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[July 22, 1970] Solace for Your Trillion-Year-Old Spirit (George Malko's Scientology: The Now Religion)

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by Arturo Serrano

I've spent the last few months exchanging letters with an American friend, who has been educating me about a curious phenomenon they're seeing over there: the quick emergence of new religions whose foundation is, uniformly, some account of an alleged extraterrestrial encounter. From the peculiar case of the Mormon faith, I already knew that the Americans had a unique ability to cook up a doctrine from whole cloth and make it explosively successful in terms of gaining devotees and social influence. But even that knowledge did not prepare me for the alarming piece of investigative journalism which my friend has mailed me along with his latest letter. It's a book published this year, written by a Dane called George Malko, with the title Scientology: The Now Religion. It describes the author's journey to explore and unravel a whole intricate system of theology, liturgy, morality, and salvation begun only two decades ago, by the obviously troubled science fiction writer of moderate fame, named Lafayette Ronald Hubbard.

Cover of the book Scientology: The New Religion, by George Malko. The illustration shows a big dollar sign in the middle of the page.
Delacorte Press, New York.

In a nutshell, Scientology (a bland, uncreative name if I've ever heard one) teaches that the human spirit has lived countless lives in countless bodies on countless planets, and we all carry the scars of emotional trauma accumulated over aeons of reincarnations. But fear not! The same church that reveals to you that you have this problem happens to be selling the solution: by letting a complete stranger take note of your darkest secrets in front of a lie detector, you can achieve the next level of enlightenment. And the next. And the next. With each milestone, you're supposed to become more in control of yourself, more unperturbed by the psychic echo of your past lives, and more capable of performing feats of paranormal wonder. There's a finely subdivided series of degrees of perfection you can rise to, provided that you can afford the requisite study materials. That's the only penitence that this church expects of you: the thousands upon thousands of dollars that it costs to buy its ever-increasing but, unsurprisingly, never complete form of happiness.

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Book, Science Fiction/Fantasy

[July 19, 1970] Dips in road (Maze of Death, The Eternal Champion…and others—July Galactoscope #2)

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For our second of July's Galactoscopes, we have quite the mixed bag: two winners and two losers.  Aren't you glad you've got us to navigate the dross for you?

Covers of four books. The first cover is for the novel Quest for the Future by A E van Vogt. The illustration shows a huge, green, tentacled monster about to eat a human whole. Text at the bottom right corner says: In the palace of immortality, all the probabilities of time are waiting for you. The second cover is for the novel The Eternal Champion by Michael Moorcock. The illustration shows a man sitting on a throne, holding a sword in one hand and a big, shiny crystal ball in the other. A naked woman is kneeling in front of him, pouring a drink into his mouth. The third cover is for the novel Anti-Man by Dean R Koontz. The illustration shows a multitude of people struggling to walk in order. In the foreground, a human face is half covered by a hand. The palm of the hand shows the eye that the hand covers on that face. Text in the middle says: Sam was a miracle being—and a curse to a dangerously overpopulated planet. The fourth cover is for the novel A Maze of Death by Philip K. Dick. The illustration shows blue clouds half-covering an orange setting sun. Beneath the clouds, half-closed eyes look downward.

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Book, Science Fiction/Fantasy

[July 18, 1970] Two-star three step (July 1970 Galactoscope)

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We're breaking up this month's Galactoscope in two—and the dross leads the back. The next three books are all sub-mediocre, but the reviews are well worth the price of admission!

Covers of three books. The first cover is for the book A Harvest of Hoodwinks by Robert Lory. The illustration shows a man in an astronaut suit standing at the entrance of a cave, carrying a lamp. The floor, walls and ceiling of the cave are covered in thick webs. Text on the cover says, Sleight of hand in sciences and sorceries. The second cover is for the book Masters of the Lamp by Robert Lory. The illustration shows a human figure wearing a white robe, standing atop a pillar. Next to the human figure is a floating black octopus. Below, a human face is surrounded by five small planets. Text on the cover says, Send a spy to find a god. The third cover is for the book Operation Ares by Gene Wolfe. The illustration shows three flying saucers over a field where people and wolves are standing.

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Book, Science Fiction/Fantasy

[July 16, 1970] Journey Behind the Iron Curtain, Journey into Space

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BW photo of Jason Sacks. He's a white man, with short light hair, rectangular glasses, and headphones.
by Jason Sacks

We here at the Journey pride ourselves on our international reach and viewpoint. We have writers from across the world, and we love to read work from a full spectrum of countries.

While we've dabbled a bit with Eastern European and Soviet fiction, this has been a bit of a blind spot for this zine.So when The Traveller asked me to review a new anthology of SF from behind the Iron Curtain, I jumped at the opportunity.

Other Worlds, Other Seas is a new anthology of  science fiction stories from Socialist countries, published by prestige publisher Random House and edited by expert Darko Suvin. Suvin was born in the Yugoslav province of Croatia, and emigrated to Canada where he teaches at McGill University in Montreal.

Suvin still has deep ties to his native region, and has gained a reputation as one of the foremost critics and experts on SF from that area of the world. As part of that effort, Suvin has assembled a collection of fiction from some of the most prominent writers from that region.

As Suvin himself says, this is by design a quick overview. Other Worlds, Other Seas is only 200 pages long, so longer pieces were unavailable, as were stories from countries like East Germany for various reasons.

What Suvin compiled here is a classic mixed bag of stories. A handful of tales here are brilliant, a handful feel pointless. Allow me to break down that roster below. Cover of 'Other Worlds, Other Seas, Science-Fiction Stories From Socialist Countries' in yellow text. featuring a surreal mountainscape with an appendage encircled by a disc sprouting from it. The bottom text reads in red 'Selected, edited and with a preface by DARKO SUVIN'. 

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Book, Comics, Science Fiction/Fantasy

[June 27, 1970] Deeper than Amber, more mindless than a Worm… (June Galactoscope: The Third)

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And yet our June Galactoscope continues!  We have a work by a brand new novelist (though the author is no longer new to the SFnal scene), an exciting novel by a vanguard of the New Wave, and the return of two familiar but still fresh writers.  Science fiction truly is a young man's game this month!

A banner showing the covers of the three books in this article -- <i/>Deeper than the Darkness by Greg Benford, <i>Nine Princes In Amber</i> by Roger Zelazny, and <i>The ESP Worm</i> by Robert Margroff and Piers Antony.

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Book, Science Fiction/Fantasy

[June 17, 1970] Time and Again (June Galactoscope Part Two!)

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So many books this month, and this time, we've got all superlatives.  Check out the second June Galactoscope!

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Book, Science Fiction/Fantasy

[June 16, 1970] Solaris, Year of the Quiet Sun…and a host of others (June 1970 Galactoscope #1)

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This month saw such a bumper crop of books (and a bumper crop of Journey reviewers!) that we've split it in two. This first one covers two of the more exciting books to come out in some time, as well as the usual acceptables and mediocrities.  As Ted Sturgeon says: 90% of everything is crap.  But even if the books aren't all worth your time, the reviews always are!  Dive in, dear readers…

collage of six book covers described more thoroughly below

Continue reading [June 16, 1970] Solaris, Year of the Quiet Sun…and a host of others (June 1970 Galactoscope #1) →

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Book, Magazine/Anthology, Science Fiction/Fantasy, Serial

[June 12, 1970] Something Good! and Nothing Terrible (July 1970 Amazing)

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by John Boston

The July Amazing is fronted by John Pederson, Jr.’s second cover, an agreeable Martian-ish scene, reminiscent of nothing so much as . . . Johnny Bruck on a good day.  So maybe the new commitment to domestic artists isn’t quite the boon I thought it was.  We’ll see.

Cover for Amazing magazine, July 1970. The illustration shows a small space colony on a desert planet. In the foreground, two men in astronaut suits ride a futuristic car. Text on the cover announces stories by Piers Anthony, Bob Shaw, and Robert Silverberg.
by John Pederson, Jr.

The non-fiction this month is a bit less gripping than usual.  White’s editorial recounts his unsatisfactory encounter with a woman who wanted to write an article about SF fandom, but apparently never did (or it never got published).  He then segues to a discussion of Dr. Frederic Wertham and his campaign against comic books which culminated in his book The Seduction of the Innocent.  Then, finally, to the point: Wertham is now saying he too will write about SF fandom and White doesn’t think it will be any good.  He’s probably right, but until we see what Wertham produces, discussing it is a little pointless. 

The letter column remains contentious but is getting a little repetitive; at this point it’s hard for anyone to say anything new about New Wave vs. Old Farts, and no more inviting topic has emerged.  The fanzine reviews are as usual, and the book reviews . . . are missing, damn it!  To my taste they have been about the liveliest part of the magazine.  I hope the lapse is momentary.

But speaking of SF fandom, I’ll take this lack of much to talk about as an occasion to mention something fairly striking about the magazine’s contents under Ted White’s editorship: there is an unusually large representation of Fans Turned Pro, authors who have—like White—been heavily involved in organized SF fandom.  This issue features Bob Shaw, a leading light of Irish fandom and heavy contributor to the celebrated fanzines Slant and Hyphen, who later won two Hugo Awards as best fanwriter among other distinctions; he also had a story in the second (7/69) White-edited issue.  Greg Benford (once a co-editor with White of the also-celebrated fanzine Void) has one of his co-authored “Science in Science Fiction” articles (the fifth) in this issue, and three stories to boot in White’s eight issues, as well as regular appearances in the book review column.  Robert Silverberg, who published a slightly earlier well-known fanzine Spaceship, supplied an impressive serial novel and has a story in this issue.  Terry Carr, another renowned fan editor, had a story in the last issue.  Alexei Panshin is not to my knowledge a fan publisher but has won the Best Fan Writer Hugo for his prolific contributions to others’ fanzines.  Harlan Ellison (short story in 9/69 issue) published the legendary Dimensions in the 1950s.  Joe L. Hensley (same) is a member of First Fandom and published a fanzine in the 1940s. 

And what does it all mean?  The floor is open for sober analysis and wild speculation.

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Book, Science Fiction/Fantasy

[May 28, 1970] A pair of Saras: Flower of Doradil and A Promising Planet

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A photo of Tonya R. Moore, a brown skinned woman with black hair, wearing a mondrian-styled dress in yellow, white, and black.
by Tonya R. Moore

The latest Ace Double features stories by two authors who both write under pseudonyms. John Rackham is the pen name of electrical engineer and author, John Thomas Phillifent, whose works include three novels from the popular American spy fiction universe series The Man from U.N.C.L.E. Phillifent was a prolific author, the majority of his works of science fiction published under the name John Rackham. The lesser-known Thomas Edward Renn’s singular novel was published under the name Jeremy Strike.

This Ace Double was my first encounter with the works of either author, yet I could not help but notice the distinct differences in literary experience and skill at the heart of each story.

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Book, Science Fiction/Fantasy

[May 20, 1970] Circus of Hells, Tau Zero, and Vector (May 1970 Galactoscope #2)

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black and white photo of a dark-haired white woman with vampiric eyebrows
by Victoria Silverwolf

Vector, by Henry Sutton

Cover of the book Vector by Henry Sutton. The cover illustration shows some downward-facing arrows.
Cover art by Roy E. La Grone.

Henry Sutton is the pen name of David R. Slavitt, a highly respected classicist, translator, and poet. As Sutton, he wrote a couple of sexy bestsellers, The Exhibitionist and The Voyeur. Now he's turned his hand to a science fiction thriller. Let's see if he's as adept at technological suspense as eroticism.

The story begins with the President of the United States announcing that the nation will stop all research into the use of biological weapons. Instead, only defensive research will take place.

That sounds great, but it means very little. Figuring out how to defend oneself against such weapons means you have to produce them and study them.

Next, the author introduces a number of characters in a tiny town in Utah and at the nearby military base. Guess what kind of secret research goes on at the base?

Pilot error during an unexpected storm leads to a virus being released on the town. The deadly stuff causes Japanese encephalitis, a disease with a high mortality rate. Survivors often have permanent neurological damage. There is no cure.

When a number of people come down with the disease, the military seals off the town. The phone lines are cut. One character is shot in the leg while trying to leave. Meanwhile, politicians in Washington try to cover up the disaster.

Our lead characters are a widowed man and a divorced woman who happened to be out of town when the virus hit the place. (The disease is normally transmitted via mosquito bites rather than from person to person. That's why he gets away with a relatively minor set of symptoms and she isn't sick at all.)

Besides giving us the mandatory romantic subplot, these two figure out there's more going on than the military is willing to admit. The man manages to sneak out of town and sets off on a long and dangerous hike across the wilderness, looking for a place where he can make a phone call to a trusted friend with government connections.

This is a taut political thriller in the tradition of The Manchurian Candidate and Seven Days in May. Like those bestselling novels, both adapted into successful films, it creates a cynical, paranoid mood. I can easily imagine Vector as a motion picture.

Less of a science fiction story than last year's similarly themed bestseller The Andromeda Strain by Michael Crichton, Vector is a competent suspense novel. The narrative style is straightforward, meant for readability rather than profundity. The love story seems thrown in just to satisfy the expectations for mass market fiction.

Three stars.

Continue reading [May 20, 1970] Circus of Hells, Tau Zero, and Vector (May 1970 Galactoscope #2) →

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