Science / Space Race

Earth: 0, Space: 3 (Atlas, Discoverer, and Vanguard; 4-16-1959)

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It's been an exciting though disappointing week in the world of space exploits.  Here is a summary of what you've missed if you haven't been following the papers:

DISCOVERER 2 SOARS INTO ORBIT; LAYS EGG NO ONE CAN FIND

The Air Force launched another Discoverer on April 13.  After 17 orbits, the satellite ejected a capsule for recovery.  The landing spot was supposed to be around Hawai'i, but a task force of ships and aircraft were unable to find the capsule.  Now, there wasn't anything on board this one, but later shots are supposed to carry biological specimens.  And maybe film for developing.  Oops!  Did I say that out loud?

In any event, no one knows where it landed.  Since Discoverer is in a polar orbit (and still otherwise functioning, to all reports), I suppose the capsule could have fallen anywhere along its trajectory.  If the capsule was ejected too early, it would have hit Antarctica or the South Pacific.  If late, the track crosses Alaska, the Arctic ocean, and down through Scandinavia, the Eastern Bloc nations, and all along central Africa. 

Assuming the latter, its destination could be somewhere in the ice, perhaps a communist station, or next to some frightened zebra.  We may never know.

VANGUARD IS ANOTHER FLOPNIK

The Navy boys tried to launch a sequel to the orbiting but unsuccessful Vanguard 2.  This shot was a two-fer–atop the slim rocket was not only a 10kg ball with a new magnetometer on board (for mapping magnetic fields) but a balloon for tracking air density.

Sadly, the rocket only got up a hundred miles before falling back to Earth.  It's a shame–Von Braun's team is having success after success, but the Vanguard program is stuck in first gear.  Let's hope they can get Vanguard 3 up before the year's end!

MAIDEN LAUNCH FOR NEW ATLAS A BUST

The Atlas is America's first Intercontinental Ballistic Missile (ICBM).  It is being manufactured just a dozen miles from my house at Convair's Kearny Mesa plant.  The first incarnation of the Atlas was test-launched in 1957 with a dummy warhead.  Since then, Atlases have been launched with some regularity from Cape Canaveral, including the December launch of SCORE, which went on the improved Atlas B.  The Atlas C was the last of the prototypes, and it may be used this year for an upcoming Venusian mission.

But the Atlas launched on April 14 was an Atlas D, a more-powerful version designed to be the first operational ICBM, the one they'll bury underground in protective silos to be turned loose on the Soviet Union on a moment's notice. 

Eventually.  The one launched last Tuesday malfunctioned right out of the gate, one of its three engines blasting at reduced capacity.  It limped along for 20 seconds, burst into flames, and was destroyed 17 seconds later by ground control.  And this is the booster that the Mercury astronauts will ride into orbit.  Brave men they!

So, as they say, "All the news that fits, we print!"  See you in two days!



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Magazine

Double-size equals Double-good (June 1959 Galaxy, second part; 4-14-1959)

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There's been big news in the space world over the weekend, but I want to talk about it next time so I can see how things shake out.  Thus, without further ado, I move onto the rest of the extra-thick Galaxy June 1959.

Avram Davidson is a bit of a writing fiend–it seems I find one of his stories in every magazine I pick up, and they all tend toward the quite good.  Take Wooden Indians is one of the good'ns.  It's a delightfully confusing (at first) tale of time travel, artistic expression, and nostalgia for Americana, that straightens out nicely at the end.  Of course, I imagine there are many out there who would use time travel to save the real Indians rather than their wooden likenesses, but that's another story (one I'd be interested in reading–smallpox inoculations handed out five hundred years ago might do the trick…)

Willy Ley's article is, as usual, worthy reading.  I particularly like his answer to the question, "What is the best size for a payload?"  Answer: depends on what you're trying to do.  If you want to map the Earth's magnetic fields, lots of small satellites are better than one big one.  The Soviets like to brag on the size of their probes, but they are of limited utility if they only put up a few.

The next story is from prolific pulp writer, Richard Wilson, who spends most of his time writing for Future these days (I haven't picked up any copies).  Traveling Companion Wanted has been described by one of my very favorite readers as a Victorian fantasy, wherein a space traveler falls into the ocean in his space suit and ends up swept by current into a globe-spanning underwater river.  On his way, he ends up the unexpected guest of a subterranean race of advanced, Eskimo-ish natives.  Unfortunately, they can't figure out how to unsuit the traveler, and he nearly starves (I found this bit rather horrific).  But all's well that ends well–he makes it back to the surface with the resolution to revisit the fantastic realm he discovered.  It looks like he'll be successful, too!

I'm afraid the "non-fact" article by Larry M. Harris, Extracts from the Galactick Almanack, really isn't worth the space it takes in the magazine.  It's one of those "droll" pieces, this one about musical accomplishments of various aliens.  Skip it.

Soft Touch, by Daniel F. Galouye, is another matter, entirely, though like his last story, it is frustratingly underdeveloped.  In the future, there is a mutant strain of humanity that is utterly moral and good, incapable of lying or hurting a fellow person.  They are treated poorly by their non-mutant neighbors because everyone hates a do-gooder.  Very impactful and well-written stuff… but the ending is way too rushed.  Another 5-10 pages would have been nice.

The final tale of the issue is No Place for Crime, by J.T. McIntosh.  It's rare that a locked door mystery is told from the point of view of the criminals, and McIntosh keeps you guessing as to its outcome until the very end.  One of the better pieces in the issue, and typical of the writer.

Given Pohl's masterpiece, Davidson and McIntosh's excellent work, the decent Wilson and Galouye stories, the fine Ley article, and the unimpressive Harris, I'd say this issue is a solid "4."  I'd like Mr. Wood to stop drawing such lurid cheesecake illustrations, however…

See you on Wednesday with news… from SPAAAACCCCE!



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Magazine

Whatever Counts (June 1959 Galaxy, first part; 4-11-1959)

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I mentioned last week that Satellite no longer prints full-length novels between its covers anymore.  It looks like that role is now going to Galaxy, which, in its new, 196-page format, can accommodate longer works more comfortably.  In short order, it looks like Galaxy will specialize in two-part serials, responding to reader requests for same. 

I'm a fan of longer stories in my magazines.  F&SF scratches my short story itch quite nicely, and there are lots of good science fiction novels coming out, so that intermediate length can only be found in the digests.  I find that the novella/short novel length is quite good for adequately developing a concept without overly padding the matter.


Cover by EMSH

That length was certainly used to excellent effect in Fred Pohl's new space exploration/first-contact thriller, Whatever Counts.  What a fine story.  With the exception of some over-traditional gender roles (in the far future, I'd expect women to be more than secretaries and babysitters), Pohl paints a quite mature and sophisticated vision of tomorrow.  Moreover, while the female characters have traditional roles, they also get to be intelligent and vital protagonists.  Just skip over the rather exploitative art…

So what's the story actually about?  The Explorer II, essentially a generation colony ship, though the journey "only" takes about seven years, is part of humanity's first gasp of interstellar expansion.  Unfortunately, during the vessel's journey, our race (as a whole) makes contact with its first alien species, the technologically and biologically more-sophisticated "Gormen."  Wherever we encounter the Gormen, we are able to offer but feeble resistance.

The same is true for several of the crew of the Explorer II, who are quickly captured by the Gormen upon touchdown.  Their trials at the hands of the Gormen, and the nifty way in which they make escape, are all interesting and well-written.  But what really sold me was the attention to detail.  The colony ship is plausible, the Gormen truly alien, the characters well-realized, and the style both gritty and artistic.  And I really like any story that takes the time to explain where characters are going to take care of their toilet needs…


illustration by WOOD

I'd hate to spoil any more than I already have.  Just go read it!  (Please note that the author has not given me permission to freely distribute this story.  If you can, I'd buy a copy.)

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Science / Space Race

Lucky Seven! (The Mercury astronauts; 4-09-1959)

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The results are in!  NASA has picked its first seven astronauts, dubbed "The Mercury Seven" since they will be flying the new one-man spacecraft when it debuts for piloted missions, perhaps next year.

The newspaper mistakenly described them as "GI"s the other day, but they are, in fact the best of the best American military test pilots from all of the services except the Army.  110 candidates were winnowed to 31, and of them, 24 were sent packing (though I suspect we may see some of them in later astronaut groups). 

The chosen seven are a homogeneous bunch in several ways: white, married with children, mildly Protestant, in their 30's.  But they come from a variety of places and service backgrounds.  In alphabetical order, we have:


The astronauts expressing confidence that they will all come back from space safe and sound; L to R: Slayton, Shepard, Schirra, Grissom, Glenn, Cooper, Carpenter

Navy Lieutenant. Malcolm "Scott" Carpenter: 33, much has been made in the local paper since he is a native, though adopted, son from Garden Grove, California.  His wife registered him for the astronaut program while Scott was at sea.  He has the least flight time of the astronauts, but this is more than compensated by the man's dreaminess quotient.  What a hunk! 

Air Force Captain Leroy "Gordo" Cooper (for those not militarily inclined, this rank is the same grade as Navy Lieutenant): 32 and a Colorado resident.  He's flown the fancy new planes, including the F-102 and F-106B.  Gordo speaks with an Okie drawl, but I understand he's quite a sharp tack.

Marine Lieutenant Colonel John H. Glenn: 37, from Ohio, may have the most impressive credentials.  He flew 59 combat missions in World War 2, more than a hundred in Korea, and he has the highest rank of the candidates.  He's also the most religious, the nicest, and (reportedly) the most abstemious.  I'd put odds on this fellow getting a plum spot in the line-up.

Air Force Captain Virgil I. "Gus" Grissom: 33, from Indiana, is the youngest and shortest of the group, but he has more combat missions under his belt (in Korea) than anyone in the group but Glenn. 

Navy Lieutenant Commander (between the Lieutenants/Captains and Lt. Colonel Glenn in Rank) Walter M. "Wally" Schirra: 36, from New Jersey, he's apparently the prankster of the group.  He comes by his talent honestly, his father having been a stunt pilot and his mother a wing walker!

Navy Lieutenant Commander Alan B. Shepard Jr.: 35, from New Hampshire, has the most flight time but zero combat experience.  He has an intense air about him suggesting he may be a leader type.  He confidently declared that he expected orbital flight would be no more hazardous than testing out a new plane on Earth.

Air Force Captain Donald K. "Deke" Slayton: 35, from Wisconsin, he's got almost as much flight time as Shepard, and World War II combat experience.  He has a smart, no-nonsense look about him.  I suspect he'll get a good mission.  He said he signed up because we'd pretty much finished exploring the Earth, and it was time to pierce the next frontier.


L to R: Grissom, Glenn, Cooper, Carpenter

Unmanned test flights of the Mercury spacecraft, which looks a bit like a thimble, are expected to start in the summer.  The capsules will be launched sub-orbitally first on "Little Joe" test rockets and then Redstones (which were used to launch the first American Explorers. 

I'm willing to wager that, now that American's first spacemen have been identified, our upcoming science fiction stories will make many and copious references to them, either directly or allusive.  For decades, authors have written how the first men would go into space–now they know for certain who they will be and what they will ride in (that is, unless the Soviets beat us again to the punch…)

See you in a couple of days with news of Fred Pohl's latest novella, really a short novel.  It's excellent.  Until then…

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Magazine

Star Dim.. (May 1959 Fantasy & Science Fiction, second part; 4-07-1959)

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How scary is a truly dark night sky?

In Asimov's Nightfall, a certain planet's orbital situation ensures that there is always a sun overhead.  On the rare occasion that all of the nearby stars align on the opposite side of the planet, the planet's population is consumed with hysteria.  I suppose it's a justifiable extrapolation of the impressive and cowing effect on our ancestors caused by eclipses of the sun.

In A. Bertram Chandler's The Man Who could not Stop (which I will discuss at length further on in the article), there are inhabited planets at the edge of the galaxy.  When the lens of the galaxy aligns with a rim planet's sun, the result is a near-featureless dark sky marred only by a few far-away solitary stars and nebulae.  As Chandler describes it, the effect is unsettling in the extreme, and most natives move away to planets comfortably surrounded with stars.

I suppose it's Chandler's world, and he can do what he wants, but would a truly empty sky be that disconcerting?  Even today, on Earth, there are plenty of locales where cloud cover renders the stars invisible.  In downtown Tokyo or New York, the lights of the city drown out any puny stellar competition.  I should think that the spectacle of the full lens of the galaxy, visible at least half of the year, would more than make up for a half-year of darkness. 

What do you think?

As you can probably guess, I have finished this month's Fantasy & Science Fiction, and I've got a report for you.  I can honestly say that the magazine ended on a rising trend, quality-wise.

The lovely Rosel George Brown is back with the light-hearted Lost in Translation.  It's a silly tale of time travel featuring a drippy but lovely fan of the classics (the Greek classics, that is), but the whole thing is really just a set-up for a bad pun at the end.  I like Brown's writing–I'm just waiting for one of her stories to really wow me.

Avram Davidson's The Montavarde Camera is a moody piece (does he write any other kind?) about an antique camera whose pictures spell doom for their subject.  Well-written (does he ever write poorly?), but rather a second-rate premise.

I enjoyed (with reservations) Jack London's tale of present-day adventure told in past-tense, The Angry Mammoth, in which a hunter recounts his adventures tracking down and killing the last of the hairy elephant cousins.  Not for the animal-lover.  Of course, it is a reprint, the original story having been published in 1901 (and it reads like it).

But the real jewel of this issue is the aforementioned The Man Who could not Stop.  It is a little reminiscent of those stories where people who could not fit into the regimented roles meted out by society (a la Asimov's Profession) become its masters.  In Chandler's story, the protagonist (name of Clavering) is a hardened criminal fleeing justice.  He runs from Earth to the galaxy's rim, from where extradition is impossible.  Once there, however, he quickly runs afoul of the law.  The first time is intentional–he wants to be incarcerated to locate a fence so as to offload a haul of stolen jewelry.  The second time is unintentional, but criminal habits are hard to break (and the rim planets make recidivism all but inevitable).  The third time is intentional–our anti-hero is told that criminals are deported third time 'round. 

Except it turns out that deportation is a one-way trip into the abyss; Clavering ends up press-ganged into the crew of a starship heading out deep into inter-galactic space.  So we learn that this is standard operating procedure on the rim worlds: attract the incorrigible and shanghai them.

I liked it a lot, and I understand there may be more tales of the rim worlds on the way.  I'm looking forward to it.

That's that for today.  I've largely finished this month's Galaxy (which is excellent, by the way), but I understand that NASA plans to announce the Mercury astronauts on April 9, so I'm sure that event will feature prominently in my next article.

Thanks for reading!

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Magazine

Diverting fare (May 1959 Fantasy & Science Fiction; 4-03-1959)

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There are months when The Magazine of Fantasy AND Science Fiction is filled with sublime stuff.  Then there are months when F&SF is just mildly diverting.  This is looking to be one of those months.  Things could be worse, of course.

Editor Robert Mills opens things up by asking if we'd like longer short stories (novelets), which apparently are in a bumper crop this year.  Robert, if you're reading, I think that's a fine idea.  I like a good 20 pages to feel the start, middle, and end of a story.  Shorter pieces tend to rely on gimmick endings or be mood pieces.  Not that those don't have their place, but everybody has her or his preferences, and that one is mine.

What do y'all think?

First out of the gate is J.T. McIntosh's Tenth Time Around, which takes place in a nearish future where travel back in time is possible, but expensive, and only into your younger self.  Our protagonist uses his multiple lives trying to successfully woo a lost love.  The result is not unpredictable, but McIntosh writes a fine yarn.

I much liked Asimov's non-fiction column in this issue, detailing the fiendish difficulty involved in both escaping Earth's gravity and ensuring subsequent capture by the moon.  It is a subject of which I never had a real intuitive grasp, despite having followed all of the Pioneer and Mechta shots avidly (I've even published a few non-fiction articles on the subject, myself).

Satirist Ron Goulart's Ralph Wollstonecraft Hedge: A Memoir is a genuinely humorous account of a fictitious writer from the tarnished side of pulp's Golden Age.  I caught the Lovecraft references, having read virtually everything H.P. ever published, but I'm afraid I've missed the other jokes.  Perhaps someone can help me with this one.

Then there's The One that Got Away by Chad Oliver, who writes both science fiction and westerns.  He combines the two to good effect here.  Well, I'm not sure it actually takes place in "the west," but the setting is a bucolic valley and involves by turns pyromania, a rustic lodge, good fishing, and aliens.  Fun and fluffy.

Finally, for today, is Robert Graves' The Shout, which Robert Mills found good enough to reprint, the story having first appeared in the magazine seven years ago (before I was a regular reader).  Or perhaps F&SF is simply hard up for material.  Or Mr. Graves is hard up for cash.  Somehow I doubt the latter, the great classicist having penned such eternal works as I, Claudius. 

In any event, Shout is a moody piece, told in a lunatic asylum, one inmate to another, involving a soul-shattering scream taught the narrator by Australian aboriginals.  I found the tale a little too disjointed to be entirely comprehensible, but I did enjoy the idea that all of the souls of the world are actually small stones on a sandy hill between a town and beach in southern England. 

I mean, they have to be somewhere, don't they?

So there you go.  Nothing stand-out, nothing offensive.  Pleasant fire-side or shady tree fare.  In two or three days, Part II (unless some space spectacular compels me to issue a stop-press…)

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Movies

Too close to home? (I Married a Monster from Outer Space; 3-31-1959)

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Remember how I went to the flicks to see a double feature of science-fiction horror the other day?  The follow-up to The Blob was I Married a Monster from Outer Space.  You would think that, with a title like that, this was the B-movie stinker of the bunch.

As it turns out, while definitely having a comparatively low budget, in some ways, it is a more chilling and thoughtful film.

In the small town of Morrisville (or Morristown or Morrisburg… something like that), getting hitched is a chore, tantamount to a death sentence.  At least, it is to hear the guys tell it.  Every night, the fellas go to the local boozery to drown their sorrows and commiserate. 

Except for Bill.  He's getting married the next day, and he wants to see his lovely bride-to-be. 

But then…

An ugly space alien smothers Bill in a cloud, and when next we see him, Bill is a changed man.  Faltering, more brutal, his fiancee, Marge, marries him anyway.  One year later, an abortive letter from Marge to her mother indicates that she's aware of the change in Bill.  Not only is he remote, but animals instinctively dislike him (in one chilling scene, Bill snaps the neck of a dog Marge had given him as an anniversary present).  At this point in the film, we're still not sure if Bill has been possessed, if the alien has taken his form, or if Bill is still in there, just a bit altered.

One by one, the men in town are taken.  Bill's friends.  The local law enforcement. 

Bills friend, Sam, adapts to human life with the most gusto, marrying his fiancee, being smarmily sadistic, and otherwise enjoying all of the pleasures existence on Earth has to offer.  Except booze.  The aliens can't stomach the stuff.

Or, apparently, oxygen.  When alien-Sam falls off a rowboat at a park outing, he succumbs when the local doctor gives him pure oxygen to revive him.

Now, through all of this, Marge is the viewpoint character, and this is where the movie is really poignant.  She catches on pretty quickly that something is wrong with Bill, and she has a run-in with an undisguised alien fairly early-on.  The problem is that no one will believe her.  No matter where she turns, whether to the lushes in the bar or her good friend, the chief of police, she is told not to worry her pretty little head.  When she tries to phone the FBI, all the lines are down.  When she tries to wire the capital, the telegrapher surreptitiously tears up the telegram.  In a man's world, when all the men are aliens, who is there for a woman to run to?

Well, I'd sort of hoped that Marge might team up with the other women of the town.  After all, the aliens only go after men.  Sadly, this never happens, in part because Marge can't get any of the lady-folk to believe her either.

In a very good scene, Marge confronts Alien-Bill, telling him she knows he's an alien.  Alien-Bill does not deny it.  In fact, Alien-Bill explains the plot: his race fled from a dying world, but all of the females were killed in the flight.  They need to inhabit human bodies to mate with human females to make more aliens.  Except alien-inhabited people are incapable of mating with human females.  Thus, they are trying to genetically modify the females of Morristown/burg/ville to be compatible with the alien males.

What makes this scene so interesting is Alien-Bill's confession that although his motives are selfish, and before he inhabited Bill's body, he had no emotions, Alien-Bill has come to understand and appreciate human feelings.  He does not regret his actions, exactly, but he has fallen in love with Marge, and he does not seem to be enjoying is current role.  The acting is good enough that Alien-Bill becomes a sympathetic character (despite being rather a bastard).

Ultimately, Marge convinces the town doctor of the truth, and he rounds up a few of the unaffected men to break the alien spaceship.  The aliens have ray guns, but the humans have dogs…  dogs apparently beat aliens with ray guns.

Once inside the ship, the men discover that all of the possessed males are actually still alive, their bodies in some kind of stasis.  They disconnect the apparatus, whereupon the aliens turn into applesauce and die.  Happy ending.

Taken as a commentary on the plight of the modern woman, this movie really packs a wallop.  How many women have felt trapped and helpless in a marriage with a man who turned out to be a jerk?  How often have women's reports of abuse been ignored with a dismissive chuckle?  The aliens aren't really so alien, are they?

P.S. Fair warning: Work has been a bear, and my hands can only take so much.  I don't want to go to a every-three-days schedule because I have too much to say.  Just be aware it may not always be every other day.  Thanks for your understanding and your patronage!

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Magazine

Earthbound Satellite (April 1959 Satellite; 3-29-1959)

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by Ray Pioch

And now for something a bit different.

Back in '56, famed pulp editor, Leo Margulies, launched Satellite, a bi-monthly science fiction digest with the gimmick that it contained a full-length short novel as well as a few short stories.  I always had a soft spot for that mag.  One of my favorite novels was Planet for Plunder by Hal Clement and Sam Merwin; it came out in the February '57 ish, and I read it on the beach during one of trips to Kaua'i.  It's an excellent tale of first contact mostly from a truly alien viewpoint.  Highly recommended.

Late last year, Satellite went out on hiatus.  Then, at the beginning of this year, Satellite returned with Cylvia Kleiman at the editorial helm.  The magazine sported a full-sized format, presumably to stand shoulder-to-shoulder with the slicks.  No longer featuring novels, it dubbed itself "The Best in Science Fiction."

Who could resist a pitch like that?  So the other day, I picked up this month's (May) and last month's (April) issues.  What did I find inside?

I suppose one could argue that some of the writers are among science fiction's best, but these are definitely their second-rate stories.  This is not the Satellite I used to know and love.  Let's have a look, shall we?

The lead story is by the reliable J.T. McIntosh; The Solomon Plan is easily the best fictional piece in the magazine.  In Plan, a terran spy tries to succeed where all of his predecessors have failed before: solving the mystery of the backward planet of Bynald.  Where the other planets of the 26th century terran federation enjoy a correspondingly advanced quality of life, the hyper-patriotic Bynald seems to be stuck in the 20th century.  Moreover, their population is unaccountably low given the length of time it has been settled. 


by Leo Morey

McIntosh creates a nice group of characters, including a couple of reasonably developed females.  The solution to the mystery is rather implausible, and the ending rather pat, but the story does not fail to entertain.  I would have been more impressed had Plan not been a reprint–originally appearing in the February 1956 New Worlds Science Fiction.

A regular feature of Satellite is a biographical piece on one of the antediluvian forefathers of science fiction.  In this case, it is a somewhat hagiographic piece by Sam Moskowitz on the justifiably famous A. Merritt.  I'm a sucker for history, so it was worth picking up this ish for the piece. 

The rest of the magazine is mediocre at best.  Fritz Leiber's Psychosis from Space was, reportedly, an old story that he thought so little of that he forgot of its existence until Satellite asked him for a contribution.  An astronaut goes out on humanity's first faster than light mission and returns able only to stumble about aimlessly and babble meaninglessly.  Turns out his brain is running backwards.  There is also some intrigue surrounding the astronaut's doctor and his attempts to coerce information about the trip from his patient.  At least the (female) nurse character is competent and resourceful.


by Leo Morey

The duel of the insecure man, by newcomer Tom Purdom, is rather strange.  In the far future (1988), it has become popular to engage in duels of cutting questions, the goal being to lay bare the soul of one's opponent and leave them a humiliated wreck.  I am given to understand that this story was heavily hacked in editorial, so I won't dignify the resulting kluge with further verbiage.

I did enjoy Ellery Lanier's rather star-eyed account of the American Rocket Society meeting.  In particular, I was excited to see his report on the Mouse in Able project.  For those who don't know, prior to the Air Force's Pioneer missions, the Thor-Able rocket was used in suborbital shots to test re-entry nose cones.  Since scientists abhor unused space as much as nature does, a mouse was included as part of the payload.

What makes this story particularly interesting is that the project was the brainchild of one of the very few woman scientists working in the space program: Laurel 'Frankie' Van der Wal, an amazon of a lady both in stature and fiery spirit.  At some point, I'll give you all the inside story on that project; it is both enlightening and humorous.

Algis Budrys' The Last Legend is fair but not up to his usual standard.  It's a traditional gotcha story of an older generation of science fiction: an astronaut makes humanity's first trip to another star, the journey having been previously unsurvivable by living things.  After returning as a hero, it turns out that he's just a robot.

Robert Wicks' Patient 926, in which all children are inoculated against imagination, and Henry Slesar's Job Offer ("Dig this!  The post-nuclear mutant is a normal human!") are both unremarkable in the extreme.

In sum, Satellite is definitely bargain-bin science fiction, though it is not without its charms.  I have trouble seeing it surviving much longer, especially out on the news stands next to Life and Time.

Next up, the other half of the double-feature that included The Blob!

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Science / Space Race

Kaboom! (Project Argus; 3-26-1959)

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This is what happens when you let scientists play with toys.

Apparently, last summer, the Air Force detonated three atomic bombs high above the South Atlantic… just to see what would happen!

That's actually a little too glib.  Dr. N.C. Cristofilos, of the Lawrence Radiation Laboratory, has always wanted to trace the lines of magnetic force that girdle the Earth.  After Sputnik launched in October 1957, he has been hung up on the idea of using satellites to measure the path of charged particles along those lines.  But Dr. Cristofilos was not content to collect data of the natural environment for, as he confided to me, "The creation of artificial effects under controlled conditions is more interesting, as the initial conditions are known and therefore physical quantities can be measured under completely diferent conditions from those which the natural phenomena allow."

Which, translated into layman's speech, means, "We need to detonate three atomic bombs high above the South Atlantic and see what happens!"

The Air Force love their toys, too, and the whole project went from concept to completion in about half a year.  They apparently wanted to get the experiment done lest some pesky nuclear test ban treaty come into being unexpectedly (they needn't have worried). 

In fact, I think the Air Force moved a bit too quickly for a project designed for purely scientific research.  I have heard rumors (without detailing the source for fear of leaking classified information) that the real project aim was to see if, by detonating nukes high in the atmosphere, they might create an artificial barrier against enemy missiles, or at least light them up in flight for easier interception.

I can't tell you if that's the case (I doubt it), but we do have a host of scientific data available.  You see, Explorer IV was launched last summer specifically to observe the effects of Project Argus (as the tests were called).  Of course, they didn't tell the press last July.  I'm frankly amazed that we're being told the truth at all.  Perhaps the whole thing was about to leak, and the government wanted to control the release.

So what did Explorer IV see?  The Argus blasts created their own auroral light along the magnetic lines nearest the bursts.  Electrons charged by the blasts flew along these lines to an apogee of some 4000 miles.  Essentially, the satellite was able to see Earth's magnetic field glow in the dark.  The Argus tests also enabled scientists to venture a guess as to the lifespan of a charged electron, though I haven't head anything definitive yet.

Of course, three tests in one section of the upper atmosphere hardly makes for a definitive data set.  We clearly need more airbursts!  I bet the Air Force is studying plans for several such tests over the Soviet Union, seeing how that nation covers such a large swath of territory that must be just loaded with magnetic lines of force.  I bet we could even get the Russians to pay us for the service–if we did it at night time, we'd be providing lighting for those remote Siberians who lack access to electricity.  Oh, we're such humanitarians!  We should put Edvard Teller, that philanthropist, in charge of the project after he's done using atomic bombs to blast canals (Project Plowshare).

And if your coffee tastes funny, I hear strontium-90 is good for your bones.  Why else would they absorb it preferentially over boring ol' calcium?

Oh dear.  My cynicism is showing again, isn't it?

Back to fiction in two days.  Satellite's got a snazzy new slick-sized format.  But are the stories as impressive?  Stay tuned!

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Space Opera Redux! (The Alien, Galaxy Novel No. 6; 3-24-1959)

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Sorry for the long delay, folks!  It's not for lack of things to talk about, that's for sure.

As you know, I am an avid fan of Galaxy (formerly Galaxy Science Fiction–retitled, perhaps, for those embarrassed to be science fiction buffs).  I recently discovered that Galaxy, in addition to publishing a monthly (now bi-monthly) digest, also puts out complete novels in digest format.  These are not serials, mind you, but full-length novels.

This month was a little light in the digest department, there only being Astounding and Fantasy & Science Fiction to review, so I went down to a second-hand store and got me a truckload of old Galaxy novels.  I, sensibly, began with the earliest one I was able to get my hands on, The Alien, by Raymond F. Jones, published in 1951.

Raymond Jones has been around since the early 40's, and you proably recognize his name from having penned This Island Earth, which was turned into a fairly popular movie.  I confess that I don't recall having read anything of his before The Alien, and I don't know if this title has made me hungry for more, though this is not meant to be a disparagement.

This is a surprisingly uninspiring cover for a book that is quite bombastic once you get inside.  Written in true Space Opera style, it is a sweeping tale covering millenia and the galaxy, pitting scientist heroes against religious fanatics.

So far so good…

Actually, the set-up is excellent.  A few hundred years in the future, automation has given humanity overmuch leisure time.  With little to do but argue politics and philosophy, the average lifespan of a government is measured in months, and the people are hungry for a strong leader on whom to latch.

Del Underwood is an archaeologist with no taste for modern Earth.  His self-imposed exile takes him to the asteroid belt, where mysterious artifacts of a long-dead race are scattered.  Apparently, Jones subscribed to the now outmoded idea that the asteroids are the remains of a planet that once exploded (it turns out that there is not nearly enough mass in the asteroids to make a proper planet, and the orbits don't line up properly to have had a common origin). 

The first third of the book is about how Underwood and his team figure out how to gain entry to a seemingly impenetrable vault.  I love stories like this–essentially first contact through artifacts. 

Once inside the vault, the story gets a bit hackneyed.  The team finds the organic remains of a galactic warlord along with instructions on how to revive him.  Though Underwood quickly gets cold feet about the affair, the people of Earth, desperate for novelty and a leader, insist on the overlord's resurrection.

After a short gestation, Demarzule is born and immediately takes up the reins of power.  This is Underwood's cue to leave Earth in a scout ship with a small crew (including the one female character, the talented surgeon, Illia) in search of the weapon that had been used to destroy Demarzule's planet (now the asteroid belt).

The most likely spot where the weapon might be found is the home planet of the Dragborans, the race that had defeated Demarzule's people.  Unfortunately for Underwood, the mighty Terran fleet, now serving Demarzule with fanatic zeal, gets there first and loots the planet of all valuables before putting a torch to its ancient (abandoned) cities.  Underwood's team sneaks to the Dragboran planet's moon, where some Dragborans still live, though in an apparently primitive state (how Demarzule's Terrans missed that, I couldn't say.)

Appearances are deceiving, however, as the remnant Dragborans (who look just like people, as does Demarzule), have secret psionic powers that make them quite formidable indeed. 

The third part of the book, detailing Underwood's return to Earth to take on Demarzule, aided by the Dragboran power, is pure, overwritten, scientific romance.  Which is not to say it's bad.  In fact, it was fast and enjoyable reading.  The climax is suitably… climactic. 

On a side note, I appreciated the "softness" of the science fiction.  There is little to date the novel (other than the style, of course), and so it will age reasonably well, I imagine.

So if you spot a copy at your local book shop, or if the thing gets reprinted, and if you like this sort of story, you will not likely regret picking up The Alien.

Next time, some rather scary non-fiction.  If you follow the papers, you know the bombshell (literally) that the Air Force dropped on the press last Friday.  But I'll save that for the 26th…

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55 years ago: Science Fact and Fiction