Tag Archives: dean r. koontz

[January 10, 1970] Time On My Hands (February 1970 Fantastic)

photo of a dark-haired woman with vampiric eyebrows
by Victoria Silverwolf

What Time Is It?

That's a question that you can answer with more confidence than before, if you're willing to shell out a whole bunch of bucks.  On Christmas Day the Japanese company Seiko introduced the world's first quartz wristwatch.  (There have been clocks using quartz crystals, but not anything this small.)

As I understand it, quartz crystals vibrate in a precise manner when voltage is applied to them.  Thus, the tiny bit of quartz inside the watch, powered by an itty-bitty battery, provides an unvarying pulse that supplies extraordinary accuracy.

The Quartz Astro 35SQ keeps time to within five seconds per month, which is said to be about one hundred times better than a mechanical watch of good quality. 

The catch?  You have to pay 450,000 yen for it.  That's well over one thousand dollars.  You can buy a nice new car for the price of two watches.

photograph of a gold watch with a brown leather strap. In the center of the face, letters spell out Seiko-Astro
Quite a stocking stuffer.

If you like, you can use your fancy new timepiece to measure how long it takes to peruse the latest issue of Fantastic.


Cover art by Johnny Bruck.

Or maybe the publishers can measure how much time they saved by copying the cover art from yet another issue of Perry Rhodan instead of waiting for an artist to create a new one.

Cover of Fantastic: illustration of a spacesuited man on a pink lunar surface grappling with a blue robotic, treaded tank with a big eye stalk and two grasping tentacles.
The title translates to The Cannons of Everblack.  Note the use of English for what I presume is the name of a planet.

Continue reading [January 10, 1970] Time On My Hands (February 1970 Fantastic)

[December 20, 1969] Stars above, stars at hand (January 1970 Fantasy and Science Fiction)

[New to the Journey?  Read this for a brief introduction!]

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Being #2… stinks

On the scene at the launch of Apollo 12, President Nixon assured the NASA technicians that America was #1 in space, and that it wasn't just jingoism—it was true!

Well, even a stopped clock, etc.  In fact, all accounts suggest the Soviet space program had some serious setbacks last year, the results of which will be felt through at least to 1971.  Schedules got shifted as large rockets were earmarked for purely military service in response to the escalating (now calmed) Sino-Soviet crisis.  But the biggest issue was reported in Aviation Weekly last month: apparently, the Soviets lost a Saturn-class booster on the launch pad before liftoff last summer.  I hadn't even heard that such a thing was in development!  The rocket's loss has set back the USSR's manned space program by at least a year, resulting in tepid non-achievements like their recent triple Soyuz mission rather than the construction of a space station or a trip to the Moon.

A rocket being launched into space.
This is actually the rocket from the Soviet film The Sky Calls (American title: Battle Beyond the Sun)

It didn't help that the Soyuz pads were occupied during the summer as the Soviets tried to match our lunar efforts.  It may well be that their Saturn was rushed to service too soon, and similar gun-jumping may have caused the loss of the Luna 15 sample-return mission.

Speaking of which, in September, the Soviets launched Kosmos 300 and 305.  Both of them were heavy satellites that went into the orbit usually used for lunar Zond missions.  And then they reentered shortly thereafter…in pieces.  It's not certain if these were to be circumlunar flights or retries of Luna 15.  Either way, they didn't work out, either.

Meanwhile, the Apollo mission moves blithely along.  Apollo 13 will go to the Moon next March to Fra Mauro, a landing site photographically scouted out by the Apollo 12 folks.  This chapter of the Space Race is well and truly over, won by the forces of democracy championed by such luminaries as Spiro Agnew.

That's a good rock

Speaking of Apollo 12, you may recall earlier this month I talked about analysis of the Moon rocks brought back by Apollo 11.  A similar report has come out about the rocks brought back by Conrad and Bean.  Dr. Oliver A. Schaeffer of New York State Univ. at Stony Brook says they are only 2.2 to 2.5 billion years old—1-2 billion years younger than the Armstrong and Aldrin's samples.  This means some kind of surface activity was ongoing on the comparatively quiet Moon—meteorite strikes and/or vulcanism, we don't know yet.


NASA astronaut Charles "Pete" Conrad, commander of the Apollo 12 mission, holds two moon rocks he and Alan Bean brought back to Earth.  Taken last month at Manned Spacecraft Center's Lunar Receiving Laboratory.

Also, Dr. S. Ross Taylor of Australian National Univ. says the Apollo 12 samples contain about half the titanium as the Apollo 11 rocks and also more nickel, though otherwise, their chemistry is similar.  Thus, the Moon is far from homogeneous, and we have just scratched the surface (so to speak) of the mystery that is the Moon.  As we get more samples from more sites, a better picture will come together, but it will undoubtedly take time; imagine trying to contemplate all of Earth's geologic diversity from just two short digs?

Holiday Feast

It may have been rocky going on the Moon (yuk yuk) but it's fair sailing with this month's issue of The Magazine of Fantasy and Science Fiction!

Cover of The Magazine of Fantasy and Science Fiction. It announces the stories Longtooth by Edgar Pangborn and A Third Hand by Dean R. Koontz. The cover illustration shows a racecar driven by a robot on a desert landscape at night.
Cover by Mel Hunter

Continue reading [December 20, 1969] Stars above, stars at hand (January 1970 Fantasy and Science Fiction)

[August 24, 1969] Flying and dragging (September 1969 Fantasy and Science Fiction)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Flying

By the time this makes press, we'll already (hopefully) be on the flight back to San Diego.  As with most publications, though we try to hit the press as fresh as possible, there is a delay between writing and printing.  This is exceptionally unavoidable this time 'round because…

…we're off to Woodstock!

Specifically, the Woodstock Art & Music Fair, an "Aquarian Exposition" in White Lake, New York.  There's an art show and a craft bazaar and hundreds of acres of sprawl, but the main draw is the music: 27 bands, from Jimi Hendrix to Janis Joplin to Glen Beck to Sweetwater to Ritchie Havens, playing in 12-hour swathes, 1pm to 1am, every day (except the first—then, it's 4pm to 4am, apparently).

Well, we couldn't miss a chance to see something like this, so we booked tickets to Idlewild…er… JFK, chartered a bus, and we're headed for Max Yasgur's farm.  This isn't our first rodeo, so we've taken a few precautions:

1) We left early to avoid the rush.  With more than 100,000 expected to show up for this thing, there's going to be traffic jams;

2) We bought supplies in case we can't get what we want to eat;

3) We brought our own toilets!  A handy trick we developed camping up in Sequoia country: take a bucket, fill it a quarter way with Kitty Litter, and stick a toilet seat on top.  It works as well for people as it does for cats, and you don't have to dig latrines!

So, we're hopeful to get good seats and enjoy, as much as anyone can, three days of fun in the open air.  We'll have a full report when we get back!

Dragging


by Chesley Bonestell

Continue reading [August 24, 1969] Flying and dragging (September 1969 Fantasy and Science Fiction)

[July 2, 1969] Merging streams (August 1969 Venture)


by David Levinson

Joining the mainstream

Every Sunday, the New York Times publishes a list of the best selling books of the last week. It tends to be a mix of high-brow, literary novels and potboilers—especially spy thrillers—along with the occasional gothic romance and a mystery once in a blue moon. But to the best of my knowledge, it’s never had a science fiction novel prior to this year. As of the latest list, it has not one but two, both of which have been reviewed here at the Journey. There’s even a third that could be said to have sfnal elements if you stand on your head and squint a bit.

In its tenth week on the list and slipping one spot to number six is Kurt Vonnegut’s Slaughterhouse-Five. Of course, Vonnegut is none too happy about his work being labelled science fiction. Meanwhile, Michael Crichton’s The Andromeda Strain hit the list for the first time in eighth place. The potential third novel is Vladimir Nabokov’s Ada, or Ardor, which seems to be set on an Earth exactly like ours with a slightly different history or on a counter-Earth on the other side of the sun. Other than that, there doesn’t seem to be much science fiction in the plot, so I’m not really inclined to include it.

Does this mean our beloved genre has finally hit the big time? Probably not. As I said, Vonnegut doesn’t want to associate with us, and I wouldn’t be surprised if Crichton thinks of his book as a thriller. (I could be wrong, but that’s how it’s being marketed.) 2001 did all right at the box office, but was panned by critics (including some SF critics). Star Trek has been canceled, leaving Land of the Giants—a show so bad it makes Lost in Space look smart—the closest thing to SF on television. But just maybe the boundaries are weakening, even if we wind up having to sneak in the back door with those who won’t acknowledge us.

Sophomore or sophomoric?

The second issue of Mercury Publishing’s second attempt at Venture SF is on the stands. How is it? Well, before we crack it open, let’s look at the outside.

More geometric shapes and color washes. Art by Bert Tanner

Continue reading [July 2, 1969] Merging streams (August 1969 Venture)

[June 2, 1969] The ever-whirling wheel (July 1969 IF)


by David Levinson

A change is gonna come

Regular readers of Galactic Journey or of SF magazines in general may have noticed that neither Galaxy nor IF published last month. With a bit of detective work, I’ve put together what happened.

The clues are on the masthead. Editor Fred Pohl is now listed as Editor Emeritus, while the editor is Ejler Jakobsson. The publisher is no longer Robert M. Guinn, but Arnold E. Abramson, and Galaxy Publishing has been replaced by Universal Publishing. (That last worried me for a moment, but I quickly remembered that Amazing and Fantastic are put out by Ultimate Publishing under Sol Cohen.)

There’s also an editorial from Fred, talking about the changes. Most importantly, he’s stepping back to focus more on writing. That and the fact that he’s sticking around to look over the new editor’s shoulder (Fred’s words) for a while suggests his departure is voluntary and doesn’t suggest any misgivings about the new ownership on his part. Plus, we should be getting new stuff from him more often.

Who is Ejler Jakobsson? He had a few horror stories back in the late 30s, cowritten with his wife Edith, but if his name sounds familiar, it’s most likely because he was the editor for the revival of Super Science Stories from 1949-1951. Coincidentally, that magazine had been edited by Fred Pohl before it was shut down by wartime paper shortages.

What changes can we expect? Fred prefers to let us see them as they happen, but the promo for next month hints at some. IF is getting a book review column by Lester del Rey. That may or may not mean the end of his “If… and When” column. We’re also getting a twelve part series by Willy Ley, “The Story of Our Earth.” That might suggest some changes over at Galaxy.

Of course, the biggest question is what sort of stories Jakobsson will buy. It will be a while before we get a good feel for that, since there’s bound to be a backlog of stories selected by Pohl. It took several months for the Fermans over at Fantasy and Science Fiction to change the course set by Avram Davidson, but Ted White has wrestled Amazing and Fantastic into a new direction almost immediately. We’ll see, but we should have a good idea by the time we start the new decade.

A bang or a whimper?

Since this is the last issue under Fred Pohl’s leadership, it’s fair to ask what sort of note he goes out on. Will he put out a strong issue, go out on a high note and remind us why this magazine has won three straight Hugos? Or will it be utterly awful and make us glad he’s gone? Not to ruin the suspense, but the July issue is really just another typical, middle-of-the-road example. There’s some good stuff and some not so good. Let’s start with the cover.

Art credited only as couresy of Three Lions, Inc. but actually by German artist Johnny Bruck.

Continue reading [June 2, 1969] The ever-whirling wheel (July 1969 IF)

[December 2, 1968] Forget It (January 1969 IF)


by David Levinson

Forget the future

It’s official. As if it weren’t already clear from the events in Hungary in 1956 and Czechoslovakia over the summer, the Soviet Union has now openly declared that no communist nation in the Soviet sphere of influence will be allowed to go its own way or engage in any sort of reforms not approved by Moscow. Addressing the Congress of the Polish United Workers’ Party on November 13th, Soviet General Secretary Leonid Brezhnev stated, “When forces that are hostile to socialism try to turn the development of some socialist country towards capitalism, it becomes not only a problem of the country concerned, but a common problem and concern of all socialist countries.” That’s the justification for military intervention wherever the U.S.S.R. feels like, especially within the Warsaw Pact. We all know who will get to decide if something is a move towards capitalism.

Leonid Brezhnev after addressing the Soviet Central Committee earlier this year.

The backlash has already begun. After years of strained relations, Albania formally withdrew from the Warsaw Pact in protest over the invasion of Czechoslovakia. Of course, they have Yugoslavia as a buffer state, and the close proximity of Greece and Italy probably also offer a deterrent. As we go to press, Romanian leader Nicolae Ceaușescu has publicly condemned this new doctrine as a violation of the Warsaw Treaty. Only time will tell how this shakes out.

Forget the past

Forgetfulness seems to be the theme of this month’s IF. The issue is book-ended with stories featuring protagonists with amnesia, while two of the remaining three stories offer a man who doesn’t know his name and an entire year blotted from everybody’s memory.

Just some random art not associated with any of the stories. Art by Chaffee

Continue reading [December 2, 1968] Forget It (January 1969 IF)

[August 2, 1968] Dreams and Nightmares (September 1968 IF)


by David Levinson

Is the nightmare ending?

I’ve written a few times about the turmoil in communist China brought on by Chairman Mao Tse-tung’s efforts to reassert his power after being sidelined. The most dangerous of Mao’s tools has been the explosive, violent fanaticism of the country’s young people. Calling themselves Red Guards, they came boiling out of the universities and high schools, enforcing a strict adherence to “Mao Tse-tung thought” with humiliation, beatings, and even death.

That was the situation when I last covered the “Cultural Revolution” in February of last year. Since then, the Red Guards have split into factions almost everywhere, generally with one side being more fanatical and the other more willing to work within the system. There are rumors of massacres in Canton Province last year and Kwangshi Province this spring. Clashes in Peking over the last three months have involved not only batons and stones, but landmines, improvised armored vehicles and Molotov cocktails.

Red Guard rebels march in Shanghai last year.

Enough is enough. On July 3rd, the Central Committee of the Communist Party issued a public notice aimed at the violence in Kwangshi. China watchers say this is a sign Mao and the other leaders have decided it’s time to rein in the Red Guards. Results so far have been minimal, so on the 27th Mao dispatched thousands of “worker-peasant thought propaganda teams” to Tsinghua University, the birthplace of the Red Guard movement. The next day, he summoned five of the most influential Red Guard leaders to a meeting. Word is that he strongly reprimanded them, but any news out of China is uncertain. Time will tell if the violence will finally ebb.

Dream a little dream

This month’s IF features several stories that involve dreams and hallucinations. It’s also missing something, but we’ll talk about that later.

Those are supposed to be radiators, not rocket thrusters. Art by McKenna

Continue reading [August 2, 1968] Dreams and Nightmares (September 1968 IF)

[July 22, 1968] Shades and Shadows (August 1968 Fantasy and Science Fiction)


by Gideon Marcus

Hail to the Chief

I mentioned a few months back that Tony Boucher, one of the original editors for The Magazine of Fantasy and Science Fiction had passed away.  Because of the vagaries of publication, it took this long for F&SF to solicit eulogies for Tony and get them in print.  But a finer tribute, I can't imagine.

Some of SF's greatest luminaries pay their respects: Poul Anderson, Isaac Asimov, Randall Garrett, Philip K. Dick, Avram Davidson…but what impressed me even more was how many prominent women authors appear, too–Judith Merril, Mildred Clingerman, Margaret St. Clair, Miriam Allen DeFord.  It is fitting that so many of the fond rememberers are women; F&SF, particularly in the Boucher years, was by far the biggest SF publisher of woman-penned SFF.

Those were great days, the Boucher reign, when virtually every issue was a winner (sort of like the Gold days at Galaxy).  And half the stories we picked for our anthology of SF by women from 1953-57, some of the very best science fiction of the time, came from the pages of F&SF.

It is a shame that the appearance of these names from yesteryear evoke a pang of loss perhaps greater than the passing of Mr. Boucher.  Except for a few notable rallies, F&SF has been on a slow, inexorable downward trend since 1959, it's last superlative year.  This issue is no exception.  While it is not crammed with wholly unworthy material, nor is it anywhere near the standards it used to maintain.

Let me show you…


by Gahan Wilson

The House that Tony Built

The Devil and Jake O'Hara, by Brian Cleeve

I was less than enthusiastic about Brian's last story about Old Nick, in which Satan is cast out of hell along with a lowly sidekick when the souls of Hell unionize and go on strike.  This one is a step downward.

All Lucifer needs to break the strike is one measly member of the damned who will cross the picket lines and turn the power back on in the underworld.  He sets his eyes on an Irish lush who sells his soul for a bottle of quality whiskey.  His daughter adds a few amendments to the deal, but it doesn't really matter.  Ultimately, the sot goes to Hell, though the result is not what the Prince of Darkness wants.

There's just too much affected dialect, meandering, and oh-so-cleverisms.  What could be a workable premise is, instead, tedious.  And this is from someone who likes Deal-with-the-Devil stories.

Two stars.

Sos the Rope (Part 2 of 3), by Piers Anthony

[As with last time, Brian has graciously offered to stand in so I don't have to suffer through Anthony's latest "masterpiece"…]


by Brian Collins

To show once again that democracy is a flawed system, Piers Anthony is now a Hugo nominee! I can scarcely fathom some people’s enthusiasm for his debut novel Chthon getting nominated for Best Novel. His second novel, Sos the Rope, may redeem itself by the final installment, but the chances of it recovering are not high. There is one positive that can be said of this middle installment immediately: it’s short.

Not much happens here, and at only about 25 pages there isn’t much opportunity for Anthony to bless us with his worst habits, all involving women. To recap, it’s America a good century after a nuclear catastrophe, and two rogues, Sos and Sol, agree to a one-year partnership while the latter builds a tribe, one combatant at a time. The two are good friends and respect each other as warriors, but Sos is weaponless while Sol is unable to beget children of his own. Their friendship is complicated when Sol’s wife in name only, Sola, takes a strong liking to Sos and the two eventually have sex behind Sol’s back, leaving Sola pregnant with Sos’s child. This is unfortunate for everyone, including the reader. But by now the one-year contract has run out and Sos and Sol agree to part ways, with Sos returning to a crazy-run hospital where he grew up and where he learned to read.

Another positive thing I can say is that since Sola is virtually absent in this installment, and since Sol only appears at the beginning and end, we’re taken away from the plot to be given more of an explanation as to the workings of this post-apocalyptic world. It’s during his time away from Sol’s tribe that Sos finally decides to take on another weapon—this one the long heavy rope of the title. It’s about halfway through the novel that we finally get the weapon that would become part of the hero’s name. I still cannot properly describe how much I object to the naming system Anthony concocted here. It only gets more aggravating when Sos eventually returns to the tribe and finds that Sol now has a daughter named—wait for it—Soli. Sos and Sola still want each other but the latter refuses to give up Sol’s name and Sol himself refuses to give up his adoptive daughter. A fight in the battle circle, possibly to the death, ensues!

Anthony still cannot write compelling action scenes, and he still cannot write women above the level of depicting them as instigators of doom. A recurring implication here is that Sos and Sol would turn out fine, at worst going down different paths amicably, if not for Sola’s meddling. At the same time I was not offended so much this time.

If I turn my head on its side I might be able to stretch this installment to 3 stars, because it is a relatively painless experience and even mildly enjoyable in a few places, but that implies a tepid recommendation and I can’t lie to readers like that. Strong 2 out of 5 stars.



by Gideon Marcus

The Twelfth Bed, by Dean R. Koontz


by Gahan Wilson

This one takes place in a futuristic rest home, where the aged are confined in their last years under the beneficent but iron care of robot wards.  One day, a young accountant is checked into the home by mistake.  Try as he might, he can't get out…until he brews a revolt.

Koontz is a writer with a lot of promise, and he did manage a 4-star tale last month, but most of his stories have some kind of issue.  For this one, it's that the setup is a bit too contrived to really engage sympathy.  Maybe it's supposed to be satire, but again, it plays things to straight if that's the case.  Moreover, I read a similar (and better) story in Fantastic three years ago (Terminal, by Ron Goulart).

Anyway, three stars, and keep trying Dean!

2001: A Space Odyssey, by Samuel R. Delany and Ed Emshwiller

Two of my more favorite people provide reviews of Kubrick/Clarke's epic film, 2001: A Space Odyssey.  They are interesting perspectives, one from a vivid fictioneer, and one from a gifted illustrator and artist. 

Chip (Delany) actually favored the original three-hour version that was cut within a week of its premiere, asserting that the irony of the HAL segment is sharper, and the disorientation of the weightlessness scenes settle in more viscerally.  I don't know if that kind of glacial pacing would have been an improvement, but on the other hand, the only time I felt even slightly restless when I watched the film was during the transit scene near the end, so maybe I missed out.

Emsh praises the effects and spends most of his time discussing them rather than the story, which he seems to find serviceable, if not stellar.

It's a better pair of reviews than, say, Robert Bloch's blistering affair (in which Bob calls the monolith a "cylinder" for some reason–sadly, I can't remember where I saw it.  A fanzine, I think.)

Four stars.

Death to the Keeper, by K.M. O'Donnell

This piece is book-ended by the protestations of a producer of a television program, disclaiming all responsibility for what ensued on his show, Investigations.  It seems he hired a has-been actor to re-enact the recent assassination of a public figure (presumably, echoing the murder of JFK).  The actor went meshuginnah and actually assured that he actually got killed in a sort of expiation of public sins.  We know this from the interminable, raving diary the actor left behind explaining his motivations.

I really don't know what to make of this story.  While I'm not the biggest fan of J.G. Ballard, I found his utlization of the Kennedy assassination (and other cultural touchstones) to be more effective.  Certainly more readable, despite the outré nature of his composition.  O'Donnell just seems like he's trying too hard.

And as with his earlier story satirizing war, it's clear he believes in writing ten words when two would suffice.

One star. 

A Sense of Beauty, by Robert Taylor

It is the last night of a short-lived affair, for the male half is leaving.  And not just away from his lover, but from Earth.  You see, he is an alien, sort of, a member of an extraterrestrial race of humans, and Earth is doomed to soon be consumed in a natural nova.  He was sent to our world to gather our finest art treasures, these to form a legacy of our lost race.

The tale is reasonably well executed, but its effectiveness is reduced both by the mawkishness of the scenario and that of its participants (the woman is hysterical, the man poor at communicating), as well as the fact that, again, this feels like a story I've read before, one that was done better.  I just can't remember which one it was…

Maybe Taylor, who is a novice, will realize his potential with a more original story next time out.  For now, three stars.

The Terrible Lizards, by Isaac Asimov

I was just thinking that I wanted a nice survey on what we know about dinosaurs in 1968, and the good Doctor has presented one.  As a bonus, he tell us some horrible things about Sir Richard Owens, a preeminent dino-hunter in the last century.

I enjoyed learning the greek roots of the various dinosaur names as well as the relationship between dinosaurs, mammals, birds, crocodiles, and turtles.

Four stars.

Soldier Key, by Sterling E. Lanier

Lanier is another newcomer, but this is his second story, and he seems to have found his footing very quickly.  This is the tale of a British Brigadier, the sort with decades of experiences and a knack for storytelling.  Apparently, Lanier has a whole treasure chest of stories that the Brigadier will tell, which we'll get to see as F&SF publishes them.

This particular piece involves the time the Brigadier went Caribbean island-hopping in a small boat with his friend, Joe, and two local seamen, Maxton and Oswald.  They learn of Soldier Key, a little spit of land inhabited by the queerest of ex-Britishers, dedicated to an unholy church and with an unhealthy adoration for giant hermit crabs.

The plot is Lovecraftian, but without the undercurrent of racism (indeed, the story is quite anti-racist).  I found it engaging, thrilling, and also satisfying.  Not just horror for horror's sake, but threaded with light–the light provided by decent human beings remaining human in the face of inhumanity.

Four stars.

Urban blight

Well, that wasn't all bad, thankfully.  Still, 2.4 is a pretty dismal aggregate.  Compare that to the 3.3 average for 1959.  Also, for all the female participation in the eulogizing, there are no fiction stories from women this issue.  In fact, there have been only six stories by women this entire year.

We could stand to go back to the '50s in more ways than one…


Tony Boucher, with friend, in 1954






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[June 26, 1968] To far off lands (July 1968 Fantasy and Science Fiction)


by Gideon Marcus

Points East

It's been so very long since I could offer a travelogue from my favorite of countries, Japan.  But now, after four years (and a stop at the Fotomat to develop pictures), I finally have a dual treat for you–vacation slides and a review of the latest issue of The Magazine of Fantasy and Science Fiction!

But instead of dumping either of them on you all at once, how about we take a simultaneous trip, both to the Orient and to vistas even further off?


by Jack Gaughan


For this article, I have the invaluable assistance of Mr. Brian Collins, a fellow 'zine editor with a penchant for pain.  To wit, after reading this month's issue, he offered to take a stab at the lead story.  As I have no qualms with anyone stabbing Piers Anthony, here goes…

Sos the Rope (Part 1 of 3), by Piers Anthony


by Brian Collins

Piers Anthony has appeared here and there over the past few years without making much of a fuss, with his first SF novel, Chthon, being decidedly uncontroversial among the Journey people (read: everyone I know hates it). That was last year, and now we already have the beginning of his second SF novel, Sos the Rope, which Ed Ferman introduces as a “successful” contest novel “of superior quality.” I don’t wish to call Ferman a liar, but I shiver to think of what the standard must be for contest-winning SF novels for this to be deemed a success.

The premise is simple—too simple. It’s been a century since a nuclear holocaust apparently sent mankind back to its early hunter-gatherer ways, with “society” being reduced to mostly roaming tribes with little hotspots of civilization maintained by “the crazies,” people who somehow retain the ways from before the holocaust. We start with a duel between two warriors, both named Sol, who fight in a circle to see who gets to keep both the name and the right to use all the standard weapons of combat. The loser is thus named Sos, and he becomes not only weaponless but Sol’s (the winner’s) servant; but it’s not all bad, for Sol is not some wandering rogue but a man with a vision, as he wants to build an empire from scratch. A nameless woman who witnesses the duel joins the two and, in a rather haphazard ceremony, becomes Sol’s wife and takes the name of Sola, as is the custom. Apparently people here can change names the way one changes pairs of shoes.
Thus the story starts as something of a road trip narrative that at first sounds like it may be adventure fantasy a la Conan, but is actually science fiction—although Anthony puts in the minimum effort to justify the setting. We also have a lust triangle (I wouldn’t say love, for any reasonable person can’t suppose that Sos and Sola are in love) as Sos and Sola are clearly attracted to each other, but Sola wants Sol’s title while Sol has no affection for Sola. We find out at one point that indeed Sol can’t satisfy his wife as he’s all but said to be a eunuch. “Sol would never be a father. No wonder he sought success in his own lifetime. There would be no sons to follow him.” This does not stop Sos and Sola from eventually doing the dirty deed and the latter getting very pregnant. I continue to suffer.

My experience with Anthony up to this point was basically nil (though, of course, my friends at the Journey tell me stories), but I can already sense a profound distrust of women running through his writing. The way marriage works in the novel’s world is that women literally do not have names and presumably no property rights unless hitched to a man, whereupon they take their husband’s name with just a letter added to it. There is no signed contract, and marriage can be made and ended upon the exchanging of a bracelet. This notion of wife-as-property went out with the Dark Ages, but Anthony has revived it so as to a) generate conflict, and b) give us an excuse to view female characters through the lens of someone who might as well be picking out clothes in a store. There is much ogling at Sola’s physique, including a couple situations where she shamelessly tries to seduce Sos.

The battle circle scenes are not even strikingly written. By the time we get to the climax, where Sol, in recruiting men for his empire, is about to take on a massive brute named Bog (all the men seem to have monosyllables for names), I struggled not to put down my issue and do something better with my life. However, because I feel Anthony can do (and maybe has done) worse, I’m inclined to give this installment a generous 2 out of 5 stars.



by Gideon Marcus

The above was actually written before we went to Japan.  On the 10th, we took off from Los Angeles, the Boeing 707 we flew in now a nostalgic experience rather than a new one (we're so spoiled!) Because of our speed, we were in daylight the entire time, and yet, when we landed at Haneda Airport in Tokyo, it was already the next day thanks to the international date line.

Just in time for me to read this story about a completely different kind of trip…

The Psychedelic Children, by Dean R. Koontz

The effects of LSD are still relatively unexplored.  Some believe that the psychedelic effects of a "trip" suggest the unlocking of psionic potential.  And what if that psionic potential was inheritable…

It is the near future, and Laurie, Frank's wife, is having an episode.  Her psi powers come in waves; when they peak, they must be channeled outward in a fiery blaze lest they destroy her.  So Frank drives her out to the countryside (furtively, for the psi-capable children of Acid-droppers are all sought by the authorities) so Lauren can vent her energies.

The next day, a patrolman and his robot assistant show up at their door…

Koontz paints a vivid world in a few deft strokes, creating a memorable story with a nice ending.  Koontz is still a bit new, and it shows in some awkward turns of phrase and a less than expertly rendered final act.  Nevertheless, it's a good story, both SFnal and fantastic.

Four stars.


We spent our first week in Tokyo, down by the harbor in the Hamamatsuchou area.  Tokyo is different from other metropolises–from the air, it's an endless cityscape, and on the ground, it seethes with activity.  Commuters rush by in endless streams, on foot and by train.  It should be oppressive, but the fundamental politeness and regimentation of Japanese society, at least in the urban areas, somehow makes it all bearable.  It's much different from, say, the noisy stink of New York City or the sprawling gray of Los Angeles.

Speaking of regimentation and programming…

Key Item, by Isaac Asimov

I was prepared not to like the Asimov story as his best fiction-writing days seem long behind him, and they now tend to be gimmick-ended vignettes.  But this one, in which a scientist figures out why a sentient MULTIVAC computer has stopped answering requests, was pretty gratifying–and most surprising.

Four stars.


Tokyo also distinguishes itself from other cities in its random beauty.  Personal space is at a premium, and so Japanese people decorate everything with thought and an aesthetic eye.  Even storefronts and random streetscapes become scenic.

Ultimate Defense, by Larry Brody

If the last story dealt with a mechanical brain, Ultimate Defense features a bionic wonder, a genetically engineered super human.  Jarvis Raal is under suspicion of murder, and it is up to a harried public defender to get him off.  How he does so involves an interesting twist on the subject of race.

I love the way Brody hints at an integrated future (a necessary underpinning of the story), and the story's conclusion is a lovely jab at centuries of bigotry.  My only complaint is stylistic: Brody ends every other paragraph with a punchy, one-line, standalone.  It lacks effectiveness in the repetition.

Four stars.


After five lonely nights in Tokyo (all of our friends in the capital had moved away or drifted out of sight since our last visit), we made our way on the Shinkansen for the first time in four years.  It's still as thrilling an experience as ever, zooming past the countryside as fast as a Cessna can fly.  Our destination was Nagoya, a rather ugly, industrial city in the country's center.  After Tokyo, it looked curiously American with its Western-style grid of streets designed by the U.S. Army Corps of Engineers.  It was the least we could do after flattening the city during World War 2.

However, the urban sprawl of Nagoya was in some ways lovelier than Tokyo for the people who live in it.  The Chubu/Osaka region is home to the greatest concentration of friends in Japan, both foreign and indigenous.  After meeting up with Jen and Dan, two professors who work at Nagoya University (Dan is half-Japanese, Jen is full Minnesotan), we got a call from Nanami, whom you may remember from our previous Japan-based articles and her appearance on The Journey Show.

Well, not only had she recently gotten married, but her husband and she had formed a jazz duet.  They invited us out to a coffee shop to watch them perform, and they were just terrif.

The ability to go all over Japan at great speed, manifesting almost at will, calls to mind the next story…

Remote Projection, by Guillaume Apollinaire

This ancient, translated piece starts off as one kind of thing and ends up very much another.  A messiah, calling himself Aldavid has appeared simultaneously throughout the globe.  Though he simply prays and gives sermons, his effect is electric.  Jews start emigrating en masse to Palestine, Jewish bankers are incarcerated so that they cannot empty their coffers in the support of Zionist goals, and gentiles grudgingly concede that they might have backed the wrong horse 2000 years before.

So it's a religious fantasy, right?  Then why does the messiah look suspiciously like a no-good-nik con artist, murderer, and crackpot inventor that our narrator character recalls from earlier life?  The end of the tale is all science fiction (well, scientific romance; we didn't have "scientifiction" yet), and pretty prescient.

Three stars; four if the old style tickles your fancy.


It is said that being invited into the home of a Japanese family is quite the honor for a Westerner.  Well, we were more than honored when Nanami and her husband, Tomoki, insisted we join them for a home-cooked meal of okonomiyaki at their lovely little house.  Afterwards, we had an impromptu jam session.  I sang Kyu Sakamoto's Ue wo muiteru arukou, which you know States-side as Sukiyaki (Nanami had ended their jazz concert with the song, too.) It was an absolutely sublime experience.

Speaking of sublime…

The Sublimation World, by John Sladek

John Sladek offers up this pastiche of a certain New Wave pioneer (the story is ostensibly by a J. G. B??????) If you've read any Ballard, and especially if you've read a lot of Ballard, you will see that Sladek skewers him with absolutely convincing parody.  After all, imitation is the sincerest form of mockery.  Yet he also manages to tell his own tale and put his own spin on things.  Brilliant stuff.  I read it aloud to Janice immediately upon finishing it, and it was difficult to avoid breaking up.

Five stars.


Nanami's pad wasn't the only place we ate well.  One morning in Nagoya, I found a little restaurant serving soba.  And not just soba, but cold soba.  And not just cold soba, but cold soba with fried onion on top.  WITH a side of curry rice.  I can tell you, I didn't eat lunch that day!

That was food for my stomach.  Now, how about some food for the mind?

Little Lost Satellite, by Isaac Asimov

Dr. A's first fictional story was Marooned off Vesta, so it is appropriate that he finally do an article about the titular asteroid.  He doesn't have too much to say because there isn't much to be learned from a point of light–the best we can resolve the tiny object with terrestrial telescopes.  He does make some rather half-baked theories as to the origin of Vesta and other asteroids, suggesting they might be former moons of the big planets, their rotation rates indicative relics of the worlds they once orbited.

Mostly, we're left with questions.  Three stars.

Beyond Words, by Hayden Howard

Last up, we have the fellow whose Esk tales in Galaxy started promisingly, meandered terribly, and ended…decently.  The fellow can write, sometimes.  And indeed, he does a decent job with this story, about a fellow who went into the desert to revert to language-less savagery.

But when you can't speak anymore, how can you defend yourself against a murder charge?

Three stars.


by Gahan Wilson

Heading for home

And so, 12 pleasant vacation days and 130 pages of F&SF go by.  Aside from the disappointing beginning, which I thankfully didn't have to read, the magazine definitely compelled me to return to F&SF next month.  Just as we fully intend to return to the lovely land of Japan next year, this time.

Mata ne!  (until next time!)






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[December 10, 1967] Give 'Em Hell, Harry! (January 1968 Fantastic)


by Victoria Silverwolf

There'll Be Some Changes Made

According to a story that may be apocryphal, somebody in the crowd shouted the phrase I'm using for the title of this article during one of Harry Truman's campaign speeches. True or not, we'll see how it relates to a major change in Fantastic magazine. Just to build up the suspense, however, let me digress and talk about another big change.

A Rolling Stone Gathers No Moss

The British rock 'n' roll band known as the Rolling Stones, famous for gritty blues-driven music, went in a different direction recently. The new album Their Satanic Majesty's Request, released just a couple of days ago in both the UK and the USA, is full of the surrealism and dreamy psychedelic tunes to be found in the Beatles' groundbreaking Sgt. Pepper's Lonely Hearts Club Band.


Even the cover looks similar. Note that lack of words. If you don't know who these guys are, you must not be a fan.

I don't know if this album represents the future of the Stones, or if they did it just to gather some green (and I don't mean moss.) At least the groovy song She's a Rainbow is worth a listen while you stare at your lava lamp.

Double Your Pleasure, Double Your Fun

With a new editor at the helm of Fantastic, there are certain to be changes coming, although it may take a while. The mills of the publishing world grind slowly, to be sure, so the latest issue probably doesn't yet reflect the taste of the current boss. If nothing else, however, it's got two new stories instead of the usual one. Thank goodness for small favors.


Cover art by Frank R. Paul.

One change that hasn't yet happened is using new cover art. This issue recycles the back cover of the July 1945 issue of Fantastic Adventures.


Please excuse the faded, wrinkled, beat-up copy of the old magazine I had to use. Twenty-odd years haven't been kind to it. At least you can see the two big suns at the top and not just the two little ones to the side.

When Brahma Wakes, by Fritz Leiber


Illustration by Jeff Jones.

The fellow depicted above is none other than God. The God of the Bible, indeed, but also all the other deities. He hasn't checked on His creation for a while, and it seems to have been messed up by the Adversary, so he gets ready to take a look.

This version of the Almighty seems like a weary old man, wandering around His shabby surroundings, not sure what He should be doing. If you don't mind this kind of literary blasphemy, the main problem you'll have with this story is the fact that it comes to a dead stop when it becomes most interesting.

God never does take a look at things down below. It's almost like the first chapter of a much longer work.

Leiber is incapable of writing a bad sentence, of course, so it's not painful to read. I just wish there were more of it.

Three stars.

A Darkness in My Soul, by Dean R. Koontz


Also by Jones.

A fledgling writer — he's only had a couple of stories published in The Magazine of Fantasy and Science Fiction, both this year — offers this disturbing vision of the future.

After a quarter of a century and countless failures, a project to create superhuman beings has produced only two successes, if you can call them that. One is the main character, a outwardly normal man but with telepathic powers. The other is much more grotesque, a being that looks like a child with the face of a very old man. The latter is immensely intelligent, but his scientific discoveries are buried deep in his subconscious. The telepath dives into his mind in order to dig out vital information.

There's a lot more to the story than that. We've got the protagonist's Freudian sessions with a computer therapist, revealing the meaning of his dreams. The main character has a relationship with a woman who writes scandalous books. The author uses typographic tricks and symbolic fantasy sequences, adding more than a touch of New Wave writing. There's one heck of an ending.

The author displays great skill at creating an eerie mood. Maybe he should try writing out-and-out horror stories instead of creepy science fiction. In any case, this complex nightmare of neurosis shows great ambition for a newcomer.

Four stars.

Reservation Deferred, by John Wyndham

From the May/June 1953 issue of the magazine comes this wry tale of the afterlife.


Cover art by W. T. Mars.

A teenage girl is dying. She's not at all upset about this, because she's absolutely certain she's going to enjoy the bliss of Heaven. For some reason, the ghost of a slightly older woman appears.


Illustration by Charles J. Berger.

The dead woman has taken a peek at the various paradises created by men, and she doesn't much care for them. This changes the dying girl's attitude.

This featherweight jape has a pleasing feminist aspect to it. (Despite the fact that the ghost is wearing only a brassiere and underpants.) Like the Leiber and the Koontz, it may raise the hackles of folks who take their religious faith very seriously.

Three stars.

The Metal Doom (Part 2 of 2), by David H. Keller, M. D.

As I mentioned last time, this serialized novel first appeared in three issues of Amazing Stories back in 1932. Dig through the archives if you want to see the covers of those old magazines.


Illustration by Leo Morey.

Last time we saw how civilization fell apart when all metals dissolved into dust. Some folks set up strongholds in the country, where they could defend themselves against packs of desperate criminals.

This half of the novel wanders around quite a bit. One sequence involves a group of female physicians and other professionals living on their own. As soon as one of the male characters meets them, you know we're going to have a love story. You may not predict the fact that it involves a tiger.

In the most bizarre plot development, a horde of Tartars shows up, and we get a big battle scene. There's an explanation, of sorts, for how these landlocked nomadic warriors wound up in New England. The way the good guys defeat the bad guys is implausible, to say the least.

Eventually, our heroes figure out how to turn the dust back into metal. You'd think somebody would have discovered the secret long before, but what do I know. Interestingly, the main motivation for producing small amounts of metal is to make surgical instruments so childbirth isn't so dangerous for mother and baby.

The author seems to believe that city life is inherently corrosive to the human spirit, and suggests that society was ready to fall apart even if metal things hadn't crumbled away. I'm not convinced.

Overall, I didn't find the development of the apocalyptic premise as interesting as its introduction.

Two stars.

Undersea Guardians, by Ray Bradbury

This early work from a writer who is now something of a household name comes from the December 1944 issue of Amazing Stories.


Cover art by James B. Settles.

A handful of the people killed when a German submarine destroyed their passenger ship turn into water-breathing ghosts or zombies, for lack of a better word. They spend their non-lives preventing Nazi subs from attacking Allied ships.


Illustration by Arnold Kohn.

This is something more than just wartime propaganda, although there's certainly some of that. The undead characters have their own motives and personalities. The most interesting are two women, one of whom is out for revenge, gleefully killing Germans, the other trying to protect the man she loves, who is sailing on a convoy.

We don't get much of the Bradbury touch, love it or hate it, with the exception of a few metaphors here and there. If I hadn't see the author's name, I never would have suspected it was his work.

Three stars.

They Fly So High, by Ross Rocklynne

This outer space yarn comes from the pages of the June 1952 issue of Amazing Stories.


Cover art by Walter Popp.

A spaceman holds a Mad Scientist prisoner aboard his vessel. The taunting genius has already rigged the ship to blow up, so the two of them go flying off towards Jupiter in their spacesuits.


Illustration by David Stone.

What follows is a strange odyssey on the surface (more or less) of the giant planet, and a change in the relationship between the two characters.

This is an odd story. It combines melodramatic space opera, vistas of a bizarre environment, and philosophical dialogues. I suppose the author is trying to say something about human thinking while telling a rattling good yarn, but much of its meaning escapes me.

Two stars.

The Sex Opposite, by Theodore Sturgeon

This tale of love, death, and biology comes from the Fall 1952 issue of the magazine.


Cover art by Leo Summers.

The plot begins in gruesome fashion, as a couple are murdered by street thugs. A coroner (male) reveals the weird thing about the bodies to a reporter (female). (I mention their sexes because it's relevant to the story.)

The two victims are Siamese twins, bound together at the chest. (You may have already guessed that this isn't quite true.) When an eerie, inhuman scream draws the protagonists out of the building, somebody destroys the bodies in a blazing fire.


Also by David Stone.

The coroner meets a woman with whom he shares an intimate but nonsexual evening. The reporter has the same kind of encounter with a man, but we only get to hear about it second-hand. What does this have to do with the bodies? And why should the reader run to the dictionary and look up the various definitions of the word syzygy?

This is an intriguing work that always keeps the reader's interest. It's a mystery, a romance, and good science fiction to boot. Maybe you should stir in a touch of horror as well. In any case, it's a solid work from one of the masters.

Four stars.

Never Go Back, by Charles V. De Vet

The magazine finishes with this time travel story, reprinted from the August/September 1953 issue of Amazing Stories.


Cover art by Gaylord Welker.

A guy goes back in time to prevent a childhood friend from drowning. The weird thing is that there's no sign of his own younger self, and even his mother denies such a child exists. When he returns to his own time, the scientist he worked with claims he never saw him before. What the heck is going on?


Illustration by Ernie Barth.

The author makes up some pretty weird rules about time travel. I have to admit they're unique, even if they don't make a lot of sense to me. The ending is gruesome enough for any horror fan.

Two stars.

I'm Just Wild About Harry

That's an overstatement, although I am hopeful that the new editor will bring some freshness to a magazine that has been dragging its feet for a while. This issue doesn't show any evidence of a major shift in policy yet. Time will tell. Meanwhile, just having double the usual amount of new fiction is enough to make me want to be kind to small animals.


I can't tell you anything about this drawing, which follows the Sturgeon story, except that it doesn't appear with the original publication of that work. It's probably a reprint from somewhere, but I have no evidence for that one way or another.