Tag Archives: yevgeny zamyatin

[January 18, 1969] (February 1969 Fantasy and Science Fiction)


by Gideon Marcus

Sticking close to home

The last quarter of 1968 had the newsmen on tenterhooks.  After the flight of Zond 5, many suspected the Russians would try for a flight around the Moon.  Would they get there before the hastily rescheduled Apollo 8?

They did not, and now it seems they are taking a different tack, trying to progress in endeavors closer to home.  On January 14, the Soviets launched Soyuz 4 into orbit carrying a single cosmonaut, Vladimir Shatalov.  This was ho hum stuff—the putatively multi-man Soyuz was once again carrying a single occupant.  Ah, but on the 16th, Soyuz 5 took off with cosmonauts Boris Volnyov, Aleksey Yeliseyev, and Evegenii Khrunov, the first three-seat flight since Voskhod 1, four years ago.

More than that, the two craft docked in orbit, the first time two piloted craft have managed the feat.  Then Yeliseyev and Khrunov donned space suits, opened their hatch, and walked next door.  They weren't visiting for a cup of borscht; they were there to stay, and they bore gifts: newspapers and letters from after Shatalov had taken off!  The next day, Soyuz 4 landed with the two new passengers.  As of this article's going to press, Volnyov should have landed his Soyuz 5—safely, I trust.

The Soviets are already beging to hail the mission as the construction of the first station in space, and there's no doubt that a lot of firsts have been scored.  On the other hand, the two Soyuz craft were only linked for a few hours, and there was no easy way to get between the two craft.  Really, they haven't done anything that couldn't have been done during our Gemini program.

That said, this may only be the beginning.  Unlike Voskhod, which only comprised a couple of flights, there have been a number of Soyuz missions, both manned and unmanned, so it's probably only a matter of time before a truly ambitious trek is managed, perhaps a real space station.

What's more impressive?  American boots on the Moon, or a permanent Soviet presence in near Earth orbit?  You be the judge.

Mail's in!

The latest issue of F&SF offers a myriad of treats that are, in some ways, as exciting as today's space news.  Let's dive in:


Another splurty cover by Russell FitzGerald

Attitudes, by James H. Schmitz

Azard is one of the Malatlo, the group of peaceniks who have divorced themselves from the Federation of the Hub.  Years ago, the Malatlo were given their own planet, far away, but next door to the Raceels, an up-and-coming race, so that the separatists might not be too lonely.

Now war has destroyed both worlds, and Azard is being escorted by three representatives of the Federation to a new world.  It's a magnanimous mission…so why is Azard contemplating the murder of his benefactors?  And is all really what it seems?

I found the telling of the story a bit talky and stilted, and yet, when I was done, I found the thing stuck with me, some of the scenes vivid in the extreme.  So, four stars for a fine opening piece.


by Gahan Wilson

The Cave, by Yevgeny Zamyatin

Per Sam Moskowitz' introduction, this is the tale of the end result of Communism as envisioned by a dissident writer in 1920 Leningrad.  As winter sets in, an impoverished citizen in the "equal" society wrestles with the urge to steal wood from an advantaged neighbor.  Soviet Marxism thus results in reversion to Stone Age sensibilities.

An interesting curiosity.  Three stars.

Nightwalker, by Larry Brody

Frank Whalen is a super-spy with a secret: his body shoots off electricity at will.  He also has a super suit, which confers stealth, but also has the annoying side effect of causing an all-over itch.  This tale rather straightforwardly details an adventure Whalen has behind the Bamboo Curtain, and how he escapes from a Red Chinese jail.

Probably the first in an ongoing series, there's not really enough of Whalen yet to hang on to, character-wise.  If you like superhero comics, you'll probably enjoy this one, in a superficial sort of way.

Three stars.

Dormant Soul, by Josephine Saxton

Saxton is an English author whose work generally fails to resonate with me, but this time, she channels her inner Pam Zoline with this beautiful, stream-of-consicousness story.  It deals with a prematurely old widow struggling with inexplicable migraines, deep depression, and an uncaring medical system that seems tailor-made to perpetuate the problem with useless nostrums and a callous ear.

The solution?  Wine and a bit of angelic help.

It's a beautiful, moving piece, and it was well on its way to five stars before the typically British, bummer ending.  Still four stars.

Drool, by Vance Aandahl

Justice Stewart once observed (essentially) "I can't tell you what pornography is, but I know it when I see it."  Aandahl proves that, "when correctly viewed, everything is lewd" (thank you Tom Lehrer) in this effective vignette.

Four stars.

Twin Sisters, by Doris Pitkin Buck

A short poem personifying the rain.  I liked it.  Four stars.

Pater One Pater Two, by Patrick Meadows

Two 21st Century disasters combine to doom the 24th Century: a doomsday weapon renders all of the Earth uninhabitable save for Greece and Asia Minor, and a birth control initiative backed by technology has gone awry, preventing all new births.  It's up to Jacson and Marya from the island of Xios to topple the remnants of the past to save the future.

An interesting, innovative tale.  Four stars.

Uncertain, Coy, and Hard to Please, by Isaac Asimov

For this piece, I felt it was important to have a female perspective—you'll understand why…


by Janice L. Newman

Asimov’s most recent “Science” article is on feminism. He never uses the word, but feminism is what it argues: that men and women are inherently equal, and that it is only cultural and artificial distinctions that keep them from being equal. It’s an excellent screed. For many women it would be a revelation, particularly if they have had no prior contact with feminist ideas.

Some might take exception to the description of the male/female relationship as slavemaster/slave, but I do not. For too long women have been considered property, unable to own anything: not money, not land, not their own work and discoveries, not even their own bodies. Even today a woman cannot open a checking account at the vast majority of banks without her husband’s or father’s signature. Consider how crippling this is for an independent person in modern society.

I can’t agree with every argument Asimov makes. While I concede that courtly love is an artificial construct, one need only look to the animal kingdom to find plenty of animals that mate for life, and which become despondent if one of the pair is removed. Nor can I dismiss fatherly love as purely cultural. Children look like their parents, after all, and men who cared for partners and offspring were more likely to have children that made it to adulthood.

However, these are minor quibbles. Overall the piece is well thought-out and logical and usually right, and I believe it should be required reading for all fen…indeed, all persons.

Including its author.

Asimov is well-known for groping women at conventions: grabbing their backsides or their frontsides, even seizing and kissing women who had approached him in the hope of getting an autograph. I am certain that he thinks such behavior is flattering–indeed, he lists the "smirk and the leer" as among the petty rewards of being a woman in today's society. I cannot speak for all women; likely some did feel flattered by such attentions. But having talked with some of his victims, I know that this was not so in many cases.

I have never met Asimov in person. Perhaps friends have deliberately kept me away from him at conventions to protect me. At this point, it seems increasingly unlikely that I will ever meet him. But if I ever do, I would like to say to him, “You, too, wield the power of the slavemaster. The very ‘silliness’ that you decry as an artificial defense mechanism is exactly what is coming into play when you kiss a woman and she blushes and laughs awkwardly. Hers is a conditioned response born, at its heart, out of fear.”

Perhaps it is not surprising that Asimov apparently can’t make the extra leap to apply his reasoning to his own behavior. As excellent and revelatory as this piece is, it seems to come entirely from Asimov’s mind without any discussion with actual women. In fact, it’s unlikely that he’s had much opportunity to see things from a ‘feminine perspective’, considering the vast majority of media is from a male point of view. Not surprising, but it is saddening and frustrating.

I don’t know if I could convince him that he is not exempt, that however unthreatening he may think himself, society nonetheless places the slavemaster’s whip firmly in his hand. But perhaps, someday, he can: I think the man capable of writing such an important feminist piece could learn from his own words.

Five stars.



by Gideon Marcus

After All the Dreaming Ends, by Gary Jennings

A simple boy meets girl episode in wartime, just before the boy is to ship off to the European Theater of Operations.  Except the girl isn't there—she's dying in a hospital bed 25 years later.  To sleep, perchance to dream…and what a beautiful, romantic dream.

A sweet, wistful piece.  I'm a sucker for love stories.  Five stars.

A pleasant recounting

Well now—not a clunker in the bunch, and some Star material to boot.  Indeed, this is the first 4-star issue of F&SF in the history of our reviewing the magazine!  That's exciting news in the skies above and on the ground, and definitely enough to keep us renewing our subscription—to F&SF AND Aviation Weekly.






[November 11, 1963] An integral future (Yevgeny Zamyatin's We)


by Margarita Mospanova

Hello, dear readers!

Do you have books that you’ve always wanted to read but never got the chance to? Books that you’ve heard so much about they’ve long since made their place in your bookish plans and budgets, but haven’t quite managed to reach your hands?

The reason these books remain unopened still might be lack of time. Not quite full wallet. Or simply their absence from the nearest bookstore. But in my case, the reason often was censorship.

It won’t come as a surprise to many of you, but being a published author in the USSR almost unfailingly meant having to obey various rules and regulations of the people in power, written or unwritten. As such, many of the titles that I undoubtedly would have greatly enjoyed at the time were rebuffed by the editors before they even saw the light of day.

Now that I no longer reside in the Soviet Union, obtaining Soviet books is even harder. However, some of them were fortunate enough to trickle through the borders, with or without their authors. And here we come to the subject of this humble review.

We by Yevgeny Zamyatin written in 1921 and first published in English in 1924 in New York, is still very much forbidden in USSR. The original Russian edition only came out in 1952 and, again, only in New York.

Having read the book, I can certainly see why.

The story is set far in the future, at least a thousand years or more, with the world having been conquered by a so called United State. As the name implies, there are no other countries or nations, though that might be attributed to the fact that a war wiped out more than 99% of the planet’s population several centuries earlier.

Curiously enough, though perhaps not unexpectedly at all, the war was fought over food and resulted in the creation of a petroleum-based substance that took its place on the people’s plates. The more conventional meals were slowly forgotten.

The nation, meanwhile, is governed by a single person, called the Well-Doer, who is overly fond of mass surveillance and standardizing his subjects. Names have been replaced by given numbers. People live in glass, completely transparent, apartments, and cannot draw down the curtains unless they have, ah, received the pink permission slip. Yes, it means exactly what you think it means.

When they go to sleep, they no longer dream, as dreaming is an illness and has been cured long ago. At breakfast, they chew exactly 50 times per each bite. On the streets, they move as one, marching in lines, wearing the same uniforms. Confusing emotions and imagination gave way to logic and reason. To formulae, equations, and science. There is no freedom. The people are happy.

They are also planning to build a space rocket (with the appropriate mathematical name, "The Integral") to share their way of life with any extraterrestrial life forms they might encounter.

The story follows one of the lead builders working on the rocket. A model citizen, D-503, decides to start a journal, depicting his daily life and thoughts, and then put it onto the rocket. Enlighten the aliens, so to speak.


the author

I will let you, dear readers, read for yourself exactly what we learn through each of D-503’s entries, but suffice it to say, action, drama, and (really, really awkward) romance abound. As well as, at times, rather confused ramblings of a man who has never before been confronted with illogical feelings.

Naturally, I read the novel in Russian. However, I did take time to peruse the 1924 English translation as well. On its own, it seems to be a fairly good read, but I’m afraid it falls somewhat short of the source. In the Russian We the writing is uneven, full of short bursts and ragged edges, that seem to be smoothed or faded when one opens up the English copy. And I’m not talking about the length of the sentences, but rather the structure and choice of words. Still, that slight demerit only really matters if one makes it a point to compare the two versions. If you have the chance (and ability) read it in Russian. Otherwise, the English copy will serve perfectly well.

The style of prose itself is very much in tune with the character, never straying too far from what we might expect, and yet delivering a gripping account of D-503’s deconstruction of his own world. The contrast between the mathematical precision of some parts and emotional upheavals of the others works nicely to highlight the faults of the world Zamyatin built.

Despite the bleakness and sheer uniformness of the United State, the characters we meet throughout the novel are vibrant and very much alive. Every single one of them has something to say, and every single one of them is worth listening to. The characters are the novel’s strongest side, and after finishing the book, I caught myself wanting to know what happens to them next.

In fact, the characters have quite possibly outshone any and all possible allusions to USSR and its problems for me. The satire and criticisms are plain, don’t get me wrong, but considering that Zamyatin wrote the book when the Soviet Union was only in its infancy, the impression they left with me is not quite as deep as one might expect. 

I greatly enjoyed We, for all its dystopian gloominess. This is a book that has now become a permanent fixture on my bookshelves and I foresee many rereads in its future. And so, dear readers, I invite you to try it out for yourselves. I promise it will not disappoint.

I give “We” by Yevgeny Zamyatin five integrals out of five.