by Victoria Silverwolf
This month it seemed as if many news items evinced memories of previous happenings. Often these occurred on the anniversaries of earlier events, creating a sense of familiarity.
Nigeria, granted independence from the United Kingdom on October 1, 1960, became a republic on the same date three years later. Governor-General Nnamdi Azikiwe assumed office as President. It seems likely that political and culture tensions among various ethnic groups will prove a challenge for the young nation.
Similarly, Uganda was declared a republic on the first anniversary of its independence from the UK on October 9. Edward Mutesa II, formerly the Kabaka (monarch) of the nation, became its first President.
A much longer anniversary was observed in Chatham, Ontario, Canada. One hundred and fifty years to the day after his death in battle, a monument to the Shawnee chief Tecumseh was erected on October 5. Tecumseh was killed during the Battle of the Thames, a decisive American victory over the British and their Indian allies, including Tecumseh's confederation of several tribes, during the War of 1812.
Here in the USA, radio listeners became familiar with Sugar Shack by Jimmy Gilmer and the Fireballs. This upbeat account of romance at a beatnik coffeehouse currently holds the Number One position, and shows no sign of leaving the charts.
It's not surprising, then, that the stories in the latest issue of Fantastic deal with themes that fans of imaginative fiction will find familiar.\\
The After Time, by Jack Sharkey
This fits into the popular category of After the Bomb fiction. Seven people survive an atomic attack on their city. In addition to hunting for food and shelter, they face a bizarre menace: weird points of light emerge from the site of the bombing and consume everything living in their path.
The first part of this tale is realistic and convincing. It becomes much less believable when the lights show up. The explanation for them involves some very bad science. The story has a twist ending, but then continues for a few anticlimactic pages. Two stars.
I was a Spider for the SBI, by Neal Barrett, Jr.
Readers of science fiction magazines know that editors often like to include silly comedies in their publications. This is no exception. Three secret agents infiltrate a planet of large, spider-like beings by wearing a costume that resembles one of the aliens. Slapstick antics result.
The author sacrifices logic for the sake of cheap laughs. The commander of the spies, for example, wears cowboy boots and a purple kilt, with no explanation. The only female character exists purely for the sake of sex jokes. One star.
Darkness Box, by Ursula K. LeGuin
This story features a typical fantasy setting, but uses it in a creative way. The inhabitants of the imaginary world include a witch, a king, a warrior prince, and other characters often encountered in fairy tales. There are, however, strange details that make the story more original. There is no sun, and no shadows. The young son of the witch finds a box containing only darkness. It proves to have an important effect on the unending war between the prince and his rebellious brother. The author creates a compelling tale from familiar elements. Four stars.
Witch of the Four Winds (Part 1 of 2), by John Jakes
The hero of this sword-and-sorcery yarn is Brak the Barbarian, last seen in the May issue. While wandering around in search of his fortune, he rescues a woman from a monster in a cave. When he emerges from its lair, he discovers that something had killed his horse. This eventually leads him to an evil sorceress who plots to obtain the power to transform lead into gold through human sacrifices.
This two-fisted adventure story moves briskly, and has some vivid descriptions, but it lacks originality. Clichés abound, and the protagonist might as well be Conan. Lacking the elegant style and imagination of a Fritz Leiber, the author provides an ordinary example of the genre. Two stars.
And on the Third Day, by John J. Wooster
This two-page vignette takes place at the time of the Crucifixion. Two aliens plan to use advanced technology to create the illusion of a Resurrection. The result is unexpected. Without getting in a theological debate, let's just say that this is a fable of the power of faith. Three stars.
It's been said that familiarity breeds contempt, and my harsh review of a mediocre issue tends to prove that. Although those of us who enjoy fantasy and science fiction are comfortable with themes we've seen before, we demand that something new be done with them.
I'm not sure this issue rises to the level of mediocre. There's one truly decent story and the rest is subpar.
The Sharkey story started off well enough, but went rapidly downhill at an ever accelerating pace. The lights made no sense, the twist was ridiculous. Bah. I'm starting to dread seeing Sharkey's name in the table of contents.
The worst thing about the Barrett is that it could have been a decent story in the right hands. Ron Goulart could have turned it into a romp. Barrett has turned in some good work before, but he doesn't seem to have the touch for humor. On a side note, if the title illo (the one shown in the article here) hadn't been prominently signed Lutjens, I'd have sworn it was by Don Martin.
The Le Guin was good, but I'm not 100% sure I fully understood or liked it. Nevertheless, she's a bright new voice and I hope to see a lot more of her.
When we first met Brak, I asked if the world really needed a Conan pastiche. Jakes certainly has the tone down perfectly and 25 or 30 years ago, these tales would have been incredibly popular. Today? I don't know. The narrative does pull you along, but when you're done, it isn't very satisfying.
The final piece has, after a fact, been done before. The ending is different, though I'm not sure that's enough.
Ah, well. A poor issue, but still not the worst of the month.
A pity about the Sharkey. His contact stories were the only ones I found tolerable. It's significant that Pohl wouldn't publish this one in his mags. Any of the THREE of them…
The art for 'I was a Spider for the SBI,' by Lutjens, reminds me of Don Martin's work.