Tag Archives: television

[June 6, 1965] The Dawdle, More Like (Doctor Who: The Chase [Parts 1-3])


By Jessica Holmes

Well, it had to happen eventually. It’s impossible for a writer to knock it out of the park every time, and Terry Nation has batted his first foul ball. I think that’s the metaphor, anyway. But yes, his streak is over, giving us a rather tiresome story, The Chase, that I now bear the burden of talking about for a couple thousand words.

Let’s get on with it, shall we?

Continue reading [June 6, 1965] The Dawdle, More Like (Doctor Who: The Chase [Parts 1-3])

[May 16, 1965] Gathering Dust (Doctor Who: The Space Museum)


By Jessica Holmes

Thank you for joining me today, everybody. I hope we’ve all got our visitor’s passes and will be keeping our hands to ourselves, because today we’re going to be taking a tour of The Space Museum, and the main exhibit? The Doctor and his companions! Today’s serial was written by Glyn Jones.

The spaceship graveyard, with museum centre frame.

Continue reading [May 16, 1965] Gathering Dust (Doctor Who: The Space Museum)

[April 26, 1965] A Stranger in a Strange Land (The Stranger, Australian TV SF)


by Kaye Dee

I wasn’t contributing to the Journey last year, when Australia’s first home-grown science fiction television show, the children's series The Stranger, premiered in April 1964. So before the second series screens later this year, I thought I would take the opportunity to talk about this milestone in Australian television.


The screen title for The Stranger, with its unique, otherworldly script

Introducing G.K. Saunders

The Australian Broadcasting Commission (ABC) is the first local producer to show an interest in making science fiction for television, adapting The Stranger from a radio serial by prolific radio and television script writer Mr. G. K. "Ken" Saunders. A British-born New Zealander who moved to Australia in 1939, Mr. Saunders began writing scripts for ABC radio children’s programmes as well as radio dramas for one of the commercial networks.

During the War, Mr. Saunders also worked for the Council for Scientific and Industrial Research (CSIR). His exposure to scientific research seems to have sparked an interest in science fiction, because when he returned to writing scripts for ABC radio children’s programming, he produced about a dozen serials with science fiction themes. Mr. Saunders has said that he bases his science fiction on real science, and he consulted scientists from the Commonwealth Scientific and Industrial Research Organisation (CSIRO, the successor to the CSIR) to ensure this. But his stories also have a bit of a twist to them, and both these traits can be seen in The Stranger.


Recording an episode of the Argonauts Club, a popular children's radio programme that has been on air since 1941. Ken Saunders is best known as one of its main script writers since it began

Some of the science fiction serials Mr. Saunders wrote still stick in my mind. His first, The Moon Flower, was broadcast in 1953. It tells the story of the first expedition to the Moon, which discovers a tiny flower in a deep cave. This might seem a bit silly today, with what we now know about the Moon from Ranger 9 and other lunar probes, but back then some scientists still thought there might be simple life on the Moon. There was another one I really liked, in which the first expedition to Alpha Centauri discovers a planet inhabited by a human-like species who are pretty much like us – except they never invented music! I found this a fascinating idea.

The Genesis of The Stranger

Ken Saunders moved to England in 1957, working as a television and radio script writer for the BBC. This is where the story of The Stranger really begins: it was originally written as a six-part radio play for the BBC, which was broadcast in 1963, so perhaps some British readers of this article might even have heard it. From what my friend at the ABC has told me, it seems that the first series of the Australian television version is very similar to the original radio play storyline, with the six 30 minute television episodes drawn from the six parts of the radio serial.


Playing possum. A publicity still showing a scene from the opening teaser, where the stranger pretends to be unconscious at the door of Headmaster Walsh's house

Episode 1

Broadcast on 5 April 1964, the first episode of The Stranger begins with a short teaser: on a classic dark and stormy night, a figure makes its way along a dark street to the gate of a house. A signboard on the fence tells us this is the home of the Headmaster of St Michael’s School for Boys. This stranger walks to the door and lies down, carefully arranging himself to look like he has collapsed. He then taps weakly on the door and closes his eyes pretending he is unconscious. This is followed by the opening credits that are used for the rest of the series: the CSIRO’s Parkes Radio Telescope scans the skies in a timelapse sequence that then dissolves into a cosmic view of stars and nebulae against which the title The Stranger appears, written in an unusual, fantastical script. The author’s credit and episode number then appear over a slow pan of what seems to be a desolate, crater-pocked landscape. These images and the eerie, slightly foreboding theme music, set the scene for the mystery that follows and unfolds over the six episodes.

Headmaster Walsh and his family help the apparently sick stranger on their doorstep, who claims to have lost his memory but speaks with a European accent. When they discover that he speaks French and German there is speculation that perhaps he is Swiss. The rapidly recovering stranger declares that because he cannot recall his own name, he will give himself another: Adam, since he is a ‘new man’, and Suisse, since he is possibly Swiss.


What's in a name? The amnesiac stranger, who has christened himself Adam Suisse, with his hidden radio that sparks the suspicions of our three teenage heroes

Events then move quickly: Adam becomes a language teacher at St. Michael’s and takes up residence in a disused building on the school grounds. There, at the end of Episode 1, the teenage Walsh children, Bernie and Jean, and their friend Peter, accidentally discover a strange radio-like device, hidden under a loose floorboard. Turning it on, they hear speech in a foreign language.

Episode 2

The teenagers suspect that Adam is a spy. Although he attempts to allay their suspicions, Peter is not convinced, and they follow Adam on one of his weekend bushwalks in the Blue Mountains. Adam has spoken passionately about his love for walking in the bushland and being close to nature but disparages reports about flying saucers seen in the area where he likes to hike. Bernie, Jean and Peter try to track Adam through the bush and at the end of the episode come face to face with a hidden flying saucer!


Not what you expect to find on a bushwalk! The "flying saucer" piloted by Adam's friend Varossa, hidden away in the Blue Mountains

Episode 3

Adam takes the three teenagers onboard the flying saucer, revealing that he represents about 300 survivors living inside a colony ship created from a small planetary moon. Known as Soshuniss, the moon-ship has been travelling for generations since the planet from which its people originally came was poisoned and made unlivable by some kind of “accident”. The Soshunites seek a new home and have been reconnoitring the Earth. They would like to live here, but have no intention of invading, as they are a peaceful people. Back on Earth, the teenagers’ disappearance is treated by the police as an elaborate hoax, abetted by the missing Adam. When Adam and the teenagers arrive on Soshuniss, they are taken to an audience with the Soshun, the leader of the Soshunites.


Fly me to the moon! Adam reveals the truth about himself to Jean, Peter and Bernie, on board the spaceship travelling to the moon-ship Soshuniss

Episode 4

The surprised teenagers discover that the Soshun is a pleasant elderly woman. She asks them to deliver a letter to the Australian Prime Minister requesting permission for the Soshunites to settle in part of Australia. In return the Soshunites will share their scientific knowledge with the world. On returning to Earth with Adam and his friend Varossa, the young people’s story is disbelieved by their parents and the police. The Soshunites are arrested as kidnappers and spies, while visiting American scientist Prof. Mayer persuades the teenagers to prove their story by taking him secretly to the hidden spaceship they returned on. Although he is convinced of the truth of the story when he sees the spaceship, the police have been following them and Bernie attempts to take off with the others in the flying saucer to return it to the Soshunites.


Take me to your leader! Peter, Bernie, Prof. Mayer and Jean meet the Soshun, who can be seen in the background of this shot

Episode 5

Bernie is unable to properly control the spacecraft and the friends are rescued by another ship and taken to Soshuniss. The police who saw the flying saucer lift off contact the authorities and the spacecraft is tracked by radar and then the Parkes Radio Telescope to the moon-ship 50,000 miles into space. There is now no question that the aliens are real and the case becomes a Security matter. Although the Soshun sends Bernie, Jean and Peter back to Earth, Prof. Mayer stays on Soshuniss to learn more about it. Meanwhile, at the end of the episode, Adam and Varossa have escaped from prison and await rescue from Soshuniss.

Episode 6

In the final episode, matters come to a head. Bernie, Jean and Peter are pressured by the authorities to reveal where the Soshunites are hiding, as they are now considered alien spies. However, the Soshun has returned Prof. Mayer to the United Nations in New York, repeating her request to be allowed to settle in Australia in exchange for Soshunian scientific knowledge. He convinces a UN Special Committee and just as Adam and Varossa are about to be re-arrested by the police, word comes through that the UN has accepted the Soshunites' offer and they will be allowed to settle on Earth. The episode concludes on what is both a happy ending and a cliffhanger suggesting there is still more of the story to come….


TV Times preview article from April 1964 promoting the premiere of The Stranger

Australia's Answer to Doctor Who?

Although The Stranger is classed as a children’s programme, it has much to hold the attention of an adult viewer, just like Doctor Who, to which it is now being compared. However, producer Storry Walton dislikes the comparison and believes that the Australian show is more creative and has better production values, with more sequences filmed on location. Locations for the series included St Paul's University College in Sydney (in the role of St Michael’s school), the Blue Mountains, exteriors at the ABC headquarters campus (masquerading as various locations, including Idlewild Airport!) and Canberra.


On the set during the production of The Stranger while filming a scene on Soshuniss. Adam tells the trio from Earth that the Soshunites originally wore their hair long, but have cut it to fit in more comfortably on Earth.

Both Mr. Saunders and the Production Designer, Mr. Geoffrey Wedlock paid particular attention to portraying the Soshunians as a plausible, but alien, extraterrestrial society. Mr. Saunders created a language for the inhabitants of Soshuniss to speak among themselves, and it is believably and naturalistically spoken by the actors. When they speak English, all the Soshunians have a European-sounding accent, signifying that they are not speaking their native language. One of Saunders’ characteristic twists is that the Soshun is a woman, rather than a man as might be expected, and that her title is also the word for “mother”: Soshuniss therefore means “the motherland”. The CSIRO was also engaged to advise on the design of the Soshunian “flying saucer”, to make it as plausible a spacecraft as possible.

Underneath its well-crafted juvenile surface story, The Stranger also touches on some important issues including the treatment of refugees and European migrants to Australia and the concerns that many people are starting to have about industrial pollution damaging the environment. Although the “accident” that poisoned the Soshunian’s home planet is not specified, there are hints that its environment may have been destroyed by some kind terrible industrial accident that released toxic chemicals.


Veteran actor Ron Haddrick, well known to Australian viewers, gives adult nuance to his performance as Adam Suisse, the titular Stranger

The cast of The Stranger, while mostly actors well known in Australia, would not be familiar to those of you overseas, but I must mention the distinguished theatrical performer Ron Haddrick, who played the part of Adam Suisse without the least condescension to the younger viewers at whom the show is aimed, much like William Hartnell approaches his role on Doctor Who.

Coming Soon

The second series of The Stranger is due to start in July this year and hints of the new storyline are beginning to emerge. Storry Walton mentioned in a recent interview that the second series would complicate the political situation surrounding the Soshunians request to live in Australia, with a suggestion that doubts would begin to grow about the good intentions of the aliens. I’m quite looking forward to this new series and perhaps those of you in Britain and the US may get to see it too, as the BBC has already bought the first series for screening next year and there are rumours that it may be bought by a US network as well.






[April 18, 1965] The Doctor, the King and the Sultan (Doctor Who: The Crusade)


By Jessica Holmes

Welcome to another serial of Doctor Who. This month, we’ll be taking a trip through history, to the height of the Third Crusade, when Richard I ‘the Lionheart’ of England marched on Jerusalem, bringing him toe-to-toe with An-Nasir Salah ad-Din Yusuf ibn Ayyub (better known as simply ‘Saladin’). It’s the height of the Middle Ages, where the knights are holy, the princesses are beautiful, and the kings are noble and just. But are they really? Come along with me as I trail after the Doctor and his companions, and we’ll sort the fact from the fiction, and perhaps squeeze an adventure in along the way.

Continue reading [April 18, 1965] The Doctor, the King and the Sultan (Doctor Who: The Crusade)

[March 22, 1965] To Bee Or Not To Bee? (Doctor Who: The Web Planet [parts 4-6])


By Jessica Holmes

No, it doesn’t deserve a better pun. Dear reader, I have suffered. I have been tormented, driven to the very edge, and my hearing may never recover from the onslaught of NOISE. This isn’t the worst serial I’ve had to review, but it might be the most irritating. Hang on a tick, and I’ll explain why.

Continue reading [March 22, 1965] To Bee Or Not To Bee? (Doctor Who: The Web Planet [parts 4-6])

[March 2, 1965] Doctor Who And The B-Movie Rejects (Doctor Who: The Web Planet)

By Jessica Holmes

Hello, everyone. Today we're going to have a look at The Web Planet, the latest serial on Doctor Who, written by Bill Strutton. Now I don’t want to alarm you all, but we’ve got an infestation, and I think we’re going to need a bigger bottle of ant powder…

Continue reading [March 2, 1965] Doctor Who And The B-Movie Rejects (Doctor Who: The Web Planet)

[February 8, 1965] Roman Holiday (Doctor Who: The Romans)


By Jessica Holmes

This month, we’ve got a bit of a surprise in Doctor Who: comedy. Yes, comedy. Do not adjust your television set. We’ve got Dennis Spooner back in the writer’s chair, and it seems that Mr. Spooner is having a little experiment with the format. Does it work, or like the reign of so many emperors, does it fall apart and die an undignified death? Let’s find out.

Continue reading [February 8, 1965] Roman Holiday (Doctor Who: The Romans)

[January 26, 1965] Down the Rabbit Hole…Again (February 1965 IF)


by Gideon Marcus

TV Triplets

Back when the Young Traveler and I were watching The Twilight Zone, we accidentally picked the wrong time to turn on the set and ended up getting introduced to Mr. Ed, Supercar, and The Andy Griffith Show, in that order.  It made for an amusing night, and we learned a lot about the prime-time schedule for that season.

Recently, we once again fell down the rabbit hole, though not quite by accident. 

It all started with an amazing new import form England.  You may have seen the American rebroadcast of Danger Man back in the summer of '61.  It was a smart spy show starring NATO agent, John Drake, played by Patrick McGoohan.  Well, he's back, and this time his episodes are a full hour rather than just half.  It's gripping stuff, albeit a bit heavier and more cynical than the first run.  Realistic, idealistic, and respectful of women, it's a delightful contrast to the buffoonish Bond franchise.

So gripping was the show that we ended up somehow unable to change the channel when Password came on.  This game show is sort of a verbal version of Charades where a contestant tries to get their partner to say a word using single-word clues.  Play goes back and forth until one team gets it right.

It's kind of a dumb show for the viewer because we already know the answer.  On the other hand, the contestants always include celebrities, and it's fun to watch them struggle through the rounds.


Gene Kelly looked like he wanted to kill his partner.  The whole time!


Juliet Prowse, on the other hand, was adorable and funny.

After half an hour of that, we had summoned enough energy to reach toward the television remote…until we heard the bugle strains heralding the arrival of Rocky and Bullwinkle (and friends).  It had been my understanding that the show had completed its five year run, but it has apparently gone into reruns without missing a beat.  Since we had missed the first couple of years, well, we couldn't turn off the television now!

The only thing that saved us was the subsequent airing of Bonanza, a show I am only too happy to turn off.  Who knows how long we'd have cruised The Vast Wasteland otherwise.  Of course, now we're stuck watching all three shows every week (homework permitting).

Print Analog

Science fiction magazines are kind of like blocks of TV shows.  They happen regularly, their quality is somewhat reliable, but their content varies with each new issue.  This month's Worlds of IF Science Fiction defined the phrase "much of a muchness".  Each (for the most part) was acceptable, even enjoyable, but either they were flawed jewels, or they simply never went beyond workmanlike.  Read on, and you'll see what I mean:


This rather goofy cover courtesy of McKenna, illustrating Small One

The Replicators, by A. E. van Vogt

Steve Maitlin is an ornery SOB, a Marine veteran of Korea who knows the world is all SNAFU, especially the moronic generals who run the show.  Not only does this attitude make life miserable for those around him, but it also brings the Earth to the brink of interstellar war.  It turns out that the alien BEM Maitlin shoots one day on the road to work is just one of an infinite number of bodies for an IT, and the replacement body ends up with Maitlin's cussedness as part of its basic personality.

Said IT also has the ability to replicate any weapon the humans throw against it, but magnified.  Shoot at it?  It builds a big-size rifle.  Bomb it?  It comes back with an extra-jumbo jet and a bigger nuke.  In the end, Maitlin is the only one who can stop the thing, which makes karmic sense.  But can the vet change his nature in time to meet minds with the alien?


by Gray Morrow

This story doesn't make a lot of sense, but Van Vogt is good at keeping you engaged with pulpish momentum.  Three stars.

Reporter at Large, by Ron Goulart

In a future where mob bosses have replaced politicians (or perhaps the politicians have just more nakedly advertised their criminal nature!) power is entrenched and hereditary.  Only an honest journalist can bring about a revolution, but when any person has his price, only an android editor's got the scruples to speak truth to power.

Ron Goulart writes good, funny stories.  Unfortunately, while I see that he tried, he failed at accomplishing either this time out.  Two stars, and the worst piece of the mag.

Small One, by E. Clayton McCarty

A young alien has exiled himself as part of its first stage of five on the journey toward maturity.  Its isolation is disturbed when a tiny bipedal creature lands in a spaceship nearby and finds itself trapped in a cave.  The child-being establishes telepathic contact with the intruder (obviously a human) and an eventual rapport is established.  But everything falls apart when the Terran's rapacious teammates land and fall into conflict with the alien's infinitely more powerful family…


by Jack Gaughan

I am a sucker for first contact stories, especially when told from the alien viewpoint.  This one is good, but it suffers from a certain lack of subtlety, a kind of hamfisted presentation of the kind I normally see from new writers.  That makes sense; this is his (her?) first story.

Three stars, and my favorite piece of the magazine.

Blind Alley, by Basil Wells

A year after settling the planet of Croft, the human colonists and their livestock all become afflicted with blindness.  Against the odds, they survive, shaping their lives around the change.  But can their society take the shock when a new arrival, generations later, brings back the promise of sight?

Blind Alley treads much of the same ground as Daniel Galouye's excellent Dark Universe from a few years back.  The question is worth asking: when is a "disability" simply a different way to be able?  That said, Wells is not as skilled as Galouye, and the story merits three stars as a result.

Gree's Commandos, by C. C. MacApp


by Nodel

On a thick-atmosphered planet, Colonel Steve Duke assists a race of Stone Age flying elephants against the interstellar aggressors, the Gree, and their mercentary cohorts.  It's a straight adventure piece with virtually no development, either of the characters or the larger setting.  Somewhat similar to Keith Laumer's latest novel (The Hounds of Hell, also appearing in IF), it doesn't do anything to make you care.  Sufficiently developed, it could have been good.

Two stars.

Zombie, by J. L. Frye

Here is the second story by a brand new author…and it shows.  In the future, it becomes possible to transplant a personality in the short term to a physically perfect body.  Said transfers are used almost exclusively for espionage and sabotage — it's not much fun living in a shell of a form that can't really feel or enjoy anything other than the satisfaction of a job well done.  Indeed, the only people willing to endure the hell of personality transfer (back and forth) are the profoundly crippled.

This story of a particularly hairy mission has its moments of poignance, but again, Frye is not quite up to the challenge of a difficult topic.  Plus, he needs more adjectives in his quiver; I count seven times he used "beautiful" to describe the sole female character.  Even Homer varied between calling Athena "grey-eyed" and "owl-eyed".

Three stars.

Starchild (Part 2 of 3), by Frederik Pohl and Jack Williamson

Last up is the second installment of three (that number again!) in this serialized sequel to The Reefs of Space.  It's a short one, barely long enough to cover the harsh interrogation of Bowsie Gann.  Gann was the loyal spy servant of The Plan, returned to Earth at the same time the star-reef-dwelling Starchild began to turn off the local suns to scare Earth's machine-run government.


by Nodel

It's a most unpleasant set of pages, with lots of torture and cruelty (something Fred Pohl does effectively; viz. A Plague of Pythons).  That said, Pohl and Williamson can write, and I am looking forward to seeing how it all wraps up.

Three stars.

Stay Tuned

Like much of the Idiot Box's offerings, IF continues to deliver stuff that's just good enough to keep my subscription current.  I'd like editor Fred Pohl to tip the magazine in one direction or another so I can either stop buying it or enjoy it more…

Until then, I guess my knob stays tuned to this channel!



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[January 20, 1965] The T.A.R.D.I.S. Lands Down Under and Japan Invades Australia (Doctor Who and The Samurai)


by Kaye Dee

I’ve been reading Jessica Holmes’ insightful articles about the British science fiction television series Doctor Who since she first started commenting on this show (see December 1963 entry) and I’ve been looking forward for some time to actually seeing it air in Australia. At last my wish has been granted! The T.A.R.D.I.S. has finally landed here, with Doctor Who commencing on the Australian Broadcasting Commission (the ABC is the Australian equivalent of the BBC) just in the past week, mesmerising me with those incredible opening credits.


Doctor Who's ethereal and abstract opening credits perfectly suggest travelling along the corridors of time

Not Just Kid Stuff

I heard from a friend who works at the ABC that Australia has been one of the first countries to buy Doctor Who from the BBC. In fact, I was really excited when he told me in March last year that the ABC had purchased the show and intended to debut it last May, but then delays arose due to censorship issues. Yes, although Doctor Who is classed as a family show in Britain, the Australian censors (who view and classify every overseas television show that comes into the country) have deemed the first thirteen episodes to be not suitable for children and classified them as “Adult”! This means that the ABC must schedule these episodes for screening after 7pm and couldn’t show Doctor Who in the Sunday night 6.30pm timeslot it originally planned. But at last Doctor Who has found a home on Friday night at 7.30pm (at least in Sydney). I just hope the censors aren’t going to decide one day that some stories are too scary to be screened at all!

Doing the Rounds

A funny thing about the ABC is that sometimes when it buys a show from overseas it only purchases one film copy of each episode. This film reel then has to be sent around from state to state so that it can be screened by the ABC broadcaster in each capital city. So, the first Australian screening of Doctor Who was actually in Perth on Tuesday, 12 January. Sydney and Canberra (linked by cable) were next on 15 January. Brisbane will get to see Doctor Who next Friday 22 January, but Melbourne will have to wait until Saturday 20 February and Adelaide won’t see the first episode until Monday 15 March! I’m glad I live in Sydney now.


Anthony Coburn (left) and Ron Grainer (right) may be virtually unknown in Australia, but they've had successful careers in Britain and have made important contributions to the creation of Doctor Who

The Australian Connection

It’s great to see that some Australians are involved with the production of Doctor Who. The premiere story, “An Unearthly Child” has been written by Anthony Coburn. I’d never really heard of him before, but according to a few newspaper articles reviewing the first episode he was born in Melbourne and has been working in England for many years as a staff writer for the BBC. Ron Grainer, who composed the wonderfully eerie and evocative theme music, has also spent most of his professional career composing music in Britain, although he grew up in a small mining town in far north Queensland. Vicki Lucas’ fascinating article on the music of Doctor Who (see December 1963 entry) tells me that an obviously talented lady named Delia Derbyshire at the BBC’s Radiophonic Workshop created the amazing sound of Grainer’s composition: all I can say is that I’m in awe of her skill at creating electronic music, now that I have actually heard the theme tune for myself.


The mysterious Doctor Who and his granddaughter Susan. I wonder when we'll find out where they really come from and why they are exiles from their home world

A Family Viewing Experience

And that’s what I’ve discovered with the first episode of Doctor Who: it’s one thing to read about the show and look forward to seeing it, but it’s a whole new experience to actually watch it on television. My sister Faye and her kids watched “Unearthly Child” with me and we were all caught up in the mystery of Susan and her grandfather and what's going to happen to the two school teachers now that they've been whisked away somewhere in time and space in the Doctor’s T.A.R.D.I.S. Vickie and David certainly didn’t think that Doctor Who was just for adults, no matter what the censors said! We’re all looking forward to the next episode and enjoying the adventures that those of you in Britain have been watching for over a year.


Promotional image for The Samurai, showing Shintaro wielding a longsword that is the traditional weapon of a samurai warrior. The title character is played by actor Koichi Ose

Japanese Television Arrives in Australia

Doctor Who isn’t the only new television import to catch my attention lately. Despite the animosity that many Australians have felt towards Japan since the War, last year’s Tokyo Olympic Games, where our young swimmer Dawn Fraser did so well, sparked a lot of interest and curiosity about Japan and its culture. So much so, in fact, that TCN-9 in Sydney started showing the first ever Japanese television series on Australian screens at the end of December. It’s an action adventure series called The Samurai, set in feudal Japan three centuries ago. Channel 9 is taking a gamble with this show, which I guess is why they’ve put it on in the doldrums period of the Summer holidays.


Shintaro narrowly avoids a brace of 'star knives' (a weapon used by the ninjas). I've heard that Dads are now making home-made ones for their kids, snipped from used tin lids. It'll be fun to play samurai and ninjas until someone gets hurt with one of these!

A "Western", Japanese Style

The Samurai tells the story of a master swordsman named Shintaro (the “samurai” of the title), a half-brother of Japan’s young ruler, the Shogun, who travels around Japan putting down plots against his brother’s government, usually by the villainous gangs of a semi-magical secret society known as ninjas: you could say that Shintaro is a medieval Japanese cross between James Bond, a Western gunslinger and Robin Hood! Channel 9 has been showing The Samurai five days a week at 3.30pm and with its exotic setting, supernatural action and endearingly bad dubbing with broad American accents, it’s fast becoming very popular – and not just with the kids. Faye’s husband, Bruce, has been absorbed in the show while he’s on holidays and I’ve taken to this fascinating curiosity of a show as well. Mind you, so many ninjas get killed in each episode, I’m surprised the censors haven’t labelled The Samurai as “Adult”, alongside Doctor Who!

Japan Invades the Top 40, Too

Another bit of Japanese culture has also been making its presence felt in the Top 40 charts. In August last year, the lovely Noeleen Batley, Australia’s first female pop singer to have a national hit song, released an English version of a song that was a huge hit in Japan in 1963. “Little Treasure from Japan” charted in Sydney and Brisbane and even made it all the way to #16 in Melbourne last October. It really is a sweet little song, with one of those tunes you can’t get out of your head. My niece Vickie’s dance teacher is already creating a dance routine for her class to perform to the song for their mid-year concert. Now we just have to figure out where we can find a kimono for her costume.


Australia's "Little Miss Sweetheart" Noeleen Batley has had a hit with "Little Treasure from Japan". You can see by the wear on the cover that Faye's copy of the record has already been played quite a bit

Australia International

The fact that Channel 9 took a risk on screening The Samurai is an indication of how much Australians have broadened their worldview since the end of the War. The large influx of European migrants has introduced us to delicious new foods, good coffee (thank you!) and a more cosmopolitan outlook. Our TV might be dominated by British, American and (a long way third) Australian shows now, but hopefully we'll soon see more international programmes. Perhaps someday we'll even see a television channel offering programmes from around the world: I can't wait to see what fun and entertainment we've been missing out on!



[If you have a membership to this year's Worldcon (in New Zealand) or did last year (Dublin), we would very much appreciate your nomination for Best Fanzine! We work for egoboo…]




[January 16, 1965] What a Difference a Year Makes (The Outer Limits, Season 2, Episodes 13-17)


by Natalie Devitt

About this time last year, I was writing glowing reviews about The Outer Limits. It is a little disappointing that it is already time to say goodbye to the show. But with a number of changes behind the scenes, a new timeslot that certainly has not helped with ratings, and good episodes becoming few and far between, it does not entirely come as a surprise that the show did not even make it through a full second season. That said, it is with some sadness that I look back at the final five offerings from The Outer Limits.

The Duplicate Man, by Robert C. Dennis

In this adaptation of Clifford D. Simak’s 1951 story Goodnight, Mr. James, it is the year 2025 and “an alien life of unimaginable horror” called a Megasoid is on the loose, despite the fact that Megasoids “haven’t been permitted since 1986.” The creature is living in an exhibit at the Space Zoological Garden, unbeknownst to the site’s staff or visitors. Luckily, the Megasoid is currently less of a threat to the general public due to the fact that it is in the middle of its “reproductive cycle.“ Once the cycle ends, the alien’s instinct to kill reactivates.

It is up to the man responsible for bringing the Megasoid to Earth, a researcher named Henderson James, performed by Ron Randell of 1961’s King of Kings, to hunt the creature down. Rather than put himself in danger, James hatches a plan, which involves creating a duplicate of himself that can be “programmed to find and kill a Megasoid.” But he has to be careful because duplicates can be very realistic, with the ability to recall more and more of the original person’s memories the longer they exist, which can make it nearly impossible to differentiate between the two. This means that the duplicate must be destroyed as soon as its task has been completed. Unfortunately for James, that does not quite happen before the doppleganger has an opportunity to meet his wife, played by the lovely Constance Towers, who I must say has been making some interesting movies with director Samuel Fuller lately.

The premise of this episode could work in the right hands. Here, there are too many pieces that never quite seem to quite fit together; perhaps it simply tries too hard. Artistically, it certainly is ambitious, with its very stylized lighting, atmospheric musical score provided by Harry Lubin, great filming locations (which include the Chemosphere in Los Angeles), and some shots which appear to be fairly carefully composed. The costume design, while sometimes odd, takes some bold risks. On the topic of odd costumes, the episode’s creature looks a cross between a bird and a gorilla.

The dialogue and performances can be awkward at times. Even though it is a misfire, I have to give the show some praise for trying with The Duplicate Man. Two and a half stars, mainly for the art direction and production design.

Counterweight, by Milton Krims

Counterweight is based on the short story by the same name from writer Jerry Sohl. In this telling of his story, a group of five men, which include Michael Constantine (The Twilight Zone’s I am the Night- Color Me Black) and one woman, played by Jacqueline Scott (The Outer Limits’s The Galaxy Being), participate in an experiment that spans several months, a simulated journey in space to a planet called Antheon, in hopes of winning a cash prize. Inside their mock spacecraft is a panic button that anyone on board can press at any time for any reason if they want out of the experiment. In the event that the panic button is pressed, the entire experiment is terminated, and each of them goes home empty-handed. Once aboard, it is not long before strange and difficult to explain things begin happening to each of the crew members and they all start to blame one another, which jeopardizes the fate of the experiment. Is it all psychosomatic or is an outside force trying to sabotage them?

Perfectly good actors can not save Counterweight from itself, probably because there is absolutely no character development. Instead what we have is stereotypes, like the uneducated construction worker or the lonely spinster career woman. Growing worse as it unfolds, the hour’s final act is an absolute disaster, aside from a brief but memorable appearance by a much more entertaining stop motion plant creature.

Those factors combined with some seriously slow pacing overall, makes Counterweight extremely difficult to watch from start to finish. Having said that, there are a few effectively spooky moments, especially when each of the characters is trying to fall asleep, while unknowingly being targeted by a mysterious entity. Also, during these sequences, the musical score is especially effective. Still, one and a half stars is about all I can offer to Counterweight.

The Brain of Colonel Barham, by Robert C. Dennis

The United States is eager to be the first country to put a man on Mars. Colonel Barham (Anthony Eisley of Hawaiian Eye), with his “specialized knowledge about space technology”, is the perfect man for the job. The only problem is that he has been diagnosed with a terminal illness. His superiors in the military think they have the solution to solve everyone’s problems, so they propose that “his brain would be saved, perhaps forever, only the diseased, worn-out body would be discarded.“ Barham’s brain would then be attached to devices and sent into space.

Barham decides to save his precious brain and all of the esoteric information it contains. Once the procedure is completed, it is stored in a vat and hooked up to machines, which allow his brain to communicate with others. A short time later, it begins “developing new tissue.” It turns out there is an unforeseen complication of removing the brain from the body: it grows increasingly difficult to control. Anthony Eisley’s former Hawaiian Eye cast mate and star of 1957's The Incredible Shrinking Man, Grant Williams, also appears in the episode as a psychologist.

I love a good brain-in-a-jar story as much as the next girl, but this is not exactly the best rendition of the concept that I have seen. Sure, The Brain of Colonel Barham has its share of enjoyable silliness, but the episode is often bogged down by Barham’s cruelness. The voice-over used for Barham’s voice once his brain is removed is laughably bad, too. Two stars.

The Premonition, by Ib Melchior and Sam Roeca

When pilot Jim Darcy, played by Dewey Martin (The Thing from Another World (1951) and The Twilight Zone’s I Shot an Arrow Into the Sky) crashes his test plane at the exact same moment his wife, Linda (1953's The Wild One's Mary Murphy), loses control behind the wheel, time suddenly freezes, or so it seems. Reunited outside of time, they are given a glimpse of life ten seconds into the future. What they find is their daughter only seconds away from being hit by a truck. Do they try to intervene, even if it means that they risk remaining stuck in time?

Another time-related story from Ib Melchior (The Time Travelers, 1964), The Premonition is very flawed. Yet it is also easily the episode out of this entire batch that has stayed with me the most after viewing it, even though I must confess I did not care much for the character Jim.

The special effects are decent, though do not always stack up against last season's effects. There is also the fairly creative use of still photographs to explore time, which kind of reminds me of Chris Marker’s La Jetée (1962). Being a huge fan of the Left Bank directors from the French New Wave, that sort of thing is right up my alley. Much like many art house films, it leaves the viewer with a number of questions, but somehow I do not really mind. All in all, this hour of the series earns three stars from me.

The Probe, by Seeleg Lester

While aboard a plane flying over Japan, a crew, which includes actors Mark Richman (revisiting The Outer Limits for the first time since The Borderland), television western actor Ron Hayes and Juvenile Oscar winner Peggy Ann Garner, find themselves in a hurricane. After abandoning their plane, they incorrectly assume they are floating in their life raft, only to discover that they are not on water at all. They have actually been captured and are being held in a space probe. To make matters worse, they are being stalked by a strange creature, which they later believe to be “a mutant, a strain of germ that grew, and grew, and grew” that is also capable of duplicating itself.

I have some mixed feelings about The Probe. On the one hand, it can be incredibly corny, with its absolutely ludicrous creature, a microbe. During the scene where it duplicated itself, I nearly laughed so hard that I cried. On the other hand, the entry probably has the most convincing bunch of actors playing the most likeable, fleshed out cast of characters that I have seen on the program over the past five weeks, including the single most memorable female character.

Now, I am not usually one to get on my soapbox, but The Outer Limits has seemed to be growing less progressive in its depiction of women over the course of the second season, mostly relegated to playing nagging wives, victims or sad career women. Last season, the female characters were allowed to be much more complex and sympathetic, so Peggy Ann Garner’s character is a breath of fresh air. As a whole, I am not completely sold by The Probe, especially since it drags a little in the middle. Nevertheless, it is fairly entertaining, with actors who bring a degree of believability to even the weakest scenes, which is why it earns two and a half stars.

What now?

Reflecting on the last five entries of The Outer Limits, and on the series as a whole, The Duplicate Man was not as rewarding as it could have been, Counterweight had few redeeming qualities, The Brain of Colonel Barham could be amusing at times, The Premonition was worth the watch, and The Probe was nearly saved by its great cast. While there certainly were some great episodes from time to time towards the end of the program's run, this is pretty representative of the second season of The Outer Limits. A show that I truly hate to say became a shell of its former self.

Sadly, this was not the farewell anyone could have wanted for the series, especially since its departure (and the ending of Alfred Hitchcock Presents this spring) means an end to more than a decade of science fiction/fantasy/horror anthology shows.

When will we ever see their like again?



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