by Gideon Marcus
Each month, I look forward to my dose of new science fiction stories delivered in the form of digest-sized magazines. Over the decade that I’ve been subscribing, I’ve fallen into a habit. I start with my first love, Galaxy (or its sister, IF, now that they are both bi-monthlies). I then move on to Analog, formerly Astounding. I save The Magazine of Science Fiction and Fantasy for last. This is because it has been, until recently, the best of the digests– my dessert for the month, as it were.
These days, the stories aren’t as good. Moreover, this time around, the latter third of the magazine was taken up with half a new Gordy Dickson short novel, which I won’t review until it finishes next month. As a result, the remaining tales were short and slight, ranging from good to mediocre.
In other words, not a great month for F&SF, especially when you consider that the novels they print seem to be hacked down for space (if the longer versions that inevitably are printed in book form are any indication). Nevertheless, it is my duty to report what I found, so here it is, the October 1961 F&SF:
Kurt Vonnegut, Jr., who is not exactly a science fiction author but dabbles in the arena, leads with Harrison Bergeron. It’s a deceptively juvenile satire against Conformity and Communism, and while it may not impress upon first reading, it stays with you. Four stars.
One of my favorite new authors is Rosel George Brown, and I have to give her credit for being willing to take chances. The Ultimate Sin, however, is a bit avante garde for me. Something about a social misfit interstellar explorer who finds a planet where gravity depends on whim rather than mass, and where the entire ecology is a unit, its pieces constantly consuming each other and exchanging knowledge in the process. I didn’t like it at first, but as with the first story, I found it engaging in retrospect. Three stars.
Charles G. Finney’s The Captivity isn’t science fiction at all; it’s more an analysis of captivity on humans, particularly when they discover that they aren’t really captives at all. What is there left to push against when external forces are removed? Only each other, and themselves. Three stars.
Robert E. Lee at Moscow is Evelyn E. Smith’s attempt at satire this issue. She’s produced some real doozies, but this one, an extreme logical extension of turning our political ambassadors into cultural ambassadors, falls flat. There is a laugh-inducing line on the last page, however. Two stars.
The half-posthumous team of Fred Pohl and Cyril Kornbluth bring us The World of Myrion Flowers, which tells the tale of a driven Black philanthropist whose attempts to raise a cadre of Negro executives end unhappily. The moral: it’s best when a disdained class doesn’t have too clear an idea of what the favored class thinks of them. I can only imagine what insanity I would derive from having telepathy while living in 1930s Germany. Three stars.
Isaac Asimov hasn’t written much fiction lately, and when he does, it tends to be old fashioned. So it is with The Machine That Won the War, a very slight computer-related piece that probably got accepted more out of respect for the author than for its quality. Two stars.
Meanwhile, George Langelaan, the Paris-born Britisher who penned The Fly in ’57 brings us The Other Hand, a macabre story of digits that move as if possessed, compelling their owners to strange activities. Rather overwrought and archaic. Two stars.
If Asimov’s fiction fails to impress, his fact remains entertaining. That’s About the Size of It is all about the comparative sizes of Earth’s animals, all done logarithmically for easy data manipulation. It turns out that people are medium-biggish creatures, all things considered. Four stars.
The Vat is Avram Davidson’s latest, featuring a bit of alchemy and misadventure. Short but readable. Three stars.
Grendel Briarton’s latest pun, Through Time and Space with Ferdinand Feghoot: XLIV, is as always, perhaps a bit more.
And that leaves us with Dickson’s Naked to the Stars (Part 1 of 2), which I’ll cover next week. All in all, a 3-star issue that will not revulse but neither will it much impress. Faint praise, indeed.