Tag Archives: of godlike power

[July 18, 1965] The Prodigal Returneth (September 1965 Worlds of Tomorrow)


by Victoria Silverwolf

It's Great To Be Back

Those of you who keep track of minutiae may have noticed that I haven't been around these parts for a while. Blame it on seismic changes in the world of magazine publishing. To wit, the fact that Fantastic will now be published bimonthly removed that magazine from the newsstands for a couple of months, in order to have it alternate with sister publication Amazing. I had to wait until the latest issue of Worlds of Tomorrow arrived on my doorstep before I could get back to the typewriter and churn out a review. Let's get started, shall we?

Absence Makes The Heart Grow Fonder


Cover art by George Schelling, illustrating a macabre scene from Fritz Leiber's story

Maybe it's only because I haven't done this for a while, but I look forward to analyzing this issue with more enthusiasm than usual. Let's see if I retain my critical passion as we make our way through the crisp white pages of the youngest member of Frederik Pohl's family of publications.

Catch a Tartar, by Gordon R. Dickson

The hero of this lighthearted romp through the cosmos is one Hank Shallo, a jolly giant of a man, fond of beer and singing. When he's not belting out a tune or quaffing a brew, he works as a deep space scout, seeking out new planets for humanity. The woman who gives him his assignments is a certain Janifa Williams, a statuesque blonde who would like him to settle down on Earth with her.


Illustrations by Norman Nodel. This is not Janifa, by the way, but a no-nonsense physician who treats our hero for a hangover.

Janifa arranges to meet Hank on a colony world with a serious problem. It seems that the computer that controls the planet's environment, so people can live there, thinks it's a god. It demands a human sacrifice before it will go back to work. Hank is the lucky fellow who's supposed to be offered up to the mechanical deity. There's an escape plan, but Hank has a scheme of his own.


Hank arrives.

Complicating matters is the presence of the guy who created the computer, a mad genius who is in love with Janifa. Hank has to figure out a way to defeat the computer, save Janifa from the unwelcome advances of the scientist, and retain his happy-go-lucky lifestyle.


The madman, Janifa, and a few of her many admirers.

Hank is a likable rogue and something of a con artist, as he uses his wits to get the better of everyone. I found the story to be more enjoyable than most attempts at science fiction comedy, which tend to be full of sophomoric slapstick. The female characters are decorative, to be sure, but also intelligent, competent, and professional. It's not the most profound tale in the world, but worth reading.

An amused three stars.

The Light Outside, by C. C. MacApp

This strange little story consists of a series of messages, ranging from prayers to scholarly articles, over a very long period of time. (That's true in one sense, but not in another. Confused? That's how I felt when I started reading.) We eventually figure out that the beings responsible for these writings live at a much faster pace than those who are observing them, known as the Watchers. At the end we learn something more about the Watchers, and those who are watched.

The narrative structure tends to have a cold, distant feeling to it, so it's hard to connect with the story on an emotional level. On the other hand, the premise is original and interesting.

An intrigued three stars.

The Tinplate Teleologist, by Arthur Sellings


Illustration by Brock. I have been unable to find out anything about this artist, not even his or her full name.

Davie — more formally, DA 38341 — is an obsolete household robot, kicked out of his home when a more advanced model takes his place. He has a limited amount of time to find somebody to purchase him, at a price hardly anybody is willing to pay for an old machine. If he fails, he goes back to the factory to be turned into scrap metal.

The episodic plot follows Davie as he meets a sympathetic but powerless dealer in used robots, a bitter robot who plans to rob a human being, the elderly inhabitants of a retirement community who welcome his help, but can't afford to pay for him, and an impoverished painter who finally gives him the opportunity to save himself from the junkyard.

This sentimental yarn feels like a science fiction fairy tale. Davie is one of those meek, gentle characters who overcome all obstacles with quiet bravery. Mix a little Asimov with a little Bradbury and you might have something like this slick tearjerker.

A wistful three stars.

Theories Wanted, by Robert S. Richardson

The author presents various astronomical mysteries, offers hypothetical solutions, and suggests that amateurs might be able to help professionals figure things out.

I had to let out a weary sigh when the article began with the hoary old chestnut of trying to account for the Star of Bethlehem in scientific terms. To nobody's surprise, Richardson thinks a nova is the most plausible explanation, if any is needed. (I guess he's read Arthur C. Clarke's decade-old story The Star.)

I was more interested in the peculiar star Mira Ceti, which varies in brightness in irregular ways. It also has a much fainter companion star, difficult to observe, which presents a similar enigma. I would have preferred an entire article about Mira Ceti.

Other subjects include the Trojan asteroids, which occupy a stable point in Jupiter's orbit, and a comet known as P/1925 II. Like a smorgasbord, there are several items to choose from, and not all of them are tasty.

A highly variable three stars.

At the Institute, by Norman Kagan


Illustrations by Gray Morrow

This razor-sharp satire takes the narrator through the halls of a research institute full of eccentric scientists involved in outrageous projects. We get our first hint of how wild things are going to get when he has to ride a tank (see above) through a ring of solid uranium to get into the place. After encountering a number of researchers working on experiments as bizarre as anything found in Jonathan Swift's Balnibarbi and Laputa, he meets the director of the place.


The infantile director and the narrator, facing the institute's defense system. Please excuse the way I had to fold the magazine to show you the whole picture.

Although the narrator seems at first to be the voice of sanity, exposing the madness of so-called pure research, it turns out that his own more practical studies are equally insane. The author casts a jaundiced eye at all aspects of science and government.

The story moves at a breakneck pace, with jokes, puns, paradoxes, and lampoons of human foibles in nearly every sentence. The tone reminds me of the recent novel Catch-22 by Joseph Heller, in the way it mixes surreal comedy with a dark view of humanity's tendency to destroy itself.

A sardonic four stars.

Cyclops, by Fritz Leiber

Three astronauts set out on a journey to investigate why an interstellar vessel, under construction in orbit around the Moon, is out of communication with Earth. Similar problems in the past turned out to be minor, so the spacemen aren't too worried. During the voyage, they discuss the possibility of life existing in empty space. Since one of the astronauts is psychic, it's not a big surprise that their speculations turn out to be all too real.

Although the plot is predictable, this is an effective science fiction horror story, full of striking images. As you'd expect from Leiber, it's very well written. A minor work from a major author.

A frightened three stars.

Of Godlike Power (Part Two of Two), by Mack Reynolds


Illustrations by Jack Gaughan

Let's recap. Part One of the novel took us to a near future United States of flying cars and automated bars. More importantly, it's a place where most people are unemployed, but enjoy a reasonably comfortable life in a prosperous welfare state. The protagonist is the host of a radio talk show dealing with UFO's and other speculative stuff. His job leads him to an eccentric preacher who has the ability to prevent people all over the world from enjoying certain pleasures of which he does not approve. His miraculous power strikes first at female vanity, eliminating makeup, fancy hairdos, and fashionable clothing. The next targets are radio, television, and movies. The lack of entertainment for the jobless masses leads to chaos.

In Part Two, the radio host, one of the few people who know the reason for these sweeping changes, is forced to join a massive government project designed to investigate and solve the problem.


Forced, as in men with guns come to get him.

The guy manages to convince the authorities that the preacher is responsible. Meanwhile, almost all fiction and comic strips become unreadable, another sign of his power. (He leaves certain things alone, such as The Adventures of Huckleberry Finn and Pogo, proving he has good taste.)


An example of a distorted text. I think it says something like He took aim right at her . . .. I can't read the last word.

Our hero visits the preacher's rural community, which proves to be almost entirely self-sufficient. He is reunited with the preacher's daughter, whom he met in Part One, and romance blooms.


Her real name is Sue, and she's got other secrets.

When the real story reaches the public, the radio host has to save the preacher from an angry mob, then work out a compromise with him. In return for undoing at least some of his miracles, he'll get the chance to broadcast his socioeconomic message to the world.


Rescuing his future father-in-law.

Beneath the surface of a semi-comic plot, the author deals with a lot of serious issues. He considers overproduction, excessive consumerism, waste of natural resources, automation, shallow media, lack of meaningful work, mob violence, authoritarianism, and a bunch of other things. It takes a special kind of skill to mix all this stuff into an entertaining novel.

A thoughtful four stars.

Feasting on the Fatted Calf

(That's just a metaphor. I don't eat meat.)

I'm delighted to see that I came back to write about an above-average issue of the magazine. Everything was worth reading, even if not all of it was outstanding. There was a welcome variety, from comedy to horror, with a large serving of satire. You can choose among the breezy style of Dickson, the savage bite of Kagan, and the elegance of Leiber, to name just a few. All in all, it made for a very pleasant homecoming.


The first novel about Captain Horatio Hornblower. Good stuff.






[May 14, 1965] Keep A Civil Tongue In Your Head (July 1965 Worlds of Tomorrow)


by Victoria Silverwolf

The Four Forbidden Topics

Gathered around the dinner table with the family, or just chatting with friends, it's generally a good idea to avoid controversial subjects. Religion and politics, for example, are likely to lead to unpleasant arguments. Maybe Uncle Fred is a Goldwater buff, and Cousin Sue goes all the way with LBJ. Possibly you've got buddies who belong to different faiths, or none at all. Better to let sleeping dogs lie, and talk about something else.

The topic of money, or economics in general, may not be as controversial, but talking about how much you've got, or what somebody else earns, is generally considered to be in bad taste. As for sex, well, that's usually too personal to discuss, particularly if the kiddies are around.

Maybe it's a sign of the times, or maybe it's the influence of the British New Wave on science fiction, but the lead serial in the latest issue of Worlds of Tomorrow deals with religion, politics, and economics. That leaves sex, which shows up at the end of the magazine, like a tempting dessert.


Cover art by John Pederson, Jr.

Of Godlike Power (Part One of Two), by Mack Reynolds


Illustrations by Jack Gaughan

As indicated in the picture above, this novel takes place in a world of flying cars and other futuristic stuff. More relevant to the plot is the fact that automation results in a majority of folks being unemployed, but enjoying a reasonably comfortable existence in an affluent welfare society.

The protagonist hosts a radio show dealing with flying saucers, reincarnation, and other weird stuff. He's dating the daughter of the tycoon who owns the station, mostly in an attempt to move up to a position in television. Dad, daughter, and the station manager all belong to a right-wing organization dedicated to ferreting out commies and pinkos. (To give you some idea of this group, they think of the John Birch Society as too liberal.)

The manager asks our hero to check out the revival meetings of a preacher whom they suspect of subversion. He's supposed to be on a date with his wealthy girlfriend, so she reluctantly tags along.

The preacher speaks in vaguely religious language of an eccentric sort, frequently making reference to something called the All-Mother. What he really talks about, however, is the world's economic system, condemning wasteful practices such as pointless changes in car design, fads and fashions that come and go, planned obsolescence, and conspicuous consumption.

This is too much for the rich woman, so she heckles him. The preacher loses his temper and rants against makeup, fancy clothing, and elaborate hairdos. The next thing you know, the woman changes her ways, dressing simply and avoiding cosmetics. Not that she agrees with the guy, you understand; it's just that those things make her itch unbearably. Pretty soon the same thing happens to women all over the world, ushering in an era of down home, farm girl fashions.


Crisis in the radio studio!

The preacher winds up on the protagonist's radio show. Things get out of control, so the fellow goes into another tirade, this time against radio and, by extension, television.

The reader is way ahead of the characters by this point, so it's not a big surprise when all broadcasting goes haywire, forcing people to abandon their favorite forms of entertainment. With all those unemployed folks desperate for something to fill their hours, there's a sudden shortage of comic books and magazines. Bars and movie theaters are packed to overflowing. Even the preacher's revival meetings attract huge crowds, just because they have nothing else to do.


Would you buy a used car from this man?

Although not comic in tone, the novel has a strong satiric edge to it. The setting may be some years from now, but the author is really talking about today. The targets of his barbed examination of modern society are overproduction and excess consumption, as well as the seductive power of the electronic media.

The style is very readable, carrying you along as you follow the misadventures of the hapless hero. The preacher's astonishing ability to transform the world may not be particularly plausible, but once you swallow the premise the way it plays out is enjoyable.

Reynolds likes to play games with politics, and perform thought experiments with different economic systems, so I predict the second half of the novel will portray a new society, possibly a utopian one. We'll see if I'm right a couple of months from now.

Four stars.

Coming Out Party, by Robert Lory


Illustration by Norman Nodel

This brief tale begins with a young woman getting ready for the event mentioned in the title. Our first hint that something strange is going on is the fact that she's stark naked in front of her parents. The ceremony is also full of nude women. (Sorry, ladies, all the erotic content of this issue is obviously aimed at a male audience.)

I dare not say anything else about what happens, except to mention that the shock ending is an effective one. This is one of those stories that depends entirely on the twist in its tail. It succeeds at the modest goal it sets for itself.

Three stars.

The Shape of Us to Come, by Michael Girsdansky

Let's take a break from controversial topics of discussion and learn something about the way people might alter their bodies in the future. The author considers the fact that viruses inject their genetic information into the cells of other organisms, using the biological machinery of their hosts to reproduce themselves. The article speculates about the possibility of harnessing this ability to alter the genetics of humans in desirable ways.

Using this technique to treat diseases such as cancer seems reasonably plausible. The suggestion that the body might be changed in radical ways, to ensure survival on alien worlds, is a little less so. In any case, it's an interesting subject, and I learned something about viruses.

Three stars.

World of the Spectrum, by Emil Petaja


Illustrations by John Giunta

Take a look at that picture. We've got a muscular hero with a bladed weapon and a big, ugly monster. Am I reading the wrong magazine? Is this a sword-and-sorcery yarn, rescued from the yellowing pages of Weird Tales?

That's what it seems like at first, but we soon find out that this world of mighty barbarians fighting bizarre creatures exists for the amusement of the upper class on Earth, who vicariously experience the thrill of battle through a kind of telepathic sensory television.

The hero is in mental communication with a woman he thinks of as a princess in a castle located at the top of a cliff that nobody can climb. Naturally, he overcomes impossible odds and reaches the place, only to discover that things are not what they seem.


Don't look down!

The woman is actually a member of the upper class, who secretly belongs to a group of folks working to overthrow their repressive society. She uses a teleportation device to bring the man to Earth, teaching him about the place and enlisting him in her struggle. After many adventures, she confronts the ruler of the world, who turns out to be truly grotesque.


The heroine is shocked by what she sees.

Despite the science fiction explanation for everything, the story feels more like a fantasy adventure. The ruler of Earth might as well be another hideous monster for the hero to destroy. At first, the woman seems to be nothing more than a sexually provocative nitwit, but this is only a role she plays in order to further her plans. The main flaw is the need for a lot of expository dialogue to explain the complex background, with people telling each other things they should already know.

Three stars.

Lunar Weapons Tomorrow, by Joseph Wesley

Before we move on to sex, let's talk about something much less shocking, like war. (There's something wrong with that sentence, but I'll think about it later.)

The author starts this piece about military use of the Moon by dismissing the idea that it could be used to launch missiles at an enemy on Earth. He points out that this method is more difficult, more expensive, less effective, and less defensible than other ways of destroying the planet. Somehow I'm not reassured.

He goes on to imagine lunar military installations, assuming that these will be common in about twenty years or so. His prediction is that these will engage in a kind of lukewarm war, neither one completely destroying the other lest it be wiped out as well. Instead, the opposing forces make relatively minor forays against each other, fighting for territory in a futuristic version of the trench warfare of World War One.

The dry and rather frightening subject of this article is made more readable through the use of a fictional soldier on the Moon. We follow him as he watches for an enemy advance, and even engages in hand-to-hand combat, of a sort, in a spacesuit.

Three stars.

A Glass of Mars, by Robert F. Young


Illustrations by Gray Morrow

The version of the Red Planet depicted in this story is closer to the imaginings of Ray Bradbury than what most scientists believe. Maybe the Mariner 4 spacecraft, now on its way to Mars, will tell us who's right. Anyway, the plot takes place at least a full generation after people colonized the planet, building on the ancient ruins of the long-vanished Martians.

The main character is a new arrival, with romantic ideas about the distant past. In sharp contrast, his secretary, born on Mars, is all about the present. Like other women native to the planet, she is sexually assertive, openly boasting about her measurements, calling herself a sex machine, and offering to sleep with her boss (with the assumption that they will be married soon after.)

While commuting across the surface of Mars, the fellow is miraculously transported to the past. He meets a Martian woman, as delicately beautiful and demure as he imagined.

(In just about all ways except language, the Martian is completely human. We're told, more than once, that she has hyacinth hair. This rather obscure metaphor is taken from Edgar Allan Poe's ode To Helen, and it's not much clearer in the original. The allusion seems designed to suggest the man's dreamy vision of the ancient Martian woman, as romantic as Poe's poem.)


The ancient Martian and the modern human. Gentlemen, which one would you pick?

Without giving too much away, let's just say that the man's assumptions aren't completely accurate. I expected this to be a simple fable about the superiority of the past over the vulgarity of the present, but it's a little more complex than that. The author, no stranger to sentimental love stories and idealization of women, almost seems to be chiding himself for his romantic tendencies. The plot is pure fantasy, of course, but if you can get past that, it's worth a look.

Three stars.

Shall We Talk About It?

Overall, this was a pretty decent issue. Nothing was less than average, and the serialized novel was a high point. Maybe I'm just in a good mood. In any case, I would caution you to make sure that you discuss the themes raised in the magazine only under the right circumstances. Remember what Mom told you!


She didn't mention money or sex. Two out of four ain't bad.







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