the Golden Age.  On the other hand, I haven't seen hide nor hair of him since I began reading SF regularly (1954), so perhaps he's out of practice.

Two stars.

The Deceivers, by Larry Niven


by Jack Gaughan

Our old pal Lucas Garner is back, this time with a shaggy dog story about the first fully automated restaurant that opened in 2025.

Niven has a real knack for creating whole worlds with a few strokes.  He also joins multiple time periods with ease: Lucas Garner was born in 1939, so he is our contemporary.  He lives in the 2100s, and he reminisces about the 2000s.  Thus, his stories have touches of the futuristic as well as the familiar.

Four stars.

Galaxy Bookshelf, by Algis Budrys

I don't often comment on Algis Budrys' column, but this time, he has some important things to say…and a friend named Brian Collins (who has his own commendable 'zine) did an excellent job of summing it up while adding his own observations:

Algis Budrys dedicates the whole review column to Dangerous Visions, giving us a review I'd say is about 1,500 to 2,000 words long. Budrys has shown us before that he's one of the more "literate" people in the field, but he has a unique challenge with Dangerous Visions, a book he both highly recommends but is highly mixed on as far as its content goes.

He argues pretty well as to why this is a major work in the field and why you should get yourself a copy, despite a lot of the stories therein not holding up to scrutiny. It helps that he and I mostly agree on what works and what doesn't (I'm admittedly one of the few people who liked the Farmer), and it pleases me in a morbid way to find that I'm not the only one who was incredibly disappointed by the Sturgeon. But Budrys notes that while the bloated pseudo-lecture from Sturgeon is a failure, and far under Sturgeon's caliber, it works as a sort of counter-piece to the Emshwiller, which, as Budrys says, feels more like a classic Sturgeon story than the Sturgeon we got. Taken together, these two contribute immensely to a narrative that Harlan Ellison is trying to put forth with the book.

Will Dangerous Visions kick off a new movement in SF? No. We had already seen stuff published in F&SF and New Worlds that would have made fine contributions to Dangerous Visions. This book does not present a brave new world like Ellison claims, but rather as Budrys argues it serves as an essential reminder that change is inevitable and that the field has been changing and will continue to change. No doubt 50 years from now Dangerous Visions will be remembered for the best stories between its covers, but also as a historical artifact—a portrait of a genre in the midst of change, and change is often violent and unpretty.

The World and Thorinn, by Damon Knight


by Jack Gaughan

Finally, Damon Knight begins what looks like the first part of serial in all but name.  Thorinn is a human raised by trolls in a primitive, Scandinavianesque, not-quite-fantasy world.  When calamity befalls his family, they throw him down a well to appease the god Snorri.  Thus begins the first of Thorinn's subterranean adventures.

The first few pages are a bit slow, particularly when scenes are repeated from two different viewpoints (I really dislike that style), but the rest makes for an excellent puzzle story, written in a fine, almost Vancean style.

Four stars, and the anticipated book may rate higher.

The Other Show

Between the Simak and the Knight (both fantasy-tinged pieces), we have a couple of open promises.  We also have something of a new style: there's a lot more sex in this issue than I've seen recently in Galaxy.  Is Pohl taking a page from F&SF's book?  Or has the New Wave simply caught up to the Guinn publishing enterprise?

Either way, I like it.  More, please!



Don't miss the news — a new episode of KGJ's weekly round-up is being broadcast right now!



[September 14, 1967] Stuck in the Past (October 1967 Galaxy)


by Gideon Marcus

The deuce, you say!

The other day, a BNF opined that I was kind of a sourpuss, not really liking anything I reviewed.  Moreover, he contended that my perspective is irretrievably tainted, and that I cannot appreciate fiction of the '60s with an objective eye.  Indeed, sometimes it seems like I don't like '60s science fiction much at all.

Well, he's right.

Sort of.  The thing is, I sometimes don't like the science fiction of the '60s…at least, not as consistently as I enjoyed the science fiction of the 1950s.

Perhaps it is a subjective thing.  After all, what can contend with the thrill I felt opening up my first issue of Galaxy (way back in Fall 1950!) and being bowled over by this new magazine's quality.  I had dabbled in SF before, but the age of the digest, what I like to term “The Silver Age” (if Campbell's Astounding heyday was “The Golden Age”) really sold the genre to me.

What a rush that first half decade was.  The efflorescence of magazines (at one point, there were forty SFF periodicals in print), the wide range of subjects.  Sure, there was a lot of crap.  After all, 90% of everything is crap.  But there was so much science fiction in the mags that if you stuck to the cream, you could be assured of month after month of nothing but quality readings.

And there were women.  After a swell in feminine participation in the 'zines of the late '40s and early '50s, there was a subsequent surge in women writing in the mid '50s—most notably in The Magazine of Fantasy and Science Fiction, but lots of other mags, too.  SF has never been so eclectic.

What have we got these days?  Well, the paperback is putting paid to the mags, which means (as Spinrad noted recently) short form is drying up.  Paperback anthologies might remedy that situation someday, but they haven't yet.

As for the magazines, there are just six English-language ones left, two of them mostly reprints and one, Galaxy, a bimonthly since 1959.  You'd think with so many fewer slots for stories, the fiction would be better.  That turns out not to be the case.  I think the really good writers are saving their typing fingers for the sure bucks—the novels and the screenplays.  Or, at least their good stuff.

Case in point: this month's Galaxy.  It's got some big names, but is this the best they can offer what was once scientifiction's premier magazine?


by Gray Morrow, illustrating Transmogrification

A long slog

Damnation Alley, Roger Zelazny

About half of the mag is taken up with Zelazny's novella, Damnation Alley, about a trip across war-savaged America sometime in the near future.  Hell Tanner is a hellraiser, a criminal, a motorcycle enthusiast…and the best driver in the Western Hemisphere.  On the way to the Big House, he's offered a deal: take a vital shipment of drugs across the country from San Diego to Boston in an armored car; in return, he gets a full pardon.

Hell takes the deal, leading a three-car convoy into “damnation alley”, a scenic tour of blighted USA.  We're treated to violent storms that drop frogs and sharks from hundreds of miles away, giant mutant Gila lizards, radiated hellscapes, bandits, marauding biker gangs, and the occasional stretch of considerate humanity.  Now that I write this, it occurs to me it might make a pretty movie, at least of the B Class.


by Jack Gaughan

But B Class is all it would be.  Zelazny has written some of this field's best work recently, garnering well-deserved Hugo nominations and wins.  But Alley is lesser Zelazny, a mildly engaging but prosaic trip across a wild world.  Several times, I found my eyes unfocusing and a voice in the back of my mind muttering, “Why do I care?” The story doesn't say anything, feature anyone particularly interesting, nor really justify the Roger Corman monstrosities Tanner encounters.  What's left is competent writing.  It's not enough.

Three stars.

Poulfinch's Mythology, Poul Anderson


by Virgil Finlay

I always enjoy the conceit of aliens or far-future anthropologists examining current culture (and often coming to ridiculous conclusions).  One of my favorite examples was Horace Coon's 43,000 AD, where three alien archaeologists try to make sense of pre-nuclear America.

Poul Anderson, aided by the exquisite Virgil Finlay, has taken another stab at things, reducing the principal values of mid-century United States (at least as Anderson sees them) to a pantheon of idealized beings.

Some of the entries are funny, but I feel Anderson is going beyond satire to sell his own spin on America, one I'm not entirely on board with.  In particular, I can't agree with his unalloyed exaltation of “Keen”, God of Money, nor his lumping of the Klan with civil rights marchers in the form of “Brothergood” (whom he asserts “raped” Lady Liberty repeatedly).

Two or three stars, depending on your tastes.

For Your Information: The Worst of All Comets, Willy Ley

Ley's science article, on comets, is serviceable.  It's been a long time since his column has been the highlight of the magazine, though, as it was in the earlier part of the 1950s.

Three stars.

The Transmogrification of Wamba's Revenge, H. L. Gold


by Gray Morrow

How's this for a throwback?  H.L. Gold was Galaxy's first editor, helming the magazine through its first, most glorious decade.  But he started as a writer, and now he's back with this strange novelette.  Told from the viewpoint of an African “Pigmy” princess, it involves a western scientist, his treacherous wife, and an unscrupulous big game hunter.  When the hunter and wife start an amorous liaison, Princess Wamba mickeys them with a shrinking potion, reducing them to one tenth their normal size.

The scientist sees Nobel Prize written all over this development, and he undertakes a study of the Pigmy invention, which shrinks all animals except for Pigmies themselves.  Mildly droll high jinks ensue, followed by a surprisingly happy ending.

Very slight stuff, probably better suited for F&SF, but I appreciated the heroine and the sentiment, if not the science.

Three stars.

Understanding, George O. Smith


by R. Dorfman

Every so often, a story comes along with nothing overtly wrong with it, yet with such a profound soporific effect that multiple sessions are required.  Such is the case with this novelette, about an adolescent trapped in an alien city, being herded by the city government toward an unknown destination for an unknown purpose.  Only the appearance of an intelligent, talking dog named Beauregarde may prove an unanticipated wrinkle in their plans.

It's forty pages, and it induced four naps.  'Nuph said.  Two stars.

A Galaxy of Fashion, Frederik Pohl and Carol Pohl

Those who went to Nycon 3 or last year's Tricon were treated to Carol Pohl's “Galaxy of Fashion” at the annual costume ball.  For those who couldn't attend, here's an accompanying set of illustrations.  It's hard to imagine these styles catching on or being at all practical, but who knows?  Maybe mismatched pantleg length will be all the rage in a century.

Galaxy Bookshelf, Algis Budrys

Capping out the issue, the always literate Algis talks about the New Wave.  He notes that there is plenty good stuff coming out now, and it's not your grandpa's (or at least your father's) science fiction.  In particular, he praises the quartet of Aldiss, Ballard, Zelazny, and Delany.  He describes Aldiss as “the least talented” and Ballard “the least intelligent”, saving most of his praise for Delany, who he calls “less disciplined than Ellison”.

I suppose that's the price we pay, right?  The old scene is dead, and what's left is folks either picking its bones or forging something completely new.  The new stuff isn't always a success (I have no real use for Ballard), but it often is.  I guess the real problem is there just isn't enough being produced right now.  In the old days, you could skip the dross and still have plenty to read all the time.  Nowadays, there's only enough to read including the dross.

Which is why my articles haven't been quite so glowing lately.  Sorry about that.  It'd help if other people didn't always get the Delany stories…

But I still love what I do, and I still often love what I read.  Really.  Certainly, our Galactic Stars, our annual list of the year's best SF, are a testament to that.  Also, women seem to be coming back, to the benefit of our genre.  And if we leave the printed word, well, I've been unreserved in my adoration for Star Trek, what Campbell calls “the first adult science fiction show on television.”

So, my dear BNF friend, please understand that if I sometimes appear grumpy or overly critical of this genre we both love, it's because I have to sift through the kaka to get to the rose. And hey, it's not just me: Ted White, Joanna Russ, Algis Budrys, Judy Merril…they all have their grumpy days too, for the same reason.

Nevertheless, of course I still find gems, and I'm always delighted when I do.  And if you want more cheerful news that'll bring more folks to our field, well, tune in to the Galactic Stars.  I guarantee that slew of greatness will be a tonic for any doldrums!



Speaking of Star Trek, the new season starts TOMORROW!  Hope you'll join us, tiger…

Here's the invitation!



[August 8, 1967] Distant Signals (September 1967 Fantastic)


by Victoria Silverwolf

Rock Around the Clock

If any more proof is needed that rock 'n' roll now dominates the American popular music scene, here it is: a couple of days ago, radio station KMPX in San Francisco (106.9 on your FM dial, for those of you near the city by the bay) started playing a wide variety of rock music (as opposed to the usual Top Forty hits) twenty-four hours a day. As far as I know, it's the first station in the USA to do so.


Tom "Big Daddy" Donahue, programming director for KMPX.

I live a very long way from Frisco, so I won't be able to pick up their signal.

Appropriately, the lead story in the latest issue of Fantastic features the inability to establish contact over a vast distance as a major plot point. As we'll see, other stories in the magazine also deal with difficulties in communication.


Cover art by Frank R. Paul.

As usual, the image on the front is taken from an old magazine. In this case, it's the back cover of the January 1941 issue of Amazing Stories.


The reprinted version omits the pink flamingo in the bottom right corner.

The Longest Voyage, by Richard C. Meredith


Illustrations by Gray Morrow.

Three spaceships carry the first astronauts to Jupiter. Incredibly bad luck strikes the mission. Freak accidents destroy two of the vessels and badly damage the third, leaving only one person alive. Seriously injured, the fellow faces a slow and lonely death.

It seems the crippled ship is now in orbit around Jupiter. The sole survivor has enough food, water, and air to last many years, but no way to contact Earth. (As I've indicated above, he's as far out of range as I am with KMPX.) Can our intrepid hero find a way to make his way back?


He also grows a beard.

This technological problem-solving story would be right at home in the pages of Analog. The protagonist makes use of some basic science and a lot of tinkering to overcome a seemingly impossible dilemma.

It's pretty well written for this kind of thing. The author really made me feel the character's suffering and desperation. I'm not sure I believe that a future society advanced enough to send spaceships to the far reaches of the solar system wouldn't figure out a way to talk to them. Without that plot point, the story would boil down to the hero sending out an SOS and waiting for rescue.

Three stars.

Same Autumn in a Different Park, by Peter Tate


Illustration also by Gray Morrow; he seems to be the only artist doing new work for the magazine.

Remarkably, this issue actually has two new stories. This one comes from a Welsh author usually seen in New Worlds. As you might expect, it has more than a little flavor of New Wave SF to it.

In another example of limited communication, a mother and father only talk to each other via teletype. In this grim future, the authorities have decided that the way to prevent violence is to have children raised apart from their parents. For that matter, the boy and girl in the story don't have any contact with anyone except each other and the machines that watch over them.

The devices give the children dolls representing the victims of nuclear war and a sample weapon, in an attempt to warn them about the horrors of violence. It's no surprise that this idea doesn't work out very well.

Typical of the New Wave, this story isn't as clear or linear as I may have made it sound. You have to read carefully and be patient to understand it. The premise is more effective as dark satire than as plausible speculation.

There's a strange scene in which the girl turns into a bird made from a hedge, through some kind of technological miracle. This weird transformation doesn't seem to have anything to do with the rest of the story, unless I'm missing something. It's a striking image, anyway.

This is an intriguing work, but one more to be admired than loved, I believe.

Three stars.

The Green Splotches, by T. S. Stribling

From the January 3, 1920 issue of Adventure comes this early example of interplanetary science fiction.


I'm guessing the cover artist's name is H. Tidlie, but maybe somebody with sharper eyes can make out the signature better than I can.

It was reprinted in the March 1927 issue of Amazing Stories.


Cover art by Frank R. Paul, of course.

The magazine is careful to tell me twice that Stribling went on to win a Pulitzer Prize after he lifted himself out of the pulps. For the record, it was for his 1932 work The Store, a novel about the southern United States after the time of Reconstruction.


Illustration by somebody called Gambee, about whom I have no other information.

A scientific expedition heads for a remote area of Peru. The place has a very bad reputation. So much so, in fact, that the only locals willing to guide them there are two condemned criminals who would otherwise face execution.

The first eerie sign that something strange is going on comes when they find a series of carefully articulated skeletons of various animals, including a human being. Pretty soon, one of the two criminals shoots at and chases after somebody, disappearing in the process.

The others receive a visit from a strange person, who treats them as inferior beings. You'll figure things out, from the illustration if nothing else, although the human characters never do.

Although it's a little old-fashioned (this is one of those stories where radium is pretty much a synonym for magic), this is a very readable yarn. What most distinguishes it is a subtle note of satire. Although not comic, and sometimes even horrific, there's a sardonic tone throughout. There's a running joke, of sorts, about the expedition's reporter and his self-published book about reindeer.

Three stars.

The Ivy War, by David H. Keller, M.D.

The May 1930 issue of Amazing Stories supplies this Kelleryarn.


Cover art by Leo Morey.

An aggressive, swift-moving, deadly form of ivy emerges from a pit and overwhelms a small town. Soon the seemingly intelligent plant invades larger cities, moving from place to place via water. Can anything stop it?


Illustration by Leo Morey also.

This reads like a science fiction monster movie of the last decade, with ivy taking the place of a giant bug or some such. It's even got one of those endings where Science discovers the only thing that will stop the menace. There's not much to it other than the premise. For what it is, it's adequate.

Three stars.

Beware the Fury, by Theodore Sturgeon

From the April 1954 issue of the magazine comes this work from one of the masters of imaginative fiction.


Cover art by Augusto Marin.

An astronaut seems to have betrayed Earth to invading aliens, making him the most hated human being in existence. A military type has the unenviable task of interviewing the traitor's wife, in an attempt to understand his actions. He learns of the man's unusual personality quirks, and of the couple's very strange marriage. With this knowledge, he tracks down the fellow when he returns to Earth and goes into hiding.


Illustration by Louis Priscilla.

I may have made this sound like a space war yarn, and there's certainly that aspect to the plot. However, the psychology of the characters is of much greater importance than the melodramatic aspects of the story. Sturgeon excels at this sort of thing, of course.

Four stars.

No Charge for Alterations, by H. L. Gold

The former editor of Galaxy offers this work from the April/May 1953 issue of Amazing Stories.


Cover art by Barye Phillips.

A doctor arrives on a colony world to study under a local physician. Medical technology exists that can change the patient not only physically, but mentally.


Interior illustrations by Henry Sharp.

He's shocked to see his mentor use the device to alter the mind of a young woman so she'll give up her dream of moving to Earth and becoming an entertainer, and instead be happy to do farm labor and raise children.


The After, in contrast to the above Before.

The new arrival decides to escape what he sees as an insane perversion of medicine and go back to Earth.  The local doctor contacts the retired physician under whom he studied, in an attempt to keep the new guy from leaving.  He learns something about his own time as a student.

I suppose this is supposed to be an ironic tale, maybe even humorous.  I found the premise distasteful.  The way in which the young woman at the start of the story is brainwashed to be a content farm wife is rationalized as being necessary to support the colony, but it gave me the creeps.

Two stars.

Signal to Noise Ratio

Well, that was a middle-of-the-road issue, rising above and sinking below average in a couple of places, but otherwise mediocre.  It's notable not only for having two new stories, but for having only science fiction and no fantasy.  The whole thing is like a radio station subject to bits of static now and then; worth tuning in for a while, but tempting you to turn the dial to something else.  Something like a corny pun, that may amuse you for a while, but otherwise forgettable.


Like this one, from the same issue as the Sturgeon story, by somebody known only as Frosty.

Still, while I may not be able to tune in to KMPX, I can at least turn the dial to the similarly formatted KGJ. That's some comfort!






[April 16, 1966] Non-taxing (May 1966 Fantasy and Science Fiction)


by Gideon Marcus

Three certainties

They say you can only be sure of two things in life: death and taxes.  I can't offer any personal assurances on the former, but I can say a thing or two about the latter.  Yesterday was, as it has been since my second year on the Journey (1955), tax day.  That special time of the year when Uncle Sam gets his due so that the potholes can be filled, the guns can be loaded, and (more recently and most welcomely) the poor can be relieved.

As you know, LBJ got his predecessor's big tax cut passed a couple of years back, a move that outraged the conservatives.  Of course, the benefits of that have largely passed me by — I make enough from running Journey Press to buy a cup of coffee, second-hand.  (Feel free to help change this state of affairs by buying more of our books!) On the other hand, a penurious existence means I don't have to cough up much dough come April 15.

Nevertheless, I did part with some shekels.  It was fortunate indeed that the latest issue of F&SF was at hand to balm the wound.  As has been the case for several months now, the mag was decidedly non-taxing.  Thank you, Ed Ferman, for giving us a third certainty in our lives!

The Issue at Hand


by Mel Hunter

And Madly Teach, by Lloyd Biggle, Jr.

With the advent of TV has arisen the notion of educational television, augmenting the classroom with studio-produced classes.  They have the advantage of combining nearly universal reach as well as the possibility of securing the best professionals.

But what if, in the interests both of frugality and inflicting the least bother on children, the traditional classroom is completely eschewed for the new format?  One might get Lloyd Biggle's newest novelette, detailing the culture shift a spinster English teacher from Mars encounters when she tries to adapt to the new Terran ways.

It's about as realistic as Harrison Bergeron and perhaps not as important, but I think there are some good subtle messages layered beneath the obvious ones, and Biggle is a very good writer.

Four stars.

Three for Carnival, by John Shepley

It's carnival time in near-future New York.  Old Mother Gimp (young, clear-eyed Barbara), the Harlequin (henpecked merchant, Saul Cooperman), and Lloyd (just Lloyd) take turns being themselves and someones else through the increasing chaos overtaking the Five Roses.

A difficult, abstract story, and not really science fiction or fantasy, I nevertheless found it engaging.

Three stars.


by Gahan Wilson

The Colony, by Miriam Allen deFord

Humans found a colony light years from home.  After twenty promising years, they are overrun by rapacious half-men, who abduct a settler and generally make mayhem.  Though the abductee is recovered, the presence of alien intelligence means the colonists must leave, which they do with sadness.  But not before it is learned that the half-men are actually a variety of human.

The kicker?  The events of the story took place 30,000 years ago, and the savages were Neanderthals.

This kind of gotcha story might have flown back in the 40s, but it creaks in the 60s.  Moreover, it doesn't make a lick of sense.  It is, however, decently written.  No one can fault deFord for not knowing her craft; she just needs to take a refresher course in plot ideas.

Two stars.

Breakaway House, by Ron Goulart

Pete Goodwin scratched at his short blond hair and said, "Gretchen exaggerates, Max. We're still on our shakedown cruise with this house and little things are going to show up."

Max watched the sherry in his glass. "Of course, Jillian and I are apartment types so far. But maple syrup in the closets and bobcats in the shower. That stuff sounds unusual, Pete."

"Life is different in the suburbs, Max."

Yes, amateur occult detective Max Kearney is out of retirement for another droll tale of investigation.  This time, he and his new wife, Jillian the witch, are helping out a neighbor in the new tract housing subdivision.  It must be haunted, but Pete seems strangely reluctant to deal with it.  Is he possessed?  Has he made a deal with the Devil?  Or is it really not a very big matter after all?

It wraps up a little quickly, but it's great fun along the way.  Four stars.

Beamed Power, by Theodore L. Thomas

Someday Tesla will be proven right, and we won't need wires to transmit energy.  But will the result be a utopia or a terrorist's playground?  It's a subject worthy of a full-length article, perhaps in Analog.  As is, this is an unsatisfying appertif.

Three stars.

Flattop, by Gregory Benford

New author Benford offers up a Nivenesque tale of first contact between a human astronaut and a mobile Martian bath rug.  Except this creature has explosive capabilities for growth, and a single sample threatens an entire expedition.

Very crunchy stuff.  I liked it.  Four stars.

H. P. Lovecraft: The House and the Shadows, by J. Vernon Shea

Apparently, the Weirdest of the Weird Tales bunch wasn't quite the weirdo his stories would lead us to believe.  Racist and anti-semitic, sure (though he was buddies with Robert Bloch and he married a Jew).  Anti-social, absolutely (and yet generous to a fault despite his poverty; he wrote his fans lavish and helpful letters, even at the expense of his own writing time).  Sexless and haunted?  Arguably, but if one looks for Lovecraft in his stories, they're not going to find him.

I'm neither a lover of Lovecraft not a detractor.  I feel he had three good stories in him, and he kept writing them throughout his career until he got them right.  Along the way, he evaded critical praise but amassed a fandom that really only came to the fore after his death at 47 (ouch! That's my age!)

Shea's biography is interesting, poetic, and enlightening.  Four stars.

The Third Dragon, by Ed M. Clinton, Jr.

A lovely tale of three dragons and a girl that underscores that nice guys can finish first.  Four stars.

Time and Tide, by Isaac Asimov

The Good Doctor offers up a good, if slightly padded, piece on the mechanism of tides with a brief look at tides around the solar system.  Good stuff.  Four stars.

Man of Parts, by H. L. Gold

Lastly, a story you know has to be a reprint since the former editor of Galaxy isn't doing much of anything these days.  In brief: Major Hugh Savold of the Fourth Terran Expedition against Vega, crashes onto the peaceful planet of Dorfel.  With very little salvageable but two arms and much of a brain, he is fused with the similarly mangled Dorfellow Gam Nex Biad.

Now a living rock-borer and legally no longer human, can the Major make it back to his ship and leave the living nightmare he finds himself trapped in?

Pleasant enough, but it shows its age.  Three stars.

Summing Up

Tallying the numbers on my form 1040-GJ, I find the May 1965 F&SF scores a respectable 3.5 stars.  I wouldn't say any of the stories will be up for this year's Galactic Stars, but all of them are readable and several are memorable.

I can almost forget how light my pocketbook has become… at least until the next time I have to buy a month's worth of science fiction!






[September 14, 1965] The Face is Familiar (October 1965 Galaxy)


by Gideon Marcus

In all the old familiar places…

All summer long, the Traveler family's television tradition has included the game show, Password.  Though it may seem odd that such a program should rival in importance to us such stand-outs as Secret Agent and Burke's Law, if you read my recent round-up of the excellent TV of the 64-65 season, you'll understand why we like the show.

Sadly, the September 9 episode marked the beginning of a hiatus and, perhaps, an outright cancellation of the show.  No more primetime Password, nor the daily afternoon editions either.  Whither host extraordinaire Allen Ludden?

Apparently, What's my Line!  Both Ludden and his wife, Betty White, were the mystery guests last week; I guess they had the free time.  They were absolutely charming together, and it's clear they are still very much in love two years into their marriage.

Speaking of anniversaries, Galaxy, one of the genre's most esteemed monthly digests, is celebrating its 15th.  To mark the occasion, editor Fred Pohl has assembled a table of contents contributed by some of the magazine's biggest names (though I note with sadness that neither Evelyn Smith nor Katherine MacLean are represented among them).  These "all-star" issues (as Fantasy and Science Fiction calls them) often fail to impress as much as ones larded with newer writers, but one never knows until one reads, does one?

So, without further ado, let's get stuck in and see how Galaxy is doing, fifteen years on:

The issue at hand


by John Pederson, Jr.

The Age of the Pussyfoot (Part 1 of 3), by Frederik Pohl

The editor of Galaxy has a penchant for providing a great deal of his own material to his magazines.  Normally, I'd be worried about this.  It could be a sign of an editor taking advantage of position to guarantee sale of work that might not cut the mustard.  And even if the work is worthy, there is the real danger of overcommitment when one takes on the double role of boss and employee.

That said, some editors just find creation too fun to give up (yours truly included) and in the case of Pohl, he usually turns in a good tale, as he has for decades, so I won't begrudge him the practice.

Indeed, Pussyfoot is a welcome addition to the mag.  A variation on the classic The Sleeper Awakes theme, in this case, the time traveling is done via the rather new technology of cryogenics.  Indeed, protagonist Charles Forester, 37-year old erstwhile fireman, is one of the very first corpses to be frozen circa 1969, and wakes up in the overcrowded but utopian world of 2527 A.D.


by Wallace Wood

Feeling immortal (with some justification – no one really dies anymore; they just get put on ice until they can be brought back, often within minutes) and also wealthy (but $250,000 doesn't stretch as far as it used to) Forester takes a while to really come to grips with his new situation, always just a touch too clueless for his own good, and perhaps plausibility.

Very quickly, he learns that things are not perfect in the future: being immortal means one can be murdered on a lark and the culprits go unpunished.  Inflation has rendered Forester's fortune valueless.  He must get a job, any job.  But the one he finds that will employ an unskilled applicant turns out to be the one no one wants: personal assistant to a disgusting alien!

There's some really good worldbuilding stuff in this story, particularly the little rod-shaped "joymakers" everyone carries that are telephone, computer terminal, personal assistant, drug dispenser, and more.  I also liked the inclusion of inflation, which is usually neglected in stories of the future.  It all reads a bit like a Sheckley story writ long, something Sheckley's always had trouble with.  It's not perfect, but it is fun and just serious enough to avoid being farce.

Four stars for now,

Inside Man, by H. L. Gold

The first editor of Galaxy started out as a writer, but even though he turned over the helm of his magazine four years ago (officially – it was probably earlier), he hasn't published in a long time, so it's exciting to see his byline again.  Inside Man is a nice, if nor particularly momentous, story about a fellow with a telepathy for machines.  And since machines are usually in some state of disrepair, it's not a very pleasant gift.

Three stars.

The Machines, Beyond Shylock, by Ray Bradbury

Judith Merril sums up Bradbury beautifully in this month's F&SF, describing him as the avatar of science fiction to the lay population, but deemed a mixed bag by the genre community.  His short poem, about how the human spirit will always have something robots do not, is typically oversentimental and not a little opaque.  And it's not just the font Pohl used.

Two stars.

Fifteen Years of Galaxy — Thirteen Years of F.Y.I., by Willy Ley

The science columns of Willy Ley comprised one of main draws for Galaxy back when I first got my subscription.  In this article, Ley goes over the various topics of moment he's covered over the last decade and a half, providing updates where appropriate.  It's a neat little tour of his tenure with the magazine.

Four stars.

A Better Mousehole, by Edgar Pangborn

Pangborn, like Bradbury, is another of the genre's sentimentalists.  When he does it well, he does it better than anyone.  This weird story, told in hard-to-read first person, said protagonist being a bartender who finds alien, thought-controlling blue bugs in his shop, is a slog.

Two stars.

Three to a Given Star, by Cordwainer Smith

Oh frabjous day!  A new Instrumentality story!  This one tells the tale of three unique humans sent off to pacify the gabbling, cackling cannibals of Linschoten XV: "Folly", once a beautiful woman and now a 11-meter spaceship; "SAMM" a quarter-mile long bronze statue possessing a frightening armory; and "Finsternis", a giant cube as dark as night, and with the ability to extinguish suns.


by Gray Morrow

Guest appearances are made by Casher O' Neill and Lady Ceralta, two of humanity's most powerful telepaths whom we met in previous stories.

I've made no secret of my admiration for the Instrumentality stories, which together create a sweeping and beautiful epic of humanity's far future.  Three has a bit of a perfunctory character, somehow, and thus misses being a classic.

Still, even feeble Smith earns three stars.

Small Deer, by Clifford D. Simak

In Deer, a fellow makes a time machine, goes back to see the death of the dinosaurs, and discovers that aliens were rounding them up for meat… and that they might come back again now that humanity has teemed over the Earth.

A throwback of a story and definitely not up to Simak's standard.  A high two (or a low three if you're feeling generous and/or missed the last thirty years of science fiction).

The Good New Days, by Fritz Leiber

On an overcrowded Earth, steady work is a thing of the past.  Folks get multiple part time gigs to fill the time, including frivolous occupations like smiling at people on the way to work.  Satirical but overindulgent, I had trouble getting through it.  Two stars.

Founding Father, by Isaac Asimov

Dr. A was lured back into the world of fiction after an eight-year almost complete hiatus; apparently he can be cajoled into almost anything.  In Father, based on this month's cover, five marooned space travelers try to cleanse a planet of its poisonous ammonia content before their dwindling oxygen supplies run out.

It's a fair story, but I had real issues with the blitheness with which the astronauts plan to destroy an entire ecosystem that requires ammonia to survive.  In the end, when terrestrial plants manage to take root on the planet, spelling doom for the native life, it's heralded as a victory.

Two stars.

Shall We Have a Little Talk?, by Robert Sheckley


by Jack Gaughan

Bob Sheckley was a Galaxy staple (under his own name and several pseudonyms) for most of the 1950s.  His short stories are posssibly the best of anyone's, but he eschewed them for novels that just didn't have the same brilliance.

Well, he's back, and his first short story in Galaxy in ages is simply marvelous.  It involves a representative of a rapacious Terra who travels to a distant world to establish relations, said contact a prelude to its ultimate subjugation.  But first, he has to establish meaningful communications.

Fiercely satirical and hysterical to boot, Talk is Sheckley in full form.

Mun, er, five stars.

Summing up

In the end, this all-star issue was, as usual, something of a mixed bag.  Still, there's enough gold here to show that the river Gold established is still well worth panning.  Here's to another fifteen years!



[Journey Press now has three excellent titles for your reading pleasure! Why not pick up a copy or three? Not only will you enjoy them all — you'll be helping out the Journey!]




[July 18, 1962] It Gets Better? (August 1962 Fantasy and Science Fiction)

[if you’re new to the Journey, read this to see what we’re all about!]


by Gideon Marcus

There's a war going on in our nation, a war for our souls.

No, I'm not referring to the battle of Democracy versus Communism or Protestants against Catholics.  Not even the struggle between squares and beatniks.  This is a deeper strife than even these.


(from Fanac)

I refer, of course, to the schism that divides science fiction fans.  In particular, I mean the mainstream fans and the literary crowd.  The former far outnumber the latter, at least if the circulation numbers for Analog compared to that of Fantasy and Science Fiction are any indication. 

Devotees of editor Campbell's Analog, though they occasionally chide the editor's obsession with things psychic, appreciate the "hard" sf, the focus on adventure, and the magazine's orthodox style it has maintained since the 1940s.  They have nothing but sneering disdain for the more literary F&SF, and they hate it when its fluffy "feminine" verbosity creeps into "their" magazines.

F&SF, on the other hand, has pretentions of respectability.  You can tell because the back page has a bunch of portraits of arty types singing the magazine's praises.  Unfortunately for the golden mag (my nickname – cover art seems to favor the color yellow), many of the writers who've distinguished themselves have made the jump to the more profitable "slicks" (maintstream magazines) and novels market.  This means that editor Davidson's mag tends to be both unbearably literate and not very good.

This is a shame because right up to last year, I'd sided with the eggheads.  F&SF was my favorite digest.  On the other hand, I'm not really at home with the hoi polloi Campbell crowd.  Luckily, there is the middle ground of Pohl's magazines, Galaxy and IF

Nevertheless, there is still usually something to recommend F&SF, particularly Dr. Asimov's non-fiction articles, and the frequency with which F&SF publishes women ("feminine" isn't a derogatory epithet for me.)

And in fact, if you can get past the awful awful beginning, there's good stuff in the August 1962 F&SF:

The Secret Songs, by Fritz Leiber

Leiber is an established figure in the genre, having written some truly great stuff going back to the old Unknown days of the 30s.  He even won the Hugo for The Big Time.  However, Secret Songs, a tale of a drug addled Jack Sprat and wife with countering addictions, won't win any awards.  It's not sf, nor is it very interesting.  I give it two stars for creative execution and nothing else.

The Golden Flask, by Kendell Foster Crossen

Boy, is this one a stinker.  Not only does Davidson ruin it with his prefatory comments (I've stopped reading them – they are too long by half, inevitably spoil the story, and are never fun to read), but the gotcha of this bloody tale is puerile.  One star.

Salmanazar, by Gordon R. Dickson

Some obtuse tale of the macabre involving magic, Orientalism, and a sinister cat.  Gordy Dickson is one of the better writers…when he wants to be.  He didn't this time.  One star.

The Voyage Which Is Ended, by Dean McLaughlin

When the century-long trip of a colony ship is over, crew and passengers must struggle with the dramatic change in role and responsibilities.  This somber piece reads like the first chapter of a promising novel that we'll never get to read.  I did appreciate the theme: a ship's captain isn't necessarily best suited to lead a polity beyond a vessel's metal walls.  Three stars.

Mumbwe Jones, by Fred Benton

A vignette of undying friendship between a White trader and an African witch-doctor…and the vibrant world of sentient creatures, animate and otherwise, with which they interact.  An interesting piece of magic realism a little too insubstantial to garner more than three stars.

The Top, by George Sumner Albee (a reprint from 1953)

Career ad-man receives the promotion he's always desired, allowing him at last to meet the President of the sprawling industrial combine of which the copywriter is just a valuable cog.  But does the Big Boss run the machine, or are they one and the same?  Another piece that isn't science fiction, nor really worth your time.  Two stars.

The Light Fantastic, by Isaac Asimov

The good Doctor's piece on electromagnetic radiation is worth your time.  He devotes a few inches to the brand new "LASERS," artificially pure light beams that stick to a single wavelength and don't degrade with distance.  I've already seen several articles on this wonder invention, and I suspect they will make them into a clutch of sf stories in the near future.

By the way, the cantankerous has-been Alfred Bester has finally turned in his shingle, resigning from the helm of the book review department.  In an ironic departing screed, he lamented the lack of quality of new sf (not that he's contributed to that body of work in years), and states that people shouldn't have been so sensitive to his criticisms.  To illustrate, he closes with the kind of anti-womanism we've come to expect from Bester:

"A guy complained to a girl that the problem with women was the fact that they took everything that was said personally.  She answered, 'Well, I sure don't.'"

Good riddance, Alfred.  Don't let the turnstile bruise your posterior.

Fruiting Body, by Rosel George Brown

I always look forward to Ms. Brown's whimsical works, and this outing does not disappoint.  When mycology and the pursuit of women intersect, the result is at once ridiculous, a little chilling, and highly entertaining.  That's all I'll give you, save for a four-star rating.

The Roper, by Theodore R. Cogswell and John Jacob Niles

Some pointless doggerel whose meaning and significance escapes this boor of a reader.  One star.

Spatial Relationship, by Randall Garrett

Ugh.  How to keep two space pilots cramped in a little spaceship for years from killing each other?  Give them phantom lovers, of course.  I liked the story much better when it was called Hallucination Orbit (by J.T.McIntosh), and could well have done without the offensive, anti-queer ending.  You'll know it when you see it.  Two stars.

The Stupid General, by J. T. McIntosh

Speaking of J.T.McIntosh…  The literature is filled with if-only stories where peace-loving aliens are provoked to violence by the hasty actions of a narrow-minded general.  But what if the fellow's instincts are right?  A good, if not brilliant, story.  Three stars.

What Price Wings?, by H. L. Gold

This is the first I've heard from Galaxy's former editor in a couple of years – I have to wonder if this is something that was pulled from an old drawer.  Anyway, a classic tale of virtue being its own punishment.  It ends predictably, but it gets there pleasantly.  Three stars.

Paulie Charmed the Sleeping Woman, by Harlan Ellison

Many years ago, on a lark, I translated the classic story of Orpheus and Eurydice from an Old English rendition.  Now, in his first appearance in F&SF, Mr. Ellison presents a translation of the tale into hepcat jive.  It's an effective piece, though heavier on atmosphere than consequence.  Three stars.

The Gumdrop King, by Will Stanton

The issue ends with a fizzle: a youth meets an alien, and incomprehensibility ensues.  I'm not sure that was the result Stanton was aiming for.  Two stars.

Through Time and Space with Ferdinand Feghoot: LIII, by Grendal Briarton

Oh, and the Feghoot pun this time is just dreadful.  Not in a good way.

Good grief.  Doing the calculations, we find this issue only got 2.4 stars.  It's definitely a favorite for worst mag of the month, and indicative of momentum toward worst mag of the year.  Those philistines who subscribe to Analog are going to win after all…

(P.S. Don't miss the second Galactic Journey Tele-Conference, July 29th at 11 a.m.!  You'll have a chance to win a copy of F&SF – not this issue, I promise!)




The momentum of quality (October 1959 Galaxy, first part; 8-11-1959)

Last year, Galaxy moved to a bi-monthly format.  Coincident with that was a drop in writer rates per word.  I had had concerns that there would be a corresponding drop in quality.  Thankfully, this year's issues have been of consistently high quality.


All pictures by Dick Francis

Moreover, Galaxy really isn't a bi-monthly anymore.  Inside the front cover of this month's (October) issue is a full-page advertisement for IF magazine, which is now owned by the same publishers, has the same editors, and appears in Galaxy's off months.  Quacks like a duck; sounds as if Galaxy is a monthly, and every other month, is an oversized issue, to boot.

One of the reasons Galaxy can still fill its pages is that both the editor (H.L.Gold) and his brother (Floyd Gold, known as Floyd Gale) are both fair writers in their own right.  Their opening novella, co-written under the pseudonym "Christopher Grimm," is called Someone to Watch Over Me, and it is almost excellent.

Len Mattern is a space merchant, seasoned from decades of meandering from star to star in a tramp freighter.  His obsession is the high-class prostitute, Lyddy, and Len has spent his entire adult life amassing sufficient wealth to wed her, which he does at the story's beginning.  The rest of the tale is told mostly in flashback.  In this universe, traversing hyperspace has the most unsettling effect on travelers: they become unnatural beasts with tentacles and extra eyes.  All but the most hardened spacer must knock her/himself out for the journey or suffer profound psychological trauma.

Mattern, however, has discovered that hyperspace is a destination, as well as a conduit, and it is inhabited.  Moreover, some items that are useless in our dimension become highly valuable in the other, and vice versa.  Mattern becomes the first to establish trade relations with the horrible but peaceful aliens.  One of them even accompanies Mattern for the next decade of highly lucrative commerce, becoming a combination best-friend and perpetual shadow.

If the story has any flaw, it's a sort of dismissive view of women, though, to be fair, one of the best characters is the alien queen, at once beautiful and terrible.  My favorite line: "I see no reason…why a male should be deemed incapable of ruling, provided he is under careful supervision." 

Worthwhile reading.  I'm glad the Gold brothers are writing as well as editing.

E.C. Tubb's Last of the Morticians is short and unremarkable, about two undertakers weathering a lack of business resulting from the recent advent of immortality.  Their solution: bury something other than people!

Willy Ley's article this month is a little scattered, but the latter two thirds (he has split the column in three this time) is quite good.  And bad Ley is still fine reading.  I especially liked his piece on "Zilphion," a now-extinct Graeco-Roman spice plant.

Last for today is the very good "A Death in the House," by Cliff Simak.  Simak is a very uneven writer, I have found, but when he's on top of his game, he is a real stand-out.  Death is reminiscent in tone and subject of Dickson's E Gubling Dow from May's Satellite, but far better in in execution.  In this tale, Old Mose (whom, until I saw the illustration, I pictured as Black), is a lonely farmer whose heart is big enough to rescue a rather repulsive alien that he finds mortally wounded on his property.  It's really quite a beautiful story with a rather happy ending.  In stark contrast to Garrett, Simak actually kept me up until I'd finished!

From what I can tell, the rest of the magazine is excellent, too.  This issue may well earn the coveted four star rating.  Only Galaxy has managed this feat of consistent quality in 1959, though excellent stories have appeared in other magazines, of course.
Stay tuned, and thanks for reading!

(Confused?  Click here for an explanation as to what's really going on)


This entry was originally posted at Dreamwidth, where it has comment count unavailable comments. Please comment here or there.