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[October 6, 1969] The Rule of a Mediocracy (Vision of Tomorrow #3)


By Mx Kris Vyas-Myall

The Times is running a series of articles where major thinkers elucidate on what they believe life will be like in 1980. The series started with Arthur Koestler (philosopher most known for his Orwellian novel, Darkness at Noon) who predicts that, in the Britain of 1980, Mediocracy will be the order of the day.

Drawing of Arthur Koestler at a table pointing to a diagram of the human circulatory system
Arthur Koestler by David Levine

By this he means that instead of having a meritocratic system, defined by IQ plus effort, the main ingredients of life will be common sense plus inertia. Institutions will continue in modified forms without revolutionary change. Politicians are more likely to be dentists than demagogues. The family structure will continue but divorce and extramarital relationships will be commonplace. Housewives will have “bugs”, small time-saving robots, to do their household tasks, but they will breakdown so frequently the repairman will be a regular guest.

On a more positive note, he foresees the removal of private cars from cities, to be replaced by automated electric vehicles for hire. Office work will be done from home, with tactile simulators introduced to ensure people do not feel deprived of physical contact. Education will begin shortly after birth and young people will be encouraged to engage in more out-there behaviour before settling into mediocre adulthood.

We will have to wait another decade to see if his predictions come true. But, if the latest Vision of Tomorrow is any sign of things to come, mediocrity is certainly on the horizon.

Vision of Tomorrow #3

Vision of Tomorrow #3 Cover with a drawing of two spaceships over a futuristic city
Cover art by Eddie Jones

Yes, I am also still waiting for issue #2. I am assuming there was some hiccough at the printers.

In his editorial, Harbottle continues to outline his vision for the magazine. Firstly, stories must be “entertaining”, secondly, they should not contain sex. New Worlds this is not!

Let’s see how this translates into prose.

Shapers of Men by Kenneth Bulmer

Drawing of a man in a ruined spaceship that has crashed into the top of a tree
Illustrated by Eddie Jones

Once again, Mr. Bulmer opens the magazine with an adventure tale. This one, we are told, marks the start of a new series. Fletcher Cullen, “galactic bum”, travels across the stars wherever the loot and action take him. In this opening installment, Cullen’s flier is shot down over Sitasz and he finds himself in the middle of a conflict between the humans and the natives.

Man with a gun facing towards us with two alien beings behind him
Illustrated by Eddie Jones

This is a rather old-fashioned kind of interplanetary tale with some attempts at modern touches. Cullen is an untrustworthy rogue, miles away from Flash Godon or Clark Kent, the Sitazans are a well-constructed alien race and there are attempts to bring in modern frames of reference like LSD.

However, it is really boring to read. Generally each chapter will spend most of the time in overwrought descriptions and dull exposition, then a quick escape, followed by a capture by someone else. Even Bulmer’s amusing similes are like fish and guests, starting to smell off after the third time.

A low two stars

Number 7 by Eric C. Williams

Frederick Hasty, technical overseer of demolitions in London, is called to Number 7, Good Peace Road, in New Cross. Its destruction is a necessary part of the rationalization of London currently taking place. Unfortunately, the property is surrounded by an impregnable invisible barrier.

A reasonable little mystery but one that does not amount to very much.

A low three stars

Science Fiction in Germany by Franz Rottensteiner

A one-page summary of the SF scene in both Germanies, covering Perry Rhodan, Utopia Zukunftsromane, translations, fanzines and conventions.

It does the job it intends to but it is not as good as Cora’s coverage.

Three stars

People Like You by David Rome

Drawing of a jeep driving up a mountainous roadside, overlooking a river valley
Illustrated by B. M. Finch

Gail and Gordon Coulton, and their daughter Dorinda, are staying in a holiday home overlooking Cody Canyon when they notice some of their property has been taken. They suspect it is their neighbour, George Abbot. But what could he want with these items?

I was reminded of The People stories, but Rome is no Henderson. It is enjoyable enough, with a nice twist in the tail, but nothing special.

Three Stars

The Impatient Dreamers Part 3: Shadow of the Master by Walter Gillings

With us still waiting for the intervening issue, we skip to the third of Gillings articles, looking here at the emergence of British SF writers and publications in the 1930s, along with his efforts to establish more SF fan clubs.

This continues to be a brilliant series casting a spotlight on an area of SF development I rarely see discussed.

Five Stars

Pioneers of Science Fantasy

Two colour magazine covers:
Pearson's: illustrating Winged terror with a giant caterpillar like creature terrorising an Edwardian city
Chums: Illustrating Beyond The Aurora showing a plane flying in space with wings filled with rocket boosters

Some special colour reprints and short looks at big names in the history of the genre. A kind of supplement to the prior article.

Fantasy Review

Ken Slater reviews the latest E. C. Tubb interstellar adventure, Escape Into Space. Apparently, it is a disappointment, lacking character and convincing explanations.

Lucifer! by E. C. Tubb

Drawing of a suave man wearing a ring whilst a woman with goat horns looks on behind him
Illustrated by Gerard Alfo Quinn

Speaking of Tubb, this tale tells of Frank Weston, a morgue attendant who manages to get his hands on a ring of The Special People. These rings are a kind of portable time machine, allowing him to reverse time over a short period. Frank uses it to get rich and powerful, but can it really give him everything he desires?

A pretty standard tale of this type, well told. Once again Ted lands straight in the middle.

Three Stars

The Adapters by Philip E. High

Drawing of giant translucent monk like figures standing in the rain with heads bowed
Illustrated by Gerard Alfo Quinn

Roger Pryor is a fugitive from The Invaders. Five years ago, people started falling down totally incapacitated when touched by them. They are huge beings invisible except in very specific temperatures and lighting. They continually tell him they are here to help and rescue him, but what can their real agenda be?

A tense and evocative piece. Not the most original but enjoyable enough to bump it above the general chatter.

A low four stars

The Nixhill Monsters by Brian Waters

Whilst travelling across the Australian outback Alice and Graham swerve to avoid a strange creature, like a glowing transparent humanoid. Stopping in the nearby town they are curious to know more, the townspeople however are determined to kill the monster.

This feels to me like a middle-of-the-road episode of The Twilight Zone, overly simple moral and all. Whilst fairly competently constructed it feels strange that everyone here quickly accepts the existence of an alien, but also wants to murder her simply because she looks weird.

Two stars

World to Conquer by Sydney J. Bounds

A Woman being lifted high into the sky by two creatures who resemble a cross between a human and a pterodactyl.
Illustrated by BM Finch

With the Earth devastated by radiation poisoning, humanity is desperately searching for a new habitable planet to live on. When they finally find the world of Asylum, it is already occupied by the intelligent Fliers. Leo Crane is sent to meet the inhabitants, to discover how easily they can be exterminated.

Whilst some parts of this are very old-fashioned (Marie’s “I’m a woman” speech is particularly excruciating), I found the scientific concepts involved interesting and the question raised about how humanity treats the worlds it finds worth pondering. By the end you want to ask if we would really have the right to survive?

Evens out at a high Three Stars

Prisoner in the Ice by Brian Stableford

Drawing illustrating two men looking on as another man attempts to pick a frozen Saber-toothed tiger out of an ice sheet.
Illustrated by BM Finch

After centuries of battling the encroaching ice, the Earth is finally starting to warm up. On one of these ice sheets three men discover a saber-toothed tiger, frozen in mid-leap.

A much more philosophical story than I was expecting from these pages. The tiger and ice melt are really just metaphors, the main thrust of this piece is a discussion about what people become when they fight to survive. Do they become the winners or merely leftovers?

Interesting to compare and contrast with the previous story.

Four Stars

A Dentist’s Waiting Room

A Woman crawling towards a man who is seated on the floor
An unusual final image from Dick Howett previewing issue #4

So perhaps common sense and inertia are the tools behind Visions of Tomorrow. I feel like little here would be out of place ten years ago, but it is generally competent. Only the Bulmer I found to have any structural flaws.

Whether this middle of the road approach will work in the long run remains to be seen. Being unobjectionable but unremarkable is not necessarily going to get people to drop their 5 shillings for the next issue. As the architect of the NHS Aneurin Bevan said:

We know what happens to people who stay in the middle of the road. They get run over!






[March 4, 1968] Everything Old is New Again (New Writings in SF-12 & Famous Science Fiction Issues #4-6)


by Mx. Kris Vyas-Myall

Lady Penelope Magazine cover

Overlooked by many, my favourite comic book right now is Lady Penelope, TV21’s magazine for girls. Between the great stories of Spectrum’s Angels, Bewitched and (surprisingly) Crossroads, they have delightful pop culture articles.

Album Covers from Jefferson Airplane, Kaleidoscope and The Rascals
Three recent psychedelic albums whose art evokes the past

In a recent piece they pointed out how current culture seems to be drawing from pre-war sources, whether that be in fashion, where people are seemingly emulating the flappers of Thoroughly Modern Millie and the military outfits of Khartoum, music, with music hall and ragtime mixing with psychedelia, or television, with the success of The Forsyte Saga and The World of Wooster.

As such, the line between current and past styles is becoming more blurred, something reflected in this article’s selection of fiction:

New Writings in SF-12

New Writings in SF 12 Cover

In his foreword, Carnell muses on how changes in SF style seem to follow the sunspot cycle and happen differently on both sides of the Atlantic. He states that Harrison here represents the Ballardian inner-space type of story, Kapp representing the Vancian “medieval futurism”, Rome and Sellings could only be told in the current style, whilst White and Rankine are more traditional.

Vertigo by James White

We start with a return to White’s “Sector General”, where the crew of Descartes conduct an exploratory mission to a soupy planet nicknamed “Meatball”, where they discover a tool that psychically responds to the user's needs. Soon the native species makes a first attempt at spaceflight and Descartes’ crew attempts a rescue.

This is the kind of high quality I have come to expect from these tales. Strong character work, fascinating depiction of alien life and well-paced action. White knows what he does and does it well.

Four Stars

Visions of Monad by M. John Harrison

Bailey is a poet who became disillusioned with life. He consented to spend two weeks in a sensory deprivation tank and now spends his time with Monad, his beatnik artist lover, in a hedonistic haze, struggling to connect with reality.

This is more Moorcock New Worlds than Carnell’s, very hip and New Wavey. One with marginal SF content (SD experiments featuring in thrillers such as The Mind Benders) but very well told and evocative.

Four Stars

Worm in the Bud by John Rankine

Commander Dag Fletcher is sent to retrieve Peter Quinn, an IGO diplomat who has tried to ensure peace is maintained with the insectoid Chrysaorties. However, the planet is inhospitable, the takeoff is delayed, and Fletcher senses the aliens cannot be trusted…

As you may recall, I am not a fan of these stories, and I continued to dislike both the content and the style of this piece.

One Star

They Shall Reap by David Rome

The welcome return of one of Carnell’s better writers (and a contributor to the Journey), last seen at the end of ’64.

This one is Twilight Zone-esque, where Adam and Eve and their two children move into the Rich Valley Development, a seemingly utopian farming community where no effort is needed to make the crops grow. But is it all too good to be true?

These kind of sinister conformist community tales are fairly common but this is an effective example.

Three Stars

The Last Time Around by Arthur Sellings

In the future a few specialist pilots are needed to fly D.C.P. (Direct Continuum Propulsion) ships to explore new planets, but the time dilation effect means the crew comes back many years later. This follows Grant’s attempts to adjust to Earth after these trips away.

This is a very slow story but a clever one to explore changes in society and how love could work for a time traveler, with a morally ambiguous ending.

A high four stars

The Cloudbuilders by Colin Kapp

This novella tells of a future where gas balloons are the main form of transport. Guild Journeyman Jacobi comes to Catenor to help with the construction of hydrogen ships, whilst dealing with Cloud Pirate raids.

I have not much liked Kapp’s “Unorthodox Engineer” tales but this is an improvement in both style and content. The main issue is it is too long because Kapp over describes everything. It makes what could have been a marvellous short, a touch flabby.

Three stars


So a good selection in New Writings, but how will Famous fare? One positive point to start with is that I don’t believe any of these stories have been reprinted since first publication. As to the quality? Read on:


Famous #4

Famous #4 Cover
Illustration by Virgil Finlay, unknown source

Standards in Science Fiction – Science Fiction as Delight

Lowdnes uses his editorials across all three issues to look in depth at what makes good science fiction enjoyable. Well worth a glance.

The Man Who Awoke: 2. Master of the Brain by Laurence Manning

The Master Brain under attack
Illustration by Frank R. Paul

Continuing the 1933 serial, Norman Winters now awakes in 10,000 AD. Here he finds a society governed by a computer called the Brain. People live in cities under its direction, doing a small amount of work according to their rank and then spend the rest of their time in leisure facilities. However, the brain may no longer need humans at all, and Winters agrees to aid rebels in freeing themselves from its control.

This very much feels like a product of the time, combining together elements of The Machine Stops and Brave New World into an adventure tale. What it lacks in originality though, it makes up for in style and characterization.

Four Stars

… Do Not Fold or Mutilate … by William M. Danner

A new piece by a writer I am unfamiliar with. Danner tells of a man in an overcrowded society trying to deal with a change to his assistance card.

Whilst the atmosphere conjures up Make Room! Make Room! the actual tale is a standard one of failing bureaucracy like we have read many times before.

A low three stars

The Last Shrine by Chester D. Cuthbert

In Mexico lies the mysterious Valley of Peace, our narrator goes in to discover the truth behind the legends and meets a mysterious native tribe.

Originally from the same issue as Voice of Atlantis, these kind of “lost race” stories were already old fashioned in the 30s and the addition of strange science and dreams doesn’t do much to aid it.

Two Stars

The Times We Had by Edward D. Hoch

The other new fiction is from a long-time horror writer and regular contributor to Lowdnes’ other magazines. In a change to Hoch’s usual style, this involves Turkmen’s return to his family after a year on the moon and recounting his life there.

A lovely slice of life piece with a great twist in the tail.

Four Stars

Master of the Octopus by Edward Olin Weeks

Going back to the 19th Century, Weeks’ story comes from Pearson’s Magazine in 1899. This reprint has an introduction by Sam Moskowitz on how it fits into the history of lighting.

The Consolidated Lighting Company of America has become so powerful and successful it has been nicknamed The Octopus and its president seen as possibly the smartest man on the planet. However, when an inventor brings him a perpetual light with no need of external energy, he may have met his match.

This seems to me to be a satire of Thomas Edison and General Electric. And, even though it starts bright, it ends dimly.

A low three stars

The City of Spiders by H. Warner Munn

This final novelette comes from the early days of Weird Tales, in 1926. Our narrator relates the tale of Jabez Pentreat, an etymologist who travels into the jungles of Venezuela, finding a stone city overrun with spiders and ruled over by a giant telepathic Spider King.

Whilst Munn does a good job of showing an alien kind of intelligence (the influence of Lovecraft is clear) I found myself more in mind of giant insect B-Movies, and the treatment of the South American natives left a bad taste in my mouth.

Two Stars

Ratings for Famous #2 & 3, The Moon Menace winning for #2 and The Man Who Awoke & The Last American winning for  #3.
For issues 2 and 3, it seems the older the story, the more well liked it is.

Famous #5

Famous #5 Cover
Illustration by Frank R. Paul, originally from Wonder Stories – May 1933 illustrating Gulliver 3000 AD by Leslie F Stone

The Pygmy Planet by Jack Williamson

The Pygmy Planet in the x-ray beam as a small plane flies towards it.
Illustration by H. W. Wesso

Dr. Whiting, to test evolution, creates a miniature planet in his laboratory using x-rays. The planet (as smaller objects experience time at high speed) has advanced to such a stage the creatures on it have been able to kidnap Whiting and bring him down. His lab assistant Agnes summons her friend Larry for help. When a machine-monster from the planet also grabs Agnes, Larry must shrink himself down and rescue them both.

A Machin-Monster leaves the planet to menace Agnes and Larry.
Illustration by Frank R. Paul

Reprinted from 1932’s Astounding, I cannot help thinking readers at the time would have found the entire tale just as silly as I did. And whilst it is better told than Cummings' similar story a few issues ago, it is very oddly paced with the adventure section feeling far too short and the ending being a poor one.

Two Stars

Destroyers by Greg D. Bear

Not just new fiction but a new writer to the scene, which is always good to see. In the future he describes, some people are licensed to be “destroyers” if they have a reason for their hatred. A writer interviews several contradictory destroyers to ascertain their motives.

A very silly satire but Bear’s style shows promise.

A higher two stars

The Man Who Awoke: 3. The City of Sleep by Laurence Manning

Winters, surrounded by scientists, investigates a man attached to a machine.
Illustration by Frank R. Paul

We continue Norman Winters' journeys into the future. In this millennium the world has seen a big increase in temperature and the population of America are all black. More and more people are entering into a computer-generated fantasy world where all their wishes can be fulfilled. However, this is creating a crisis, as soon there will be too few people left outside to maintain the machines or to reproduce.

Of all the societies Manning has shown us, I find this one the most fascinating so far. Whereas the prior installment felt distinctly of the period, this could easily have been produced today by Philip K. Dick. It continues to ask great questions about our future, balancing the good and bad of possibilities.

Five Stars

Echo by William F. Temple

We come now to a new tale by an old hand. This is an unusual spy story, where the Saurian Venusians have taken over the body of Richard Gaunt by use of a temporary echo of the personality of Narvel. They intend to steal the secrets of Organic Materials Inc., however, it turns out that being a human is harder than it seems.

Whilst it is a more original take on the genre, I found it confusing and unpleasant.

A low two stars

Plane People by Wallace West

Astronomers observe the two dimensional comet.
Illustration by Paul Orban

Finally, we have the return of Wallace West with this piece from Astounding November 1933. Whilst studying a two dimensional comet, astronomer Adolph Strauss, his son Frank, Frank’s girlfriend Marie and clerk Bert Wheeler, find themselves transported on to it. There they discover an entire civilization of flat people.

The group are surrounded by the flat Plane People
Illustration by Paul Orban

This is a combination of Off on a Comet, Flatland and A Princess of Mars without managing to be anywhere near as interesting as any of them. I found the whole experience silly and dull. Add to that the unpleasant writing of Marie throughout, it is incredibly weak.

One Star

Rankings for Famous #5, with The City of Spider winning.
Once more showing my opinions are at odds with the average Famous reader.

Famous #6

Famous #5 Cover
Illustration by Frank R. Paul, illustrating The Individualists for the original 1933 Wonder Stories publication

The Hell Planet by Leslie F. Stone

Illlustration for Hell Planet with the crew surrounded by Vulcanites
Illustration by Frank R. Paul

The crew of the Adventure travel to the (much hypothesized at the time, 1932) planet Vulcan, close to the sun. They are in search of Cosmicite, a rare metal which can act as a near perfect insulator. However, Vulcan is dangerous to human life and the Vulcanites may not be keen to part with it.

Stone does a great deal of work to make the Vulcanites another civilization and not merely generic tribespeople. And although the work does contain some cliches of the period, it ends up being smarter than I expected.

Four Stars

The Dragon-Kings by L. Sprague de Camp

The first poem for Famous, from the current laureate of F&SF, apparently being an ode to dinosaurs. I can’t help think it may have been rejected by his usual venue for being very poor fare.

One Star

The Individualists by Laurence Manning

Individualists image showing Winters hiding from a walking city.
Full version of cover illustration

In the fourth installment of The Man Who Awoke series, Winters now awakes in 20,000 AD where he finds a world full of cities that move around like Wells’ Martian Tripods and battle each other, but inside they have only a single inhabitant.

This portion feels different to the prior installment in a few ways. Firstly, whilst the others are more complexly thought-out societies, this feels more Swiftian in its approach, absurdism to make a point. Secondly, he ends being unable to make any changes to this era, the individual tendency being overwhelming. Thirdly, another person decides to copy his methods of suspension. How the last part will play out we will have to see in the final installment.

Not my favourite piece but still fascinatingly told and makes great points.

Four stars

More Than One Way by Burt K. Filer

The final new piece is from one of Pohl’s recent discoveries. Humans of 2071 are trying to deal with Denobleans (flying snake creatures). Scotty and Mel develop the EDM (ensephalodigital manipulator) which allows them to pursue alternative paths of evolution of creatures including man.

Ridiculous science, psi-powers, dull engineering details, human ingenuity beating aliens. I would bet my hind teeth this was an Analog reject.

One Star

The Invulnerable Scourge by John Scott Campbell

The final story comes from November 1930’s Wonder Stories. Following a debate between Dr. Riis and Prof. Pfeffler over the superiority of man or insect, the former develops an insect that is completely immune to natural predators. Unsurprisingly it escapes.

With the first-place result for City of Spiders, I guess a lot of readers like these bug-based horror tales. This one is more apocalyptic and good at times, but I was mostly rolling my eyes at it and the ending is a big disappointment.

Two Stars

Rankings for Famous #5, with City of Sleep winning.
Well, one person disliked the West novelette at least…

Past or Future?

Chainmail miniskirt design from 1967
Is Paco Rabane's design meant to be futuristic or historical?

Once again, it seems that sometimes new is better, at others the old has something to teach us. In the 1990s or 2000s, will people be trying to imitate the styles of the 1960s? Only time will tell.






[February 24, 1965] Doctors, Hunchbacks and Dunes … New Worlds and Science Fantasy, February/March 1965

by Mark Yon

Scenes from England

Hello again!

As I briefly mentioned last time, much of this month has been about the country dealing with the death and subsequent state funeral of Sir Winston Churchill. It has felt like the passing of an era – the old guard, admittedly, but an end, nevertheless. It seems to have cast a cloud over everything.

I turned to the two magazines to try and cheer me up.

The First Issue At Hand

So: which magazine arrived first? The winner was (again)… Science Fantasy.


[Impressive cover this month. Remember the bad old days covers of the Carnell New Worlds era?]

Looking beyond the arty cover by Agosta Morol, I see that the magazine, like New Worlds, now has an Associate Editor. In this case its J. Parkhill-Rathbone (no first name given.) This is, no doubt, to cope with the extra volume created by the magazine going monthly.

Not that that is shown particularly by the Editorial, which even admits that there’s little to say this month and then fills the space by mentioning up-coming works of interest. There’s also an intriguing glimpse into the life of an editor, which involves Kyril, Jim Ballard, Brian Aldiss and some Liebfraumilch.

To the stories themselves.

The Outcast, by Harry Harrison

We start with a big name, the usually wonderful Harry Harrison. He has been here before but in his many guises as short story author, editor and collaborator. It is great to read a longer story. This is one of those “spaceships as cruise liner” type of tales, with a notorious passenger causing unrest amongst the passengers. I guess that it must be akin to being on a holiday with someone like Josef Mengele!

It’s told with the usual Harrison skill, with the occasional plot-point to keep the reader guessing. The protagonist is given a surprisingly nuanced character and is not the monster some would suggest, and by the end the story becomes one of redemption. Solidly thought-provoking, if unremarkable. It’s a good start to the issue. 3 out of 5.

Song of the Syren, by Robert Wells

A story about singing alien plants and the development of bad worker relationships, but also about the trouble women cause in space when surrounded by men. As bad as it sounds, this attempts to tell a mystery plot with misogynistic clichés that I thought went out with the pulps of the 1940’s. For example, “She was a sixth year student, one of the brightest in the unit’s botanical section, but it was an open secret that she would resign when her seven years tour of duty was complete and opt for a mating and reproductive role back in Solar.” Not one of the magazine’s brightest moments. 2 out of 5.

Moriarty, by Philip Wordley

A crime story about the protagonist’s relationship with a female telepathic cop in L.A. The twist here is that the policewoman wants the burglar to hold off from robbing a bank so that she can get a bigger catch, a big-time mobster planning to rob the same bank in a few days’ time. Another predictable story that doesn’t upset things too much. 2 out of 5.

Bring Back A Life, by John Rackham

Peter Raynor is a biochemist who finds himself abducted by a group of VIPs for a secret mission – the Prime Minister has been struck down with Ringer’s Parethis – a brain disease which has only been cured before by accident – before a major political conference in three weeks’ time. Raynor is asked to try and come up with a cure for the PM. The solution appears to be one in the past, so Raynor travels to get it. An adventure story, admittedly fast-paced, that seems rather contrived when you stop to think about it. 2 out of 5.

[Image by the writer]

The Jennifer, by Keith Roberts

What? Another month, another Keith Roberts story? This is the latest from a magazine favourite, an Anita story that was delayed from last month’s issue. If you like the continuing stories of this young teenage witch, described as “shameless” in the banner, I can’t see why you wouldn’t like this one – even with the still-present annoying Granny. This time Anita and Granny Thompson are on holiday at the seaside when Anita meets a mermaid, much to Granny’s disgust. Anita catches a Serpent ride into the sea… and then the story abruptly stops, as if the writer had run out of time and space. I would have liked more, which is the sign of a good story, although I’m going to dock a point for its abrupt end, which makes it feel like more of a story extract than a story. However, like most of these Anita stories, The Jennifer is light and fun, even if Granny still irks me. 3 out of 5.

A Cave in the Hills, by R. W. Mackelworth

Here’s an author you may recognise from the Carnell New Worlds days. He was last seen in the February 1964 issue of New Worlds with The Unexpected Martyr. This is the story of a bored housewife who in a utopian future finds that her boring husband has ended up in debt and in Debtors prison. Her own future is uncertain, dependent on a visit from the Adjudicator. But bigger issues are at play. This is another story of the value of identity and being different from the majority, themes that Mackelworth has examined before, but manages pretty well. 3 out of 5.

Hunt a Wild Dream, by D. R. Heywood

Another new writer. Do you remember recently when editor Kyril Bonfiglioni said that he was a fan of “time-travel safari” stories? Well, this one starts with a safari, at least.

Our hero of the piece is Manfred ‘Mac’ Cullen, known for “bringing them back alive” (which wins points from me, though I’m not entirely sure whether that statement means animals or tourists!) We follow Cullen as he starts a journey into the African grasslands, which suggests that he’s a more complex character than my stereotype might suggest. However, this one just starts to get interesting and then stops. There’s some ruminations on the spiritual beliefs of the local Nandi tribe, that Cullen knows and understands, but as soon as we hear of some murders that may have happened on lands where the locals refuse to go, the story stops, to be continued next month.

Based on what I’ve read here, this could develop into an interesting and scary story or fizzle to nothing. The jury is out, but based on what I’ve read here I’ll give Hunt A Wild Dream a cautious 3 out of 5 so far.

Summing up Science Fantasy

Although this issue of Science Fantasy is more up-beat than the last, I am a little underwhelmed by it. There’s nothing badly wrong – OK, there’s one story that’s really not good – but it’s a solid issue. And that may be the problem. Most of it is entertaining, but there’s nothing here to really grab my attention like the Burnett Swann serial did in previous months. I’m pretty sure that this is another issue that was worth me buying, yet I’ll have forgotten about by the end of the year. The best stories for me are the Harrison, and even that is not the best of his I’ve read, and the Anita story, which has its issues.

So let’s go to my second issue.

The Second Issue At Hand

As the cover heralds, this month’s New Worlds has a couple of well-known authors: J G Ballard and Arthur C Clarke.

This month’s Editorial, I’m pleased to say, is back to the discussion format that we seemed to have lost last month. It’s another call to arms, a rumination that science fiction is moving away from the traditional space exploration story to ones set on Earth and are more involved with inner space – the mind and its “capacities and defects”. It’s an interesting point, and I guess one which makes the British SF increasingly different to the majority of stories I see in the American magazines. It ends with the point that new young writers must look forward and not back as the values of the Sixties are not those of the 1950’s.


[Art by aTom]

All the King’s Men, by B J Bailey

A stand-alone novelette from Barrington J (BJ) Bailey this month. And I liked it very much, up to the end.

In 2034 the Earth has been invaded and peacefully vanquished by aliens, who whilst keeping control over the locals fight against each other over the Earth territories. The story is told by Smith, the human second in command who with Holath Horan Sorn has kept Britain generally peaceful for the alien King of All Britain, although, unsurprisingly, Sorn and our narrator are seen as traitors by many of the native populace.

The story begins with the fact that Sorn has died and there is an impending power struggle to take his place. Smith is bullied by Hotch to take the human’s side and use the disruption to cause chaos for the King, who has relied heavily on the advice of his human advisors to maintain order. It has in the past made decisions that are mistakes that the humans have had to nullify.

At the same time the King is concerned with a war between himself as King of Britain and other aliens who have taken over Brazil. Much of the story is how Smith tries to fulfil the role of Sorn as intermediary between the alien King, who is aware that his thinking is very different to that of Humans, and at the same time Smith struggles to represent the British people, who are constantly fretting under the control of an alien leader.

So why did I really like this one? The setup is intriguing. It’s an engaging mixture of historical ideas (kingdoms, courts, feuding Kings) in a future setting (spaceships, alien art, electric trains), with a character-based tone that I really engaged with. I was going to give this one 4 stars, until I got to the ending, where the author abruptly gives everything up and the lead character basically says “I don’t know what happened.” 3 out of 5.

Sunjammer, by Arthur C Clarke

I really like Arthur’s clarity of prose and this one doesn’t disappoint, although my enthusiasm is tempered by the fact that it is a reprint of a story first published in the USA as a juvenile story in Boy’s Life in March 1964. Sunjammer is the story of a race around the Solar System using spacecraft that use solar winds for propulsion. I really liked it as a good old-fashioned ‘sense of wonder’ story that Clarke is so good at – but it also shows us what was mentioned in the Editorial, that British SF has changed a lot recently and this one is definitely old school. Like I said last month about another old-style story, Sunjammer’s exciting and I enjoyed it a lot, but it is nothing that would be out of place from the magazines of the 1950’s, and it has been printed before. 3 out of 5.

First Dawn, by Donald Malcolm

Here’s the return of an author from the Carnell Era. Donald Malcolm was last seen in the April 1964 issue of New Worlds, the last issue edited by Carnell. I thought that beyond the reach of storms was OK, if nothing special. I liked this one more, though it is a minor piece describing dawn on an ice planet as seen from the perspective of a mole-like alien. It’s nicely done but like Malcolm's last effort nothing to remember for too long. 2 out of 5.

Dune Limbo, by J G Ballard

To say that this story is much-anticipated is an understatement. If you didn’t know already, JG is making an impact not just here in Britain but also overseas with his strange fiction. He is an author that always makes me think and pushes literary boundaries at the same time. I never know what a story of his is going to say, or indeed how it is going to say it!

Dune Limbo is a little bit of a cheat however, as it is an extract from a bigger work. The Drought (also known as The Burning World to you in the US) is due out as a novel later in the year (hurrah!) and Dune Limbo is from the middle part. This is a little disappointing – how do you feel about starting a novel in the middle? – but there is a lengthy summary of what has gone before at the start.

It is obvious early on that Dune Limbo does have some of the usual Ballard-ian themes though. It is basically about a world in decline, where a global drought has changed the world we know. To this Ballard brings his usual types of characters – strange and often unpleasant. This middle part shows us a story of this new harsh environment, with humans hanging on to existence in a world different to our own.

This sounds like the Ballard of The Drowned World and Equinox. But…. dare I say it, Dune Limbo is slightly more straight-forward, perhaps even less challenging than some of Ballard’s other recent work I’ve read. It feels like there’s elements here I’ve read before. That’s not necessarily a bad thing, but it means that for me it doesn’t quite have the impact that, say, The Terminal Beach had. Don’t get me wrong – there’s some lovely images created by the prose, for example – but it may not create as much of a stir as some of his earlier work. I liked it, though.

Perhaps it may introduce the author to some new readers previously unfamiliar with Ballard’s work, but I felt a little short-changed as it felt more like an advertisement for his upcoming novel than an actual story. Nevertheless, Ballard’s prose is still seductive, and so for all my grumbles it is still 4 out of 5.

Escape from Evening, by Michael Moorcock

And here’s another story by the Editor. This time it is a novelette from the ongoing series that riffs heavily on the later stages of H G Wells’ The Time Machine. (Well, if you’re going to borrow, why not borrow from the best?)

Escape from Evening is set in a distant future, where a Moonite decides to go and live on the Earth. Despite the Earth people feeling that he would find their decaying society boring, Pepin Hunchback revels in the fact that Earth is real and not artificial like the Moon and decides to explore his new home. His travels lead him to Lanjis Liho, where we pick up points and meet characters we have heard of before back in the story The Time Dweller in the February 1964 issue of New Worlds. Lanjis Liho is the home of the fabled Chrononauts who (as we found out in the last Chrononaut story) can travel through time at will. Pepin attempts to travel back in time to a place where he would feel more in tune with their world, but there are revelations it would be wrong for me to reveal here.

There are parts of this story I liked, and it is quite different to Moorcock’s last outing – though the use of a character named ‘Pepin Hunchback’ and a ‘Hooknosed Wanderer’ may be borrowing from the classics a little too much for comfort. 3 out of 5.

The Uncivil War, by R J Tilley

Another war story in this issue, of a sort. RJ Tilley’s tale is an attempt to lighten the mood a little as we read of a young reporter’s first visit to the notorious Firkl’s Bar. Whilst there he is regaled with a shaggy-dog story about an old space-dog’s secret mission where miscommunication and bad assumptions almost start a war. Tired and overlong. 2 out of 5.

Articles

Mixed throughout the issue this month. There’s a review by Alan Dodd of the film Voyage to the End of the Universe (isn’t current thinking that there is no end?) and a summary of the latest amateur magazines.

In terms of Books this month, there is only one book reviewed, but as has been the trend of late, the review is in detail. Assistant Editor Langdon Jones has a quote for a title guaranteed to grab your attention – "That Is Not Oil, Madam. That Is Jellied Consomme", a quote from the Introduction of The Weird Ones, a collection introduced by H L Gold, who you may also know as the Editor of Galaxy magazine.

The book surprises with its unusual introduction (and is where the titular quote comes from) but is quite frugal otherwise. Frederik Pohl’s Small Lords starts well but soon becomes no more than ‘readable’, Poul Anderson’s Sentiment Inc. the same, whilst Milton Lesser’s Name Your Tiger is the most readable and perhaps predictably Eando Binder’s dated Iron Man the worst. There’s some wincingly awful quotes to make that point too.

The Letters Pages are a pleasing mixture of praise and complaint. Moans about Ron Goulart’s review of Aldiss’ Greybeard, praise for the move to monthly and monstrous book reviews – and still more argument about Langdon Jones’ story I Remember, Anita (reviewed back in issue 144).

Ratings this month for issue 146 (January 1965). Very pleased with this one. Well done to David Rome, one of the more accessible New Wave stories of late – and we have a tie!

Summing up New Worlds

Another strong issue this month, perhaps the one I have consistently enjoyed most in a long time. There’s the usual eclectic mixture – it is mentioned as such in the Editorial – but it was one of the rare issues where I loved pretty much everything, even the stuff I would normally say I didn’t. No religious preaching, no apocalyptic Armageddons, for a change.

Summing up overall

Whilst Science Fantasy has its moments, the New Worlds issue is a clear winner.

And that’s it for this time. Until the next…



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[December 29, 1964] Be Ye All of Good Cheer… New Worlds, January 1965

by Mark Yon

Scenes from England

Hello again!

I hope Christmas for you was a good one. Christmas was good to me in that I received a copy of Charles L. Harness’s The Paradox Men. So far I’m really enjoying it as an over the top Space Opera. Why has it taken so long to be published here in Britain, though?

More good cheer: this month’s New Worlds editorial begins with a loud “Hurrah!”, announcing that both New Worlds and Science Fantasy are to return to monthly publication in 1965.

This is wonderful news for both New Worlds and Science Fantasy. Clearly the increased readership has paid dividends on both counts. Let’s hope this continues. More on this particular issue later.

News-wise, politics has been on its Christmas break. So not a lot to particularly report there.

The contest for the Number 1 single slot is always competitive, but Brits have a particular obsession for the Christmas Number 1 single. This year that enviable position was held by (unsurprisingly) The Beatles with another catchy tune – I Feel Fine.

Music-wise, most of the year’s reviews seem to have focused on the global domination of our Fab Four as they travel the world, permanently surrounded by screaming teenagers. Not only having the British Christmas single, they will also be pleased to know that their single Can’t Buy Me Love, is the single to have spent longest as Number 1 for a majestic 3 weeks, back in March and April. More seriously, it really has been their year and I can see 1965 carrying on in much the same way.

At the cinema I am pleased to write that I enjoyed our Christmas movie,  Father Goose, starring Cary Grant. A rather comedic role with a feel-good family tone. It’s not Cary's best, but it was pleasant enough. And in the middle of Winter, pleasantly tropical.

But be warned – My Fair Lady is due at the end of January. I know that you’ve had to endure this film already in the US – all 170 minutes of it – and the reviews have been quite good, but I still haven’t managed to come up with an excuse of sufficient importance to avoid it. Can I claim that I’m much too busy reporting to you to go? I doubt it, sadly. I may have to bow to the inevitable.

On a more positive note, on the television I am enjoying the latest Doctor Who, which seems to be regaining its confidence after a couple of so-so episodes, and hopefully that upswing should continue in 1965. Jessica’s already mentioned this, but the latest Dalek episodes are in my opinion the most enjoyable series yet.

The Issue At Hand

cover by Robert J. Tilley

This month’s cover shows that, as hinted at last issue, circles are ‘in’.

Personally, I still yearn for art with some detail, but am resigned to the current vogue, whilst at least appreciating that, despite being crude and simple, it’s still not as bad as Carnell’s last issues.

The Editorial, as shown earlier, is pleasingly upbeat. It is akin to a state of the nation address, showing us where we are in the current state of things artistic and literary. There’s mention of a new critical magazine edited by Messrs Aldiss and Harrison, which sounds intriguing.

To the stories themselves.

The Power of Y (part 1), by Arthur Sellings

The triumphant tone hangs over to this first part of a serial by Arthur Sellings, who is highlighted in the Editorial for producing “stories of a consistently high standard since he began writing.” To me this does sound a little like faint praise, though I must admit that the serial is one of the most enjoyable I’ve read for a while. Max Afford is an art dealer in a world where Transdimensional Multiplying, or Plying, allows an object such as a painting or a car to be borrowed from multiple universes. You want the original Mona Lisa? You can borrow it and have it in your home, for a price.  There are limits, however. It is a very expensive process and an object can only be plied to a maximum of twenty copies. Plying living objects, such as a beloved pet, is seen as impossible.

This is an intriguing concept, but one that becomes more complicated when Max suddenly finds that he can tell the difference between plied objects and the original simply by touching them.  The story then ends on a cliff-hanger involving the President of the Federated States of Europe.

It’s all written in a deceptively chatty style that Heinlein is so good at, a combination of charming bonhomie and sly digs at both the establishment and the world of art – although Sellings is clearly an author the editor Mike Moorcock prefers. Nevertheless, it read well and was entertaining, and most of all I’m intrigued to see where this one goes. The most negative thing I could find about it was the awfully childish art throughout the prose! A great start. 4 out of 5.


Childish art? I rest my case, m'lud. But perhaps it's intentional irony in a story about art…

The Sailor in the Western Stars , by Bob Parkinson

A debut author. You can tell from the artwork at the beginning that this is a story retold as if it were ancient myth, a folk-tale rather like a science-fictional Arabian Nights. I liked the romantic tone of this, that the main character is some sort of wandering pirate-trader destined to sail across space. It’s similar to Bertram Chandler’s Rim stories or even Poul Anderson’s David Falkayn /Star Trader stories, but deliberately more lyrical and enigmatic. Behind the poetic sheen there’s not a lot going on, admittedly, but I remembered it more than many stories. File under “Interesting”. It’s nicely done, but fairly inconsequential. 4 out of 5.

Tunnel of Love, by Joseph Green

And here’s the return of Moorcock’s friend, Joseph Green, after Single Combat in the July-August 1964 issue. The title suggests a cheap fairground ride, but it is actually an ethnologic study with a creepy twist. Two young graduates, realising a way to make money, attempt to make a movie on Procyon Nine, a planet known for its beautiful people but whose strict moral code is that visitors do not seduce them. The twist is that the would-be suitors of the girls have, as a rite of passage, to crawl through an interdimensional portal that connects Procyon Nine to the nuptial bed! This is not quite as outré as it sounds and there’s a big old twist at the end. I found it better than I thought it was going to be, an adventure story that also made me think of it as a raunchier take on Chad Oliver’s themes. 3 out of 5.

There’s A Starman in Ward 7, by David Rome

And now something a bit darker. Very pleased to see the return of this writer, last seen in the August 1963 of New Worlds. As far as the New Wave type stories go, this is actually one I liked.

It is the story of a psychotic murderer who is locked up in an insane asylum and who claims to have been in a ward with a new inmate – a Starman from Alpha Centauri. It’s written in a deliberately disjointed and irrational manner and is filled with those stylistic typing patterns and fragmented streams of consciousness that you may remember in Alfred Bester’s work. It is something that the New Wavers should love – and for a change, I also liked. Unlike most stories that try this technique I found that David’s story doesn’t lose its purpose or its narrative thread along the way.  4 out of 5.

Election Campaign, by Thom Keyes

Oh-oh. Here’s the return of Thom Keyes, whose last story, Period of Gestation, was in the September – October 1964 issue of Science Fantasy.  I really didn’t like it. But actually, Election Campaign is a more straightforward tale than I thought it was going to be. General Aldheyer is sent on a mission to secure the votes for the General Dynamics Party of an obscure and out of the way colony. Unfortunately, the brain-in-a-box space pilot malfunctions on the way and the only solution is to create a replacement pilot. Consequently, Aldheyer’s brain is transplanted into the ship.  There’s a lengthy description of the surgical process and the story ends with the spaceship’s arrival on the planet to begin its electoral campaign.

After our recent change of government, this story is perhaps surprisingly topical. Some politicians will do almost anything for power! I must admit that this was more enjoyable than Keyes’ last story, but the purpose of it seems a little pointless, other than to make the reader question what makes a machine human and vice versa. Anne McCaffrey’s done all this before, of course.  3 out of 5.

Space Drive, by Gordon Walters

We then get a lengthy chunk of the magazine concerned with reviews and non-fiction. Gordon Walters is a writer new to me, although you may know him better as George Locke.  This is an article that discusses the different means of travelling around science-fictional space that have been used by authors in the past. It’s a nice discussion that sums up concepts from a range of books and authors.

Books: Fancy and Imagination, by Michael Moorcock, James Colvin and Langdon Jones

As expected from previous comments there’s reviews of Charles L. Harness’s The Paradox Men and Brian Aldiss’s Greybeard. Michael Moorcock likes both.

The bulk of the reviews from Colvin (aka Moorcock, of course!) and Langdon Jones pick up a rag-bag of books. Honorary mentions go to Andre Norton’s Judgement on Janus, which is OK, James Blish’s A Life for the Stars, which is ‘better’ and Alan E. Nourse’s Scavengers in Space (good for children.) On the other hand, Poul Anderson’s Time and Stars and Damon Knight’s Beyond the Barrier both get a mauling. The second New Writings in SF anthology is ‘disappointing’, which probably means that I will like it.  The Best from F & SF is above average yet summarised as overpraised, but A Decade of Fantasy and Science Fiction, with stories from the magazine originally published between 1949-59, is 'excellent'.

There’s also the usual endorsement of J G Ballard, this time for the US publication of The Burning World, and praise for Anthony Burgess’s 'powerful and horrifying' A Clockwork Orange, which is one of the most unusual books I’ve recently come across.

Langdon Jones then positively reviews Arthur Sellings’ The Uncensored Man and C. M. Kornbluth’s The Syndic.

The Letters pages show that I Remember, Anita, published in the September-October 1964 issue, seems to have generated some controversy. There’s also a letter complaining about the return of illustrations, which shows that people are never satisfied.

Summing up

It may be the season, but I’m pleased to say that this issue of New Worlds was one I enjoyed more than I didn’t. I enjoyed the range of stories, but most of all I liked the actual stories, which were not anything particularly radical yet made me feel like it was worthwhile paying my money to read them. Last month I said that I was enjoying Science Fantasy more. If this is New Worlds’s response, then the differences between the two magazines might not be as much as I had thought. Science Fantasy may have a fight on its hands for my attention!

And with this in mind, next month I should have two magazines to review – New Worlds and Science Fantasy! It’ll be interesting to see which one turns up first.

All the very best to you and yours for 1965.


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mall>

[November 22, 1963 cont.] Ripples down under

[Science fiction author, David Rome wired us his reaction to today's news:]


by David Rome

This is the day never to be forgotten. I am returned from England where I had been writing science fiction and comics, and am staying for a short time at my parents' home in Sydney while I wonder about my future survival in the dying pulp market.

On This Day, for no reason at all, I suddenly feel an impulse to turn on the TV set – and the news is coming through in these dreadful moments.

The world psyche perhaps, somehow influencing us all.

A day of loss which I believe will only intensify as the years go on.

Vale JFK. God help the world.




[July 26, 1963] Ups and Downs… New Worlds, August 1963]

[P.S.  Did you take our super short survey yet?  There could be free beer/coffee in it for you!]


by Mark Yon

The coldness of Winter now seems a long way off. Can it be that I was almost up to my neck in snow a mere five months ago? Looking at my small garden, in full bloom, it is hard to believe the weather heralded a possible New Ice Age, and now we’re sweltering.

Such warmer weather (and an impending summer vacation!) leads me to more positive thoughts. This may also help with the reading of a new issue of New Worlds!

There seem to be some changes this month, beginning with the cover.

While a new cover is to be appreciated, it seems to be a change for expediency rather than for any artistic merit, though, at least you can tell from this that New Worlds is a science-fiction magazine, I found the new style made the type difficult to read, which rather defeats the cover’s purpose of attracting readers.

This attempt at change is also reflected in the story titles, which are now, annoyingly, all written in lower case letters.

Speaking For Myself, by Mr. Robert Presslie

In his attempt to discuss “What is wrong with Science Fiction today?” , regular New Worlds writer and now guest editor Mr. Presslie tries to relate to s-f from the perspective of the world-outside-genre by looking at a current British newspaper. His point? There the most heated debate of the day is not the importance of Telstar’s satellite successor, Relay; instead many pages are dedicated to an injury sustained by an English cricketer.

This then leads to the conclusion that the wonders of science are of little interest to the layperson when given more mundane, more human things to relate to, and further ,that the same can be said for Science Fiction. It’s a fair point, but nothing really new. I’m still of the view that, for many s-f readers, it is exactly because the genre does not appeal to the masses that makes s-f attractive.

To the stories themselves.

To Conquer Chaos (Part 1 of 3) , by Mr. John Brunner

The return of a New Worlds stalwart after a gap (at least under his own name) is to be heralded, particularly as Mr. Brunner seems to be making waves across the Atlantic and, like his contemporaries Mr. Aldiss and Mr. J.G. Ballard, is appearing less over here in Britain.

In Chaos, Mr. Brunner describes life on the edge of the ‘Barrenland’, some sort of post-apocalyptic wasteland that seems to be the border between Order and Chaos. Though the plot reads like a Fantasy, the account made me think it was rather Analog-esque, with all the trappings of a once-technological civilization in decay. 

To Conquer Chaos is a good solid tale, a bit slow to start but likable in its execution, competent without being flashy or deliberately obtuse. One of the more memorable serials of late, even if it is really nothing particularly new. Mr. Michael Moorcock has trod similar ground recently with his Elric Fantasy stories and across the pond Mr. Poul Anderson and others have been telling such stories for a while now.  4 out of 5 so far.

The Lonely City, by Mr. Lee Harding

This is predominantly a mood piece about the passage of time and the consequential technological obsolescence. Whilst the story is full of implausibilities (why does the main character bother turning up on a boat, for example?) it does create a certain mood. Reminded me a little of Mr. J.G. Ballard’s The Drowned World, which I suspect Mr. Harding was trying to emulate. Here the title tells us all we need to know, really. 

I think I quite liked this one by the end. 3 out of 5.

Foreign Body, by Mr. David Rome

I see that Mr. Rome is appearing in the US magazines this month as well, as fellow Traveller John Boston has pointed out in his review of this month’s Amazing. This one’s an attempt at a lighter story, but clearly still trying to curry favour with a known (ie: science-fiction-loving) audience – it's about an author whose royalty cheques are put into his letter box, yet they never seem to arrive. It’s a nice idea but the story doesn’t know how to end. Any tale that ends with an editor commenting on the crummyness of a submitted story is asking for trouble. I much preferred the story in Amazing .

3 out of 5.

Natural Defense, by Mr. P.F. Woods

Here’s another author who seems to have spent his time in the other magazines recently. This is Mr. P.F. Woods’s first publication in New Worlds since July last year. Natural Defense starts well as a First Contact story, but the solution to the problem that this unusual meeting creates is, frankly, laughable. 2 out of 5.

The Disposal Unit Man, by Mr. David Alexander

Another dud. Mr. Alexander’s story is an overexcited piece based on a flimsy idea, namely that in the future city residents are often culled by, you guessed it, The Disposal Unit Man. Future social mobility in action, but uncompellingly presented.  2 out of 5.

The Shtarman, by Mr. John Ashcroft.

Just reading the title of this novelette made me grimace at what I expected would be another weak attempt at humour. I was pleased to find that it wasn’t. Admittedly, the beginning wasn’t great – the first few pages made me believe that I’d wandered into some grotesque James Joyce-ian stereotype – but once the plot settled, this tale of alien telepathy did well to place a science-fictional theme logically within a modern setting. For that reason, it reminded me of those recent bestsellers by Mr. John Wyndham. That title needs changing, though!  4 out of 5.

Book Reviews, by Mr. Leslie Flood and Mr John Carnell.

The section seems to be much bigger this month. In this issue’s selection, short story collections The 4th Dimensional Nightmare by Mr. J.G. Ballard, Best SF 5 edited by Mr. Edmund Crispin, and the ‘remarkable’ Tales of Ten Worlds by Mr. Arthur C. Clarke are all reviewed by Mr. Flood.

American paperbacks of Mr. Clarke’s A Fall of Moondust, Star Surgeon by Mr. James White and a slew of books by Mr. Sam Moskowitz are reviewed by Mr. Carnell.

The book reviews, both for the British and the International releases, show me that there’s much out there to enjoy, even when the actual contents of this magazine pale by comparison.

Despite comments in last month’s issue saying that there would be a report of The First International S-F Film Festival , by Mr. John Carnell this month, clearly it was not written in time. Perhaps Mr. Carnell was too busy writing book reviews or having too good a time in Trieste to bother to write a report – or it was felt that it wasn’t worth the effort. 

On balance, the August issue of New Worlds is more good than bad – I liked the Brunner serial, and the Ashcroft novelette was a pleasant surprise – but some of the other material was dire.

As much as the magazine is to be applauded for pushing the boundaries of the genre, there is still too much new material that fails to be both original and good. Mr. Carnell has lofty ambitions but seems to lack the money or the quality of material to meet the challenge. I do feel that without significant revenue (in other words, subscriptions), the magazine is struggling to purchase quality stories that would make a new reader curious or maintain the interest of an old regular.

How much longer can this go on?




[July 12, 1963] Shine, little glow-worm, glimmer, glimmer (the August 1963 Amazing)


by John Boston

The August 1963 Amazing features Daniel F. Galouye’s novella Reign of the Telepuppets, a splendid title that apparently evokes a bit of editorial discomfort.  “Editorial director” Norman M. Lobsenz is at pains to explain that “‘Telepuppets’—despite its pulp-fictiony sound—is a word already in good repute with the soberer elements of the scientific community,” brandishing as evidence a statement from the National Research Council.

The story itself, like Galouye’s earlier novella Recovery Area, is ambitious but a bit of a misfire.  The Bureau of Interstellar Exploration has left a crew of telepuppets—robots designed for particular tasks—somewhere (“a satellite,” no explanation) in the Aldebaran system.  They are named to fit their tasks: Bigboss, Sky Watcher, Scraper, Peter the Meter, etc.  Bigboss has decided he’s the Supreme Being who created everything but somehow forgot the details, which doesn’t affect the puppets’ work or Bigboss’s role in supervising them, but they have stopped communicating with Earth.  Also, Minnie—Mineral Assessor—is jealous of Bigboss’s position and keeps attacking him.  The source of these derangements is not clear, in part because the telepuppets’ capabilities and limits are not much explained, compared, say, with Asimov’s I, Robot sequence, which contains much more and better handwaving on that subject. 

Meanwhile, back on Earth, the Bureau is mounting an expedition to stop off at Aldebaran and straighten out the puppets en route to the more distant Hyades, where seven or eight Earth-type planets have been discovered.  But upon their arrival, the telepuppets quickly fade out—there’s a spaceship full of reptilian aliens lurking, its megalomaniac captain looking for an opportunity to start an interstellar war.  That plot line is followed for a bit, then the rug is pulled out entirely: nothing is what it seems.  Then the rug is pulled out again; there’s a new revelation, and the story ends rather quickly thereafter.  While some SF writers have made effective use of this kind of plot device, here it just seems that Galouye couldn’t decide which story he wanted to write and wound up with something of a mess.

Galouye does decide to let the girls into this clubhouse, though execution does not quite match good intentions.  Carol Cummings joins the crew because she is a “radio empathy specialist,” practicing a talent which is mainly confined to women.  The men refer to her as the Maid of the Megacycles.  When she pulls a mild prank on one of them, he is about to spank her when another crewman appears and interrupts him.  She is (of course) good-looking (pause for mention of “the shapeliness of her lithe, five-foot-four frame”), and by the end she is (of course) paired off with the main character.  For a while it seemed like a nice try, though.  Overall, three stars for competent and readable copy, and a clever idea (the telepuppets’ becoming independent) poorly developed.

Galouye’s long novella is followed by four short stories—very short, in the case of Thomas M. Disch’s three-page “Utopia?  Never!” It’s a well-written but cartoony gimmick story, in which a visitor insists to his tour guide that this planet can’t be the Utopia it seems, and finds out all too quickly that he’s right.  Three stars for arid but well-turned cleverness.

Next up is John Rackham’s Dr. Jeckers and Mr. Hyde, in which young Katherine, secretary at a research facility, makes a play for mild and befuddled Dr. Jeckers, whom she drives out to her aunt’s country house, except that he gets so unexpectedly fresh en route that she shoves him out the door and over a cliff.  But . . . moments later, Dr. Jeckers, driving his own car, is right behind her, trying to get her to stop.  She doesn’t, and he goes over the cliff too.  Suffice it to say we have not seen the last of Dr. Jeckers, or Dr. Jeckerses.  This ridiculously amusing story might make a good Twilight Zone episode if TZ had a sense of humor.  Four stars, believe it or not, for the usually mediocre Mr. Rackham, or John T. Phillifent as I believe he is known to Inland Revenue and readers of Analog.

David Rome’s The Lesson for Today sharply changes the mood.  It’s a child’s-eye view of going to school in a starship fleeing an apparently ruined Earth, told seemingly with Bradbury in the back of the author’s mind and a prudent study of David R. Bunch in front.  Remarkably, Rome brings off this tightrope walk; four stars for avoiding mawkishness.

Mine is the Kingdom by Roger Zelazny, disguised once more as Harrison Denmark, is something else entirely.  There’s one human left on another ruined Earth, and aliens—the “puffies”—are trying to persuade him to leave, to go where the other humans went, so they can convert what’s left of Earth to their own liking.  The protagonist is apparently being cared for by nearly omnipotent machines who can manufacture any illusion that he wants while keeping him drunk, as he demands.  It’s theatrical in the most literal sense; Zelazny is making the most of his education in drama here, with the events obscured, or transfigured as you prefer, in oratorical language and gaudy imagery.  (“The walls were rough-woven allegories of bright color, the heads of vanquished predators, and axes with complexions of smoke and eyes of rust.”) Pretentious?  Yeah, but hand it to the guy, he delivers on his pretenses, at least to my taste.  Feller does have a way with words.  You could also call it decadent, I suppose, but who cares?  Four stars, leaning towards five.  Nothing rotten in this Denmark.

Gosh—three stories in a row in Amazing that I am actually glad I read.  That is amazing! and suggestive of better things to come, except we’ve been around that track before.

Coming down to Earth, here’s Sam Moskowitz again, with John W. Campbell: The Writing Years.  This task is tailor-made for Moskowitz, who doesn’t like to acknowledge work from any later than the 1940s, since with one minor exception Campbell stopped writing in 1940 or so.  It’s the usual perfectly competent rehash of a (brief) career, enhanced by much hitherto-unknown (to me at least) biographical data.  Most interestingly, Campbell’s mother had a twin sister who didn’t much like him, and at times young Campbell didn’t know who he was dealing with, an experience that gave rise to Campbell’s most powerful story, Who Goes There? It’s not clear to what extent that is Campbell speaking, versus Moskowitz amateur-psychologizing.  In any case, three stars, and a more interesting job than some recent entries in this series.

So, three pretty good stories, and two adequate ones.  Amazing is above water for now, but it never seems to last.  What ho—be that the specter of Robert F. Young, there lurking in the shadows?




[May 27, 1963] A Clang of Doom?  (New Worlds, June 1963)


by Mark Yon

One sad piece of news to start with this month. I have just found out that Science Fiction Adventures has published its last, with the May 1963 issue. I understand that sales were not what they used to be in its heyday. It is hoped that this may be a temporary measure, but previous history suggests to me that, sadly, this may be the end. [The latest Science Fiction Times seems to indicate that the cancellation is permanent (ed.)]

If this is part of a general trend, then it may explain some of the recent changes with New Worlds, including this month’s cover:

Well, at least this month’s cover doesn’t have the egregious spelling error last month’s issue had. We also have one large photo on the cover, which is an improvement on those of recent months without one.

However, it does raise issues – are things that bad that New Worlds needs the lure of a movie on its cover to raise sales? I think Editor John Carnell has tried to improve sales this month by putting a movie review head and shoulders above the fiction. (This also happened with the July 1962 issue as well, when the cover showed television programme Out of This World.)

More worryingly, with Mr. Carnell being distracted by such events away from New Worlds has he lost his focus on the magazine? I have, in recent months, raised worries about some of the recent changes, which now make sense. The use of Guest Editors over the last year may have given Mr Carnell space and time to sort things out, but I am still concerned that whilst this issue is full of experienced writers and magazine regulars, it the magazine is becoming less about the fiction and more about what is going on outside its pages. 

Beer In The Wine Bottle, by Mr. John Ashcroft

This month’s guest editor is another unusual choice. Like Mr. Michael Moorcock, back in March, he is better known for his fiction outside of New Worlds. As the magazine profile suggests, Mr. John Ashcroft has had stories published in sister magazines Science Fantasy and Science Fiction Adventures, but is relatively unknown here.

That’s a pretty big claim at the end of the profile, but the Editorial made a point that many s-f readers will appreciate: "Contemporary science fiction is generally more competently written; but it is more complacent." Mr. Ashcroft advocates that that old "sense-of-wonder" is important and that current writers need to raise their game. 

From The-Old-Man-In-The-Mountain, by Mr. Joseph Green

I must admit I was not looking forward to Mr. Joseph Green’s novelette this month. As the third story of an unimpressive series (so far), albeit in a longer form, I was prepared to be underwhelmed. However, it is a pleasant enough tale of the increasingly mutual interaction between colonising humans and the hirsute aliens named Loafers, even if the Loafers remind me of Mr. H. Beam Piper’s Little Fuzzies, with added telepathy. In this tale it all turns a bit Midwich Cuckoo with a young Loafer abducted by an embittered human outsider, but, with teamwork from the humans and the aliens, unsurprisingly ends with all being well. A better effort than Mr. Green’s others in the series, if still rather unmemorable. Evidently the last in the series is in next month’s issue. 3 out of 5.

To the other stories.

End-Game by Mr. J. G. Ballard

By contrast, and like Mr. Brian Aldiss last month, this is a welcome return to New Worlds of an author who had moved on to a wider literary field. This is even better than Mr. Ballard’s last tale of consumer stress (The Subliminal Man, January 1963). End-Game is another typically Ballardian tale of isolation and emotional anguish, featuring an imprisoned man to be executed but at a time unknown to him. It becomes a psychological battle of wills between the condemned and his executioner, masked by a series of chess games that imply a fight between a police state and the individual. As with the best of Ballard, it is complex and intelligent, making me believe something that could happen behind the Iron Curtain. It even self-knowingly references Kafka! Not surprisingly, the best story in the issue. 4 out of 5.

Occupation Force, by Mr. David Rome

From another returning regular, Mr. Rome’s tale is quite different to his last (Meaning, December 1962).  Occupation Force is a war story, telling of the uneasy relationship between a nuclear-weapon-wielding occupying army and the seemingly innocent oppressed "natives." In these times of campaigns for nuclear disarmament, it is a thought-experiment of a possibility that could also be relevant in 1963. Sadly, it is also short, predictable and, even with the attempt to shock through a downbeat ending, surprisingly forgettable. A lesser effort. 2 out of 5.

Dipso Facto, by Mr. Robert Presslie

Mr. Presslie’s return to New Worlds is also a disappointing effort. Even if I ignored the "poor, dumb natives" angle, this attempt to be humorous in a story of competitive eating and drinking is a long, long way away from the intelligence of similar stories, such as Mr. Poul Anderson’s Nicholas van Rijn tales.  It fails pretty quickly. Also 2 out of 5.

Window On The Moon, by Mr. E. C. Tubb

And so to the last of this serial. Last month’s part ended with a couple of shocks – an explosion that destroyed the Royal Commission sent to the British Base, and the Americans who visited the Brits also mysteriously killed on their journey back to their base. This issue deals with the aftermath and gives us a cause for the strange happenings. I’m pleased to say that the US and British bases did not declare war on each other, and it is left to our hero, Felix Larsen, to resolve things. I did predict the villain of the piece a couple of issues ago, but this didn’t stop me enjoying this last part of "Brits in Space." Window on the Moon is a tale told with energy and enthusiasm, even though I felt that it didn’t know how to draw it all together at the end convincingly.  Not quite as good at the end as in the earlier parts. It made me wonder what someone like Mr. Arthur C. Clarke would do with it. 3 out of 5.

Film Review: The Day of the Triffids, by Mr John Carnell,

The last part of the magazine is given over to stills and a commentary of this film I looked forward to seeing, back in July 1962, so it is odd to just now get to read a review. The good news is that, I understand, it has recently been released in the USA, so you will be able to see it yourselves. Fellow Traveller Ashley described it in detail back in July. Like her, I was a little disappointed at the differences between the film and Mr. John Wyndham’s fantastic novel, but here Mr. Carnell is more glowing in its fulsome praise, despite the concerns over its delay and production issues. According to the editor, even the author, Mr. John Wyndham, was rather impressed, despite the changes.

In summary, the June issue is, thankfully, another generally solid issue, but with the odd misstep. Not quite as strong as last month’s, but worthy of a read. Despite my concerns mentioned earlier over Mr. Carnell’s editorship, it must be said that the last couple of months have produced issues that have been both memorable and thought-provoking. For all of its faults, there is nothing else quite like New Worlds. I am rather feeling that I must make the most of magazines such as this, whilst I can. I fear that the writing might be on the wall…




[March 20, 1963] TIME TRAVEL (1962 from the perspective of SFF-writer, David Rome)

[I am very pleased to present an article that just arrived by post from David Boutland (a.k.a. David Rome), whose stories have been the subject of review several times.  It marks the first time this fanzine has been graced with presence of a current SFF writer.  It is written in the form of a retrospective, at the big end of a 55-year long telescope…]


by David Rome

In Chester I went exploring the remembered years, turning left into a cul-de-sac of terraced houses and here is the corner shop on the right and ahead the low brick wall topped by the rusty spiked iron railings.

And on the other side of the railings the railway shunting yard with shrill whistle of shunting engine.

A clatter of running feet, two small boys racing each other and the echo of my own voice ringing out after the troops returned from the war and my old man had quit his job at the dairy, taken us out of Sodhouse Bank Gateshead, and brought us here to start a new life.

And I stand looking at number 8 Gresford Avenue then walk the few strides to the end of the street. How short the distance and how small the houses. I look down over waist-high rusty spikes into the place of old adventures. A trickling flow of what couldn't even be called a stream scummy with weed and rubbish and along there where the old gasometer had been that kid went fishing with jamjar on a long string and had fallen screaming and drowned under stagnant water.

I turned my back on the railway wasteland and stood looking at the little windows of crowded little houses. How different to the low, tiled bungalows of the Great South Land. Maybe I don't belong here. Maybe I don't fit.

But I found a flat over a butcher's shop and settled in. Early each morning I was woken by the pounding of cleavers as bloody carcasses were dismembered. Nightly, the tv set showed scenes of protest in Trafalgar Square where truncheon-wielding London bobbies were doing what cops all over the world do, enforce the will of their masters. They charged into peaceful crowds of CND demonstrators with thudding truncheons.

In Russia, America, and Britain missiles with atomic warheads stood ready to end all war.

And in the U.S. Kennedy told Khrushchev to get his missiles the hell out of Cuba. Khrushchev's reply was go to hell. Kennedy blockaded Cuba.

There's a kind of hush

was the mood.

The Earth spins through space. Our home. Infinite space surrounds us. No known habitable world to escape to. The tests of the pre-Cuba crisis had already exposed half a million people to radiation as politicians and glory-hungry generals sought to gain the edge. Two million workers in nuclear weapons plants were preparing to seed the environment with life-wasting emissions. Human guinea pigs were reported to have been tested in the Nevada desert. Their skin peeled loose and their hair fell out. Kennedy urged Congress to build fallout shelters.

The world turned.

While murder was contemplated on a scale beyond human imagination. While secret underground bunkers were readied for our Rulers so the Administration could preserve what it always preserves: itself. 

Meanwhile a judge sat on high and looked down on the likes of James Hanratty, a young petty criminal convicted of shooting dead another young man and raping his victim's girlfriend before shooting her, and leaving her paralyzed. His trial went on for twenty one days, the longest and one of the most expensive in the history of murder in England. The jury took almost ten hours to bring in their verdict of guilty. Hanratty was put to death.

And even as nuclear stand-off in Cuba paralyzed the world, new evidence emerged that persuaded many of us that Hanratty was a victim of a state killing and was not a murderer.

Killers must be brought to account. What nightmare scenario would the fat cats, the smug politicians and their privileged families – privileged to live – look upon when, how many years afterward? they emerged into the landscape of a once green and pleasant land?

And when they walked out into the radiation-glow of endless night would we take the only weapons we had left to us to stab and club and hang those who commited the ultimate crime of laying an entire planet to waste?

In the blood-scented world above the butcher's shop I wrote comics now as well as pulp crime and science fiction.

On the pages of Romeo a young girl ran across a mystic country to meet her boyfriend orbiting overhead in starlit night in his space capsule. Mutating butterflies in a child's garden were a prelude to the changing world of The Pink Peril. Featured in Thomson Leng's Judy was Phillipa's Friend Finny, a porpoise tamed before the bottle nosed stars of television leapt across the screen. The war was fought in the air across Europe, and in the jungles of New Guinea, in Fleetway's Battle Picture series.

Millions of words sweated out, to earn a living, but no market be it pulp or comic-book that wasn't approached with respect.

Working on a comic script I used the carpeted floor of my upstairs flat to lay out roughly sketched pictures which, redrawn by an artist, would illustrate the story. I could shuffle their order, add 'boxes' at top or bottom, scribble in lines of dialogue, put in thought bubbles.

One morning I heard a sound I was attuned to, the clack of the letter box, and I broke off and went to the top of the stairs.

Rejections in their self-addressed manila envelopes lay on the doormat.

I opened the door and watched the postman moving away. We were into summer but a bleak wind was blowing down the street. I closed the door again and went into the kitchen and made a cup of tea.

I thought of my time here, and of the stories I had written. Some, a few, I had thought were special. Lately, I'd sold Foreign Body to New Worlds, the story of a science fiction pulp writer whose acceptance cheques stop arriving. The mag had come with the rejections and I opened it to the contents page, feeling nostalgia at the memories it evoked: of writing my first-ever story for Pocket Man, six years ago, of selling Time of Arrival to New Worlds, and of selling Parky in America.

Good days.

Now – New Worlds was in its seventeenth year of publication. It had been started by writers and fans who invested money and time, and dragged up by its bootstraps by the legendary editor John Carnell to become the front-ranking professional British science fiction magazine.

But the truth was that, like the pulp crime magazines, its days were coming to an end.

You've gotta have luck. Was mine running out?

'58, I rode aboard the men's magazines, learned my trade, comics earned a dollar when a dollar was needed. But now the market for short stories is on the skids.

I put the magazine aside and took up the letter I had left until last. A blue airmail letter from Sharon, the girl I had left behind in the land of Oz. I'd written and told her I was thinking of coming home, that I was near broke, and her reply was measured, and understanding, and held out hope that we might try again. She had her job at the bank, still, and was saving money, and maybe she could help me to keep writing.

And as the wider world closed in on me, I watched the anti-segregation marches in Montgomery Alabama, fire-hoses turned on blacks, kickings and clubbings; Governor George Wallace:

'"– Segregation now, segregation tomorrow, segregation forever – "

1960's. Freedom and Insanity in the air.

(Read more at David Rome: Pulp Writer!]




[December 28, 1962] Braving the Cold (January 1963 New Worlds)

[if you’re new to the Journey, read this to see what we’re all about!]


by Mark Yon

I hope you’ve all had a good Christmas. Here in Britain it has been…. interesting. As fellow traveller Ashley has mentioned, the cold and foggy weather has now turned into a fully-fledged Winter of ice and snow. As I type this, snow has been falling all over the UK in great amounts for a couple of weeks, and is showing no sign of stopping. The result has been chaos. The news is filled of stories about villages being made inaccessible and even in the urban areas, such as the Northern provincial city I live in, travel has been treacherous. The Met Office is telling us that it is “The Big Freeze”, and may be the worst winter weather in decades. Even if it is not, it certainly feels like it!

Anyway, enough of the weather.

As I said I would, I have braved the Winter cold to go to the cinema since we last spoke, and I am pleased to say that I whole-heartedly recommend Mr. David Lean’s Lawrence of Arabia, despite its length. I saw the movie in two parts, with an intermission. At a run-time of just under four hours I was not bored for one moment. It is one of the best-looking movies I have ever seen, and I loved the majestic score by Mr. Maurice Jarre, so much so that I am now looking for a copy of the movie soundtrack to play on my record player. As it is mainly set in the desert, though, it might just be what’s needed to keep the Winter chill out!

This month’s New Worlds shows a cover that’s back to the lurid. This month, it is an unsubtle Day-Glo shade of Santa Claus red.  It heralds the return of a story by Mr Lan Wright after his stint as guest Editor last month. This is the first time that Mr. Wright has had an actual story in the magazine since February 1959. It is the first of three parts. More on this later.

I Like It Here, by Mr. David Rome

We begin with a short guest editorial from Mr. Rome – his fourth appearance in New Worlds in as many consecutive months, which suggests that he is a popular choice, by the editors, and (one hopes) the reading public. [David is also quite popular with the Journey, having recently engaged in written correspondence with us.  It is he who provided the picture above.  (Ed.)]

Mr Rome is a relative newcomer to s-f and as a result has a rather refreshing viewpoint upon professionalism in the genre here. It is the latest foray into the ongoing battle between the prevalent issue in British s-f – should it be populist entertainment but written by amateurs, or more specialist and challenging, with professional leanings? Mr. Rome’s take on it is that, as a relative newcomer, the s-f writer is motivated by a belief in the genre rather than by money. As a result, an acceptance of s-f by the mainstream, in his opinion, would lead to dissolution and a loss of the thing that makes s-f great. It’s an intriguing point of view, rather similar to that anti-professional stance given by Mr. Wright as editor last month.

Which leads us to:

Dawn’s Left Hand, by Mr Lan Wright.
The title’s a good one (a quote from the Rubaiyat of Omar Khayyam) but despite such lofty ambitions, the actual story shows its amateur origins by being rather uneven in tone and pace. I must admit that I was rather disappointed by the story. The plot is admittedly fast-paced, in an old-fashioned pulp style, but like many of the old-style stories of the Golden Age, if you actually stop to think about it, the plot has no logic. It is entertaining, but really doesn’t hold much water. As expected, the story ends on a cliff-hanger, to be continued next issue. I hope that it improves. Two out of five.

Ecdysiac, by Mr. Robert Presslie
This story marks the return of another regular New Worlds writer. His last was Lucky Dog in the November 1962 issue, which I thought was disappointing. This was better, an espionage tale that adopts the use of psionics in ways that I imagine Mr. Poul Anderson and Mr. A. E. van Vogt would. The dour ending is typically British, though! Three out of five.

The Big Tin God, by Mr. Philip E. High
Another regular New Worlds writer, last read with The Method in the November 1962 issue, which I was not enormously impressed by. This one is, thankfully, better. It’s a story of city-states, and a secret war that leads to the creation of an artificial intelligence capable of independent thought. The short story held my attention, although the twist at the end was a little predictable and, if I dare say it, even arrogant in its presumption. Two out of five points.

Burden of Proof, by Mr. David Jay
Mr. Jay gives us a story of hate and murder, placed within a futuristic mystery and a possibly mistaken accusation. It’s nicely done but the denouement depends on a hook that’s not too convincing. Again, two out of five.

The Statue, by Mr. R. W. Mackelworth
After a number of well-known authors, it’s great to have a new one. Mr. Mackelworth’s The Statue is a worthy debut as a short story about a mysterious artefact and its effect on a group of explorers. There’s an interesting use of telepaths in the tale but it is let down by some standard (and rather predictable) stereotypes. Three out of five.

The Subliminal Man, by Mr. J. G. Ballard
Although Mr. Lan Wright has the biggest billing, here is the best story in the magazine, from another initialled author, the much-welcome Mr. J. G. Ballard. We don’t see enough of Mr. Ballard’s work these days in New Worlds, and it is noticeable how good it is when compared with the rest. It is also miles away from the traditional s-f that we expect. A dystopian tale of the future consequences of incessant advertising and relentless consumerism, its sense of paranoia is both chilling and effective. Four out of five.

Lastly, there’s the usual Book Review by Mr. Leslie Flood. There is only one recommendation this month albeit a wholehearted one and a collection you already have in the US – A Decade of Fantasy and Science Fiction, edited by Mr. Robert P. Mills.

As recent issues of New Worlds go, this one feels stronger, even if the quality of the stories varies somewhat. The return of Mr. J.G. Ballard raises the bar a little and makes me feel a little more positive for the future of the magazine than I have been lately.

And with that hint of optimism, until next time, it just remains for me to wish you all the best for 1963.

[P.S. If you want the chance to nominate Galactic Journey for Best Fanzine next year, you need to register for WorldCon before the end of the year! (or have registered last year… but then you can only nominate, not vote.) The Journey will be at next year's WorldCon, so don't miss your chance to meet us and please help put us on the ballot for Best Fanzine!]