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[December 18, 1966] The Manchurian Colonel: Space Patrol Orion, Episode 7: "Invasion"


by Cora Buhlert

Tragedy in the Aegean Sea

SS Heraklion
The SS Heraklion in happier times.

On the North and Baltic Sea as well as on the Mediterranean Sea, dozens of ferries shuttle people, vehicles and cargo across the waves every day. By now, they have become such an integral part of the transport network that envelops Europe that we often forget that these ships are not without risk.

On December 7, 1966, the ferry SS Heraklion left the port of Chania on Crete, Greece, en route to Piraeus. In spite of harsh winds and heavy weather, it was to be a routine trip for the seventeen-year-old vessel and the 264 people aboard.

SS Heraklion
The SS Heraklion at sea

The Heraklion is a so-called roll-on/roll-off or RoRo ferry, i.e. it has been fitted with two doors in the hull, allowing cars and trucks to drive via a ramp directly into the hull. This is much easier than hauling vehicles on board by crane and allows for quicker loading times. However, such vessels have the drawback that there are large cargo doors in the hull near the water line, which can easily sink a ship, when not properly secured and watertight. And it was this feature which doomed the Heraklion.

According to witnesses, one of the vehicles aboard the Heraklion was a refrigerated truck. The truck was late to arrive and was loaded hastily and likely not properly lashed. Due to the heavy storm, the truck tore itself loose and shifted around inside the hold, until it banged against one of the cargo doors. The door failed, the truck fell into the ocean and water flooded the cargo hold, causing the Heraklion to capsize and sink within thirteen minutes.

The crew sent out an SOS and began passing out life vests and lowering the lifeboats, but several boats could not be lowered due to the vessel's heavy list and mechanical problems. There are also reports that the captain abandoned the ship early contrary to tradition. Furthermore, the heavy weather impeded the rescue efforts. In the end, only forty six of the 264 people aboard survived. Ironically, the refrigerated truck which caused the disaster was found floating in the Aegean Sea the next morning.

SS Heraklion lifeboat
A lifeboat carrying survivors of the SS Heraklion disaster.

This is not the first time a RoRo vessel has sunk in heavy weather. In 1953, the British ferry MV Princess Victoria sank during a storm with the loss of all 133 souls aboard and one year later, typhoon Marie sank five RoRo vessels in Japan, causing the loss of more than a thousand lives. RoRo vessels are practical, but we will need to rethink their safety, particularly during storms.

Disaster in Space

"Invasion", the final episode of series 1 of the West German science fiction TV series Raumpatrouille – Die phantastischen Abenteuer des Raumschiffs Orion (Space Patrol: The Fantastic Adventures of the Spaceship Orion) also starts out with a desperate SOS call. The space cruiser Tau en route to the outpost Gordon is battered by a severe lightstorm, and the crew are about to abandon ship. The Tau is a ship of the Galactic Security Service GSD, and on board is none other than GSD head Colonel Villa (Friedrich Joloff) and his staff.

Commander Lindley
Commander Lindley of the GSD cruiser Tau

Just before the crew abandons the Tau, Colonel Villa manages to send a message to Commander McLane (Dietmar Schönherr) and General Wamsler (Benno Sterzenbach). Villa believes that Tau did not fall victim to an ordinary lightstorm but to alternating gravitational fields. Something similar happened to the Orion 7 in episode 1 during a run-in with the Frogs. Contact with the Tau breaks off and all on board are believed lost.

Villa aboard the Tau
Colonel Villa (Friedrich Joloff) aboard the Tau

At the Starlight Casino, McLane and security officer Tamara Jagellovsk (Eva Pflug) raise a glass to the memory of Colonel Villa, "a pacifist among generals", as McLane calls him, when they receive word that Villa and his staff have been found alive, though the crew of the Tau perished.

Tamara and McLane
Tamara (Eva Pflug) and McLane (Dietmar Schönherr) raise a glass in memory of Colonel Villa

What Happened to Villa?

McLane is summoned to a meeting with the general staff to discuss the fate of the Tau. Colonel Villa remarks that he and his staff were lucky to survive the lightstorm that destroyed the Tau. McLane points out that Villa himself reported that the Tau was attacked by alternating gravitational fields.

Colonel Villa, however, claims not to remember any alternating gravitational fields. He also claims to have been suffering from shock – a diagnosis confirmed by psychiatrist Dr. Requardt (Konrad Georg) – so he may well have been babbling nonsense.

Dr Requardt
Psychiatrist Dr. Requardt (Konrad Georg) confirms that Villa is suffering from shock.

Regular viewers know that Colonel Villa is not given to babbling nonsense. Not to mention that he seemed completely sane when he sent the final message from aboard the Tau. And so McLane is sceptical of Villa's explanation and requests permission to take the Orion to Gordon to investigate. However, he is denied permission and the Orion is ordered to do routine maintenance work on the sensor satellites of the early warning system instead.

Orion reflections
Mirrored generals: General Wamsler (Benno Sterzenbach), Colonel Villa and their reflections.

It is difficult to make "talking head" scenes visually interesting – and Orion has a lot of those. However, this particular boardroom scene is brilliantly shot with Villa's face reflected in the glass conference table, creating a mirror effect and making Villa appear sinister. Many West German directors working today are still influenced by the expressionist cinema of the Weimar Republic era and Space Patrol Orion uses the visual techniques pioneered forty years ago to great effect.

Suspicious Minds

Just before the Orion 8 is due to launch, their order is cancelled. A GSD vessel will perform the maintenance of the sensor satellites, even though this falls outside their scope of responsibility.

Orion McLane and Tamara
Tamara informs McLane that their mission has been cancelled.
Orion crew
The Orion crew laughs, because resident womanizer Mario de Monti (Wolfgang Völz) has just been rejected by a young lady as "too old for her". Mario is not amused.

Tamara and McLane share a drink at the Starlight Casino, where they meet Colonel Mulligan (Wolf Rathjen), the officer in charge of the undersea launch bases. Mulligan had been commended for his exemplary service only days before, but now he was relieved from duty without any warning. Instead, the GSD will take over control of the launch bases.

Tamara and McLane
Tamara and McLane flirt at the Starlight Casino
Orion Colonel Mulligan
Tamara and McLane meet Colonel Mulligan (Wolf Rathjen)

All this is very suspicious. Why does an intelligence agency like the GSD suddenly take over routine but vital tasks like maintaining the sensors of the early warning system or controlling the launch bases for space fleet vessels?

"If I didn't know better…" McLane muses, "…I'd say that Villa was planning a coup."

The idea that the staunchly loyal Colonel Villa might be planning a coup seems ridiculous. On the other hand, Villa has been acting strangely ever since his return from Gordon. And there are unanswered questions about how Villa and his staff managed to survive the disaster that destroyed the Tau. What if Villa was captured and brainwashed by the Frogs, like Alonzo Pietro in episode 4?

These suspicions are disturbing. But luckily, McLane has a direct line to the GSD in the form of Tamara. And so he asks Tamara – who clearly was hoping for something more exciting from an evening in McLane's bachelor pad than discussing conspiracy theories – to go to Villa and request a meeting for McLane. And while Tamara is already at GSD headquarters, she can take the opportunity to snoop around a little.

Spy Trap

Tamara is not happy about spying on her boss, but she agrees to do it for McLane's sake. Villa seems his usual self and also agrees to see McLane, which is a good sign. Villa also implies that he knows that the relationship between McLane and Tamara is no longer purely professional, but then Villa is smarter than the average general in this show.

After her meeting with Villa, Tamara sneaks into an empty office and calls up the files from Villa's trip to Gordon on the computer. However, before she can access the files, Villa's face suddenly appears on the screen. He knew all along what Tamara was planning and let her snoop around to see what she and McLane know. As I said, he is smarter than the average general.

Orion Tamara
Tamara is caught while snooping around GSD headquarters

Tamara is arrested and interrogated. "So it's true?" Tamara exclaims, "You are planning a coup." In response, Villa laughs and it is a truly bone-chilling laugh. "Coups are for little boys and military officers," he replies, "I have much bigger plans such as an invasion, so Earth can finally be ruled by truly intelligent lifeforms." These truly intelligent lifeforms are of course none other than the Frogs.

Villa and Tamara
Villa and one of his subordinates interrogate Tamara.

Over the past seven episodes, we have come to know Colonel Villa. During the many scenes featuring the general staff, Villa was invariably the smartest person in the room. Thankfully, he also had a conscience. When war-mongers like Sir Arthur (Franz Scharfheitlin) and Marshall Kublai-Krim (Hans Cossy) wanted to shoot first and ask questions later, Villa was truly "a pacifist among generals" to quote McLane.

Evil Villa, on the other hand, is terrifying. He is still as smart as ever, but utterly without scruples. When his subordinates want to kill Tamara, he icily orders them to lock her up instead, because she might still be of use as leverage against McLane.

Brainwashing and turning a previously loyal person into an enemy agent is one of the great fears of our age, expressed in works such as Richard Condon's 1959 thriller The Manchurian Candidate and its 1962 film adaption or this year's brilliant science fiction thriller Babel-17 by Samuel R. Delany. Orion already addressed this theme in "Deserters", but for "Invasion" the show dials up the paranoia inherent in such tales.

We watch Villa and his robot-like staff discussing the invasion plans, which involve disabling the deep space sensors, disrupting communications with Space Patrol headquarters, recalling all space cruisers to Earth and blowing up the undersea launch bases, so no ships can start.

A Traitor on Board

Villa and McLane
Villa meets with McLane.

In order to maintain his cover, Villa meets with McLane and also authorises him to take the Orion to Gordon. Moreover, Villa helpfully sends along the engineer Kranz (French actor Maurice Teynac) to equip the Orion with a forcefield to protect it against Frog attacks.

Orion Kranz
Engineer Kranz (Maurice Teynac)

However, Villa also informs McLane that Tamara will not be along for the mission, since she is attending a training course. McLane is once again suspicious, for Tamara never mentioned a training course.

On their way to Gordon, Helga Legrelle (Ursula Lillig) detects a fleet of Frog ships headed for Earth. The Orion attempts to hail Space Patrol headquarters to warn them, but due to Villa's machinations neither the Orion nor any other space cruiser can reach them, because all calls are rerouted to the GSD.

Orion Helga
Helga Legrelle (Ursula Lillig) makes an alarming discovery.
Orion Frog fleet
A Frog invasion fleet is headed for Earth.

McLane also disarms Kranz – just to be on the safe side. One of his calls finally reaches Colonel Villa's office, but of course Villa is now working for the Frogs. He orders McLane to relinquish all weapons to Kranz or he will kill Tamara. "And just in case you're thinking that the greater good justifies some sacrifices…" Villa says chillingly, "…I will order my men to use the HM3 gun which will cause a particularly painful death."

Tamara at gunpoint
Villa's goons hold Tamara at gunpoint.

If the past six episodes have shown one thing, it's that McLane's first priority is always saving lives, especially when someone he cares about is in danger. Nonetheless, McLane does not make the decision alone and asks his crew for advice. Everybody immediately agrees to surrender and save Tamara – even Helga, who doesn't particularly like her. This scene illustrates better than anything how Tamara's role on board has changed since the first episode. She is one of the crew now and they will do everything in their power to save her.

Spring-Brauner to the Rescue

While Villa threatens Tamara, she manages to press the intercom button, so that Villa's conversation with McLane is broadcast directly to Space Patrol headquarters. General Wamsler's aide Liteutenant Spring-Brauner (Thomas Reiner) is dozing on duty, but the word "invasion" wakes him up and he raises the alarm.

Wamsler sends a squad led by Spring-Brauner to arrest Villa and his staff and rescue Tamara, but it is too late. Villa's plan has entered the next phase. His goons have recalled all space cruisers to Earth and also blow up the undersea launch bases in an impressive special effect. The Supreme Space Command can't launch any ships to stop the invasion.

Meanwhile, the Orion is still on course to Gordon, but now under the control of Kranz. "It will be like falling asleep," Kranz describes the fate that will befall the crew on Gordon, "And when you wake up, you will see everything in a completely new light."

Orion Kranz
Kranz threatens to Orion crew.

Kranz may be an engineer, but he has no experience with space drives. And so Hasso Sigbjörnson (Claus Holm) fakes an engine problem that requires the Orion to fly at half speed.

Stop the Orion

Back on Earth, the assembled generals, Spring-Brauner and Tamara watch the invasion fleet closing in. Automated ray gun batteries decimate the fleet, but there are still too many Frog ships and Earth has no way to stop them.

Orion frog invasion fleet
Automated ray gun batteries cannot stop the Frog fleet

Eventually they realise that the Frog ships are powered via a beam from Gordon station, which is why they don't deviate from their course even when faced with heavy fire. Take out Gordon station and the invasion fleet will be left adrift.

However, the only spaceship which has a fighting chance to reach Gordon is the Orion and she is still under Kranz's control. Tamara notices that the Orion is flying at half speed and deduces that Hasso must have sabotaged the drive to stall Kranz. A distraction would give the crew the chance to take out Kranz and regain control of the ship.

So the space cruiser Hydra under the command of General Lydia Van Dyke (Charlotte Kerr) is ordered to attack the Orion and provide that distraction. The ploy works, too, because once the Hydra fires on the Orion, McLane and his crew use the confusion to overpower Kranz. The Orion heads for Gordon and destroys the outpost with the Overkill device, which was introduced in episode 4.

Happy Endings

The episode ends as it began, with a meeting of the general staff. Luckily, only Villa and his staff, Kranz and the Gordon crew were under Frog control, but psychiatrist Dr. Regwart has no idea how to fix them. And though the invasion was repealed for now, the Frogs are still out there, waiting and biding their time.

However, the first series ends on a hopeful note. Due to his repeated heroism in fighting the Frogs, McLane's demotion is rescinded and he is assigned to the Fast Space Fleet Command under Lydia Van Dyke again. Even better, McLane has been promoted to Colonel, as General Wamsler gleefully lets McLane know, though he is clearly loath to lose his best man.

Orion crew
The Orion crew heads off to celebrate McLane's promotion.

The generals file out of the conference room and the Orion crew heads to the Starlight Casino to celebrate McLane's promotion with Wamsler and Lydia Van Dyke. Only McLane and Tamara linger behind. For now that McLane has his old job back, there no longer is any need to assign a GSD officer to the Orion to keep him in check. However, to McLane's surprise – though not to anybody else's – McLane does not wish to leave Tamara behind. She is part of his crew now… and more than that.

McLane and Tamara discuss their initially rocky relationship, while McLane declares that he will not accept his promotion unless Tamara can stay aboard the Orion. They also address the kiss they shared on Chroma back in episode 5, when they thought they were about to die, a kiss never mentioned again afterwards. However, it was a good kiss, so McLane promptly kisses Tamara again.

McLane and Tamara
McLane and Tamara share an intimate moment.

Their smooching is interrupted, when the big viewscreen in the conference room activates and Helga's face appears. She informs McLane that she bet with Mario de Monti (Wolfgang Völz) that McLane wouldn't even wait until they'd left the general staff's conference room to kiss Tamara. Helga has won a crate of champagne, though she still thinks McLane is a scoundrel. Mario is disappointed as well – after all, he lost his bet.

McLane and Tamara don't care; they kiss again.

West Germany Makes its Mark on Science Fiction

Raumpatrouille Orion is certainly the best work of filmic science fiction I have ever seen come out of West Germany. Not that this is a high bar, for until now West Germany produced very little in the way of science fiction.

However, Raumpatrouille Orion is also one of the best works of filmic science fiction I have ever seen, period. Maybe Doctor Who or the new US show Star Trek will eventually eclipse it, but for now Orion is my favourite science fiction TV show of all time. I love everything about it – the visuals, the actors, the characters and their interplay. Who would have thought that West Germany was capable of producing something this good?

TV seasons are shorter in West Germany and so the first series had only seven episodes. Though unlike many other TV shows, which tend to forget what happened only a week ago, Orion actually refers to previous episodes and works as a serialised whole.

So far, there has been no word if there will be a second series of Raumpatrouillle Orion, but I hope that we will see the Orion 8 and her valiant crew again. After all, series 1 ends with so many questions unanswered. Will Earth ever fully defeat the Frogs? Will Colonel Villa be restored to his old self? What adventures will the Orion have, now they are part of the Fast Space Fleet Command again? And how will the relationship between McLane and Tamara develop?

I hope the answers will soon come to a TV set near me.

An amazing capstone to a great series.

Five stars

Bravo Pieree Brice 1966
How will you celebrate the holidays? Maybe with French actor Pierre Brice, star of the Winnetou movies, seen here on the cover of a teen magazine Bravo.
Fix and Foxi Christmas 1966
Or maybe you'd rather celebrate with comic characters Fix and Foxi?
James Last Christmas Dancing
How about some swinging holiday music courtesy of James Last (real name Hans) and his latest record, "Christmas Dancing"?
Weihnachten mit Rudolf Schock
Or maybe your taste runs more towards the traditional such as Christmas with tenor Rudolf Schock (my father calls him rabbit face).
Weihnachten im Erzgebirge
My Aunt Metel from East Germany sent me the record Weihnachten im Erzgebirge (Christmas in the Ore Mountains) and I will certainly give it a listen.
Jacobs Kaffee Christmas ad
But however you celebrate, always make sure to have enough Jacobs Coffee at hand.

[December 6, 1966] Welcome to the Space Prison: Space Patrol Orion, Episode 6: "The Space Trap"


by Cora Buhlert

A New Government and Ghosts of the Past

Since December 1, West Germany has a new government and a new chancellor after the coalition government between the conservative CDU/CSU and the liberal party FDP broke apart in October.

The new chancellor is 62-year-old Kurt Georg Kiesinger, an unremarkable and not very intelligent man. What makes his election problematic is that Kiesinger was not only a member of the Nazi Party, but high-ranking official in the foreign ministry during the Third Reich. Considering that West Germany was not very thorough about purging former Nazis from public life, having an ex-Nazi occupying the highest office in the land sends a disastrous signal.

Ludwig Ehrhard and Kurt Georg Kiesinger
The new West German chancellor Kurt Georg Kiesinger (on the right) with his predecessor Ludwig Ehrhard (left).

We can only hope that this government will not last long, because it is a so-called great coalition between the conservative CDU/CSU and the social-democratic party SPD, whose political aims are normally diametrically opposed. Besides, two SPD members of the new government, foreign secretary Willy Brandt and secretary for inner German issues Herbert Wehner, were driven into exile by Nazi persecution. I can't imagine them putting up with a former Nazi chancellor for long.

Space Spores and Droning Bores

Raumpatrouille Orion episode 6

Compared to the political situation in West Germany, "Die Raumfalle" (The Space Trap), the latest episode of Raumpatrouille – Die phantastischen Abenteuer des Raumschiffs Orion (Space Patrol – The Fantastic Adventures of the Spaceship Orion) was much more enjoyable.

Space Patrol Orion episode 6
Paperwork is the bane of McLane's life.

The episode starts with Commander Cliff Alister McLane (Dietmar Schönherr) receiving his latest orders from General Wamsler (Benno Sterzenbach). It's yet another routine mission (and we all know how well those tend to go for the Orion 8): Collect space dust in order to investigate the panspermia theory, which causes Wamsler's aide Spring-Brauner (Thomas Reiner) to drone on and on about the panspermia theory, i.e. the theory that life did not originate on Earth, but is distributed through the universe via spores hitching a ride with space dust, asteroids, meteorites, etc… The theory is the brainchild of Swedish scientist Svante Arrhenius, who also developed the theory of a global greenhouse caused by industrial carbon dioxide emissions, which played a role in the Orion episode "The Battle for the Sun". One of the writers is apparently a fan.

"Are you sure you want us to go on this mission?" McLane interrupts Spring-Brauner's monologue, "After all, we might disprove the theory and what would you talk about then?"

Raumpatrouille Orion episde 6
Lieutenant Spring-Brauner (Thomas Reiner) drones on about the panspermia theory, much to the annoyance of General Wamsler (Benno Sterzenbach) and Commander McLane (Dietmar Schönherr)

General Wamsler has another mission for McLane as well. Science fiction author Pieter Paul Ibsen (Reinhard Glemnitz), winner of the Utopia Award (no reference to the Hugo Awards, alas), wants to accompany the Orion on a mission. And since Ibsen is the future son-in-law of the secretary of interplanetary affairs, he gets his wish. McLane is as thrilled about this as you can imagine.

Raumpatrouille Orion
The Orion 8 receives clearnace for take-off by a traffic control officer (Christine Isensee).

An Unwanted Passenger

Raumpatrouille Orion
Pieter Paul Ibsen (Reinhard Glemnitz) arrives aboard the Orion and presents the crew with his latest book.
Raumpatrouille Orion episode 6
Ibsen meets the Orion crew.

No one aboard the Orion is keen on having Pieter Paul Ibsen – nicknamed Pie-Po by the crew – along for the ride. Hasso Sigbjörnson threatens bodily harm should Ibsen enter the engine room, and Atan Shubashi (F.G. Beckhaus) complains about Ibsen's novels, where no one lands on planets anymore, they just de- and rematerialize. I wonder if this is a reference to Star Trek's transporter, though both shows probably debuted too close together to have influenced each other.

Raumpatrouille Orion episode 6
Ibsen watches as McLane programs the computer
Raumpatrouille Orion episode 6
Weapons officer Mario de Monti (Wolfgang Völz) expresses his opnion of Ibsen in an eloquent gesture.

Only Helga Legrelle (Ursula Lillig) seems quite taken with Ibsen and flirts with him. And once security officer Tamara Jagellovsk (Eva Pflug) notices McLane's reaction, she decides to join in to make him jealous. The kiss between McLane and Tamara at the climax of episode 6 is not addressed in this episode, though the relationship between these two has noticeably shifted. General Wamsler remarks that the Orion crew believes that Tamara is a sophisticated android, but her behaviour towards McLane suggests that she is a lot more human than that.

Raumpatrouille Orion episode 6
Helga (Ursula Lillig) and Tamara (Eva Pflug) are quite taken with Ibsen. Atan (F.G. Beckhaus) is much less impressed.
Raumpatrouille Orion episode 6
McLane and Mario discuss Ibsen's impact on the ladies aboard.

Ibsen wants to pilot one of the Orion's Lancet shuttles. After all, he has completed a training class. Worse, Ibsen insists on flying alone without backup. McLane is not happy about this, but finally relents. Besides, Ibsen's flight will be controlled by a guide beam, so what could go wrong?

Raumpatrouille Orion episode 6
Ibsen tries and fails to pilot a Lancet shuttle.

Everything, it turns out. To begin with, Ibsen switches off the guide beam, insisting that he can fly the Lancet on his own, and promptly drifts off course. Worse, spatial disturbances interrupt communications between the Lancet and the Orion. Finally, Ibsen is forced to land on a barren asteroid. He tries to take off again twice, but each time, the Lancet cannot leave the asteroid's gravity field. Ibsen leaves the craft to determine what's wrong and is promptly captured by armed men.

Raumpatrouille Orion episode 6
Ibsen is taken prisoner.

Meanwhile, the Orion is desperately trying to contact Ibsen, while back on Earth, General Wamsler and Lieutenant Spring-Brauner are desperately trying to hail the Orion to satisfy the secretary of interplanetary affairs (Hans Epskamp) who is worried about his future son-in-law.

Raumpatrouille Orion
The Secretary for Interplanetary Affairs (Hans Epskamp) is worried about his wayward son-in-law.

He is absolutely right to be worried, too, for when we next see Ibsen, he is tied to a chair, being interrogated by an unseen voice and threatened with two glass bulbs emitting so-called "omicron rays" on either side of his head. The unseen voice is very interested in the Orion and her crew. Ibsen, who is not the sort of person to withstand interrogation for long, spills the beans. He is then ordered to hail the Orion, tell them that he was forced to land on the asteroid Mura and ask them to pick him up.

Space Patrol Orion episode 6
Ibsen is tortured by omicron rays.

Prison Asteroid

The Orion crew are relieved to hear that Ibsen is alive and well, but surprised that he ended up on Mura, because he was nowhere near Mura when they lost contact.

However, picking up Ibsen will pose a problem, because the only ships authorised to land on Mura are supply ships and the vessels of the Galactic Security Service GSD. Luckily, McLane has a member of the GSD on board in the form of Tamara who authorises the mission. McLane's brief conversation with Tamara not only demonstrates that McLane is still jealous of Ibsen, much to Tamara's amusement, but also gives us some additional worldbuilding details.

Mura, it turns out, is a prison asteroid, which is why it's off limits to everybody except the GSD. McLane is appalled at banishing people to a barren asteroid for the rest of their lives, whereupon Tamara replies that Mura is really quite humane. After all, they used to imprison or execute offenders, so Mura is surely an improvement. McLane asks if the inhabitants of Mura are all criminals; Tamara replies that a lot of them are malcontents and some actually used to be celebrities.

The opening narration of every episode (courtesy of veteran actor Claus Biederstedt) presents Space Patrol Orion as a utopian fairy tale from the future, but this brief conversation between Tamara and McLane adds some anti-utopian notes. For not only is the Earth government perfectly willing to let its own citizens die, as demonstrated in episode 2, and willing to launch a preemptive strike against anybody they perceive to be a threat, as seen in episode 6, they also dump malcontents, criminals and troublemakers on barren asteroids in deep space. Combined with the hints last episode that Earth suffered widespread environmental devastation, these new revelations put some wrinkles in the image of a democratic utopian future.

Unfortunately, the episode promptly undermines these hints that life on Earth and its space colonies in the year 3000 AD is not as pleasant as it has been presented so far by making the prisoners on Mura irredeemable villains. For at least the prisoners we see are no mere malcontents, but criminals and murderers.

Behind Bars

As soon as the Orion lands on Mura, they receive a call showing them Ibsen strapped to a chair and about to have his brain fried by omicron rays. The same sinister voice that interrogated Ibsen informs the Orion crew that Ibsen will be killed unless they surrender.

Ibsen is a pain in the backside and no one aboard the Orion likes him, but as McLane points out, they can't just let him die either. So the crew surrenders and is immediately surrounded by armed men and taken to the command center. The male and female crew members are locked up in separate cells, while McLane is taken to meet the leader of the prisoners.

This leader – and unsurprisingly also the owner of the sinister voice we heard before – turns out to be a man called Tourenne, a scientist who developed a devastating weapon known as paralysis rays, and decided to test it on human subjects, killing countless people. Tourenne is utterly unrepentant of the crime which got him exiled to Mura. In many ways, Tourenne is reminiscent of the Nazi scientists who conducted experiments that killed hundreds of people and were still allowed to continue their work after the war.

Raumpatrouille Orion
Tourenne (Wolfgang Büttner), leader of the prisoners on Mura

But while Tourenne may not be repentant, he is certainly furious at the Earth government that sent him to Mura. Therefore, he and his followers plan to hijack the Orion and defect to the Frogs. McLane is horrified; surely not even an archvillain like Tourenne would side with the Frogs against humanity. Tourenne, on the other hand, hates the Earth government so much that he would side with the devil himself.

The Return of Dr. Mabuse?

So far, Space Patrol Orion hasn't offered any memorable villains. The Frogs usually remain off stage and are only briefly glimpsed. She, leader of Chroma, was not a villainess but rather someone whose legitimate aims collided with those of the Earth government. Indeed, the closest thing to evil we've seen in Orion so far are unscrupulous generals like Marshall Kublai-Krim or Sir Arthur.

Raumpatrouille Orion episode 6
Tourenne interrogates McLane.

Tourenne, on the other hand, is not only memorable, but also a true villain. Played by Wolfgang Büttner with a sinister air, Tourenne is a monster who delights in inflicting pain and wants to kill the entire Orion crew. In his megalomania and sadism, Tourenne reminded me of Dr. Mabuse, the supervillain who starred in eight films between 1922 and 1964. The cinematography with its sharp black and white contrasts, which keeps Tourenne in the shadows with only part of his face visible, is reminiscent of the heyday of German expressionism in the 1920s and makes the Mabuse parallels even more notable. And considering that Dr. Mabuse is a malevolent spirit who jumps from body to body, it's quite possible that Tourenne is his latest host.

Raumpatrouille Orion episode 6
McLane is forced to watch as Ibsen is threatened with torture.

Though strapped to a chair, McLane tries to persuade Tourenne that killing him and the rest of the Orion crew would be a big mistake, because no one but the crew can fly the ship. Tourenne reveals that there are space fleet officers incarcerated on Mura, including a commander who murdered his astrogator in a fit of jealousy.

Raumpatrouille Orion
McLane is strapped into the torture chair and threatened with omicron rays.

McLane insists that technology has progressed so quickly that even a spaceship commander won't be able to make heads nor tails of the Orion's controls after a few years on Mura. Tourenne, however, isn't buying it. He threatens to murder Ibsen in front of McLane's eyes, because he certainly doesn't need a science fiction writer. Then he'll kill Tamara, who as security officer isn't required to fly the Orion either. And then Helga and so on…

Women in Prison

Meanwhile, Tamara and Helga find themselves locked up together in a cell. Both initially assumed that they were the reason the prisoners captured the Orion, since a prison asteroid will have a severe lack of women. The look on Tamara and Helga's faces at this prospect suggests that they found Robert A. Heinlein's The Moon is a Harsh Mistress as unappetising as I did. But since they haven't been sexually abused yet, Tamara notes that the prisoners appear to be more interested in the Orion than in any of her crew.

Raumpatrouille Orion 6
Locked up: Helga and Tamara on Mura

However, the chronic lack of women on Mura gives Tamara and Helga an idea. And so Tamara hides out of sight, while Helga proceeds to hail the guard on the intercom system to flirt with him and also to inform him that Tamara has escaped. When the guard enters the cell to investigate, Tamara and Helga overpower and disarm him. Thus far, the two female members of the Orion crew have often been shown at odds with each other, so it's good to see them working together. Furthermore, Helga, who has often been sidelined, gets plenty to do in this episode.

Raumpatrouille Orion episode 6
Tamara threatens a guard (Siegurd Fitzek).

Tamara and Helga force the guard to open the cell in which Hasso, Mario and Atan have been imprisoned. Together, they make their way back aboard the Orion. Hasso hails Tourenne and informs that he has overloaded the energy system. If Tourenne does not release McLane and Ibsen, Hasso will blow up the Orion and Mura along with it. There are shades of the recent Star Trek episode "The Corbomite Maneuver" in Hasso's bluff, but Hasso manages to sell it convincingly, because few people manage to put more contempt in the word "swine" than Claus Holm.

Tourenne seemingly relents and lets McLane and Ibsen go, but of course he still has an ace up his sleeve. For once the Orion tries to take off, it is pulled down to the surface of Mura again. The same thing happened to Ibsen's Lancet earlier. The prisoners have set up a magnetic dome, which absorbs any energy that is deployed to break through it.

Reaction and Counterreaction

A gloating Tourenne hails McLane and demands to be let aboard the Orion. He also informs McLane that his men took all weapons, so the crew are helpless. The crew still has the one ray gun that Tamara took from the guard she and Helga overpowered, but Tourenne forces McLane to relinquish the weapon, after he threatens to strip-search the crew, "which the ladies would find quite unpleasant".

So McLane is disarmed. He gives coded instructions to his own crew, while keeping Tourenne and his men in the dark. And because the Orion crew are so well attuned to each other, they understand just what McLane plans. Mario launches a Lancet against the magnetic dome, briefly breaking open the dome and allowing the Orion to escape. The ship is badly shaken and the crew uses the resulting confusion to take out Tourenne and his men with impressive judo skills. Helga and Tamara actually hold their own better than their male comrades.

Once all the villains are sedated, the Orion makes her way back to Earth and also calls space patrol headquarters who have been frantic to reach them. The secretary for interplanetary affairs immediately demands to talk to Ibsen, only to be informed that Ibsen got so drunk when the Orion crew celebrated their escape that he can't talk right now. The secretary is indignant and we suspect his daughter, Ibsen's fiancée, will be furious. Let's hope it's not to late to call off the wedding.

A Prison Thriller in Space

I know I'm repeating myself, but Raumpatrouille Orion really keeps getting better with every episode. If the final episode of this series manages to keep the promise set by the first six, it promises to be stellar.

Star Trek and Raumpatrouille Orion have no way of influencing each other due to airing too close together, but both shows tackle similar themes. And so Star Trek had a space prison episode with "Dagger of the Mind" some three weeks before Orion followed suit with "The Space Trap".

Though very different, both episodes managed to comment on the ethics of prisons, punishment and rehabilitation. I suspect that two different science fiction shows airing on two different continents tackling the same theme is due to the fact that in the real world, prison system still rely on facilities and procedures developed in the 19th century and are in dire need of reform.

Both Star Trek and Raumpatrouille Orion assume that the death penalty will no longer be an issue in the future (though Star Trek apparently threatened a character with the death penalty in "The Menagerie"), but then the death penalty thankfully seems to be on its way out. West Germany abolished the death penalty in 1949, though East Germany still executes people on occasion, most recently concentration camp doctor Horst Fischer who was guillotined in July of this year. In the US, many states retain the death penalty, though executions are increasingly rare. The last US execution to date was that of James French, a murderer who was eager to die and was granted his wish in August 1966. He cracked a joke about "French fries", before he was electrocuted.

Trial of Horst Fischer
Concentration camp doctor Horst Fischer, the last person executed in East Germany, at his trial earlier this year.
James French
Murderer James French, who went to the electric chair with a joke on his lips in August.

Unfortunately, Orion undercuts the criticism of the ethics of exiling criminals and troublemakers to Mura by making Tourenne not a misunderstood malcontent, but a sadistic villain. We don't learn a lot about the other prisoners; the only one whose crime is described is a murderer.

But even though "The Space Trap" misses an opportunity for social criticism, it's still an excellent episode. Let's see if the last episode of this series can uphold the high standard set by its predecessors.

Five stars

Taptoe Magazine
December 6 is St. Nicholas Day, celebrated here on the cover of the Dutch magazine taptoe.
Sinterklaas
St. Nicholas greets children during a parade through the town of Horn in the Netherlands.
St. Nicholas kindergarten
St. Nicholas visits children in a West German primary school.
St. Nicholas presents
And in the morning, many German and Dutch children will find a gift from St. Nicholas on their doorstep.

[November 18, 1966] Environmental Disasters and the War of the Sexes: Space Patrol Orion, Episode 5, "Battle for the Sun"


by Cora Buhlert

Of Geese, Saints and Lanterns

November 11 is St. Martin's Day or Martinmas, a popular holiday in many parts of West Germany.

For those of you not familiar with Roman Catholic saints, St. Martin was a Roman soldier who converted to Christianity and became bishop of Tours in the fourth century AD. According to legend, he cut his cloak in half with his sword to share it with a naked beggar.

St. Martin's Day
Children celebrate St. Martin's Day with homemade paper lanterns.
St. Martin's Day
Children with lanterns at a St. Martin's Day procession in the West German town of Uerdingen.
St. Martin's Day
And here is the holy man himself, greeting the children assembled in his honour.

In West Germany, St. Martin's Day is traditionally celebrated with a procession of children singing and carrying paper lanterns. In some regions, the children go from house to house to ask for sweets similar to trick or treating in the US. In other regions, the night ends with a St. Martin bonfire.

At home, the family enjoys a roast goose, traditionally served with dumplings and red cabbage, in reference to another legend associated with St. Martin, namely that he hid in a goose shed in order to avoid being elected bishop. However, as anybody who has ever encountered them knows, geese tend to be very noisy and so St. Martin was found and elected bishop anyway.

St. Martin's Day goose
Traditionally, the roast St. Martin's Day goose is served with dumplings and red cabbage. However, more modern recipes such as this one with stuffed tomatoes and another one with baked apples with cranberry sauce and croquettes are also becoming more common.

A Mysterious Discovery

Space Patrol Orion title screen

However, West German science fiction fans were a lot more excited about the day after St. Martin's Day, because the latest episode of Raumpatrouille: Die phantastischen Abenteuer des Raumschiffs Orion (Space Patrol: The Fantastic Adventures of the Spaceship Orion) aired.

"Der Kampf um die Sonne" (Battle for the Sun) plunges us right in medias res, when the Orion makes a remarkable discovery. The planetoid N116a has uncommonly high temperatures, a breathable atmosphere and lower forms of plant life, all of which should be impossible, since N116a is supposed to be a dead rock in space.

Security officer Tamara Jagellovsk (Eva Pflug) points out that the general staff has been conferring for weeks now and wonders whether the Orion's discovery might have anything to do with this. At any rate, it's a mystery worth investigating, so Tamara officially authorises Commander Cliff Alister McLane (Dietmar Schönherr) to land on N116a (once again portrayed by a spoil tip in Peißenberg, Bavaria) and take samples.

Space Patrol Orion
The Orion crew stares very intently at the planetoid N116a on the screen.

Tamara and McLane still banter and argue a lot. However, by now the banter is a lot friendlier and – dare I say it – flirtatious. This is not lost on the rest of the Orion crew, who watch the sparks fly with a mixture of amusement (Hasso and Mario) and jealousy (Helga Legrelle). Indeed, Helga (Ursula Lillig) decides to tease Tamara by elaborating in great detail about all the time she spent with McLane while on leave. Though McLane is not a good dancer, Helga notes, because he refuses to let himself go.

Orion Helga and Tamara
Helga Legrelle (Ursula Lillig) teases Tamara Jagellovsk by detailing all the time off she'd spent with McLane. Tamara, however, is not very impressed.
Orion Helga and Tamara
Helga tells Tamara all about McLane's dancing abilities.

Putting the Science in Science Fiction

The scene switches to Earth, where familiar faces such as General Wamsler (Benno Sterzenbach) and Colonel Villa (Friedrich Joloff) are conferring about an alarming phenomenon. The activity of the sun and the frequency and duration of solar flares have increased dramatically, causing the Earth to heat up. The majority of humanity lives on the ocean floor and are insulated from the intense heatwaves. But the polar caps are about the melt, causing the sea levels to rise, which will lead to massive floods. Furthermore, the intense heat will turn Earth's surface into desert. The Orion's discovery on N116a confirms those theories. The big question is, who or what is causing the increased solar activity? Is it a natural phenomenon or is someone manipulating the sun? And if so, who? The Frogs are out, since they live in a distant star system. So are there other unknown extraterrestrials out there?

Orion may emphasise the "fiction" in "science fiction", but there is solid science behind the Earth heating up. Earth's climate tends to oscillate widely from ice ages to warm periods. Charles Greeley Abbot theorized that changes in climate are linked to sun spot activity – a theory that Orion borrowed for this episode. However, a far more likely culprit is the so-called "greenhouse effect", i.e. carbon dioxide in atmosphere functioning like the glass panes of a greenhouse, causing the Earth to heat up, which was discovered by Svante Arrhenius in 1896. In recent years, Roger Revelle and Charles David Keeling have proven that carbon dioxide levels in the atmosphere are rising, due to emissions from industry and traffic, and that the greenhouse effect is real. Edward Teller warns that if carbon dioxide emissions keep rising, heatwaves, melting polar caps and rising sea levels will become a genuine problem in our future and not just a plot for a TV series. [The threat of a catastrophic heating on a global scale was the topic of one of our earliest articles (ed.)]

The generals need more data, so the Orion is sent to take more samples. On the planetoid N108, the Orion crew makes an even more remarkable discovery: a shuttlecraft of a type unknown to them. When Atan Shubashi (F.G. Beckhaus) investigates the mysterious craft, he finds himself faced with two human-looking men in spacesuits. The strangers hold Atan at gunpoint and force him into their shuttle, but Mario de Monti (Wolfgang Völz) manages to disable the shuttle with a well-placed shot. McLane and Hasso Sigbjörnson (Claus Holm) overwhelm the strangers and take them prisoner.

Orion Chroma scientist
One of the mysterious strangers the Orion crew takes prisoner.

The Hour of the Generals

Interrogations reveal that not only are the two men human, but they are scientists sent to investigate the same phenomenon that attracted the Orion's attention. The two scientists come from Chroma, a distant world that was settled by refugees from the Second Galactic War. The earthly authorities had no idea that Chroma even exists and the Chromans, disillusioned after finding themselves on the losing side of the Second Galactic War, like it that way.

However, Chroma has emerged from hiding in the most dramatic way possible, since they are behind the increased solar activity. The why is still a mystery.

Naturally, the assembled generals are willing to assume the worst. After all, the Chromans were rebels and enemies in the Second Galactic War, plus they managed to hide from Earthly intelligence services for centuries. And they are heating up the sun, so of course they must be hostile. "This means war," Marshall Kublai-Krim (Hans Cossy) declares.

However, not everybody is quite as war-mongering as Kublai-Krim and Sir Arthur (Franz Scharfheitlin). Colonel Villa is a lot more cautious, because if the Chromans have the ability to heat up the sun, they could have other unknown technologies as well. "If we threaten them, they might press the button first," Villa says, "And we don't know what buttons they have."

A Secret Mission for McLane

McLane is relaxing in his swanky undersea bachelor pad, when he receives a call from a scientist named Dr. Stass, who wants to know if the soil samples the Orion crew took may have gotten mixed up or contaminated. Because the samples contain solar matter, which means that the planetoids could be transformed into mini suns. Sigh. The episode was doing so well with regard to scientific accuracy, but now we're back to imaginary science.

Orion McLane's bachelor pad
McLane is relaxing in his very swanky bachelor and shows off his chest hair, even in colour.

McLane believes that this new discovery might persuade Chroma to leave our sun alone and transform the planetoids instead. However, he can neither reach General Wamsler nor Colonel Villa, so he calls Tamara to ask her to use her clout to get him an interview with Villa. McLane catches Tamara in the shower and in the process gets a glimpse of what she looks like below the neck. Personally, I'm far more interested in how her beehive survived the shower.

Colonel Villa no more wants war than McLane does and agrees to send the Orion on a secret mission to Chroma, supposedly to return the two captured scientists, but in truth to negotiate. He also warns McLane that if anything goes wrong, the government will deny all knowledge of this mission. And if Earth decides to launch a preventive strike against Chroma, no one will care about the Orion and her crew.

Orion McLane and Chroma scientist
One of the captured Chroman scientists watches McLane very intently.

McLane is not deterred and so the Orion sets off for Chroma. The Chromans are hostile initially, but direct the Orion to a landing area. When the crew gets their first glimpse of Chroma, they are stunned how lush and green the planet is. "Looks like they also have nature preserves, just like us," Mario muses, "But why are they telling us to land our ship here?"

Orion lands on Chroma
The Orion lands on Chroma, portrayed here by a golf course in Feldafing, Bavaria.

One thing I like about Orion is how the show casually imparts information about the wider world, even though ninety percent of it takes place either aboard spaceships or in the general staff's conference room. Not only do we learn more about the two galactic wars (briefly mentioned in the first episode), but we also learn that Earth has a serious pollution problem and that unspoiled land is apparently at a premium.

Planet of Women

After landing on Chroma, the Orion is surrounded by a magnetic field. Only McLane is allowed to leave with one of the captured scientists. The other scientist remains behind aboard to assure the ship's safety.

Chroma turns out to be not at all what McLane or anybody else expected. The world is not only lush and green, but also remarkably peaceful. The turreted government building (portrayed by Höhenried castle on the shores of the Starnberg lake) with its crystal chandeliers, shag carpets and wrought iron gates, is a far cry from the austere modernity of the conference rooms on Earth.

Even more remarkable is that every single Chroman official McLane meets is an attractive woman (one of them portrayed by Danish actress and singer Vivi Bach, Dietmar Schönherr's real life wife). For it turns out that Chroma is a matriarchal society. Men, as one of the Chroman women notes, are useful as gardeners, scientists and parade soldiers, but way too warlike for anything else.

Raumpatrouille Orion Chroma
McLane enjoys the company of two attractive Chroman officials.
Orion Chroman official
One of the attractive Chroman officials (Rosemarie von Schacht). Even though Chroma has not been in contact with Earth's for centuries, they share the preference for beehives.
Orion Chroma official No. 2
The second of the attractive Chroman officials is played by Dietmar Schönherr's real life wife, Vivi Bach.
Orion Chroma
A Chroman official offers McLane coffee, but McLane is tired of being kept waiting. We hope for the sake of Vivi Bach that Dietmar Schönherr is better behaved at the coffee table than his alter-ego.
Orion Dietmar Schönherr and Vivi Bach
Dietmar Schönherr and his wife Vivi Bach in costume on location at Höhenried castle.

The planet controlled by women is an old science fiction cliché, found in "The Last Man" by Wallace G. West, "The Priestess Who Rebelled" and "The Judging of the Priestess" by Nelson S. Bond, "Consider Her Ways" by John Wyndham, "The Feminine Metamorphosis" by David H. Keller, "Virgin Planet" by Poul Anderson and many others. Such stories are born out of men's fear of female equality and often offensive. So how will Orion handle this timeworn plot?

Venture science fiction

When McLane finally gets to meet Her, ruler of Chroma, (played by Margot Trooger, whom Journey readers may remember from her role as Cora Ann Milton in The Ringer and Again, the Ringer), he reacts like men always react in such stories, namely with incredulity and outrage, for how can these women not recognise or respect male superiority?

Orion Chroma She
She, ruler of Chroma, is seated behind her desk.
Orion Chroma
She offers McLane a drink, in colour even.
Orion Chroma
McLane and She admire the Chroman scenery

She, on the other hand, gives as good as she gets. At one point, when an outraged McLane is out of words, She suggests that he could try yelling some more. We also learn that Chroma's sun is fading, which is the reason for the attempt to heat up our sun. And no, the Chromans did not consider the effects their experiments might have, but then Earth scientists don't particularly care about that sort of thing either. However, She is willing to stop the experiments, should the data from the planetoids turn out to be promising.

Orion Margot Trooger
No matter how urgent McLane's pleas, She (Margot Trooger) will not budge.

McLane tries to convince Her of the urgency of his mission and point-blank tells her that Earth will launch a preventive strike, if the experiments are not stopped at once. "That is so typical of Earth – and of men," She replies.

The scenes between McLane and Her are a delight. Dietmar Schönherr is excellent at balancing McLane's occasional macho outbursts with the fact that he is a good man and wants to stop a war and save lives. Meanwhile, Margot Trooger is so radiant and commanding as Her that you have no problems believing that She rules an entire planet.

McLane and She on Chroma
McLane seems uncommonly fascinated by Her shag carpet. Or maybe he has dropped something.

A Very Average Kiss

Things heat up, when the Orion receives a coded message that a preventive strike is imminent. Atan and Hasso are confident that they can break through the magnetic field, but they are no more willing to leave McLane behind than he would abandon any one of them.

So Tamara sets off with the remaining Chroman scientist to warn McLane. Unlike her male comrades, Tamara talked to the scientists and realised that the Chromans are more likely to listen to a woman.

Tamara is arrested and thrown into a cell together with McLane. Since they both believe they're about to die, the normally so uptight Tamara loosens up and tells McLane that she's sorry that they spent so much time arguing. And then Tamara does something she always wanted to do and kisses McLane.

"Well, now I'm relieved," Tamara says, once their lips part, "'Cause that was a very average kiss." McLane is about to sputter in outrage, but before he can Tamara decides to put McLane's kissing abilities to the test once more.

Orion A very average kiss
Tamara and McLane share "a very average kiss"
Tamara McLane kiss
And once more in colour.

Our genre is not very good with emotions, romance, kissing and all that mushy stuff – see the uncomfortable kissing scenes in Forbidden Planet. But even if the bar is not very high, McLane's and Tamara's kiss is probably my favourite kiss in all of science fiction and Tamara's comment about McLane being a very average kisser made me love her even more.

Tamara's ongoing examination of McLane's kissing abilities is interrupted by Her, who shows up to inform them that She ordered the solar experiments stopped. When McLane wants to know why She waited until the last instant, She replies that She knew Earth would declare war as soon as she heard about the devastating effects of the experiments. However, She was playing for time, because She did not expect Earth to attack while the Orion was still on Chroma. But what can one expect of men?

However, while She may still not be a fan of men in general, She has developed a liking for a particular member of the male sex, namely Cliff Alister McLane. And so She has requested McLane to remain on Chroma as a special envoy. General Wamsler finds this hilarious, while resident womaniser Mario de Monti pouts that he was not chosen to stay on Chroma with all those attractive women. Helga and Tamara, meanwhile, are not amused at all.

It's a Women's World

Space Patrol Orion keeps getting better and better. "Battle for the Sun" took a cliched science fiction plot and did something interesting with it. Unlike most "Planet of Women" stories, the Chromans are actually in the right, while Earth – or at least the generals – comes off pretty badly.

The portrayal of the generals mirrors the general scepticism towards the military, particularly the higher ranks, in post-WWII West Germany. For people have not yet forgotten that it was war mongers like Sir Arthur or Marshall Kublai-Krim who sent out thousands of soldiers to die in a war that was already lost. Orion doesn't fall into the trap of portraying all military commanders negatively, either. Colonel Villa, General Wamsler, General Van Dyke, and of course McLane himself are all essentially good people who want to save lives. Meanwhile, the worries about pre-emptive strikes are inspired by contemporary fears about nuclear war, which would devastate West (and East) Germany.

Even though the focus is on McLane and Tamara, the rest of the Orion crew as well as the supporting cast like Villa, Wamsler, Spring-Brauner or Lydia Van Dyke all have distinct personalities. The show also tends to reuse the same characters in supporting roles. For example, the two scientists explaining the plot in "Battle of the Sun" are both characters we've seen before.

But what I love most about Space Patrol Orion is that the show gives us so many great and varied female characters. Our genre is not good at portraying women and one decent female character is often all we can hope for. Orion, however, gives us three female main characters in Tamara, Helga and Lydia Van Dyke as well as female guest characters such as Ingrid Sigbjörnson or Margot Trooger's Her.

Another great episode with a lot to say about war, gender and the environment.

Five stars.

Das Magazin November 1966
The latest parcel from my East German aunt included the November 1966 issue of "Das Magazin" with a striking cover.

[November 8, 1966] Paranoia and High Treason: Space Patrol Orion, Episode 4: "Deserters"


by Cora Buhlert

In Unquiet Times

Here in West Germany, October was a month of protests, some of which sadly ended in violence.

In Frankfurt on Main, more than twenty thousand people protested against the proposed emergency powers law, which would allow the West German government to suspend the constitution in case of wars or disasters. Since the emergency powers laws of the Weimar Republic are considered to have paved the way for Hitler, this is not a popular proposition, and indeed no one seems to want or need these laws except for the government.

1966 emergengy powers law protest
This protest in Frankfurt/Main against the proposed emergency powers laws drew a crowd.

Meanwhile in Cologne, the public transport authority plans a significant increase of tram and bus fares, particular for student tickets. As a result, more than eight thousand high school and university students blockaded the tram tracks on the Neumarkt in Cologne. These so-called "umbrella protests" (it was raining, so many protesters carried umbrellas) lasted for four days until they were violently broken up by the police.

Cologne umbrella protests 1966
Students block tram tracks on the Neumarkt in Cologne to protest a fare increase.
Umbrella protests Cologne
This aerial photograph shows why the Cologne fare increase protests have been nicknamed "umbrella protests".
Umbrella protests
The police holds back student protesters in Cologne.

West Germany is not officially involved in the Vietnam war, but anti-war protests nonetheless happen a lot. In Munich, several people were arrested during an unauthorised protest against a visit by US ambassador George McGhee. And in the West German capital of Bonn, two hundred fifty Lutheran priests protested against the war in Vietnam, proclaiming that supporting the war means betraying the Christian faith.

Priests protests Vietnam war
In Bonn, 250 Lutheran priests protest against the Vietnam war.

War in Space

While the streets of West Germany were shaken by anti-war protests, "Deserters", the latest episode of Raumpatrouille: Die phantastischen Abenteuer des Raumschiffs Orion (Space Patrol: The Fantastic Adventures of the Spaceship Orion) showed us what warfare might look like in space. Because humanity is fighting the mysterious aliens known only as the Frogs, and that war is not going well: the Frogs have developed a shield that repels energy weapons, rendering them useless.

In response, Commander Cliff Allister McLane (Dietmar Schönherr) and the crew of the Orion 8 conduct a test of the Overkill device, a weapon as impressive as its name that can blow up entire planetoids. The striking effect was created by filling a plaster sphere with pantry staples like rice, raisins, ground coffee and flour and then blowing everything out of a small hole via pressurised air. Anybody who is familiar with the writing advice of Russian playwright Anton Chekhov will know that we can expect to see the Overkill weapon in action again before the episode is over.

Orion episode 4
Commander McLane (Dietmar Schönherr) confronts weapons scientist Rott (Alfons Höckmann).
Orion Overkill
The Overkill device in action.

Meanwhile back on Earth, the general staff is conferring, including familiar faces like Colonel Villa of the Galactic Security Service (Friedrich Joloff), General Wamsler of the Space Patrol (Benno Sterzenbach) and General Lydia Van Dyke of the Fast Space Fleet Command (Charlotte Kerr). I like that Orion makes the various generals recurring characters rather than having interchangeable uniforms issuing commands.

Orion Generals
Grimly glare the generals: General Wamsler (Benno Sterzenbach), Marshal Kublai-Krim (Hans Cossy) and Sir Arthur (Franz Scharfheitlin)
Colonel Villa and aide
More grim generals: Colonel Villa (Friedrich Joloff) and aide (Nino Korda)

The reason for the conference is that Alonzo Pietro, commander of the spaceship Xerxes, attempted to defect to the Frogs and was only stopped at the very last instant. Pietro is fully sane, though he claims not to remember why he tried to defect. However, shortly before Pietro's defection attempt, the Xerxes landed on the space station M8/8-12, a station whose human crew experienced a breakdown, went mad and were replaced by robots.

Orion Alonzo Pietro
Commander Alonzo Pietro (Wolf Petersen) under suspicion of treason.

Sparks fly in the Starlight Casino

Meanwhile, Orion security officer Tamara Jagellovsk (Eva Pflug) is relaxing in the Starlight Casino with an unnamed officer. It's nice to see the normally so uptight Tamara on a date and enjoying a life outside work. Though this will not last, for Tamara spots McLane and Lydia Van Dyke having a drink at the bar, which causes her to promptly forget all about her date and instead scrutinise what McLane and Van Dyke are doing.

Orion Tamara
Tamara Jagellovsk (Eva Pflug) neglects her date to spy on McLane.

What they are doing is discussing the attempted defection of Alonzo Pietro. McLane is friends with Pietro (is there anybody in the fleet McLane is not friends with?) and cannot believe Pietro would turn traitor. However, McLane is quickly distracted, when he spots Tamara… with a man. So McLane and Tamara spend the rest of the evening glaring at each other across the dance floor, to the amusement of General Van Dyke and the dismay of Tamara's companion. Finally, McLane disrupts Tamara's date for good by sitting down uninvited at her table and sending her would-be suitor away on a false errand.

Sparks are flying between Tamara and McLane, and I wouldn't be surprised if half the fleet was taking bets on when those two will get together.

A Routine Mission

After this interlude, the crew of the Orion 8 head for space station M8/8-12 to install the Overkill device as a first line of defence against a potential Frog attack. It's a routine mission, but we know how well those tend to go for the Orion 8 and her crew. Especially since M8/8-12 is the very space station whose crew went mad and which Alonzo Pietro visited before attempting to defect to the Frogs. Uh-oh.

Luckily, Space Fleet Command is aware of the problems on M8/8-12 and sends along a psychiatrist named Professor Sherkoff (Erwin Linder) to observe the Orion crew. McLane takes this about as well as you can imagine.

Trouble finds the Orion crew as soon as they reach M8/8-12. The robots manning the space station do not respond to hails and neither does any other space station in the area. When the Orion finally lands, one of the robots attacks McLane, even though this contradicts the First Law of Robotics (invoked for the second time in the series after episode 3). Worse, the robots were specifically deployed to man the station because they were deemed more reliable than humans. Once again, the biggest proponent of replacing humans with robots is Colonel Villa, who also happens to be Tamara's direct superior, which supports the theory that Tamara is a highly advanced android herself.

Orion robots
The Orion crew warily observe the malfunctioning robots.

Both McLane and Professor Sherkoff suspect that something is  wrong on M8/8-12 . However, the Orion crew still has a job to do and  proceed to install the Overkill device. Tamara was left behind aboard the Orion to watch the ship, but since she is the crewmember with the most robotics experience (maybe because she is one herself), McLane calls her in to examine the malfunctioning robots and sends Hasso Sigbjörnson (Claus Holm) back instead.

Orion McLane
McLane calls Tamara via his handy wrist communicator
Tamara Oion
Tamara conducts some tests.

A Traitor On Board

While the Orion crew installs the Overkill device, which involves a lot of silver and translucent glass baubles that look like Christmas tree ornaments, Hasso falls asleep in the command chair and is only roused when McLane calls and tells him to program the coordinates for their next destination.

Orion Maria and Helga
Mario de Monti (Wolfgang Völz and Helga Legrelle (Ursula Lillig) install the Overkill device.
Orion: McLane and Atan
McLane and Atan Shubashi (F.G. Beckhaus) install the Overkill device.
Orion Atan
Atan tests the Overkill device. For reasons unknown, this requires a clothing iron.

So Hasso approaches the  computer – a plain egg-shaped device with one big light rather than the light-studded computer of the destroyed Orion 7. This sole light begins to pulse like a malevolent evil eye, and Hasso gets a thousand-yard stare, as he punches the coordinates into the computer.

Orion Hasso
Hasso Sigbjörnson (Claus Holm), asleep on the job
Orion Hasso
Hasso programs the computer. Note the glowing light.

Before taking off, McLane checks the course again and realises to his horror that the course entered into the computer would take the Orion into space sector AC 1000, a sector held by the Frogs.

There's a traitor aboard the Orion, so as security officer, Tamara takes command to conduct the investigation. "This will not take long," she tells McLane, because there is only one likely suspect: Hasso Sigbjörnson.

Orion Hasso
Is this man a traitor?

McLane doesn't believe that Hasso is a traitor – after all, they've known each other for ten years. However, McLane isn't in charge, Tamara is. And so she proceeds to interrogate Hasso, who claims not to remember anything. Hasso Sigbjörnson truly must be the unluckiest man in the fleet, because in four episodes so far he nearly got killed twice and was accused of treason once.

Space Patrol Orion has excellent actors, and their skills are on display in this scene. Particularly, Claus Holm shines as the bewildered and increasingly defensive Hasso, who's even sweating visibly. Meanwhile, Professor Sherkoff is watching with an ever so slightly sinister smirk on his face.

Tamara proceeds to arrest Hasso and calmly informs him that regulations require that she stuns him. Interestingly enough, McLane does not try to stop Tamara. However, another member of the Orion crew intervenes on behalf of Hasso, namely Helga Legrelle (Ursula Lillig).

Orion Helga and Tamara
Helga Legrelle confronts Tamara Jagellovsk.

So far, the scripts haven't given Helga much to do except utter the occasional line of gizmo speak, but she finally gets to shine when she takes on Tamara. It's obvious that Helga doesn't like Tamara because of McLane's interest in her. However, Helga also points out one important fact: Hasso was not the only crewmember who was alone aboard the Orion and could have reprogrammed the course. Tamara was also alone on board and could have done it.

Helga Legrelle
Helga points out another suspect.

While Helga and Tamara fight it out, Mario de Monti (Wolfgang Völz) is watching from the sidelines, when he suddenly gets that thousand-yard stare as well. Like a sleepwalker, he begins to punch coordinates into the Orion's computer. Coordinates, which will take the Orion deep into Frog territory. When confronted with what he has just done, Mario also claims not to remember anything.

The Manchurian Mule

Before Tamara can arrest even more people, Professor Sherkoff intervenes and points out that both Hasso and Mario were standing directly in front of the computer when they suddenly felt compelled to enter the coordinates for the Frog base. The Professor then proposes an experiment and tells Tamara to stand in front of the computer. And indeed, the malevolent light starts to pulse again, Tamara goes blank and begins to punch the coordinates for the Frog base into the computer.

Orion
Tamara programs the computer, watched by Professor Sherkoff (Erwin Linden), Atan and Helga.

Since Tamara most definitely is not a traitor and neither are Hasso and Mario, the Professor explains that the Frogs are using telenosis (a portmanteau of "telepathy" and "hypnosis") rays emitted via the Orion's computer to manipulate the crew. The same thing happened to Alonzo Pietro and the M8/8-12 crew.

Orion Tamara
Tamara is horrified by what she has done, while Professor Sherkoff explains what just happened.

A note of context: The Cold War is a game of spies, some of whom occasionally change sides and defect. And indeed, there have been several high profile defections in recent years, including British double agent Kim Philby who defected to the Soviet Union in 1963.

The Cold War also breeds paranoia, including fear of perfectly loyal men and women brainwashed into unwittingly aiding the enemy. There has never been a documented case of a brainwashed agent in the real world, but they abound in fiction whether it is in spy thrillers like Richard Condon's The Manchurian Candidate or science fiction novels like Samuel R. Delany's Babel-17.

"Deserters" cannot be influenced by Babel-17, because the show was already in production when the novel came out. The Manchurian Candidate is a possible influence. However, I suspect that the inspiration for the Frogs and their telenosis ray is "The Mule", a malevolent mutant who uses his telepathic powers to bring the  Foundation to its knees in Isaac Asimov's Foundation and Empire. After all, the repeated references to the Three Laws of Robotics prove that the writers have read Asimov. And indeed, the talky boardroom scenes featuring the various generals are reminiscent of the equally talky early Foundation stories.

Hunt the Orion

However, the Mule never had to deal with the Orion crew. And so McLane devises an ingenious plan. Since the Frogs clearly want the Orion to head to sector AC-1000, the Orion will go there, letting the Frogs believe that their attempts the hypnotise the Orion crew into defecting were successful. Once the Orion crew is in range of the Frogs' base, they will use the Overkill device to blow it up.

Orion episode 4
Tamara watches the Frog fleet on a screen, while McLane and Sherkoff look on.

There is only one hitch. The Orion can't inform Space Fleet Command of their plan, because the Frogs might be listening. Therefore, once the Orion's unauthorised course is detected, the general staff assumes that the crew are planning to defect. General Wamsler points out that he really cannot imagine McLane of all people turning traitor, while his aide Lieutenant Spring-Brauner (Thomas Reiner) gleefully sends the entire fleet after McLane to shoot down the Orion.

The ship closest to the Orion is none other than the Hydra under the command of Lydia Van Dyke, who no more believes that McLane would turn traitor than Wamsler does. Therefore, she delays the chase, until a swarm of Frog ships forces her to return to Earth. McLane, meanwhile, manages to destroy the Frog base as well as a squadron of Frog ships with the Overkill device.

Back on Earth, the Orion crew and Alonzo Pietro, who is no longer under arrest for treason, celebrate. Tamara dances with Professor Sherkoff much to McLane's dismay.

Orion Starlight Casino
Dances in the future still look exceedingly strange.
Orion Tamara and Sherkoff
Tamara dances with Professor Sherkoff. McLane is not pleased.

Paranoia in Space

"Deserters" is a low-key episode of Space Patrol Orion, but nonetheless an effective story, which succeeds in generating a paranoid atmosphere throughout.

I have to admit that I suspected Professor Sherkoff of being the traitor from the moment he first stepped aboard the Orion. For it was obvious that no member of the Orion crew would turn out to be the traitor and Sherkoff was the only one who didn't belong. Besides, Erwin Linder's ever so slightly sinister smirk just makes him look suspicious.

This was a nice bit of misdirection, because in the end Sherkoff turned out to be exactly what he was introduced as, namely a psychiatrist supposed to examine the Orion crew, whereas the true villain was a computer with a malevolently pulsing light.

The Frogs have been hovering in the background of every single episode so far, though we have only briefly seen them twice. Personally, I like keeping the main antagonists off stage, because the unseen menace is so much more terrifying than a goofy rubber monster.

A taunt science thriller pregnant with paranoia.

Four and a half stars.

Oktoberfest 1966
The 1966 Oktoberfest in Munich may be over, but the poster is still striking.




[October 19, 1966] Routine Missions and Asimovian Robots: Space Patrol Orion Episode 3: "Guardians of the Law"


by Cora Buhlert

A Routine Mission

After pulling out all the stops in episode 2, what would Raumpatrouille Orion do for an encore? Well, instead of threatening the entire solar system this time around, writer Rolf Honold and W.G. Larsen have opted for a more low-key adventure for the Orion 8 and her brave crew.

And so episode 3 "Hüter des Gesetzes" (Guardians of the Law) opens with that most routine of situations, namely a robotics training course for Space Fleet personnel, including the Orion crew. The Orion crew seems bored, but my interest perked up once robotics specialist Rott (Alfons Höckmann) mentioned the Three Laws of Robotics. Yes, Isaac Asimov's famous Three Laws of Robotics exist in the Space Patrol Orion universe.

Space Patrol Orion Rott
Rott (Alfons Höckmann) is lecturing.
Space Patrol Orion
The Orion crew is bored by the class.

The Alpha CO work robots seen in this episode are a far cry from the clumsy humans in spray-painted cardboard boxes that we have seen in so many science fiction films. These robots are curious floating (thanks to the magic of bluescreen technology) ovals with multiple arms equipped with tools, among them an ice cream scoop and a forceps, so the robots can both serve ice cream and deliver babies. The fact that these robots don't even look remotely human imbues them with a subtle menace.

Space Patrol Orion
Rott demonstrates an Alpha CO work robot.

That menace becomes not so subtle when Rott makes a robot go berserk and trash the classroom, before fixing it with a small adjustment. At this point, the Orion crew are called away for what turns out to be a dull routine job retrieving readings from space probes.

Once the Orion 8 reaches its area of operations, Atan Shubashi (F.G. Beckhaus) and Helga Legrelle (Ursula Lillig) get into a Lancet for the first work shift. Meanwhile, the Orion receives a message from the ore freighter Sikh 12 under the command of Commodore Ruyther (Helmut Brasch), an old friend of McLane's. Ruyther has a problem. The Sikh 12 is supposed to haul ore from the asteroid Pallas to Earth, but upon its last trip the sealed ore rockets turned out to be filled with spoil instead. Furthermore, the miners on Pallas are not responding to Ruyther's calls. Ruyther reported this, but true to form Space Fleet Command only cares about the missing ore, not the miners.

Space Patrol Orion Commodore Ruyther
A call from Commodore Ruyther (Helmut Brasch)

It doesn't take long to convince McLane (Dietmar Schönherr) to head to Pallas to investigate. Security officer Tamara Jagellovsk (Eva Plug) unsuccessfully tries to overrule him, but gives in, when McLane points out that human lives might be in danger. Once again, McLane violates regulations and ignores orders and once again, he does so to save lives. I'm sensing a pattern here.

So far, most interactions between McLane and Tamara consist of arguing and sniping, but you can see the growing respect between these two. And the knowing grins on the faces of Hasso and Mario show that they know that McLane and Tamara will kiss before the season is over. Helga Legrelle knows it, too, and is less than happy about it.

Tamara also points out that if Space Fleet Command finds out that the Orion 8 has left its area of operations, McLane will be in trouble once again (apparently, gratitude for saving the Earth wears off fast). However, McLane has the perfect solution to this problem, namely an old spacer's trick named "Laurin" after the dwarf king with the invisibility cap from medieval legend. And so McLane orders Helga and Atan to project an energy field the size of the Orion with their Lancet to fool sensors, while the Orion leaves for Pallas.

Space Patrol Orion
Mario (Wolfgang Völz), McLane (Dietmar Schönherr), Tamara Jagellovsk (Eva Pflug) and Hasso (Claus Holm) look quite happy that they get to take a trip to Pallas.

Orion Does Asimov

The Orion lands on Pallas (portrayed by a pitch coal mine in Preißenberg, Bavaria) and cannot hail the miners either. So McLane, Tamara, Hasso Sigbjörnson (Claus Holm) and Mario de Monti (Wolfgang Völz) explore the mine and find it deserted, the crew gone.

Space Patrol Orion
The Orion 8 lands on Pallas, portrayed by a pitch coal mine in Preißberg, Bavaria.
Space Patrol Orion
The Orion crew explores the deserted mine on Pallas.

Space Patrol Orion
Better use your handguns, when exploring a creepy deserted mine.

At last, they encounter signs of life, two Alpha CO work robots like the ones in the opening scene. However, these robots are armed – with ray guns, not ice cream scoops and forceps. They capture and disarm the Orion crew and take them to the mines, where they finally find the miners, held prisoner and forced to work. The Three Laws of Robotics forbid robots to harm humans, so what is going on here?

Space Patrol Orion robots
The robots hold the Orion crew at gun point.
Space Patrol Orion
The robots are coming.
Space Patrol Orion robots
The robots hold the Orion crew and the miners prisoner.

From this point on, "Guardians of the Law" plays out very much like Isaac Asimov's stories about Dr. Susan Calvin or robot troubleshooters Powell and Donovan from the 1940s. A robot is misbehaving in dangerous ways, so our heroes try to figure out what has gone wrong and how to fix it. The answer usually lies in the Three Laws of Robotics.

And this is exactly what happens. McLane and Tamara, who displays a surprising amount of knowledge about robotics, question the miners and learn that the robots malfunctioned after they witnessed a shoot-out between the miners and drug gang. Humans shooting humans caused a conflict regarding the First Law of Robotics and fried the robots' brains.

Unfortunately, the resident robot specialist was killed in the shoot-out, so the miners have no one to solve the problem. Tamara thinks she can reprogram the robots, but first she needs to get close to them. So McLane devises a plan to lure the robots into the mine and cause a cave-in to immobilise them long enough for Tamara to reprogram them. The plan is successful, too. The reprogrammed robots return the Orion crew's weapons, which they use to shoot the remaining robots. This part is very reminiscent of Isaac Asimov's 1944 Powell and Donovan story "Catch That Rabbit!"

Space Patrol Orion
Tamara reprograms the robots.

Tamara was sidelined in "Planet Off Course", but she gets plenty to do in this episode (ditto for Helga) and her robotics experience saves the day. There are also more hints that Tamara might be a robot herself, when she responds to Hasso and Mario's jokes by telling them that she is a sophisticated Epsilon android. So is Tamara just pulling their legs or is she telling the truth?

The New Yardstick for Spaceship Captains

Meanwhile, a different drama is unfolding in space. For the "Laurin" illusion that Atan and Helga are projecting is draining the shuttle's energy reserves. Atan has absolute faith that McLane will return before their energy runs out. Helga has faith in McLane as well, but points out that the crew might have run into trouble, because McLane takes too many chances. And so she wants to deactivate the Laurin illusion and head for Pallas to see if the rest of the crew need help. Atan eventually agrees, but it's too late. The Lancet's energy reserves are used up and their shields and life support are failing.

Space Patrol Orion
Atan (F.G. Beckhaus) and Helga (Ursula Lillig) aboard the Lancet and in danger.

Luckily, the Orion shows up in the nick of time. Helga has passed out and Atan is babbling incoherently. McLane first makes sure that Helga gets medical attention. Then he turns to the incoherent and understandably angry Atan and he asks him why the hell he didn't switch off the Laurin illusion. "I didn't have an order to switch it off," Atan replied, whereupon McLane tells him not to wait for orders, but use his own damned brain. McLane even uses a strong swearword – not aimed at Atan, with whom he's uncommonly gentle, but referring to the Laurin illusion – I have personally never heard used on West German TV to date. I predict complaints and angry letters.

After three episodes, I am liking McLane more and more. Yes, McLane may be a maverick, he may occasionally act like an anti-feminist towards Tamara and he may be overly emotional at times, but he clearly cares about people and breaks rules and ignores orders to save lives. Nor does McLane expect blind obedience from his crew, but wants them to think for themselves. The Orion crew may be fanatically loyal to McLane, but he has earned that loyalty.

Space Patrol Orion
The Orion crew celebrates after saving the day again.

Science fiction is full of spaceship captains, but McLane is quickly becoming not only my favourite, but also the yardstick against which all other captains shall be measured. I'm pretty sure that I will ask myself, "What would Commander McLane do?" for a long time to come. For example, imagine how different Tom Godwin's "The Cold Equations" would have played out with McLane in charge.

Space Patrol Orion
Commodore Ruyther is being questioned by a GSD agent (Nino Korda) about the missing ore shipments.

Back on Earth, Colonel Villa and General Wamsler investigate the mystery of the missing ore shipments and finally decide to do something about it. Wamsler wants to hail the Orion and send McLane to Pallas, whereupon his aide Lieutenant Spring-Brauner (Thomas Reiner being delightfully swarmy once again) confesses that he has mislaid the Orion and can't hail her. Unlike Spring-Brauner, Wamsler knows the Laurin trick and also lets McLane know that he knows, but is willing to cover for him.

Space Patrol Orion
General Wamsler (Benno Sterzenbach) interrupts the Orion's crew post-mission celebration at the Starlight Casino.
Space Patrol Orion Wamsler and McLane
Wamsler lets McLane know that he, too, knows the Laurin trick and has seen through him.

"Guardians of the Law" does not have the edge-of-your-seat suspense of "Planet Off Course", but is nonetheless another excellent episode of Raumpatrouille Orion with a plot straight from an Asimov robot story and lots of great character moments for both the crew and supporting characters like Villa and Wamsler.

After three great episodes, I can't wait for what the final four will offer.

Four stars

Bremer Freimarkt 1960er
Balloon and toy vendor at the 931st Bremer Freimarkt.
Bremer Freimarkt 1960s
The popular Calypso ride at the Bremer Freimarkt.
Bremer Freimarkt 1960s
A spooky dark ride at the Bremer Freimarkt.





[October 18, 1966] Moral Dilemmas and Earth in Peril: Space Patrol Orion Episode 2: "Planet Off Course"


by Cora Buhlert

Critical Voices

Last month, I wrote about the premiere of Raumpatrouille: Die Phantastischen Abenteuer des Raumschiffs Orion (Space Patrol: The Fantastic Adventures of the Spaceship Orion), West Germany's very first science fiction TV show. Since then, two more episodes have aired. But before we get to that, let's take a look at some reactions to the show, courtesy of both TV critics and viewers.

So far, science fiction had had no presence on West German TV, so professional TV critics were mostly baffled, to put it politely. The Berlin tabloid B.Z. called Orion "pseudoscientific nonsense" set in a "brainless utopia". The magazine Kirche und Fernsehen (Church and Television) lamented that the dialogues were too complicated for the viewers to understand, at least viewers not used to science fiction and gadget speak.

Hörzu October 1966
The latest issue of the Tv listings magazine Hörzu

Letters to the TV listings mag Hörzu show a range of audience reactions. Rolf Sch. from Bad Homburg declares that Orion is more suspenseful than Alfred Hitchcock and The Fugitive. Sebastian T. from Hamburg called Orion a milestone in the history of West German television and notes that Germany has not produced anything comparable since Fritz Lang's Frau im Mond (Woman in the Moon) in 1929.

Horst B. from Hamburg and O.R. from Constance both lament that a TV show set in the year 3000 still focusses on war and military themes, since they hope that humanity would have overcome its destructive impulses by then. Gerhard B. from Heilbronn correctly points out that according to current demographic trends, it's extremely unlikely to have an all-white spaceship crew in the year 3000 AD. Peter H.R. from Ottenbronn complains about scientific issues and notes that faster-than-light travel is not possible and that the Orion crew is unaffected by zero gravity.

Letters to Hörzu
Hörzu readers comment on the first episode of Space Patrol Orion

Dieter L. from Neuhede believes that science fiction is only suitable for children and Heiner S. from Bielefeld calls the series a waste of money. For Jupp W. from Degerloh his dislike for Space Patrol Orion at least has a silver lining, namely lots of time to read. We here at the Journey certainly have some recommendations for him, though I suspect he would not like them.

A Thriller in Space

Episode 2 "Planet Außer Kurs" (Planet Off Course) opens with my favourite supporting character from episode 1, General Lydia Van Dyke (Charlotte Kerr) in deep trouble. Her spaceship, the Hydra, is battered by a magnetic storm and has just made an alarming discovery. A planet that has been thrown out of its orbit and is now headed straight for Earth. The footage of the fiery rogue planet, supposedly a ball coated with fire gel and set alight, is certainly impressive. Unfortunately, the script proves Hörzu reader Peter H.R. from Ottenbronn right and insists on calling the rogue planet a "supernova".

Space Patrol Orion rogue planet
The rogue planet on the Hydra's viewscreen

The Hydra crew intercepts a transmission in an unknown code. Turns out that the Frogs, those dastardly aliens from episode 1, are back and busily hurtling random planets at Earth. In the first episode, "Frogs" was a merely nickname that Hasso Sigbjörnson and Atan Shubashi gave the aliens, but by episode 2 the moniker seems to have been universally adopted. General Van Dyke manages to send a warning to Earth, before contact breaks off.

Lydia Van Dyke
General Lydia Van Dyke (Charlotte Kerr) aboard the Hydra

While his former superior is fighting for her life aboard the Hydra, Commander Cliff Alister McLane (Dietmar Schönherr) of the Orion 7 is relaxing in the Starlight Casino and showing off his chest hair, when he is summoned to a meeting with the Supreme Space Authority.

Shirtless Commander McLane (Dietmar Schönherr) is summoned to a meeting with the Supreme Space Authority
Space Patrol Orion kids
These two little moppets in their miniature spacesuits only make a brief cameo appearance in this episode, but they're certainly cute.

Military Men and Moral Dilemmas

The various high-ranking military officials we met in episode 1 are arguing what to do about the rogue planet headed for Earth. For there are not nearly enough spaceships available to evacuate the population and besides, an evacuation would cause panic. Not that it matters much, because the civilian government, represented here by an official named von Wennerstein (Emil Stöhr), has no intention to evacuate Earth, even though the government itself is relocating to Mars.

Space Patrol Orion Generals
The Supreme Space Authority holds a tense meeting.

These moral dilemmas are familiar from works like J.T. McIntosh's 1954 novel One in Three Hundred or the 1951 movie When Worlds Collide, but there are real world parallels as well. Space fleet commander-in-chief Sir Arthur's comment that "Politicians will always find something to govern, even if everything is already gone" brings to mind that – should there ever be a nuclear war – governments will hide out in their bunkers to rule over a nuclear wasteland, while the population burns. The flat-out refusal to evacuate Earth in the face of overwhelming peril is also reminiscent of the final months of World War II, when the Nazi government forbade the evacuation of civilians from regions like East Prussia and Silesia, which were about to be overrun by the Red Army, because they wanted to keep the roads clear for military operations.

As for how the Frogs managed to establish a base and throw a planet out of orbit under the very noses of the space fleet, Colonel Villa of the Galactic Security Service (Friedrich Joloff) points out that a committee of scientists and military officers was formed to analyse the alien threat, but was way too smug and convinced of human superiority to achieve any results. I can't help to wonder whether Villa's remark isn't a barb aimed at John W. Campbell of Analog and his insistence on human superiority at all times. Especially since episode 3 shows that the writers are familiar with Astounding/Analog.

The civilian government is portrayed as cowardly and inefficient in this episode. However, when Sir Arthur (Franz Scharfheitlin) wonders whether it's time for a military coup, Colonel Villa promptly informs him that this is not only treason, but also not the solution to their problem. Even though the focus of Space Patrol Orion is on the military, the show is nonetheless committed to democracy.

More Moral Dilemmas… in Space

The assembled generals finally decide that the best course of action is to locate the Frog base and destroy it. Two hundred ships are dispatched, including the Orion 7.

The Orion crew detects the Frogs' signal, but can't triangulate the location of their base without another signal. This is supplied by General Van Dyke aboard the stricken Hydra, once the Orion manages to hail them.

This leads to another of the moral dilemmas so beloved by philosophy undergraduate classes, for McLane wants to rescue General Van Dyke and the Hydra crew before destroying the Frog base. General Van Dyke, however, orders McLane to destroy the base, because the fate of Earth outweighs that of the five people aboard the Hydra. The interactions between McLane and Lydia Van Dyke (with whom he is on a first name basis) suggest that their relationship more than just professional.

Space Patrol Orion General Lydia van Dyke
General Lydia Van Dyke orders McLane to save the Earth rather than her.

Because McLane will never listen to just one woman, Tamara Jagellovsk also orders him to forget about the Hydra and destroy the base. In order to emphasise her words, she even pulls a gun on McLane. McLane isn't really the type to be intimidated either by guns or by Tamara, but he eventually relents. The fate of Earth really does outweigh that of five people, even if McLane is close to one of them.

This tense moment not only gives Dietmar Schönherr and Eva Pflug the chance to show off their acting skills, but it also demonstrates that McLane's emotions are both his greatest strength and his greatest weakness. Because McLane cares about people and will not casually abandon them. During the meeting with the generals, McLane is the only one who actually seems to care about the fate of the Hydra.

Space Patrol Orion General Lydia Van Dyke
General Lydia Van Dyke has put on a spacesuit in order to survive aboard the damaged Hydra.

Try, Fail and Try Again

The Orion fires at the Frog base and manages to destroy it in another impressive special effect. However, it is to no avail, because the rogue planet is still headed for Earth. So the Orion crew decide to destroy the rogue planet with antimatter bombs, a risky manoeuvre which might get them all killed.

After some calculations made on a futuristic Etch A Sketch type writing tablet, the crew get to work. However, the engineering and weapons consoles explode, wounding chief engineer Hasso Sigbjörnson (Claus Holm) and weapons officer Mario de Monti (Wolfgang Völz). As a result, Mario releases the bombs too late and the explosions fail to destroy the rogue planet.

Etch a Sketch
In the future, Etch-a-Sketch tablets are not just toys, but will be used like notepads today.

There's only one course of action left. Crash the Orion into the rogue planet. So the Orion crew pile into the two Lancet shuttles and watch as their ship explodes in a fiery inferno along with the rogue planet. The Lancets are too small and underpowered to reach the nearest starbase, so they try to make it to the damaged Hydra.

Space Patrol Orion episode 2
Atan Shubashi (F.G. Beckhaus), Mario de Monti (Wolfgang Völz) and Helga Legrelle (Ursula Lillig) aboard Lancet 2
Space Patrol Prion episode 2
Hasso takes a spacewalk.

They find the Hydra without power and not responding to hails, so Hasso takes a risky spacewalk and manually engages the Hydra's landing clamps. However, Hasso passes out before he can complete the manoeuvre, so McLane has to race through the airless and overheated ship without even a spacesuit, as Hasso is wearing the only one they have. Since McLane is the hero, he succeeds and also rescues the General Van Dyke and the Hydra crew, who had retreated to the ship's cryogenic chambers.

Space Patrol Orion Hasso and McLane
Hasso has passed out in spite of his spacesuit, so McLane has to finish the job – without a spacesuit.

Back on Earth, the assembled generals are overjoyed that the rogue planet has been destroyed, though they assume that the Orion crew perished in the process. The only ones who seem to be bothered by this are General Wamsler (Benno Sterzenbach), McLane's direct superior, and Colonel Villa. Meanwhile. characters like Sir Arthur and Marshal Kublai-Krim (Hans Cossy) bring to mind World War II generals who happily sacrificed thousands of lives for questionable victories.

The episode ends with McLane signing paperwork regarding the destruction of the Orion. We also learn that the ship's designation was Orion 7, because this was already the seventh Orion, suggesting that McLane has already trashed six previous ships.

I loved the premiere of Space Patrol Orion, but episode 2 managed to be even better, a taut thriller that alternates between the tense general staff scenes on Earth and the equally tense scenes aboard the Orion and Hydra. Besides, you have to admire the guts of a show, which almost destroys the Earth and blows up the titular ship in the second episode.

Five stars

Stay tuned for my review of episode 3 "Hüter des Gesetzes" (Guardians of the Law) coming tomorrow

Bremer Freimarkt 1960s
Spacy fun may also be found on the 931st Bremer Freimarkt, Bremen's traditional autumn fair
Bremer Freimarkt
The impressive Sputnik ride on the Bremer Freimarkt





[September 24, 1966] Science Fiction TV from West Germany: Space Patrol: The Fantastic Adventures of the Spaceship Orion: Episode 1: Attack From Space


by Cora Buhlert

Through the Wall with a Bulldozer

Bulldozer breaks through Berlin wall
The aftermath of the daring bulldozer escape

Five years after the Berlin Wall was built, East Germans are still trying to overcome it and escape to the West, often with lethal consequences.

A particularly daring escape attempt happened last week in Staaken just outside Berlin. Four adults and a three-year-old child broke through the East German border fortifications – the so-called "death strip" – in a stolen bulldozer armoured with steel plates. The bulldozer flattened fences, concrete and barbed wire, until stopped by a tree.

Luckily for the five refugees, the tree was on the western side of the Wall, where the two families were rescued by western border guards.

Attack from Space

Meanwhile, on Saturday, September 17, West Germany's first science fiction TV series debuted on the broadcaster ARD.

The series has the unwieldy title Raumpatrouille – Die Phantastischen Abenteuer des Raumschiffs Orion (Space Patrol – The Fantastic Adventures of the Spaceship Orion), which viewers have already shortened to Raumpatrouille Orion or just plain Orion.

Like the new US series Star Trek, Space Patrol Orion starts with an opening narration, courtesy of veteran actor Claus Biederstaedt, which promises us a fairy tale from the future. In the year 3000 AD, nation states have been abolished. Humanity has settled the ocean floor and colonised far-flung worlds. Starships, including the titular Orion, hurtle through space at unimaginable speeds.

An impressive title sequence and a spacy and very groovy theme tune follow, courtesy of Peter Thomas, who also supplies the music for the Edgar Wallace and Jerry Cotton movies.

Then the show plunges us directly in medias res aboard the fast cruiser Orion 7 and introduces the five person crew: Commander Cliff Allister McLane (Austrian actor Dietmar Schönherr, who is the German dubbing voice of both James Dean and Sidney Poitier), chief engineer Hasso Sigbjörnson (Claus Holm), weapons officer Mario de Monti (Wolfgang Völz, who's best known for comic roles), astrogator (that's Orion speak for navigator) Atan Shubashi (F.G. Beckhaus) and space control officer Helga Legrelle (Ursula Lillig). As the names and the opening narration indicate, the series is set in a multicultural, postnational future, though so far, all characters are played by white actors.

Orion crew
The Orion crew at work on the command bridge

When we first encounter the Orion crew, they are trying to land on the Saturn moon Rhea, while orders telling McLane to stop and return to base echo from the communication system. McLane, however, chooses to ignore those orders.

Most dialogue in the opening scene is gadget speak (and not even regular gadget speak, but a lot of Orion-specific terms), yet it tells us a lot about the characters. Right away we learn that McLane is a Maverick who views orders as strictly optional suggestions. We also learn that his crew trusts him and that they are very competent at what they do.

Where Clothes Irons Control Space Ships

Orion take off
The Orion 7 rises from the ocean in an impressive special effects sequence

This is as good a time as any to talk about the Orion herself. Unlike the silver rocketships that still abound in visual science fiction, the Orion designers decided to go with a saucer shape, enhanced with fins and a transparent dome.

Orion command bridge
The Orion command bridge set on the soundstage of Atelier Bavaria.

The Orion has an impressive command bridge – courtesy of set designer Rolf Zehetbauer – with boldly curved control stands, flashing lights, beeping oscilloscopes and a massive, egg-shaped computer. Every available surface is covered with futuristic looking bits and bobs. If you look closely, some of those bits and bobs seem oddly familiar, since they are repurposed household objects such as pencil sharpeners, bathroom tabs, plastic cups and in one memorable moment, a Rowenta clothes iron.

Orion clothes iron
Is this clothes iron truly a part of the Orion's engineering control stand or does Hasso simply use it to iron his uniform pants?

Zehetbauer also makes copious use of the kind of modern furniture I discussed in my article on interior design last year. In fact, you can spot several of the pieces featured in that article in the show.

Women in Command

The scene shifts to an anonymous office, where one General Wamsler (Benno Sterzenbach) is expecting a fellow general, General van Dyke of the Fast Space Fleet Command. I'm sure I'm not the only one who did a double-take when General van Dyke entered, because the General is a woman, portrayed by theatre actress Charlotte Kerr.

Generals van Dyke and Wamsler
General van Dyke (Charlotte Kerr) confronts General Wamsler (Benno Sterzenbach) and his swarmy aide Lieutenant Spring-Brauner (Thomas Reiner)

We still see way too many all-male spaceship crews and all-male future militaries, so the presence of a female general was a breath of fresh air. Nor is General van Dyke the only female character of note in this episode. Indeed, there are four named and one unnamed women with speaking parts in this episode alone. Alas, all the women in the future have the exact same beehive hairstyle, only in different colours.

We already met Lieutenant Helga Legrelle, the sole female member of the Orion crew, though so far the script doesn't give her much to do. In this scene, we meet another female character, Lieutenant Tamara Jagellovsk (Eva Plug) of the Galactic Security Service, who promises to play a prominent role in the series.

Tamara Jagellovsk
Tamara Jagellovsk (Eva Pflug)

McLane's flagrant disregard for orders has caught up with him, so General Wamsler demotes him and the Orion to space patrol service – against the wishes of McLane's direct superior General van Dyke. There are hints that McLane and General van Dyke have history – on professional and private level.

McLane and the crew
The disgraced Orion crew reports to be demoted. From left to right: Helga Legrelle (Ursula Lillig), Mario de Monti (Wolfgang Völz),Commander Cliff Allister McLane (Dietmar Schönherr), Atan Shubashi (F.G. Beckhaus) and Hasso Sigbjörnson (Claus Holm)

As if being demoted isn't humiliation enough, McLane is also assigned a watchdog, the above-mentioned Tamara Jagellovsk. Based on the first episode, the interaction between those two promises to be very interesting.

Dancing under the Sea

Before the Orion and her crew set off on space patrol duty, they relax in the grooviest nightspot in town, the Starlight Casino. The name is something of a misnomer, because the Starlight Casino is located on the ocean floor and instead of stars, oversized fish can be seen swimming beyond the transparent ceiling dome.

Starlight Casino
The impressive Starlight Casino

The Starlight Casino is a stunning set and I have no idea how Bavaria Atelier was able to build something like this on a West German TV budget. The set is not really underwater, but on a soundstage, while the fish are swimming in the aquarium of the Munich zoo and were copied into the scene via the magic of bluescreen technology.

McLane and Hasso
McLane and Hasso share a drink, while some very unique dancing is going on in the background

The nightclub scene also adds some characterisation and worldbuilding. We learn that astrogator Atan Shubashi is worried about his dog 264, one of the last 376 poodles on Earth. We also learn that chief engineer Hasso Sigbjörnson has promised his wife Ingrid (Lieselotte Quillig) to retire, but wants to go on one last mission and ropes McLane into breaking the news to Ingrid.

Ingrid Sigbjörnson
Ingrid, Hasso's long-suffering wife (Lieselotte Quillig)

During all this, extras are performing a fascinating dance routine to electronic music in the background. Science fiction tends to assume that people in the future will dance the same way we do and probably to the same music, too, but Orion does not make this mistake. And so the background extras perform an oddly formal dance (created by choreographer William Millié), where couples dance back to back. I suspect this dance will be a big hit in dance classes throughout West Germany.

One thing that impressed me about Raumpatrouille Orion are the many little worldbuilding hints dropped into the story. Why exactly do people in the year 3000 AD dance like that? Why are poodles almost extinct? What was the Second Interstellar War and for that matter, what was the first? When did people of European origin start eating with chopsticks, as many of the characters do, when using chopsticks in present day West Germany will have people staring at you as if you were a unicorn?

A lot of science fiction worlds end at the bulkheads of a spaceship or the atmosphere of a planet, but in Orion, there clearly is a world and culture beyond the little slice that we see. I hope that future episodes will explore that.

Trouble in Space

Once the Orion takes off and emerges from the ocean in a stunning special effects sequence, trouble soon find McLane and his crew.

McLane and Tamara
McLane steadfastly ignores Tamara.

For starters, McLane and his watchdog Tamara Jagellovsk don't get along at all. McLane alternately ignores Tamara, sends her to her cabin like a naughty child and snipes at her. Tamara, however, is no pushover and gives as good as she gets, while Hasso and weapons officer Mario de Monti watch in amusement. Mario, who's something of a womanizer, clumsily attempts to flirt with Tamara – without success. Meanwhile, Hasso wonders whether Tamara is actually a robot. Considering that there are references to robots being more efficient than humans scattered throughout the episode, I wonder whether this isn't foreshadowing a later revelation.

Helga, Atan and Tamara
Helga Legrelle and Atan Shubashi explain Orion technology to Tamara.
Mario and Tamara
Mario de Monti unsuccessfully attempts to flirt with Tamara.

But whether she's human or a sophisticated android, I really like Tamara, especially when she dresses McLane down for his patronising behaviour such as calling her "My dear child".

The Orion runs into a solar storm (another impressive effect) and then into a dead satellite. McLane wants to blow up the satellite, because it's a hazard to space traffic. Tamara countermands him in what will become a pattern.

Atan Shubashi reports that he cannot raise the satellite relay station MZ-4 on the radio and only receives nonsense code. McLane wants to investigate, because the MZ-4 crew are friends. Tamara tries to override McLane again, but McLane points out that if they don't fix the transmitter problem, an automated space cruiser will crash into MZ-4. And no, they cannot contact the cruiser themselves, because the dead satellite that Tamara would not let McLane to blow up is disrupting communications in the region. "Shall I send them a postcard?" an impatient McLane snaps.

So Hasso and Atan get into a Lancet, a spherical shuttle that looks very much like a modern lamp, to investigate. McLane also orders Hasso and Atan to wear space suits, because when a transmitter fails, a life support system may fail as well.

Lancet
The Lancet shuttle looks a little like a designer kitchen lamp.
Atan and Hasso
Atan and Hasso in their bulky space suits

If a character announces they will retire after "one last mission" like Hasso did, this is often a death sentence. And Atan is the only other crewmember who has someone waiting for him at home, so I became seriously worried about those two.

The Mystery of MZ-4

Atan and Hasso
Atan and Hasso explore MZ-4

And not without reason, for once Atan and Hasso reach MZ-4, they find the station without power and oxygen. The crew is dead, frozen in mid movement, and the transmitter is set to a frequency not used by humans.

The scenes of Atan and Hasso exploring the darkened station, their heavy footsteps echoing on the metal floors, are genuinely spooky. Though the discovery of the dead crewmen is marred by the fact that one actor blinks at the crucial moment.

Atan, Hasso and Clarence
Atan and Hasso find MZ-4 commander Clarence dead, frozen in mid movement.
Two dead MZ-4 crewmembers
Two more MZ-4 crewmembers frozen in mid movement. The guy on the right blinks.

Atan and Hasso are still trying to figure out what the hell happened, when they spot a curiously glittering, elongated humanoid shadow. Aliens – or "exo-terrists" in Orion speak – have taken over MZ-4 and they turn out to be immune to rayguns.

Frog alien
One of the "exo-terrists" that have taken over MZ-4.
Frog alien
Another "exo-terrist".

In filmic science fiction, aliens are all too often humans in rubber masks. However, Orion's exo-terrists – or Frogs, as Hasso and Atan nickname them – look truly alien. The glittering shadows were created via bluescreen technology.

Hasso and Atan call McLane who orders them to get the hell out of there. However, more trouble is coming, for Helga Legrelle detects seven unknown spaceships heading for the Orion. Worse, Hasso and Atan find that their Lancet has been sabotaged and cannot take off.

Space Battles and Moral Dilemmas

McLane promises to come back for them and goes off to fight the alien ships, only to find that the Orion's weapons are as ineffective as Hasso's raygun. The only course of action left is to return to Earth and warn everybody of the impending invasion.

However, Hasso and Atan are still stuck on MZ-4. McLane doesn't want to leave his friends behind. Tamara points out that Atan and Hasso are most likely already dead and the station is in the hands of the aliens. She orders McLane to destroy the station. McLane grudgingly agrees, but can't bring himself to press the button that will kill his friends. Not that it matters much, because the Orion has no firepower left after the encounter with the alien ships.

McLane may be a Maverick who ignores orders, but his first priority is to save lives. Therefore, I was disappointed that the convenient power failure took the decision whether to kill his friends and potentially save humanity out of his hands.

A Good Old Astounding Solution

But Atan and Hasso are still very much alive, though about to be overrun by aliens. They figure out that reason the aliens shut down the life support system is that oxygen is toxic to them. So Hasso uses the oxygen cartridge from his spacesuit to kill the aliens.

Hasso and Atan
Hasso and Atan wait for the aliens to enter, so they can flood the station with oxygen.

As solutions to cosmic mysteries go, this one was pretty clever. It feels like something that John W. Campbell might have published in Astounding twenty years ago. And indeed, the entire MZ-4 sequence with its try and fail cycles feels very Campbellian.

Hasso's cunning plan works. The aliens are overcome by oxygen and reduced to a pile of glitter on the floor. However, there's still the automated cruiser Challenger, which is headed straight for MZ-4 and will crash into the station, if not given a course correction. And Atan and Hasso can't hail the cruiser. What saves them in the end is ironically the aliens, who have placed a forceshield around MZ-4, blowing up the Challenger before she can hit the station.

A Meeting of Generals

The episode concludes at a conference table, where several military men – and this time around, they're all men; General van Dyke is presumably away on a mission – discuss what has just transpired.

General Wamsler, whom we already met, as well as the delightfully named Marshal Kublai Krim (Hans Cossy) and commander-in-chief Sir Arthur (Franz Schafheitlin) want to blow up MZ-4 in a pre-emptive strike against the aliens (at this point, they don't yet know that Hasso and Atan managed to take them out). The lone dissenting voice is Colonel Villa (Friedrich Joloff), head of the Galactic Security Service and Tamara's boss, who points out that maybe it would be better to find out what the aliens want first. Joloff is best known for playing villains, so it was nice to see him in a more nuanced role.

Generals
General Wamsler, Marshal Kublai Krim (Hans Cossy) and Sir Arthur (Franz Schafheitlin) have a meeting.
Colonel Villa
Colonel Villa (Friedrich Joloff), head of the Galactic Security Service and the lone sensible military man.

The "shoot first and ask questions later" policy very much matches postwar West Germany's view of unscrupulous generals who will do anything to eliminate a perceived threat, regardless of the loss of life.

The reunited Orion crew heads to the Starlight Casino to celebrate, including Tamara who has made peace of sorts with McLane and the rest of the crew. Tamara also reveals that she knows that McLane lied about the dead satellite disrupting communications and tells him never to lie to her again.

"This was just a nightmare, wasn't it?" Hasso, who's still shaken from his ordeal, asks Atan.

"Worse," Atan replies, "That was science fiction."

Science Fiction for Grown-ups

When my fellow Travellers here at the Journey raved about the new American show Star Trek, I was jealous, because Star Trek seems to be exactly what filmic science fiction so rarely offers, namely serious stories for adults that can compete with written science fiction. Little did I know that I would get my wish fulfilled only nine days later in the form of Space Patrol Orion.

Because Orion is exactly that: a serious science fiction story for adults and one that looks amazing, too. The beginning is a little slow and the MZ-4 plot is taken straight from a 1940s issue of Astounding. But comparing Raumpatrouille Orion to stuff like Familie Hesselbach (The Hesselbach Family), Stahlnetz (Steel Web) or Hafenpolizei (Harbour Police), which dominates the West German airwaves, is like comparing a Volkswagen to a Mercedes. Honestly, I had no idea that West Germany was even capable of producing something like Orion.

I hope that writers Rolf Honold and W.G. Larsen (a joint pseudonym used by Hans Gottschalk, Helmut Krapp, Oliver Storz, Theo Mezger and Michael Braun) will lay off the gadget speak, which is sure to scare away the mundanes, and focus more on the characters and their interactions. Because Orion has intriguing characters played by some of our best actors, so let's make use of them.

Episode 2 will air in two weeks and I for one can't wait.

Four and a half stars.






[August 14, 1966] So Bad It's Hilarious (The Star Magicians by Lin Carter/The Off-Worlders by John Baxter (Ace Double G-588))


by Cora Buhlert

Science Fiction at the Newsstand

Perry Rhodan No. 258
Issue 258 of Perry Rhodan features the fan favourite character Gucky the mouse beaver on the cover, expertly drawn by Johnny Bruck.

Ever since its debut almost five years ago, West German science fiction has been synonymous with the dime novel series Perry Rhodan. Issue 258 of Perry Rhodan came out this week and so far, the series shows no sign of faltering.

Success breeds imitators and so there have been challengers for the crown of West Germany's premier science fiction series. The first challenger Mark Powers was hampered by old fashioned and inconsistent plots and so the series was discontinued in 1964, though Mark Powers still occasionally pops up in the pages of the anthology series Utopia Zukunftsroman.

This month, a new challenger appeared on West German newsstands. Ren Dhark is penned by former Perry Rhodan writer Kurt Brand and published by Kelter Verlag. Only one issue has come out so far, but what I've read looks promising.

Ren Dhark, No. 1
The first issue of Ren Dhark, the latest Perry Rhodan challenger

The story begins in the far off future of 2051 AD, when overpopulation – a popular theme in current science fiction, as Harry Harrison's Make Room, Make Room! and several of the stories collected in Orbit 1 show – forces humanity to look for a new home among the stars. So the starship Galaxis under the command of Captain Sam Dhark (no reason is given for the odd spelling of the name) departs for Deneb with fifty thousand colonists. However, the time effect drive malfunctions, stranding the Galaxis in the depths of space, turned into an involuntary generation ship.

Eventually, the Galaxis, now commanded by the titular Ren Dhark, son of the late captain, manages to find a habitable planet. But their problems have only just begun, because the planet in question is not only habitable, but also inhabited…

Ren Dhark started out promising enough, though not particularly innovative. Nonetheless, I will certainly haunt the newsstand on the lookout for issue 2.

Science Fiction at the Spinner Rack

The Off-Worlders by John Baxter

However, my main source of new science fiction is still the spinner rack at my local import bookstore. And during my last visit, I managed to snap up the latest Ace Double, number G-588 to be exact, which includes The Off-Worlders by John Baxter and The Star Magicians by Lin Carter.

The Off-Worlders has just been serialised in New Worlds under the title The God Killers, so I'll just point you to Mark Yon's review of the novel and delve right into the other half of this Ace Double.

Most readers of the Journey will probably know Lin Carter mainly from his "Our Man in Fandom" columns in If, but he is also an up and coming science fiction and fantasy writer. Erika Frank reviewed his sword and sorcery novel The Wizard of Lemuria last year. Now, Carter has set his sights on space opera, though barbarians still feature prominently.

A Familiar History

The Star Magicians by Lin Carter
Amazingly, Jack Gaughan's cover is an accurate illustration of a scene in the novel.

The Star Magicians begins with one of those dreaded information laden prologues which occasionally afflict science fiction novels. In fact, when I read the capsule history of the fall of the Great Carina Empire, I briefly wondered whether I had accidentally picked up a later book in an ongoing series.

But even if there is no previous novel in the series, the history of the Carina Empire, which is beset by barbarians at its borders and eventually breaks apart and descends into a new dark age, will seem familiar to anybody who knows even a lick of history, for here is the fall of the Roman Empire replayed once again in outer space.

However, one planet stands firm against the new dark age and the barbarian Star Rovers: the planet Parlion, which is inhabited by a group called the White Wizards, who preserve science and technology and are considered magicians by their less enlightened neighbours. If that story seems familiar, it's probably because you've read it before when it was still called Foundation and penned by Isaac Asimov.

Naked Bodies and Tortured Metaphors

Once the actual plot begins, the novel becomes more engaging, though not necessarily better or more original. The story proper opens in an arena, where a would-be Conan gladiator is fighting against an alien monster, while the barbarian warlord Drask looks on and fondles a naked girl.

The naked girl is a captive princess, though you wouldn't know it from the first chapter. Carter repeatedly starts and then fails to describe the young woman, getting sidetracked by reminiscing about the conquest of the planet in a pitched space battle, describing the chafing and sweat-soaked leather and iron garb of a barbarian warrior and lovingly detailing the manly vigour and magnificent body of the gladiator (who will be dead within two pages, his "nakedness clothed in dripping scarlet").

Here's a typical example of Lin Carter's tortured prose. If this is too much for you, best bail out now, because the entire book is like that:

Above, in the royal box, Drask reclined at his ease on the satin cushions, half his cynical attention on the tragic drama unfolding below, and half on the trembling young girl beside him, whose nude breasts he was idly fondling. A philosopher in his rough way, the Warlord of the Star Rovers mused on the changeful ways of Fate. In this moment of time the young Argionid swordsman was filled with robust life, bursting with manly vigor in the full hot morning of his youth… in the next moment, his splendid, virile body would be an awful bundle of bloody rags, crushed in the inexorable jaws of the slavering thard.

We are toys at the feet of the gods, he thought.

When Carter finally remembers to describe the young princess – or rather her breasts – he compares them to "warm, white fruit", at which point I wondered whether Carter has ever seen a naked woman, or eaten fruit, for that matter.

After the would-be Conan has met his demise, we are finally introduced to the actual protagonist, Perion of North Hollis (which sounds like a stop on the London Underground rather than a city on an alien planet), a minstrel sentenced to die in the arena for treason. However, Perion manages to outwit the monster and is pardoned and even invited to a feast of the Star Rovers, where he further ingratiates himself by stopping the captive princess from stabbing the warlord Drask. Her attempt at revenge foiled, the princess stabs herself and is forgotten within a page. We never even learn her name nor anything about her appearance except that she has breasts.

Lin Carter
Lin Carter

White Wizards and Green Goddesses

What follows is a clunky and exposition laden dialogue, which not only repeats information we already got in the equally clunky prologue, but also reveals that there is only one person who can stand against the mighty warlord Drask, namely Calastor, one of the White Wizards of Parlion. Not only does Calastor have superior quasi-magic technology, he also has dozens of minions willing to do his bidding. Worse, no one knows what he looks like. "For aught we know, he might be standing among us at the very moment," mutters one of the few named Star Rovers at the feast. Anybody who has read Isaac Asimov's Foundation series may develop certain suspicions at this point.

Since the princess committed suicide, Drask is in need of a new bed companion and picks a random dancing girl, who promptly tries to stab him again. Even Drask, who's not the sharpest knife in the drawer, thinks that two assassination attempts in one night are a little much to be a coincidence. So he examines the dagger with which the girl tried to stab him and finds a glowing green stone, a talisman dedicated to the Green Goddess of Malkh. The dancing girl is one of her priestesses. For it turns out that Drask has not one but two sworn enemies in the galaxy, the White Wizard and the Green Goddess. Of course, it might have been helpful if Carter had mentioned that tidbit of information before.

The interrogation of the dancing girl, whose name is revealed to be Lurn, reveals nothing, because Lurn downs a potion that – no, this time around, the potion doesn't kill her, it only makes her fall asleep. When the sleeping Lurn is taken to the dungeon for further interrogation, she vanishes into thin air.

Lurn reappears on the next day, hidden in Perion's baggage, which leads to both her and Perion being arrested. During their interrogation, Perion is unmasked as none other than Calastor, the White Wizard and sworn enemy of Drask. This turn of events might have been a genuine surprise, if Carter hadn't borrowed it wholesale from "The Mule" part of Isaac Asimov's Foundation trilogy. And just in case you failed to notice the parallels, Perion is even shown with a (pack)mule shortly before his arrest. In fact, the only surprise is that the reveal happens halfway through the novel rather than at the end, as I expected.

Calastor and Lurn escape Drask by teleporting to safety and engage in yet another exchange of long explanations aboard Calastor's spaceship. Calastor reveals that he must stop Drask and the Star Rovers soon, because they are threatening the planet that the White Wizards of Parlion have picked out as the nucleus of the new galactic empire they are trying to build.

Smoke and Mirrors

The story now heads to Xulthoom, the planet of mists and also the planet that drives men mad. Xulthoom is a fascinating setting with its ancient ruins and perpetual mists and I wonder what e.g. Leigh Brackett could do with it. Lin Carter does not nearly have Leigh Brackett's skills, but even he manages to convey the spooky atmosphere of Xulthoom.

Calastor uses his quasi-magical science to mentally destabilise the Star Rovers and turn them against each other, while gizmo-speaking to Lurn and spouting an amount of nonsense about psionics that would impress even John W. Campbell.

Due to Calastor's manipulations, the Star Rovers go mad one by one and begin to hear voices. Some literally die of fear. In the end, even Drask himself hears a voice, supposedly that of the Green Goddess, warning him to return to the Rim Stars whence he came or suffer the consequences. However, the message from the Green Goddess is not Calastor's doing. There is another power at work here.

Spooked by the message of the Green Goddess, Drask finally gives the order to abandon Xulthoom – no, not to go home, but to conquer the next planet, the one planet that the White Wizards want to keep the Star Rovers away from at all costs.

Calastor summons some help from Parlion and together the White Wizards attempt to dissuade the Star Rovers from travelling onwards by projecting an illusion of space dragons attacking the fleet. However, the Star Rover shaman Abdekiel, an offensive Asian stereotype who is frequently likened to a "butter yellow buddha", sees through the ruse.

So Calastor and his companions teleport aboard the Star Rover flagship to face Drask and his men directly. The White Wizards use their mental powers to disarm the barbarians, while Calastor gets involved in a prolonged and remarkably well described swordfight.

The standoff is interrupted by the Green Goddess herself, who thoroughly smites the Star Rover fleet, a scene strikingly illustrated by Jack Gaughan on the cover. Finally, the Goddess teleports the adversaries away, metes out punishment to Drask and gives her blessing to the marriage of Calastor and Lurn (who turns out to be a princess as well), who will rule together over the world that will become the nucleus of the new empire.

An Unholy Mess

Lin Carter was aiming for Isaac Asimov's Foundation as written by Robert E. Howard. However, Carter has the skill of neither Asimov nor Howard and so the result is just a mess.

One technique that Carter borrows from Robert E. Howard is Howard's tendency to begin a story with a supporting character before his barbarian adventurer Conan steps onto the scene. But while Howard never leaves any doubt that Conan is the hero of the story, Carter seems unsure which of his characters is the protagonist. By rights, Calastor and Lurn should be the stars, but Calastor vanishes for chapters at a time and Lurn never even acquires a personality, so Drask, the villain, is the closest thing to a protagonist this unholy mess of a novel has.

Make no mistake, this is a terrible book. It's certainly the worst book I have ever reviewed for Galactic Journey. The plot is hackneyed, the prose is tortured and so purple that it almost crosses over into ultraviolet. In fact, this book is so awful that I wonder how desperate Ace must have been to publish it. If there was a Hugo Award for the worst science fiction novel, The Star Magicians would be the uncontested winner.

However, this novel has one redeeming feature: it is at least entertainingly terrible. In fact, the book is utterly hilarious. I was giggling the whole time I read it and regaled friends and family members with reading Lin Carter's awful prose out loud. If The Star Magicians were a parody, it would be absolutely brilliant. But unfortunately, it's supposed to be a serious space opera adventure.

I'm sure there is something that Lin Carter excels at and I hope that he will eventually find it. However, writing science fiction is not it.

One and a half stars

AG Weser workers relaxing
Workers at the AG Weser shipyard in Bremen are enjoyaing a well deserved break in the summer sun.
Three young ladies bathing in Bremen
Meanwhile, these three young ladies are enjoying a swim in the Stadionbad public pool in Bremen.


Rosel George Brown's new hit novel, Sibyl Sue Blue, is much better than Lin Carter's book. You might want to get the taste out with it!




[June 14, 1966] Aliens, Housewives and Overpopulation: Orbit 1, edited by Damon Knight


by Cora Buhlert

Whale Hunt on the Rhine

Moby Dick on the Rhine
Moby Dick swims past the Duisburg copper smelter.

All of West Germany is currently kept on tenterhooks by Moby Dick. No, I'm not talking about the classic novel by Herman Melville, but about our very own re-enactment thereof on the river Rhine.

On May 18, the skipper of a Rhine barge reported having seen "a white monster" in the polluted waters of the Rhine near Duisburg. The river police initially assumed that the man was drunk, but other sightings were reported as well. The unfortunately named Dr. Wolfgang Gewalt (his surname literally means "violence"), director of the Duisburg Zoo, identified the creature as a beluga whale, which had somehow managed to swim 450 kilometres upstream.

Hunting Moby Dick
Dr. Gewalt and his crew hunt Moby Dick with stun guns and bow and arrow.

Discovering his inner Captain Ahab, Dr. Gewalt decided to capture the white whale and have it transported to his brand-new dolphinarium. However, he was about as successful as his literary counterpart and so Moby Dick, as the whale was nicknamed by the locals, repeatedly eluded the traps laid for him, with the aid of some people who believe that the whale should be free back to swim the ocean and not imprisoned in a too small basin.

Diving bell vessel Carl Straat
The specialist diving bell vessel "Carl Straat" with a tugboat on the Rhine. The "Carl Straat" was built in 1963. My Dad designed the handling gear for the diving bell.

Eluding his would-be captors, Moby Dick even swam as far upstream as the West German capital of Bonn, where he interrupted a parliamentary press conference, most likely to protest the treatment he had suffered at the hands of the West German police as well as the heavy pollution of the Rhine, which turned the pristine white skin of a whale a splotchy grey. However, there is a happy ending, because Moby turned around and made it back to the North Sea unharmed.

Moby Dick in Bonn cartoon
A cartoonist's impression of Moby Dick interrupting the parliamentary press conference, much to the chagrin of Chancellor Ludwig Ehrhard.

All-new Anthology, All-new Stories:

Moby's adventures are enough to keep the entire country at the edge of their seats. But nonetheless, I still found the time to read the new science fiction anthology Orbit 1, edited by Damon Knight, which I picked up from the trusty spinner rack at my local import bookstore. The blurb on the backcover promised nine brand-new stories by the best science fiction authors working today, so how could I resist?

Orbit 1, edited by Damon Knight

"Staras Flonderans" by Kate Wilhelm

Kate Wilhelm is not only one of the best up and coming science fiction authors, she also happens to be married to Orbit editor Damon Knight. That said, Knight wasn't playing favourites here, because Kate Wilhelm's contribution to the anthology is a genuinely good story.

A scout craft with a three person crew, two humans and the alien Staeen, approaches a derelict starship. The lifeboats are gone and the ship was abandoned by her crew in a hurry. However, our three brave explorers have no idea why, since the ship was in perfect working order. Nor is this the first time something like this has happened; other ships have been found abandoned as well.

Kate Wilhelm explores the mystery of the abandoned starship not through the eyes of the two human crewmen, but of the alien Staeen, who is described as looking like an inverted tulip at one point. Staeen is a truly alien creature, who can survive on land, underwater, in deep space and in high radiation environments. He is an empath, several millennia old and humans are ridiculously short-lived to him. In fact, Staeen's people, the Chlaesan, refer to humans as "Flonderans", which means "children" in their language. Staeen's human crewmates, two big, burly spaceman that would be at home in any issue of Analog, clearly have no idea how their comrade views them.

Staeen uses his empathic abilities and realises that the crew abandoned the ship in a fit of irrational panic. But whatever caused that blind panic is still out there, as our three brave explorers are about to find out…

At its heart, this story is a neat mystery in space that would have been at home in Planet Stories or Thrilling Wonder Stories twenty years ago. What sets it apart is Staeen's uniquely alien view of the world as well as Kate Wilhelm's writing skills.

Four stars.

"The Secret Place" by Richard McKenna

I wasn't familiar with the work of Richard McKenna, who passed away two years ago at the way too early age of fifty-one. So "The Secret Place", which was found among his papers after his death, is my first exposure to his work.

First-person narrator Duard Campbell recounts his strange wartime adventures. As a young geology student, Campbell was part of a team that was supposed to track down a uranium mine in the Oregon desert. For in 1931, a boy named Owen Price was found dead with claw marks on his back as well as some gold ore and a piece of uranium oxide in his pocket. When uranium suddenly becomes vitally important with the onset of WWII, the US Army sends a team to locate the source of the uranium oxide. The chief geologist Dr. Lewis believes that this venture is futile, because the area in question is a volcanic high plateau, where uranium does not naturally occur.

When the team departs, only Campbell is left behind. He wants to prove Dr. Lewis wrong and find the uranium vein. So he hires Owen's sister Helen, who can see things no one else can see, as his secretary to pry the secret of the uranium mine out of her. But the game Campbell plays with Helen quickly becomes dangerous for them both.

I enjoyed the vivid descriptions of the Oregon countryside, though I have no idea how accurate they are. The ending is a bit abrupt, though, and the central mystery is not really resolved, probably because McKenna died before he could finish the story.

Three stars.

"How Beautiful With Banners" by James Blish

James Blish needs no introduction to the readers of the Journey.

Dr. Ulla Hillstrøm is a scientist who runs into problems when her living spacesuit merges with a native creature, described as a floating cloak, during a research mission of the Saturn moon of Titan.

Dr. Hillstrøm realises that the cloak is trying to mate with her spacesuit. She notes a second cloak creature and deduces that it might be jealous, so she tries to use the second creature to separate the cloak creature from her spacesuit. However, she is only partly successful, because the separation destroys the spacesuit. The last thing Dr. Ulla Hillstrøm sees before she freezes to death is the mating dance of the cloak creatures.

Beautifully written, but inconsequential. The stereotype of the icy female scientist who never knew love and companionship is overused. Science fiction writers, please go and meet some actual women scientists.

Two stars

"The Disinherited" by Poul Anderson

Poul Anderson is another author who needs no introduction.

The government of an overpopulated future Earth ends the galactic exploration program and recalls scientific personnel and spaceship crews. Understandably, no one is very happy about this.

"The Disinherited" follows two characters. Jacob Kahn is a starship captain and has been for a very long time due to the time dilation effect of travelling at lightspeed. Kahn is also an Israeli Jew, something which should not be unusual, considering how many science fiction writers are Jewish, but which sadly still is. Kahn's first mate is Native American, his chief engineer is from India, the assistant chief engineer from Africa. Anderson presents us a still all too rare future populated by people other than white Anglo-Saxon Protestants, though most of them are still male.

David Thraikill is a scientist whose family has been living on the planet Mithras for three generations now and who has never been to Earth. As a result, Thraikill and the rest of the scientists do not want to leave Mithras, because this is their home now. Kahn tries to persuade them to leave by explaining that the human inhabitants of Mithras cannot maintain a high level of technology in the long run and that there will also be conflicts with the native population of Mithras, a race of peaceful kangaroo-like beings. Because as history shows, this is what always happens when one group of humans comes in contact with another group and colonises their homeland…

Considering how prolific Poul Anderson, it's no surprise that his works can be hit and miss. "The Disinherited" definitely falls on the "hit" side and offers a look at the dark side of colonialism, something our genre rarely explores.

Five stars

"The Loolies Are Here" by Allison Rice

Allison Rice is the only unfamiliar name in Orbit 1. However, the biographic note explains that Allison Rice is a joint penname used by Jane Rice, whose stories have been brightening up the pages of Unknown, Astounding and F&SF for more than twenty years now, and Ruth Allison, a mother of five and new writer.

The first person narrator – we later learn that she shares the name the authors have chosen to publish this story under – is a harried housewife and mother of four, who is dealing with a torrent of bad luck, appliances breaking down, children and pets misbehaving, etc… One day, she finds tiny footprints on the floor and wonders whether the loolies – mischievous goblins whom her sons blame for their own misbehaviour – are not real after all. Eventually, the narrator sees a bonafide loolie in the bathroom during a massive storm. But even though the loolie causes chaos, he does help the narrator get even with her useless husband.

"The Loolies Are Here" is very much a humour piece and the voice of the harried housewife and mother certainly rings true. In many ways, this story reminded me of Shirley Jackson's collection of semi-autobiographical short stories Life Among the Savages. It's a good story, but as a humorous domestic fantasy story, it doesn't really fit into what is otherwise a science fiction collection.

Four stars

Life Among the Savages by Shirley Jackson

"Kangaroo Court" by Virginia Kidd

Virginia Kidd is a well known name in genre circles as a member of the Futurians, poet, magazine publisher, literary agent, former roommate of Judith Merril and former wife of James Blish. Now she can also add short fiction writer to her resume.

A future Earth, where war is a thing of the past and space travel has been outlawed, receives strange messages from outer space, followed by the landing of a spaceship. A military officer named Tulliver Harms puts himself in charge of dealing with the alien Leloc, whom he is convinced must be dangerous – after all, they're aliens. Harms plans to annihilate the Leloc.

The only potential obstacle to this plan is the newly appointed liaison officer Wystan Godwin, who had no idea what is going on due to having spent the past few months on a retreat in monastery in Tibet. Harms does his best to keep Godwin busy and in the dark, but eventually Wystan gets to parley with the kangaroo-like Leloc, who are not just very alien, but who also believe that Earth is their long lost colony. Wystan has to muster all his diplomatic skills to avoid genocide or all-out war.

"Kangaroo Court" is an amusing story about how diplomacy rather than violence wins the day, featuring some truly alien aliens. However, it also goes on far too long and particularly the expositional sections in the middle about kangaroos, marsupials and the impossible nature of the Leloc spacedrive made my eyes glaze over like the gizmospeak in a bad Analog story.

Three stars

"Splice of Life" by Sonya Dorman

Sonya Dorman burst onto the scene a few years ago and has since established herself as one of our most exciting new writers.

"Splice of Life" opens with a young woman – she's only ever addressed as Miss D. – coming to after a car accident, just in time for a doctor to stick a hypodermic into her eyeball. The eye was injured in the accident and Miss D. worries that she may lose it. The doctors and nurses reassure her, but both Miss D. and the reader realise that something is not quite right in this hospital.

A neat tale of medical horror with a ending that packs a punch.

Four stars

"5 Eggs" by Thomas M. Disch

Thomas M. Disch is another newish author, who was one of Cele Goldsmith-Lalli's discoveries back when she was editing Fantastic and Amazing.

The unnamed writer protagonist of "5 Eggs" has been left by his lover Nyctimene on the eve of their engagement party. Gradually, we learn that Nyctimene was not quite human, but some kind of bird alien, as the reference to the figure from Greek mythology suggests. However, Nyctimene has left something behind: a basket of eggs. But leaving eggs lying around the house can be quite dangerous.

This story is well written, but there isn't much of a plot and the final twist is not as shocking as Disch probably thinks it is. The recipe for Caesar salad sounds good, though.

Two stars

Pure Food-Oil ad
If you're planning on making Thomas M. Disch's recipe for Caesar salad, mind the eggs.

"The Deeps" by Keith Roberts

British writer and artist Keith Roberts has been gracing the covers and pages of Science Fantasy and New Writings in SF for several years now, though this is his first US publication, as far as I know.

"The Deeps" starts with the by now familiar dystopian vision of an overpopulated Earth (for another recent take on this theme see Make Room, Make Room! by Harry Harrison, reviewed here by our own Jason Sacks). This time around, the ingenious solution to the overpopulation problem is cities on the ocean floor.

Mary Franklin is a suburban housewife living in one of those undersea cities. One day, her teenaged daughter Jen goes off to a dance and doesn't come home. Mary goes searching for her, wondering whether the children who grow up under the sea are not becoming steadily more fishlike.

"The Deeps" is well written. Roberts captures both Mary's frustration with her husband and her fear for Jen, though I wonder whether a frantic mother searching for her missing child would really spend two pages describing the infrastructure of undersea living. Atmospheric, but not a whole lot of plot and marred by long stretches of exposition.

Three stars

Summary Judgment

The Orbit anthology series is certainly off to a good start. The quality of the stories varies, but they do offer a good overview of the range of science fiction writing today.

Of the nine stories in this anthology, four are written by women. If we count Jane Rice and her collaborator Ruth Allison separately, we have five male and five female authors. Of course, women make up fifty-one percent of the Earth's population, so an anthology with fifty percent male and fifty percent female contributors shouldn't be anything unusual. However, in practice there are still way too many magazine issues and anthologies that don't have a single female contributor, so an anthology where half the authors are women is truly remarkable.

Three and a half stars all in all

Café on the Bremen market square
Enjoying the summer sun with a cup of coffee, a slice of snow mousse cake and a good book on Bremen's market square.

[May 16, 1966] Spies, Poets and Linguists: Babel-17 by Samuel R. Delany


by Cora Buhlert

Crashing Starfighters

Before heading into the planned book review, I have sad news to relate: on May 10, two Lockheed F104G Starfighters of the West German air force collided over the North Sea and crashed into the waves, killing both pilots.

Lockheed Starfighter
A Lockheed F104G Starfighter, actually flying for once.

This would be a tragedy in itself, but what makes it even worse is that only eight days before, on May 2, another aircraft of the same type crashed near Rendsburg in the far north of West Germany, killing the pilot. Nor are these isolated incidents. All in all, the West German air force has lost fifty-four Lockheed Starfighters since 1961, twenty-six of them in 1965 alone. By now, the aircraft has a terrible reputation in West Germany, is nicknamed "widow maker" or "flying coffin," and also gave birth to tasteless jokes such as "How do you become the owner of a Starfighter? – Just buy a meadow and wait."

Starfighter crash Mörsen
This Starfighter crash in Twistringen, some 25 kilometres from where I live, cost not just the life of the pilot, but also that of a woman and her two daughters as well as a volunteer firefighter.

After so many crashes and avoidable deaths of both pilots and civilians on the ground, the West German parliament has finally launched an inquiry into why these accidents keep happening. Reasons include inadequate safety equipment and maintenance, general issues with the aircraft as well as the fact that West German Secretary of Defence Franz Josef Strauß, probably the worst German politician since 1945, requested alterations and add-ons, which the light fighter aircraft cannot handle.

Franz Josef Strauß
West German Secretary of Defence Franz Josef Strauß poses in the cockpit of a Starfighter. A pity he won't be the one who's in the cockpit when the next Starfighter crashes.

Spies in Space

With so much grim news in the real world, you just want to escape into a book. So I was happy to find Babel-17, the latest science fiction novel by Samuel R. Delany, in the spinner rack at my local import bookstore. The blurb promised a mix of space opera and James Bond style spy adventure, which sounded right up my alley.

Babel-17 by Samuel R. Delany

Babel-17 starts with a poem, and there are further poems scattered throughout the novel, used as chapter epigraphs. This is something you occasionally find in vintage pulp magazines, but rarely in contemporary science fiction. However, the use of poetry is entirely appropriate here, because Rydra Wong, protagonist of Babel-17, is a poet.

Rumour has it that the character is based on Samuel Delany's wife, the poet Marilyn Hacker, and that the poems found throughout the novel are her work. This is supported by a scene where Rydra Wong remembers the two men with whom she was in a triple marriage, a fellow writer named Muels Aranlyde and a geologist named Fobo Lombs. Muels Aranlyde is not just an anagram for Samuel R. Delany, he is also the author of a novel called Empire Star, which just happens to be the title of a novel Delany published earlier this year (reviewed here by our own Jason Sacks). Fobo Lombs is an anagram for Bob Folsom, a friend of the Delanys, to whom Babel-17 is dedicated.

Marilyn Hacker
The poet Marilyn Hacker, wife of Samuel R. Delany and model for Rydra Wong

After the poem, the novel proper opens with General Forester of the Alliance musing about invasions, embargos, hunger and cannibalism. From this, the reader deduces that Babel-17 is set in a galactic empire in the far future, which is at war. Later, we learn that warring parties, the Alliance and the Invaders, are both human.

The General is at bar, waiting to meet the above mentioned Rydra Wong. At twenty-six, Rydra Wong is not only the voice of the age and the most famous poet in the five explored galaxies, but also a linguistic genius with perfect verbal recall as well as breathtakingly beautiful. Oh yes, and she can read minds as well. Normally, characters this perfect simply annoy the reader. Rydra Wong, however, is endlessly fascinating, not just to the reader, but also to any man she meets. She has the magnetic charisma of James Bond, if James Bond were a brilliant female poet.

The military has hired Rydra Wong to solve a mystery. Factories and military installations have been experiencing mysterious accidents, which appear to be due to sabotage. Just before every accident, a burst of radio signals occurs. The signals seem to be encoded messages, but no one can crack the code, named Babel-17.

This is where Rydra Wong comes in. Using her linguistic genius, she determines that reason no one can decode Babel-17 is that it's not a code at all, but a language. Once Rydra realises that the messages are a dialogue, not a monologue, she makes headway in translating them and figures out where the next accident will occur. And since Rydra Wong also happens to have a space captain's licence, she is determined to go there.

As Rydra begins to translate more messages in Babel-17, she finds that her thoughts speed up to the point that regular English seems hopelessly slow and clumsy to convey meaning. Furthermore, Rydra realises that her uncanny abilities to guess what others are thinking from involuntary muscle movements are becoming more accurate and that she has also developed the ability to determine weak spots in anything from restraint webbing to attack patterns. Learning Babel-17 is literally changing the way Rydra perceives the universe.

A Multicultural Future

The next few chapters are given over to Rydra Wong recruiting her spaceship crew in various dodgy bars. These chapters are not only a lot of fun, they also serve to enrich the world Delany has built. We learn that cosmetic surgery is commonplace in this universe to the point that some people barely look human anymore and that walking around naked or nearly naked is not only perfectly acceptable, but socially expected. We also learn that there are so-called triples – marriages of three people – that are required for certain jobs aboard spaceships and that there are other jobs aboard spaceships that can only be done by what are essentially ghosts.

The reader also learns that Babel-17 is set in a multilingual and multiracial world. This is not your typical science fiction future where everybody speaks English – instead, there are myriad languages in this universe, snippets of some of which make their way into the novel. Our heroine Rydra Wong is an Asian woman, one of her three navigators, as well as Dr. Marcus T'mwarba, a psychologist who took in young Rydra after she was orphaned by the invasion, are black. None of this should sound unusual – after all, we live in a multilingual, multiracial and multi-ethnic world, so why should the future consist solely of white Americans? However, in practice science fiction all too often still offers up white monolingual all-American futures. Samuel R. Delany, however, is a black man and chose to show a more diverse future.

Samuel R. Delany
Samuel R. Delany is not just one of our most talented writers, he's also a very handsome man.

Treason Close to Home

Rydra's mission runs into problems almost immediately and her ship Rimbaud (named after French poet Arthur Rimbaud) suffers sabotage before it has even left Earth orbit. There is a traitor on board, but who?

Once the Rimbaud reaches her destination, the Alliance War Yards at Bellatrix, more trouble awaits. Delany goes into full James Bond mode here. First, he has Baron Ver Dorco, director of the War Yards, show off the secret superweapons developed there to Rydra, only for the Baron and several members of his staff to be murdered during a dinner party, when one of those superweapons, a shapeshifting android assassin, goes awry. The saboteur has struck again.

Rydra and her crew are not targeted by the saboteur, even though Rydra later notes that the murderous android had every chance to kill her. However, once Rydra and her crew return to the Rimbaud, they are struck by sabotage again, causing the ship to launch prematurely. Rydra muses that someone on board must speak Babel-17 and that this someone must be the saboteur. If you're thinking at this point that there is only one person aboard the Rimbaud who speaks Babel-17, you're on the right track.

Left adrift with their generators burned out, Rydra and crew of the Rimbaud are rescued by the pirate vessel Jebel Tarik. Though for a pirate ship, the Jebel Tarik has a surprisingly literate captain who is eager to discuss literature with Rydra. However, Rydra quickly impresses Captain Tarik in other ways as well, when she uses her Babel-17 derived abilities to aid the pirates during a raid and to save Tarik from an assassination attempt.

Rydra also bonds with Tarik's lieutenant Butcher, an amnesiac ex-con who was tortured by the Invaders and who cannot understand the concepts of "I" and "you". Rydra tries to teach him those concepts in a stunning dialogue where "I" and "you" are reversed throughout.

Rydra's next destination is the Alliance Administrative Headquarters. But before they can get there, they are attacked by the Invaders. Rydra, her crew and Butcher escape after a thrilling hand to hand battle in deep space. If you're thinking by now that Rydra Wong is remarkably unlucky, you're on the right track.

However, Rydra is not just remarkably unlucky, she is also very smart and so she eventually puts the pieces together in a nigh psychedelic and erotically charged scene where Rydra and Butcher merge both their bodies and minds. The saboteur and the traitor aboard the Rimbaud are revealed. So are Butcher's missing memories.

Reprogramming Human Brains

As the title implies, the solution to the mystery is Babel-17. For while Babel-17 is a language, it functions like a programming language, only that it programs not computers but human brains. Exposure to Babel-17 can turn people into unwitting traitors and replace their entire personality.

However, those who fell victim to Babel-17 can be deprogrammed. Furthermore, Rydra Wong has realised that what makes Babel-17 is so destructive is the lack of personal pronouns and the concepts of self and others. However, changing the language to include those concepts will also correct its flaws and stop the sabotage and the war. And so Rydra, Butcher and the rest of Rydra's loyal crew take off in a stolen Alliance battleship to put everything right and end the war. If only wars in the real world, such as the ongoing conflict in Vietnam, could be ended so easily.

Soft Science and Hard Linguistics

Space opera is often less scientifically rigorous than other types of science fiction. Babel-17, however, is based in real science. Though that science is not physics, chemistry or astronomy, but linguistics.

Campus Uni Vechta 1966
The newly built campus of the Pedagogic College Vechta, where I taught linguistics.

I'm a translator and linguist by training and even taught English linguistics at the Pedagogic College in Vechta, a town in Northwest Germany (which also suffered a Starfighter crash, by the way). So I'm familiar with the linguistic theories behind Babel-17.

The concept that underlies Babel-17, both the novel and the fictional language, is the theory of linguistic relativity, which postulates that the structure and vocabulary of a language determines the speaker's thoughts, worldview and perception.

Edward Sapir
Edward Sapir
Benjamin Lee Whorf
Benjamin Lee Whorf

The theory of linguistic relativity goes back to Enlightenment era thinkers such as Johann Gottfried Herder and Wilhelm von Humboldt. Nowadays, it is mostly associated with the American linguists Edward Sapir and particularly Benjamin Lee Whorf (who also coined the term linguistic relativity) to the point that the theory is sometimes referred to as the Sapir-Whorf hypothesis, even if Sapir and Whorf, though influenced by each other, did not actually develop the theory together. Working independently of Sapir and Whorf, West German linguist Leo Weisgerber has developed the similar theory of "inhaltsbezogene Grammatik" (content-related grammar), which is still influential in both West and East Germany.

Leo Weissgerber
Leo Weissgerber

Weisgerber's work is little known in the English-speaking world, but I am certain that Samuel R. Delany is familiar with both Sapir's and Whorf's work. The concept of allophones – variations of a spoken sound that belong to the same phoneme – which Rydra explains to General Forester early in the novel, was taken straight from Whorf's work.

The theory of linguistic relativity is popular among science fiction writers. Jack Vance also used it as the background for his 1957 novel The Languages of Pao. The idea that language determines thought and perception is certainly seductive and I can understand why science fiction writers keep using it. There is only one problem. The theory of linguistic relativity is not only controversial, but also very likely wrong.

Satellite Science Fiction

The Languages of Pao

Particularly Whorf comes in for a lot of criticism these days, some of which, e.g. the fact that too many of his hypotheses are based on anecdotal evidence, is justified, some of which, e.g. the sniffy disdain for the fact that Whorf was a chemical engineer by training and never actually completed a linguistics degree, is not.

Neither I nor most other linguists would go so far to declare that there is no link at all between the structure, grammar and vocabulary of a language and the perception and worldview of its speakers. After all, everybody who speaks more than one language has experienced that one language uses words and grammar to express concepts that the other does not even have. However, the link between language and worldview is not nearly as strong as Benjamin Lee Whorf and Leo Weisgerber claim.

Nor does the fact that a language does not have a word for a certain concept or perception mean that its speakers don't experience that perception. For example, English does not have an equivalent to the German word "Feierabend" (the time after work, literally "celebration evening"). Nonetheless English speakers are familiar with the joyful feeling of leaving the office or factory to head home, even if they don't have a word to describe it.

Meanwhile, the central concept of Babel-17, namely that learning and understanding a language can influence a person's thoughts and actions to the point that they lose their memories and identity and turn traitor, is – pardon me for being so blunt – nonsense and likely born out of Cold War fears about Manchurian Candidate style brainwashing and Communist sleeper agents. It does, however, make for a great story. Besides, science fiction thrives on extrapolating far-fetched and often impossible ideas from solid scientific theories. If we accept faster-than-light travel, then we can certainly accept Babel-17.

Babel-17 is many things: an action-packed space opera in the tradition of Planet Stories and Thrilling Wonder Stories, a James Bond style spy adventure in space, a meditation about language and how it influences our thoughts and identities and a primer on linguistic theories. Above all, however, it is a great science fiction novel, the best I've read this year so far.

Five stars.