Tag Archives: The Iron Thorn

[March 4, 1967] Mediocrities (April 1967 IF)


by David Levinson

Method or madness?

The assassination of President Kennedy a little more than three years ago is a moment engraved on everyone’s hearts and minds. The arrest of Lee Harvey Oswald brought some relief, but his subsequent murder by Jack Ruby denied Americans the catharsis a trial would have provided, with the clear presentation of all the evidence. Ruby’s recent death just before his retrial has denied whatever release that might have offered. As such, Americans have had to make do with the report issued by the Warren Commission on the assassination, and a lot of people aren’t satisfied with its conclusions. Rush to Judgment by Mark Lane calls into question many of the Commission’s findings and has found an audience. The book has spent 25 weeks on the New York Times list of best-selling non-fiction.

On February 17th, the New Orleans States-Item published a story revealing that District Attorney Jim Garrison was investigating the assassination. In a news conference the next day, Garrison announced his office was working on seeking an indictment of “some individuals in New Orleans” for their role in President Kennedy’s death and promised that arrests would be made. On February 22nd, pilot David Ferrie was found dead in his New Orleans home. Garrison has accused Ferrie of being the get-away pilot for the conspirators and had been preparing to take Ferrie into protective custody. In a news conference on the 24th, Garrison dropped a bombshell. Speaking about his office’s investigation of the Kennedy assassination, he declared, “We solved it weeks ago. There remains only the details of evidence, and there is no question about it. We have the names of everyone. We have all the details.”


New Orleans District Attorney Jim Garrison

Is there anything to this? Garrison seems pretty confident. On the other hand, he has a reputation as a grandstander. He’s overseen numerous vice raids in the French Quarter, resulting in lots of arrests and very few trials. The raids brought him into conflict with local judges and the police, and he’s accused both groups of corruption, but there have been no indictments. He’s even been unanimously censured by both houses of the state legislature for maligning their members. Time will tell if there’s something to this or if it’s just another dog-and-pony show.

Reversion to the mean

Knowing that last month’s spectacular issue was going to be a hard act to follow, I lowered my expectations for this month’s IF. I may not have recalibrated properly. Even some of the decent stuff is pretty forgettable.


This old-fashioned cover bears little relationship to the Chandler story it supposedly illustrates. Art by Gray Morrow

Continue reading [March 4, 1967] Mediocrities (April 1967 IF)

[February 4, 1967] The Sweet (?) New Style (March 1967 IF)


by David Levinson

In the 13th century, a new style of poetry emerged in Tuscany. Developing from the troubadour tradition, it turned the idea of courtly love into one of divine love, in which an idealized woman guided a man’s soul to God. More importantly, it was written not in Latin, but in the Tuscan vernacular, which formed the basis of modern Italian. Its most famous practitioner, Dante Alighieri, referred to it as dolce stil novo (sweet new style) in his most famous work, and the phrase was eventually applied to the poetic school in the 19th century.

Science fiction also has a new style, though many readers disdain it and I doubt even its proponents would be inclined to call it “sweet”. Whether you call it the New Wave or the New Thing, the move is away from adventure and scientists solving problems and toward a more literary style, difficult topics like sex, drugs and politics, and generally kicking against the traces of modern constraints. Whether it’s just a passing fad or will change the language of science fiction forever remains to be seen.

Inferno

I’ve written before about the so-called Cultural Revolution in communist China, including the growing power of the young people calling themselves the Red Guards. Egged on by Chairman Mao, the Red Guards have run amok. High-ranking public officials have been publicly humiliated, beaten (sometimes to death), or have committed suicide. The number four man in the party, T’ao Chu was publicly purged, which led to violent riots in Nanking between his supporters and the Red Guards; at least 50 are dead and hundreds are injured. In Shanghai, the local government has been toppled and replaced by a revolutionary committee. Both President Liu Shao-ch’i and Party Secretary-General Teng Hsiao-p’ing have been condemned as “capitalist roaders”. Mao has also signaled a coming purge of the army.


A Red Guard hands out papers proclaiming the end of the Shanghai government.

Meanwhile, in spite of the internal chaos, China is also flexing her muscles on the border, particularly in Portuguese Macao. Late last year, a dispute over building permits led to a riot in which 8 Chinese were killed and 212 were injured. On January 22nd, six Chinese gunboats pulled into the inner harbor of Macao, but left again after an hour. One week later, the Governor General of Macao, under a portrait of Mao, signed an admission of guilt for the deaths, promising never again to use force against the Chinese community, to pay a large sum of reparations to the Macao Chinese, and to give a greater voice to the Chinese community in the person of Ho Yin, a man with close ties to Mao.

Near miss

Last year at Tricon, IF won the Hugo for Best Professional Magazine. Editor Fred Pohl came up with the idea of putting out an issue with all of last year’s winners: Isaac Asimov (Best All-Time Series), Harlan Ellison (Best Short Fiction), Frank Herbert and Roger Zelazny (tied for Best Novel) with a cover by Frank Frazetta (Best Professional Artist). He’s been touting it for a few months, but the best laid plans and all that. Herbert was unable to finish his story due to a hospital stay, and Frazetta was swamped with priority work. So, how did this month’s IF turn out?


Putting the most interesting element of the picture on the back is an odd choice. Art by McKenna

Continue reading [February 4, 1967] The Sweet (?) New Style (March 1967 IF)

[January 2, 1967] Different perspectives (February 1967 IF)


by David Levinson

We all know the adage about walking a mile in someone else’s shoes. Trying to see the world through others’ eyes is a good way to understand them, and that can help ease tensions and make it easier to find compromises. Of course, it’s also possible to come up with some pretty ridiculous ideas about the way other people think.

Failures of diplomacy

At the end of 1965, I wrote about the troubles in the British colony of Rhodesia. The white minority government refuses to consider the idea of granting equal rights or a role in government to Black Rhodesians. Early in December, British Prime Minister Harold Wilson, Rhodesian Prime minister Ian Smith, and ousted Rhodesian Governor General Humphrey Gibbs met aboard the HMS Tiger to try to hash out a solution. Smith left with a proposal he seemed willing to accept, but rejected it out of hand as soon as he returned to Salisbury. In response on December 16th, the United Nations Security Council approved an oil embargo and economic sanctions against Rhodesia 11-0, with France, the Soviet Union, Mali and Bulgaria abstaining. Four days later, Wilson withdrew all offers and announced that the United Kingdom would only accept a Black majority government. On the 22nd, as the trade ban was about to go into effect, Smith declared that the U. N. had forced Rhodesia out of British control and out of the British Commonwealth, making the country an independent republic by default.

Bechuanaland to Rhodesia's south may have peacefully become Botswana last year, but it seems that most of southern Africa is ready to go up in flames. While dealing with the condemnation of the rest of the world, the Smith government is also fighting two Black nationalist movements. Meanwhile, armed resistance is developing against South Africa’s illegal control of South West Africa, and armed independence movements are appearing in the Portuguese overseas provinces of Angola and Mozambique (formerly Portuguese West and East Africa respectively). If any of these embers becomes a conflagration, it’s hard to see how this won’t also spill over into South Africa as well.


Wilson returns with what looked like an acceptable deal, but Smith swiftly vetoed it.

Through alien eyes

John Campbell supposedly said he wanted someone to write an alien that “thinks as well as a man, but not like a man.” At least one author in this month’s IF makes a pretty good attempt at doing so. Others at least offer characters trying to understand how aliens (and in one case a door) think.


At least they aren’t even pretending this illustrates something in the magazine. Art by Wenzel

Continue reading [January 2, 1967] Different perspectives (February 1967 IF)

[December 2, 1966] Mixed Bags (January 1967 IF)


by David Levinson

November was no more or less eventful than most months, but nothing really caught my eye. The Republicans made modest gains in the mid-term elections, California elected a so-so actor as governor and New Orleans is getting a football team in what certainly looks like recompense to Representative Hale Boggs and Senator Russell Long for shepherding the merger of the American and National Football Leagues through Congress. But there’s really nothing there to talk about. So, as with the last time this happened, let’s talk about the art.

Art matters

Regular readers of this column will know that I am often less than complimentary to the art in IF, especially the interior illustrations. There have been some changes in Fred Pohl’s stable of artists over the last year, some, but not all, for the better. John Giunta seems to have disappeared entirely, but several artists have stepped in to fill his shoes. We’re seeing a lot more from Wallace Wood and his assistant and imitator Dan Adkins, neither of whom is all that good, despite their years in the industry. On the other hand, Virgil Finlay has returned after a long absence, and he’s one of the best in the business.

We’re also seeing more of the mononymous Burns after a short absence. Unfortunately, his current style seems to combine the worst of Nodel and Giunta (and I like Giunta’s work generally). This month brings us a new artist: Vaughn Bodé. His figures are a bit cartoony, but not objectionable. I also like his landscape and VTOL aircraft. I won’t be sorry if we see more of his work.

A return to form

Something of a mixed bag in this month’s IF. A decent end to one serial and a promising start to a new one. A silly story and something experimental from established writers. Let’s take a closer look.


Just for a change, the cover actually depicts something inside. Art by Morrow

Continue reading [December 2, 1966] Mixed Bags (January 1967 IF)