[December 5, 1964] Steady as she goes (January 1965 IF)


by Gideon Marcus

A tale of two missions

Mariner 4, launched November 28, 1964, is on its way to Mars.  Shortly after launch, the smart folks at Jet Propulsion Laboratory (some of whom I met last weekend!) determined that Mariner was going to miss its destination by some 200,000 kilometers.  So they calculated the nudge it would take to deflect the ship toward a closer rendezvous with the Red Planet.  This morning, the little spacecraft was ordered to fire its onboard engines for a 20 second burn, and it now looks like Mariner will come within just 10,000 kilometers of its target!

On the other side of the world, the Soviets have informed the world that their Zond 2 probe, launched two days after Mariner 4, needs no course correction.  On the other hand, on Dec. 2, it was reported that the probe is only generating half the power it's supposed to.

Similarly, in the science fiction magazine world, no fewer than three magazines got new editors this year (Fantasy and Science Fiction, Science Fantasy, and New Worlds), and two of them have the same editor with a different name (Amazing's and Fantastic's Cele Goldsmith is now Cele Lalli).

But in Fred Pohl's trinary system of Galaxy, Worlds of Tomorrow, and IF, not only is leadership unchanged, but so is content.  Nowhere is that clearer than in the January 1965 issue of IF, which like its predecessors, is an uneven mix of old and new authors, old and new ideas, and generally inferior but not unpleasant work. 

In other words, on course, but running on half-steam.

The Issue at Hand


by Gray Morrow

In many ways, this is not the issue Pohl wanted on the news stands.  The cover doesn't illustrate any of the contents of the issue; it's supposed to go with Jack Vance's novel, The Killing Machine.  But since that story ended up in book print before it could be serialized, it was pulled from appearing in the magazine.  Instead, we got the sequel to Fred Pohl's and Jack Williamson's The Reefs of Space, which had the virtue of being an IF-exclusive series and co-written by the editor. 

It's a good thing Pohl had it in his back pocket!

Starchild (Part 1 of 3), by Frederik Pohl and Jack Williamson


by Gray Morrow

Hundreds of years from now, the solar system is ruled by the Plan of Man, a computer-led collective in which everyone's lives are ordered, and dissent is rewarded with a quick trip to the body banks for organ harvesting.  But out in the stellar outskirts, in the frigid birthplace of comets, the steady creation of matter in the universe provides rich feeding grounds for the fusorians.  These cosmic plankton eaters in turn create vast reefs in space, homes to the seal-like spacelings and their predators, the dragonesque pyropods.  These reefs have also become shelters for Terran dissidents yearning to be free.  The Reefs of Space told the tale of their first human visitors.

Starchild is the story of Machine Major Boysie Gann, a spy sent to Polaris station to suss out traitors to the Plan.  He ends up kidnapped to the Reefs and then made a messenger to the Planner, the human liaison with the Planning Machine.  Mysteriously teleported back to Earth, Boysie bears with him The Writ of Liberation: if the Plan of Man does not end its attempts to subjugate the free people of the Reefs, the "Starchild" will blacken the Sun…

I was a bit chary of this serial at the beginning.  Williamson is a pulp writer from the way-back, and it shows.  Pohl can be brilliant, but Reefs was more pedestrian (except for the gripping middle section).  But Starchild kept me going the whole way, sort of a Cordwainer Smith "Instrumentality" story, though with less poetry.

Four stars so far.

Answering Service, by Alma Hill

A Boston fan and writer, Hill is new to my ken but has apparently been published since 1950. Service shows us a world where the SPCA has won, cats and other "aggressive" animals are tolerated only in zoos, and mice are overrunning the world without check.  One man is determined to reverse this situation.

Utterly forgettable.  Two stars.

The Recon Man, by Wilson Tucker


by Nodel

A young man wakes up from an amnesiac coma with a push to his back out the door of a house.  Onto a Heinlein moving road he goes, along with dozens of other male commuters to some mysterious labor destination.  A spitfire, himself, the other drones are so many zombies.  Only the pink jumpsuited women have any personality; they seem to run the show.

The man is harnessed to a machine, tasked with creating bacon by conceptualizing it so it can materialize in front of him.  He soon gets bored with this role and makes neckties and carpentry tools instead.  This shuts down the assembly line early, and one of the female supervisors takes him home to see what's wrong with him. 

Slowly, memories of a fatal car crash, centuries before in 1960, coalesce in the man's mind.  How did he get to this strange world?  For what purpose?  And how long does he have to live?

Recon Man is a neat little mystery with a truckload of dark implications.  I liked it a lot.  Four stars.

Vanishing Point, by Jonathan Brand


by Gray Morrow

This is the second outing by Brand, his first being a disappointment.  He fares better with this one, a space story within a bedtime story (the framing is cute but not particularly necessary) about Earth travelers on the first emissary mission to an alien race.

The place chosen for first contact is a sort of mock-Earth made by the aliens, a beautiful park of a world stocked with all sorts of game.  It even has a centenarian, human caretaker.  But neither the park, nor the old man, are what they seem.

Not bad.  Three stars.

The Heat Racers, by L. D. Ogle

Then we come to our traditional IF "first", the piece by a heretofore unpublished author (or at least an unpublished pseudonym).  This one is a vignette about a race of anti-grav sailboats.  I think.  The motive force and levitative technologies are never really explained.

Another trivial piece.  Two stars.

Retief, God-Speaker, by Keith Laumer


by Jack Gaughan

And last up, we have yet another installment in the increasingly tiresome saga of Retief, the diplomatic superspy of the future.  This one involves a race of money-grubbing, seven-foot, theocratic slobs, and the diminutive, subterranean aliens they mean to wipe out like vermin.  Can Retief establish formal relations with the former while saving the latter?

By the end of the novelette, you probably won't care.  This is easily the goofiest and most heavy-handed entry in the series.  I think it's time for Laumer to cut his losses.

Two stars.

Summing Up

All told, this month's issue is more "half a loaf" than "curate's egg".  The parts I liked were lots of fun, and as for the dreary bits, at least they made for quick reading.  I've said before that Pohl doesn't really have enough good material for three mags, but he could have a dynamite pair.

On the other hand, IF is a place to stick new authors and off-beat stories.  I just wish they were more consistently successes!

Maybe 1965 will be the year IF gets a mid-course correction…



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[December 3, 1964]: Future Bound (Civil Rights and a Colorful Journey)


by Erica Frank

This past summer has brought great changes to the political landscape, and some people aren't happy about that. The University of California at Berkeley has banned civil rights activism and political fundraising. This is ostensibly to "keep the peace," but in reality, it smacks of telling students, "Don't pay any attention to the injustices you see in the world around you. Focus on your grades, not on the society where you'll be living once you get your degree."

Many students were involved with voting registration drives in the South this summer, and they returned to school intending to support CORE—the Congress of Racial Equality—and other civil rights groups.

Newspaper article: Never Too Old to Vote
Newspaper article about first-time voters, from The Afro American, Nov 28, 1964.

But the school wants no part of their enthusiasm for fixing longstanding oppressions and discriminations. Several times, students have clashed with both faculty and the local authorities.

Protest at Sproul Plaza

Yesterday was the largest one yet. The "FSM," Free Speech Movement, drew a huge crowd of at least 1,500 students and possibly as many as 5,000. They gathered in Sproul Plaza and gave speeches, then folk singer Joan Baez led them in singing "We Shall Overcome" before they went into Sproul Hall and protested all night long.

Joan Baez playing guitar
Joan Baez on the steps of Sproul Hall.

The student who spoke right before Miss Baez was Mario Savio, recently back from registering voters in Mississippi. He gave an impassioned, impromptu speech about why they are protesting. He had been told that the university's President Kerr refused to support the students. Kerr said, "Would you ever imagine the manager of a firm making a statement publicly in opposition to his Board of Directors?" Savio pointed out that this analogy has other implications: if Kerr is a manager of this hypothetical company, the faculty are "employees." That would make the students the raw material that they're selling. Kerr's casual explanation denies the students' humanity, and in return, they refuse to accept his authority.

There's a time when the operation of the machine becomes so odious, makes you so sick at heart, that you can't take part! You can't even passively take part! And you've got to put your bodies upon the gears and upon the wheels, upon the levers, upon all the apparatus—and you've got to make it stop! And you've got to indicate to the people who run it, to the people who own it, that unless you're free, the machine will be prevented from working at all!!

Mario Savio speaking at Sproul Plaza
Mario Savio speaks to the crowd.

Deeper Meaning

It fills my heretic heart with joy to see young people so adamant about fighting injustice, about shutting down the systems that stifle and oppress those who want to make a better world for everyone. I look at the words printed above, and they don't carry the full intensity of Savio's speech, all the more powerful because he's not reading it from cards or a page. He probably had some idea what he wanted to say when he took the stage, but that's not always enough. Plenty of politicians have discovered that there's a difference between planning a speech in your living room, and giving the same speech to a live audience of thousands.

Savio pulls it off beautifully. I don't believe there's any amount of polish or practice that could've made his words have more impact. He's caught the zeitgeist of the moment: looking the status quo in the eye and saying, "No, that's not good enough."

Psychedelic Journey

With a less confrontational approach, that's what Ken Kesey and his "Merry Band of Pranksters" were doing this past summer. They loaded themselves into a converted yellow schoolbus, which they painted in all sorts of colors, and took a trip across the country. Their crew included a philosophers, a couple of athletes, a former military man, several activists, and a pregnant woman. Kesey himself is a famous author; One Flew Over the Cuckoo's Nest came out just a couple of years ago to great critical acclaim.

The "Pranksters" decided to film their journey as they went, so they could make a documentary later. The documentary itself hasn't been released yet, but some of the footage is available.

They experimented with all sorts of consciousness-raising techniques: meditation, Eastern mystical practices, and intoxicants of varying legalities. They had some… interesting encounters with local authorities. The police often pulled them over, not for suspicion of crimes, exactly, but because they'd never seen a bus like that.

A very colorful bus being stopped by a police car
They had to hide the marijuana and alcohol, but the LSD is entirely legal… for now.

Incidents and Accidents

They had an easy way to talk to police and any locals who looked at them strangely: "We're making a movie about our road trip!" Then they'd bring out the cameras and show off the designs painted on the bus. Sometimes they'd show the living arrangements inside, and all of that was unusual enough to keep anyone from noticing signs of drugs or petty crime.

They had several small adventures: The bus got stuck in a sandy field; one person "freaked out" and left the group to go home; the pregnant woman (known as "Generally Famished") lost her purse and felt trapped. But they also had fun and tried absurd games to pass the time. They even went to the World's Fair in New York.

Several of the "Merry Pranksters" dancing and playing instruments near a large tree
Pranksters dancing and playing instruments in Pensacola, Florida.

Kesey said he learned something from his time working in an asylum that he believes was "the most important thing I've ever learned: Every once in a while, all the power, the attention that you have, comes to bear on exactly what you're doing, and doesn't decide whether it's good or bad. It just decides that it is. And the only thing you can do is enjoy the ride."

Living in the Future

That kind of "just accept it" may seem to clash with the student protests above. But they are two sides of the same coin: a rejection of the mundane, predictable life with its rote habits and strictly assigned roles. They're both striving for a future that welcomes change, celebrates diversity, and respects individuality. They both stand in stark contrast to the corporate forces that want a pliant, unthinking populace dedicated to "progress" that mainly serves to make rich people richer.

I would welcome Savio's chosen future, and I could enjoy the future Kesey and his friends want. They may even be two approaches with the same goal. While neither of them is directly involved in science fiction's visionary leanings, they both carry a reminder for us: As we develop incredible machines, as we reach out toward the stars, what kind of future are we making for the people who will live with our incredible technology?

Flier for "Progressland" at the 1964-65 World's Fair
Somehow, I don't think Disney and GE's version of "progress" includes Savio's or the Pranksters' ideal future.

[Come celebrate with us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




[December 1, 1964] Planet Four or Bust! (What we know about Mars)


by Gideon Marcus

Mars or Bust

This week, humanity embarked on its most ambitious voyage to date.  Its destination: Mars.

I use the term "humanity" advisedly, for this effort is a global one.  On November 28, 1964, the United States launched Mariner 4 from Cape Kennedy.  And just yesterday, the Soviet Union's Zond hurtled into space.  Both are bound for the Red Planet, due to arrive next summer. 

That both missions commenced so close to each other was not a coincidence.  Every two years, Earth and Mars are situated in their orbits such that a minimum of energy can be used to get from one planet to the other.  This favorable positioning applies equally to democracies and communist states.

Mariner 4 and Zond are not the first Martian probes: identical Mariner 3 was lost a few weeks ago, and Zond's predecessor, Mars 1, failed a couple of months before it could reach its target.  Let us hope these new spacecraft have more luck.  So far so good!

It is possible that these two probes will revolutionize our understanding of Mars, just as Mariner 2 changed our view of Venus forever.  It is, therefore, appropriate that I summarize our knowledge of the planet on the eve of collecting this bonanza of new information.

Another Earth?

Mars has been known to us since ancient times.  Because it wanders through the constellations throughout the year, it was classified as a "planet" (literally Greek for wanderer).  When it is in the sky, it is one of the brightest objects in the sky, with a distinct reddish tinge, which is why it has been associated with the bloody enterprise of war.

Until the invention of the telescope, all we knew about the fourth planet from the Sun was its orbital parameters: its year is 687 days, its path around the sun very circular, and its average distance from the Sun is around 141,600,000 miles. 

Even under magnification, Mars can be a stubborn target; at its nearest, about 35 million mies away, the planet measures just 25 seconds of arc from limb to limb (compared to the Moon, which subtends 1860).  Still, early telescopes were good enough to resolve light red expanses, darker expanses (believed to be seas), and bright polar caps.  Said caps waxed and waned with the Martian seasons, brought on by the planet's very Earthlike tilt of 25 degrees.  Because the Martian surface was visible, unlike those of Venus or Mercury, the day was calculated to be just over 24 hours long.  Indeed, Mars appeared to be a world much like Earth.

Mars for the Martians

In 1877, our understanding of the planet broadened.  Astronomer Asaph Hall discovered two tiny moons, named Phobos and Deimos, and we were able to deduce the mass of Mars — about 10.7% that of Earth.  Combined with the planet's diameter of 4200 miles, that meant Mars' density was about four times that of water.  This is only two thirds that of the Earth, which suggests that the planet is poorer in heavy metals, and/or that, because the planet is less massive overall, its layers are not so tightly bound together with gravity.  From Mars' measured mass and diameter, we learned that the surface gravity is 38% that of Earth; sprinting and jumping should be much easier there.  Flying…well, more on that in a moment.

1877 was also the year that Mars came into our public consciousness in a huge way — all because of a silly mistranslation.  Giovanni Schiaparelli turned his 'scope to Mars and saws something remarkable: dozens of fine straight streaks crisscrossing the planet that seemed to link up the dark patches (which were, if not oceans, at least areas of vegetation suggesting the existence of water).  He called them canali, which is Italian for "channels".  But to English ears, it came out as "canals", which strongly connotes construction by intelligent beings.

Well, you can see what an uproar that would make.  Very soon, folks like Wells and Burroughs were writing tales of Martian aliens.  And not just aliens — civilizations beyond those found on Earth.  The thinking went that the planets' ages corresponded to their distance from the Sun.  Hence, Mercury was a primordial hunk of magma.  Venus, shrouded in clouds, was probably a steamy jungle planet on which Mesozoic monsters roamed.  And beyond the Earth, Mars was a cold, ancient world, its verdant plains dessicated to red deserts.  To avoid catastrophe, the Martians built planet-spanning canals to bring water to their cities.  Being so advanced, it was obvious that they had mastered space travel, and had either visited us or were on the verge of doing so.

Even the more practical-minded scientists were hungry for evidence of life, even primitive stuff, existing off of the Earth.  Mars seemed like the prime location for extraterrestrial creatures to be found.  For one thing, the planet clearly had an atmosphere, wrapping the planet's edges in a haze and producing a marked twilight. 

Originally thought to be a touch thinner than Earth's, more recent measurement of the polarization of Martian light (the vibration angles of light reflected off the atmosphere) suggested that the surface air pressure was about 8% that of Earth.  That was too thin for easy breathing, but not too thin for life.  If there was enough oxygen in the mix, perhaps a person could survive there. 

Mars Today

Such was our understanding of the planet perhaps a decade ago.  Recently, ground-based science has made some amazing discoveries, and it may well be that Mariner and Zond don't so much revolutionize as simply enhance our understanding of the planet.

I just read a paper that says the Martian atmosphere is about a quarter as dense at the surface that thought.  This isn't just bad for breathing — it means NASA scientists have to rethink all the gliders and parachutes they were planning for their Voyager missions scheduled for the next decade.  Observations by spectroscope have found no traces of oxygen and scarcely more water vapor.  The planet's thin atmosphere is mostly made up of nitrogen and carbon dioxide.  The ice in the polar caps may well be mostly "dry".

Because of the lack of water and the thin air, erosion is probably much less of a factor on Mars.  In a recent science article in Analog, George Harper says that the planet's surface may be riddled with meteorite craters that never got worn away.  Close up, Mars may end up looking more like the Moon than the Earth!

And those canals? Telescopic advances in the late 40s made it possible to examine Mars in closer detail than ever before. The weight of astronomical opinion now disfavors the existence of canals.

Still, old dreams die hard.  I imagine we will cling to our visions of Martian life and even civilizations long after such notions are proven unworkable.  To kill such fancies, it'll take a blow as serious as that delivered by Mariner 2, which told us that it's hot enough to melt lead on the surface of Venus.

We'll find out, one way or another, in July 1965!



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[November 29, 1964] All-star (December 1964 Analog)


by Gideon Marcus

The Big Guns

Thanksgiving is over, and the holiday season will officially begin tonight with the lighting of the first of the Hannukah candles.  After that, it's just a short skip and a jump to that more widely celebrated holiday.

I am, of course, referring to the Winter Solstice.

It is an appropriate season, then, for science fiction's most-read magazine, Analog, to finish its year of publication with a bang.  Fantasy and Science Fiction is fond of issuing "All-Star" magazines, in which the majority of the authors are big names.  The December 1964 Analog isn't so dubbed, but nevertheless, it's chock full of heavy hitters.  Let's take a look!

Armed Assault


by Robert Swanson

Tempestuous Moon, by Joseph H. Jackson

It has been the subject of wives' tales and farmers' almanacs that the phases of the Moon have an effect on the weather.  In particular (they maintain), some points in the lunar cycle are likelier to be rainy than others.  And now Analog has got a breathless article confirming the folk wisdom.  Take that, doubting eggheads!

It's true that (editor) Campbell is notorious for printing the worst pseudoscience pieces, and Jackson's article is mostly blather.  However, if his data be accurate, they are compelling.  While the phases of the Moon should have no effect on the Earth, per se, they do correspond to geometries between the Sun and the Moon with respect to the Earth.  And both of those bodies do have a profound effect on our planet every day in the form of tides.  I can conceive that a strong tide, for instance when the Sun and Moon's forces combine to cause Spring Tides, might create lower atmospheric pressures, reducing the amount of moisture the air can hold, causing rains.  Neap Tides would have the opposite effect.

Or it could all be garbage.  Are there any pieces in reputable journals?

Plague on Kryder II, by Murray Leinster

Calhoun the interstellar Med Service man and his adorable pet/assisant, Murgatroyd, are back.  This time, they are investigating an impossible plague, one which seems to suppress the immune system rather than directly infecting the body.  Worse, this disease kills tormals, the monkey-like race that Murgatroyd belongs to.  Since this latter is an impossibility, tormals being immune to all diseases, Calhoun suspects foul play.


by Kelly Freas

I love the Med Service stories.  Sadly, they are suffering from the same malaise that has infected all of Leinster's writing to date.  It causes him to write only in short, declarative statements, often repeating himself for no reason.  Also, this tale's solution is given mostly in exposition, which kills the fun of the mystery.

Still, even substandard Calhoun and Murgatroyd is pretty fun, and the picture of the sick tormal is too cute for words.  Three stars.

Shortstack, by Leigh and Walt Richmond


by Kelly Freas

The latest vignette by the Richmonds is an odd one, more a dramatized advertisement for a unique power generator.  It uses the heat differential between the top and bottom of a plastic cylinder to drive an engine and also to distill water.

Harmless, kind of interesting.  Three stars.

Contrast, by Christopher Anvil


by Kelly Freas

A man trapped out in a wilderness that would give Deathworld a run for its money gets buzzed by an obnoxious tourist.  When said sightseer falls out, the hermit takes his skimmer and rides to safety.  The moral of the story: don't take what you have for granted, and a stint in the muck might do you good.

Enjoyable, despite the smugness of the ending.  Three stars.

Sweet Dreams, Sweet Princes (Part 3 of 3), by Mack Reynolds


by Robert Swanson

We return to the world of the early 21st Century, where society has stratified into stagnancy: in both East and West, the top 1% rule everything, the bottom 90% are jobless and tranquilized, and only the middle 9% have any real agency.  Last time, Estruscan professor and gladiator-extreme, Denny Land, had just won a tripartite contest over custody of a Belgian scientist who had invented anti-missile missiles, something with the potential to destabilize the world.

But when the Americans go to pick up the scientist, he has disappeared!  And rather than express disconcertment, Land's boss, Joe Mauser seems almost unsurprised…

Land goes back to his old school with a promotion and bump in caste, but he can't hide his frustration and disenchantment.  Reenter Bette Yarborough, who recruits Land into the Sons of Liberty to try to upend the whole rotten world order.  And then comes an even unlikelier ally in the cause — former foe and Sov-world agent, Yuri Malshev.  Together, can the three create a revolution?

And what if the revolution has already happened, and nobody knows?

This installment was the most engaging, well-paced and thoughtful, though there may have been one too many wheels within the wheels.  Perhaps a Part IV would not have been amiss.  I was grateful that Bette turned out not to just be a love interest (though more than one female in the universe would have been nice).  If anything, Denny and Yuri had more chemistry…

Anyway, four stars for this segment.  Call it three and a half for the novel as a whole.  I appreciate that Reynolds is willing to make "if this goes on" predictions.  I wonder how right he will prove to be…

Rescue Operation, by Harry Harrison


by Adolph Brotman

An alien astronaut crash lands on the shore of an Adriatic village.  Injured and barely conscious, he is taken to a local scientist for help.  But can an effective treatment be developed in time?

This simple story is given depth and emotion by the unusually talented Harrison, who will probably get my nomination for one of the year's best authors.  Four stars.

The Equalizer, by Norman Spinrad


by Adolph Brotman

In Israeli's Negev desert, a scientist wrestles with his conscience — and his superior — over the the new bomb he's invented.  On the one hand, it will give the little Jewish state inordinate power; on the other hand, power never remains exclusively owned for long. 

An interesting think piece whose title has a double meaning.  Three stars.

High Marks

Well, color me surprised!  Analog, normally a disappointing performer, scored a respectable 3.2 stars — second only this month to the superlative Galaxy (3.6).  Science Fantasy and Worlds of Tomorrow both scored an even 3 stars, largely thanks to better-than-average long pieces balancing out less impressive small ones.

And on the negative side of the ledger, we have a lackluster IF (2.8), a still-Davidson weighted Fantasy and Science Fiction (2.6), and Cele G. Lalli's mags did worst of all: Fantastic got just 2.3 stars, and Amazing broke the two barrier, scoring a jaw-dropping 1.9.  What happened?

Women published just 5 and a half of all the stories in magazines this month, all of them very short.  Betty Friedan would be rolling in her grave, and she's not even dead!

Ah well.  1965 approaches, a chance to wipe the slate and start anew.  But before then, you will want to see our Galactic Stars awards when they come out in a few short weeks!  Then you won't have to wade through the dross to get the gems — we'll have done the work for you.

Happy Holidays!



[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




[November 27, 1964] I'll be dressed for Christmas (JCPenney’s 1964 Christmas Book)


by Gwyn Conaway

The smell of hot cider, the dazzling reflections of tinsel on trees, the fog of laughter in the air. It’s the holiday season at last! While others are contemplating the foods they’ll cook, the slopes they’ll ski, and the gifts they’ll give, I’m wondering what they’ll be wearing while they do it. Let’s crack open this year’s JCPenney’s Christmas Book and see what’s in store for the yuletide.

Both men and women are looking to the deep v-neck sweater as a casual staple for the winter.

This season is bold, featuring wide stripes, large plaids, ruffles, and plump quilting. Although the occasional pastel creeps into the palette, the primary colors of this Christmas season are white and red with pops of frosty blue and pink. This modern color scheme has made green feel outdated this year. Only one dress in the Christmas Book this year is green, and although the ensemble is sharp, the color doesn’t stand up to the energetic blues and pinks we’ll be seeing come December.

Childrenswear is especially dear this year, with ensembles such as the satin-stripe cotton ‘Pima Miat’ dress pictured below on the left with a nylon marquisette underskirt. The wide stripes feel more delicate with the pastel tone-on-tone palette, while the ruffled bib and sleeve give it the panache the season deserves.

In addition to the satin-stripe 'Pima Miat' dress, this page of the Christmas Book features a cotton velveteen jumper with cotton blouse (center) and a cotton velveteen bodice with rayon print petticoat that shows prettily under a sheer nylon overskirt (right) in both big sister and little sister sizes.

But of course, not all winter fun happens around a tree in our living rooms. Braving the cold is half the fun! I’m excited to see quilted ski parkas paired with black patterned toques and stretch ski pants, as seen below. A hood is hidden in the mother’s smart mandarin collar as well as the men’s while the daughter’s fur hood is proudly displayed: dyed mouton lamb’s fur. The Christmas Book also boasts a wide selection of after-ski boots in suede and capeskin gloves for all ages.

Women’s coats shine in this year’s issue as well. Two beautiful options caught my eye: the Milliken Mirette plaid (left) and trench coat (right), both made of rayon-and-acetate laminated to foam for a woolen look and feel. Water repellant, of course, and sure to be stylish well into the spring.

But of course, the pressing question, really, is what to wear during our precious holidays with family around the hearth. To my delight, JCPenney has offered a solution for the entire family. The red and white striped combinations below are sure to add a festive air to Christmas morning. Top off the sweet family portrait with matching slippers in either patent pleather or electrified shearling lamb.

If your family isn’t into matching styles, there are other options for girls and women to consider. Perhaps my two favorite items in the Christmas Book this year are the red peignoir and the pink cover-up below. The peignoir has a suede appearance for a glamorous but warm leisurely look. Simple lines accented by the narrow bow at the waist , a three-quarter sleeve, and the slanted trouser pockets all give this peignoir a classic, regal finish.The pink cover-up, also in a suede fashion, is bright and perky as well as warm. Its standing collar and self-fabric buttons aren't the only fun details. The pop of berry and fir stems that appear to be around the neck bring a youthful sparkle to the wearer. This one is also available in the frosty blue of the season.

Yes, JCPenney’s Christmas Book for 1964 is a delight, imbuing classic styles with a fresh palette. It addresses all ages and brings fun to the family, both through its selection of toys for the children and its collection of warm winter wear in pinks and blues. Not only is the palette of the season bold, it’s clever. By casting green off to the wayside, we now have a palette that could last through Easter. Looking forward, I wonder if we’ll be adding spring green back into the mix, in lighter, frothier colors for next year? A reinvention of the color, perhaps? Food for thought.

But rather than linger on my exuberant predictions, I plan to enjoy the season as it unfolds with a hot cider and some roasted chestnuts. 


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[November 25, 1964] The Times They Are a-Changin’… Science Fantasy December 1964/January 1965

by Mark Yon

Scenes from England

Hello again!

As I report, we’re on the countdown to Christmas here. I hope you had a good Halloween. I must admit that after last month’s surprisingly mediocre New Worlds, I was quite looking forward to picking up the new copy of Science Fantasy.

Politics seems to have calmed down a little after the shock election result last month. Mr. Wilson seems to be intent on trying to change the laws created by 13 years of continuous Conservative rule. Although he’s only been in office for just over a month, it is noticeable that there are changes, but at the same time obvious that major change isn’t going to happen straight away. Nevertheless, there has already been a vote to suspend the death penalty for murder in Britain, which should happen in 1965. I suspect that we will see more and possibly even bigger changes in the next few months.

In music, I’m pleased to let you know that after I wrote last time, Sandie Shaw has been replaced as Number 1 by…. the return of Roy Orbison and Oh Pretty Woman.

I really like it, so I am pleased.

Perhaps it is only fair that we see some quality American acts in our charts in return for our British exports. I understand that you’ve recently had a deluge of British acts hoping to emulate the success of The Beatles, including another Brit favourite, The Rolling Stones, who were on the Ed Sullivan Show a couple of weeks ago. Their singer, Mick Jagger, had a few moves to show you!

At the cinema I am pleased to write that I have had a stay of execution regarding the musical My Fair Lady. As sometimes happens, the trailers led me to believe that the movie would be here in the next couple of weeks. I now understand that the film will be appearing at my local Odeon in January. The good news then is that it gives me more time to come up with an excuse to avoid it, hopefully.

As we always go as a family to see a 'movie for Christmas’, it looks like the movie we will see as a family this year will be Father Goose, starring one of my favourites, Cary Grant.

Looks like quite a different role for Cary…

On the television the genre pickings have still not been many. I am still enjoying most of Doctor Who, and Jessica’s excellent reports on that series’ progress need no further comment from me, but my latest find this month has been another popular series for children. I am quite surprised how much I have enjoyed its undemanding entertainment, as Gerry Anderson’s Stingray has been shown on ITV. Be warned though – it’s a puppet series! Nevertheless, its enthusiasm and energy, combined with great music in a wonderful title sequence has made this unexpected fun. I understand that it has been entirely filmed in colour, although like the majority of the 14 million British households with a television, we’re forced to watch it in good old black-and-white.

The Issue At Hand

Just to reinforce the mythical theme, this month’s cover of a Bronze Centaur is quite striking and would not perhaps be out of place on the front of a History magazine. It is, of course to do with the second part of Thomas Burnett Swann’s serial, The Blue Monkeys (started last issue), of which more below.

The Editorial, like the snippet in New Worlds last month, extols the virtues of Brian Aldiss’s new novel Greybeard. I haven’t got a copy yet – Christmas is coming! – but I must admit that I like what I’m hearing.

The Editorial also seems to rate Charles Harness’s The Paradox Men as a superior Space Opera, although it has been around a while. I understand Brian Aldiss likes it a lot, and it sounds like it could be my sort of thing as well. Let’s hope that Santa is kind this year.

Other than that, the Editorial makes a valid point about not labelling book covers with “A Science Fiction Novel”, as if it is something to be ashamed of, and finishes with the good news that Science Fantasy may soon go monthly.  Sales must be up, then.

To the stories themselves.

The Blue Monkeys (part 2), by Thomas Burnett Swann

The second part of this serial tells us what happens to teenage Thea and Icarus now that they are under the care of Eunostos, the Minotaur. This part of the story is written from the perspective of Eunostos.  It appears that taking Thea and Icarus into his world has not been easy.  Much of this part is about how bringing up Thaea and Icarus has changed his world, firstly by affecting Eunostos’s relationship with his friends Moschus the Centaur (presumably the cover star this month) and Zoe the Dryad and then when Icarus is coerced into bed by Amber the Thria. There’s some history – we are told how Eunostos knew the children’s parents and has been in the background of their lives since they were born, for example. The story ends when we discover what Ajax plans to do to get the children to return to the human world, which will no doubt be concluded in the final part next month.  I really like this reinterpretation of ancient myths. The style is engaging and written in a wryly amusing manner throughout which appeals to my own sense of humour. What is still surprising is how adult in tone the story is – much of this is about getting the teenagers into bed, which was a little disconcerting, but on the whole this one reads as effortlessly as last month. So, like last time, 4 out of 5.

Room With A Skew, by John Rackham

To lesser things, now. The last time I read a John Rackham story was in New Worlds with his story Crux in November 1963, although he was in Science Fantasy in the July/August issue. This is a light story about the things mad inventors create – in this case, a means of creating extra space in a flat by accessing the fourth dimension. Doctor Who would not have this problem!  It is a one plot idea that is better than the pun-ish title suggests, but really is just an amusing space-filler. 3 out of 5.

EJ Carnell – A Quick Look, by Harry Harrison

It’s nice to see the return of Brian Aldiss’s friend, editor and author Harry Harrison in this issue, although the subject matter of his non-fiction article is something less palatable to my tastes – recently departed New Worlds editor John Carnell. Despite my own personal grumbles about the poor last few issues of New Worlds, there’s no denying that John has had an impact on British SF and it would be wrong of me to not appreciate that, but really this is nothing more than a sycophantic promotional post for him. 3 out of 5.

The Charm, by Keith Roberts

Very pleased to see the return of this writer, who impressed me in the last issue. The Charm is another ‘Anita’ story, about the “very lovely but rather inexperienced” teenage witch finding her feet in a modern world. Think of her as a sexualised Sabrina the Teenage Witch (from Archie’s Mad House). This does involve her *cough* ‘finding experience’ in this story by being firstly captured by a witch-hunter and then going to bed with him. Using a witch’s power to make it work, the two use a Time Charm to travel backwards in time, where it all borrows heavily from H G Wells. The end of the story is a bit abrupt but generally Anita’s as amiable as she was last issue, albeit still with the annoying Granny. “I’m allus the same…” the Granny says. Quite. Whilst Anita as a character is an alluringly engaging enigma, and there’s not really a great deal to this story, The Charm is an entertaining read. 3 out of 5.

Not Me, Not Amos Cabot!, by Harry Harrison

And here’s Harry returning, this time to write fiction. I enjoyed this more than his non-fiction article.  Not Me, Not Amos Cabot! tells the story of a grumpy old curmudgeon who when he receives a glossy magazine in the post with the cheery message that he is about to die – and is he prepared for it? – is determined to prove the magazine wrong. It’s all a bit Twilight Zone, emphasised by the fact that it seems to be set in New York rather than, say, London. I get the impression that it’s meant to be a parody of advertising, an exaggeration of what can happen in today’s commercialised world, but it all sounds quite possible to me. Entertaining enough. Harrison’s gently humorous writing style carries a story that’s actually not very original. 3 out of 5.

The Madman, by Alistair Bevan

A writer new to me.  Like Harrison’s story, this is another one about an old man, set in the future. This centenarian upsets his family and his neighbours for saying how much better things were in the past, to the point that he is regarded as insane and incarcerated into a Sector Asylum for causing disruption. I guess that the message is that the future’s not what it’s supposed to be, but we should spend our time looking forward, not back. There is little value in the old – something I suspect historians and archaeologists may disagree with. 3 out of 5.

Joik, by Ernest Hill

After his appearance in last month’s New Worlds, Ernest returns with a poor novella that’s about a dystopian future where African people rule the planets. In the Rationale (what that actually is is unclear) any idea of beauty is severely dealt with. It’s basically Big Brother but where the dictator is black, not white.  Imagine, for example, a British Empire run by the oppressed, not the oppressors.

To give it a futuristic feel, not to mention New Wave anxiety, there’s artificial intelligence and spaceships but also metaphysical angst, weird dream states and torture. The plot, for what it is, is an investigation where Dadulina’s partner, Tantor, has disappeared. We discover that Dadulina has actually been arrested and tortured. This appears to be to do with Joik, the means of travelling around the universe, although it all rather disappears up into some sort of metaphysical mess. Obviously, this also involves taking narcotics to gain the full experience of whatever it is they are experiencing, from which I emerged confused and decidedly uninterested.

I can see why some readers might like it. It’s determined to be edgy and controversial (Drugs! Sex! Race!), creates words to make it sound like the dialogue of the future and has a fast pace. However, for me its drug-induced navel-gazing all seemed a little dull. One of those where you have to be there to gain the full experience, I feel.  2 out of 5.

One of Those Days, by Charles Platt

We finish this issue with a minor story about a character having a miserable existence in a hotter future climate, who having complained about the noise, the hot weather and his wife and children, then dies. Seems a bit pointless, other than a chance to moan about domestic life for the future male. I was almost tempted to think of it as a Ballard-ian parody, but that would give the story more value than it deserves. There’s not a lot to fuss about over here. We finish with a whimper. 2 out of 5.

Summing up

This is a tough one to summarise, as it is an issue that I both enjoyed and I got frustrated by.  It starts well, but seems to run out of steam by the end. Overall though, I’m pleased to say though that, despite my grumbles, there’s a lot in this issue of Science Fantasy that I’ve enjoyed, and it is still more enjoyable than the last New Worlds. Despite both issues having stories that are quite depressing, Science Fantasy is just more engaging for me.  I think I am still enjoying the variety and range of the stories more with Science Fantasy than I am with New Worlds.

The bottom line is that when I have finished reading the two magazines, I remember the stories from Science Fantasy  much more positively than the ones in New Worlds.  Where New Worlds does score is that it seems to be more determined to experiment with form and style whereas Science Fantasy is more about just telling a story. At the moment though, for me plot is winning over form. It’ll be interesting to see if this continues into 1965.

I should be back to a new issue of New Worlds next month. Until next time… have a great Christmas!

UK Beatles fans, of which there are many, have been sent a Christmas greeting from the Fab Four on flexidisc.

[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]

 

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[November 23, 1964] Let’s Go Exploring! (NASA’s latest Explorer satellites)


by Kaye Dee

I’ve written before about how much I love satellite spotting and this month has given me three new ‘man-made moons’ to watch out for, with the latest additions to NASA’s Explorer scientific satellite program. Each of the new Explorer satellites is very different and their research tasks are all of real interest to me, as I’m concentrating on space physics for my Masters degree. But before I talk about them, I’m excited to share the most recent news from Woomera.

A Textbook Test Flight

On October 20, the second test flight of the Blue Streak stage for ELDO’s Europa launch vehicle took place. After the problems that occurred towards the end of the first test flight, which led to the rocket’s flight falling short of its intended landing area (see June entry), this latest launch was a complete success, demonstrating that the fuel sloshing issue has been solved. The engines fired for the 149.1 seconds, fractionally over their anticipated performance, and the Blue Streak impacted almost 1,000 miles down range. Everyone at the WRE is really pleased (and relieved) with this textbook test flight, as it means that the Europa development program can now keep moving forward. Can’t wait for the next test flight!


Blue Streak F-2 prepares to blast off at Woomera’s Launch Area 6.

But what has really captured my attention this month are the new missions in NASA’s Explorer program (which I last covered on September 6 and October 16). This series of scientific satellites continues to study the near space environment around the Earth and the nature of the Sun, as well as contributing to astronomy and space physics. 

Taking a Hit for Science

Explorer 23 was launched on 6 November, using a Scout rocket fired from NASA’s Wallops Island facility in Virginia, from which many satellites in the Explorer series have been launched. Also called S-55C, Explorer 23 is the third in a series of micrometeoroid research satellites. Explorer 13 (launched in August 1961) was the first in the series. It was also known as S-55A, following the failure of its predecessor, the original S-55 satellite (the S standing for Science). Explorer 16 (S-55B) was launched in December 1962. The purpose of the S-55 series is to gather data on the micrometeoroid environment in Earth orbit, so that an accurate estimate of the probability of spacecraft being struck and penetrated by micrometeoroids (very tiny pieces of rocks and dust from space) can be determined.


Explorer 13 was the first micrometeoroid research satellite to take a hit for science.

Each of the S-55 spacecraft is about 24 inches in diameter and 92 inches long, built around the burned out fourth stage of the Scout launch vehicle, which forms part of the orbiting satellite. Explorer 23 carries stainless steel pressurized-cell penetration detectors and impact detectors, to acquire data on the size, number, distribution, and momentum of dust particles in the near-earth environment. Its cadmium sulphide cell detectors were, unfortunately, damaged on lift-off and will not be providing any data. Explorer 23 is also designed to provide data on the effects of the space environment on the operation of capacitor penetration detectors and solar-cell power supplies.


(left) An illustration of Explorer 23 in orbit, showing its modified design compared to its predecessors. (right) Part of the backup Explorer 23 satellite.

Two Satellites for the Price of One Launch

November 21 saw the Explorer 24 and 25 satellites launched together on a Scout vehicle fired from Vandenberg Air Force base in California, which will put the satellites in a near-polar orbit. These two Explorers have been launched as part of the research program for the International Quiet Sun Years (IQSY). Just as the International Geophysical Year took place in 1957-58, during a period when solar activity was at its height, the IQSY is focusing on the Sun in the least active phase of the solar cycle, across 1964-65. This makes it possible to compare the data from Explorer 24 and 25 with earlier observations made from orbit when the Sun was more active. Having the satellites in dual orbits also makes it possible to compare the atmospheric density data gathered by Explorer 24 directly with the radiation data from Explorer 25.


A stamp from East Germany highlighting satellite-based research into the Van Allen radiation belts and other aspects of the near-space environment during the International Quiet Sun Years.

Explorer 24: A Balloon in Orbit

Although the two satellites work in conjunction with one another, they couldn’t be more different! Explorer 24 is a 12-foot diameter balloon made of alternating layers of aluminium foil and plastic film. It’s covered all over with 2-inch white dots that provide thermal control. Deflated and packaged in a small container, the balloon was packed on top of the Explorer 25 satellite for their joint launch and then inflated in orbit. A timer activated valves that inflated the balloon using compressed nitrogen. This process took about 30 minutes, after which the satellite was pushed away from the carrier rocket by a spring.


Explorer 24 hitched a ride to orbit on top of Explorer 25, before being inflated in space.

Explorer 24 is identical to the previously launched balloon satellites Explorer 9 (launched in February 1961) and 19 (launched in December 1963). Explorer 19 was also known as AD-A (for Air Density) and Explorer 24 is also designated as AD-B.  All three of the balloon satellites have been designed to provide data on atmospheric density near the perigee (lowest point) of their orbit, through a series of sequential observations as they move across the sky.

Like its predecessors, Explorer 24 will be tracked both visually and by radio, as it carries a 136-MHz tracking beacon. Explorer 19’s tracking beacon failed while it was in orbit, and so it could only be tracked visually by the Smithsonian Astrophysical Observatory’s network of Baker-Nunn telescope cameras. There is one of these stations at Woomera and my former computing colleagues at the WRE’s Satellite Centre in Salisbury, South Australia, assisted with converting its observations into the orbital calculations that the scientific researchers needed. 

Explorer 25: Studying the Ionosphere

Explorer 25’s primary mission is to investigate the Ionosphere, make measurements of the influx of energetic particles into the Earth’s atmosphere, studying atmospheric heating, as well as the Earth’s magnetic field. It will be magnetically stabilised in orbit through the use of a magnet and a magnetic damping rod and carries a magnetometer to measure its alignment with the Earth’s magnetic field. One of its particularly interesting tasks will be to study and compare the artificial radiation belt created by the Starfish Prime high-altitude nuclear explosion and the natural Van Allen radiation belts.

Explorer 25 is also known as Injun 4 and Ionosphere Explorer B (IE-B). It is the latest satellites in the Injun series, which have been developed at the University of Iowa under Professor James Van Allen, after whom the Van Allen radiation belts are named. Van Allen himself gave these satellites the name Injun after the character Injun Joe in Mark Twain’s Adventures of Tom Sawyer. The first three Injun satellites were only qualified success and were not actually part of the Explorer program. However, as IE-B, Injun 4/ Explorer 25 extends the research being carried by Explorer 20, that I wrote about in September.


James Van Allen (centre) with a replica of the Explorer 1 satellite, for which he provided the scientific instruments that contributed to the discovery of the Van Allen radiation belts. With him are William Pickering (left), the Director of the NASA’s Jet Propulsion Laboratory and (right) Wernher von Braun, whose team developed the Juno rocket that launched Explorer 1.

Explorer 25 is roughly spherical and almost 24 inches in diameter. It has 50 flat surfaces: 30 of them are carrying solar cells that are used to recharge the batteries that power the satellite. The satellite is also equipped with a tape recorder and analogue-to-digital converters, so that it can send digital data directly to a ground station at the University of Iowa.

Science Streaks Across the Sky

It is simply marvelous how rapidly we are expanding our knowledge of the universe above. Just seven years ago, there hadn't been a single Explorer; now there are twenty five! I’m looking forward to spotting all these science gatherers in the evening sky over the coming weeks — and eventually telling you what they find up there!


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[November 22, 1964] A Special Gift


by Gideon Marcus

First and foremost, I wanted to thank all of my fellow travelers for being on this Galactic Journey with us.  It's hard to believe we've been chronicling science fact and fiction (and so much more) for over six years now!

Second, I want to doff my hat in memory of an event that pummeled the nation exactly one year ago.  I don't think any of us have any difficulty remembering the terrible events of Dallas that day.  But shortly thereafter, as Beatlemania was sweeping the nation in the wake of the Fab Four's appearance on the Ed Sullivan show, the dark part of my brain came up with a way that November 22, 1963 could have been even worse.

As a special present to all of our loyal fans, I present to you Sad All Over, a short story that takes place today, November 22, 1964…but in a divergent timeline.  I don't know if "enjoy" is the right word, but I hope it interests you and stimulates discussion!

Sad All Over (PDF, epub, mobi, kindle)



[Come join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




[November 21, 1964] Bridging the Gap (December 1964 Fantastic)


by Victoria Silverwolf

I'll Cross That Bridge When I Come To It

Citizens of the Big Apple now have a new way to travel between Staten Island and Brooklyn, with the official opening of the Verrazano-Narrows Bridge. The structure is named for the Italian explorer Giovanni da Verrazzano, said to be the first European to sail into the Hudson River, way back in 1524. It is the longest suspension bridge in the world, spanning a little over four-fifths of a mile.


Note to proofreader: The name of the bridge has one z, the name of the man has two. Go figure.

More than five thousand people attended the opening ceremony on November 21st, including New York City Mayor Robert Ferdinand Wagner II and New York State Governor Nelson Rockefeller. Even President Johnson supplied a congratulatory speech.


The official motorcade crossing the bridge after the gold ribbon was cut. I don't think they had to pay the fifty cents that you or I would have to pay to get across.

If you'll allow me to stretch a metaphor to the breaking point, popular music can serve as a bridge between people of differing backgrounds, something we Americans could use during these times of racial strife. Case in point, as Rod Serling might say, is the fact that the Motown hit Baby Love, by the trio known as the Supremes, has been at the top of the US charts all month, and shows no sign of going away any time soon.


That makes the Supremes the first Motown act to reach Number One twice. Don't believe me? Ask any girl, or boy for that matter, who listens to Top 40 radio.

Appropriately, the latest issue of Fantastic features a lead novella about crossing the immense gap between the stars.

Why? To Get To The Other Side


Cover art by Lloyd Birmingham.

The Unteleported Man, by Philip K. Dick


All interior illustrations in this issue by George Schelling.

Rachmael ben Applebaum is a man with some serious problems. His father recently died, apparently by suicide. (There are hints that this may not be the case, but the question is never resolved.) Rachmael inherited the family business, which happens to involve faster-than-light starships. Not much faster, however; it still takes many years to reach their destinations.

Applebaum Enterprises is in ruins, because the rival company Trails of Hoffman has control over teleportation technology that reduces the travel time to minutes. In this future overpopulated world, millions of people have already paid a small fee to be zapped to Whale's Mouth, a planet orbiting the star Fomalhaut. The teleportation machine only works one way, so nobody has ever returned. The sole evidence for what things are like on Whale's Mouth comes via broadcasts from the planet. They make the place sound like a paradise compared to Earth.


Two minor characters in the story, considering a long-distance move.

Trails of Hoffman deliberately became a major stockholder in Applebaum Enterprises, so Rachmael now owes them a huge debt. They also have the legal right to ownership of the only starship he still possesses. Desperate to find out what's really happening on Whale's Mouth, he engages the services of Listening Instructional Educational Services, derisively known as Lies, Incorporated. Despite the name, the organization is actually interested in the truth. They serve as a private espionage agency for their clients.

What follows is a complex tale of plots and counter-plots, involving not only the groups I've noted above, but the United Nations, which is now a powerful world government, dominated by a reunited Germany. After many adventures that could have come out of a very strange, futuristic James Bond novel, Rachmael manages to set out alone on his starship, willing to spend eighteen years getting to Whale's Mouth and another eighteen years on a return flight to Earth. Meanwhile, Trails of Hoffman, Lies Incorporated, and the UN have their own plans, not to mention the folks on Whale's Mouth.

As usual for this author, there's a complicated background, plenty of twists in the plot, and multiple viewpoint characters. Also typical is the fact that things are not always as they seem. It's obvious from the start that Whale's Mouth isn't the Utopia it claims to be, but it's also not quite what Rachmael fears it might be. One of the organizations mentioned above seems to be an enemy, but turns out to be an ally. Even the title of the story is misleading.

As I've hinted, the story has the flavor of spy fiction, mixed with a lot of science fiction concepts. Although the mood is serious, even grim, there's a touch of satire and absurdity. (One character fears losing his job to a trained pigeon.) The plot always held my interest, and the characters are intriguing. (Some meet with sudden, unpleasant ends, so don't get too attached to them.)


See what I mean?

My one quibble is that the novella stops in an open-ended fashion. Perhaps the author intends to expand it into a novel.

Four stars.

I Am Bonaro, by John Starr Niendorff

Here's an odd little story by an author completely unknown to me. A disheveled old man stumbles out of a boxcar, unable to speak, wearing a sign around his neck, bearing the words in the title. He wanders around, holding out a sponge to everyone he meets. Flashback sequences reveal his miserable childhood, when he developed the power to change himself into anything in order to escape his tormentors. The end explains his current condition, and the reason for the sponge. The whole thing is weird enough to be worth a look.

Three stars.

IT, Out of Darkest Jungle, by Gordon R. Dickson

Written in the form of a screenplay, this is a spoof of bad science fiction monster movies. You've got the young, handsome scientist, the beautiful assistant who loves him, the older scientist who makes an amazing discovery, and the monster. It's all very silly, and almost too close to what it's making fun of. (It makes me feel like I saw this thing on Shock Theater.) Readers of Famous Monsters of Filmland may get a kick out of it.

Two stars.

They're Playing Our Song, by Harry Harrison

In this very short story, a quartet of long-haired rock 'n' roll musicians, pursued by screaming teenage girls, turn out to be something other than ordinary superstars. This broad parody of the Beatles has an ending you'll see coming a mile away.

One star.

The Fanatic, by Arthur Porges


As the blurb suggests, sensitive readers may wish to skip this story.

The title character believes that alien invaders take the form of animals. He thinks he can detect them, because their behavior is slightly different from that of ordinary animals. He uses very disturbing methods in his quest to discover the truth. The conclusion is predictable.

I have to confess that there's a certain horrifying effectiveness to the narrative, but it's not one that most readers will enjoy.

Two stars.

Merry Christmas From Outer Space, by Christopher Anvil

Told through letters and interstellar messages, this is a comedy about Earthlings and aliens. Two rival extraterrestrial forces are hidden on Earth. One places a mind-disrupting device near the other's location. It turns out that the thing was pointed the wrong way, leading to a series of confused messages between a writer and a science fiction magazine.


I guess this is the machine that causes all the trouble.

You could easily take out the stuff about the aliens, and wind up with a mundane farce about miscommunication. Unless you find back-and-forth exchanges about payment and cancelled checks to be funny, I doubt you'll be amused.


Could this be the author having his story accepted by the editor?

One star.

Worth Paying The Toll?


OK, so this isn't the right bridge. Sue me.

By coincidence, a copy of the magazine costs just as much as crossing the Verrazano-Narrows Bridge. (I doubt toll collectors will accept it instead of cash.) Making an analogy between the two, I'd say that the structure starts off strong enough, but the quality of the architecture drops off rapidly after that, ending with a big splash into a metaphorical ocean of poor-to-mediocre stories.

Of course, things could be worse, if you happened to be crossing the Tacoma Narrows Bridge on November 7th of 1940.


The hopeful beginning.


The tragic end.

Let's just be thankful that reading a bad story isn't as dangerous as crossing a poorly designed bridge.

[November 19, 1964] Ding Dong (December 1964 Fantasy and Science Fiction)


by Gideon Marcus

Avram is Gone

Way back in March 1962, Robert Mills left the editorship of The Magazine of Fantasy and Science Fiction.  He turned over the reins to a writer of repute, a man who had published many a story in this and other mags: Avram Davidson.

It seemed auspicious — after all, who better for the most literate of SF periodicals than one of the more literary authors in the genre.  Instead, the last two and a half years have seen the decline of the once proud magazine continue apace.  Certainly, there have been standout stories and even issues (for instance, Kit Reed's To Lift a Ship came out in that first Davidson issue — and I liked it so much, I included it among the fourteen stories in Rediscovery: Science Fiction by Women (1958-1963).

But successes aside, F&SF is mostly a slog these days, filled with uninspired and/or overly self-indulgent stories.  The only thing that kept my going was the rumor, confirmed this Summer, that Avram had decided to give up the editorship to focus more on his writing.  And so, we have this month's issue, the first in what may be called "The Ferman Era". 

Mind you, I'm sure most of the stories were picked by (and certainly submitted to) Davidson, so I don't expect miracles.  Join me on the tour of the newest F&SF, and let's see what, if anything, has changed!


by Jack Gaughan

Buffoon, by Edward Wellen

For the most part, Ed Wellen is a mediocre writer, mostly turning in lamentable stuff, occasionally contributing acceptable though not brilliant fare.

This time around, we have the story of an alien who poses as an Aztec at the time of Montezuma.  His goal is to become a thrice-sold slave so that he can ultimately be the blood sacrifice made every 52 years.  It's all part of an elaborate prank on the indigenes, which is explained in the story's last page.

Despite the seeming light nature of the plot, it's actually rather humorless, a sort of "you are there" piece on the Aztecs.  Something one might sell to National Geographic, but with a veneer of SF to make it salable to F&SF.  I vacillated between three and two stars; there are some nice turns of writing in there, lots of historical detail, but the whole thing was more tedious than enjoyable.  It certainly lacked the charm of the Aztec-themed serial that recently came out on England's Doctor Who.

So, a high two.

The Man with the Speckled Eyes, by R. A. Lafferty

Mr. Lafferty often turns in fun, whimsical tales.  But this one, about a mad-eyed fellow who claims to have invented anti-gravity, and who makes disappear the corporate bigwigs who dismiss his claims, doesn't really go anywhere.  There're some vivid scenes, some Hitchcock Presents-type horror, and then roll credits.

An ending would have been nice.  Two stars.

Plant Galls, by Theodore L. Thomas

Our resident scientific "expert" waxes rhapsodic about stimulating plant galls (think vegetable callouses) with new carbohydrate sprays.  Imagine!  Like magic, all you have to do is spray a field and you get a giant, cancerous mass of food!

Except Mr. Thomas has forgotten about the second law of thermodynamics — it takes resources to make the spray, doesn't it?

One star.

From Two Universes …, by Doris Pitkin Buck

Of Univacs and Unicorns, which have never met.  This poem is the seed for an F&SF-sponsored context: write a story involving both, and you might win $200!

Three stars, I guess.

On the Orphans' Colony, by Kit Reed

Abject loneliness can make one do crazy things.  On a hostile world, a young orphan opens the barred doors of his commune, seduced by the maternal sirensong of an otherwise repulsive being.  But what horror has he unleashed upon his barracks-mates?

Vivid.  Three stars.

Wilderness Year, by Joanna Russ

After the bomb, the sub-surface survivors only go above ground as a rite of passage.  Of course, they are given the most advanced devices to ensure their safety.

This is a throwaway joke tale, which the punchline nicely arranged to occur at the top of the page turn where it can be most effective.  Certainly not the best Joanna Russ can offer, but not bad.

Three stars.

Somo These Days, by Walter H. Kerr

A poem about sensory deprivation becoming the new, hip rage with all the kids.  I imagine it's a commentary on how our teens are plugged into their transistor radios these days, ignoring the outside world. 

Silly.  Two stars.

A Galaxy at a Time, by Isaac Asimov

Strangely uncompelling piece by Dr. A about close-packed galaxies wracked by mass supernovae.  It just didn't grab me like his articles usually do.

Three stars.

Final Exam, by Bryce Walton

A variation on the Last Man/Last Woman cliche.  In this one, Last Man doesn't want to commit until a battery of psychological tests determines the potential pair's compatibility.

Forgettable: 2 stars.

The DOCS, by Richard O. Lewis

This would-be Lafferty tale is about a guy whose attainment of multiple doctorates is undercut by his lack of empathy.  Facile, with a dumb ending.

Two stars.

The Fatal Eggs, by Mikhail Bulgakov

Ah, but almost half the book is taken up by a gem.  The Fatal Eggs is a reprint from the early days of the Soviet Union, an arch piece about a scientist who discovers a mysterious red ray.  Said ray not only stimulates the reproduction of animals, but the resulting creatures are fearsome and enormous.

I would not have thought that a 40 year-old piece, translated from Russian, could be so compelling, so colloquially humorous, and delightfully satirical (and thus banned, though our Soviet correspondent, Rita, also read and enjoyed it). 

Definitely a four star piece, and I am sad to learn (at the very end) that this is a condensed version!  With Bulgakov's story, the journey is as fun as the plot, and I would have enjoyed more comedic scenes of life in 1920s Russia.

Four stars.

All things must pass

Well, we made it.  On the one hand, half of this month's issue represents a nadir for the magazine.  On the other, The Fatal Eggs is wonderful.  On the third hand, it's an aged reprint.  Well, any constipation requires time to relieve itself.  I'm willing to give Joe Ferman, our new editor (and the owner's son) a chance to prove himself. 

How about you?


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55 years ago: Science Fact and Fiction