Tag Archives: analog

[July 31, 1969] Stranger than fiction (August 1969 Analog)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Dip in Road

A week has gone by since Mary Jo Kopechne, a 28 year-old worker on Robert F. Kennedy's campaign, lost her life.  Of course you've read the news.  She went to Martha's Vineyard for a reunion with other campaign workers, where she met the last surviving Kennedy brother, Teddy.  According to the Senator, Mary Jo was a bit tipsy, so he offered to drive her home.  His car ended up off a bridge.  He survived; she did not.

A tragedy.  Moreover, it is a far from clear-cut strategy.  Kennedy says he tried to save Kopechne, but that he was too exhausted to succeed—but he failed to call the police, who might have been able to help.  Indeed, he called his lawyer instead.  Last weekend, the Senator pled guilty to leaving the scene of the crime.

It's also unclear just what Kennedy and Kopechne were doing on the deserted dirt road that led to the scene of the accident.  It wasn't on the way home.  Was something clandestine in the works?  Was Teddy also sozzled?

There's a lot of talk about what this incident means for Kennedy's career, how he's not going to be able to run for President in '72, etc.  Perhaps this was all an innocent accident.  Maybe the only lesson we should get from all of this is that it's not smart to drive under the influence.

All we know at this time is that there as many questions as answers, as well as inconsistencies in the Senator's testimony.  I hope, for the Kopechne family's sake, if nothing else, that more is learned in the days to come.

In any event, once again, a Kennedy career has come to a sudden, unexpected halt.

Steady as she goes

If the political news is chaotic, such cannot be said for the latest issue of Analog, mostly composed of the plodding "problem" stories the magazine is known for.  However, amidst the tired tales is one standout that is definitely worth your time.


by Kelly Freas

Continue reading [July 31, 1969] Stranger than fiction (August 1969 Analog)

[June 30, 1969] Anywhere but here (July 1969 Analog)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Scenes from abroad

And so, our longest Japan trip to date has wrapped up.  We're still developing the many rolls of film we took, but here are some highlights from our vacation that included the cities Fukuoka, Amagi, Kobe, Osaka, Nagoya, and Tokyo:


Nanami and The Young Traveler zoom down a slide in an eastern suburb of Nagoya


Nanami and her husband perform at a Nagoya jazz club


This is Nanami's baby, Wataru, and her mother-in-law, Haruko!


Lorelei poses in front of Ultraman, one of Japan's newest superheros


Lorelei has become smitten with kimono and yukata.  We had to buy a new suitcase to fit them all (and the model trains Elijah bought)

The trouble back home

On the doorstep to my house was a big pile of mail that my neighbor has kept for me.  In addition to sundry bills, the latest FAPA packet, and a handful of independent 'zines (including the latest from the James Doohan International Fan Club), there was the latest issue of Analog.  Interest piqued by the lovely (as always) Freas cover, I tore into the mag before unpacking.  Sadly, it was all downhill from there…


by Kelly Freas

Continue reading [June 30, 1969] Anywhere but here (July 1969 Analog)

[May 31, 1969] When eras collide (June 1969 Analog)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Huzzah!

It's hard to believe it was just six years ago that the Renaissance Pleasure Faire started in the suburbs of Los Angeles:

"Counterculture" didn't even have a name yet (I think we were calling it "contraculture"), but already, there were folks weary of the modern age, casting their eyes back to a simpler time.  You know, when there were far more things that could kill you, and much fewer opportunities to escape drudgery…

Anyway, I reported on our last foray into the past a couple of years ago.  These days, the back-to-then movement is stronger than ever, with the Society for Creative Anachronism exploding (do they have a thousand members now?) and Renaissance Faires catching on.  They are a good fit for the Pagans and hippies and folks looking for an escape.

We're not immune to the lure.  Here are some scenes from this month's event:










You may recognize the fellow in blue

What really makes the Faire such a delight is the attention to detail.  Everywhere you go, there are actors and actress really playing a part, making the whole thing an exercise in living history.  Of course, as my "character" styles himself a member of the Habsburg clan, you can bet I razzed the Queen when she paraded by with her foppish retinue.

Nevertheless, I hope the Faire retains its purity, prioritizing the spirit of the event rather than descending into a kind of cynical capitalism.  Though, I suppose, that's what the original faires were all about…

Alas!

Speaking of cynical capitalism, I feel that Analog editor stays on the job these days just for a paycheck (and a podium for his irrascible editorials—which he then compiles and sells in book form!) While the latest issue isn't terrible, it certainly doesn't scrape the heights it achieved "back in the day."


by Leo Summers

Artifact, by J. B. Clarke

The name of J. B. Clarke is unknown to me.  Perhaps he's Arthur Clarke's little brother (sister?) His writing isn't bad, nor even is the premise, but the execution of this first tale of his…


by Leo Summers

A beach ball-sized orb appears in interplanetary space.  When an Earth spaceship tries to pick it up, it zips away at faster-than-light speeds a couple of times, as if to demonstrate that it can, and then becomes docile.  After it is picked up, the humans assessing the artifact determine that it was deliberately sent to jump-start our technology.  But was the rationale benevolent or otherwise?

This would have been a great story had not Clarke explained from the very beginning that the scheme was a plot by the evil Imperium to instigate a diplomatic incident a la the Nazis asserting a Polish attack against the Germans on September 1, 1939.  This would give the rapacious aliens legal precedent to annex our planet.  Moreover, we learn that an agent of the "Web", the galactic federation of which the Imperium constitutes a small portion, is already on Earth, guiding our assessment of the artifact.

As a result, there's no tension.  We know everything will turn out fine.  Indeed, it's a strangely un-Campbellian story in that humans aren't the smart ones in the end.  But because there are no decisions to be made, no suspense to the outcome, the story falls flat.

Two stars.

Zozzl, by Jackson Burrows


by Leo Summers

This one gets closer to the mark.  It stars a big game hunter whose quarry is a telepathic beast.  The creature's natural defense is to access your fears and throw pursuers into a nightmare world, repelling them.  It's a neat concept, and Burrows (another name with which I am unacquainted), renders the dream sequences quite effectively.

While we learn a bit about our hero's past and motivations, he never really has to solve any puzzles to win his prize.  He just wins in the end.  There needs to be more.

Still, I really dug the idea, and there's definitely potential for Jackson.  Three stars.

Dramatic Mission, by Anne McCaffrey


by Leo Summers

Here's the latest installment of the The Ship Who.  This series stars Helva, a profoundly disabled woman who, at a young age, was turned into a cybernetic brain for a starship.  Together with a series of "brawns", the human component of the ship's crew, she has been on all kinds of adventures.

In this story, we learn that brain-ships can earn their independence (paying off the debt of their construction) and fly without brawns, and that many vessels strive for this status.  But Helva prefers to ride with company—indeed, she insists on it.

Well, her wish is granted.  Short-listed for a priority mission to Beta Corvi, Helva is tasked to transport a troupe of actors to a gas giant in that system, where they will perform Romeo and Juliet for a bunch of alien jellyfish in exchange for an important chemical process.

The problem is the drama that unfolds before the drama: Solar Prane, the star, is dying from chronic use of a memory-enhancing drug.  His nurse is deeply in love with him.  His co-star and ex-lover is jealous and stubbornly insists on sabotaging the production.  It is up to Helva to be the grown-up in the room and save the day.

There is so much to like about this story, so many neat, unique things about the setting and characters, that it's a shame McCaffrey can't help getting in her own way.  She loves writing waspish, unlikeable characters, and her penchant for including casual, off-putting violence reminds me of what I don't like about Marion Zimmer Bradley.

This is one of those pieces I'd like to see redone by someone more talented and sensitive.  Zenna Henderson, maybe, if I wanted to see the soft tones enhanced, or Rosel George Brown (RIP) if I wanted something a little lighter and funnier.

Three stars.

The Nitrocellulose Doormat, by Christopher Anvil


by Peter Skirmat

The planet of Terex has turned into a death trap for the terran Space Force.  Invited in to deal with an insurgency problem, a combination of religious proscriptions against advanced technology and a flourishing black market that loots what munitions are allowed in, the human troops are not only made into sitting ducks but laughing stocks.

Enter a canny colonel of the Interstellar Corps, whose bright idea is to suffuse all incoming logistics with explosives so that, when they are stolen, they explode.  Deterrent and humiliation, all in one.

It may seem that I've given away the plot…and I have.  It's given away fairly early on, and the rest of the story is simply an explication of the plan's success.

I should have liked the story less than I did, but it reads pretty well.  Three stars.

The Ghoul Squad, by Harry Harrison


by Leo Summers

A rural sheriff digs in his heels at the notion of government agencies harvesting the organs of newly dead victims of traffic accidents in his jurisdiction.  He sticks to his principles even at the cost of his own life, decades later.

This story doesn't say anything Niven hasn't said (much) better in The Organleggers, The Jigsaw Man, and A Gift from Earth.

Two stars.

Jackal's Meal, by Gordon R. Dickson


by Leo Summers

The human sphere of stars has begun to brush against the part of the galaxy claimed by the loosely knit Morah, aliens with a talent for profound modification of bodies, internally and externally.  In the middle of sensitive negotiations between the two empires over a contested bit of space, a bipedal creature runs amok at the space dock.  It is impossible to determine if the being is a Morah made to look like a human or a human made to look like a Morah.  Ultimately, the fate of the two empires rests on this hapless person.

Easily the best story in the issue, both interesting and well written, though it still rates no more than four stars.

Give me the past

Short story SF appears to be on the decline in general, with only four magazines out this month.  Of them, Fantasy and Science Fiction was by far the best, garnering 3.4 stars, but Fantastic and New Worlds both barely made three stars, and Mark, who covers the last mag, has been grumbling about all the newfangled, outré stuff.

As a result, you could fill just one digest-sized magazine with all the good stuff that came out this month.  In other statistical news, women produced just 8% of all the new fiction this month.

It's enough to make you long for the (romanticized) good ol' days…but who knows what the future holds?






[April 30, 1969] Eulogies (May 1969 Analog)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Goodnight, Percy

If you're anything like me, Peyton Place is something that happened to other people.  After all, last season, the first primetime soap opera was scheduled opposite Laugh In, and before that, the 9:30 PM slot in the midst of ABC's insipid Tuesday-night line-up.

But now I feel a little bad that the groundbreaking show is being taken off the air.  Based on the 1956 book of the same name by Grace Metalious, the Massachusetts-set serial was salacious for the time, involving as it did a lot of S-E-X, divorce, blackmail, murder, and more.  Jack Paar called it "Television's first situation orgy."  Johnny Carson quipped that it was "the first TV series delivered in a plain wrapper."


Stars Diana Hyland (standing), Pat Morrow (in can), and Tippy Walker

At one point a few years ago, some 60 million folks tuned in each week for the fun.  But nowadays, when the local theater is going blue/stag, and Candy is a mainstream hit ("Is Candy faithful?  Only to the book!"), Peyton Place all seems a bit staid.  They tried to mix things up by bringing in more teen storylines and also integrating the cast by hiring Percy Rodrigues (Star Trek's Commodore Stone) as the local doctor.


with Ryan O'Neal

Still, you can't beat Dick and Dan, and the series plummetted in the ratings (really—what were they thinking, scheduling it across from Rowan and Martin?) After 514 episodes, the show is going off the air.  Which, of course, just means we'll see it endlessly in morning reruns opposite the regular soaps—and you can bet we'll get a revival sometime in the future.  In the meantime…


"Goodnight, Lucy.  Goodnight, Marshall Dillon.  And goodnight to all you kooks on Peyton Place."

Goodnight, Johnny


by Kelly Freas

ABC at least knew when to pull the plug on its sinking stone.  Analog editor John Campbell, while he did some brilliant work in the '30s and '40s, seems content to stuff his magazine with the dullest dreck that science fiction has to offer.  The latest issue is Exhibit 1 for the prosecution:

Dragon's Teeth, by M. R. Anver


by Kelly Freas

A peace conference on a neutral asteroid promises to end a brutal war between humanity and the alien Cadosians.  But a faction of extraterrestrials has plans to distrupt the summit by introducing a deadly virus.  The question is how they'll smuggle it in…or in whom?

This is a competently put together adventure/mystery—no more, and no less.  As such, it's a fine first effort from Mr. Anver, but nothing to write home about.

Three stars.

The Chemistry of a Coral Reef, by Theodore L. Thomas

Science writer and fictioneer Ted Thomas offers up a long piece on coral reefs and how they're made.  For an article on stuff that takes place in our oceans, it's awfully dry.  Well, at least I know now what they're made of: calcium carbonate.  Good for all those fish with indigestion, I guess.

Two stars.

Operation M. I., by R. Hamblen


by Leo Summers

Three weeks of hyperspace are crushingly dull, and the intergalactic service is worried about the morale of their solo couriers, who have to endure the period without diversion.  Apparently, books and booze aren't enough.

So the ship's computer on the latest FTL ship is programmed to act like a nagging mother-in-law so each pilot is more irritated than bored.

Terrible piece.  One star.

Persistence, by Joseph P. Martino


by Kelly Freas

This is a sequel to the story Secret Weapon.  The Terrans have now got a leg up on their war with the Arcani, now destroying 3-4x as many vessels as they are losing.  However, this proportion is still below what the Big Brains in military intelligence expected.  Our hero, Commander William Marshall, is certain that the aliens have developed Faster Than Light ("C+") communications and are using them to thwart our patrols.

The story is devoted to the reverse engineering of a captured Arcani corvette, tediously going through each electronic gizmo to see how it is wired and what it is wired to.  Eventually, the existence (or lack) of a C+ radio will be proven.

Once again, the story is dull as dirt, and worse, poorly edited.  There's an art to writing successive paragraphs using different words.  Martino will repeat set phrases several times in a row, the sign of an unfiltered brain-to-typewriter stream of consciousness.

Also, women of the future still remain in the 1950's, socially.

Two stars.

The Five Way Secret Agent (Part 2 of 2), by Mack Reynolds


by Kelly Freas

As we saw last month, Rex Bader, last of the private dicks in the People's Capitalism of America's late 20th Century, had been tapped by no fewer than five organizations to spy on each other as Bader went off to Eastern Europe and make contacts.  This passage explains it all:

He stared at the screen in disbelief.

This whole thing was developing into a farce. Roget wanted him to make an ultra-hush-hush trip into the Soviet Complex to contact his equal numbers with the eventual aim of creating a world government based on the international corporations.

Sophia Anastasis, of International Diversified industries, thought such a world government would upset the status quo to the detriment of what was once called the Mafia, and wanted all details.

John Coolidge and his group [the successor to the FBI] were afraid such changes would upset the governmental bureaucracy and the military machine and wanted to prevent it from happening. 

Colonel Simonov felt the same from the Soviet viewpoint, and wanted to maintain the status quo.

Dave Zimmerman was all in favor of world government but wanted the Meritocracy which would run it to be elected from the bottom up in each corporation, rather than being appointed.

And every damned one of them thought that their part of the operation was a secret.

Once Bader gets to Czechslovakia and Romania, the book reads like typical Reynolds: historical parallels (none after 1969, of course), tourism (we learn about the national drinks of the Warsaw Pact), and mildly droll high jinks.  It seems that Bader's cover is blown wherever he goes, suggesting a traitor somewhere in the works among his five employers.

There could have been a good mystery here, but it's all thrown in too little, too late.  Moreover, it's clear that this two-part serial is really just the first half of a longer book.

As a result, the whole is lesser than the sum of its parts.  I give this segment three stars, and three stars for the book as a whole (so far).

Initial Contact, by Perry A. Chapdelaine


by Kelly Freas

The Eridanians are coming!  Responding from signals broadcast by Project Ozma, an alien ship has been dispatched from Epsilon Eridani.  After twelve years at near light speed, the vessel is about to arrive—and the press is filled with concerns of an impending alien takeover. 

It all stems from a mistranslation of their latest message, suggesting their intent is conquest rather than coexistence.  In the meantime, there is a lot of Keystone Copping as the head of the Ozma IX project tries to tamp down on the paranoia.


by Kelly Freas

The best part of the story is the "universal message" broadcast by the Eridanians, hatched up by author Chapdelaine.  He explains it in the story—see if you can figure it out yourself.

But in the end, the story is rather pointless and forgettable.  Two stars.

Goodnight May

Doing the math, I find that April (postmarked May on the magazines) was a dreadful month for short science fiction.  Not a single magazine topped 3 stars, and Analog came in at a dismal 2.3.  For posterity, the rest were New Worlds (2.7), Venture (2.7), Amazing (2), Galaxy (3), and IF (3), and Fantasy and Science Fiction (2.7)

Even more disheartening: you could take all the 4-star works (nothing hit 5 stars this month) and barely fill a Galaxy-sized thick digest.  Women wrote 20% of all the new pieces published in April, which sounds impressive until you realize that six of the works were short poems in New Worlds, all by Libby Houston.

I am already hearing rumblings about Galaxy and IF's editor Fred Pohl getting the heave-ho, and Amazing's editorial musical chairs is legendary.  ABC dumped Peyton Place—is it time for someone to cancel John Campbell?






[April 4, 1969] Hey, Mack! (April 1969 Analog)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Mars ho!

Well, this is exciting!  For the first time ever, two identical Mariner probes are on their way to an interstellar destination.  On March 27, Mariner 7 blasted off for Mars, joining its sister, Mariner 6, which was launched last month

black and white photograph of an Atlas-Agena taking off from Cape Canaveral

Normally, twin probes are launched for redundancy, and it's a good thing.  Venus-boundMariner 1 died when its booster exploded back in '62.  Mars-bound Mariner 3 never hatched from its egg (the shroud of its Atlas-Agena rocket) back in 1964.  Mariner 5, which went to Venus in 1967, was a solo mission (indeed, a spare Mariner of the 3/4 class).

But now we've got two Mariners winging their way to the Red Planet, which means we'll get twice the coverage and a redundant set of data, always a welcome occurrence for scientists!  We'll have more on them when they pass by Mars in July.

Mack ho!

cover illustration of two white-suited futuristic cops beating a red-suited man underneath a futuristic monorail
by Kelly Freas

Just as we have two Mariners dominating the head of this article, so we have science fictioneer Mack Reynolds dominating this latest issue of Analog science fiction.  Under his own name, and under his pseudonym "Guy McCord", more than half of this issue is a Reynolds contribution.  If you like the guy, you'll like the mag.  If not…

The Five Way Secret Agent (Part 1 of 2), by Mack Reynolds

black and white illustration of a suited man on a pedestal facing five sinister figures, one a futuristic cop with a whip, one holding a gun, one with both, a woman with a hoop, and a bald man with his hand on his hips
by Kelly Freas

We once again return to the Reynolds' late 20th Century, where America languishes under the stratified People's Capitalism.  This novel is also the second adventure of one of the last private detectives, Rex Bader (whose first job was just a couple of months ago.  As with that freshman outing, Bader is offered a job that seems too good to be true, and he refuses, but no one else buys that he did.

In this case, the job was offered by the head of one of the world's biggest corporations.  He wants Bader to go to cross the Iron Curtain to contact other corporation buffs so as to help take down the Meritocracy—the powers that be that have entrenched themselves in the highest levels of society.

The mob also contacts Bader, wanting him to be their double agent.  Then the Defense Department gets involved.  Finally, a group of latter-day Technocrats make their pitch.  Presumably, the "fifth way" will be Rex Bader's own.

This book is typical Reynolds: the setting has been well established over the years, all the way back to the Joe Mauser, Mercenary days.  There are historical dissertations woven in at every opportunity, mostly on early 20th Century political theory.  The writing is serviceable, somewhat wry—a more grounded Keith Laumer.

What makes this particular piece stand out are the new wrinkles Reynolds introduces.  First, this is the first time we've learned how elections work in this world: it's based on income—one vote for every dollar earned (investment income does not impart voting rights).  Thus, the masses on "Negative Income Tax" have no franchise.

Reynolds continues to invent plausible future technology, too.  My favorite is the pocket TV/phone/credit card/identity all citizens carry.  A handy device, but also vulnerable to surveillance—which is done by computers which listen for key words; if they hear any, they alert a government agent.

So on the one hand, as far as quality of writing and enjoyment is concerned, I'd give this piece three stars.  But I admire Reynolds for doing stuff few others do, so I'm actually awarding four.

Hey But No Presto, by Jack Wodhams

black and white illustration of a short, ruddy man entreating a young man looking askance with hands at his sides, an image of him seated, eyes closed, in the background
by Leo Summers

Folks are being snatched out of psionic teleportation booths as they try to go to Earth.  They get sent to this backwater planetary resort where they are charged outrageous rates to stay in mediocre lodgings.  They stay because the cost to go home is set even higher.  An interstellar cop is sent to investigate.

This one-note tale is so padded, it could replace a warehouse of pillows.  One star.

They're Trying to Tell Us Something (Part 2 of 2), by Thomas R. McDonough

photo from below of a hard-hatted worker atop a radio telescope grid

Last month, Tom McDonough talked about pulsars—those rapidly beeping star-type objects—and did his darndest to convince us that they are artificial beacons operated by Little Green Men (LGM).

This second part is more of the same, though he actually does mention other possibilities, including the most fashionable one that they are rotating neutron stars.  My problem with this segment is it is heavy on the layman's lingo and light on the showing of work.  It all feels a bit fluffy.  Also, he talks about how pulsars emit light bursts at twice the frequency as their radio bursts, and he makes it seem like that's mysterious.  If the pulsar is really a rotating neutron star, then it makes sense for any emissions to be linked.  Why we only get radio signals from one side, I don't understand off the top of my head, but I suspect anyone with a Bachelors in Physics could tell me.

Three stars.

Cultural Interference, by Walter L. Kleine

black and white illustration of a flying saucer careening toward a planet, with inserts of a mustached man looking at a naked woman helping a naked man out of the saucer on the surface, a man in a cowboy hat with a sheriff's star, and two lab-coated men looking at a giant, narrow monolith
by Leo Summers

A couple of scientists begin an experiment with broadcast power.  Coincidentally, a couple of extraterrestrial spaceships accidentally intercept and soak up the power, causing them to crash.  Chaos ensues.

Wireless power seems to be the rage these days, figuring prominently in Keith Laumer's serial, And Now They Wake.  This particular tale is overpadded and pointless.

Two stars.

Opportunist, by Guy McCord

black and white illustration of a seated, wizened man wearing a Native American outfit done in tartan, a rock hut in the background
by Kelly Freas

This is the third tale of Caledonia, a backwards planet probably in the same universe as his United Planets tales in which every world has its own uniquely evolved political and social structure.  Caledonians all hail from a single crashed colony ship, and their culture is a mix of Scots and indigenous American, based on the few books that survived planetfall (shades of Star Trek's "A Piece of the Action".

In this installment, Caledonia has been largely subjugated by mining concerns from Sidon, and the native Caledonians must resort to guerrila tactics.  John of the Hawks, Chief Raid Cacique of the Loch Confederation is captured by the Sidonians and offered a job in their civilian government.  After being told the virtues of civilization and capitalism, he decides to hang up his claidheamhor and war bonnet and sell out.

I din't like it.  Two stars.

Oh ho!

three women operate a room full of line printers somewhere in the Soviet Union

Well now, here is a case of science fiction definitely being less compelling than science.  With the exception of the serial, this was a drab ish, barely scoring 2.7.  This puts Analog under Fantasy and Science Fiction (3), IF (3.1), Galaxy (3.5), and New Worlds (3.6).  Campbell's mag only beat out the usual losers: Fantastic (2.5), Famous #8 (1.8), and Famous #9 (2).

From eight mags, you could barely fill two big ones with the good stories this month, although part of the reason for that is Famous being so awful.  Women produced just 7% of the new fiction stories this month. 

I guess the moral is: read your newspapers and your Pohl (and UK) mags first.  Pick up Analog only if you've finished the rest.  Or if you really like Mack Reynolds…






[March 1, 1969] Beyond this Horizon (March 1969 Analog and Mariner 6)

photo of the face of a long haired man with glasses
by Gideon Marcus

On to Mars!

black and white photo of Mariner 6, a round probe with four rectangular solar panels jutting from it at right angles

Four years ago (has it been that long?) Mariner 4 became the first space probe to sail by Mars.  This event instantly destroyed a thousand dreams.  The 21 grainy, black and white pictures returned by the spacecraft's TV cameras showed a cratered, lunar-type surface.  The Martian atmosphere was found to be less than 1% as dense at the surface as that of Earth.  Gone was the romantic Mars of Edgar Rice Burroughs and Leigh Brackett.

These findings should not have come as such a surprise—the abundance of craters and the thin atmosphere had already been suspected before Mariner 4 ever got there.  But the photographic evidence was the final nail in the coffin.  Mars is dead.

Or is it?

Mariner 4 was a rather limited spacecraft.  We only got 21 pictures, after all.  And while 7 millibars may not seem like much, that's a veritable atmospheric blanket compared to the Moon or Mercury.  We need more data.

This is why a second generation of spacecraft, Mariners 6 and 7, are being sent to Mars.  These are heavier spacecraft with more sophisticated equipment: infrared and ultraviolet radiometers (measuring Martian energy output in those wavelengths), a better TV camera, and the ability to reprogram the spacecraft in flight, as needed.

color photo of an Atlas Centaur rocket taking off from a red launch complex at night

Mariner 6 took off last week on the 24th, and Mariner 7 will blast off March 21st.  We've yet to have both members of a Mariner pair make it to its destination (Mariner 1 and Mariner 3 both had mishaps), but hope springs eternal.  Come this summer, perhaps around the same time a man sets foot on the Moon, we will unveil more mysteries of the fourth planet.

illustration of a blue-furred humanoid, stripped to the waist, looking at a viewscreen with crocodile-head humanoids waving primitive weapons furiously
by Kelly Freas

On to the stars!

Trap, by Christopher Anvil

line drawing of crocodile-headed alien holding a mouse trap clamped around the tale of a furry humanoid stripped to the waist
by Kelly Freas

I have a private joke that every Chris Anvil story for Analog begins (Mad Lib style):

[Military Rank] [WASPy male name] of [military organization] [verbed] down the [corridor/hall/base] lightly touching his [weapon] clipped to his [clippable article of clothing].

"Trap" did nothing but reinforce this cliché, and I hunkered down for a slog of a novella.

Instead, I got a reasonably interesting, technical tale about peaceably dealing with implacable aliens, who possess an unbeatable weapon.  In this case, the planet is a swampy wasteland, the aliens have the ability to teleport anywhere they've been before, and the humans and Centrans (in an alliance since the 1956 story, "Paradise Planet") must find a way to make peace before the aliens find a way to teleport onto every ship and planet in both empires.

It starts a bit slow, but I found myself compelled.  Certainly better than the fare Anvil usually offers us in Analog.  Three stars.

Mirror, Mirror, on the Wall, by R. E. Allen

How does Mannie supply all the movies and music producers with the top talent?  Why, by dowsing over each of the actor's/musician's headshots with a divining rod, of course!

Not much of a story.  Not much science fiction.  Two stars.

They're Trying to Tell Us Something (part 1 of 2), by Thomas R. McDonough

diagram of four pulsar graphs with amplitude of signal versus time

This month's science article is on those enigmatic, recently discovered interstellar radio beacons known as pulsars.  Beeping on the radio dial on the average of once a second (some are faster, some are slower), they are significant for their unwaveringly precise timing and for their enormous power output—some one billion times the power output of all of Earth's civilizations!

There is a lot of interesting information in this article, but what annoys me is that McDonough seems convinced that pulsars are the work of "Little Green Men" (LGM), and presents his article accordingly.  Nowhere in the piece is the general accepted wisdom that the regularity of the signals and the fact that they seem to carry no information (not to mention their tremendous power) indicates that pulsars are rapidly rotating stars, and likely rapidly rotating, collapsed dead stars called "neutron stars".

This isn't esoteric knowledge I gleaned from The Astrophysical Journal—it's from the Sunday Supplement of Escondido's rag of a paper, The Times-Advocate.  So, its exclusion from McDonough's piece must be conscious, and that makes his arguments suspect.  Perhaps he'll discuss neutron stars in the next piece, but they really should have been front and center.

Three stars.

Minitalent, by Tak Hallus

line drawing of a courtroom setting with an older judge with glasses, a steno clerk woman behind him, and a gallery of seal-like aliens, looking at a worksuited human with a gallery of humans behind him
by Leo Summers

Alice Culligan, third mate and computer officer on the space ship Iphigenia, witnessed a crime: gun runners had smuggled cruel "nervers" to a race of aborigines.  They were caught, but the company they're working for looks to get away scott free.  They will do anything to ensure that verdict—including silencing Miss Culligan forever.

But Alice has an ace up her sleeve: a minor talent for telekinetics.  And in a computerized world, sometimes a little push is all that's needed…

Similarly premised as Larry Niven's sublime "The Organleggers", this tale (Tak Hallus' first) is not as deftly told.  That said, it is pretty good, and I liked the heroine very much.  It's clearly in the vein of, say, James H. Schmitz, so if you like him, you'll like this.

By the way, Tak Hallus is simply Arabic for "pseudonym", so who knows?  Maybe it really is Schmitz!

Four stars.

From Fanaticism, or for Reward, by Harry Harrison

line drawing of a man with a beam rifle shooting at a robot that looks like a suit of armor
by Leo Summers

An assassin named Jagen performs a job and, with the help of a teleportation system, escapes The Great Despot's justice.  But is there any ultimate evasion the efficient robot machines of the Despot's police force?

The well-written piece is really a setup for the philosophical question posed at the end.  The answer is surprising for such a libertarian mag as editor Campbell's.

Five stars.

Wolfling (Part 3 of 3), by Gordon R. Dickson

line drawing of two stylized men in tunics dueling with glowing rods, a woman crouched over a body in the background
by Kelly Freas

And now, the conclusion of Wolfling.  By Gordy Dickson.

Jim Weil, archaeologist and Ace of All Trades (the term "bannou" (万能) is even more appropriate), had infiltrated the High-Born empire he was sent to detachedly examine, becoming a general in its armies.  Having discovered a plot to destroy the imperial warrior race of Starkiens, Jim quickly returned to the throne world to thwart a plot on the Emperor, himself.  He is successful in defeating the pretender, the Emperor's cousin, but now he must return to Earth and face treason charges for possibly incurring the imperial wrath on humanity.

In a dramatic courtroom scene, Jim explains his actions, how they saved the Earth, and the true origin of humanity vis. a vis. the High-Born.  Did we come from them, or did they come from us?

The answer is rather disappointing, more along the lines of something I'd expect written in the pulp era than modern times.  In addition, all of the energy-saber dueling seemed unnecessary; when everyone can teleport at whim, how do you keep your foe in the same room long enough to dispatch him?  Or keep your foe from materializing behind you?

But most of all, I had expected a statement against eugenics, but instead got something of a defense of it.  If not for the skilled writing, I might rate it more poorly.

Three stars for the serial as a whole.

On to the numbers!

black and white photo of a plump Black woman leaning over an eighth-grade white girl seated at a computer, a eight-grade black boy behind her, mathematical equations on the blackboard behind them all

You know, it's been quite a month!  With Analog clocking in at 3.4 stars, it's near the top of the heap rather than taking its usual place in the middle.  Ahead of it were Fantasy and Science Fiction (3.4) and IF (3.5).  The good news is, the spread was pretty narrow: Galaxy scored 3.3, New Worlds 3.2, New Writings 14 3.  Only Amazing scored below the three-line (2.7), and it was still better than usual.

In other vital statistics, women produced 11% of the new fictional content.  The superior stuff this month would fill three full-sized magazines.  Given that there were seven published this month, that's a good ratio.

Stay tuned for the end of next month when we find out how April's magazines do…and how Mariner 7 flies!






[January 28, 1969] Slidin' (February 1969 Analog)


by Gideon Marcus

Mudslides

Winter is the wet season for Southern California, and we've been just drenched these past weeks.  I understand seven inches of rain fell in the Los Angeles area, causing terrible mudslides, property damage, and injury.  Apparently, things were made worse by a spate of arson last year that got rid of the stabilizing undergrowth.

Ontario's Foothill Boulevard looking west toward Red Hill Country Club Drive, flooded. (Daily Report photo)
Ontario's Foothill Boulevard looking west toward Red Hill Country Club Drive, flooded. (Daily Report photo)

I've had many friends ask if we're alright, afraid we might have been swept downstream in the torrent.  Rest assured that Vista is disaster-proof (knock on wood), and our house is at the top of a hill.  We had some deep pools of water in the backyard, but they've since drained.  Our neighbors have gotten invaded by bugs seeking refuge from the storm, though.

A man runs past a station wagon that was washed two blocks down Carnelian Avenue, along with part of the road surface. (Daily Report photo)
A man runs past a station wagon that was washed two blocks down Carnelian Avenue, along with part of the road surface. (Daily Report photo)

Ups and Downs

If the physical world is getting washed away, one edifice that manages to stand firmly, if not always proudly, is Analog, science fiction's most popular magazine.  Has this month's issue slid at all, or is it holding fast?  let's see:

Analog cover featuring drawing of woman holding a baby swathed in christmas light glows/><br />
<small><small>by Kelly Freas</small></small></p>
<p><b><big><a href=A Womanly Talent, by Anne McCaffrey


by Kelly Freas

We're back in the world of psionic talents, perhaps related to the stories that involve ladies in towers.  A pair of politicians want to pass a law protecting and enabling the psionically adept, legitimizing things like professional prognosticators and psychic manipulators.  A Luddite strawman, name of Zeusman, is against it.

Meanwhile. Ruth is the wife of Lajos, a precog.  She is frustrated because she has an unidentified talent, and also because she really wants to be a mom.  Eventually, the latter frustration is relieved, and her daughter ends up demonstrating what Ruth's power really is.

Aside from the tale beginning with ten pages of conversation that reads more like a Socratic dialogue than a story, I just find McCaffrey's writing so flat and amateur.  I'm sure all the psi stuff was music to editor Campbell's ears, including lines like "Those who truly understand psionic power need no explanation. Those who need explanation will never understand," but it doesn't work for me.  Beyond that, McCaffrey's attitudes on the relations of the sexes is so atavistic, although I suppose she gets points for talking about sex at all.  Maybe Campbell likes that, too.

Two stars.

You'll Love the Past, by J. R. Pierce

Illustration for You'll Love the Past with a bunch of heads of the characters in the story
by Leo Summers

A time traveler from the 21st Century takes a trip in a time machine to the 24th Century.  A war has transformed society: America is now largely mixed race, with the whitest of the population an inbred and stupid group.  Socially, the continent is organized into placid socialist cooperatives run by religious Brothers, advanced technology provided by the Japanese.  It's the sort of world one can be happy in…provided one is favored by the status quo.  Every so often, one of the non-favored tries to escape.

Not a bad story, even if it seems to be obliquely casting aspersions on Communists of darker hue.

Three stars.

The Man Who Makes Planets, by G. Harry Stine

picture of Ken Fag holding a globe of Mars he has painted in front of a large globe of Saturn he painted./><br />
<small><small>Photos by G. Harry Stine</small></small></p>
<p>A nifty piece by <i>Analog's</i> resident rocket enthusiast about a fellow who makes model planets for a living.  I'd get one for my house, but they're a bit pricey—a quarter of a hundred large!</p>
<p>Four stars.</p>
<p><b><big><i>Extortion, Inc.</i>, by Mack Reynolds</big></b>	</p>
<p><img decoding=
by Leo Summers

Yet another piece set in the (anti-) Utopian future of People's Capitalism, where North America has become a stratified welfare state, and money is a thing of the past.

Rex, last of the private dicks, is engaged by a government minister to find out who stole the plans for a miniaturized nuclear bomb, and why said criminal is blackmailing him, threatening to distribute the plans should a ransom not be paid promptly.

The solution to this mystery is actually trivial, and the story isn't quite long enough for what it's trying to do.  Nevertheless, I always find this setting interesting.  And perhaps prescient.  There was piece in last week's newspaper about the National Urban League's proposal for a universal income…

Three stars.

Wolfling (Part 2 of 3), by Gordon R. Dickson

illustration of the main character teleporting into a space, wearing a beret and tartan, surprising two alien soldiers and their leader
by Kelly Freas

Back in part one, Jim Kiel was sent from Earth to study the intergalactic empire whose fringes were discovered when a Terran probe made it to Alpha Centauri.  An anthropologist and ubermensch, Jim is essentially a spy, though the High Born of the empire don't know that—they think that he's an interesting curiosity, favored for his bullfighting skills and independent thinking.

This installment begins just after Jim's first encounter with the Emperor, a genial, capable man who, nevertheless, seemed to suffer a stroke.  A stroke that no one but Jim noticed.  Much of this middle installment is devoted to Jim's navigation of High Born society, attempting to master the reading machines to determine if Earth really is a long-lost colony of the empire or something else, and also how he discovers and foils an insurrection attempt with designs on incapacitating the empire's leader.  In the last portion, Jim is promoted to the equivalent of a Brigadier General and sent to quell a rebellion.  This is actually a trap designed to kill him, but he neatly sidesteps it.  Now he wants to know why he's marked for death.

The pot continues to boil.  There's a lot of the flavor of Dickson's Dorsai series, but with a different, perhaps even more interesting, setting.

Four stars.

A Chair of Comparative Leisure, by Robin Scott

illustration of a suit-vested professor and little bubbles surrounding him illustrating seens from history
by Leo Summers

A stammering professor somehow manages to be the most magnetic, as well as effective at conveying information.  Does his technique go beyond the verbal?

(Yes.  He has the power of psychic projection.  Whoopee.  Two stars.)

Calculating the damage

Japanese ad for a Hitachi computer with a Japanese woman leaning over a machine

You win some, you lose some, and this month's issue clocks in at exactly three stars.  While nothing could compare with the superlative four-star Fantasy and Science Fiction, three stars is still lower than New Worlds (3.3) and Galaxy (3.2).  It does beat out IF (2.8) and Fantastic (2.2), however.

You could fill as many as three issues with good stuff out of the six that were put out—in large part thanks to how great F&SF was this month.  Nevertheless, women contributed very little of that, with only 6.67% of new fiction written by female writers, most of that Anne McCaffrey's drudge of a story.

Still, in an uncertain world, I can't complain too much.  Especially since, mudslides or no, the Post Office still manages to get me my magazines on time!






[December 31, 1968] Auld Lang Syne (January 1969 Analog)


by Gideon Marcus

We made it

And so, 1968 ends with a bang, not a whimper.  After a miserable year that saw the loss of Dr. Martin Luther King Jr. and Robert Kennedy, the capture of the Pueblo, the Tet Offensive in South Vietnam, the riots at the Democratic Convention, the election of Richard Nixon, and many other tragedies, we finally have some good news to end the year.

First, there was the stirring flight of Apollo 8, a bit of unmitigated good that gave the holiday season additional poignancy.  And then, just last week, the crew of the Pueblo were finally released.  Vietnam peace talks appear to be stumbling forward.

On a more personal level, I got to prepare the Galactic Stars for the year, which involves reading all of the four and five star stories recommended by my colleagues.  For one month, everything I read is terrific.

It is in this euphoric mode that I get ready for tonight's New Year's celebration…and present to you the last of this month's magazines, the January 1969 Analog.

We read it


by Kelly Freas

Wolfling (Part 1 of 3), by Gordon R. Dickson

A galaxy-spanning empire makes contact with Earth.  Amazingly, the denizens of the sprawling star-society appear to be humans, though the ruling caste is distinctive due to selective breeding—onyx white, seven feet tall, and brilliant.  Because of the clear relation between the species, the prevailing belief is that Earth is some kind of lost colony.


by Kelly Freas

James Keil, bullfighter extraordinaire, is adopted by the High-born for display at the Throne World.  Keil is also a trojan horse, dispatched by the United Nations to gather information about the non-alien aliens. 

The hidebound High-born possess tremendous powers, from teleportation to matter conversion, but they are also just as petty and Machiavelian as any Earthers.  Keil's only ally is Ro, a (comparatively) dark-skinned High-born tasked with caring for the High-born queen's menagerie.

Dickson spins an interesting tale, detailing how the "Wolfling", Keil, walks the diplomatic tightrope, navigating a literal lion's den all through his FTL journey to the heart of the galaxy.  Though the story featueres eugenics, it is clear that the tale is an indictment rather than an endorsement.  Of course, the message might have been more strongly made were Keil's surname "Chang" or "Ojukwu".

Four stars so far.

The Hidden Ears, by Lawrence A. Perkins


by Leo Summers

A renegade UFO on the lam breaks through the cordon placed around Earth by the interstellar fuzz, taking refuge in the barn of a rural homestead.  The cops scratch their carapaced heads for a while, until they figure out a way to locate the hidden fugitive.  The genuinely amusing conclusion is the one bright spot in an otherwise frivolous story.

Two stars.

The Other Culture, by Ted Thomas


by Kelly Freas

If ever the word "pedestrian" described a story, it's now.  Thomas strings the most colorless sentences together, most of which are superfluous, and none of which are more than adequate.

The plot?  The Weather Council has to decide who will be prioritized for the increasingly demanded amount of world rainfall.  Because, as we all know, that's the kind of minor issue that is solved at a single conference.

That would be silly enough, except for the bombshell dropped about a quarter-way into the story: continental drift is suddenly speeding up, and all land masses will reunite as Pangaea in half a century.

Turns out this (ludicrous) plan is the work of BROW, the Brotherhood of the World, a rival underground (no pun intended) society.  But this potentially disastrous plan also, fortuitously, contains the solution to the water problem.

"Culture" is a talky, ridiculous story with no merits whatsoever.  It makes no scientific sense—moving continents around like bumper cars will produce a million 1906 San Franciscos—and the prose is dull as dishwater, as are all of the "characters".

One star.

"On a Gold Vesta … ", by Robert S. Richardson

This is a pretty neat piece about how we measure the density, size, and albedo (reflectiveness) of the myriad minor planets in the solar system.  All of these values are related, and without a firm grasp of at least one of them, it's virtually impossible to estimate the others.  A little short, but valuable.

Four stars.

Classicism, by Murray Yaco


by Kelly Freas

It's been eight years since we last heard from Mr. Yaco, and quite frankly, he might as well have stayed in hiding.  This is the "funny" tale of a young engineer from the last planet that believes in "classical economics".  He is sent to the big universe to become a cog in the command economy—specifically, to manage planet-wide garbage operations.  In his spare time, he works on perfecting a teleportation system, which he hopes to sell at great profit.

Too silly to be truly offensive; too lightweight to be worth your time.  Two stars.

Krishna, by Guy McCord


by Kelly Freas

Last year, Mack Reynolds…er… "Guy McCord" wrote a tale about Caledonia, a strange planet that was an odd combination of Scots and American Indian societies.  Krishna is a direct sequel, and a much better (though incomplete) story.

John of the Hawks is now a man, Raid Cacique for his clan, in fact, when Outworlders return.  The villain of the last piece, Mr. Harmon, is now wearing the black cloak of an acolyte of Krisha.  His ship, the Revelation, houses a bunch of missionaries who offer cures to all diseases if only they will partake of soma, a powerful hallucinogen.  Those who ingest soma become peaceful, one with Krishna…but also sterile and apathetic.  Obviously, such is anathema to the hardscrabble, lusty Caledonians.

"McCord" balances the clan politics with the Outplanet menace much better this time around, and John's endeavor to "steal" Alice Thompson for a bride is pretty gripping.  I don't mind that this novella is obviously the first (second?) installment in a novel, and I look forward to the next one.

Four stars.

We rate it

The word for this month is "vicissitudes".  On the face of it, none of the magazines did very well—Analog finished at 2.9 stars, well above Amazing (2.4 stars), but below New Worlds (3 stars), Galaxy (3.1 stars), IF (3.2 stars), and Fantasy and Science Fiction (3.3 stars).

Yet, every mag save Amazing had at least one four-star story in it.  Several had more than one.  If you took all the good stuff this month, you could fill two magazines with it and have some quite good reading ahead of you.  Women contributed 12% of the new fiction published, which is on the high end.

So, a foreboding or auspicious sign for the New Year, depending on whether you fill your scotch half full or half empty with soda.  Either way, here's looking forward to a lovely 1969 with you all.  May your holiday season be bright!






[November 30, 1968] Up, Up, and Around! (December 1968 Analog)


by Gideon Marcus

Once more with feeling

Less than two months ago, the Soviets sent Zond 5 on a trip around the Moon in a precursor to a manned flight.  And on November 18, Zond 6 repeated the feat with, apparently, even more success.  There was some suggestion that Zond 5's reentry and descent was fraught with issues.  No such trouble (reported) on Zond 6.


A photo of the Earth from the vicinity of the Moon returned by Zond 6.

The USSR now says (or say, if you're British) that they might well have a manned flight to lunar orbit by early December.  This is even as NASA prepares to send Apollo 8 on a circumlunar course on December 21.  Yes, it sure seems like the breakneck Space Race is on again.  May it claim no more lives in the process.

Once more with mild enthusiasm


by Kelly Freas

The Custodians, by James H. Schmitz

In the far future, Earth's one-world government has collapsed, leaving a plethora of princely states to war with indifferent ferocity.  Further out, the settled asteroids, turned into giant space ships, placidly orbit the Sun, maintaining civilized culture as well as they can.  And beyond lie the alien-settled "out planets".

After an unprofitable eight-year cruise, Jake Hiskey, commander of the Prideful Sue, has a jackpot plan.  He is smuggling in a ship of Rilfs—humanoids with a deadly, natural weapon that kills all animals within a twenty-mile radiius—to serve as mercenaries on Earth.  But to get them to Terra, he must first stage on an asteroid.  The obvious choice is the one that the sister of Harold, the Sue's navigator, calls home.

The catch: the Rilf who goes by the name McNulty insists that no one know that the Rilfs are on the asteroid.  That means all potential witnesses must be eliminated.  This includes all of the asteroid's residents and, by extension, Harold, since he is afflicted with a conscience.

Well, Harold is no fool, and he susses out the plan just at its moment of murderous implementation.  Can one unarmed man thwart his captain's evil scheme before the asteroid's population is slaughtered?  And are the people on the giant rock as effete and defenseless as they seem?


by Kelly Freas

This is a riproaring piece, filled with well-executed action and interesting concepts.  If anything, it's a bit too short, reading like two sections of a more fleshed-out novel.  The concepts revealed at the end, when we learn the true purpose of the asteroid, are explained too quickly, and in retrospect.

I have to wonder if Schmitz needed to sell this before it was quite ready; I hope an expanded version makes its way to, say, an Ace Double.

Four stars.

A Learning Experience, by Theodore Litwell


by Leo Summers

A fellow signs up for a correspondence course and gets a Type III tutor robot trained at the Treblinka Institute for the sadistically inclined.  While the mechanical's browbeatings do get the student to buckle down, he ultimately decides he will get more satisfaction from tearing the robot bolt from bolt.

Just as he is expected to…

Do you have a child who has trouble focusing?  This may be just what the tyke needs.  Just be ready to sweep the floor afterwards.

Three stars.

The Form Master, by Jack Wodhams


by Kelly Freas

The more complicated a bureaucracy, the better chance someone will find a way to take advantage of it.  But he who lives by the forged form may ultimately die by the forged form.

At first, I thought this piece was going to be a celebration of the "rugged individualist" who comes up with a clever justification for stealing from his neighbors.  It's not, but it's still kind of tedious.

Two stars.

The Reluctant Ambassadors, by Stanley Schmidt


by Kelly Freas

Humanity's first colony is on a marginal planet of Alpha Centauri.  It has been failing for decades.  Only one of the two sublight colony ships made it, and there just aren't enough people to make a go of things, especially since the planet's weird orbit takes it between the two bright stars of the trinary, resulting in massive swings of temperatures over the decades.

When FTL drive is invented, a follow-up ship is dispatched from Earth to check on the settlement.  On the way, its crew note that hyperspace, which is supposed to be empty, appears to have inhabitants…or at least something is emitting a mysterious glow off the port bow.  Once at Centauri, apart from the much bedraggled but doughty Terrans, the relief crew also find evidence of alien visitation, which apparently has been going on since the start of the colony.  The colonists had been reluctant to investigate the aliens too deeply as the extraterrestrials had done their best not to be seen. Thus, the first faster-than-light reconnaissance turns into a kind of ambassadorial mission as the captain of the relief vessel heads off in search of the aliens not only to learn their secrets (and the reason for their secrecy) but also to find clues as to the disappearance of the other colony ship.

This is solid, SFnal entertainment, if a little dry and drawn out, and with aliens who are much too humanoid for anything but Star Trek.  I like the setting, though.

Three stars.

Situation of Some Gravity, by Joseph F. Goodavage

Analog had been doing so well with its nonfiction articles of late that the appearance of this one is highly disappointing.  It's a screed about how the magnetohydrodynamics of the planets affects physical phenomena and people as much as, if not more than, gravity, and that's why astrology works.

I think that's what Goodavage is trying to say.  It's certainly what editor Campbell says (in a two-page preface) what Goodavage is trying to say.  I found the thing incomprehensible and unreadable, not to mention offensive.

One star.

Pipeline, by Joe Poyer


by Leo Summers

The year is 1985, and the Earth is entering the next Ice Age.  Its most immediate impact is a subtle shift in weather patterns, plunging America's industrial northeast into drought.  Luckily, engineering has a solution: a great Canadian aqueduct to ship water from the frozen North to the thirsty Eastern Seaboard.

But there are folks not too happy about the project, and just before the pipeline's inaugural activation, saboteurs break the conduit, threatening forty miles of tubing.  It is up to a small band of engineers to fix the breach and stop the terrorists before it's too late.

Poyer has written a competent "edge-of-tomorrow" thriller.  We never find out just who was behind the sabotage.  Strongly implicated is some combination of Japanese businessmen and right-wing Birch-alikes (my suspicions went with some left-wing group like a militant Sierra Club).  Anyway, I think this is the first time I've seen Japan as the bogeyman in an SF story.  It's a novel twist, and given how much is Made in Japan these days, perhaps a valid prognostication.

Three stars.

Once again with the computers

Here we are at the end of the year for magazines, and it's been a rather middle-of-the-road month.  Analog finishes at a mediocre 2.7 star rating, beating out Orbit 4 (2.7), Fantastic (2.6), and IF (2.6)

Scoring above Analog are Galaxy (3.5),
New Worlds (3.5), and Fantasy and Science Fiction (3.2).

Women wrote about 9% of the new fiction published this month, and you could fit all the 4/5 star stories in two magazines out of the seven publications (including one anthology).  Really, that sums up the state of magazine SF in general—some excellent stuff, a lot of mediocrity, and attention now focused on television and novels.

That said, it's still clear that magazines contribute a lot to the genre, particularly in the area of short fiction.  Certainly Michael Moorcock thinks so, as he is composing a book a week just to keep New Worlds afloat with his own money!  That he manages to turn out pretty good stuff in a single tea-fueled draft is a feat that makes him the British Silverbob…with fewer descriptions of underaged bosoms.

So, bid a fond adieu to 1968, at least in cover dates, and let's see what 1969 has in store!


William Shatner waves to the crowd at the Macy's Thanksgiving Parade in New York…but he might also be saying goodbye to 1968






[October 28, 1968] Impressive at first glance… (November 1968 Analog)


by Gideon Marcus

Up and over

Just as America returned to space in a big way with this month's flight of Apollo 7, the Soviets have also recovered from their 1967 tragedy (Soyuz 1) with an impressive feat.  Georgy Beregovoi, a rookie cosmonaut (ironically also the oldest man in space thus far, surpassing 45 year-old Wally Schirra by two years) has taken Soyuz 3 into orbit for a series of rendezvous and perhaps dockings (TASS is being vague on the issue) with the unmanned Soyuz 2.


Comrade Beregovoi in training

We've seen flights like this before, but this is the first time there has been a person involved.  Many are calling this a harbinger of an impending lunar flight, though NASA is adamant that this particular flight won't go to the moon.  Indeed, Dr. Ed Welsh, Secretary of the National Aeronautics and Space Council says Soyuz and September's Zond 5, which went around the moon, are completely different craft and the Russians aren't even close to fielding a lunar mission.

We'll have more on this flight in a few days.  Stay tuned.

On the ground

Like the flights of Soyuz 2 and 3, this month's Analog is outwardly impressive, but once you dig in, it's not so great.


by Kelly Freas

The Infinity Sense, by Verge Foray


by Kelly Freas

Centuries from now, after the fall of the Age of Science, humanity is divided into two camps: the "Olsaparns", who dwell in isolated technological camps and retain a semblance of the original technology and society, and the Novos—psionically adept savages who live in conservative Packs.  One of the Pack members is Starn, who possesses a brand new ability that allows him to best even the telepathically and premonitionally blessed.  He runs afoul of Nagister Nont, a highly adept, highly disagreeable trader, who kidnaps his wife.

After a raid on the Olsaparns leaves Starn close to death, the technologists remake him into something more machine than man, like Ted White's Android Avenger.  The Olsaparns want Nont out of the picture, so they help Starn in his quest to defeat the mutant and get back his wife.

I have no fault with the writing, which is brisk and engaging.  I take some issue with the pages of discussion on whether or not psi powers be linked with primitiveness, or the concept that humanity could regress to Pithecanthropy in a scant few generations (or the idea that evolution must be a road that one goes forward and backward on; I thought we gave up teleology last century).  But I blazed through the novella in short order, so… four stars.

The Ultimate Danger, by W. Macfarlane


by Kelly Freas

In which Captain Lew Frizel takes a shipload of eggheads to a hallucinogenic planet.  He is the only one who, more or less, keeps his head.  The message appears to be that LSD can be employed by aliens to judge our character.  Or something.

Three stars?

The Shots Felt 'Round the World, by Edward C. Walterscheid

This piece, on atomic tests, was much easier reading than Walterscheid's last article.  Do you realize that we have detonated half a billion TNT tons worth of nuclear explosives since 1945?  It's a wonder there's anything left of Nevada.

Four stars.

The Rites of Man, by John T. Phillifent


by Rudolph Palais

A scientist is working on rationalizing the art of interpersonal relations (because in Phillifent's universe, no one has invented sociology).  About twenty pages into that effort, humanoid (really, human) aliens show up and ask to be allowed to compete in the Olympics.  They do, but they lose on purpose so we won't hate them.  Then we interbreed.

Possibly the dullest, most pointless story I've ever read in this magazine.  One star.

The Alien Enemy, by Michael Karageorge


by Leo Summers

Humanity is a resilient creature, tough enough to tame any world.  Except that planet Sibylla, with its poisonous soil, extreme axial tilt, thin atmosphere, temperature extremes, high gravity, and violent weather may actually be more than Terrans can handle.  What does one do when a world is too minimal to sustain a colony?  And what is the value of 10,000 settler lives against the teeming, impoverished billions of Earth?

This is a vividly written piece with some excellent astronomy.  If I didn't know better, I'd say Poul Anderson is writing under a pseudonym.  I felt the solution to the colonists' problem, though reasonable, was not sufficiently set up to be deduced.  Also, I felt Karageorge missed the opportunity to make a more profound statement at the end than "well, humanity can lick almost all comers."  I'd have preferred something on the point of colonization or the shifting of priorities on a racial scale.

Still, a high three stars.

Split Personality, by Jack Wodhams


by Kelly Freas

Mauger, a homicidal brute, agrees to be split in two for science instead of getting the chair.  Instead of this resulting in two new individuals, it turns out that the two halves remain connected, the gestalt whole.  Thus, Maugam can literally be in two places at once.

This is timely as the first interstellar drive has had teething troubles.  Two test ships have gotten lost, unable to communicate with Earth.  Now, half of Maugam can fly on the ship while the other stays home and reports, since telepathy, for some reason, is instant.

It's actually not a bad story, though it's really just a bunch of magic and coincidence.  It works because Wodhams has set it up to work a certain way, not because this is any kind of realistic scientific extrapolation.  Also, it's hard to work up any sympathy for a homicidal brute.

Three stars.

Doing the math

When everything is crunched together, we end up with Analog clocking in at exactly 3 stars—again, adequate, but vaguely disappointing.  On the other hand, it's been something of a banner month in SF (provided you're not looking for female writers; they wrote less than 7% of the new fiction pieces published).  Except for IF (2.6), every other outlet scored higher than 3.  To wit:

New Worlds (3.1), Amazing (3.2), New Writings 13 (3.3), Fantasy and Science Fiction (3.4), and Galaxy (3.9).

The stuff worth reading (4/5 stars) would fill a whopping three magazines.  Who says the science fiction magazine age is over?