Tag Archives: thomas r. mcdonough

[April 4, 1969] Hey, Mack! (April 1969 Analog)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Mars ho!

Well, this is exciting!  For the first time ever, two identical Mariner probes are on their way to an interstellar destination.  On March 27, Mariner 7 blasted off for Mars, joining its sister, Mariner 6, which was launched last month

black and white photograph of an Atlas-Agena taking off from Cape Canaveral

Normally, twin probes are launched for redundancy, and it's a good thing.  Venus-boundMariner 1 died when its booster exploded back in '62.  Mars-bound Mariner 3 never hatched from its egg (the shroud of its Atlas-Agena rocket) back in 1964.  Mariner 5, which went to Venus in 1967, was a solo mission (indeed, a spare Mariner of the 3/4 class).

But now we've got two Mariners winging their way to the Red Planet, which means we'll get twice the coverage and a redundant set of data, always a welcome occurrence for scientists!  We'll have more on them when they pass by Mars in July.

Mack ho!

cover illustration of two white-suited futuristic cops beating a red-suited man underneath a futuristic monorail
by Kelly Freas

Just as we have two Mariners dominating the head of this article, so we have science fictioneer Mack Reynolds dominating this latest issue of Analog science fiction.  Under his own name, and under his pseudonym "Guy McCord", more than half of this issue is a Reynolds contribution.  If you like the guy, you'll like the mag.  If not…

The Five Way Secret Agent (Part 1 of 2), by Mack Reynolds

black and white illustration of a suited man on a pedestal facing five sinister figures, one a futuristic cop with a whip, one holding a gun, one with both, a woman with a hoop, and a bald man with his hand on his hips
by Kelly Freas

We once again return to the Reynolds' late 20th Century, where America languishes under the stratified People's Capitalism.  This novel is also the second adventure of one of the last private detectives, Rex Bader (whose first job was just a couple of months ago.  As with that freshman outing, Bader is offered a job that seems too good to be true, and he refuses, but no one else buys that he did.

In this case, the job was offered by the head of one of the world's biggest corporations.  He wants Bader to go to cross the Iron Curtain to contact other corporation buffs so as to help take down the Meritocracy—the powers that be that have entrenched themselves in the highest levels of society.

The mob also contacts Bader, wanting him to be their double agent.  Then the Defense Department gets involved.  Finally, a group of latter-day Technocrats make their pitch.  Presumably, the "fifth way" will be Rex Bader's own.

This book is typical Reynolds: the setting has been well established over the years, all the way back to the Joe Mauser, Mercenary days.  There are historical dissertations woven in at every opportunity, mostly on early 20th Century political theory.  The writing is serviceable, somewhat wry—a more grounded Keith Laumer.

What makes this particular piece stand out are the new wrinkles Reynolds introduces.  First, this is the first time we've learned how elections work in this world: it's based on income—one vote for every dollar earned (investment income does not impart voting rights).  Thus, the masses on "Negative Income Tax" have no franchise.

Reynolds continues to invent plausible future technology, too.  My favorite is the pocket TV/phone/credit card/identity all citizens carry.  A handy device, but also vulnerable to surveillance—which is done by computers which listen for key words; if they hear any, they alert a government agent.

So on the one hand, as far as quality of writing and enjoyment is concerned, I'd give this piece three stars.  But I admire Reynolds for doing stuff few others do, so I'm actually awarding four.

Hey But No Presto, by Jack Wodhams

black and white illustration of a short, ruddy man entreating a young man looking askance with hands at his sides, an image of him seated, eyes closed, in the background
by Leo Summers

Folks are being snatched out of psionic teleportation booths as they try to go to Earth.  They get sent to this backwater planetary resort where they are charged outrageous rates to stay in mediocre lodgings.  They stay because the cost to go home is set even higher.  An interstellar cop is sent to investigate.

This one-note tale is so padded, it could replace a warehouse of pillows.  One star.

They're Trying to Tell Us Something (Part 2 of 2), by Thomas R. McDonough

photo from below of a hard-hatted worker atop a radio telescope grid

Last month, Tom McDonough talked about pulsars—those rapidly beeping star-type objects—and did his darndest to convince us that they are artificial beacons operated by Little Green Men (LGM).

This second part is more of the same, though he actually does mention other possibilities, including the most fashionable one that they are rotating neutron stars.  My problem with this segment is it is heavy on the layman's lingo and light on the showing of work.  It all feels a bit fluffy.  Also, he talks about how pulsars emit light bursts at twice the frequency as their radio bursts, and he makes it seem like that's mysterious.  If the pulsar is really a rotating neutron star, then it makes sense for any emissions to be linked.  Why we only get radio signals from one side, I don't understand off the top of my head, but I suspect anyone with a Bachelors in Physics could tell me.

Three stars.

Cultural Interference, by Walter L. Kleine

black and white illustration of a flying saucer careening toward a planet, with inserts of a mustached man looking at a naked woman helping a naked man out of the saucer on the surface, a man in a cowboy hat with a sheriff's star, and two lab-coated men looking at a giant, narrow monolith
by Leo Summers

A couple of scientists begin an experiment with broadcast power.  Coincidentally, a couple of extraterrestrial spaceships accidentally intercept and soak up the power, causing them to crash.  Chaos ensues.

Wireless power seems to be the rage these days, figuring prominently in Keith Laumer's serial, And Now They Wake.  This particular tale is overpadded and pointless.

Two stars.

Opportunist, by Guy McCord

black and white illustration of a seated, wizened man wearing a Native American outfit done in tartan, a rock hut in the background
by Kelly Freas

This is the third tale of Caledonia, a backwards planet probably in the same universe as his United Planets tales in which every world has its own uniquely evolved political and social structure.  Caledonians all hail from a single crashed colony ship, and their culture is a mix of Scots and indigenous American, based on the few books that survived planetfall (shades of Star Trek's "A Piece of the Action".

In this installment, Caledonia has been largely subjugated by mining concerns from Sidon, and the native Caledonians must resort to guerrila tactics.  John of the Hawks, Chief Raid Cacique of the Loch Confederation is captured by the Sidonians and offered a job in their civilian government.  After being told the virtues of civilization and capitalism, he decides to hang up his claidheamhor and war bonnet and sell out.

I din't like it.  Two stars.

Oh ho!

three women operate a room full of line printers somewhere in the Soviet Union

Well now, here is a case of science fiction definitely being less compelling than science.  With the exception of the serial, this was a drab ish, barely scoring 2.7.  This puts Analog under Fantasy and Science Fiction (3), IF (3.1), Galaxy (3.5), and New Worlds (3.6).  Campbell's mag only beat out the usual losers: Fantastic (2.5), Famous #8 (1.8), and Famous #9 (2).

From eight mags, you could barely fill two big ones with the good stories this month, although part of the reason for that is Famous being so awful.  Women produced just 7% of the new fiction stories this month. 

I guess the moral is: read your newspapers and your Pohl (and UK) mags first.  Pick up Analog only if you've finished the rest.  Or if you really like Mack Reynolds…






[March 1, 1969] Beyond this Horizon (March 1969 Analog and Mariner 6)

photo of the face of a long haired man with glasses
by Gideon Marcus

On to Mars!

black and white photo of Mariner 6, a round probe with four rectangular solar panels jutting from it at right angles

Four years ago (has it been that long?) Mariner 4 became the first space probe to sail by Mars.  This event instantly destroyed a thousand dreams.  The 21 grainy, black and white pictures returned by the spacecraft's TV cameras showed a cratered, lunar-type surface.  The Martian atmosphere was found to be less than 1% as dense at the surface as that of Earth.  Gone was the romantic Mars of Edgar Rice Burroughs and Leigh Brackett.

These findings should not have come as such a surprise—the abundance of craters and the thin atmosphere had already been suspected before Mariner 4 ever got there.  But the photographic evidence was the final nail in the coffin.  Mars is dead.

Or is it?

Mariner 4 was a rather limited spacecraft.  We only got 21 pictures, after all.  And while 7 millibars may not seem like much, that's a veritable atmospheric blanket compared to the Moon or Mercury.  We need more data.

This is why a second generation of spacecraft, Mariners 6 and 7, are being sent to Mars.  These are heavier spacecraft with more sophisticated equipment: infrared and ultraviolet radiometers (measuring Martian energy output in those wavelengths), a better TV camera, and the ability to reprogram the spacecraft in flight, as needed.

color photo of an Atlas Centaur rocket taking off from a red launch complex at night

Mariner 6 took off last week on the 24th, and Mariner 7 will blast off March 21st.  We've yet to have both members of a Mariner pair make it to its destination (Mariner 1 and Mariner 3 both had mishaps), but hope springs eternal.  Come this summer, perhaps around the same time a man sets foot on the Moon, we will unveil more mysteries of the fourth planet.

illustration of a blue-furred humanoid, stripped to the waist, looking at a viewscreen with crocodile-head humanoids waving primitive weapons furiously
by Kelly Freas

On to the stars!

Trap, by Christopher Anvil

line drawing of crocodile-headed alien holding a mouse trap clamped around the tale of a furry humanoid stripped to the waist
by Kelly Freas

I have a private joke that every Chris Anvil story for Analog begins (Mad Lib style):

[Military Rank] [WASPy male name] of [military organization] [verbed] down the [corridor/hall/base] lightly touching his [weapon] clipped to his [clippable article of clothing].

"Trap" did nothing but reinforce this cliché, and I hunkered down for a slog of a novella.

Instead, I got a reasonably interesting, technical tale about peaceably dealing with implacable aliens, who possess an unbeatable weapon.  In this case, the planet is a swampy wasteland, the aliens have the ability to teleport anywhere they've been before, and the humans and Centrans (in an alliance since the 1956 story, "Paradise Planet") must find a way to make peace before the aliens find a way to teleport onto every ship and planet in both empires.

It starts a bit slow, but I found myself compelled.  Certainly better than the fare Anvil usually offers us in Analog.  Three stars.

Mirror, Mirror, on the Wall, by R. E. Allen

How does Mannie supply all the movies and music producers with the top talent?  Why, by dowsing over each of the actor's/musician's headshots with a divining rod, of course!

Not much of a story.  Not much science fiction.  Two stars.

They're Trying to Tell Us Something (part 1 of 2), by Thomas R. McDonough

diagram of four pulsar graphs with amplitude of signal versus time

This month's science article is on those enigmatic, recently discovered interstellar radio beacons known as pulsars.  Beeping on the radio dial on the average of once a second (some are faster, some are slower), they are significant for their unwaveringly precise timing and for their enormous power output—some one billion times the power output of all of Earth's civilizations!

There is a lot of interesting information in this article, but what annoys me is that McDonough seems convinced that pulsars are the work of "Little Green Men" (LGM), and presents his article accordingly.  Nowhere in the piece is the general accepted wisdom that the regularity of the signals and the fact that they seem to carry no information (not to mention their tremendous power) indicates that pulsars are rapidly rotating stars, and likely rapidly rotating, collapsed dead stars called "neutron stars".

This isn't esoteric knowledge I gleaned from The Astrophysical Journal—it's from the Sunday Supplement of Escondido's rag of a paper, The Times-Advocate.  So, its exclusion from McDonough's piece must be conscious, and that makes his arguments suspect.  Perhaps he'll discuss neutron stars in the next piece, but they really should have been front and center.

Three stars.

Minitalent, by Tak Hallus

line drawing of a courtroom setting with an older judge with glasses, a steno clerk woman behind him, and a gallery of seal-like aliens, looking at a worksuited human with a gallery of humans behind him
by Leo Summers

Alice Culligan, third mate and computer officer on the space ship Iphigenia, witnessed a crime: gun runners had smuggled cruel "nervers" to a race of aborigines.  They were caught, but the company they're working for looks to get away scott free.  They will do anything to ensure that verdict—including silencing Miss Culligan forever.

But Alice has an ace up her sleeve: a minor talent for telekinetics.  And in a computerized world, sometimes a little push is all that's needed…

Similarly premised as Larry Niven's sublime "The Organleggers", this tale (Tak Hallus' first) is not as deftly told.  That said, it is pretty good, and I liked the heroine very much.  It's clearly in the vein of, say, James H. Schmitz, so if you like him, you'll like this.

By the way, Tak Hallus is simply Arabic for "pseudonym", so who knows?  Maybe it really is Schmitz!

Four stars.

From Fanaticism, or for Reward, by Harry Harrison

line drawing of a man with a beam rifle shooting at a robot that looks like a suit of armor
by Leo Summers

An assassin named Jagen performs a job and, with the help of a teleportation system, escapes The Great Despot's justice.  But is there any ultimate evasion the efficient robot machines of the Despot's police force?

The well-written piece is really a setup for the philosophical question posed at the end.  The answer is surprising for such a libertarian mag as editor Campbell's.

Five stars.

Wolfling (Part 3 of 3), by Gordon R. Dickson

line drawing of two stylized men in tunics dueling with glowing rods, a woman crouched over a body in the background
by Kelly Freas

And now, the conclusion of Wolfling.  By Gordy Dickson.

Jim Weil, archaeologist and Ace of All Trades (the term "bannou" (万能) is even more appropriate), had infiltrated the High-Born empire he was sent to detachedly examine, becoming a general in its armies.  Having discovered a plot to destroy the imperial warrior race of Starkiens, Jim quickly returned to the throne world to thwart a plot on the Emperor, himself.  He is successful in defeating the pretender, the Emperor's cousin, but now he must return to Earth and face treason charges for possibly incurring the imperial wrath on humanity.

In a dramatic courtroom scene, Jim explains his actions, how they saved the Earth, and the true origin of humanity vis. a vis. the High-Born.  Did we come from them, or did they come from us?

The answer is rather disappointing, more along the lines of something I'd expect written in the pulp era than modern times.  In addition, all of the energy-saber dueling seemed unnecessary; when everyone can teleport at whim, how do you keep your foe in the same room long enough to dispatch him?  Or keep your foe from materializing behind you?

But most of all, I had expected a statement against eugenics, but instead got something of a defense of it.  If not for the skilled writing, I might rate it more poorly.

Three stars for the serial as a whole.

On to the numbers!

black and white photo of a plump Black woman leaning over an eighth-grade white girl seated at a computer, a eight-grade black boy behind her, mathematical equations on the blackboard behind them all

You know, it's been quite a month!  With Analog clocking in at 3.4 stars, it's near the top of the heap rather than taking its usual place in the middle.  Ahead of it were Fantasy and Science Fiction (3.4) and IF (3.5).  The good news is, the spread was pretty narrow: Galaxy scored 3.3, New Worlds 3.2, New Writings 14 3.  Only Amazing scored below the three-line (2.7), and it was still better than usual.

In other vital statistics, women produced 11% of the new fictional content.  The superior stuff this month would fill three full-sized magazines.  Given that there were seven published this month, that's a good ratio.

Stay tuned for the end of next month when we find out how April's magazines do…and how Mariner 7 flies!