by Brian Collins
For those who don’t know, the Science Fiction Writers of America (SFWA) was founded five years ago in what would become the first successful attempt at forming a professional writers’ association for science fiction writers—at least here in the States. With the SFWA came the Nebula, an award made to be on par with the Hugo in terms of prestige, but voted on by SFWA members rather than Worldcon attendees; in other words, an award by authors for authors. SF in the American “pulp” tradition (as differentiated from SF of the H. G. Wells sort) has been around for not quite 40 years, and those of the older generation have clearly taken on a retrospective attitude as of late. If the New Wave asks where SF might be heading, then those who’ve been in charge of the SFWA, including Damon Knight and Robert Silverberg, are now asking where SF has been.
We thus have a massive reprint anthology, published by Doubleday in a rather colorful hardcover edition, called The Science Fiction Hall of Fame, Volume One. It is, as far as I can tell, the largest SF anthology since Dangerous Visions, running 560 pages. We don’t often cover reprint anthologies at the Journey, but this one is a huge endeavor, and since most of the stories included predate the Journey it would be negligent to not cover it. It’s also such a long book that we have no choice but to split the review into multiple parts. Now, many of these stories are actually not new to me, although this knowledge does little to help me when it comes to evaluating some three decades of short SF.
The Science Fiction Hall of Fame, Volume One, edited by Robert Silverberg
