Tag Archives: crime novel

[January 12, 1970] A Glimpse into the Future: Drug of Choice by John Lange and Crime Prevention in the 30th Century, edited by Hans Stefan Santesson


by Cora Buhlert

A New Decade and a New Hope

It's January 1970, the start of a new decade, and at least in West Germany, it also feels like the start of a more hopeful time.

The new chancellor Willy Brandt and his social-democratic/liberal coalition government have been in power for not quite two months yet and the wind of change is already in the air, as the Brandt government has initiated talks with the governments of East Germany and other Eastern Bloc countries to thaw the ice of the Cold War a little.

A store selling fireworks in West Germany in 1969
Fireworks for sale
Fireworks over Delmenhorst on New Year's Eve 1969
The town of Delmenhorst welcomes the new year and the new decade with fireworks.
People dancing at a New Year's Eve ball in 1969
Some people welcomed the new year and the new decade with glamorous balls.
People are sitting around a table in a living room in West Germany in 1969, celebrating New Year's Eve.
Meanwhile, many private New Year's Eve celebrations in West Germany looked a lot like this: a family or a group of friends gathered in a living room decorated with paper streamers to celebrate… while at least one person fervently wishes they were somewhere, anywhere else.

And so the annual New Year's Eve celebrations felt a little cheerier, the fireworks were a little brighter and everybody seemed more optimistic, even though much of West Germany is currently covered in a thick layer of snow.

Adults and children are frolicking in the snow on wooden sleds
Old and young are frolicking in the snow on sledding hills around West Germany.
A child stands on skis, while another pulls a sled.
You're never too young to learn to ski.

But before New Year comes Christmas and this year, Santa left two new books under my tree, both of which offer a glimpse into a future that is not quite as optimistic as West Germany feels at the moment.

A Paranoid Nightmare: Drug of Choice by John Lange

Drug of Choice by John Lange

One of the brightest rising stars of the thriller genre is John Lange. He burst onto the scene in 1966 with the heist novel Odds On and has been delivering entertaining thrillers, usually set in exotic locations and often laced with science fiction elements, at a steady clip since then. I reviewed two of them – Easy Go and Zero Cool – for the Journey.

Eventually, we learned that John Lange was the pen name of a young Harvard medical student named Michael Crichton, who released a novel under his own name last year. The Andromeda Strain, reviewed here by my colleague Joe Reid, was unambiguously science fiction and also drew on Crichton's medical knowledge, since it is about a deadly microbe from outer space.

A Case of Need by Jeffrey Hudson

What is more, Lange/Crichton also wrote a medical thriller called A Case of Need under yet another pen name, Jeffrey Hudson. The novel deals with a controversial issue, namely illegal abortion and the fact that it often leads to the preventable deaths of young women, which is probably why Crichton chose a different pen name to distance it from his John Lange thrillers and the novels under his own name. In spite of the controversial subject matter, A Case of Need won a highly deserved Edgar Award last year.

But whatever name he writes under, John Lange a.k.a. Michael Crichton a.k.a. Jeffrey Hudson is always worth reading. And so I was excited to read his latest novel, Drug of Choice.

Drug of Choice once more draws on Lange/Crichton's medical experience, for protagonist Roger Clark is a medical resident at Los Angeles Memorial Hospital. One day, a Hell's Angel is brought in, comatose after a motorbike accident. It seems like just another day in the emergency room, until Clark notices that the biker has no visible injuries…. and that his urine is bright blue. Clark assumes that some unknown drug is to blame for the young man's condition. However, the next day the biker awakes from his coma as if nothing had happened… and the colour of his urine is back to normal.

The case is certainly strange, but Clark quickly moves on. But then it happens again. Up and coming actress Sharon Wilder is brought to the hospital, comatose for unknown reasons. And her urine is blue. This triggers Clark's inner Sherlock Holmes and he begins to investigate. Clark learns that both Sharon and the biker were patients of the same psychiatrist. Contrary to medical ethics, Clark also gets involved with Sharon herself and winds up accompanying her on holiday to San Cristobal, a new island resort in the Caribbean, which is billed as the perfect vacation spot.

San Cristobal indeed seems to be paradise and Clark enjoys wonderful days with Sharon Wilder. But absolutely nothing is as it seems at San Cristobal, for instead of a luxury resort, the hotel is just a few dingy rooms where the guests are kept in a state of comatose bliss by a mysterious drug, which also has the side effect of turning urine blue. Behind everything is the mysterious Advance Corporation… who want to recruit Roger Clark to work for them and they won't take "no" for an answer.

Similar to A Case of Need, Drug of Choice starts out as a medical thriller, dealing with a hot social issue, in this case drug abuse. However, once Clark gets to San Cristobal and sees the disturbing reality behind the glamorous façade, the novel takes a turn into Philip K. Dick territory – a world of paranoia, drugs and shadowy powers that one man cannot beat… or can he? Indeed, if you'd given me the novel in a plain brown paper wrapper and without an author name, I would have assumed that this was Philip K. Dick's latest novel. Except that from a purely stylistic point-of-view, Lange/Crichton is a better writer than Dick.

From the entertaining adventure thrillers of a few years ago via his Edgar winning A Case of Need to last year's The Andromeda Strain and now Drug of Choice, John Lange/Michael Crichton keeps getting better and better and is quickly becoming one of the most exciting new voices in both the thriller and science fiction genre.

Supposedly, Michael Crichton earned his doctorate last year, which means that the reason he started writing, namely to pay his way through medical school, no longer applies. Nonetheless, I sincerely hope that he will keep writing, under whichever name he prefers, because John Lange/Michael Crichton is too good a writer to lose him to medicine.

A paranoid nightmare of a thriller in the vein of the best of Philip K. Dick. Four and a half stars.

Crime Prevention in the 30th Century, edited by Hans Stefan Santesson

Crime Prevention in the 30th century, edited by Hans Stefan Santesson

Another hot button issue of our times, particularly in the US, is rising crime rates that plague particularly the big cities and plunge their citizens into fear. However, crime rates are also rising in West Germany, albeit more slowly, and those crimes which most impact the average citizen such as burglary and theft also have fairly low detection rates, whereas the 1969 West German crime statistics boast high detection rates for offences such as abortion or sex between adult men (recently decriminalised) which many people believe should not be criminalised at all

In his introduction to the anthology Crime Prevention in the 30th Century, Hans Stefan Santesson, former editor of Fantastic Universe and The Saint Mystery Magazine and therefore familiar with both science fiction and crime fiction, addresses the fact that many people in the US and elsewhere fear rising crime rates, but also points out that crime isn't a new phenomenon, but has always been with us and always will. Just as there will always be a need for police officers and detectives to investigate those crimes.

"Jack Fell Down" by John Brunner

Science Fiction Adventures March 1963

First published in the March 1963 issue of Science Fiction Adventures, this novelette introduces us to Marco Kildreth, a cybernetically enhanced engineer who is out fishing in a ferocious storm on the Atlantic, when he makes an unexpected catch – a dead body. A closer examination reveals that the dead man did not drown, but was dropped into the sea from a great height. What is more, Marco recognises the dead man as one Jack Yang, member of a delegation from the colony planet Morthia who was on Earth for an important conference. Marco Kildreth not only happened to attend the same conference, but negotiations to give Morthia and its neighbour planet a so-called Builderworld, an automated factory planet to supply all needs of the population, were blocked by the Morthian delegation, giving Marco a motive to want to get rid of Yang.

Marco Kildreth did not murder Jack Yang. But after some investigations of his own, he has a pretty good idea who did…

John Brunner uses the structure of the traditional murder mystery to tell a greater story about the post-scarcity Earth of the future and the colony world Morthia which is governed by a genetically determined feudalism. The establishment of an automated Builderworld to produce anything the impoverished population of Morthia needs would threaten the elevated position of Morthia's ruling elite, which is why the Morthian delegation is vehemently opposed to this.

As a science fiction story, "Jack Fell Down" is an excellent look at one or rather several future societies and manages to create a vivid setting in only 39 pages. As murder mystery, however, it is unsatisfactory. We do learn who committed the murder and why, but the clues are never properly planted.

Two stars, mostly for the background world.

"The Eel" by Miriam Allen deFord

Galaxy April 1958

First published in the April 1958 issue of Galaxy, this story follows the titular Eel, a particularly slippery thief who is wanted on eight planets in three different solar systems. The Eel does not operate on his homeworld Earth, though Galactic Police there wants him, too, to extradite him to the worlds where he committed his crimes.

After twenty-six years, the Galactic Police finally get lucky and catch the Eel. There's only one problem. Where should he be extradited, considering that he committed crimes on eight different planets, all of which are extremely interested in putting him on trial and punishing him according to their respective laws?

The Eel is finally extradited to Agsk, a world which does not have the death penalty, but which punishes criminals by executing the person they love most in front of their eyes. There is only one problem. The Eel has neither family nor friends and apparently never loved anybody except for himself. But just when the Agskians are about to execute the person the Eel loves most, namely himself, the Eel reveals that he has one more ace up his sleeve…

"The Eel" perfectly shows off Miriam Allen deFord's gift for dark humour and the solution for how the Eel wiggles out of his punishment is ingenious.

Five stars.

"The Future Is Ours" by Stephen Dentinger

The first mystery posed by this story is "Who on Earth is Stephen Dentinger?" The resolution to that one is quite simple: Stephen Dentinger is a pen name of prolific mystery writer Edward D. Hoch (the "D" stands for Dentinger) who also dabbles in science fiction and horror on occasion.

The story follows a police officer named Captain Felix who is about to test drive the time machine, or rather chronological manipulator, invented by one Dr. Stafford. Captain Felix plans to travel to New York City in the year 2259 AD to learn about new techniques for police work. What he finds, however, is not at all what he had expected…

This very short (only three pages long) tale is a typical example of the "twist in the tail" story that was popular twenty-five years ago, but has become rare since. This type of story relies on the twist being good and in this case it is.

Three stars.

"The Velvet Glove" by Harry Harrison

Fantastic Universe November 1956

First published in the November 1956 issue of Fantastic Universe, this novelette follows Jon Venex, an unemployed robot living on a future Earth beset by anti-robot prejudice. One day, Jon responds to a job ad asking for a robot with his specific skills, and gets much more than he bargained for, when he finds himself strapped to a bomb and forced to work for a gang of drug-runners. Worse, he finds the remnants of his predecessor.

Jon uses all his robotic skills to alert the authorities without violating his innate programming never to harm a human being. But even if he succeeds, will a robot ever be treated as an equal on this future Earth?

Like John Brunner's "Jack Fell Down", Harry Harrison uses the structure of a crime story to present his vision of a future Earth. However, Harrison is a lot more successful at blending science fiction and crime fiction and "The Velvet Glove" manages to work as both. What is more, Jon Venex is a very compelling protagonist.

Four stars.

"Let There Be Night!" by Morris Hershman

Saint Mystery Magazine, November 1966

Morris Hershman is another author better known for mysteries than for science fiction. His vignette "Let There Be Night!" first appeared in the November 1966 issue of The Saint Mystery Magazine.

Curt Yarett is unhappily married to Edna, an alcoholic. However, alcohol abuse is a criminal offense in this brave new world of the future and so Curt has the perfect way to get rid of his wife by reporting her to the authorities…

The focus of this brief vignette is less on the "crime" committed and more on changing mores and laws, particularly with regard to intoxicating substances and how what is illegal in one time may well be considered perfectly acceptable in another. Considering the rise in drug use in recent years, this is certainly an important topic. However, the story itself is too brief to truly delve into the questions it raises.

Two stars.

"Computer Cops" by Edward D. Hoch

Edward D. Hoch puts in his second appearance in this anthology—this time under his own name—with this tale about a crime-fighting agency called the Computer Investigation Bureau, CIB for short, fighting electronic crime in the not too far off future of 2006 AD.  It is one of the two non-reprints in the anthology.

One day, Carl Crader, director of the CIB, is summoned by Nobel Kinsinger, one of the richest men in the world, for someone has been using his SEXCO machine, a computer used to buy and sell stocks at the New York Stock Exchange, without authorisation. Crader quickly homes in on two likely suspects, John Bunyon, Kinsinger's assistant, and Linda Sale, his secretary. However, the truth turns out to be quite different…

Of the various stories in this anthology, "Computer Cops" matches the theme – how will law enforcement agencies investigate and hopefully prevent crime in the future – the closest. "Computer Cops" is very much a so-called police procedural, i.e. a type of mystery which delves into the methods the police uses to investigate crimes. To me, it felt very much like a futuristic version of the popular West German pulp crime series G-Man Jerry Cotton. "Computer Cops" also succeeds both as a science fiction and a crime story.

However, there are two problems with this story. The first is that the female characters are relegated to secretaries in miniskirts or bodystockings – all the investing and investigating is done by men. Compare this to Tom Purdom's "Toys", which features a female police officer, and John Brunner's "Jack Fell Down", which features a woman as the Secretary of Extraterrestrial Relations as well as a female professor of sociology and which also casually notes that not everybody in the future is white.

The other problem with this story is that 2006 AD is not very far off at all, only thirty-six years in the future, which means that many of us may well live to see it. As a result, this also means that many of the predictions that Hoch makes, either as part of the plot or casual off-hand remarks, may well turn out to be completely and hilariously wrong. Of course, it's reasonable to assume that New York City's World Trade Center, currently under construction and the tallest building in the world, once completed, will still be standing in 2006. Using computers to make deals on the stock market seems quite likely and billionaires getting involved into politics to the point of bankrolling or even leading invasions of independent countries sadly isn't too farfetched either. However, the assumption that Fidel Castro's regime in Cuba will crumble in the next few years may well turn out to be premature.

Probably the most successful blend of science fiction and crime fiction in this anthology.

Three stars.

"Apple" by Anne McCaffrey

The second new story is Anne McCaffrey's novelette, which opens with a seemingly impossible crime. A priceless fur coat, sapphire necklace, haute couture gown and jewelled slippers, have been stolen from the display window of a high-end department store in the brief time lag between security camera recordings.

The only way this crime could have been committed is via telekinesis. This is what brings in telepath Daffyd op Owen of the North American Parapsychic Center, an organisation which identifies and trains people with parapsychic talents and also works to end prejudice against them. All Talents at the Center were present and accounted for, when the theft occurred. This means that the thief must be a so-called "wild Talent", i.e. a Talent who's unregistered and unknown to the North American Parapsychic Center. Worse, this crime endangers the passing of a bill providing legal protection for Talents.

So the hunt is on for the telekinetic thief. Daffyd op Owen's Talents quickly zero in on an apartment block in a deprived part of town and find an apartment full of stolen goods – but not the thief. One of the Talents tracks the young woman – it is quickly determined that the thief must be female, because a man would only have taken the necklace and fur coat, but not the dress or the shoes – to a train station, where she uses her abilities to throw a baggage cart at her pursuer and crushes him. In spite of the girl killing one of his people, op Owen wants to bring her in alive and unharmed. But sometimes, there are no happy endings…

In recent years, Anne McCaffrey has been more interested in the dragons of Pern than in good old Earth, but she has also written a few stories about the Talented and their struggle for recognition.

"Apple" clearly shows McCaffrey's strengths as a writer. The action scenes are frenetic and there is some interesting characterisation, too, in the scenes where op Owen and his police counterpart Frank Gillings butt heads. However, this story also displays the issues I've always had with McCaffrey's work, namely latent prejudice that underlies much of it – ironic in a story that is about overcoming prejudice. And so the thief is the proverbial bad apple, because she is a) poor and b) of Romani descent, though McCaffrey uses a much less polite term.

A otherwise good story, marred by some of McCaffrey's persistent issues.

Three stars.

"Rain Check" by Judith Merril

Science Fiction Adventure May 1954

Originally published in the May 1954 issue of Science Fiction Adventures, "Rain Check" follows a shapeshifting alien who was brought back from Mars and is being taken to see the US president aboard a secret express train. However, the alien escapes during a refuelling stop – not for malicious reasons, but out of pure curiosity.

After some time spent as a large package on the platform, the alien takes on the shape of a human woman and wanders into an all-night diner. However, the alien's appearance attracts the attention of Mike Bonito, the man behind the counter, who promptly tries to chat up what he thinks is an attractive woman.

Turns out Mike Bonito is a civil defence warden, when he's not bartending, and was specifically told to be on the lookout for the runaway alien, though all they have to go on is a vague description of a male human. However, there will be an important meeting of all civil defence wardens in the city later that day. The alien, now named Anita, gets herself invited to come along, after manifesting a civil defence badge.

The American astronauts who captured the Martian believe that the alien's special abilities will help them win a war. However, "Anita" has a reason of her own for wanting to explore Earth.

This is not so much a crime story, but a cloak and dagger type spy story. Of course, being a Judith Merril story, it's also very well written and "Anita's" observations about life on Earth and particularly the persistent rain, so alien to a Martian, are fascinating.

Five stars.

"Toys" by Tom Purdom

Analog October 1967

"Toys" begins with a hostage situation. A group of children and their "pets" – an elephant, a gorilla, two dragons (created via genetic engineering) and two tigers – have taken a family hostage and demand that a committee made up of parents negotiate with them. Meanwhile, various adults are congregating outside and threatening to enter the house and beat up the children.

Police officers Charley Edelman and Helen Fracarro are called in the deal with the situation. They storm the house and find themselves fighting off both the "pets" and the children who have transformed their educational toys such as genetic engineering kits into surprisingly effective weapons. Will Charley and Helen be able to diffuse the situation before someone – adults, kids or pets – gets killed?

Our founder Gideon reviewed this story upon its original publication in the October 1967 issue of Analog and also adds some interesting background notes from author Tom Purdom who is a good friend of the Journey.

"Toys" is an action-packed story and offers some interesting speculation about how even in an increasingly affluent world, there will always be those who have less than others, even if they would have be considered wealthy as recently as thirty or forty years ago. Anne McCaffrey's "Apple" makes a similar point and is also largely set in a modern housing estate like those that are increasingly replacing the slums of old, raising the living standards of the working class, while not changing their economic status.

"Toys" also succeeds at blending science fiction and police procedural. Charley and Helen are compelling protagonists and I wouldn't at all mind a series of Charley Edelman and Helen Fracarro futuristic police procedurals.

That said, I also had a big problem with this story and that is that I intensely dislike stories about evil children. Now fear of children and young people is a common theme in science fiction. With the children of the postwar baby boom now in their teens and early twenties, an age when they begin to have political opinions and demands that don't necessarily match their parents', we have seen an uptick in dystopian stories about tyrannies set up by young people such as Logan's Run by William F. Nolan and George Clayton Johnson or the movie Wild in the Streets. But there are older examples as well such as the 1944 story "When the Bough Breaks" by Lewis Padgett a.k.a. Henry Kuttner and C.L. Moore about a couple terrorised by a superhuman baby. "Toys" certainly fits into the tradition of science fiction terrified of young people having a mind of their own. But though it is well written, I just don't care for stories of this type.

Three stars.

"Party of the Two Parts" by William Tenn

Galaxy August 1954

First published in the August 1954 issue of Galaxy, this story is an epistolary tale in the form of a galactogram from one O-Dik-Veh, a patrol sergeant on duty out in the galactic boondocks, to Hoy-Veh-Chalt, desk sergeant at headquarters and O's cousin, wherein O recounts his latest case.

O has been assigned to watch over the third planet of Sol a.k.a. Earth to make sure that its inhabitants don't blow themselves up before they have matured enough to be inducted into the great galactic community. Much like "Anita" from Judith Merril's "Rain Check", O finds Earth damp and unpleasant. What is more, the patrol office had to be erected on Pluto, a planet O describes as "a world whose winters are bearable, but whose summers are unspeakably hot". These few paragraphs tell us both clearly and very entertainingly that whatever O and Hoy are, they are very much not human. O also refers to their commissioner as "Old One" and is mentioned to have tentacles, so I imagined O and Hoy as something like H.P. Lovecraft's Cthulhu, only as a cop.

O's latest problem started when L'payr, a career criminal from the planet Gtet, escapes on the eve of the trial that will put him behind bars for life, steals an experimental spaceship and ends up on Earth, specifically the suburbs of Chicago. However, L'payr, who is basically a telepathic amoeba, can't survive on Earth for long, so he needs supplies to get his ship spaceborn again. So L'payr telepathically lures high school chemistry teacher Osborne Blatch to his hideout to trade alien pornography for chemical components from the high school lab. Though Blatch is less interested in the pornography – it is amoeba pornography, after all – and more in learning about where the mysterious puddle-shaped alien came from. L'payr, however, doesn't stick around to discuss the state of the galaxy with Blatch, but legs it once he has all the chemicals he needs. Blatch, meanwhile, finds an excellent use for the amoeba pornography he acquired and publishes a biology textbook with detailed illustrations of amoebas reproducing.

We haven't heard much of William Tenn lately, ever since he became a professor of English at Pennsylvania State University. This is a pity, because Tenn's satirical science fiction has always been a delight. And indeed "Party of the Two Parts" starts out utterly hilarious, but then gets bogged down in a lengthy debate whether pornography is pornography, if it doesn't titillate anybody due to not depicting remotely the correct species and whether a crime has been committed that allows for L'payr to be extradited back to his homeworld. The way that O entraps L'payr and L'payr – with some help from Osborne Blatch – tries to wiggle out of his extradition are both ingenious and funny, but the story is still longer than it needs to be.

Four stars.

Police Work of the Future

All in all, this is a solid anthology of stories blending science fiction and crime fiction. That said, the title Crime Prevention in the 30th Century is something of a misnomer, since the stories are more focussed on police officers solving crimes or criminals committing crimes and trying to evade the law than on the prevention of crimes. What is more, none of the stories are explicitly set in the 30th century.

Nor is this anthology particularly useful as a blueprint for policing techniques of the future – only Edward D. Hoch's "Computer Cops" even remotely offers a look at what actual police work might look like in the future. However, Crime Prevention in the 30th Century is not a police academy textbook, but a science fiction anthology and as such it offers an entertaining look at several very different futures. I find that the stories which are at least somewhat humorous work better for me than the more serious tales.

Three and a half stars for the anthology as a whole.

A man leans to a shed drinking a cup of coffee next to several skis also leaning to the shed.
After a long day of skiing, nothing is better than a hot cup of coffee, preferably fortified with something a little stronger.


[New to the Journey?  Read this for a brief introduction!]


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[September 18, 1968] Dangerous Visions (Not Those Dangerous Visions!) (September 1968 Galactoscope)


by Victoria Silverwolf

Finlandia

Emil Petaja is an American writer of Finnish ancestry. His best known works are a series of novels based on the Finnish national epic the Kalevala. (Saga of Lost Earths, The Star Mill, The Stolen Sun, and Tramontane. These were all published from 1966 to 1967.)

Petaja's latest novel, although not part of this series, also deals with themes from Finnish mythology.


Cover art by Jack Gaughan.

Doctor Stephen McCord is an anthropologist. Although he's the only major character who isn't of Finnish descent, he's studied the culture and knows something of the language.

Before the novel begins, his college buddy Art Mackey took off for a remote area of Montana, in search of his girlfriend Ilma, who mysteriously returned to her old homestead. Stephen gets a tape recording from his friend, giving him a few hints as to what's going on. (It also serves as exposition for the reader.)

It seems that the former logging town of Hellmouth, inhabited by Finnish immigrants, was completely destroyed in a huge forest fire in 1906. When Art arrived in search of Ilma's nearby farmhouse, he found the place looking exactly the way it did six decades ago, with some of the former citizens still alive and kicking.

Intrigued by this mystery (and wondering if his pal has gone nuts), Stephen makes his way to the supposedly vanished town. He discovers that Hellmouth is indeed still around. Furthermore, the inhabitants worship Ukko, the chief god of Finnish legend. (Roughly comparable to Zeus or Thor, I believe.)

Stephen finds Art, and they both search for Ilma. Things get weird when they actually run into what seems to be Ukko, a being whose presence is so overwhelming that it's almost impossible not to fall to one's knees in adoration. The apparent god promises to make Earth a utopia, in exchange for worship. Ukko also has plans for Stephen.

What happens involves Ilma's elderly father Izza, her hunchbacked brother Yalmar, the local schoolteacher/librarian, and the steel plate inside Stephen's head, a souvenir of his time as an ambulance driver during a conflict in Southeast Asia. (Maybe Vietnam, as the story takes place just a little bit in the future, some time in the 1970's.)

The author writes clearly and elegantly. I always knew what was going on and was able to keep track of the characters. There are many vivid descriptions of Petaja's home state of Montana. (He now lives in San Francisco, which is also depicted excellently in the early part of the book.)

Besides having a compelling plot that kept me reading in one sitting, the novel has some intriguing and controversial things to say about the nature of deity and its relationship with humanity. Even at the very end of the text, Stephen still isn't sure if opposing Ukko was the right thing to do.

Four stars.

Comedy and Tragedy

The latest Ace Double to fall into my hands (designated as H-85, for those of you keeping score) offers a pair of short novels with contrasting moods. One is lighthearted, the other is serious. Let's start with the humorous one.

Destination: Saturn, by David Grinnell and Lin Carter


Cover art by Kelly Freas.

David Grinnell is actually the well-known fan, writer, and editor Donald A. Wollheim. He also created the Ace Double series, so he must feel right at home.

This novel was published last year in hardcover.


Cover art by Michael M. Peters.

The protagonist is a filthy rich and rather egotistical fellow named Ajax Calkins. A little research reveals that Wollheim (without co-author Carter) has been writing about him since 1941, sometimes under the pen name Martin Pearson. Most recently, this old material was recycled into the novel Destiny's Orbit. The Noble Editor gave it a lukewarm review a while back, calling it a juvenile space opera.

In the current volume, Ajax is the king of an asteroid that is actually a gigantic spaceship built by the civilization that was destroyed when their home planet blew up long ago, creating the asteroid belt. He and his fiancée Emily Hackenschmidt are on Earth, leaving the asteroid in the hands (so to speak) of their loyal Martian friend, a spider-like being called Wuj.

Dastardly amoeba-like aliens, the inhabitants of Saturn, are the sworn enemies of Earth. (In a touch of satire, we find out that they were perfectly nice folks until they learned aggression from humans.) Two of the Saturnians disguise themselves as Ajax and Emily and convince Wuj they're the real thing. They set off for Saturn, eager to uncover the ancient spaceship's secrets and use its advanced technology to conquer the solar system.

What I've failed to convey is the fact that this is a comedy. Ajax manages to save the day, of course, but he's also something of a fool. The more levelheaded Emily is often exasperated at him, with good reason.

The novel is written in a dryly tongue-in-cheek style that is more amusing than the usual science fiction farce. There are quite a few witty lines. I'm not a big fan of comic SF, but this one is better than some.

Three stars.

Invader on My Back, by Philip E. High

Let's flip the book over and take a look at something without laughs.


Cover art by Jack Gaughan.

The cover proudly announces that this is the novel's first book publication. I assume that's true, but there's also a British hardcover edition that came out this year.


Cover art by Colin Andrews.

The story takes place a few hundred years after society fell apart, for reasons not apparent until later in the novel. Humanity has managed to build itself back up, but there's been a strange change in people. They're divided up into castes. Again, the explanation for this is unknown.

Roughly half of the population consists of Norms; ordinary folks. The other half are Delinks; murderers and other violent criminals. Some Norms and Delinks are also Scuttlers. These are people who have an intense phobia about the sky, and can't bear to look at it.

A small number of folks are Stinkers. Everybody else hates these people; so much so, that few of them survive. Those who do isolate themselves and protect their lives with various resources.

Michael Craig is a Stinker. (That looks like an example of nasty graffiti, doesn't it?) He gets a message from the police (by mail; if he came anywhere near them they would try to kill him) asking him to try an experiment. The cops want to know what would happen if two Stinkers met. Would they loathe each other on sight?

Michael agrees to meet Geo Hastings, a Stinker who lives in Africa. The oddly named Geo turns out to be an attractive woman. If you think the two are going to fall in love, give yourself an A in predicting familiar plot developments.

Besides not trying to kill each other, the two discover that they can communicate telepathically. Things would seem to be turning out nicely, if it were not for the Geeks.

A Geek is a type of human being that has just appeared recently. They are physically superior, tend to be cold-bloodedly calculating, and are intent on wiping out the rest of humanity. In particular, they are bent on destroying the Stinkers; not for the usual reason (pure, unexplained hatred) but as part of their plan to conquer the world.

Without giving anything away (although you may be able to predict the novel's plot twists), let's just say the reason for all these weird happenings is revealed. Can Norms, Delinks, and Stinkers work together against the Geeks and the secret menace behind them? Not to mention the Scuttlers, who have a vital role to play.

This isn't a bad novel. Not great, but not bad. The story held my interest. (I haven't mentioned Michael's three heavily armed robot birds, who are the most charming characters.) It's worth reading once.

Three stars.



by Cora Buhlert

The Long Con: God Save the Mark by Donald E. Westlake

Science fiction may be my first love, but I read other genres as well. And so my latest pick-up at the local import bookstore was a crime novel entitled God Save the Mark by Donald E. Westlake. The reason I bought the book is that it just won the prestigious Edgar Award, i.e. the mystery genre's equivalent to the Hugo and Nebula Awards, for the best crime novel of the year, beating out Rosemary's Baby by Ira Levin. Any novel that can beat a juggernaut like Rosemary's Baby is certainly worth checking out, so I picked it up. And reader, I was not disappointed.

God Save the Mark by Donald E. Westlake

The Most Gullible Man in New York City

The protagonist of God Save the Mark is one Fred Fitch, who must be the most gullible man in New York City. Fred is a magnet for con artists and there's not a scam in existence that Fred will not fall for.

The novel opens with Fred getting a phone call from a lawyer that his Uncle Matt has died and left Fred more than three hundred thousand US-dollars. This makes even the extremely gullible Fred suspicious, especially since he does not have an Uncle Matt.

So Fred alerts his friend his best and probably only friend, Detective Jack Reilly of the NYPD's "bunco squad", i.e. the police department dealing with fraud. Reilly tells Fred to go to the appointment with the fake lawyer, so Reilly can arrest him red-handed. Alas, Fred is late for the meeting because he got scammed… again and it turns out that the lawyer is not a fraud after all, but the real deal. As is the will of the late Uncle Matt. Fred really did inherit more than three hundred thousand US-dollars.

However, there's a catch or rather several. For starters, Uncle Matt was a con artist himself and the black sheep of the family, which is why Fred has never heard of him. What is more, Uncle Matt, though terminally ill, was murdered. Which makes Fred the prime suspect.

A City of Con Artists

The situation quickly escalates. To begin with, Fred's new found riches make him a target for even more would-be con artists, including a childhood sweetheart who intends to hold him to a marriage proposal made as a kid or sue him for breach of promise and a neighbour who wants to publish his alternate history novel Veni, Vidi, Vici with Air Power via a predatory vanity press. Worse, whoever murdered Uncle Matt is now taking potshots at Fred. Finally, Fred also finds himself entangled with two very different women, Gertie Divine, a former stripper who was the late Uncle Matt's nurse, and Karen Smith, Reilly's bit on the side who still hopes he'll marry her someday, once he gets over his Catholic guilt induced reluctance to divorce his wife.

The intense pressure under which Fred finds himself finally makes him wise up. He tells off several would-be con artists and also puts his skills as an independent researcher to use to investigate Uncle Matt's murder himself, since he no longer trusts the police.

However, there are still many twists and turns ahead, including a hilarious chase scene where Fred steals a child's bicycle to escape his pursuers and ends up tumbling headfirst into a pond in Central Park.

This was the first novel by Donald E. Westlake (who also writes as Richard Stark and under a number of other pen names and has even dabbled in science fiction on occasion) that I read, but it certainly won't be the last, because this book is laugh out loud funny and a complete and utter delight.

In many ways, God Save the Mark is a reminiscent of the screwball comedies of thirty years ago, yet it is also a solid mystery that plays fair with the reader and delivers plenty of red herrings as well as all the clues needed to solve it. The novel also offers an excellent overview of the various cons and scams going around, some I was aware of and others that were completely new to me. The ending is a perfect fit.

A Deserving Winner?

Edgar Award trophy

So is this novel better than Rosemary's Baby? Well, the two books are difficult to compare, because they are so very different. But all in all, I'd agree with the verdict of the Mystery Writers of America that God Save the Mark is a most deserving winner of the 1968 Edgar Award.

A fluffy, frothy caper that will leave you rolling on the floor laughing and guessing till the end.

Five stars.



by Jason Sacks

Stand on Zanzibar by John Brunner

Sometimes as a reviewer you just don’t quite trust yourself when you encounter something totally unexpected. When you read a work which feels sui generis for science fiction, a book which draws comparison to literary fiction like Dos Passos, Burges and Nabokov, it’s hard to assess that book in its own context.

John Brunner’s fascinating new novel Stand on Zanzibar is the spiritual successor to those modernist writers.

Brunner’s novel reads as part pulp fiction and part assault-the-senses bursts of information. Zanzibar is a prophecy and a critique, a satire and a work of deep seriousness. It has plot lines and complex emotions and an energy that won’t quit, and at 576 pages of very short chapters, it somehow felt exhausting and left me craving more. It’s also extremely hard to describe, so be aware I’m barely skimming the surface here, and I welcome anybody who’s willing to add their own comments in an LoC to this magazine.

Let’s start with the easy parts to describe. On its most basic level, Stand on Zanzibar is about the problem of overpopulation.  When we all were in diapers, if stood side by side, all of humanity could take up a space roughly the size of the Isle of Wight. By the distant year of 2010, however, as Brunner writes, "If you allow for every codder and shiggy and appleofmyeye a space of one foot by two, you could stand us all on the 640 square mile surface of the island of Zanzibar."

There’s so much information contained in one sentence. You get one of the key themes of the novel and also a feeling of Brunner’s approach to his writing. Like Burgess’s punks in Clockwork Orange, the characters in this book chatter and mumble in an invented slang which feels clever and becomes part of the larger reading experience of the book. (Brunner admits a strong influence on  him from Burgess.) The language forces readers out of our comfort zones and therefore pay closer attention to the often fractured way Brunner chooses to tell his tale. (A codder is a certain type of man and a shiggy a certain type of woman and an appleofmyeye is a child, by the way.)

Mr. Brunner

The other key piece of information in that sentence above how fears of world overpopulation has led to strong laws against procreation. Those restrictive rules in turn have created a vast black market in child-rearing, as citizens are shown considering traveling to the state of Puerto Rico to have kids, much as one might escape their home state for an abortion or divorce to defy difficult local laws. World society also angles towards eugenics, forced sterilizations and genetic modifications. Can suicide booths be far behind?

All of the above is mere background – though thoughtful, fascinating background – for the main   thrust of this sprawling exercise. Much of the book tells the story of the small calm African country of Beninia, population 900,000, which has become the main staging point for refugees from wars in three neighboring countries. Those refugees despise each other, but the country has a kind of tenuous peace under the benevolent rule of President Zadkiel F. Obomi. However, President Obomi wants to retire. And when he retires, what will happen to the peace he worked so hard to broker?

Enter another key aspect of this book’s fascinating plot. Obomi is good friends with American Ambassador Elihu Masters, and as they discuss the problem, Masters comes up with an unexpected suggestion: what if American corporation General Technics (motto: "The difficult we did yesterday. The impossible we're doing right now") took over the country? What if the country exchanged its vast offshore mineral and oil reserves for education and infrastructure creation?

Parts of the book alternate between reveries by Obomi and the life in New York City shared by roommates Donald Hogan and Norman House. House is “Afram”, African-American, and has astutely used his race and his native intelligence to gain himself a powerful role inside GT. That means he will be on the ground while GT moves operations to Beninia – that is, of course, if Norman can shake his deep feelings of melancholia and dissatisfaction with his life and his career. Hogan, meanwhile, seems innocent since he spends most of his days at the New York Public Library. But in fact Hogan is a “Dilettanti”, a spy recruited by the government because of his preternatural skills at discovering patterns in seemingly normal experiences. Hogan is passive until “activated” by the government, and he worries about that aspect of his life.

Until he actually is activated and sent to Socialist Asian country of Yatakang, where the government has announced how eminent geneticist Dr. Sugaiguntung has invented a way for everybody around the world to give birth to perfect children. But is their assertion true, or it just a lie on top of all the other lies circulating in this complex world? Can Donald prove the Yatakang government’s announcement is a lie? Can he persuade the people of Yatakang to support the leader of a guerilla rebellion which is happening in the country’s mountains?

Shades of ol' Fidel

*Whew.* There’s so much there just in the plot. I’m sure you can see the pulpy outlines of a Le Carre style spy novel, as well as chances for Swiftian social satire in both storylines I’ve described, and yet all that description barely scratches the surface of this most profoundly wild novel. Because underpinning this entire book is a deeper critique of world society, a society full of selfishness and cheap thrills and tawdry media which creates false reality in its shows.

Most damningly, Brunner presents a world in which people seem constantly interconnected and yet somehow deeply distant from each other. Hogan and House, for instance, despite being roommates, scarcely know anything about each other. The media consumed by the people in this world prevents them from being social, and that gap has vast societal consequences. When people can literally project fictionalized versions of themselves on fantasy television shows, what attraction does the real world have? Drugs are all pervasive. Suburbs are collapsing. The planet is groaning from the weight of all the people living upon it. Yet the vast majority of men and women in this world care much more about the shows they consume than they do about the world they have created.

And there’s so much more here. There’s Shalmaneser, the super computer which makes critical decisions on Earth (wonder if Brunner heard about Clarke and Kubrick’s 2001 ideas?). There’s the muckers, a group of random people who go on killing sprees for no reason. There’s a drug which forces people to tell the truth which is given to a bishop who spends a Sunday mass telling everyone his real feelings about God. I could go on and on, and dear reader, I know I’m skipping one of your favorite elements of this book.

But I grow filled with a bit of despair that I could do an adequate job of explaining any element of this book; even more, I despair at the idea a mere plot summary would be useful to anybody who might be considering reading this astounding book.

So let me sum my feelings up this way. Like many of us here at the Journey, I’ve long been a fan of Mr. Brunner’s writing. But Stand on Zanzibar takes all of John Brunner’s writing abilities and takes them to a quantum level. He displayed massive potential in many of his earlier works, but here Brunner shows that potential paid off in spades.

No matter the context, on first read, Stand on Zanzibar Brunner has delivered the wildest, weirdest, most successful book of the year so far. Previously I called Alexei Panshin’s Rite of Passage the best book I had read in 1968 up to that point. Brunner’s achievement far exceeds Panshin's. I hope to be rereading this book in that far-flung future of 2010 and seeing how many of Brunner’s prophecies came true.

Five stars.


[And new to the Galactoscope, we are pleased to introduce poet and author Tonya R. Moore, who has dived into New Wave's deep end with her first brush with Chip Delany….]


by Tonya R. Moore

Nova, by Samuel R. Delany

Nova was my first encounter with the work of Samuel R. Delaney who has, thus far, proven himself exemplary of the originality and innovativeness one would expect from the current New Wave of Science Fiction writers. Set in a distant future where humans have migrated to other worlds, this book paints a chaotic but beautiful picture of human turmoil and adventurousness in an ever expanding universe.

Lorq Von Ray is a born upstart from a family of nouveau-riche propelled into high society by their ill-gotten gains. He makes friends and, eventually, enemies with Prince and Ruby, quintessential Earth-nobility driven by power, greed, and a keen sense of self-entitlement.

Von Ray grew up haunted by constant reminders of the social stratum wedging a vast chasm between himself and the siblings. Ever ambitious, Von Ray pits wills and wits against Prince and Ruby, aiming to upset the economic balance of power between the Draco and Pleiades systems.

Further embittered by their twisted and broken friendship, he sets out, with dogged determination, to hit the motherlode of interstellar treasures in the form of illyrion, the ephemeral byproduct of a nova and the most valuable and potent energy source known to mankind.

Should Von Ray succeed in this second attempt to capture this precious material in abundance from the nova, his payload promises to transform the economy of the Pleiades system and upend Prince’s monopoly on interstellar travel technology which allows them to hoard most of the wealth and stratify the balance of power between the Draco and Pleiades systems.

This book introduces a motley cast of characters who are destined to be enmeshed in the many dangers and high drama that comes along with being employed by Von Ray.

Mouse, for example, is a nomadic troubadour eking out a meager living while playing interplanetary hopscotch in the Draco system. He winds up on Triton, Neptune’s largest moon, while seeking employment on one of the spaceships bound for other star systems and greater opportunities.

Here, Mouse encounters Lorq Von Ray, scion of the richest family in the Pleiades system and jumps at the opportunity to join the ragtag crew of cyborg studs on Von Ray’s spaceship bound for the heart of an exploding star.

Ruby Red and Prince don’t appreciate Von Ray’s intent to rise above a station they consider beneath them, not to mention shift humanity’s prosperity from Draco to the Pleiades system. A cargo hold filled with seven tons of illyrion would certainly help him achieve that.

Mouse and his syrynx, a musical instrument that conjures holographic imagery, bear witness to the changing times while the melodrama of a twisted love triangle unfolds among Von Ray, the selectively diffident Ruby Red, and the pridefully neurotic Prince.

The gypsy troubadour playing his syrynx is a recurring motif representing the backdrop humanity's culture and history against which the story unfolds. The syrynx, a stolen object, ironically foreshadows the climax of the story where it is once again stolen then turned into a weapon.

Delany’s command of astrophysics and the science behind supernovas is reasonably solid. He proves himself a master of using literary language to describe scientific concepts and the murky dynamics of human interpersonal entanglements but there are elements of Nova that make little sense.

Ruby Red’s complicity with Prince’s cruelty and neurotic behavior seems arbitrary, for instance. As a character, she seems to lack a will of her own. Despite her prominence in the story, we’re never given a real glimpse inside the mind of the woman. What does Ruby Red want? Why does she do the things that she does?

Ultimately, Nova is a beautifully chaotic and original tale rife with vivid, sometimes visceral prose, exuberant dialogue, and an intriguingly colorful cast of characters.

4.5 stars.





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