[June 18th, 1970] A Case of Déjà Vu (Vision of Tomorrow #10)

Black & White Photo of writer of piece Kris Vyas-Mall
By Mx Kris Vyas-Myall

As I am writing this, voting in the UK General Election is taking place. However, we will have to wait until tomorrow for the results. As such, I want to address one of the biggest perpetual issues in Britain, the housing crisis.

It has become a kind of a dark joke over the last 50 years. At election time, every party leader will say how much they feel for the plight of the homeless and pledge to end the crisis. Then, as soon as voting is over, they will go back to ignoring the issue. Therefore, I feel, it is worth listing off the endemic problems causing this.

For a start, there is the obvious matter of money and organization. The UK spends a smaller share of GDP than the rest of Western Europe on housing and leaves decisions in the hands of local councils, which have a patchwork of plans. On top of that, housing building largely relies on the private sector who are more interested in high-priced luxury developments than on those for the poorest families.

Colour photo of the Ronan Point tower block, post-disaster where one corner has collapsed with ceilings hanging like loose tiles
Ronan Point, post-disaster

With this combination of political short-terminism, lack of investment and reliance on the private sector, it has led to a lot of poor-quality housing stock. An infamous example was the Ronan Point Disaster, where a gas explosion collapsed the corner of a tower block.

Black and White Advertisements for Homeless Charity Shelter.
On the Left is one with a knife. The text reads:
Sentenced the day he was born.
He was born in a crumbling tenement, grew up in a room his family shared with rats and cockroaches. With no hope of escapee.
He lived like a wild animal and was put away when he reacted like one.
Over a million people live in conditions that are breeding grounds for delinquency, mental and physical illness, illiteracy, broken marriages.
Shelter helps re-house  some of the most badly off, and fights to get something going for the others.
Our crying need is money. Give to shelter and you help give him a decent chance.
The advert on the right has a razor blade. The text says:
If Mrs. F. kills herself, it'll be third time lucky.
For Mrs. F. death would be a happy release from the stinking hole she and her family live in.
Twice she's tried suicide. To escape the stench, the damp, the flying insects, the peeling walls. At least a million people live in conditions that are breeding grounds that spawn mental and physical illness, crime, illiteracy, broken marriages.
Shelter helps rescue some of the worst-hit and campaigns vigorously to get something done for the rest. But it's a big job. It takes big money. Please give all you can.
Some of Shelter’s recent advertisements

With this lack of a political solution, it is unsurprising that several groups in the voluntary sector have been trying to fill the gap. The biggest of these is Shelter and, whilst all major parties praise their work, they seem to be getting sick of the situation. They are now withholding funds from local authorities that don’t help the poorest in their communities and running advertisements blaming the current biggest social ills on the housing crisis.

There are also other groups taking more direct action. Running in the election in London is a loose party grouping called “Homes Before Roads”, opposing the plans to try to deal with London’s congestion by building a series of ring roads through current residential districts. In a different way there is also the Squatters’ Movement, who are taking control of empty housing stock and trying to get official recognition for their use by those who cannot afford to go anywhere else.

However, I am not hopeful of even direct action resulting in a solution. Whether Wilson or Heath are Prime Minister next week, I suspect the situation will still be much the same in the mid-70s: homelessness and poor-quality housing are endemic; the political parties say what a scandal this is; make vague promises at a solution; promptly ignore it again.


I am also getting a sense of déjà vu from the latest issue of Vision of Tomorrow, with an expansion of articles on the history of SF and the writers retreading old ground:

Vision of Tomorrow #10

Painted Colour cover for Vision of Tomorrow #10 (July 1970). Cover illustrating Echoes of Armageddon by Lee Harding. It shows the close up of the face of a man of ambiguous ethnicity in an environmental suit looking scared. In front of him are two people in environmental suits running along a path way dodging laser fire from futuristic flying drones. Behind this all is shadowy ruined Earth.
Cover by Stanley Pitt

Continue reading [June 18th, 1970] A Case of Déjà Vu (Vision of Tomorrow #10)

[June 17, 1970] Time and Again (June Galactoscope Part Two!)

So many books this month, and this time, we've got all superlatives.  Check out the second June Galactoscope!

Continue reading [June 17, 1970] Time and Again (June Galactoscope Part Two!)

[June 16, 1970] Solaris, Year of the Quiet Sun…and a host of others (June 1970 Galactoscope #1)

This month saw such a bumper crop of books (and a bumper crop of Journey reviewers!) that we've split it in two. This first one covers two of the more exciting books to come out in some time, as well as the usual acceptables and mediocrities.  As Ted Sturgeon says: 90% of everything is crap.  But even if the books aren't all worth your time, the reviews always are!  Dive in, dear readers…

collage of six book covers described more thoroughly below

Continue reading [June 16, 1970] Solaris, Year of the Quiet Sun…and a host of others (June 1970 Galactoscope #1)

[June 14, 1970] Talkin' Loud, Swingin' Soft (June 1970 Watermelon Man, The Landlord, and Cotton Comes to Harlem)

Black and white photograph of a besuited and clean-shaven young Vietnamese man with dark, shoulder-length hair wearing glasses looking at something below the camera and grinning
by Tam Phan (Secret Asian Man)

There’s a volcano that’s ready to erupt on the silver screens, so prepare yourselves for a blast of truth, fury, and funk that has no patience for politeness. These three films, Watermelon Man, The Landlord, and Cotton Comes to Harlem, take a swing at the beast that is American racism as they stumble in their own strange ways trying to wrap their arms around it. These films attempt to not let their audiences off easy as they slap them across the face, daring white America to feel what it’s like to be on the wrong end of the stick. Whether you’re a white boy having your spiritual awakening in a Black neighborhood or a white man literally waking up Black, these films don’t just entertain. They challenge and provoke you with some honesty and a loud Black voice that is no longer asking to be heard.

Continue reading [June 14, 1970] Talkin' Loud, Swingin' Soft (June 1970 Watermelon Man, The Landlord, and Cotton Comes to Harlem)

[June 12, 1970] Something Good! and Nothing Terrible (July 1970 Amazing)


by John Boston

The July Amazing is fronted by John Pederson, Jr.’s second cover, an agreeable Martian-ish scene, reminiscent of nothing so much as . . . Johnny Bruck on a good day.  So maybe the new commitment to domestic artists isn’t quite the boon I thought it was.  We’ll see.

Cover for Amazing magazine, July 1970. The illustration shows a small space colony on a desert planet. In the foreground, two men in astronaut suits ride a futuristic car. Text on the cover announces stories by Piers Anthony, Bob Shaw, and Robert Silverberg.
by John Pederson, Jr.

The non-fiction this month is a bit less gripping than usual.  White’s editorial recounts his unsatisfactory encounter with a woman who wanted to write an article about SF fandom, but apparently never did (or it never got published).  He then segues to a discussion of Dr. Frederic Wertham and his campaign against comic books which culminated in his book The Seduction of the Innocent.  Then, finally, to the point: Wertham is now saying he too will write about SF fandom and White doesn’t think it will be any good.  He’s probably right, but until we see what Wertham produces, discussing it is a little pointless. 

The letter column remains contentious but is getting a little repetitive; at this point it’s hard for anyone to say anything new about New Wave vs. Old Farts, and no more inviting topic has emerged.  The fanzine reviews are as usual, and the book reviews . . . are missing, damn it!  To my taste they have been about the liveliest part of the magazine.  I hope the lapse is momentary.

But speaking of SF fandom, I’ll take this lack of much to talk about as an occasion to mention something fairly striking about the magazine’s contents under Ted White’s editorship: there is an unusually large representation of Fans Turned Pro, authors who have—like White—been heavily involved in organized SF fandom.  This issue features Bob Shaw, a leading light of Irish fandom and heavy contributor to the celebrated fanzines Slant and Hyphen, who later won two Hugo Awards as best fanwriter among other distinctions; he also had a story in the second (7/69) White-edited issue.  Greg Benford (once a co-editor with White of the also-celebrated fanzine Void) has one of his co-authored “Science in Science Fiction” articles (the fifth) in this issue, and three stories to boot in White’s eight issues, as well as regular appearances in the book review column.  Robert Silverberg, who published a slightly earlier well-known fanzine Spaceship, supplied an impressive serial novel and has a story in this issue.  Terry Carr, another renowned fan editor, had a story in the last issue.  Alexei Panshin is not to my knowledge a fan publisher but has won the Best Fan Writer Hugo for his prolific contributions to others’ fanzines.  Harlan Ellison (short story in 9/69 issue) published the legendary Dimensions in the 1950s.  Joe L. Hensley (same) is a member of First Fandom and published a fanzine in the 1940s. 

And what does it all mean?  The floor is open for sober analysis and wild speculation.

Continue reading [June 12, 1970] Something Good! and Nothing Terrible (July 1970 Amazing)

[June 10, 1970] I will fear I Will Fear No Evil (July 1970 Galaxy)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Tired of it all

Antiwar protesting isn't just for civilians anymore.

About 25 junior officers, mostly Navy personnel based in Washington, have formed the "Concerned Officers Movement".  Created in response to the growing disillusionment with the Indochina war, its purpose is (per the premiere issue of its newsletter) to "serve notice to the military and the nation that the officer corps is not part of the silent majority, that it is not going to let its thought be fashioned by the Pentagon."

Reportedly, C.O.M. came about because an officer participated as a marshal at the November 15, 1969 Moratorium anti-Vietnam War march, got featured in the Washington Post, and later received an unsatisfactory notation for loyalty in his fitness report.  The newsletter and movement are how other officers rallied in his support.

Copy of a Concerned Officers Movement newsletter dated April, 1970.

Because C.O.M. work is being done off duty and uses non-government materials, it is a completely lawful dissent.  According to Lt. j.g. Phil Lehman, one of the group's leaders, there has been no harassment from on high as yet.

We'll see how long this remains the case.

Really tired of it all

After reading this month's issue of Galaxy, I'm about ready to start my own Concerned Travelers Movement.  Truly, what a stinker.  Read on and see why:

Cover of July 1970's Galaxy Science Fiction, featuring a red cover depicting the bald head of a man held by electrodes floating in the background while a short haired woman stands in front. The cover depicts the titles,
'Robert A. Heinlein's
Latest and Greatest Novel
I WILL FEAR NO EVIL

THE ALL-AT ONCE-MAN
R.A. Lafferty

THE THROWBACKS
Robert Silverberg
cover by Jack Gaughan

Continue reading [June 10, 1970] I will fear I Will Fear No Evil (July 1970 Galaxy)

[June 8, 1970] Beneath the Planet of the… Mutants? (Not Apes)

BW photo of Jason Sacks. He's a white man, with short light hair, rectangular glasses, and headphones.
by Jason Sacks

Before you start reading this essay, let me warn you: I will be discussing major plot details from the latest Hollywood blockbuster, Beneath the Planet of the Apes. This will include the movie’s conclusion. For that matter, this article also ruins the ending of the original film. So be warned in case you haven't yet been to your local multiplex to see these in double-feature. On the other hand, you may well wish to go in with your eyes wide open… because Beneath the Planet of the Apes is both a fascinating continuation and a jaw-dropping pivot.

A color movie poster for Beneath the Planet of the Apes.  At the top in an orange block font is written, The bizarre world you met in Planet of the Apes was only the beginning.. What lies beneath may be the end! In the center are three images.  On the left, a military group of apes are in formation facing left, brandishing weapons and a pink and black striped flag.  They stand in front of a ruined building with obscured writing across the top, mostly buried in sand. At the center, the title Beneath the Planet of the Apes is written in yellow block capitals against a black rectangle. the left leg of the N in Beneath descends into an arrow pointing downward.  Beneath the title a circle is superimposed over the rectangle, in which there is an image of a man and woman wearing skimpy primitive clothing.  They appear to be stepping through the door of a building.  On the right, black text reads An army of civilized apes... A fortress of radiation-crazed super humans... Earth's final battle is about to begin -- Beneath the atomic rubble of what was once the city of New York! Beneath the text is a smaller picture of apes in military formation, perhaps an extension of the first picture but further away.

Continue reading [June 8, 1970] Beneath the Planet of the… Mutants? (Not Apes)

[June 6, 1970] Children's Crusade: If…. (the movie, not the magazine)

a slim white woman with glasses and long blonde hair. She is wearing a blue shirt with a green velvet vest
by Fiona Moore

If…. is a movie which came out a couple of years ago, but is rapidly becoming a staple of the college film society scene here in the UK and overseas. It’s firmly within the satirical-surrealist tradition that characterises the likes of The Prisoner (with whom If… shares an editor, South African activist Ian Rakoff), Monty Python, and The Bed Sitting Room. The question is, how well does that stand up as time and cinematic fashion move on?

Poster for If....

The story is set at a British all-male boarding school, where young men from the privileged classes learn the rigid, brutal, complex hierarchies and rules which will characterise their adult lives as well. Through the lens of a new arrival, we encounter a world where senior prefects enforce a rigid regime, obsessed with trivialities like hair length and permitted foods but enforcing this through corporal punishment; where younger students are forced to act as servants to their elders, with an implied sexual dimension to this servitude; where religion and the military bolster and reinforce the regime. However, the school also has its rebellious counterculture in the form of three young men, the “Crusaders”, led by Travis (played by newcomer Malcolm McDowell, whose performance here has reportedly led to Stanley Kubrick casting him in his forthcoming adaptation of A Clockwork Orange). their rebellion begins with minor acts of disobedience like growing a moustache, but grows in commitment and brutality until the climax of the story.

Continue reading [June 6, 1970] Children's Crusade: If…. (the movie, not the magazine)

[June 4, 1970] Something old, something new (July-August 1970 IF)

A white man with short gray hair poses in front of a wooden wall. He is wearing a gray blazer, yellow shirt, and black necktie, and is smiling toward the left of the viewer.
by David Levinson

Voyages into the known

Readers over 30 may remember Thor Heyerdahl and his Kon-Tiki expedition of 1947. He hoped to prove that the Pacific islands had been reached from South America before Polynesians got there from the west. The balsa log raft he built eventually ran aground in the Tuamotu archipelago in French Polynesia, demonstrating that such a voyage was at least possible. However, most archaeologists and anthropologists consider it far more likely that any contact between Polynesia and the Americas (there is some highly inconclusive evidence) was initiated by the Polynesian people, who have a proven track record of crossing vast distances into the unknown.

In any case, Heyerdahl has inspired a number of imitators hoping to travel farther, including some attempts to travel west to east. On May 29th, Spanish sailor Vital Alsar Ramirez started his second attempt to sail from Ecuador to Australia. The first attempt in 1966 failed after 143 days when the raft was rendered no longer seaworthy by teredo worms.

The new raft, dubbed La Balsa, has one major improvement over the Kon-Tiki: a moving keelboard. This will allow the raft to be steered toward more favorable currents, where Kon-Tiki could only drift with assistance from the simple square sail. Such keelboards are known to Ecuadoran natives and so are a perfectly reasonable addition. Best of luck to the four men aboard.

A black and white photo of a wooden raft on the water against a foggy background.  It has a square sail on a tall mast near the center.  On the left, a person is standing holding a line attached to the sail.  Under the sail three people are sitting.  To the right of the mast there is a small shelter with a grass roof, containing boxes and barrels. La Balsa puts to sea.

Speaking of Thor Heyerdahl, his current interest is in demonstrating that ancient Egyptians could have reached the Americas in reed boats. His first attempt last year aboard the Ra got within about 100 miles of the islands of the Caribbean before it became so waterlogged it began to break apart. Now he’s giving it another go.

The Ra II features a tether to keep the stern high, which should help keep the boat from suffering the fate of its predecessor. This is something the original ought to have had; such tethers are clearly visible in ancient Egyptian depictions of reed boats. The crew also plan to take marine samples along the way to study ocean pollution. The Ra II set out from Morocco on May 17th.

Of course, as with the Kon-Tiki, proving that such a voyage could have been made won’t prove that it was. The Egyptians were never great sailors, generally contracting ocean navigation out to more maritime cultures of the eastern Mediterranean. Still, best of luck to Heyerdahl and his crew as well.

A color photograph of a modern reconstruction of an ancient Egyptian reed boat on the water, against a clear blue sky.  It has a black sail at the prow supported by a tall mast made up of two timbers leaned together in a triangle.Oars are sticking out horizontally from the main deck. One person is standing at the prow and another at the stern, where a rudder extends into the water.   Two people are standing on the upper deck near one of the mast timbers. The Ra II under way. Note the tether keeping the stern high.

Polishing the family silver

Science fiction has a lot of tried and true plots, some better than others. But good writing can occasionally make a hackneyed, sub-par plot something better, and bad writing can turn an intriguing concept into a slog. Fortunately, this month’s IF has a lot more of the former.

The front cover of Worlds of If science fiction magazine. The magazine title is in the upper left corner, and on the lower left the featured pieces are listed with titles in black and authors in red: Second-hand Stonehenge, by Ernest Taves; Time Piece, by Joe Haldeman; and The Fifth Planet, by Larry Eisenberg.  THe cover illustration is a painting of a white man's face shown half in shadow against an abstract background. The left of the background is blank white, extending in swirls into an abstract helmet surrounding the man's face.  A headset microphone extends down the right side of his face to his mouth. The right of the background is bright red with jagged yellow and black accents, which are reflected in the left side of the helmet. In front of the man's face tiny oval spaceships fly upward in an arc, surrounded by tiny blue planets and white stars, at which the man gazes intently.Suggested by “Time Piece”. Art by Gaughan

Continue reading [June 4, 1970] Something old, something new (July-August 1970 IF)

[June 2, 1970] Turning Up The Heat (Doctor Who: Inferno)


By Jessica Holmes

I have good news and bad news. Being the little ray of sunshine that I am, I like to start with bad news . So here goes: we’re heading into the last Doctor Who serial of 1970. Yes, already. The tradeoff for some pretty spiffy stunt-work and shooting in colour is apparently a reduced episode count. The good news is that Doctor Who is turning up the heat and delivering a real firecracker of a story, full of action, monsters, and some great character work. Let’s dig into “Inferno”.

Title Card. Text reads 'INFERNO' in block capitals. The background is a volcanic eruption.

Continue reading [June 2, 1970] Turning Up The Heat (Doctor Who: Inferno)

55 years ago: Science Fact and Fiction