Tag Archives: 1959

What is IT?! (IT! The Terror from Beyond Space; 5-02-1959)

Last week afforded my daughter and I another sci-fi movie night, and you, dear readers, get to hear all about it.

The mini-traveler was keen on trying out the new Drive-In, so I took the Chevy to the outskirts of town and pulled in between the screens.  To my surprise, it seemed most of the attendees were families–apparently, our new outdoor cinema hasn't had time to turn into a Lover's Lane.  To be fair, it also was a school night for most people.

Our first feature was a short–a cartoon about automotive safety in the guise of a portrayal of the future.  We got to see cars of the year 2000 A.D.  They will apparently have bubble canopies, automated guidance systems, fins, and be able to fly (in a limited fashion).  I'm looking forward to those!

The main attraction was a film that came out late last year, the imaginately titled IT!.  In a nutshell, because there honestly isn't much to this film, the first Martian mission (landed in 1972) has ended largely in failure.  The six-person crew of the Challenger 141 has been reduced to just one: Captain Carruthers, and the Challenger 142 has been dispatched to pick him up–and try him for murder.

I guess the implication is that the Captain, realizing that his ship had been marooned and that there might not be enough food to feed all of the crew until rescue, decided to kill his crew to have the food to himself.  It doesn't make a lot of sense, but it's an excuse for a little tension between Carruthers and the new ship's captain, Van. 

But first, a little about the ship.  As you can see, it's a typical rocket job, looking something like a V-2, but with rooms inside.  Sensibly, the decks are arranged perpendicularly to the engine.  Yet there is a throwaway line about "artificial gravity" that suggests anti-gravity has already been invented!  I'm not sure why it matters how they lay out the ship then since the thrust of the engine is clearly far under the force exerted by the artificial gravity.  Moreover, I'd think their artificial gravity would be a good propulsive element.  Maybe it is… but it sure looked like standard fireworks under the ship's nozzle.

Anyway, back to the film.  I was happy to see two women on the crew (one of whom gets involved in a love triangle between the Captains), though I noted they tended to be stuck with galley duty.  At first I was concerned that they were the ship's maids, but it turned out they were actually the medical staff.  And, of course, everybody smoked, even in the cramped space and clearly limited air supply.  Welcome to the future!


Oh, you want to know the rest of the plot?  In short, the eponymous "It" gets aboard the ship and starts killing the crew one by one, by dessication.  The movie takes little time revealing the monster (thus exonerating Carruthers).  My daughter noted sagely, "it would have been a lot cooler if they hadn't shown the monster."  It's a pretty dopey looking humanoid monster suit.  It's also well-nigh indestructible.  Bullets and bazookas don't hurt it (and, of course, those are exactly the kinds of weapons I would use inside a small spaceship!), fire and gas only annoy it.  It takes until the end of the movie for the bright lads to try venting the air to space and letting hard vacuum kill the Martian.



At this point, my observant daughter cried out, "Where are all these papers coming from?!"  And that is one of the joys of the Drive-In: you can be as obnoxious as you wish, and no one is bothered.  Living as we do in balmy Southern California, you can't beat the outdoor air-conditioning, either.

And, of course, the movie ends with a triumphant, happy, romantic ending. 

Thus ends a very fluffy slightly-more-than-an-hour.  My daughter enjoyed the special effects, and the cinematography is reasonably good.  I would have expected a bit more meat from writer Jerome Bixby, however.  Certainly not up to the standards of his famous story from six years ago, It's a Good Life.  Maybe next time.

That wraps up this article, but I've got plenty more to say in upcoming installments.  Tell me–what subjects hold the most interest for you?  Reviews of digests?  Book reviews?  Movie critiques?  Columns on the Space Race?  Observations on life in general?  Travelogues?  I always like to keep my audience riveted.

And, by the by, I wish to give a public hello to my new friend, Bruce, with whom I conversed most pleasantly on scholarly topics at the local diner.  A hep cat if I ever saw one.  Dig those far out threads.

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Last of the old-time Satellites (May 1959 Satellite; 4-28-1959)

It's another one of those bittersweet months, much like when I discovered IF only to see it die. 
This month's Satellite (the best in science fiction) is a fair bit better than last month's issue, which makes the magazine's fate all the more tragic.  But we'll talk about that at the end.

The lead tale, Sister Planet, by Poul Anderson, is excellent–except for the last two pages.  I strongly recommend simply stopping before reading the end.  It takes place on Venus, specifically an ocean-planet version.  There is too little oxygen to breathe, and the air is eternally muggy and over-warm.  Yet men (not women, at least not yet) populate a floating base to conduct science and to trade with the natives.  As one would expect, the Venusians are not at all humanoid; their closest terrestrial analog is the bottlenose dolphin, cute, playful creatures.  They have worked out a trade deal with the humans–art and tools for Venusian fire gems.

The characters are well-realized, the descriptions lush and poetic, and the scene in which a Venusian takes the protagonist for a ride down to the underwater city of the cetoids is absolutely spellbinding.  Following which, there is a fine discussion of the pros and cons, moral and economic, of opening Venus up for colonization at the expense of its sentient denizens.  There is also a lot of interesting geophysics, the kind I've come to associate with Anderson, who is a trained scientist.

But then the end…  it's a complete pill, and it makes no sense.  Such a shame.  Thankfully, one can skip the last portion with little ill effect.

E Gubling Dow, by Gordon Dickson, is something of a second-rater.  An egg-like being crashes to Earth in a spaceship, is rescued by a couple of rural types, and dies slowly, agonizingly, from its wounds.  Sad and unpleasant.

On the other hand, the non-fiction column continues to be excellent.  This month's feature (by Sam Moscowitz) spotlights the short but prolific life of Stanley G. Weinbaum.  It's nearly unbelievable that this fellow wrote so much in just one year's time before his untimely death.  A short-short of Weinbaum's is included at the back of issue–it's called Graph.

The other non-fiction piece, on French fantasist Albert Robida (by Don Glassman), is a bit florid but educational.  I never would have known about this 19th century poor-man's Verne otherwise.

Oh, and there's a silly short non-fiction piece by Ellery Lanier speculating that the reason "real" scientists haven't ventured a design for a hyperspace drive is because they are too terrified of the great unknown.  Right.

If you've ever been in a relationship with an over-needy person (what my friends and I knowingly call a "black hole of need") then the plot of Robert Silverberg's Appropriation will ring true.  Clingy aliens come within an ace of consumating a psychologically unhealthy relationship with a set of human colonists, but the terrestrials are saved by a bit of bureaucratic chicanery.  The best part of the story is the empathic aliens. 

Last, but definitely not least, is a beautifully atmospheric story about a Great War veteran and the French wood he falls in love with.  The Woman of the Wood, by A. Merritt, naturally has a twist: the trees are really dryads engaged in a centuries-long slow war with the French peasants who occupy the same land.  Really good stuff. 

With an issue that started and ended so well, not to mention the advertisements for a new Frank Herbert story and a biography of Hugo Gernsback, I was really looking forward to picking up the June edition.  But shortly after picking up this issue and last month's, I learned that publisher Leo Margulies has tossed up the sponge.  Satellite joins the long list of science fiction publications that has recently disappeared.  I'm even told that the June issue was printed, but that it's not going to be distributed.  What a treasure that would be to find. 

As sad as that is, at least I still have that stack of Galaxy novels to get through.  And next up, provided there are no new space spectaculars, I'll be previewing the movie I saw last week with my little girl.  I know, I know.  I'm an irresponsible dad, not for taking her to see sci-fi horror films, but for taking her to see bad ones.

So stay tuned.  I'm sorry about the widely varying spaces between articles–between work and my hands, it can be tough to stick to a regular schedule.  Rest assured, I will keep up the fight.

P.S. And if that pair of teens I met at the record store is reading, thanks for joining the (small) club!

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Bewitched, bothered and bewildered (May 1959 Astounding, second part; 4-24-1959)

Sorry about the wait, friends, but I promise to make it up to you.  I had a lovely night at the drive-in that precluded my fingers hitting the typewriter keys, but I'll have movies to discuss in short order as a result.

In the meantime, let's wrap up this month's Astounding. shall we?  After all, new issues come out in just a couple of days, and I have to have the boards clear before pressing on.


(illustrated by Martinez)

George O. Smith, science fiction's A-lister of latin descent, turns out a fine story for animal lovers with History Repeats.  In the far future, canis familiar has been given enhanced intelligence to rival that of humanity's, but their loyalty to their bipedal companions remains undiminished.  In this tale, Terran agent, Peter, and his furry companion, Buregarde, are sent to Xanabar, a sort of latter-day Byzantium, to rescue a kidnapped damsel in distress.  It's worth reading just for Buregarde–Smith always writes a fun, poetic story.


(illustrated by van Dongen)

Operation Haystack, by Frank Herbert, is an interesting political thriller set about a thousand years from now.  It involves a centuries-old plot by the descendants of nomadic Arabs to seize political control of the galaxy.  What makes the story special is that the orchestrators of the plot are women–and they pretty much win in the end.  That said, it's a little disappointing that these powerful women generally rule through their husbands, who hold the political offices (though the women pull the strings).  I'd like to think that the future lies in the equality of the sexes rather than the eternal struggle, with one side or the other side enjoying supremacy for a while.  Still, I suppose Herbert's is as plausible a future as any, and at least the women are getting their say in it.


(NASA photo)

Philip Latham's Disturbing Sun is written in the form of an interview, the kind of transcription you often find in NASA press releases.  It's one of those non-non-fiction pieces, and it is not un-clever.  Psychologist Dr. Niemand describes the untoward effects increased sunspot activity has on the psyches of people during the sunlit hours.  Given that we still don't know what sunspots really are (well, we know they are cool spots, but we don't know why they exist or how they're made), I suppose Latham's fancies are to disprove.  Interestingly, Latham (who appears in the story as the interviewer) is actually the alter-ego of real-life astronomer Robert Richardson; Richardson was even the technical advisor on Destination: Moon, so I imagine he knows whereof he speaks.  Even if you don't buy the sunspot/neurosis connection (I doubt Richardson does either), the style is captured with verisimilitude and is a fun read.


(illustrated by Summers)

Last up is Hex by Larry M. Harris.  This is a story I would have expected to find in Fantasy & Science Fiction (that's a compliment) dealing as it does with witchcraft, a do-gooder welfare worker with fine intentions but creepy, eldritch methods, a scheming Russian ex-patriate who wants to bilk the system rather than be magically compelled to find work, and a gypsy witch in over her head.  Interesting, whimsical, disturbing.  Good stuff.

Gosh, where does that leave us?  I guess this really wasn't a bad book, all told.  3.5 stars?  Worth getting, particularly if you want to catch Dorsai in serial form.

Next up: The last issue of Satellite!  Stay tuned!

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With a grain of salt… (May 1959 Astounding, first half; 4-21-1959)

The penultimate magazine offering this month, at least that has made it into my house for review, is Astounding.  As always, my bar is pretty low with that mag, though last month's issue made me dare to hope.

In fact, I'm not quite sure how I feel about the May issue.  This may come out rather stream of consciousness, so bear with me!

Gordy Dickson, who has written much I like, starts a new serial this month uninspiringly called Dorsai! I am both enjoying it and somewhat off-put by it.  It's the story of a young mercenary from a planet whose primary export is mercenaries.  It is written in this sober, manly style, and there is lots of posturing and fighting.  At the center of it all is the sole female character, who is bound by contract to a rather odious fellow, and whom it appears the protagonist is trying to save, somehow.

Story-wise, it's not really my cup of tea.  Yet it is well written, and I've seen enough of Dickson's work to know that he is facile in a number of styles (i.e. he must be writing this way for a reason) so I'm going to go with it and see where it takes me.  I will send you postcards along the way.

We didn't do anything wrong, hardly, by Roger Kuykendall (of whom I know nothing) might well be called I didn't write anything, hardly.  Children build a space ship out of spare parts and snag a Russian satellite.  I guess Campbell is reduced to buying Danny Dunn rejects these days.

(Please note that Mr. Kuykendall has given me permission to distribute his story, but Mr. Campbell has not.  If he expresses his displeasure, I shall let you know.)


by EMSH

Cum Grano Salis isn't bad.  Of course, I had to get past the distaste that just comes naturally from seeing "Randall Garrett" on the byline (or, in this case, his nom de plume, David Brown).  In this tale, a colonizing team (all men, natch) are stuck on a planet with too few provisions to survive until relief.  All of the food on the planet tests poisonous.  Yet one crewmember, a hypochondriac with a supply of nostrums, manages to eat the local fruit and thrive.  The solution is interesting.

(Again, I have distribution permission from the author, not the editor.)

So that takes me exactly half-way through the magazine, so I will leave the other half (including a rather good tale by George O. Smith) for day-after-tomorrow.  Thanks for reading, and let me know what you think!

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Earth: 0, Space: 3 (Atlas, Discoverer, and Vanguard; 4-16-1959)

It's been an exciting though disappointing week in the world of space exploits.  Here is a summary of what you've missed if you haven't been following the papers:

DISCOVERER 2 SOARS INTO ORBIT; LAYS EGG NO ONE CAN FIND

The Air Force launched another Discoverer on April 13.  After 17 orbits, the satellite ejected a capsule for recovery.  The landing spot was supposed to be around Hawai'i, but a task force of ships and aircraft were unable to find the capsule.  Now, there wasn't anything on board this one, but later shots are supposed to carry biological specimens.  And maybe film for developing.  Oops!  Did I say that out loud?

In any event, no one knows where it landed.  Since Discoverer is in a polar orbit (and still otherwise functioning, to all reports), I suppose the capsule could have fallen anywhere along its trajectory.  If the capsule was ejected too early, it would have hit Antarctica or the South Pacific.  If late, the track crosses Alaska, the Arctic ocean, and down through Scandinavia, the Eastern Bloc nations, and all along central Africa. 

Assuming the latter, its destination could be somewhere in the ice, perhaps a communist station, or next to some frightened zebra.  We may never know.

VANGUARD IS ANOTHER FLOPNIK

The Navy boys tried to launch a sequel to the orbiting but unsuccessful Vanguard 2.  This shot was a two-fer–atop the slim rocket was not only a 10kg ball with a new magnetometer on board (for mapping magnetic fields) but a balloon for tracking air density.

Sadly, the rocket only got up a hundred miles before falling back to Earth.  It's a shame–Von Braun's team is having success after success, but the Vanguard program is stuck in first gear.  Let's hope they can get Vanguard 3 up before the year's end!

MAIDEN LAUNCH FOR NEW ATLAS A BUST

The Atlas is America's first Intercontinental Ballistic Missile (ICBM).  It is being manufactured just a dozen miles from my house at Convair's Kearny Mesa plant.  The first incarnation of the Atlas was test-launched in 1957 with a dummy warhead.  Since then, Atlases have been launched with some regularity from Cape Canaveral, including the December launch of SCORE, which went on the improved Atlas B.  The Atlas C was the last of the prototypes, and it may be used this year for an upcoming Venusian mission.

But the Atlas launched on April 14 was an Atlas D, a more-powerful version designed to be the first operational ICBM, the one they'll bury underground in protective silos to be turned loose on the Soviet Union on a moment's notice. 

Eventually.  The one launched last Tuesday malfunctioned right out of the gate, one of its three engines blasting at reduced capacity.  It limped along for 20 seconds, burst into flames, and was destroyed 17 seconds later by ground control.  And this is the booster that the Mercury astronauts will ride into orbit.  Brave men they!

So, as they say, "All the news that fits, we print!"  See you in two days!



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Double-size equals Double-good (June 1959 Galaxy, second part; 4-14-1959)

There's been big news in the space world over the weekend, but I want to talk about it next time so I can see how things shake out.  Thus, without further ado, I move onto the rest of the extra-thick Galaxy June 1959.

Avram Davidson is a bit of a writing fiend–it seems I find one of his stories in every magazine I pick up, and they all tend toward the quite good.  Take Wooden Indians is one of the good'ns.  It's a delightfully confusing (at first) tale of time travel, artistic expression, and nostalgia for Americana, that straightens out nicely at the end.  Of course, I imagine there are many out there who would use time travel to save the real Indians rather than their wooden likenesses, but that's another story (one I'd be interested in reading–smallpox inoculations handed out five hundred years ago might do the trick…)

Willy Ley's article is, as usual, worthy reading.  I particularly like his answer to the question, "What is the best size for a payload?"  Answer: depends on what you're trying to do.  If you want to map the Earth's magnetic fields, lots of small satellites are better than one big one.  The Soviets like to brag on the size of their probes, but they are of limited utility if they only put up a few.

The next story is from prolific pulp writer, Richard Wilson, who spends most of his time writing for Future these days (I haven't picked up any copies).  Traveling Companion Wanted has been described by one of my very favorite readers as a Victorian fantasy, wherein a space traveler falls into the ocean in his space suit and ends up swept by current into a globe-spanning underwater river.  On his way, he ends up the unexpected guest of a subterranean race of advanced, Eskimo-ish natives.  Unfortunately, they can't figure out how to unsuit the traveler, and he nearly starves (I found this bit rather horrific).  But all's well that ends well–he makes it back to the surface with the resolution to revisit the fantastic realm he discovered.  It looks like he'll be successful, too!

I'm afraid the "non-fact" article by Larry M. Harris, Extracts from the Galactick Almanack, really isn't worth the space it takes in the magazine.  It's one of those "droll" pieces, this one about musical accomplishments of various aliens.  Skip it.

Soft Touch, by Daniel F. Galouye, is another matter, entirely, though like his last story, it is frustratingly underdeveloped.  In the future, there is a mutant strain of humanity that is utterly moral and good, incapable of lying or hurting a fellow person.  They are treated poorly by their non-mutant neighbors because everyone hates a do-gooder.  Very impactful and well-written stuff… but the ending is way too rushed.  Another 5-10 pages would have been nice.

The final tale of the issue is No Place for Crime, by J.T. McIntosh.  It's rare that a locked door mystery is told from the point of view of the criminals, and McIntosh keeps you guessing as to its outcome until the very end.  One of the better pieces in the issue, and typical of the writer.

Given Pohl's masterpiece, Davidson and McIntosh's excellent work, the decent Wilson and Galouye stories, the fine Ley article, and the unimpressive Harris, I'd say this issue is a solid "4."  I'd like Mr. Wood to stop drawing such lurid cheesecake illustrations, however…

See you on Wednesday with news… from SPAAAACCCCE!



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Whatever Counts (June 1959 Galaxy, first part; 4-11-1959)

I mentioned last week that Satellite no longer prints full-length novels between its covers anymore.  It looks like that role is now going to Galaxy, which, in its new, 196-page format, can accommodate longer works more comfortably.  In short order, it looks like Galaxy will specialize in two-part serials, responding to reader requests for same. 

I'm a fan of longer stories in my magazines.  F&SF scratches my short story itch quite nicely, and there are lots of good science fiction novels coming out, so that intermediate length can only be found in the digests.  I find that the novella/short novel length is quite good for adequately developing a concept without overly padding the matter.


Cover by EMSH

That length was certainly used to excellent effect in Fred Pohl's new space exploration/first-contact thriller, Whatever Counts.  What a fine story.  With the exception of some over-traditional gender roles (in the far future, I'd expect women to be more than secretaries and babysitters), Pohl paints a quite mature and sophisticated vision of tomorrow.  Moreover, while the female characters have traditional roles, they also get to be intelligent and vital protagonists.  Just skip over the rather exploitative art…

So what's the story actually about?  The Explorer II, essentially a generation colony ship, though the journey "only" takes about seven years, is part of humanity's first gasp of interstellar expansion.  Unfortunately, during the vessel's journey, our race (as a whole) makes contact with its first alien species, the technologically and biologically more-sophisticated "Gormen."  Wherever we encounter the Gormen, we are able to offer but feeble resistance.

The same is true for several of the crew of the Explorer II, who are quickly captured by the Gormen upon touchdown.  Their trials at the hands of the Gormen, and the nifty way in which they make escape, are all interesting and well-written.  But what really sold me was the attention to detail.  The colony ship is plausible, the Gormen truly alien, the characters well-realized, and the style both gritty and artistic.  And I really like any story that takes the time to explain where characters are going to take care of their toilet needs…


illustration by WOOD

I'd hate to spoil any more than I already have.  Just go read it!  (Please note that the author has not given me permission to freely distribute this story.  If you can, I'd buy a copy.)

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Lucky Seven! (The Mercury astronauts; 4-09-1959)

The results are in!  NASA has picked its first seven astronauts, dubbed "The Mercury Seven" since they will be flying the new one-man spacecraft when it debuts for piloted missions, perhaps next year.

The newspaper mistakenly described them as "GI"s the other day, but they are, in fact the best of the best American military test pilots from all of the services except the Army.  110 candidates were winnowed to 31, and of them, 24 were sent packing (though I suspect we may see some of them in later astronaut groups). 

The chosen seven are a homogeneous bunch in several ways: white, married with children, mildly Protestant, in their 30's.  But they come from a variety of places and service backgrounds.  In alphabetical order, we have:


The astronauts expressing confidence that they will all come back from space safe and sound; L to R: Slayton, Shepard, Schirra, Grissom, Glenn, Cooper, Carpenter

Navy Lieutenant. Malcolm "Scott" Carpenter: 33, much has been made in the local paper since he is a native, though adopted, son from Garden Grove, California.  His wife registered him for the astronaut program while Scott was at sea.  He has the least flight time of the astronauts, but this is more than compensated by the man's dreaminess quotient.  What a hunk! 

Air Force Captain Leroy "Gordo" Cooper (for those not militarily inclined, this rank is the same grade as Navy Lieutenant): 32 and a Colorado resident.  He's flown the fancy new planes, including the F-102 and F-106B.  Gordo speaks with an Okie drawl, but I understand he's quite a sharp tack.

Marine Lieutenant Colonel John H. Glenn: 37, from Ohio, may have the most impressive credentials.  He flew 59 combat missions in World War 2, more than a hundred in Korea, and he has the highest rank of the candidates.  He's also the most religious, the nicest, and (reportedly) the most abstemious.  I'd put odds on this fellow getting a plum spot in the line-up.

Air Force Captain Virgil I. "Gus" Grissom: 33, from Indiana, is the youngest and shortest of the group, but he has more combat missions under his belt (in Korea) than anyone in the group but Glenn. 

Navy Lieutenant Commander (between the Lieutenants/Captains and Lt. Colonel Glenn in Rank) Walter M. "Wally" Schirra: 36, from New Jersey, he's apparently the prankster of the group.  He comes by his talent honestly, his father having been a stunt pilot and his mother a wing walker!

Navy Lieutenant Commander Alan B. Shepard Jr.: 35, from New Hampshire, has the most flight time but zero combat experience.  He has an intense air about him suggesting he may be a leader type.  He confidently declared that he expected orbital flight would be no more hazardous than testing out a new plane on Earth.

Air Force Captain Donald K. "Deke" Slayton: 35, from Wisconsin, he's got almost as much flight time as Shepard, and World War II combat experience.  He has a smart, no-nonsense look about him.  I suspect he'll get a good mission.  He said he signed up because we'd pretty much finished exploring the Earth, and it was time to pierce the next frontier.


L to R: Grissom, Glenn, Cooper, Carpenter

Unmanned test flights of the Mercury spacecraft, which looks a bit like a thimble, are expected to start in the summer.  The capsules will be launched sub-orbitally first on "Little Joe" test rockets and then Redstones (which were used to launch the first American Explorers

I'm willing to wager that, now that American's first spacemen have been identified, our upcoming science fiction stories will make many and copious references to them, either directly or allusive.  For decades, authors have written how the first men would go into space–now they know for certain who they will be and what they will ride in (that is, unless the Soviets beat us again to the punch…)

See you in a couple of days with news of Fred Pohl's latest novella, really a short novel.  It's excellent.  Until then…

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Star Dim.. (May 1959 Fantasy & Science Fiction, second part; 4-07-1959)

How scary is a truly dark night sky?

In Asimov's Nightfall, a certain planet's orbital situation ensures that there is always a sun overhead.  On the rare occasion that all of the nearby stars align on the opposite side of the planet, the planet's population is consumed with hysteria.  I suppose it's a justifiable extrapolation of the impressive and cowing effect on our ancestors caused by eclipses of the sun.

In A. Bertram Chandler's The Man Who could not Stop (which I will discuss at length further on in the article), there are inhabited planets at the edge of the galaxy.  When the lens of the galaxy aligns with a rim planet's sun, the result is a near-featureless dark sky marred only by a few far-away solitary stars and nebulae.  As Chandler describes it, the effect is unsettling in the extreme, and most natives move away to planets comfortably surrounded with stars.

I suppose it's Chandler's world, and he can do what he wants, but would a truly empty sky be that disconcerting?  Even today, on Earth, there are plenty of locales where cloud cover renders the stars invisible.  In downtown Tokyo or New York, the lights of the city drown out any puny stellar competition.  I should think that the spectacle of the full lens of the galaxy, visible at least half of the year, would more than make up for a half-year of darkness. 

What do you think?

As you can probably guess, I have finished this month's Fantasy & Science Fiction, and I've got a report for you.  I can honestly say that the magazine ended on a rising trend, quality-wise.

The lovely Rosel George Brown is back with the light-hearted Lost in Translation.  It's a silly tale of time travel featuring a drippy but lovely fan of the classics (the Greek classics, that is), but the whole thing is really just a set-up for a bad pun at the end.  I like Brown's writing–I'm just waiting for one of her stories to really wow me.

Avram Davidson's The Montavarde Camera is a moody piece (does he write any other kind?) about an antique camera whose pictures spell doom for their subject.  Well-written (does he ever write poorly?), but rather a second-rate premise.

I enjoyed (with reservations) Jack London's tale of present-day adventure told in past-tense, The Angry Mammoth, in which a hunter recounts his adventures tracking down and killing the last of the hairy elephant cousins.  Not for the animal-lover.  Of course, it is a reprint, the original story having been published in 1901 (and it reads like it).

But the real jewel of this issue is the aforementioned The Man Who could not Stop.  It is a little reminiscent of those stories where people who could not fit into the regimented roles meted out by society (a la Asimov's Profession) become its masters.  In Chandler's story, the protagonist (name of Clavering) is a hardened criminal fleeing justice.  He runs from Earth to the galaxy's rim, from where extradition is impossible.  Once there, however, he quickly runs afoul of the law.  The first time is intentional–he wants to be incarcerated to locate a fence so as to offload a haul of stolen jewelry.  The second time is unintentional, but criminal habits are hard to break (and the rim planets make recidivism all but inevitable).  The third time is intentional–our anti-hero is told that criminals are deported third time 'round. 

Except it turns out that deportation is a one-way trip into the abyss; Clavering ends up press-ganged into the crew of a starship heading out deep into inter-galactic space.  So we learn that this is standard operating procedure on the rim worlds: attract the incorrigible and shanghai them.

I liked it a lot, and I understand there may be more tales of the rim worlds on the way.  I'm looking forward to it.

That's that for today.  I've largely finished this month's Galaxy (which is excellent, by the way), but I understand that NASA plans to announce the Mercury astronauts on April 9, so I'm sure that event will feature prominently in my next article.

Thanks for reading!

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Diverting fare (May 1959 Fantasy & Science Fiction; 4-03-1959)

There are months when The Magazine of Fantasy AND Science Fiction is filled with sublime stuff.  Then there are months when F&SF is just mildly diverting.  This is looking to be one of those months.  Things could be worse, of course.

Editor Robert Mills opens things up by asking if we'd like longer short stories (novelets), which apparently are in a bumper crop this year.  Robert, if you're reading, I think that's a fine idea.  I like a good 20 pages to feel the start, middle, and end of a story.  Shorter pieces tend to rely on gimmick endings or be mood pieces.  Not that those don't have their place, but everybody has her or his preferences, and that one is mine.

What do y'all think?

First out of the gate is J.T. McIntosh's Tenth Time Around, which takes place in a nearish future where travel back in time is possible, but expensive, and only into your younger self.  Our protagonist uses his multiple lives trying to successfully woo a lost love.  The result is not unpredictable, but McIntosh writes a fine yarn.

I much liked Asimov's non-fiction column in this issue, detailing the fiendish difficulty involved in both escaping Earth's gravity and ensuring subsequent capture by the moon.  It is a subject of which I never had a real intuitive grasp, despite having followed all of the Pioneer and Mechta shots avidly (I've even published a few non-fiction articles on the subject, myself).

Satirist Ron Goulart's Ralph Wollstonecraft Hedge: A Memoir is a genuinely humorous account of a fictitious writer from the tarnished side of pulp's Golden Age.  I caught the Lovecraft references, having read virtually everything H.P. ever published, but I'm afraid I've missed the other jokes.  Perhaps someone can help me with this one.

Then there's The One that Got Away by Chad Oliver, who writes both science fiction and westerns.  He combines the two to good effect here.  Well, I'm not sure it actually takes place in "the west," but the setting is a bucolic valley and involves by turns pyromania, a rustic lodge, good fishing, and aliens.  Fun and fluffy.

Finally, for today, is Robert Graves' The Shout, which Robert Mills found good enough to reprint, the story having first appeared in the magazine seven years ago (before I was a regular reader).  Or perhaps F&SF is simply hard up for material.  Or Mr. Graves is hard up for cash.  Somehow I doubt the latter, the great classicist having penned such eternal works as I, Claudius

In any event, Shout is a moody piece, told in a lunatic asylum, one inmate to another, involving a soul-shattering scream taught the narrator by Australian aboriginals.  I found the tale a little too disjointed to be entirely comprehensible, but I did enjoy the idea that all of the souls of the world are actually small stones on a sandy hill between a town and beach in southern England. 

I mean, they have to be somewhere, don't they?

So there you go.  Nothing stand-out, nothing offensive.  Pleasant fire-side or shady tree fare.  In two or three days, Part II (unless some space spectacular compels me to issue a stop-press…)

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