by David Levinson

From spring straight into the fall

Back in April, I reported on the early days of the “Prague Spring,” First Secretary Alexander Dubček’s effort to reform Czechoslovakian communism and create “socialism with a human face.” Dubček managed to keep his plans afloat through the spring and much of the summer, but—as anyone who has been following the news is aware—the Soviet bear has flexed its claws and put an end to ideas of openness and freedom of speech. But not without creating a few cracks in the Warsaw Pact.

A Soviet armored vehicle comes to a fiery end.

The first sign of trouble came in June. Military maneuvers by Warsaw Pact forces took place in Czechoslovakia as scheduled, but Soviet troops were slow to leave the country after the conclusion. A number of communist leaders visited Prague over the course of a week in early August; some, like East Germany’s Walter Ulbricht and Hungary’s János Kádár, probably trying to bring Dubček to heel, while Yugoslavia’s Tito and Romania’s Nicolae Ceaușescu were no doubt more encouraging. Ceaușescu certainly was, since he signed a treaty of friendship and cooperation with Czechoslovakia and has loudly condemned the invasion of Czechoslovakia in the last few days.

It’s not clear what straw broke the camel’s back, though the announcement that Czechoslovakia was considering loans from the World Bank might have accelerated things. In any case, at 11:00 PM on August 20th Warsaw Pact forces rolled across the border in numbers not seen in Europe since the end of World War II. Dubček and other reformist leaders were arrested, and the Soviets tried to install a puppet government, but the people of Czechoslovakia weren’t having it. On the 22nd, the Communist Party of Czechoslovakia met hastily and elected a new central committee and presidium, which then unanimously re-elected Dubček as First Secretary.

Somewhat more peaceful resistance.

The invasion triggered protests around the world, even by some Communist parties in western and neutral countries. In Czechoslovakia, although the military was never ordered to oppose Warsaw Pact forces, the invaders have been met with protests and violence. Alas, it was not enough. The arrested leaders signed an agreement to roll back their reforms on the 26th, and after returning to Prague on the 27th, Dubček gave a tearful radio address, asking Czechoslovakians to end their resistance as well as for their forgiveness for his surrender. As I write, that is where things stand, and like Hungary a dozen years ago, Czechoslovakia has been brought back into the fold.

Lost in the fog

A couple of the protagonists in this month’s IF spend their stories wandering in a daze. Unfortunately, the far less successful of the tales takes up nearly a third of the magazine and feels like a lot more, overwhelming an otherwise decent issue.

Scientists on Mars make an unexpected find. Art by Chaffee

High Weir, by Samuel R. Delany

A group of scientists investigate an ancient Martian temple and discover that the jeweled eyes of the sculptures contain moving holographic images. Meanwhile one of their number, linguist Rimkin, suffers a severe mental breakdown.

Art by Gaughan

Normally, I’d complain about the idea of an ancient Martian temple, but Delany’s writing is just so gorgeous I don’t care. He also has the skill to keep the viewpoint entirely with a man slowly losing his mind, keep the story coherent and include a discussion of information storage that ties the whole thing together. Not his best work, but still excellent.

Four stars.

Report on Japanese Science Fiction, by Takumi Shibano

Top Japanese fan Takumi Shibano (for more on him see last month’s article by my colleague Alison Scott) tells us about the state of science fiction in Japan. The first half of the article offers a brief history of the genre in Japan, from the inter-war years to today; the second half is a run-down of the authors in the field today and the sort of things they write. The history is very good, while the second half is a bit dry. But maybe something in there will catch a publisher’s eye and prompt a translation or two.

A high three stars.

Deathchild, by Sterling Lanier

A baby named Joseph is the ultimate weapon; anyone who comes into unprotected contact with him dies horribly. Is he enough to keep a surging communist China from conquering all of Asia and bring them to the negotiation table?

Feeding time. Art by Virgil Finlay

After a slow start under John Campbell’s tutelage, Lanier seems to have come into his own as an author. There’s certainly some good writing here, however it’s too long. Worse, the concept behind Project Inside Straight is utterly absurd. The quality of the line-by-line writing is just enough to keep the story’s head above water.

Three propped-up stars.

Paddlewheel on the Styx, by Lohr Miller

From the title, I was expecting something in the mode of John Kendrick Bangs or Riverworld. Instead, we have the tale of an attempt to rescue a crashed spaceship on the shore of a river of molten metal on Mercury. It’s beautifully poetic, but it falters a bit right at the end. I will forgive the lapse, though, because this month’s new author is very new indeed: he won’t be 14 until sometime in November. This is very well done for someone so young, and I hope we see more from master Miller in the future.

A solid three stars.

The Proxy Intelligence, by A.E. van Vogt

Space vampires and some nonsense about intelligence. ‘Nuff said.

The head vampire meets the scientist and his beautiful daughter. Art by Gaughan

This unasked-for sequel to Asylum (Astounding, May 1942) is a confused mess. The protagonist wanders through the story in a daze due to his exposure a vastly superior intelligence, but unlike with Delany’s story the reader comes away knowing even less than the “hero.” In desperation, I tracked down the original story. While it did clarify who all the characters are, I can’t say it helped otherwise.

Barely two stars.

If… and When, by Lester del Rey

This month, del Rey looks at what is coming to be known as materials science, the study of improving the materials we use to make things and developing entirely new ones. He covers a wide variety of topics, such as building materials that can be eaten in a pinch, metals that dampen impacts, materials that can be induced to return to a given shape, and many more ideas. This was all inspired by The New Materials by David Fishlock, which he makes sound very interesting indeed. But then, this is a field I’ve long had something of an interest in.

Four stars for me, maybe slightly less if your interests are different.

Or Battle’s Sound, by Harry Harrison

Dom Priego is a university student doing a hitch in the military. His unit is tasked with boarding an enemy spaceship carrying a matter transmitter and keeping them from sending through a huge mass of men and equipment.

Dom fights his way through the enemy ship. Art by Adkins

On the surface, Harrison has given us an entertaining space opera, but underneath it is the philosophical question of why we fight. Overall, this is very well done, but I think it’s the wrong length. Either the combat scenes need to be tightened up, reducing the story by a couple of pages, or it needs to be a lot longer, so we can get to know Dom better, say some stuff from before he signed up and why he did so.

A high three stars.

Pupa Knows Best, by James Tiptree, Jr.

In this sequel to The Mother Ship, more aliens come to Earth. First some blue lizards who leave behind some mysterious missile-like objects, followed by the Siggies, who everybody likes. Earth people start picking up aspects of the alien culture, and then things start to go wrong.

Siggie religion features quaint rituals. Art by Brand

I liked this one a bit more than the first story. Maybe that’s because I have an easier time accepting the underlying premise. In any case, it’s a pithy tale dealing with both religion and the effects of colonization.

Three stars.

Summing up

This could have been a pretty good issue. All but one story are average to very good. Even the low score for “Deathchild” is mostly due to the highly unbelievable premise; up until that is revealed, it’s a good read. But then there’s van Vogt. A “complete novel condensation in a special section” it says on the cover. As I said, if it’s condensed, they took out too much. As for the special section, the magazine is the same length it always is; the story just squats right in the middle like some sort of unpleasant toad. Can we please go back to serials?

Three out of the four have potential, but I’d rather have the whole Zelazny.