Tag Archives: Vaughn Bodé

[November 4, 1967] Conflicts (December 1967 IF)


by David Levinson

Conflicts at home over the conflict abroad

It seems like scarcely a day goes by without images of young people protesting showing up on the evening news and landing on our doorsteps. These days, it’s usually about the war in Vietnam as President Johnson ratchets up the number of troops involved yet again. Monday, October 16th saw the start of Stop the Draft week. Induction centers in cities all over the country were blockaded by protesters, while many young men either burned their draft cards or attempted to hand them in to authorities, which is now a criminal offense. Arrests were plentiful. In Oakland alone, 125 people (including singer Joan Baez) were arrested, and I’ve seen estimates that as many as 1,000 draft cards were either burned or turned in. The week culminated in a march on the Pentagon. Check back later this month for an eyewitness account from the Journey’s Vickie Lucas.

Joan Baez is arrested in Oakland.

Of course, the protests didn’t end there. On October 27th, Father Philip Berrigan, Rev. James Mengel and two other men, forced their way into Selective Service office in Baltimore, Maryland and poured blood into several file drawers containing draft records. The men have refused bail and are being held awaiting trial.

Fr. Berrigan pouring blood into a file drawer.

Conflicts big and small

When we study literature in school, we’re usually taught that conflict is one of the most important elements in narrative and drama. It’s often broken down into three types: man against man, man against nature and man against self. The December issue of IF has them all.

Futuristic combat in The City of Yesterday. Art by Chaffee

Herbert George Morley Roberts Wells, Esq., by Arthur C. Clarke

A guest editorial from Clarke regarding a literary mystery. In a story in the October 1966 Galaxy, he referred to a short story called “The Anticipator” which he attributed to H. G. Wells, but which no one could find. You can probably figure out the real author from the title of this piece. I’m sure the puzzle was very interesting for Arthur, but for most readers it’s rather pointless.

Barely three stars.

All Judgment Fled (Part 1 of 3), by James White

When a mysterious object enters the solar system and places itself in orbit around the sun between Mars and Jupiter, two ships, each containing three men, are sent to investigate. Both have two astronaut pilots and a supernumerary: a physicist aboard Prometheus-1 and a psychologist aboard Prometheus-2.

The trip is psychologically taxing. At one point, physicist Hollis suffers a breakdown and psychologist McCullough (our viewpoint character) must make a dangerous trip between the ships to treat him. Hollis appears to have grown paranoid, claiming that P-2 has been declared expendable and that P-1 is carrying a Dirty Annie, a highly destructive atomic bomb. McCullough manages to calm him down, and the journey continues.

When they reach the alien ship, it appears to be abandoned. McCullough and Walters (second in command of P-2) manage to get inside, but don’t get the chance to explore. They are attacked by a starfish-like, tentacled alien and then trapped in the compartment where they first entered by two of the starfish aliens and another that looks like a dumbbell. As they leave, McCullough gets a glimpse of something covered in white fur or maybe clothing. To be continued.

McCullough helps Walters deal with a tear in his suit. Art by Morrow

I’m of two minds about this one. The premise is excellent, and the decision to devote roughly half of this installment to the difficulties of the journey is interesting. Most authors would probably have rushed the narrative to get the characters to the ship as quickly as possible and focused on the mystery of the alien object. But that’s also where the problem lies. White is so thorough at describing the pressures and interpersonal problems these six men face that the tension creeps into his style and never goes away. That makes for a sometimes difficult read. You would also expect a mission like this to be much more international than six guys with English-sounding names.

Three stars.

On Conquered Earth, by Jay Kay Klein

The Hiroku are keeping a close eye on the backwards world of Earth. Their real focus is on expansion towards the galactic center, but a small, steady decrease in the human population has them worried. It might be necessary to bring in a fleet to smash the system to prevent a threat arising at their back. What’s really going on?

If you’re going to use art to boost the title, it should be more interesting than this. Art by Gaughan

Jay Kay Klein and his camera are a common sight at science fiction conventions, where he’s practically the official photographer. Here we have his first story sold, and it leaves a lot to be desired. The truth behind the population decline is questionable (though it might have qualified it for Dangerous Visions). I’m more bothered, though, by the description of the Hiroku as looking like Asian humans and having such Japanese sounding names (Admiral Ikara, Ambassador Sushi). That’s enough for me to knock off a star.

Two stars.

Answering Service, by Fritz Leiber

Unable to contact her doctor, a vicious old woman takes out her frustrations on his answering service. After all, it’s just a bunch of computer-controlled tapes on the other end.

Pay attention to me! Art by Gaughan

Fritz Leiber reminds us that he can write very effective horror. You can see where it’s going, but this is Leiber at the top of his game.

Four stars.

Fandom in Europe Today, by Lin Carter

Carter continues his world tour and looks at the state of European fandom. Much of what we read also appears in Europe in translation. Galaxy has a number of current and former foreign-language editions. In Germany, Perry Rhodan has come a long way since our own Cora Buhlert first wrote about him. And Gerfandom is exploring a Worldcon bid for 1970 or 1971. We get a brief look at the state of SF publishing in Britain and Italy, and then Carter talks about the Trans-Atlantic Fan Fund, which helps one deserving American fan visit an overseas convention or vice versa.

Three stars.

When Sea is Born Again, by C. C. MacApp

Latpur is the apprentice to Prognosticator Deeoon, who has seen signs that Sea will be born again soon and in their area. This happens every few years in some coastal area and well inland, destroying all life that fails to reach high ground. Matters are complicated by a foreign shaman trying to steal business from the scientific prognosticator and the arrival of aliens in a metal cylinder.

Latpur running errands for the Prognosticator. Art by Vaughn Bodé

MacApp continues his recent theme of looking at alien societies from the inside. Like the others, this one is enjoyable, if not particularly memorable.

Three stars.

City of Yesterday, by Terry Carr

J-1001011 has been awakened for an attack on a city on the planet Rhinstruk. The reason for the attack and the nature of the enemy are unimportant. Our protagonist was born human, and if he can survive enough missions, he’ll get to go to a home he no longer really remembers.

J-1001011 begins an attack run. Art by Gaughan.

Terry Carr is a familiar name as both writer and editor. He’s usually fairly reliable, but while I can see what he was trying to say, I don’t feel like he really achieved his goal. The story is competently written, but I never engaged with it.

A low three stars.

Swordsmen of the Stars, by Robert E. Margroff and Andrew J. Offutt

Varn is a rising gladiator for the Greenback team on the planet Solitos. Two high-ranking spectators seem to have taken an interest in his performance, one supporting him and the other backing the Bluechips. Varn decides he must be the secret son of a godling and will do whatever it takes to find out the truth.

This is actually one of the less ridiculous moments of combat. Art by Gaughan

Margroff and Offutt have produced a number of substandard stories alone and in collaboration. This might not be the worst, but it’s also not their best. Much here is borrowed from Mack Reynolds’ Joe Mauser stories with a large helping of Gladiator-at-Law by Fred Pohl and C. M. Kornbluth. Unlike either of its inspirations, this story is not a scathing criticism of modern capitalism; it’s just a bad adventure story with combat scenes that the worst hack of the Pulp Era would dismiss as unrealistic.

Two stars.

The Time Trollers, by Roger Deeley

Time travel is imprecise. While aiming for the United States in the mid-twentieth century, one man has found himself on St. Helena in the early nineteenth. And l’empereur has some surprising information for him.

Art uncredited

Mildly entertaining, but rather forgettable.

A low three stars.

Ocean on Top (Part 3 of 3), by Hal Clement

Searching for three vanished investigators for the global Power Board, our unnamed protagonist has discovered a thriving, power-wasting group of people living on the sea floor. In this installment, he learns the history of the ocean-dwelling people, the Board’s motives for ignoring the settlement, and resolves his unrequited crush.

The protagonist has found someone who doesn’t care about his hated name. Art by Castellon

Despite the slightly darker tone, this is a reasonably typical Clement tale. There’s a scientifically plausible basis, and almost all the characters are fundamentally good people. But this is not one of his better works. A lot of the pieces don’t really hang together. I don’t consider the Board’s stated reasoning for ignoring the power generation method used by the people here to be at all valid, although the reason for ignoring the people themselves makes some sense. The protagonist’s absolute hatred for his name (we learn of the nickname Tummy, but that’s it) is probably meant to give him some incentive to stay, but the whole business feels silly.

It’s a so-so read, at best, if you like Clement. When it eventually comes out as a novel, my tip is either to club together with some friends to buy a copy or encourage your local library to buy it and then check it out. It’s not worth the 60-75 cents it will assuredly cost.

Barely three stars.

Summing up

We finally got a stand-out story this month. This is the first time since May that I’ve rated a story higher than 3 stars, and that’s a long slog of mediocrity and worse. IF is proudly proclaiming their two consecutive Best Magazine Hugos. An overall grade of C- isn’t going to get them a third. The new serial has some promise, but White is going to have to release the psychological tension that is cramping the narrative. All I can suggest for Fred Pohl is more Delany, more Zelazny, lean on Saberhagen and Niven to polish their work a little more, and try to get some better novels to serialize.

A new Zelazny is a good sign, and Saberhagen could be good.






[October 2, 1967] Switching Sides (November 1967 IF)


by David Levinson

Crossing the road

You probably know that, while much of the world drives on the right-hand side of the road with steering wheels on the left side of the vehicle, Great Britain and most of her former colonies do things the other way around, steering wheel on the right and driving on the left. A few other countries follow the British example, such as Japan, Indonesia, and Thailand. Up until a month ago, Sweden was among them.

A switch has been considered for a while and, although Swedes voted overwhelmingly against the change in 1955, it has now gone through. All of Sweden’s neighbors drive on the right, with something like 5 million vehicles crossing the borders with Norway and Finland (not to mention Danish and German tourists arriving with their cars by ferry). On top of that, roughly 90 percent of the cars in Sweden have their steering wheel on the left, which means that Swedish automakers have been building their cars that way for a long time.

The logo for the traffic changeover.

After four years of preparation and education, H-day (Dagen H for Högertrafik, which means right-hand traffic) came in the wee hours of Sunday, September 3rd. Road signs had to be moved or remade, new lines had to be painted on the roads, intersections had to be reshaped. Just as much effort went into educating the public. The logo was plastered on everything from milk cartons to underwear. There was even a catchy tune written for the event, “Håll dig till höger, Svensson” (Keep to the Right, Svensson). Everything seems to have gone off without a hitch, and traffic accidents have been down, probably because everyone is being extra careful. Iceland is planning on following suit next year.

This photo was staged several months ago as part of the education campaign. The real thing was much less chaotic.

Turncoats and breakthroughs

This month’s IF begins and ends with characters changing sides (or appearing to) while elsewhere the crew of a spaceship breaks on through to the other side.

A newcomer gets the cover. Does he deserve it? Art by Vaughn Bodé

Brother Berserker, by Fred Saberhagen

The time war against the deadly berserkers on the planet Sirgol comes to a head. The enemy will try to stop Vincent Vincento (a Galileo analogue) from recanting his belief in heliocentrism, thus preventing him from writing an important scientific treatise. Feeling guilt over sending his rival to his death, Derron Odegard volunteers to go back and try to stop the berserkers. If he succeeds, Time Ops will be able to locate their staging area and lock them out of the time stream. But what happens when a berserker meets the equivalent of St. Francis of Assisi?

Can a Foucault pendulum keep Vencento from recanting?. Art by Gaughan

This is a direct sequel to Stone Man and The Winged Helmet and wraps the story up nicely. That said, I’ve never been completely satisfied with the time war stories. Saberhagen continues to show some range, though, and I will always be glad to see his name on the cover.

Three stars.

Mail Drop, by C. C. MacApp

Klonit-41-Z-Bih is the director of the mail center on Galkbar. Things are stressful enough, but when the first manned mission to Mars stumbles into a long-forgotten mail transporter, war may break out between the Selidae and Medanjians over the Live Unclaimed Mail – a war that will claim the mail center as its first victim.

Klonit does his best to soothe the rival claimants. Art by Vaughn Bodé

I’ve noted before that MacApp tends to be unsuccessful when he tries to be funny. Here, he’s going more for general humor than a real knee-slapper and gets closer to the mark. Like a lot of what he’s put out lately, it’s reasonably entertaining, but forgettable.

Three stars just for not being Gree.

The Shadow of Space, by Philip José Farmer

The Sleipnir under Captain Grettir is scheduled to test the first faster-than-light drive. Before starting the test, the crew pick up the sole survivor of a wrecked ship. Unfortunately, she is distraught and becomes convinced the captain is her husband. Upset by his rejection of her, she commandeers the drive and sends the ship to speeds much faster than planned before stripping naked and walking out the airlock. Meanwhile, the ship and the body have burst out of the universe to find it is just an electron orbiting an atomic nucleus. Then things get weird.

The Sleipnir in orbit around the body of Mrs. Wellington. Art by Morrow

If the timing didn’t make it nearly impossible, I’d say Farmer wrote this as a parody or pastiche of Poul Anderson’s To Outlive Eternity, what with the Nordic names of the ship and captain. Farmer’s been on a losing streak lately; even his latest Riverworld story was a little off. This story does nothing to end that streak.

A high two stars.

Thus Spake Marco Polo, by James Stevens

The MARK-40 PLO Command Computer, which oversees America’s nuclear armaments, has gained sentience, dubbed itself Marco Polo, and linked up with the Russian IVAN-812 Command Computer. It also lisps. Now General Emerito Sandez has 24 hours to defeat the computer in a war game, or humanity will be wiped out.

This month’s new author is a 22-year-old graduate student in drama at the University of Illinois, originally from Puerto Rico. (I hope Fred keeps doing these mini-biographies for new authors; they’re handy.) Giving the computer a childish lisp may not be the most successful way of showing that its sentience is brand-new, but it’s not too distracting. On the other hand, it’s unusual to have a Latin protagonist, particularly one so high-ranking, and I approve. Overall, this is a fine debut, and I look forward to more from Mr. Stevens.

A solid three stars.

Dreamhouse, by Gary Wright

The planet of New Kansas is very, very flat. It also has no violent crime. However, it’s not without its sins, like the Dreamhouse, which offers patrons the chance to experience almost anything as though it were real. Maybe there’s a connection.

Adam’s dreams keep going disastrously wrong. Art by Wood

Gary Wright has turned out some sound, middle-of-the-road stories, frequently about sports. Alas, this is none of those things. The writing is fine, but the protagonist (such as he is) is unpleasant, and much of the story hinges on him being unable or unwilling to communicate his problems. The conclusion also doesn’t hold up if you give it even a passing thought. Wright is capable of much better than this.

Barely three stars.

In the Jaws of Danger, by Piers Anthony

Dr. Dillingham is a dentist who has been kidnapped by aliens, because he did such a good job fixing one of their dental problems. Now he’s been loaned out to deal with a cavity in an alien the size of a whale.

Dr. Dillingham asks his new patient to say “Aaah.” Art by Vaughn Bodé

Piers Anthony is a Cele Lalli discovery, and she seems to be the only editor to get the best out of him. Under other editors, he’s produced some mediocre stories (alone and in collaboration) and an execrable novel. This humorous piece is… fine, I guess (cue Señor Wences again). It also feels like there might be a story before this one that has gone missing somewhere.

Three stars.

Ocean on Top (Part 2 of 3), by Hal Clement

In Part 1, an unnamed investigator for the Power Board, which rations energy for the whole world, is looking into the disappearance of three other investigators over the last year. On the ocean floor, he discovers a vast area being illuminated in a criminal waste of energy. Eventually he is captured and taken into an underwater base. Still underwater, his captors removed their helmets.

After a while, he is visited by Bert Wehlstrahl, the first investigator to go missing. Communicating by writing, Bert explains that the 15,000 people down here aren’t stealing power, and that he has joined them. He has no news about Joey Elfven, the second investigator, but they do have Marie Wladetzky, who refuses to believe anything Bert says.

Our protagonist agrees to undergo the process to allow him to live in the underwater base, secretly planning to find out as much as he can before returning to surface. The people down there want him to go back with a message to the Power Board, but he wants as much information as possible. He meets with Marie and explains his plan and then takes a tour of the facility. Following a visit to the power plant, Bert claims that he is also not planning to stay and that the Power Board knows, or at least knew, about this base. He then takes the protagonist to see the supposedly missing Joey. To be concluded.

One of the locals shows the protagonist where to get lunch. Art by Castellon

Clement just keeps piling mystery upon mystery, without offering us any real answers. Most importantly, he hasn’t explained how these people breathe; the protagonist thinks they get their oxygen from special food. After remembering reading about some experiments done after the First World War with oxygenated saline to help soldiers whose lungs were devastated by gas and a trip to the library where I learned about some very recent breakthroughs, I think I know how the breathing works, at least.

The tour of the base is the most Clement-esque part of this installment, but the rest still has a darker, more “grown-up” feel than is usual for his work. If I have a real quibble, it’s that the dialogue is too involved and flowing for being done in writing on a letter-sized board.

Three stars for now.

Summing up

Last month at Worldcon, IF was awarded Best Professional Magazine for the second year in a row. In his con report, the Traveler suggested that voters were rewarding the magazine for its standouts. It’s true that the magazine has been lackluster of late, but the award was for last year, a year dominated by the serialization of Best Novel winner The Moon is a Harsh Mistress. And while the magazine was only in the middle of the pack in last year’s Galactic Stars, it did tie for second in most Stars nominees, as well as running the Best Novel and Best Short Fiction Hugo winners. Up through the June issue of this year, every issue has had at least one truly outstanding story, and of course, there was the wonderful Hugo winners issue

Speaking of the Hugo winners issue, will Fred try to put out another one next year? I’m not hopeful. There were four potential authors last year, thanks to the tie for Best Novel and the one-time Best Series award. For next year, there are only three, even with the addition of another category in short fiction, and Heinlein hasn’t written a short story in almost a decade. Although, Best Fan Writer (and occasional Journey contributer) Alexei Panshin does have some professional sales… No, I’m not getting my hopes up.

Okay, new Leiber is promising, and James White is usually pretty good.






[August 2, 1967] The Bounds of Good Taste (September 1967 IF)


by David Levinson

A diplomatic incident

In the Treaty of Paris of 1763, which ended the Seven Years War, France abandoned her claims to territory in what is today Canada (among others) in order to keep richer colonies in the Caribbean. Britain allowed her new subjects in Quebec to keep their language and religion, likely to keep them from making common cause with the fractious colonies along the Atlantic seaboard. Since then, there has been a strong undercurrent of nationalism among the French-speaking Québécois. Enter French President Charles de Gaulle.

Canada has extended an open invitation to representatives of countries exhibiting at the Expo 67 world’s fair. Last month, de Gaulle came to visit. The Canadian government was a little concerned. France hadn’t sent a representative to the funeral of Governor General Georges Vanier, who had been a personal friend of de Gaulle, or to the 50th anniversary ceremonies commemorating the Canadian victory at Vimy in the Great War. Rather than flying in to the Canadian capital Ottawa, de Gaulle arrived directly in Quebec City aboard a French naval vessel and went on to Montreal from there, with crowds cheering him along the way. He arrived on July 24th, and delivered an unscheduled speech from the balcony of the Montreal City Hall. He concluded by shouting “Vive le Québec libre!” (“Long live free Québec!”) and the crowd roared in approval.

President de Gaulle with foot firmly in mouth.

The next day, Prime Minister Lester Pearson issued an official rebuke, declaring that “Canadians do not need to be liberated” and pointing out that many Canadians died in the liberation of France. Justice Minister Pierre Trudeau wondered what the French reaction would be to the Canadian Prime Minister shouting “Brittany to the Bretons!” Even the French papers were critical. Meanwhile, de Gaulle visited the Expo and hosted a banquet at the French pavilion. The following day, he boarded a French military jet and flew home rather than making his scheduled visit to Ottawa. Whether this was deliberate interference in another country’s domestic affairs or just de Gaulle being de Gaulle, we’ll have to wait to see what the fallout may be.

Walking the line

Apropos of today's lede, at least one story in this month’s IF is about crossing or challenging the lines of what is in good taste. A couple more do that themselves.

This alien dude ranch has become a popular honeymoon spot. Art by Gray Morrow

The Fortunes of Peace, by C. C. MacApp

“Taintless” Wend, Earthborn but now stateless, is a trader operating just past the edge of human space. He’s been captured by the Kyshan pirate Junnabl, who has a plan to get his hands on an abandoned Terran Space Force cache. Wend doesn’t expect Junnabl to let him go with his share, but he has a few connections that might help.

Wend is in trouble, but ready for Junnabl’s men. Art by Virgil Finlay

When he’s not writing about Gree or trying to be funny, MacApp is a decent writer. This is basically an adventure story, but there’s some science-fictional stuff with a monstrous gravity well caused by the “bone” of a dead star, and the protagonist is more of an antihero. It’s not a story that will stick with you, but it’s a good read.

Three stars.

Bride Ninety-One, by Robert Silverberg

In Silverberg's newest piece, contract marriages are the norm, and marriages with aliens are the fad, so Paul Clay has entered a six-month marriage to Landy, a Suvornese. They’ve agreed to follow Terran mores, which leads to more than a few misunderstandings.

This silly piece of fluff seems to exist solely for its mildly suggestive “humorous” ending. The accepted Terran mores feel like they’re from a decade or more ago, not the far future. Some of that may be due to Landy using bad sources, since Paul is often confused by her, but even his attitudes feel a bit old-fashioned. Well-written but pointless.

A low three stars.

To Serve the Masters, by Perry A. Chapdelaine

'Genetic' (the character's name–people are known only by their function) is the end product of over 200 generations of selective breeding by the Masters. We follow his career from childhood to being taken to the Masters’ homeworld for the fulfillment of his millennia of breeding. Maybe the Masters should have couched their request more carefully.

Genetic receives the high honor of conferring directly with a Master. Art by Gaughan

Here is this month’s offering from a new author. It’s not bad, though it is overly long. We could have done with less detail about the alien genetics that inspire our protagonist, and I’m not sure I can really accept most of the premise. But Chapdelaine shows promise and more from him would not be amiss.

A very low three stars.

Venus Smiles, by J. G. Ballard

The community of Vermilion Sands has commissioned a sonic sculpture from a local artist. Unfortunately, everyone hates it; it’s ugly and plays eastern-style quarter tones nobody likes. A member of the Fine Arts Committee moves it to his garden, where it eventually starts playing late Romantic composers. But then it starts to grow.

As I understand it, this is largely a rewrite of Ballard’s “Mobile”, which appeared in Science Fantasy a decade ago, moving the action to Vermilion Sands and maybe adding some other things. By Ballard’s standards, this is a much more conventional story than he tends to produce these days, with only the unexplained growth of the statue being truly weird. I’m not a fan of Ballard, but others may get more out of this than I did.

Three stars.

Friday at the Fanoclasts, by Lin Carter

Our Man in Fandom takes us to a “typical” meeting of his club, though it sounds more like a party. There’s a lot of namedropping, though I was interested to hear that Alexei Panshin is looking for a publisher for a critical study of the works of Robert Heinlein. Carter also tells us that the Fanoclasts aren’t big on organization and structure. Given they’re the ones putting on this year’s Worldcon, I’m not sure that bodes well.

Three stars.

A Bowl Bigger Than Earth, by Philip José Farmer

Awakening from his deathbed, Morfiks finds himself in a hairless, sexless body sliding down the frictionless slope of a gigantic brass bowl. He is flung out the other side and lands in a river, from which he is fished out and taken to a city of brass. There, no one has a name, all are equal, and all are punished for any infraction unless the wrongdoer confesses. Everyone also studiously avoids mentioning just where it is they are.

A typical Gaughan abstract for a typical Farmer story. Art by Gaughan

As usual, Farmer gives us an interesting set-up and no real pay-off. I found the ending unpleasant and rather tasteless. In my review of Ellison’s “I Have No Mouth, and I Must Scream”, I noted that Harlan didn’t wallow in the ugliness he showed us. Farmer wallows.

Two stars.

Faust Aleph-Null (Part 2 of 3), by James Blish

Weapons manufacturer Baines has contracted the services of black magician Theron Ware. Following the successful death of Governor Rogan of California, Baines has arrived at Ware’s Italian villa at Christmas time, along with his executive assistant Jack Ginsberg and company scientist Adolph Hess. Also present is Father Domenico of the white monks of Monte Albano, sent by his superiors as an observer in accordance with the Grand Covenant.

Baines’ next target is scientist Albert Stockhausen. Because Stockhausen is a good man, his death will require greater magic than Rogan’s. Ware enlists Baines and his two companions to aid in the summoning of the demon Marchosias. Once the scientist is dead, Baines reveals his true goal: he wants all the demons of Hell released to walk the Earth for 24 hours. That’s more than Ware can manage, but he should be able to produce 50 or so. However, he will need the help not only of Baines and his men, but also Fr. Domenico. The date of the experiment is set for Easter. To be concluded.

Marchosias appears in the first of several forms. Art by Gray Morrow.

Not much happens here. There’s a subplot about Ginsberg and a succubus, but apart from the summoning, this installment consists of more people sitting around talking than a Heinlein novel. And while a lot of it is interesting, I’m not sure it’s necessary. The first two installments could easily have been condensed to a medium-length story. Much of the rest feels like Blish showing off the depth of his research.

Three stars.

Invader, by Harl Vincent

Chuck Radford awakens to the sensation of something attaching itself to the back of his neck. Meanwhile on Tau Ceti II, the mind of Princess Arla has fled, and Prince Bor’s mind must be sent after her. Chuck and his partner receive an unexpected windfall and decide on sudden vacations, with Chuck uncharacteristically picking Las Vegas as his destination. After an incredible run of luck, he wins just enough to pay off the debts of the troubled Jan Jones, whom he then rescues from a mysterious gunman.

Chuck’s most amazing skill is the ability to deliver a roundhouse kick in an elevator. Art by Vaughn Bodé

Harl Vincent was a pretty big name before the War, big enough to be chosen to do a round-robin story with the likes of Murray Leinster, Doc Smith and Stanley Weinbaum. As you can tell from the recap, the bones of this story are pretty pulpy. The writing, on the other hand, feels more modern; nothing special, just not the heavy slog of something from 30 years ago. If I have a real complaint, it’s that the gunman is never adequately explained. It was otherwise an enjoyable trifle.

Three stars.

Summing up

Another C to C- issue. There’s some forgettable fun and some stuff that’s sure to upset Mrs. Grundy and maybe even those less easily offended. (I certainly didn’t expect to find a term for an artificial phallus in IF, and I’m not sure that’s what Blish meant.) I miss the heady days of the March issue or wish for at least one stand-out story.

An oceanic theme from Clement. I wonder if this is related to Raindrop or The Mechanic.






[June 2, 1967] Uneasy Alliances (July 1967 IF)


by David Levinson

Persecution and division

It’s rarely discussed, but a major condition of the decolonization of Africa has been that the newly independent nations are expected to retain their old colonial boundaries. The stated reason is to prevent squabbling and even armed conflict over redrawing those boundaries, such as we’ve seen between Pakistan and India. It sounds good on paper; unfortunately, paper is where those boundaries were drawn, often with little regard for people living there and leaving major tribes and ethnic groups split by lines on a map. Add in the tendency of colonial administrations to favor one tribe over others and you have the basis for a lot of unrest.

Nigeria is proving to be a case in point. Economic problems, tensions between the Muslim north and Christian south, government corruption, and an election widely seen as fraudulent all came to a head in an attempted military coup at the beginning of last year. Although the coup failed, the military was left in charge, and military governors were placed in the four states. An attempt to create a more centralized government led to a counter-coup and the near dissolution of Nigeria. Under Western pressure, the new head of the government, Colonel Yakubu Gowon, restored the federal system.

Then pogroms in the north against the Igbo (a largely Christian tribe from Eastern Nigeria) and other eastern groups left as many as 30,000 dead and over a million refugees fled to the east. The strain on the east led to negotiations between Colonel Gowon and Eastern military governor Colonel Chukwuemeka Odumegwu Ojukwu seemed promising, but have fallen apart. On May 27th, Gowon declared that Nigeria would be divided into 12 states (cutting the Igbo off from oil money). The same day Colonel Ojukwu declared the independence of Eastern Nigeria. As we go to press, it has been announced that the new country will be called the Republic of Biafra. Nigeria is unlikely to accept this assertion of independence.

l.: Colonel Yakubu Gowon of Nigeria. r.: Colonel Odumegwu Ojukwu of Biafra.

Mediocrity strikes again

Similarly unstable is this month’s IF, full of shaky partnerships, from famous authors and vikings to complicated family politics. Some expect betrayal, others will find themselves surprised.

Joe Miller is the most fearsome warrior these vikings have ever seen. Art by Gaughan

The Felled Star (Part 1 of 2), by Philip José Farmer

Twenty years ago, everyone who ever lived and reached the age of five or so awoke on the Riverworld, brought back to life by someone for mysterious purposes. Samuel Clemens (better known to the world as Mark Twain) is traveling with a band of vikings led by Eric Bloodaxe. Also along is Sam’s best friend, Joe Miller, a “titanthrop” or ape-man with a nose like a proboscis monkey. They’re seeking a source of iron, which is almost non-existent. Bloodaxe carries an iron axe, most likely from meteoric iron, but he wants more for the power it will bring. Sam wants to build a steamboat (and find his beloved wife Livy). They also hope to reach the headwaters of the River, which Joe once visited and saw a mist-shrouded tower and flying boats.

The group is attacked by a settlement of 19th century Germans, equipped with gliders and bombs. The fall of a huge meteor several valleys away smashes everything with a massive wave, but the viking boat manages to ride out the destruction. They fish Lothar von Richthofen (the younger brother of the Red Baron) out of the wreckage, and he gladly joins their quest.

Curse you, Red Baron’s little brother! Art by Gaughan

This brief installment is largely set-up. Mostly, we get everyone’s motivations and witness a possible source of a lot of iron. The most interesting bit here is Joe Miller. His tale of the tower is very well done. The implication that this distant relative of Homo sapiens counts as human for whoever is behind the great resurrection also raises some fascinating questions. We’ll see what Farmer manages to do with all this.

Three stars.

Pelandra’s Husbands, by E. A. Walton

Pelandra is destined to become an immortal and marry the immortal leader of an expedition to a planet circling another star. Along the way, she is expected to marry a series of men selected for their compatibility as spare parts for the immortals. Unfortunately, she has fallen in love with husband Number Three, and he is scheduled for recycling very soon.

Walton is a British fan, making her first professional sale. Very little makes any sense. The whole situation is contrived just to create the problem and obvious ending.

Two stars.

Population Implosion, by Andrew J. Offutt

The oldest people are dropping dead for no apparent reason, and what constitutes oldest is getting younger every day. It turns out that the death rate now corresponds exactly with the birth rate. International efforts try to reduce the birth rate, but somebody’s cheating.

Bob Hope and (presumably) Bing Crosby starring in The Road to Armageddon. Art by Vaughn Bodé

Another story that makes no sense and has more holes than all the cheese in Switzerland. It’s an interesting “what if?”, but Offutt doesn’t do anything with it.

Two stars.

A Ticket to Zenner, by C. C. MacApp

Tom Larrow has worked on the planet Merob for several years, but a revolution means that all non-Merobans must leave. He was attacked and had his passport and ticket for Earth stolen. Lucky for him, since the ship blew up just as it entered space. His assailant also kindly left behind another passport and a ticket to Zenner. With the help of his employer, Tom gets away with a ring of little value and the name of a contact, but someone is still hunting for him.

Tom tries to smuggle himself off the starship. Art by Virgil Finlay

When he’s not writing about Gree or trying to be funny, MacApp is a decent writer. Somebody like Keith Laumer might have made this story (which owes more than a little to North by Northwest) a bit more exciting and tied things up a bit better, but MacApp’s rendition is serviceable.

Three stars.

The Tusk, by L. Sprague de Camp

A very short poem musing on a mammoth tusk in a museum.

Art by Gaughan

I have a poor sense of meter, but the rhythm here feels jarring and inconsistent. The punchline is also facile at best. Not Sprague’s best work.

Two stars.

The Purpose of Fandom, by Lin Carter

It doesn’t have a purpose, says Carter. But here he looks at how science fiction fandom differs from others. Notably, the large number of fans who become pros. This month, it’s those who became publishers and editors, next month will be writers.

Three stars.

Adam’s Eva, by Alan Dirkson

A minor mishap during his activation leaves Adam Pilot more ambitious and more prone to ask questions than most robots. His first day on the job, he meets Eva Hostess, who goes to great lengths to make everything perfect in the hopes that today there will be Passengers. But Passengers never come, and flights are often canceled due to fuel shortages. When Eva disappears, Adam does everything he can to find her, even going down to the Slag Heap, where he makes a big difference to the lives of the unfortunates there and eventually learns why there are never any Passengers.

Adam on the Slag Heap. Art by Virgil Finlay

Here is our second first-time author this month. Line by line, the writing is serviceable, though nothing special. But the whole thing is painfully obvious, and the title really gives away the ending. It’s also a bit long.

A very low three stars, though that might be generous.

Spaceman! (Part 3 of 3), by Keith Laumer

Billy Danger accidentally found himself aboard a spaceship where he committed himself to seeing to the safety of the beautiful Lady Raire. He lost her, found her and lost her again. Now he’s a slave. He befriends a fellow slave, the insect-like Fsha-Fsha, and they plan an escape. Before they can pull it off, Billy is sent to a punishment assignment. He’s rescued by Fsha-Fsha and Srat, whom he thought had betrayed him. Srat is killed, but Billy and Fsha-Fsha gradually work their way toward Raire’s home planet, having several adventures along the way. Eventually, he’ll have to rescue Raire one final time.

Billy became an expert swordsman by… sorting fruit. Laumer almost makes it believable. Art by Castellon

All in all, it’s a decent space adventure, but that’s all it is. Laumer is capable of much better. This also feels like it’s based on his notes for Earthblood and ideas he pitched to Rosel Brown that they didn’t use. It’s a fine novel, but if you have to choose between reading this or Earthblood, choose the latter. However, reading them together will give you a greater appreciation of Brown as an author.

Three stars for this installment and the novel as a whole.

Summing up

A pretty weak issue overall. Some stuff that’s okay and some that fails to reach that level. The Farmer has potential, but we all know he has problems with endings. There’s also a letter from James Blish, talking about his Star Trek book. Apparently, it’s done very well, and both he and the publisher have been deluged with fan mail. There’s a second volume due out towards the end of the year.

Speaking of Blish…






[April 8, 1967] Swan Songs (May 1967 Worlds of Tomorrow)


by Victoria Silverwolf

After the Ball is Over

According to my sources in the publishing world, the latest issue of Worlds of Tomorrow is the last one that will be published. I can't say I'm completely surprised, given Frederik Pohl's juggling act of editing three magazines at once. Worlds of Tomorrow is the youngest of the literary siblings, and seems to have received the least attention. (The fact that it went from bimonthly to quarterly is a strong clue.)

While the band plays Goodnight, Ladies and my corsage begins to wilt, let's take one last waltz around the ballroom.

Save the Last Dance For Me


Cover art by Douglas Chaffee.

Stone Man, by Fred Saberhagan


Illustrations by Hector Castellon.

Here's the latest story in the author's Berserker series, featuring ancient machines bent on destroying all organic life. This yarn features a peculiar kind of time travel, which requires some explanation.

Humans settled a planet where some kind of weird space/time warp sent them into the remote past. It also wiped out their memories, so they pretty much started from scratch as cave dwellers. Many generations later, society evolved into one with advanced technology. Then the Berserkers showed up.

The planet's surface became a war-scarred wasteland, and the remaining population went underground. Making use of the same space/time warp, the Berserkers try to completely eliminate the human population by sending war machines to the past.


Our hero, a young cave dweller, and a Berserker device.

The main character sends his consciousness into an armored suit that goes back in time, in order to intercept the machines. (I will refrain from making a head 'em off at the past joke.)


A closer look at the enemy. The cave folk call it a stone-lion, and call their rescuer a stone-man.

It won't surprise you that our hero saves the day, after a very tough battle. (Let's ignore the fact that his body remains in the future while his mind inhabits the armor, so his life isn't really in danger. Anyway, if the Berserkers had won, he and the rest of the people on the planet would never have existed. Time travel is confusing, isn't it?)


He deserves to celebrate his victory.

What most impresses me about the Berserker series is that the author avoids repeating himself. (I wish I could say the same for the Gree and Esks series, or even Retief.) This is a pretty good story, but I have some quibbles.

There's a character I haven't mentioned yet, a young woman who suffers amnesia during one of the Berserker's attacks on the underground dwellers. (In the future, not the past. Are you still with me?) Her only role in the story seems to be to listen to the hero's expository dialogue. The premise is a complicated one, so I understand why the author needs to explain things to the reader via this character. However, like the plot itself, this strikes me as contrived.

I'd say a solid three stars for this one.

The Negro in Science Fiction, by Sam Moskowitz

Another article from the walking encyclopedia of fantastic fiction. As usual, this essay wanders all over the place, from dime novels of the Nineteenth Century to the present day. A lot of time is spent on obscure old stuff. The author seems to have his heart in the right place, decrying science fiction's failure to deal with modern issues of civil rights, but he also makes excuses for grotesque stereotypes from the last century. (As long as characters are on the side of the good guys, it doesn't seem to matter how they look, talk, or act.)

Two stars for a dull look at a very important topic.

Squared Out with Poplars, by Douglas R. Mason


Illustrations by Dan Adkins.

On behalf of the museum where he works, the protagonist journeys to the remote home of an eccentric fellow who intends to sell his collection of valuable artifacts. Along the way he runs into the elderly guy's beautiful granddaughter, who is headed the same way. After a difficult struggle to even reach the place, they discover the old man's bizarre secret project.


Dragging away one of the fellow's minions.

This is an odd story. I don't want to give away too much, but the premise involves truly weird technology that includes computers, human consciousness, and the trees that give us the title. In essence, it's a Mad Scientist yarn, with maybe a touch of James Bond. It's also written in an eccentric, affected style. The author doesn't seem to intend it as a comedy, but there are snide remarks from the hero all the way through it. At least it didn't bore me.

A wobbling three stars for originality, if nothing else.

The Uncommunicative Venusians, by David H. Harris


Illustrations by Jack Gaughan.

Forget the title. This is an article on symbolic logic, using syllogisms with science fiction elements that could have easily been replaced with something more mundane. The author seems to know what he's talking about, but his attempt to sugarcoat a math lecture with aliens and UFOs doesn't liven things up much.


The best thing about this piece is the above illustration, which adds a futuristic touch to Sir John Tenniel's original portrait of the Caterpillar from Alice's Adventures in Wonderland.

Two logically derived stars for this homework assignment.

Base Ten, by David A. Kyle


Illustrations by Vaughn Bode.

A man in a spaceship comes across a derelict rocket on an asteroid. The relic is way out of date, so he knows it's been there quite a while. Surprisingly, there's still someone alive inside the thing, in very bad shape.


Studying the castaway's notes.

The survivor tells him an incredible story about running into small aliens on the asteroid. They were friendly enough, but didn't want Earthlings to know about their existence.


Examining the old rocket's complex operating system, which is an important part of the plot.

The older fellow, who is half-insane from many years of isolation, offers vague hints of why he wasn't able to leave the asteroid, although the rocket had plenty of fuel. Meanwhile, the younger man tries to figure things out from the survivor's records.


Including drawings of the so-called Redheads, who resemble potato/mushroom combinations with limbs.

Try as he might, the young fellow isn't able to keep the older man from suffering a tragic fate.


Giving in to despair.

At the end, he figures out why the survivor was unable to return to Earth.


Saying goodbye.

The beginning intrigued me, but the aliens are silly and the solution to the mystery is disappointing and implausible. I'm not sure why this minor puzzle story needed so many drawings, but I'm sure the artist was glad for the work.

Two heavily illustrated stars.

Syracuse University's Science-Fiction Collections, by Richard Wilson

There's not much to say about this article. It talks about the archive of books, magazines, manuscripts, and such mentioned in the title. It's good to know that scholars will have access to all this stuff, anyway.


A nifty example of the university's collection.

Two carefully indexed stars.

Whose Brother Is My Sister?, by Simon Tully


Illustrations by Jack Gaughan.

Some time after aliens arrived on Earth, the two species intermingled to such a degree that there are more extraterrestrials on the planet than humans. (The situation is said to be similar on the alien home world, but that's not really part of the plot.) The aliens are able to travel across the cosmos because they figured out that the current universe is absorbed by a new universe every instant.

(Don't worry if that doesn't make much sense to you. I felt the same way. And don't get me started on the debate as to whether the new universe is a lot smaller or a lot bigger than the old universe.)

The aliens have a chance to enclose the current universe inside some kind of so-called box, which will stop the passage of time. For some reason, they assume this will lead to an eternal paradise for everyone. Hardly anybody, human or alien, disagrees with this nutty scheme, except for a few religious folks.

Can you guess that things don't go as planned?


The arrow is a clue.

The best things in this story are the aliens. The author shows a great deal of creativity and imagination in describing their physical appearance, culture, and biology. (They have three sexes!) I would gladly read about their lives instead of all the nonsense about universes instantaneously eating up other universes, putting a box around the universe, and freezing time.

An ambiguous three stars.

The Throwaway Age, by Mack Reynolds


Illustrations by Gray Morrow. Notice the fine choice of reading material.

At some time in the near future, both the capitalist West and the communist East have expanded their territories, but the Cold War has cooled down considerably. So much so, in fact, that the best undercover agent for the West is reassigned from covert action behind the Iron Curtain to domestic snooping.


Sing along with me! There's a man who lives a life of danger . . .

The superspy, a fervent anti-communist (understandable, given his background) is bitter about what seems like a severe demotion. However, he accepts what he thinks will be a trivial assignment to infiltrate a very small and loose group of folks who want to change the economic system. They don't even have an organization, really, or a name for their movement. Harmless enough, but he runs into trouble along the way.


. . .With every move he makes/another chance he takes . . .

The members of this loose-knit bunch range from a gung-ho activist to a statistician to a ex-CIA agent. The one thing they have in common is the belief that both the West and the East are wasting resources and preventing humanity from reaching a higher level of civilization.

Did I mention that one of them is a pretty young woman, the daughter of the group's de facto leader, with whom the spy interacts in true Bondian fashion?


. . .Swingin' on the Riviera one day . . .

This is a manifesto disguised as a spy story, which in turn is disguised as science fiction. The futuristic elements, such as personal hovercars, are irrelevant. The espionage plot is just an excuse for lectures about socioeconomic issues.

I wish I liked this story more than I do. Reynolds is one of the few authors willing to deal with such topics, and he does so in a sophisticated way. He also has the rare virtue, for an American writer, of being cosmopolitan. His foreign settings and characters are authentic and vividly portrayed. Too bad this isn't really a work of fiction.

Two disappointed stars.

We'll Meet Again

I may have to take back what I said at the start of this article. Editor Pohl plans to continue the magazine for a while, or so he says.

That contradicts everything I've heard about the impending demise of the publication. We'll see which one of us is the better prophet.

Looking back on the magazine's history, it's a very mixed bag. There were a few excellent works of fiction, along with a lot of lesser pieces. Among the very best were All We Marsmen by Philip K. Dick (now available in book form as Martian Time-Slip; To See the Invisible Man by Robert Silverberg; The Totally Rich by John Brunner; The Worlds That Were by Keith Roberts; and The Star-Pit by Samuel R. Delany. I may have forgotten other outstanding stories. The frequent nonfiction articles were not as noteworthy.

Whether Worlds of Tomorrow shows up again in a few months or not, I am grateful that the Noble Editor gave me the opportunity to trip the light fantastic with it.


Let's tango!





[February 4, 1967] The Sweet (?) New Style (March 1967 IF)


by David Levinson

In the 13th century, a new style of poetry emerged in Tuscany. Developing from the troubadour tradition, it turned the idea of courtly love into one of divine love, in which an idealized woman guided a man’s soul to God. More importantly, it was written not in Latin, but in the Tuscan vernacular, which formed the basis of modern Italian. Its most famous practitioner, Dante Alighieri, referred to it as dolce stil novo (sweet new style) in his most famous work, and the phrase was eventually applied to the poetic school in the 19th century.

Science fiction also has a new style, though many readers disdain it and I doubt even its proponents would be inclined to call it “sweet”. Whether you call it the New Wave or the New Thing, the move is away from adventure and scientists solving problems and toward a more literary style, difficult topics like sex, drugs and politics, and generally kicking against the traces of modern constraints. Whether it’s just a passing fad or will change the language of science fiction forever remains to be seen.

Inferno

I’ve written before about the so-called Cultural Revolution in communist China, including the growing power of the young people calling themselves the Red Guards. Egged on by Chairman Mao, the Red Guards have run amok. High-ranking public officials have been publicly humiliated, beaten (sometimes to death), or have committed suicide. The number four man in the party, T’ao Chu was publicly purged, which led to violent riots in Nanking between his supporters and the Red Guards; at least 50 are dead and hundreds are injured. In Shanghai, the local government has been toppled and replaced by a revolutionary committee. Both President Liu Shao-ch’i and Party Secretary-General Teng Hsiao-p’ing have been condemned as “capitalist roaders”. Mao has also signaled a coming purge of the army.


A Red Guard hands out papers proclaiming the end of the Shanghai government.

Meanwhile, in spite of the internal chaos, China is also flexing her muscles on the border, particularly in Portuguese Macao. Late last year, a dispute over building permits led to a riot in which 8 Chinese were killed and 212 were injured. On January 22nd, six Chinese gunboats pulled into the inner harbor of Macao, but left again after an hour. One week later, the Governor General of Macao, under a portrait of Mao, signed an admission of guilt for the deaths, promising never again to use force against the Chinese community, to pay a large sum of reparations to the Macao Chinese, and to give a greater voice to the Chinese community in the person of Ho Yin, a man with close ties to Mao.

Near miss

Last year at Tricon, IF won the Hugo for Best Professional Magazine. Editor Fred Pohl came up with the idea of putting out an issue with all of last year’s winners: Isaac Asimov (Best All-Time Series), Harlan Ellison (Best Short Fiction), Frank Herbert and Roger Zelazny (tied for Best Novel) with a cover by Frank Frazetta (Best Professional Artist). He’s been touting it for a few months, but the best laid plans and all that. Herbert was unable to finish his story due to a hospital stay, and Frazetta was swamped with priority work. So, how did this month’s IF turn out?


Putting the most interesting element of the picture on the back is an odd choice. Art by McKenna

The Billiard Ball, by Isaac Asimov

James Priss and Edward Bloom have known each other since university. Priss went on to earn two Nobels and become the most famous scientist of his day. Bloom dropped out to go into business and became fabulously wealthy – mostly by turning Priss’s theories into practical devices. The two men don’t like each other much, but they get together to play billiards once or twice a week, and they play at a very high level. Is Bloom’s death the accident it appears to be?


Bloom’s had a rough day in the lab. Art by Vaughn Bodé

This is a solid Asimov story, with more character than is usual for him (not really a high hurdle). A good story in the old style; the Good Doctor doesn’t seem to be at all rusty at fiction.

Three stars.

I Have No Mouth, and I Must Scream, by Harlan Ellison

There were three Allied Mastercomputers – Chinese, Russian and American – which gained sentience and merged. Dubbing himself AM, he then killed every human being on the planet, except for four men and one woman. For 109 years, AM has tortured them physically and psychologically. The youngest of them, Ted, has found a way to free the others, but the price is high.


AM’s revenge. Art by Smith

Harlan Ellison has never shied away from dark or difficult themes. Here he sends five people to Hell, but does so without wallowing in the ugliness he shows us. This is a powerful piece, but not an easy read. I’ve penalized authors in the past for their handling of themes like this, but Ellison transcends it all.

A high four stars, but not for the faint of heart.

This Mortal Mountain, by Roger Zelazny

Jack Summers is the best mountaineer in the galaxy. He is famous for climbing Kasla, the highest known mountain in the universe. Now an even bigger mountain has been found on the planet Diesel, the Gray Sister, which stands 40 miles high, rising out of the planet’s atmosphere. Summers assembles a team and makes an attempt on the mountain. Along with the usual problems, they encounter hallucinations that may be real, and the mountain seems to be actively fighting them. This mountain holds a secret.


An angel bars the way. Art by Castellon

Zelazny is clearly taking inspiration from Dante’s Purgatory. Indeed, I could probably write several thousand words on the subject. In any case, he’s written an absolutely wonderful piece. Two things keep it from five stars: he explicitly draws attention to the Dantean parallel, and he stumbles at the finish line, turning a thing of mystic, mythic beauty into something more prosaic.

A high four stars.

Moonshine, by Joseph Wesley

The Cold War has moved to the Moon and turned warm. Admiral Jones has come to the moon to negotiate with the Russians. His orderly, Sven Christensen, is very good at his job and a man on the make. He set up a still shortly after arrival, but when moonwort (the only life found on the Moon) overruns his still, he smashes it up and throws it into the mash in a fit of pique. Before he can cut the final product with water, the Russians come to the table, and when they offer a toast with vodka (expecting the Americans to be unable to respond in kind), the Admiral signals Christensen to find something. What’s a guy to do?

This isn’t a bad story, though it pales in comparison to those before it. Implausible, but fun.

Three stars.

Flatlander, by Larry Niven

Flush with cash and depressed at his role in the departure of the puppeteers from the galaxy, Beowulf Schaeffer decides to visit Earth. On the way, he meets Elephant, an Earthman who’s sick of being called a Flatlander, no matter how much time he spends in space. After getting his pocket picked, Bay (as his friends call him) quickly realizes he’s in over his head and takes Elephant up on his offer to show him around. Elephant turns out to be Gregory Pelton, one of the richest human beings alive. They come up with the idea to ask the Outsiders for the location of a truly unique planet, regardless of the risk, so that Elephant can make a name for himself as a spacer. He will learn why he is and always will be a Flatlander.


The complete failure of a General Products hull is supposed to be impossible. Art by Gaughan

Niven is on a roll. He’s cranking out long pieces and they’ve all been good. This one is full of little details that make his universe feel like a real place. It took me a while to realize it, but the whirlwind tour of Earth isn’t just flavor; it helps show the differences between Elephant’s and Bay’s outlooks. I’ll even forgive the absolute groaner of a joke.

Four stars.

The Hugo and the Nebula, by Lin Carter

This time, Our Man in Fandom takes a look at some of the winners of the Hugo and the new Nebula, as well as some who, surprisingly, haven’t.

Three stars.

The Sepia Springs Affair, by Rosco Wright

A series of letters from the unusual members of the Sepia Springs Science Fiction Club to Fred Pohl, describing the club’s turbulent summer of 1970.


A couple of Fred’s correspondents. Art by Wright

It’s cute. Something of a satire on the sort of petty politics that often afflict small clubs. This is as close as we come to a new author this month, though Wright is probably the same as the Roscoe E. Wright who wrote a Probability Zero short-short for Astounding many years ago.

Three stars.

Where Are the Worlds of Yesteryear?, by L. Sprague de Camp

A short poem by the Tricon Guest of Honor on the effect the growth of scientific knowledge has on our stories.

Three stars.

The Iron Thorn (Part 3 of 4), by Algis Budrys

Having made his way inside the Thorn Thing just ahead of the spears of the Amsirs, Jackson finds himself talking to the Self-Sustaining Interplanetary Expeditionary Module or Susiem. In quick succession, he is given command, healing, food and the education a spaceship captain should have. Unable to get the deformed Amsir Ahmuls off the ship, Jackson subdues him and then orders Susiem to take them to Earth. Arriving in Columbus, Ohio, they are met by a group of naked people as the ship is taken apart by a swarm of bugs. To be concluded.


Jackson subdues Ahmuls. Art by Gray Morrow

This story continues to move at a breakneck pace. I find myself wondering how much has been cut for magazine publication, but I can’t see any seams. I have no idea how Budrys is going to wrap this all up, but it remains interesting despite the frenetic storytelling.

Three stars.

Latter-Day Daniel, by Betsy Curtis

Bob Beale works for the Brooklyn Zoo, getting his arm torn off by the lion Nero every other day. After a show, he is approached by Delia Whipple, who works for the Animal Protective League. She warns him of a plot by another zoo to kidnap Nero, the last African lion in the United States. Time is short, and it’s going to be up to Beale (and Nero) to prevent the kidnapping.

Betsy Curtis put out a handful of stories in the early 50s…and this feels like it could have been written then. The nicest thing I can say is that it’s better than Answering Service, which it reminded me of a little.

Two stars.

Summing up

What an issue! Two of our Hugo winners have already put themselves in contention for next year, and both are representative of the new style. Add in another excellent story and more ranging from good to very good. There’s really only one clunker in the bunch. This is going to be a hard act to follow.


Can Niven keep his streak going? He easily tops the rest of this list.






[January 10, 1967] Return to sender (February 1967 Galaxy)


by Gideon Marcus

President Johnson commissioned noted (and favorite of our editor, Janice) artist Peter Hurd to draw his official Presidential portrait.  This was the result:

Reportedly, upon seeing the painting, Johnson described it as the ugliest thing he had ever seen.  Aghast, the artist asked what the President had wanted in a portrait.  Lyndon whipped out this piece painted by Normal Rockwell:

I understand that Hurd returned his commission and that a new picture will be made.  Maybe by someone with the initials L.B.J.

Law of Analogy


by Jack Gaughan

It was certainly a blow to the shocked Hurd, but I kind of know how Lyndon felt.  I had a similar reaction upon finising the latest issue of Galaxy.  This was, for the most part, not the magazine I was hoping for.

Our Man in Peking, by Hayden Howard


by Jack Gaughan

Yes, as Winter follows Fall, so we have yet another tale in the saga of Dr. West and the half-alien Esks.  Briefly: an alien came to Earth and bred with a local woman.  Her progeny, and their kids, too, all breed humanoids who look like Eskimos, but who mature in three years and give birth in a month.  Twenty years after the first was born, there are now more than a billion of them.  And instead of being stopped or even investigated to any real degree, the governments of the world refuse to see them as anything other than mutant Eskimos, deserving of love, affection, and free food.  The Chinese have welcomed them with open arms to till hitherto unprofitable fields, but Canada, Scandinavia, and other places have also taken them in.

Only one man, the notorious Dr. West, who tried but failed to sterilize the Esks with a tailored plague, will admit the true menace of the Esks.

Last installment, West was in a comfy Canadian prison for his attempted genocide.  In this one, he has been sent on a mission to Red China, brainwashed to learn the details on an as-needed basis, mind-controlled to have no say in his actions.  He is shot down over the mainland along with an Air Force Major so caricatured in his manner that I wondered if Gaughan's art would depict him with straw coming out of his joints.

After much rigamarole, West finds himself in the presence of the current Communist leader, Mao III (do the Chinese give descendants appellations like that?) And then the true nature of West's mission is revealed…

Hayden Howard really isn't a very good writer, and there aren't actually any characters in this story–only marionettes who dance to the author's strings without any will of their own.  I also could have done without the word "Chink" used a couple dozen times.

What keeps the tale from getting just one star is this morbid fascination with how this wholly unrealistic scenario will turn out.  We're supposed to get the conclusion next month.  God willing, that'll be the end of the Esks, one way or another.

Two stars.

Return Match, by Philip K. Dick

The outspacers have gambling casinos across the galaxy.  The only problem?  They tend to be lethal for their patrons.  Joseph Tinbane, a cop for Superior Los Angeles, takes on the aliens' latest contraption: a pinball machine that evolves not only to be unbeatable, but ultimately to attack the player!

Dick's vivid writing is on display here, so there's nothing wrong with the reading.  But the concept is pure fantasy, up to and including the conclusion where Tinbane is menaced by giant pinballs.  I can only imagine that PKD turned on, dropped out, and dashed off this tale before the hallucinations disappeared from his memory.

Three stars.

For Your Information: Who Invented the Crossbow? by Willy Ley

Ley's latest piece is an interesting, but somehow perfunctory piece on the evolution of the crossbow.  A few more pages of Asimov treatment would have helped.

Three stars.

The Last Filibuster, by Wallace West

War between North and South America is averted when the governments of both nations are captured and impressed to do the fighting.

I like the sentiment: politicians would be a lot less willing to send their sons (and daughters) to war if their lives were on the line.  But the story is just sort of silly and obvious.

Besides, who could believe that an armed mob could invade the Capitol to kidnap Congress?  It beggars the imagination.

Two stars.

They Hilariated When I Hyperspaced For Earth, by Richard Wilson


by Vaughn Bodé

The leader of a boring world that has stalled in its progressive mediocrity comes to Earth to steal our Secretary General, an efficient Ugandan who knows how to get things done.  A lot of "comedy" ensues.

Not only is the story a bore, but I can't forgive it for getting "They all Laughed" stuck in my head.

Two stars.

The Trojan Bombardment, by Christopher Anvil

How we defeat an enemy without firing a shot?  Why by shooting shells filled with booze, cigarettes, and sexy ladies at them!  After all, that's what they're really fighting for, isn't it?

Fellow traveler Cora Buhlert recently noted that she can smell a Campbell reject a mile away, and Bombardment is almost assuredly an Anvil story too stupid even for Analog.

One star.

The Discovery of the Nullitron, by Thomas M. Disch and John Sladek

Speaking of stupid, here's another "funny" piece, in the style of a Scientific American article, on the new decidedly supra-atomic particle called the Nullitron, putatively discovered by the authors after a jag in Ibiza.

One star.

Thus We Frustrate Charlemagne, by R. A. Lafferty

A dozen of the Earth's greatest scientists team up with a computer to improve history.  Their first time traveling target: to salvage relations between Charlemagne and the Caliph, allowing Arabic knowledge to flow freely.  They will know that they have succeeded because all of their records will change before their eyes!

Of course, if they had read William Tenn's The Brooklyn Project, they'd know that, as part of the time stream themselves, they'd never know what had changed.

Still, it's kind of a fun piece.  The journey's the thing, not the destination.

Three stars.

The Palace of Love (Part 3 of 3), by Jack Vance


by Gray Morrow

The saving grace of this magazine is this final installment of Vance's latest serial.  Keith Gersen has tracked down Viole Falushe, one of the five "Demon Kings" crime lords who killed his parents, to the mobster's private domain.  The Palace of Love is a mystical retreat, designed to provide pleasure to discerning patrons.  But its staff and denizens are all slaves of Falushe, though they aren't completely aware of the fact.

Half of this last act involves the long, meandering road to Falushe's Palace of Love.  It is only in the final sixth that we learn the truth about the place, who Drusilla is and her relation to Falushe's object of childhood infatuation, Jheral Tinzy, and whether or not Gersen can succeed in his revenge.

I found it all gripping stuff.  Vance has a knack for sensual writing; you always know what things smell like, what color they are, how they sound.  Yet the prose is never overlabored.  If the first book in the series starts auspiciously and ends with a dull thud, this second one only has one slow patch, in its second sixth.

For that reason, I give this installment and the book as a whole four stars, and it'll be in the running for the Galactic Star at the end of the year.

Summing up

Even with Palace shoring things up, this month's Galaxy clocks in at a dismal 2.4 stars.  And given that the Vance is likely to end up published in paperback, it's probably not even worth buying this mag for the one story (unless, of course, you want the serial complete in original form).

I'll be surprised if Galaxy doesn't come in last this month.  I'll also be really disappointed in that event; I don't think I could easily face another, worse slog!

That would truly be the ugliest month I've ever seen…





[January 2, 1967] Different perspectives (February 1967 IF)


by David Levinson

We all know the adage about walking a mile in someone else’s shoes. Trying to see the world through others’ eyes is a good way to understand them, and that can help ease tensions and make it easier to find compromises. Of course, it’s also possible to come up with some pretty ridiculous ideas about the way other people think.

Failures of diplomacy

At the end of 1965, I wrote about the troubles in the British colony of Rhodesia. The white minority government refuses to consider the idea of granting equal rights or a role in government to Black Rhodesians. Early in December, British Prime Minister Harold Wilson, Rhodesian Prime minister Ian Smith, and ousted Rhodesian Governor General Humphrey Gibbs met aboard the HMS Tiger to try to hash out a solution. Smith left with a proposal he seemed willing to accept, but rejected it out of hand as soon as he returned to Salisbury. In response on December 16th, the United Nations Security Council approved an oil embargo and economic sanctions against Rhodesia 11-0, with France, the Soviet Union, Mali and Bulgaria abstaining. Four days later, Wilson withdrew all offers and announced that the United Kingdom would only accept a Black majority government. On the 22nd, as the trade ban was about to go into effect, Smith declared that the U. N. had forced Rhodesia out of British control and out of the British Commonwealth, making the country an independent republic by default.

Bechuanaland to Rhodesia's south may have peacefully become Botswana last year, but it seems that most of southern Africa is ready to go up in flames. While dealing with the condemnation of the rest of the world, the Smith government is also fighting two Black nationalist movements. Meanwhile, armed resistance is developing against South Africa’s illegal control of South West Africa, and armed independence movements are appearing in the Portuguese overseas provinces of Angola and Mozambique (formerly Portuguese West and East Africa respectively). If any of these embers becomes a conflagration, it’s hard to see how this won’t also spill over into South Africa as well.


Wilson returns with what looked like an acceptable deal, but Smith swiftly vetoed it.

Through alien eyes

John Campbell supposedly said he wanted someone to write an alien that “thinks as well as a man, but not like a man.” At least one author in this month’s IF makes a pretty good attempt at doing so. Others at least offer characters trying to understand how aliens (and in one case a door) think.


At least they aren’t even pretending this illustrates something in the magazine. Art by Wenzel

The Soft Weapon, by Larry Niven

A dozen years after the discovery that the galactic core is exploding, the mad (not because of his manic-depression, but because he’s courageous) puppeteer Nessus has hired Jason and Anne-Marie Papandreou, who operate the passenger ship Court Jester, to take him to see the Outsiders in deep space. While concluding his unspecified business, Nessus has also purchased a stasis box, an item potentially containing a piece of technology from the long-gone Slaver empire. On the way back, Jay decides to make a detour to Beta Lyrae, hoping the sight will snap Nessus out of his funk.

There, they fall into the clutches of the kzinti Chuft-Captain and the crew of the Traitor’s Claw. Among other things, the box proves to contain a strange device which can change its shape. Some of the settings include a rocket booster and a talking computer, but the device also seems capable of converting matter to usable energy with perfect efficiency. It’s up to Jay to use what he thinks the device is in order to escape with his wife and client and keep a dangerous technology from winding up in the hands of kzinti.


Jay discovers a hidden setting. Art by Gaughan

Niven has given us insight into the kzinti mind before and goes into greater detail here. We also get his speculation on what might be valued in a society of sentients descended from herbivores. The action is done fairly well, we have a female character who isn’t just motivation for the protagonist, and the story flows quite well. This might be the best thing Niven has written yet.

A high four stars.

Gods of Dark and Light, by Bruce McAllister

Gregory Shawn is a member of a religious movement which has come to V-Planet-14 to live according to their own rules. Things aren’t going well. Most of the story consists of Gregory’s prayers as the harsh conditions test and shape the group’s faith. These are interspersed with the prayers of one of the native life forms.

There isn’t much to say about this one. I think McAllister has something he’s trying to say, but it’s not entirely clear. The whole thing is very dark.

Two stars.

Forest in the Sky, by Keith Laumer

The Terran Mission to the planet Zoon is having trouble finding the natives. It turns out the Groaci have beaten the CDT to the punch, though they aren’t doing any better. Once again, it’s Retief to the rescue.


The Terran Mission sets off to look for the local government. Art by Castellon

I noted back in October that Laumer seemed to be having fun with Retief again. That still seems to be the case, but while this is more than just going through the motions, it’s still the same old formula. If you’re new to Retief, this is probably a lot of fun. Otherwise it’s palatable, but more of the same.

A low three stars.

The Fan Awards, by Lin Carter

This month, Our Man in Fandom takes a look at the Hugos. Carter traces the development of the award and tells us a bit about who Hugo was. Next month, he promises to talk about some of the Hugo winners and to look at the new Nebula Awards from the Science Fiction Writers of America.

Three stars.

The Iron Thorn (Part 2 of 4), by Algis Budrys

Hunting his first Amsir, Honor White Jackson learns that his prey is an intelligent being with better technology than his own people have. Eventually, he decides to defect to the Amsir and is taken to their home, a deep bowl filled with dense air and greenery. A vision of his people’s paradise. But paradise it is not. The food of the Amsir is poisonous to humans, and Jackson faces death by starvation. His only hope is to find a way into the Thorn Thing, a short metal tower with a locked door at the top of a ladder. The door instantly destroys any Amsir attempting to go through it after issuing a warning in an unknown language. The only one who can get close is Ahmuls, who is deformed in such a way that he resembles humans more than he does Amsir. If the door likes humans, then presumably there’s something Jackson can eat on the other side. As this installment ends, Jackson convinces the door to open and dives through, followed by Ahmuls and the spears of the Amsir.

To be continued.


Jackson enters the Thorn Thing. Art by Gray Morrow

This story certainly moves fast. Nothing feels as rushed as it did in the first part, but Budrys isn’t wasting any time. I have some suspicions about what’s going on. Much of that will probably be resolved next month, though I have no idea how it will all be wound up.

Three stars.

Confession, by Robert Ray

Father Hume sits on his veranda, waiting for the oppressive heat of an Australian afternoon in the back of beyond to dissipate. He closes his eyes for a moment, but must have nodded off, since there is suddenly a stranger in his back garden. A stranger who would like the Father to hear his confession, but can’t wait until church tomorrow. What Father Hume hears will change his life and, hopefully, the world.

On first reading, this seemed like the sort of story you read, don’t mind and then forget. As I’ve thought about it, though, some other aspects have occurred to me. I can’t really say anything without giving the whole story away and ruining its impact, but it’s a little better than I first credited it.

A solid three stars.

The Evil Ones, by Richard Wilson

Wally Hengsen beat a murder charge with an insanity plea. Now, he’s biding his time until his organization can bust him out. When an alien spaceship lands on the grounds of the rest home, he starts looking for an angle to play, but a reminder of events in New Guinea during the War sets him on a different path.


Hengsen wonders if he really does belong in an asylum. Art by Vaughn Bodé

This is a decent story. It sags in a couple of places, and Hengsen’s change of heart relies so much on a flashback that it feels a little out of place. On the other hand, it does finish strongly, which is probably enough.

Three stars.

The Dangers of Deepspace, by Mather H. Walker

A colonel of the Deepspace service is interviewing a volunteer and seems to be doing his best to discourage the young man from signing up.

Here we have this month’s first-time author. The whole thing is very obvious, doesn’t entirely make sense and isn’t worth your time. The nicest thing I can say is that the prose is serviceable.

Barely two stars.

A Beachhead for Gree, by C. C. MacApp

Steve Duke and friends go behind enemy lines. They make contact with the locals, use a ruse to infiltrate an enemy base and thwart Gree’s plans.


This time the locals are humanoids who can build wings for themselves. Art by Burns.

I’m going to make several carbons of that summary and whenever a Gree story appears, I’ll just cut one out and paste it into my manuscript. Will this interminable series never end?

Two stars.

Summing up

No matter how you look at it, this month’s IF is par for the course. One really good story, some decent stuff and some junk. And as good as it’s been so far, the serial needs to start paying off next month. At least we have the special Hugo edition to look forward to next month. The authors are good, but will they offer up their best stuff?


No mention of Frank Herbert this time. Hmmmm.






[December 2, 1966] Mixed Bags (January 1967 IF)


by David Levinson

November was no more or less eventful than most months, but nothing really caught my eye. The Republicans made modest gains in the mid-term elections, California elected a so-so actor as governor and New Orleans is getting a football team in what certainly looks like recompense to Representative Hale Boggs and Senator Russell Long for shepherding the merger of the American and National Football Leagues through Congress. But there’s really nothing there to talk about. So, as with the last time this happened, let’s talk about the art.

Art matters

Regular readers of this column will know that I am often less than complimentary to the art in IF, especially the interior illustrations. There have been some changes in Fred Pohl’s stable of artists over the last year, some, but not all, for the better. John Giunta seems to have disappeared entirely, but several artists have stepped in to fill his shoes. We’re seeing a lot more from Wallace Wood and his assistant and imitator Dan Adkins, neither of whom is all that good, despite their years in the industry. On the other hand, Virgil Finlay has returned after a long absence, and he’s one of the best in the business.

We’re also seeing more of the mononymous Burns after a short absence. Unfortunately, his current style seems to combine the worst of Nodel and Giunta (and I like Giunta’s work generally). This month brings us a new artist: Vaughn Bodé. His figures are a bit cartoony, but not objectionable. I also like his landscape and VTOL aircraft. I won’t be sorry if we see more of his work.

A return to form

Something of a mixed bag in this month’s IF. A decent end to one serial and a promising start to a new one. A silly story and something experimental from established writers. Let’s take a closer look.


Just for a change, the cover actually depicts something inside. Art by Morrow

The Iron Thorn (Part 1 of 4), by Algis Budrys

Honor (pronounced “honner”) White Jackson is pursuing a bird-like Amsir across a red desert. As long as he wears his pointed metal cap and maintains line-of-sight to the Iron Thorn, he will be warm and able to breathe the thin air. If he can make his kill and bring it home, he will become a full-fledged Honor. Surprisingly, his quarry carries a metal spear (his own equipment is made largely of Amsir parts) and speaks, ordering him to yield when it thinks it has the upper hand.

On his way back, he is met by his older brother Black, who cautiously tests his reaction to the discoveries he has made. Disturbed by what he has learned, White (now Secon Black) enters the Iron Thorn for the first time and speaks with the Eld Honor, who says he may have what it takes to become Eld himself one day. Our protagonist comes to the conclusion that if he stays, he will be killed, and so, after giving a drawing of an armed Amsir to a girl he’s had his eye on, he sets out into the desert to be captured by an Amsir. He succeeds after killing the man who killed his father (making him Red Jackson) and is taken to a giant dish-shaped valley, filled with green plants and air dense enough to let the Amsir fly. There is also an Iron Thorn at its center, upright and shining, unlike the one his people call home. A vision of his people’s heaven, Ariwol. To be continued.


Honor White Jackson chases his prey, but who is hunting whom? Art by Gray Morrow

Last month, I noted that I’ve never really enjoyed Budrys’s work, but was pleased to learn that I liked his story in that issue. The streak continues. There’s an awful lot packed into these 35 or so pages, but it mostly works. The exposition, in particular, is a masterpiece of “show, don’t tell”. Parts of it are a bit rushed; the protagonist goes through three names (and has a secret fourth, Jim), and his decision that his life is in danger seemed precipitous. Maybe that will be fleshed out more if this appears as a novel. It’s a good start, though, and I look forward to more.

A solid three stars.

A Hair Perhaps, by J. F. Bone

Major William Bruce has arrived at the remote, top secret tracking station where he will spend the next two weeks all alone. When he is kidnapped, along with his living quarters, by aliens who plan to use him as their first test subject to determine if humans are worth enslaving, he has to find a way to defeat them with the limited tools at hand.


Two examples of Bodé’s art I mentioned earlier. I like the first one, but the figures need a little work, especially the human. Art by Vaughn Bodé

It’s been a few years since we saw anything from Bone. Unfortunately, like his last offering, this one is a stinker. Not as bad as “For Service Rendered”, but not up to his usual quality by a long shot. Bruce is thoroughly unpleasant (and explicitly stated to be so in the text), and the whole story is in service of a weak punchline.

Two stars.

– Still More Fandoms, by Lin Carter

Our Man in Fandom picks up where he left off and gives us some more fandoms that appeal to many science fiction fans. He starts off with one of the biggest groups, the Baker Street Irregulars, devoted to Sherlock Holmes, moves on to a couple of fellows in Missouri who are trying to start a fan group dedicated to James Branch Cabell, and on to the well-established Oz fandom. He finishes up with a look at the somewhat fragmented comics fan groups. Contact information is provided for the Cabell group and a couple of comics groups.

Three stars.

The Scared Starship, by D. M. Melton

Mars has been divided between the western and Sino-Sov blocs, with some neutral territory where finds must be shared. Rainbow Smith tells us how the group he was exploring with found a dead alien and a starship. The captain and the geologist rescue the find from the machinations of the evil Mao Lee, but it’s computer specialist Margot Harris who figures out how to get to the starship and win it over for the “good guys”.


Brains and beauty, but I don’t know how she gets all that hair in her helmet. Art by Nodel

Melton’s biggest problem thus far has been the handling of female characters. That’s largely corrected here, though there is one passage that feels more like “how men think women think”. Unfortunately, we have a nasty bit of Yellow Peril storytelling in the vicious Mao Lee (and an accompanying picture by Nodel). The whole Cold War tension subplot could have been dropped, leaving a decent problem story.

A low three stars.

By the Seawall, by Robert Silverberg

A great stone wall, sixty meters high and twenty meters thick, extends six thousand kilometers along the Eastern seaboard to protect humanity from the monsters which have risen from the sea. Micha-IV is an artificial person whose job is to patrol a one kilometer section of the wall, triggering additional defenses against monsters that scale the wall, reporting damage and also conducting tours. Suddenly, people have begun jumping off the wall, with or without a parachute; suicide either way. Micha-IV struggles to understand.

This can best be summed up as Robert Silverberg writes a J. G. Ballard story. How you feel about both those writers will probably determine how you feel about the story. I like Silverberg and don’t care for Ballard, but I can see that others might enjoy this.

Three stars.

On the Shallow Seas, by Robert Mason

Lant is a convict on the prison world of Exonam. Prisoners spend their days harvesting golden oysters. Fail to meet your quota of meat and you don’t eat, but find a rare gold pearl and you’ll be pardoned.


The “oysters” aren’t much like Earth shellfish. Art by Burns

Mason is this month’s new author. There’s enough here that shows promise. Line by line, the writing is good, though we’re treated to almost every prison story cliche there is. My biggest problem is the use of gold as the plot's linchpin. There’s no real reason for it to be that valuable. Mason would have been better served by using something much scarcer or making up his own element or alloy.

A low three stars.

The Impersonators, by C. C. MacApp

Inspector Kruger of the Interstellar Division has been sent to the planet Phrodd to arrest the embezzler Borogrove O’Larch. It’s diplomatically sensitive, because Phrodd is an alien world, so Kruger will have to step carefully. The locals are also perfect mimics, and O’Larch has hired a lot of them to pretend to be him. Kruger is soon at his wits’ end.

I usually groan when I see MacApp’s name and breathe a small sigh of relief when I see it’s not a Gree story. I sighed too soon. MacApp does not have a hand for humor. Laumer or Goulart could have had moderate success with this, but the story here is just plain bad.

Two stars.

Snow White and the Giants (Part 4 of 4), by J. T. McIntosh

A group of strange young people have come from the future to witness the Great Fire of Shuteley. They also have an interest in Val Mathers and his cousin Jota. Now trapped in the heart of the fire storm in a protective dome set to disappear at dawn, Miranda guides Val through his memories of Jota to help him understand what they hope to do. All his life, two things have been true for Jota: people who got in his way died, and he could have any woman he wanted.

In Miranda’s day, some three percent of people have the Gift, and they’re making society ungovernable. The much smaller percentage who are immune aren’t enough to stop them. Miranda and her team have come to the past to save Jota’s life in the hope that will eliminate the Gift, but they’ve failed. However, by convincing Val that he can have children without them turning out mentally handicapped like his younger sister, Miranda has accidentally succeeded. Now, Val and his sister just need to survive the collapse of the dome. Can Miranda meet the price he demands?


Val and Greg fight for the future. Art by Gaughan

And so McIntosh brings everything to a reasonably satisfying conclusion. There’s a small flaw in the plot, in that Jota has no children and so his death ought to have eliminated the Gift. But there’s a bite in the final paragraph that more than compensates for any weaknesses elsewhere.

Three stars for this installment and for the novel as a whole.

Summing up

After last month’s excellent outing, this issue is something of a return to form. The serials are the main reason to read the magazine, and the stuff in between is average at best. Next month we have the continuation of the Budrys novel, which is promising, as is a new Niven tale. A new Retief could go either way. But the March issue will have a contribution from every winner of a professional Hugo at TriCon: Asimov, Ellison, Herbert and Zelazny, plus a cover by Frazetta. So we’ve got that to look forward to.