Tag Archives: jack gaughan

[January 18, 1970] Below par (The Long Loud Silence, Sex and the High Command, Beachhead Planet, and Taurus Four)

[New to the Journey? Read this for a brief introduction!]

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

The Long Loud Silence, by Wilson Tucker

Book cover, featuring a posterised illustration of a middle-aged white man with dark hair and sun-glasses looking down in the foreground, while in the background there appears to be a distant nighttime inferno, with four great faces appearing to partially emerge molded in the smoke plume

It's been a while since we've heard from Wilson Tucker, fan-turned-pro-but-still-very-much-a-fan. Hence, I was delighted to see that he had a new book out last month. Except, of course, it's not new at all, as I soon found out.

Continue reading [January 18, 1970] Below par (The Long Loud Silence, Sex and the High Command, Beachhead Planet, and Taurus Four)

[January 8, 1970] Slow Sculpture, Fast reading (the February 1970 Galaxy Science Fiction)

[New to the Journey?  Read this for a brief introduction!]

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

A little off the top

And so it begins.  For eight years, NASA enjoyed an open budget spigot and, through persistence and endless shoveling of money (though a fraction of what's spent on defense, mind you), got us to the Moon.  Now the tap has been cut to a trickle, and the first casualties are being announced.

Black and white photo of Apollo manager George Low speaking into a microphone in front of a NASA press backdrop.
Apollo manager George Low at a press conference on the 4th

Of the 190,000 people employed at the space agency, a whopping 50,000 are going to get the axe before the end of the year.  Saturn V production is being halted.  Lunar missions are going down to a twice-per-year cadence (as opposed to the six in thirteen months we had recently).

Apollo 20, originally scheduled to land in Tycho crater in December 1972, has been canceled.  Astronauts Don Lind, Jack Lousma, and Stuart Roosa now get to cool their heels indefinitely.  Apollos 13-16 will go up over the next two years followed by "Skylab", a small orbital space station built from Saturn parts.  Then we'll get the last three Apollo missions.

After that… who knows?  If only the Soviets had given us more competition…

Oh, and in the silly season department:

Cartoon drawing of a man holding a newspaper looking out at an apple core shaped moon. The paper reads IT COULD SAY A GREAT DEAL ABOUT THE MOON TO THE VERY CORE. NASA SCIENTIST DECLARES INTENT TO PROPOSE NUCLEAR BLAST ON THE MOON.

On the 6th, Columbia University's Dr. Gary V. Latham, seismologist and principal seismic investigator for Apollo program, withdrew his proposal that an atomic bomb be detonated on the Moon.  You'll recall Apollo 12 sent the top half of Intrepid into the lunar surface so the seismometers Conrad and Bean had emplaced could listen to the echoes and learn about the Moon's interior. 

Latham got some pretty harsh criticism of his idea, so he dialed things back, suggesting NASA should find way to hit the Moon hard enough to create strong internal reverberations. Let's hope they don't use Apollo 13…

A sampling from the upper percentiles

The news may be dour on the space front, but the latest issue of Galaxy is, in contrast, most encouraging!

The February 1970 cover of Galaxy Science Fiction Magazine featuring a long-haired abstractly drawn woman in a psychedelic art style that resembles stained glass.
by Jack Gaughan, illustrating "Slow Sculpture"

Continue reading [January 8, 1970] Slow Sculpture, Fast reading (the February 1970 Galaxy Science Fiction)

[January 2, 1970] Under Pressure (February 1970 IF)


by David Levinson

Pressure Cooker

Every December, the American Geophysical Union holds its Fall Meeting in San Francisco. There, a number of papers are presented on a wide variety of topics in fields such as geology, oceanography, meteorology, space, and many more. Usually, it might produce a paragraph or two in the back pages of your newspaper on an attempt to predict earthquakes or some new information about the Moon, but this year’s meeting garnered headlines (hardly front page news, but more than just filler). Most of attention went to the proposal to detonate a nuclear bomb on the Moon to build up a seismological picture of our neighbor and the news that Apollo 12 was struck by lightning twice as it rose into the skies above Florida. However, it was another article that caught my eye.

Most of the column inches went to a presentation by Dr. E.D. Goldberg of the Scripps Institute of Oceanography. He spoke of the “complex ecological questions” raised by the amount of toxic substances we’re dumping into the ocean. The use of lead in gasoline results in 250,000 tons winding up in the ocean every year, over and above the 150,000 tons that are washed there naturally. Oil tankers and other ships discharge a million tons of oil into the sea annually, with the result that there are “cases of fish tasting of petroleum.” Mackerel had to be taken off the market in Los Angeles due to unacceptable levels of DDT, while in Japan 200 people were poisoned and 40 died before authorities traced the cause to mercury discharged into Minimata Bay by a chemical company. Dr. Goldberg asked, “Will [pollution] alter the ocean as a resource? Will we lose the ocean?”

Dr. Edward D. Goldberg, a white man with gray hair in a suit and tie.  He is sitting on a desk, holding a book, and smiling.Dr. Edward D. Goldberg of the Scripps Institute of Oceanography in La Jolla, California

That seems like the sort of pollution we can do something about. Perhaps more concerning is the warning provided by J.O. Fletcher of the Rand Corporation. Fletcher is a retired Air Force Colonel, best known for being part of the crew that landed a plane at the North Pole and for establishing a weather station on tabular iceberg T-3 (now known as Fletcher’s Ice Island), which is still in use. He called carbon dioxide the most important atmospheric pollutant today. It is responsible for one-third to one-half of the warming thus far in the 20th century. The human contribution may surpass that of nature within a few decades. Global warming could increase the melting of the polar ice caps and change the Earth’s climate.

A photograph of Col. J. O. Fletcher, a white man  wearing snow pants, a thermal undershirt, suspenders, and a winter hat.  He is having a conversation with a second unidentified person who is completely obscured by their parka hood.Col. Fletcher (r.) on his ice island in 1952. This was the most recent photo of him I could find.

Fletcher’s warning was underscored by Dr. William W. Kellogg of the National Center for Atmospheric Research, who stressed the need to educate people that “man has got to change his way.” He added that global climate is going to have to become a problem that can be managed.

A headshot photograph of Dr. William W. Kellogg, a white man with brown hair.Dr. William W. Kellogg of the National Center for Atmospheric Research, in Boulder, Colorado

If the warnings of Fletcher and Kellogg sound familiar, that’s because you read it in IF first. Back in the April, 1968 issue, Poul Anderson had a guest editorial talking about the dangers of increased warming. In the August issue of the same year, Fred Pohl had an editorial warning about increasing levels of carbon dioxide. [And Isaac Asimov wrote about it back in 1958! (ed.)] An article from UPI has a much wider reach than IF, and people are more likely to take working scientists more seriously than a couple of science fiction writers. Let’s hope they pay attention.

Pressure Tests

It’s not uncommon for authors to put their characters through the wringer, pushing them to or even past their breaking point. Some would argue it’s the best way to get a story out of a setting and characters. Several of the stories in this month’s IF have taken that approach, though one subject has an awfully low tolerance for stress.

The cover painting of the February 1970 edition of IF. The background is a red wash with a streak of yellow across it.  In the center floats a gray spaceship.  Its left side is a sphere covered with circular indentations, some of which have antennae coming out. The center part is a short rod that seems to be threaded like a bolt.  Its right side is a group of spheres arranged in a circle around the end of the rod.  The spheres look like eyeballs looking out from the spaceship in all directions. Behind and to the left of the spaceship is the face of a young Asian woman, drawn to be about the same size as the spaceship.  She is facing left but looking apprehensively backward at the ship. She is lit yellow by the streak in the background.  Above her float three black manta rays.Cover by Gaughan. Supposedly suggested by Whipping Star, but it looks more like it illustrates Pressure Vessel to me.

Pressure Vessel, by Ben Bova

Robert O’Banion is second in command on a mission into the depths of Jupiter, looking for life. Grieving over the loss of his wife, he only feels truly comfortable when he is connected to the ship and its computer, flying the vessel like it’s his own body. Add in a general sense of urgency and friction between the scientific and military members of the small crew, and there’s a lot of tension.

A charcoal drawing of a man lying naked in a hammock.  Wires extend from his head and body up out of the frame. He looks calmly in the direction the wires are leading.  Another naked man with a creepy expression on his face is crawling out from under the hammock.Art by Gaughan: O’Banion hooked up to the ship.

Bova has written a couple of stories about Dr. Sidney Lee, in which humanity is desperately seeking the aliens who built the strange machines on Titan, still working after millennia or even longer. Lee doesn’t appear in this story, but the protagonist’s wife knew Lee on Titan and fell in love with him there. There are some flaws in the tale—notably the protagonist’s psychological suitability for the mission—but it’s still very strong.

Four stars.

A Matter of Recordings, by Larry Eisenberg

Another of Eisenberg’s awful Emmett Duckworth stories. This time, Duckworth has come up with a way to record memories so they can be played back to anyone. The usual nonsense follows.

Two stars.

A black and white linocut print of two naked women, one standing and one seated.  They are looking suspiciously at a tape player in the foreground.Can recordings made in a harem stop a revolution? Art uncredited, but probably by Gaughan

Prez, by Ron Goulart

Norbert Penner is looking forward to spending the winter alone with his girlfriend on her family’s palatial estate. Unfortunately, he doesn’t like her dog, the titular Prez. Worse, thanks to cybernetic enhancements, Prez can talk and has the intelligence of a 10-year-old. He’s able to make very clear that the feeling is mutual without having to pee on Penner’s leg.

A charcoal drawing of a black dog lying on the floor looking mournfully upward.  An electric cord extends out of its back and plugs into an outlet on the wall behind it.

Prez recharging his batteries.  Art by Gaughan

This is a fairly typical Goulart comedy, though not as wacky as some. If you like those—and I do—you’ll like this one.

Three stars.

The Cube, by C.M. Drahan

Humans and the E-tees have been at war from the moment they first made contact. The Telepath chosen as humanity’s representative for the truce talks on a remote planetoid seems remarkably unsuited for the task.

A cartoon drawing of a cube set isometrically toward the viewer.  A stylized human face is drawn across the three visible faces, with one eye in the top face, the other eye on the left face, and the nose and mouth on the right face. The face looks alarmed.Art by Gaughan

Drahan is this month’s new author. Unfortunately, there’s no biographical information, so I don’t know anything about the person behind the initials. It’s a decent debut. Bits of the story may come across as confused with a casual reading, but careful attention should make everything clear. This is an author I’m willing to see more from.

Three stars.

A Game of Biochess, by T.J. Bass

On a layover at a space station, tramp trader Spider meets Rau Lou during a chess game (biochess refers to a game against a biological opponent, rather than a computer). The two hit it off, but not on a sexual level. When Spider has a big score that will let him upgrade his ship to a two-person crew, Olga the ship’s computer suggests Rau Lou. However, she has disappeared, so Spider and Olga go looking for her.

A black and white ink drawing of a person in a space suit traversing a valley amid barren, rocky terrain.Spider makes his way to the wreck of Rau Lou’s ship. Art by Gaughan

Bass is shaping up to be a pretty good writer. He still needs to work on throwing around medical terminology (Bass is a doctor), but he has reined it in this time. I only had to pull down my dictionary once. Otherwise, this is a fine story with a nice twist at the end.

A high three stars.

Hired Man, by Richard C. Meredith

A human mercenary working for an alien employer is the only survivor of a raid on a human settlement. The pay is excellent, and the offer for a six-month extension will set him up for a long time.

A charcoal drawing of a suit of powered armor.  It has spikes and round knobs poking out of it at various angles. It appears to be flying toward the viewer.Power armor, but this mercenary is no Johnny Rico. Art by Gaughan

All the previous Meredith stories I can think of have been brutal war tales with depth. This one is no different. The ending hits the protagonist with a question the reader has probably been asking all along.

Four stars.

Fruit of the Vine, by George C. Willick

The smuggling of flora and fauna between the worlds of the Federation is punishable with death. Somehow, grape varieties suitable for wine-making have reached almost every world. This story weaves three threads together: the official search for the smugglers, a group known as the Entertainers, and a skid row bum staggering through a winter night.

A charcoal drawing of a man in a space suit with the helmet off, such that his nose pokes out over the top of the suit collar. His eyes are crinkled as though he is smiling at what he is holding in his hand, which appers to be an hors d'oeuvre on a toothpick.Art by Gaughan

There are a lot of flaws in this story. It’s fairly obvious how two of the three threads tie together, the whole thing is too long, and the set-up is a little hard to believe. While the desire to keep potentially hazardous plants and animals from moving between worlds is commendable, are there really 49 habitable worlds where people can and are willing to eat the local produce from the moment they arrive? But it’s told well.

Three stars.

Dry Run, by J.R. Pierce

General Devlin, D.I.A., is a special adviser to the Prime Minister on the Panda War. In this case, D.I.A. stands for Demon In Attendance, not Defense Intelligence Agency. His job seems awfully easy.

A pen and ink drawing of a hairy black demon with curling horns, cloven hooves, and a pointy tail. Its blank white eyes glare out from behind the flagpole it is clutching.  The flag appears to be a stylized line drawing of the demon's own head. Probably not Devlin. Art by Gaughan

This is a fun, little story that proposes something I’m sure many of us have thought at times. The Vietnam analog is obvious, but not overdone. While it might be trivial, the whole thing doesn’t overstay its welcome.

Three stars.

Whipping Star (Part 2 of 4), by Frank Herbert

The alien Caleban Fanny Mae has signed an unbreakable contract with the human Mliss Abnethe, allowing herself to be whipped. The flagellations are killing Fanny Mae, and if she dies nearly every sentient being in the galaxy will die with her. It’s up to Saboteur Extraordinaire Jorj McKie to stop Mliss.

In this installment, McKie tracks Mliss to an impossibly primitive planet, where he finds himself imprisoned. We also learn that there is someone else driving Mliss to do what she’s doing. Time travel may also be involved. To be continued.

A black and white line drawing of a man lying on his back with his head toward the viewer.  His arms are flung out to the sides and extend out of the frame.  His feet are bare. Wispy gray shapes float around him.McKie favors the Bond school of defusing traps by walking into them. Art by Gaughan

I’m not sure if I really like this story, but it is keeping my interest. In many ways, this feels more like the Frank Herbert who wrote The Dragon in the Sea than the navel-gazer we’ve seen of late. There’s more action in the first chapter of this installment than in the whole of Dune Messiah. It remains to be seen how well he handles the interesting questions he’s asked so far.

Three stars.

Summing up

Elsewhere in the magazine, Lester del Rey is back in form, offering actual criticism over mere review. He might be the best reviewer in the magazines right now. I’d say his only competition is Joanna Russ over in F&SF. Meanwhile, Ejler Jakobsson’s answers in the letter column offer quite a bit of news. Philip José Farmer is working on a Riverworld novel, the promised new issue of Worlds of Tomorrow is coming soon, and there will be news about the IF First program in the near future.

All in all, not a bad issue. A couple of excellent stories and only one clunker out of nine. Jakobsson is turning out to be a fine replacement for Fred Pohl.






[December 16, 1969] Holiday haul (Black Corridor and the December Galactoscope)

We have a fine sextet of science fiction books for you this month: largely readable, with two clunkers and one superior read…

photo of Gideon Marcus, a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Ace Double 66160

Earthrim, by Nick Kamin

Cover of the book Earthrim. It shows two scary faceless puppet heads with wires and mechanical eyes attached. Text on the cover says: The man who stopped the wars must be stopped in turn!
by Panos Koutrouboussis

A generation or two from now, the Earth is recovering from a devastating war between the Western World and the Chinasian alliance. At first, the latter was winning, surging into Australia and with a plan to cross the Bering Strait. Then things bogged down. Eschewing the use of nuclear weapons (for an unexplained reason), the death rate became fantastic.

One day, the war just stopped. Or, more specifically, someone stopped them. Sounds like a positive development, but whoever did it is now exerting dictatorial control over the globe, futzing with governments, economies, even population growth rates and somehow slowing the age of human maturity!

Now, a decade after the war, Michael Standard, a battered veteran of the Australian front, is the one man who can stop the war-stopper. He is equipped with a prosthetic arm which is set to fire its hand like a cannon when face to face with the entity who styles himself "The Rim".

Continue reading [December 16, 1969] Holiday haul (Black Corridor and the December Galactoscope)

[December 2, 1969] Communication Breakdown (January 1970 IF)

[New to the Journey?  Read this for a brief introduction!]


by David Levinson

Free press

American readers and those who follow American politics are no doubt well aware of President Nixon’s speech on the “Vietnamization” of the war in Indo-China. All three national networks carried the speech, of course, and followed it up with analysis and commentary. This apparently didn’t sit well with the White House.

On November 13th, Vice President Spiro Agnew addressed a regional Republican committee in Des Moines, Iowa, in which he attacked the networks, accusing them of political bias in their news coverage. He complained that the president’s speech had been subjected to “instant analysis and querulous criticism” without giving the American people time to digest the speech for themselves. Agnew accused “a small and unelected elite” of exerting undue influence on public opinion without any check on their power. He even called it a form of censorship.

Vice President Spiro Agnew addressing the Midwest Regional Republican Committee.

Some television executives accused Agnew of attempting to undermine the freedom of the press and intimidate a form of journalism that requires a government license in order to broadcast. I’d say the intimidation was at least partly successful, since all three networks carried the Vice President's speech. However, the networks are also fighting back. The CBS news magazine 60 Minutes devoted a full hour to rebutting Agnew’s charges.

When asked if anyone in the administration had an advance look at the speech, White House press secretary Ron Ziegler denied it. He also said that the White House would have no reaction to statements by other members of the administration and that Nixon and Agnew had not discussed the speech. That’s nonsense. A speech like this would never be made without approval at the highest levels, and if it had been, the White House would have promptly issued a statement distancing Nixon from the remarks or at least trying to soften them. I’d say the administration has fired a shot across the bows of the news media.

White House Press Secretary Ron Ziegler

Seeking common ground

Carrying on the love theme from last month, this month’s IF offers us two romances. But the real focus is on learning to communicate, especially without a common point of reference. It also gives us two sequels to stories from several years ago.

Suggested by “This One”. Art by Gaughan.

Diary Found in the St. Louis Zoo, by Robert Bloch

Bob Bloch gives us his report on the Worldcon, held in St. Louis this year. It’s his typical mix of name-dropping and bad jokes. I generally enjoy Bloch’s fiction (I met him once, and he was very nice), but his humor is just awful. Unlike the delightful and funny drawings by Jack Gaughan that accompany this article. If you want to know what really happened in St. Louis, read the Traveler’s con report. It was timelier and much more informative.

Barely three stars.

A photorealistic portrait of Harlan Ellison. Art by Gaughan

Whipping Star (Part 1 of 4), by Frank Herbert

The ConSentiency is an interstellar society composed of several intelligent species. Among them are the Caleban, a strange people who seem to be only partially in this dimension. Only 84 of them have ever been seen, but they are very important, because they gave the ConSentiency jumpdoors, which allow people to travel vast distances. Now, 83 Caleban have vanished, leaving millions dead in the disappearance of each one.

Enter Jorj X. McKie, Saboteur Extraordinaire (the Bureau of Sabotage keeps government from becoming too efficient, so that nothing happens without due deliberation). He makes contact with the last Caleban, who calls herself Fanny Mae, and learns that she has entered a contractual relationship with the wealthy and sadistic Mliss Abnethe. In an attempt to treat her sadism, Mliss was conditioned so that she cannot stand to see another sentient suffer, but Calebans can barely be perceived and do not outwardly show suffering.

The problem here is that the flagellations are killing Fanny Mae, and if she undergoes “ultimate discontinuity,” every being that has ever used a jumpdoor—which is almost everyone—will die. To complicate matters, the BuSab is not allowed to interfere with private individuals, which seriously limits Jorj’s options. To complicate things even further, Fanny Mae declares that she has fallen in love with Jorj. To be continued.

Some Gaughan-esque abstractions. Art by Gaughan

We’ve seen McKie and the BuSab before, in the story “The Tactful Saboteur,” which the Traveler gave a mere one star. This installment is better than that, though it’s mostly just Herbert setting the scene. It can be difficult reading at times, thanks to Fanny Mae’s odd speech patterns and the difficulties she and Jorj have finding common referents to understand each other, but that appears to be the point of the story.

Three stars for now, mostly because of the interesting philosophical questions about language and understanding.

By the Falls, by Harry Harrison

Harry Harrison has written a J.G. Ballard story. There is an unexplained natural phenomenon—in this case a waterfall that makes Niagara look like a faucet with a slow leak—and a bunch of suggestive, but not obvious symbolism that is never clarified. Line by line, the writing is fine; I might have liked it if I had any idea what Harrison was trying to say.

Two stars.

By the falls, like it says on the tin. Art by Gaughan

If a Man Answers, by Richard Wilson

Doctoral candidate Walter Hurd takes a job in remote western New York, hoping to finish his dissertation. For an hour a day he beams messages into space, and for another hour he monitors reception. The isolation soon gets to him, and along with the mathematical formulas he starts sending poetry and, eventually, thoughts from his own journal. When he starts receiving a female voice sending out her thoughts, he quickly falls in love.

More abstracts. Art by Gaughan

Here’s our first love story. Parts of it are rather silly, especially the reason Walter’s Star Girl speaks English, but it doesn’t ignore things like the speed of light. It’s a bit long and highly improbable, however there is some nice writing.

A low three stars.

Child’s Play, by Larry Eisenberg

The deeply annoying Emmett Duckworth returns. This time, the implausible chemist has figured out how to create life, including a six foot tall rabbit. I do not like these stories. I’d sooner read the most formulaic of Retief stories or a full novel of Paul Atreides contemplating the grains of sand in his navel. That said, this is the least stupid story of the series. It almost makes sense, and is just readable.

A generous just barely three stars.

Aunt Sam? Art by Gaughan

This One, by James Sallis

A human linguist falls in love with an alien woman. They’re torn apart, and he must search the galaxy to find her again.

I keep trying to see more than one face here, but it doesn’t work. Art probably by Gaughan

Our second love story was highly touted last month. Call me hard-hearted and unromantic, but I hated it. It’s overwrought and melodramatic. With very few changes, it could be a Victorian tale of a man searching the seraglios of the Near East for his lost love.

A low two stars.

O Kind Master, by Daniel F. Galouye

Centuries ago, spherical energy beings conquered the Earth. Now, humans are pampered pets. A group of wild humans have a plan to destroy the Spheres, but they need to know if the tame humans can handle the loss of their masters.

A wild human dwelling with a city of the Spheres in the background. Art probably by Gaughan

This is a sequel of sorts to “The City of Force” from 1959. The Traveler thought that one was solid, but not outstanding (no star ratings in those days). I say this story is only a sequel of sorts, because in the earlier tale, humans were pests, not pets. That story also left humans with powers equal to the Spheres.

It’s all horribly old-fashioned, even by the standards of 1959. Add in a solution to beating the Spheres that should have been found back during the initial invasion and my general vague dislike of Galouye’s work, and I didn’t like this one.

Two stars.

The Story of Our Earth: The Coming of the Dinosaurs, by Willy Ley

Ley’s survey has reached the Triassic and the first dinosaurs. He starts off with a discussion of the importance of jaws in paleontology, and then runs through both early dinosaurs and the mammals of the period, as well as some marine creatures. Interesting, but a bit perfunctory.

Three stars.

Summing up

Maybe the worst issue that editor Ejler Jakobsson has overseen. Some of that may just be me being curmudgeonly. There’s also a lot that isn’t here. We’re told that there’s no letter column due to the length of Bloch’s con report. That may also be why there’s no preview for next month and why Lester del Rey’s book review column is barely more than a page, with little of the depth he usually has. There’s also no new author this month. I’ve liked Jakobsson’s work so far, so hopefully this is just an aberration. Fingers crossed for next month.

In lieu of a preview, have a fanigator. Art by Gaughan



[New to the Journey?  Read this for a brief introduction!]




[November 12, 1969] Leadership initiatives (December 1969 Galaxy)

Tune in, starting November 13, for twelve days of Apollo 12 coverage!


photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Happy Anniversary

A year ago, Richard Milhouse Nixon won the Presidency in part on his "secret plan" to get us out of Vietnam.  A few months into his term, besieged by increasingly strident demands for progress, National Security Advisor Henry Kissinger urged patience.  If things weren't resolved by November, then we would have cause to complain.

Last week, President Nixon revealed his plan for "Vietnamization" in a prime time television address.  It called for eventual turning over of the reins of war to the South Vietnamese.  However, the President refused to set a timetable for this turnover, saying that such would lead to undue Communist advantage.  Nixon suggested that America might step down its bombing by, say, 20%, and see if the North Vietnamese match our draw-down, but the Paris peace talks are dead, and the U.S. would stay the course as long as was necessary.

The President concluded by asserting that the "silent majority" of Americans was behind his plan, and that no foreign power could defeat the United States: defeat could only come from within.

Well, you can imagine that this statement, tantamount to a continuation of President Johnson's pre-1968 policies, did not sit well with a lot of folks, including a host of Congressmen.  The unquiet minority also plans to make their voices heard in a second Moratorium march in a few days.  We'll see if it has more impact than the last one.

In Other News

If Nixon's address was something of a disappointment, in contrast, the latest issue of Galaxy makes for consistently pleasant reading:


by Jack Gaughan and Phoebe Gaughan

Continue reading [November 12, 1969] Leadership initiatives (December 1969 Galaxy)

[November 2, 1969] Love and Hate (December 1969 IF)


by David Levinson

A paper dragon

Back in April, I wrote about a border skirmish between the Soviet Union and China. That wasn’t the end of the matter. The Soviets went on a minor diplomatic offensive, trying to get India to join an alliance against China and to pull North Korea back into the Soviet orbit. Violence flared up again in August on the Terekty River on the border between the Sinkiang region of China and the Kazakh SSR. As in April, both sides accused the other of crossing the border.

Rumor has it that Soviet Foreign Minister Alexei Kosygin attempted to contact the Chinese government in an effort to calm tensions and reopen negotiations on the border. His efforts were reportedly rudely rebuffed by Chairman Mao. At the funeral of Ho Chi Minh in early September, the Soviet and Chinese delegations went out of their way to avoid being in the same room with each other, even attending the funeral at different times.

When Kosygin left Hanoi on September 11th, his plane was denied entry into Chinese airspace, forcing a long detour. But while the plane was refueling in India, Kosygin was informed that the Chinese were ready to talk. He promptly flew to Peking, where he and Chinese Foreign Minister Chou Enlai met at the airport. They agreed to reinstate diplomatic relations and reopen talks on the border.

l. Soviet Foreign Minister Alexei Kosygin, r. Chinese Foreign Minister Chou Enlai

Despite that, Mao continued to ramp up his hostile rhetoric towards the Soviets. China also began moving large numbers of troops north to the border regions. That was followed by two unannounced nuclear tests at the end of September, most notably China’s largest detonation to date (3 megatons) on the 29th. The very next day, Chinese Defense Minister Lin Biao put the armed forces on the highest level of alert.

And then on October 9th, Mao blinked. China announced that they would no longer claim territory annexed by Tsarist Russia over the last 300 years through “unequal treaties.” The only concession demanded is that the Soviet Union acknowledge that the treaties were unfair. The status quo has been restored, and the only result of six months of high tension is several ulcers and a huge sigh of relief around the world.

Love among the ruins

Love runs through most of the stories in this month’s IF. Not as a romantic theme, but rather as an examination of the ways in which it affects the events of the stories and is in turn affected by events.

Vaguely suggested by Ancient, My Enemy. Art by Gaughan

Ancient, My Enemy, by Gordon R. Dickson

Udbahr is a hell world. Daytime temperatures are so high it is impossible for humans to survive outside of special shelters. On top of that, protein is so scarce, the only source for the natives are each other or the humans who have come to prospect and explore the ruins of an ancient civilization.

One such person is Kiev Archad, currently acting as a guide for female graduate student Willy Fairchild. Unfortunately, she is full of ideas that don’t mesh well with the ways in which humans and Udbahrs interact. Despite that, a relationship develops between the two. The final obstacle to their romance is a native named Hehog, who has decided that he and Kiev are ancient enemies, reborn every generation to take turns killing each other.

Hehog taunts Kiev. Art probably by Gaughan

This is not the Dickson story I was expecting. From the title, I thought this would be one of his military pieces, maybe a new Dorsai tale. This is personal in a way those stories aren’t, and it’s very, very good. But Dickson didn’t quite hit the mark for me. He never really sells the relationship between Kiev and Willy; worse, even though Kiev is the viewpoint character, we never really get into his head, which makes the ending a bit inscrutable. And for all that, and because I know Dickson is capable of doing better, I have to lower my rating. Don’t be surprised to see this one nominated for a lot of awards, though.

A very, very high three stars.

Now No One Waits, by Neil Shapiro

Wrecked on a dead world, a man and a woman have little hope of rescue. They spend their time in meaningless sex and exploring the ruins of a lost civilization.

The doomed couple study the map room. Art by Gaughan

Shapiro seems to be a new writer, though he isn’t this month’s IF first; maybe he has a sale or two outside science fiction. In any case, the writing is solid for the most part. The ending, though, didn’t seem to grow naturally from what came before and also felt rather obscure. A writer with potential.

A slightly below average three stars.

What Time Was That?, by Barry Malzberg

Malzberg offers us a New Wave tale of the invention of a time machine, told in first, second, and third person. It mostly works.

Three stars.

A crackpot’s time machine. Art probably by Gaughan

Heroes Die But Once, by Norman Spinrad

A newlywed couple are exploring the galaxy, hoping to find a habitable world and make their fortune. They find one, but they also find aliens who decide to stress test their relationship.

I don’t know if this is a printing error or a deliberate choice, but it’s awfully hard to read. Art by Gaughan

A reasonable effort by Spinrad, with more than a touch of Ellisonian cynicism. It’s not a pleasant read, but then it’s not trying to say pleasant things.

Three stars.

The New Thing, by John Brunner

From the title and author, I was expecting a piece satirizing the New Wave. Instead, it’s an examination of what happens to societies in the extremely far future when a sort of interstellar Guinness Book of Records makes it clear that there truly is nothing new under the sun (or any other star).

Waiting rooms will never change. Art probably by Gaughan

It’s a bit long-winded and consists almost entirely of people sitting around and talking. Nevertheless, it mostly works.

Three stars.

In the Beginning, by Glenn Chang

This month’s official new author asks if love can endure beyond the end of all things. The theme is jejune, and the ending rather trite, but the author is only 18. He shows promise, and more experience with the real world could result in some good stories.

Three stars.

The Story of Our Earth (Part 4), by Willy Ley

Ley’s history of the planet has reached the Carboniferous period. He talks about the origins of coal (no matter what Sinclair Oil may say, it wasn’t dinosaurs) and how our understanding of the period has changed. From there he moves to the Earth’s first ice age and the Permian period. He focuses on the primitive reptiles of the time and the importance of teeth to paleontologists.

Four stars.

The Man Who Would Not, by James E. Gunn

It’s hard to say anything about this without giving the whole thing away. In essence, it’s a conversation about the end of an experiment. Beyond that, I’ll only say that it is both downbeat and hopeful.

Four stars.

Art by Gaughan

The Seeds of Gonyl (Part 3 of 3), by Keith Laumer

Honestly, I just don’t feel motivated to summarize the end of this serial. Aliens, a guy with memories he can’t quite explain, blah, blah, blah. The hero triumphs in the end. Sort of. Everybody on Earth is dead except for a few hundred people in south-eastern Nebraska. If you’re familiar with Laumer, he does this better in other books; if you aren’t, this is not a good place to start.

A low three stars for this part (some of the action is OK) and barely three stars for the whole thing.

The hero and an ally fight an invader. Art by Gaughan

Summing up

I’m starting to feel like I know what IF is going to be like under the new management. Just looking at the scores, it doesn’t seem all that different from the Pohl days. That’s true for the peaks and averages, but the lows don’t seem to be as low. Plus, the overall tone is fresher. My only real complaint is the art being all Gaughan all the time, and uncredited. We’re not getting his best work. Otherwise, I’d say IF is looking good as we move into a new decade.

Sounds like the big story would have fit right in this month.






[October 24, 1969] How sweet it isn't (November 1969 Fantasy and Science Fiction)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Rats!

A study just completed by the Department of Health, Education, and Welfare has concluded that cyclamates may cause bladder tumors in rats.

How does this affect you?

Decades ago, it paid to be plump.  It was a sign of wealth and health.  It was attractive!  These days, we're in the Grape Nuts generation, and it's now all about fitness and being slender.  How to reconcile the popularity of fizzy sweet sodapop and the desire to cut sugar from our diets (despite the Sugar Council telling us it's good for us)?

Early this decade, a slew of soft drinks came out, sweetened not with sugar, but with a blend of artificial sweeteners—saccharin and cyclamates.  Diet Rite and Tab may not have tasted just like Coke and Pepsi, but they did the job and preserved the waistline.

But now, thanks to the HEW report, soft drink companies are all pulling their cyclamate sodas off the market as of February 1, 1970.  Grab your vintage colas while you can, because they won't exist come next spring!

What does the future hold for diet sodas?  Well, for now, saccharin is still legal, though by itself, it's a bit bitter (remember the "sach" tablets Winston Smith put in his coffee in 1984)?  There is talk of putting sugar back into diet sodas…just less of it.

And, since this is a science fiction 'zine, we can always speculate that new and better sweeteners will be developed.  Maybe even on purpose this time—did you know that both saccharin and cyclamates were discovered by accident?  Constantin Fahlberg was researching coal tar derivatives and forgot to wash his hands before going for lunch, when he discovered saccharine was discovered in 1879.  And grad student Michael Sveda was working on anti-fever drugs in 1937; some got on a cigarette, and when he took a drag, it tasted sweet.

Cue the commercials:

Bob: My cigarette just isn't doing it for me anymore.
Larry: Try mine!  It's new.
Bob: Hey! Not bad…sweet!
Larry: You better believe it.



by Jack Gaughan

Of course, with a lede like the one I just wrote, you can guess that the latest issue of Fantasy and Science Fiction is less than palatable.

Continue reading [October 24, 1969] How sweet it isn't (November 1969 Fantasy and Science Fiction)

[October 16, 1969] The March Goes On (Heartsease, Masque World, The Shadow People, Avengers of Carrig…and more!)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Unusually for the Galactoscope, our monthly round-up of new science fiction publications, we're starting this article with a stop press. It's simply too big an item to ignore.

If you read the papers this morning, you know the big news was that the Mets played the winning game of the World Series last night, against the Orioles. Competing for inches on the front page was the largest, the most coordinated, the most widespread anti-war demonstration this country has yet experienced.


Demonstrators in Washington

One million people, in every state of the union, participated in Vietnam Moratorium Day. Originally planned as a nationwide strike, instead, attendees made highly their protests highly visible—and peaceful. A quarter of a million marched down Pennsylvania Avenue in the nation's capital, echoing Dr. King's march on Washington in 1963. 100,000 gathered in Boston, with similar numbers protesting in New York (where Mayor John Lindsay is rumored to have given tacit support) and Miami. My local rag reported that there were counter-protests, too, but I have to wonder how big they were.

Closer to home, 1,500 gathered in Los Angeles to burn their draft cards. And at Palomar Community College, just ten minutes from my home, hundreds of students gathered for a "Teach-In". When word got out that protestors might take down the flag in front of the student union, a squad of football players was stationed at its base. No altercation occurred.


Protestors at Palomar

Will this demonstration alter the course of a war, which has killed tens of thousands of Americans and hundreds of thousands of Vietnamese? A spokesman for Richard Milhouse Nixon said last night, "I don't think the President can be affected by a mass demonstration of any kind." Comedian Dick Gregory retorted to the crowd in New York, "The President says nothing you kids do will have any effect on him. Well, I suggest he make one long-distance call to the LBJ ranch. "


Card-burners in Los Angeles

In any event, this may be just the first salvo fired in a peace offensive. Washington protest organizer Sam Brown said last night, "If there is no change in Vietnam policy, if the President does not respond, there will be a second moratorium."

And now on to book news—are this month's science fiction titles as noteworthy?



By Mx Kris Vyas-Myall

Heartease by Peter Dickinson (as serialized in Look and Learn)

Cover of 1965 editions of Ranger and Look and Learn in a red folder
Copies of Ranger and Look and Learn from my collection inside the official binders

Regular readers of the Journey will probably know I am a big fan of British comic books. They may even recognize the name Look and Learn due to it containing the multi-Galactic Star winning Trigan Empire (formerly of Ranger).

However, I have not talked much about Look and Learn itself. It is by far the most expensive comic book on the market at 1/6-, almost triple the price of your standard copy of June or TV Century 21. In spite of this it has retained a significant market presence by presenting itself as an educational magazine for young people, in contrast to the naughtiness of Dennis the Menace, or the pulp space adventures of Dan Dare.

This, however, is not merely a trick. They have both some of the best comic strips on the market and non-fiction articles–better than you see in most magazines aimed at adults. Looking at the contents of a June issue we have:

  • Ongoing comic book adaptation of Ben-Hur
  • How to prevent forest fires and how to apply for a career in forestry
  • A short story on a Gypsy boy winning the Natural History Prize
  • The life of the current Prince of Wales
  • An interview with a Chicago police officer on what crime fighting was like in the 1930s
  • Story of the ship Emile St. Pierre in the American Civil War
  • How the Magna Carta came to be
  • Regular series of identification of coins, planes, stamps and trains
  • Rob Riley comic: Adventures and daily life of English school boys
  • Laugh with Fiddy: Short uncaptioned humour comics
  • Wildcat Wayne: Action adventures of a troubleshooter for an oil company
  • Trigan Empire: Tales from the history of an interstellar empire, centering around its ruling dynasty
  • Dan Dakota – Lone Gun: Western comic
  • Origin and meaning of the saying The Widow’s Mite
  • Diary entries from James Woodforde in 1786
  • The history of RADAR in British aviation
  • Ongoing prose serialization of The Mark of the Pentagram, a tale of slavery in the 18th century
  • How tea came to be imported to Britain
  • Marsh land reclamation efforts on river estuaries
  • How William and Dorothy Wordsworth influenced each other’s work
  • Picture series on how heavy loads have been transported over the centuries
  • Feature on the novel Ring of Bright Water by Gavin Maxwell
  • About the game Takraw
  • Picture series on Iceland.

As such, it is much easier for a kid to justify dropping their pocket money on this each week when they can also show their parents a page on the lifecycle of a butterfly and give them a series of facts from the life of Jane Austen between reading about spaceflight and the adventures of cowboys.

2 Black and White drawings, one of a two children sheltering from flames with clothes wrapped around their faces. The other of an otter with its tale being bitten by an otter.
Example illustations for I Am David (left) and Tarka the Otter (Right) (uncredited)

However, outside of the comic strips Space Cadet and Trigan Empire, SF content is rare inside. Keeping to its educational mode, it tends towards historical fiction or uncovering the natural world. With serials tending to be works like The Silver Sword, Tarka The Otter or I Am David.

In fact, I cannot recall any prose serials that have been science fiction, before now. As such, with adult responsibilities getting the better of me, I hadn’t paid too much attention to these pieces. It was only when flicking back through them recently that I perked up at the name Peter Dickinson.

Last year he published The Weathermonger, a book that was much enjoyed by the folks here. This was not only by the same author but Heartsease also takes places in England under The Changes. It was serialised in 10 parts (from 8th March to 10th May 1969).

This is set in an earlier time in the history of this world. Whilst Weathermonger is set when The Changes are a well-established way of life, this is in the earlier stages of these events. As we are told at the beginning:

This is a story about an England where everyone thinks machines are wicked. The time is now, or soon; but you have to imagine that five years before the story starts, because of a strange enchantment, people suddenly turned against tractors and buses and central heating and nuclear reactors and electric razors. Anybody who tried to use a machine was called a witch or stoned or drowned.

Margaret on her pony rearing as a bull charges at her.
Illustrator uncredited

In the Cotswolds, Margaret and her cousin Jonathan live with her Aunt Alice and Uncle Peter, plus two servants Lucy and Tim, the latter of which is unable to speak. Near their village, an outsider is found using a radio and is sentenced to be stoned as a witch.

The horror of witnessing the stoning seems to break Jonathan out of the hatred the adults have, so he works with Margaret, Lucy and Tim to free the man condemned for witchcraft. Hiding him he reveals his name is Otto, he is an American sent to investigate the situation in Britain when he was caught. The children agree to get him back to his ship.

However, the local Sexton, Davey Gordon, is still on the hunt for Otto. What’s more he is suspicious of Lucy and Tim, given the latter’s disability. They all form a plan to help him escape using an old tugboat called Heartsease.

Margaret and Lucy running holding petrol cans as the timber on the quayside burns around them
Illustrator uncredited

I can understand why this would appeal to the editors of Look and Learn. With the removal of technology, it resembles historical fiction and does not have the magical elements of The Weathermonger. In addition, it contains information on how locks work, so it can be marketed as educational.

It is a much smaller tale than The Weathermonger, just about young people trying to do the right thing as they get caught up in horrific events. But, for that, it becomes a bit of a deeper tale. As well as having plenty of adventure, it looks at how we treat others and posits some darker reasons why things may be happening than is revealed in the prior novel:

“…they’ve done so many awful things they’ve got to believe they were right. The more they hurt and kill, they more they’ve been proving to themselves they’ve been doing God’s will all along.”

Heartsease 1968 hardback Gollancz book cover
Gollancz book edition. Unknown illustrator

Based on some fag-packet-maths I estimate the word count here is somewhere between a third to a half of what is in the book version, so there is likely more story to be told.

But for this serialized form, I will give it Four Stars.



by Victoria Silverwolf

Bigger and Better?

Two novels that are expanded versions of earlier, shorter works fell into my hands recently. Will this added verbiage improve them? Let's find out.

Worlds of the Wall, by C. C. MacAppp


Anonymous cover art. Human and pterodactyl number one.

This book started life as a novelette called Beyond the Ebon Wall in the October 1964 issue of Fantastic. I reviewed it at the time, giving it two stars. That's not a good omen, but let's not give up hope.

Our hero is inside an experimental starship. He winds up near a planet that seems to be missing an entire hemisphere. Forget all this science fiction stuff, because the rest of the book is pure fantasy.

Landing on the weird world, the guy finds out that the place is divided in half by a gigantic wall. He sees two naked men fighting and an elderly fellow with a scarred face. The latter seems very familiar, which is a clue as to the novel's major plot twist.

The protagonist passes through the seemingly solid wall as if it weren't there. He meets a double for the elderly guy and hears a huge magpie recite an enigmatic poem. This begins an odyssey that involves becoming a galley slave, taking part in a hunt for a gigantic beast (which develops a bond with a hero), and battling a pirate captain allied with a sorcerer. It all winds up where it started.

This is the plot of the novelette, so what's new? The middle section of the novel, detailing the hero's adventures as a galley slave, is much longer. There's a vivid scene of the protagonist and his shipmates climbing down a gigantic cliff.

The new version is a slight improvement on the old one. The explanation for what's going on, involving multiple continua and time travel, still doesn't make much sense, but it's a little less incoherent that before.

Two and one-half stars.

Thbe Avengers of Carrig, by John Brunner


Cover art by Jack Gaughan. Human and pterodactyl number two.

A shorter version of this novel appeared in 1962 as half of an Ace Double, under the title Secret Agent of Terra. It was reviewed by my esteemed colleague Rosemary Benton, who gave the twin volume four stars as a whole.

The setting is a planet settled by human refugees from a nova that wiped out another colony world many centuries ago. The survivors have evolved into a medieval, feudal kind of society. Carrig is the dominant city-state. The place has an ancient ritual of choosing its leaders in an unusual fashion.

Contenders for the title of regent board gliders and try to kill the biggest and strongest specimen of the giant flying beasts that inhabit the planet. (The winner is called a regent because the creature is considered to be the true king.) If nobody slays the animal, which definitely puts up a good fight, the former regent retains the title.

A couple of strangers show up, one of whom easily kills the so-called king with what is obviously highly advanced technology. It's clear to the reader, if not the locals, that they're from another world. Along the way they kill a fellow who discovers their nefarious plan.

The victim was secretly an agent for the folks who keep an eye on refugee planets like this one, being careful to avoid interfering with their natural development, but also making sure other people don't take advantage of them.

When the dead man stops sending messages back to his superiors, they send a fledging agent, along with an older, more experienced one, to the planet to find out what happened. (The young agent is something of a snob and unpopular with the others, so this is one last chance for her to prove herself during what is supposed to be a routine mission.)

They don't know the bad guys are there (they think the deceased agent has gone silent for some other, less sinister reason) so they're taken completely by surprise when an enemy spaceship attacks. The young agent winds up in a frozen wasteland. We don't find out what happened to the older man until later.

As luck would have it, she joins forces with the fellow who was the favorite to become the next regent. Both of them win an unexpected ally in the form of one of the flying creatures, who turns out to be a lot more intelligent than they thought.

Like MacApp's novel, this is strictly an adventure story. The big difference is that Brunner offers a tighter, more unified plot (even if it does depend on some remarkable coincidences.) It's not a complex, ambitious work like Stand on Zanzibar or The Jagged Orbit, but it's highly competent entertainment.

Three and one-half stars.


Masque World, by Alexei Panshin


by Jason Sacks

Last year I reviewed the first book in Alexei Panshin's "Anthony Villiers" series, Star Well . I praised the book for its wry, often post-modern take on heroic fiction, digging Panshin's frequent absurd sidebars and silly takes on events.

Now the third book of the Villiers series is out, and Masque World offers much the same as his earlier book: it's absurd and wise, clever and sometimes frustrating, and a pretty delightful "shaggy dog" story.


cover by Kelly Freas

This time Villiers and his pal, the Trog named Torve (a deliberately odd alien creature who is thoroughly uncanny for most people) have found their way to Delbalso, "a semi-autonomic dependency of the Nashuite Empire," as the introductory text informs us. When there, the duo gets deeply involved in all kinds of affairs in the kingdom, many centered around Villiers's uncle Lord Semichastny who is obsessed and addicted to melons (did you know there are over 100 different types of melons? Semichastny  can tell you all about that topic, and many more, as if he's some sort of savant or young child in adult form).

Cultures are games played to common rules — for convenience. The High Culture, while not superior to very much, is a fair-to-middling game, and that is all.

There's also an angry robot bulter who seems to resent his subservient role and who tells spooky stories to the other mechanical creatures in  Semichastny's castle, and there's a Semichastny friend who gets transformed when he puts on a costume, and there's a cult who seem incredibly happy – perhaps too happy for their own good.

Monism promises only one thing, to make you very very happy. There is a catch, of course. To be happy as a Monist, you must accept Monist definitions of happiness. If you can — you have a blissful life ahead of you. Congratulations.

A lot of this story, therefore, centers around the idea of identity, how to shed identity and how to transform identity; how identity conforms to crowds and how identity stands alone. This all does a wonderful job of showcasing Panshin's elusive commentary on the human condition. As becomes clear by the end, it's the humor and commentary which matter here, not the story.

Do places dream of people until they return?

For the longest time I kind of fought this book, trying hard to make sense of the twists and turns of its plot. Until, that is, I realized that plot is meant to be arbitrary and somewhat confusing. Its twists and turns reflect the mindset of Mr. Panshin, and that and his wordplay – highlighted here as excerpts – are the key things he wants to share with readers.

Holidays are no pleasure for anyone but children, and they are a pleasure only for children only because they seem new. Holidays are no pleasure to those who schedule them. Holidays are for people who need to be formally reminded to have a good time and believe it is safer to warm up an old successful party than to chance the untried.

Masque World is very loose  and fun, a bit arbitrary and silly, and I enjoyed it alright. The book feels a bit indulgent at times, and Panshin's having a bit of a goof, but it's well worth 60¢ and 3 hours of your time.

The ending promises a fourth book in  the series, to be called The Universal Pantograph. I do hope we get to spend more time in this wildly discursve world of the one and only Anthony Villiers.

3 stars


The Shadow People, by Margaret St. Clair


by Tonya R. Moore

I had never encountered any works of fiction written by Margaret St. Clair before reading The Shadow People. The story’s premise is wonderfully dark and imaginative but the reader’s sense of wonder is drowned out by the book’s glaring faults.


cover by Jeff Jones

Aldridge, our hero, descends into a strange and alien underworld in search of his girlfriend who has gone missing. He finds her while navigating this strange dimension, but something about her has been irrevocably altered. Even so, Aldridge seeks a way back to the human world for himself and for the love of this life. When he/they finally returns to the surface, he finds that during his absence, human civilization was twisted into a dark, futuristic dystopia where people are now heavily policed and managed like cattle.

The fact that a female author would center a male character in her work feels like some kind of betrayal. I understand that science fiction tends to be a male-dominated genre, where only men can be the heroes and only men are expected to save the day. But Carol is the one who disappears into the fae realm first. Why does she need to sit on her laurels and wait for The Man to come and save her?

Furthermore, Carol is transformed into a mindless shell of a human, devoid of any ability to express any will of her own or even think for herself. Ultimately, The Man must dictate the woman’s fate. So much for the Women’s Rights Movement. There is a part of me that expects female authors to push back against such demeaning notions and St. Clair, in very bad taste, seems to capitulate to this male chauvinist ideology. Perhaps it was this bias that made it impossible for me to resonate with this story’s protagonist.

Aldridge is a canned character. He is everything a heroic male protagonist “ought” to be and possesses very little depth or complexity in personality. He responds “correctly” to every situation and never seems to doubt or question himself. This leaves a discerning reader with little choice but to question his humanity.

Another possible reason the story rankled was the way elves are portrayed in The Shadow People. St. Clair's version runs counter to the commonly held mental image of elves, portraying them as grotesque and malevolent, instead of beautiful, good-willed, and elegant. St. Clair’s elves are more like the lesser known spriggans of elven lore. This, I agree, is very clever of St. Clair but still, broadly classifying these beings as “elves” felt like needlessly shattering the average reader’s fanciful notions about fae-kind.

There are some disconcerting allusions here to the alienation and institutionalized oppression of the Negro people. As a black woman, I felt that there was a certain lack of sensitivity in drawing these parallels while also side-stepping the cruel reality plaguing modern society.

The imagery in The Shadow People is visceral and draws the reader into every moment. The events of the story are quite dramatic and would make a great film. For some reason, though, none of this resonated with me. I could not fully appreciate or enjoy reading this book nor could I quite rid myself of the vague suspicion that this author had to be a man, a misogynist at that, writing under the guise of a female author.

2.5 stars.


West of Sol


by George Pritchard

Postmarked the Stars


Cover by R. M. Powers

There is a phrase, deja vu, which refers to feeling or seeing something that you have not interacted with before, yet seems intensely familiar. These are now believed to be psychic echoes, but it is a useful term for Andre Norton's latest work, Postmarked the Stars. I was excited to begin this, as the last thing I read of hers was Star Man’s Son, which I enjoyed deeply and still own a copy of.

I want to emphasize that I did not hate this book, nor did I find it incompetent, but reading Postmarked feels like watching a piston engine. Smooth and efficient and automatic, but always quite obviously a machine. This is the fourth entry in the Solar Queen adventures, although no previous books need to be read to understand this one. The previous book in this series came out a decade ago, but I am not particularly familiar with what interest there was, or is.

Dane Thorson, assistant cargo master to the Free Trader ship Solar Queen, discovers that a strange, radioactive box on board is causing the creatures near it to change, becoming larger and more intelligent. Before the crew can figure out what to do with this information, the ship is caught in a tractor beam, and they are dragged to the planet’s surface. Dane, Tau the medical officer, and the psychic cat end up separated into a search party. A group of dead miners are found, an enormous insect monster is battled, before another tractor beam drags them and the planetary ranger onwards towards a secret base in unexplored territory. It all seems to be connected to that strange, radioactive stone!

Is there indeed gold in them thar hills?

One thing I have always enjoyed about Norton's writing, particularly given the genres she works in, is the equal footing she gives to non white characters. Even the names she gives to background characters vary in ways that speak to strength in differences amongst the stars — names from the Indian subcontinent right alongside Welsh, Jewish, and Chinese! For another example, a prospector type is introduced, and it's only mentioned half a chapter later that he is dark-skinned.

This story is a space Western, plain and simple. The recent movie, Moon Zero Two [review coming out October 18] is my immediate point of comparison, but this has been a rich vein in the genre for a long time. The potential for racism in the story is, for better or worse, replaced by that dullest of Westerns, the claim jumper plot, combined with the Pony Express or stagecoach robbery.

Norton has been publishing continuously for almost two decades at this point. Maybe she needs a break, taking a chance to look at the New Wave trends and use them for her own. I know that, given time, she can make them shine the way Star Man’s Son pushed the boundaries of boy’s adventure novels. Norton can do better, and has, but Postmarked the Stars does nothing at all.

Two stars.






[October 12, 1969] My country, right or… (November 1969 Galaxy)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Justice delayed

The new Supreme Court, whose prime continuity to the old one is the preservation of the name "Warren" in its Chief Justice, is now in session—minus one Justice…for now.

Warren Burger has taken over from Earl Warren, and one can already feel the rightward lurch of our nation's highest judiciary.  Now, President Richard Milhouse Nixon plans to careen the Supreme Court in an even more conservative direction.

Tricky Dick's nomination to fill the seat left when LBJ's nominee, Abe Fortas, didn't get the job, is Clement F. Haynsworth.  Haynsworth is currently a United States circuit judge of the United States Court of Appeals for the Fourth Circuit (Atlantic coast of the Upper South), a position he has held since being appointed their by Ike in 1957.  The Senate Judiciary Committee on October 9th approved 10-7 the consideration of Justice Haynsworth.

The road ahead is far from clement for Haynsworth, however.  For one, he bought 1000 shares of Brunswick (the bowling company) just before publishing a ruling he helped make on said company.  After the heightened scrutiny on ethics that accompanied the Fortas nomination, Haynsworth is under an intense microscope.  Labor groups maintained that he should have recused himself from a case involving a textile mill; he owned shares of a company that did business with the mill.

Critics of the storm say this is just tit for tat after the Fortas fight, rather than for any substantive reason.  What's really at stake is Haynsworth is a reactionary.  He affirmed the decision by local authorities to close the Prince Edward County schools to avoid integration, he upheld the constitutionality of school voucher programs used to fund segregated private schools, and he supported the management of the Darlington Manufacturing Company in South Carolina when it closed down to avoid its employees unionizing.

Will Haynsworth make it on the bench?  It's hard to imagine he will.  If a Republican minority was sufficient to deny Fortas a seat, then a Democratic majority will surely roadblock Haynsworth.  If and when this happens, the question is whether Nixon will double down or conciliate.  At stake this season are decisions on the tax exempt status of churches, the death penalty, punitive drafting of war protesters, and the rights of Black Americans.

Stay tuned…

Entertainment delayed

Just as we're playing the waiting game to see the direction jurisprudence goes in America, so the latest issue of Galaxy science fiction makes it clear that the future of SF, particularly in the pages of the former queen of the genre, is as yet uncertain.


by Jack Gaughan (as are, presumably, all of the other illustrations in this magazine)

Continue reading [October 12, 1969] My country, right or… (November 1969 Galaxy)