Tag Archives: PAUL ORBAN

[June 6, 1969] Blue Skies (July 1969 Amazing)


by John Boston

Samuel Johnson described second marriages as the triumph of hope over experience.  It is tempting to say something similar about changes of editor at Amazing.  But that impulse is at least postponed by the upbeat mien of this July issue.


by Johnny Bruck

That sky is about as blue as any I've seen on a magazine cover, and more importantly, the cover goes some way to answer the cry for a good cover by Johnny Bruck, whose hackneyed spaceships and guys with guns have become so tiresome on recent issues.  This one is a bit cartoonish, but at least it’s clever and amusing—a spaceport scene with some impressive-looking spacecraft, but the people on the ground have eyes only for the bright yellow futuristic automobile, with huge tailfins, a transparent dome over the passenger compartment, and whitewall tires.  Oh, it has side fins too.  Maybe it flies.

The magazine’s contents also lean in a promising direction.  Almost half of the magazine (70 of 144 pages, excluding the front and back covers) is devoted to the first part of Robert Silverberg’s serialized novel Up the Line.  It’s rare for magazines to give that big a chunk of available space to a serial installment, but it makes sense in a bimonthly magazine. As a side benefit, it leaves less room for the reprints, which take up only 27 pages.  The book review column is back, with substantial reviews by William Atheling, Jr. (James Blish) and editor White.  The letter column is here again, and the promised fanzine review column has now appeared, nine pages worth, by John D. Berry.  White’s editorial says that the fan feature in Fantastic will be reprints of selected fanzine articles.  The guest editorials in Amazing will be gone—the editorial spot’s going to be his. It all gives a sense of an energetic editor getting a quick start at implementing his desires.

A more dubious innovation is the new typeface.  Multiple typefaces are nothing new at Amazing, but Silverberg’s serial, Leon Stover’s article, and the book and fanzine reviews and letter column are set in a tiny typeface that challenges my ill-made eyes (see the glasses in my photo?).  Microscopic type for things like letter columns is an old tradition—just check your copies of the Hugo Gernsback Amazing if the silverfish haven’t gotten to them—but for this much of the magazine it spells headache for me and I suspect many others.

Up the Line (Part 1 of 2), by Robert Silverberg

The biggest deal in this issue is of course Robert Silverberg’s serialized novel Up the Line.  Silverberg, formerly a capable journeyman magazine-filler, has in recent years become a much more powerful and original writer. In just the past two years he has produced four novels that put him in a different league entirely than did his earlier work: Thorns, To Open the Sky, Hawksbill Station, and The Masks of Time, with several more out or on the way this year. 


by Dan Adkins

Per my practice, I will hold off reviewing and rating Up the Line until it is finished.  But a quick peek reveals that it is a time travel story, told in the first person by a young man at loose ends who joins the Time Couriers—not the Time Police, the Couriers’ nemesis—and that it is a considerable departure from the relatively serious recent works mentioned above.  Parts of it suggest that the author wrote with the stage in mind.  The vaudeville stage, that is.  E.g., as the protagonist explains to his new friend the Time Courier why he abandoned his budding career as law clerk to a Judge Mattachine:

“My uncle is Justice Elliott of the U.S. Higher Supreme Court.  He thought I ought to get into a decent line of work.”

“You don’t have to go to law school to be a law clerk?”

“Not any more,” I explained.  “The machines do all the data retrieval, anyway.  The clerks are just courtiers.  They congratulate the judge on his brilliance, procure for him, submit to him, and so forth.  I stuck it out for eight days and podded out.”

“You have troubles,” Sam said sagely.

“Yes.  I’ve got a simultaneous attack of restlessness, weltschmerz, tax liens, and unfocused ambition.”

“Want to try for tertiary syphilis?” Helen asked.

“Not just now.”

So Mr. Silverberg appears to be having a good time.  Reading a little further confirms that he also seems to be trying to offend everyone in sight, which may explain why this new novel by a fast-rising author is appearing in the field’s lowest-paying magazine, rather than in the more stately mansions of Pohl, Ferman, or JWC, Jr.  In any case, I look forward to completing these scabrous revels.

Only Yesterday, by Ted White

Editor White’s Only Yesterday is a more somber time travel story, in which the ill-at-ease protagonist Bob approaches a young woman as she gets off a train, asks if he can walk with her, says he’s a friend of a friend (she suggestibly supplies the friend’s name, and he agrees), and she invites him in for refreshments and to meet the family.  He hits it off with her and her brothers and her parents, and offers to tell her fortune—a futuristic vision which turns into nightmarish war.  She’s shocked and disturbed, and he quickly says he was making it up, offers a more palatable vision, and beats a hasty retreat.  Revelation of who he is and why he’s there follows.  It’s smoothly written and well visualized, but the ease with which Bob inserts himself into the family setting is too implausible to overlook.  Still, nice try, very readable, three stars. 

Hue and Cry, by Bob Shaw

Bob Shaw’s Hue and Cry is about as far as one can get from his very well received Light of Other Days.  It's a cartoonish story in which a spaceship full of humans lands among sentient carnivorous reptilians who think of them only as food, scheme to eat them all, and are thwarted with a silly gimmick.  Two stars, generously.

Poison Pen, by Milton Lesser

The reprints in this issue are a mostly malodorous batch from the doldrums of the mid-1950s.  The best that can be said for them is that they don’t take up much space.

Milton Lesser’s Poison Pen (from Amazing, December 1955) is a silly botch of a story.  For thirty years, humanity has been under the thumb of the extraterrestrial Masters.  Now they’ve left, and people are dancing in the streets.  The main thing we know about the Masters is that they made people keep diaries and read from them in neighborhood gatherings, and that practice continues.  Why?  Dr. Trillis says it’s because the Masters taught everyone “from the cradle” to be compulsive exhibitionists (how?) so they could control people, “and the older generation either had to go along with it or feel left out.” So people ought to stop with the diaries and the readings, he says.  But they don’t.  Worse, they start stealing other people’s diaries and making fake entries in them—false confessions of having been “co-operationists.” Executions begin.  Our hero helps Dr. Trillis escape and they wind up in a settlement of people “who somehow haven’t been contaminated,” in New Jersey.


by Paul Orban

If the description sounds sketchy and incoherent, that’s because the story is.  It’s an insult to the readers, pretty clearly dashed off without a thought of anything but a quick check.  One star.

No Place to Go, by Henry Slesar


by Erwin Schroeder

Henry Slesar’s No Place to Go (Amazing, July 1958), by contrast, is at least a competent piece of yard goods.  A crack team of astronauts goes to the Moon, takes a look outside, and sees Earth blow up, leaving them alive but stranded. Shortly, some of the astronauts are blowing up too.  But wait—April fool!  It was all a test!  They were drugged with a hypnotic chemical, visions planted in their heads while they slept!  The captain then tells the guy who didn’t blow up that he’s now second in command, and he’ll be going to Mars.  It's cliches wrapped around a gimmick, but unlike Lesser’s story, it doesn’t reek of contempt for the readership.  Three stars, generously.

Note that in our crude rating system, what I’ve just described as “cliches wrapped around a gimmick” gets the same grade as White’s much more capable effort.  Just remember that there’s a lot of space between 3.0 and 3.9.

Puzzle in Yellow, by Randall Garrett


by Leo R. Summers

Randall Garrett’s Puzzle in Yellow (Amazing, November 1956) is a trivial gimmick story on that ever-popular theme, the Stupid Alien.  Extra-terrestrial Ghevil is scoping out Earth for invasion and pillage by the “hordes of Archeron.” He wants to check out an isolated military installation, so he finds a remote building with big walls and turrets, and figures he’s found what he’s looking for.  He kills the first person he sees emerge from the building, and disguises himself in the man’s uniform.  He tries to enter and is shot dead.  Take a wild guess what the installation he tried to enter actually is. The yellow of the title, by the way, refers to Ghevil’s blood.  Two stars, barely.

The Pendant Spectator, by Leon E. Stover

Leon Stover’s “Science of Man” article this month is The Pendant Spectator, a phrase he got from Samuel Johnson’s novel Rasselas, which means, more or less, someone with a view from a height.  “Spaceship Earth” is also invoked.  Stover seems to have abandoned his project of educating us all about anthropology.  Here we have a protracted editorial on the necessity for humanity to get its act together and get right with the biosphere, limiting population, developing energy sources (i.e., the sun) that will neither pollute the atmosphere like fuel combustion nor overheat the place like nuclear power, engaging in international cooperation, accepting a degree of coercive regulation in these and other causes, etc.  It’s hard to argue with any of it, but it’s also hard to imagine that the SF readership is who needs to hear it, so it seems a bit pointless.  This series seems about ready to die a natural death.  Two stars.

Summing Up

So the harbingers seem to be blowing in the right direction, even if the actual fiction contents, possibly excepting Silverberg, are not much changed from the recent norm.  “Looking good” would be premature, but “looking like it might look good” would fit.  Or—as I’ve said more times than I can count about this magazine—promising.






[March 4, 1968] Everything Old is New Again (New Writings in SF-12 & Famous Science Fiction Issues #4-6)


by Mx. Kris Vyas-Myall

Lady Penelope Magazine cover

Overlooked by many, my favourite comic book right now is Lady Penelope, TV21’s magazine for girls. Between the great stories of Spectrum’s Angels, Bewitched and (surprisingly) Crossroads, they have delightful pop culture articles.

Album Covers from Jefferson Airplane, Kaleidoscope and The Rascals
Three recent psychedelic albums whose art evokes the past

In a recent piece they pointed out how current culture seems to be drawing from pre-war sources, whether that be in fashion, where people are seemingly emulating the flappers of Thoroughly Modern Millie and the military outfits of Khartoum, music, with music hall and ragtime mixing with psychedelia, or television, with the success of The Forsyte Saga and The World of Wooster.

As such, the line between current and past styles is becoming more blurred, something reflected in this article’s selection of fiction:

New Writings in SF-12

New Writings in SF 12 Cover

In his foreword, Carnell muses on how changes in SF style seem to follow the sunspot cycle and happen differently on both sides of the Atlantic. He states that Harrison here represents the Ballardian inner-space type of story, Kapp representing the Vancian “medieval futurism”, Rome and Sellings could only be told in the current style, whilst White and Rankine are more traditional.

Vertigo by James White

We start with a return to White’s “Sector General”, where the crew of Descartes conduct an exploratory mission to a soupy planet nicknamed “Meatball”, where they discover a tool that psychically responds to the user's needs. Soon the native species makes a first attempt at spaceflight and Descartes’ crew attempts a rescue.

This is the kind of high quality I have come to expect from these tales. Strong character work, fascinating depiction of alien life and well-paced action. White knows what he does and does it well.

Four Stars

Visions of Monad by M. John Harrison

Bailey is a poet who became disillusioned with life. He consented to spend two weeks in a sensory deprivation tank and now spends his time with Monad, his beatnik artist lover, in a hedonistic haze, struggling to connect with reality.

This is more Moorcock New Worlds than Carnell’s, very hip and New Wavey. One with marginal SF content (SD experiments featuring in thrillers such as The Mind Benders) but very well told and evocative.

Four Stars

Worm in the Bud by John Rankine

Commander Dag Fletcher is sent to retrieve Peter Quinn, an IGO diplomat who has tried to ensure peace is maintained with the insectoid Chrysaorties. However, the planet is inhospitable, the takeoff is delayed, and Fletcher senses the aliens cannot be trusted…

As you may recall, I am not a fan of these stories, and I continued to dislike both the content and the style of this piece.

One Star

They Shall Reap by David Rome

The welcome return of one of Carnell’s better writers (and a contributor to the Journey), last seen at the end of ’64.

This one is Twilight Zone-esque, where Adam and Eve and their two children move into the Rich Valley Development, a seemingly utopian farming community where no effort is needed to make the crops grow. But is it all too good to be true?

These kind of sinister conformist community tales are fairly common but this is an effective example.

Three Stars

The Last Time Around by Arthur Sellings

In the future a few specialist pilots are needed to fly D.C.P. (Direct Continuum Propulsion) ships to explore new planets, but the time dilation effect means the crew comes back many years later. This follows Grant’s attempts to adjust to Earth after these trips away.

This is a very slow story but a clever one to explore changes in society and how love could work for a time traveler, with a morally ambiguous ending.

A high four stars

The Cloudbuilders by Colin Kapp

This novella tells of a future where gas balloons are the main form of transport. Guild Journeyman Jacobi comes to Catenor to help with the construction of hydrogen ships, whilst dealing with Cloud Pirate raids.

I have not much liked Kapp’s “Unorthodox Engineer” tales but this is an improvement in both style and content. The main issue is it is too long because Kapp over describes everything. It makes what could have been a marvellous short, a touch flabby.

Three stars


So a good selection in New Writings, but how will Famous fare? One positive point to start with is that I don’t believe any of these stories have been reprinted since first publication. As to the quality? Read on:


Famous #4

Famous #4 Cover
Illustration by Virgil Finlay, unknown source

Standards in Science Fiction – Science Fiction as Delight

Lowdnes uses his editorials across all three issues to look in depth at what makes good science fiction enjoyable. Well worth a glance.

The Man Who Awoke: 2. Master of the Brain by Laurence Manning

The Master Brain under attack
Illustration by Frank R. Paul

Continuing the 1933 serial, Norman Winters now awakes in 10,000 AD. Here he finds a society governed by a computer called the Brain. People live in cities under its direction, doing a small amount of work according to their rank and then spend the rest of their time in leisure facilities. However, the brain may no longer need humans at all, and Winters agrees to aid rebels in freeing themselves from its control.

This very much feels like a product of the time, combining together elements of The Machine Stops and Brave New World into an adventure tale. What it lacks in originality though, it makes up for in style and characterization.

Four Stars

… Do Not Fold or Mutilate … by William M. Danner

A new piece by a writer I am unfamiliar with. Danner tells of a man in an overcrowded society trying to deal with a change to his assistance card.

Whilst the atmosphere conjures up Make Room! Make Room! the actual tale is a standard one of failing bureaucracy like we have read many times before.

A low three stars

The Last Shrine by Chester D. Cuthbert

In Mexico lies the mysterious Valley of Peace, our narrator goes in to discover the truth behind the legends and meets a mysterious native tribe.

Originally from the same issue as Voice of Atlantis, these kind of “lost race” stories were already old fashioned in the 30s and the addition of strange science and dreams doesn’t do much to aid it.

Two Stars

The Times We Had by Edward D. Hoch

The other new fiction is from a long-time horror writer and regular contributor to Lowdnes’ other magazines. In a change to Hoch’s usual style, this involves Turkmen’s return to his family after a year on the moon and recounting his life there.

A lovely slice of life piece with a great twist in the tail.

Four Stars

Master of the Octopus by Edward Olin Weeks

Going back to the 19th Century, Weeks’ story comes from Pearson’s Magazine in 1899. This reprint has an introduction by Sam Moskowitz on how it fits into the history of lighting.

The Consolidated Lighting Company of America has become so powerful and successful it has been nicknamed The Octopus and its president seen as possibly the smartest man on the planet. However, when an inventor brings him a perpetual light with no need of external energy, he may have met his match.

This seems to me to be a satire of Thomas Edison and General Electric. And, even though it starts bright, it ends dimly.

A low three stars

The City of Spiders by H. Warner Munn

This final novelette comes from the early days of Weird Tales, in 1926. Our narrator relates the tale of Jabez Pentreat, an etymologist who travels into the jungles of Venezuela, finding a stone city overrun with spiders and ruled over by a giant telepathic Spider King.

Whilst Munn does a good job of showing an alien kind of intelligence (the influence of Lovecraft is clear) I found myself more in mind of giant insect B-Movies, and the treatment of the South American natives left a bad taste in my mouth.

Two Stars

Ratings for Famous #2 & 3, The Moon Menace winning for #2 and The Man Who Awoke & The Last American winning for  #3.
For issues 2 and 3, it seems the older the story, the more well liked it is.

Famous #5

Famous #5 Cover
Illustration by Frank R. Paul, originally from Wonder Stories – May 1933 illustrating Gulliver 3000 AD by Leslie F Stone

The Pygmy Planet by Jack Williamson

The Pygmy Planet in the x-ray beam as a small plane flies towards it.
Illustration by H. W. Wesso

Dr. Whiting, to test evolution, creates a miniature planet in his laboratory using x-rays. The planet (as smaller objects experience time at high speed) has advanced to such a stage the creatures on it have been able to kidnap Whiting and bring him down. His lab assistant Agnes summons her friend Larry for help. When a machine-monster from the planet also grabs Agnes, Larry must shrink himself down and rescue them both.

A Machin-Monster leaves the planet to menace Agnes and Larry.
Illustration by Frank R. Paul

Reprinted from 1932’s Astounding, I cannot help thinking readers at the time would have found the entire tale just as silly as I did. And whilst it is better told than Cummings' similar story a few issues ago, it is very oddly paced with the adventure section feeling far too short and the ending being a poor one.

Two Stars

Destroyers by Greg D. Bear

Not just new fiction but a new writer to the scene, which is always good to see. In the future he describes, some people are licensed to be “destroyers” if they have a reason for their hatred. A writer interviews several contradictory destroyers to ascertain their motives.

A very silly satire but Bear’s style shows promise.

A higher two stars

The Man Who Awoke: 3. The City of Sleep by Laurence Manning

Winters, surrounded by scientists, investigates a man attached to a machine.
Illustration by Frank R. Paul

We continue Norman Winters' journeys into the future. In this millennium the world has seen a big increase in temperature and the population of America are all black. More and more people are entering into a computer-generated fantasy world where all their wishes can be fulfilled. However, this is creating a crisis, as soon there will be too few people left outside to maintain the machines or to reproduce.

Of all the societies Manning has shown us, I find this one the most fascinating so far. Whereas the prior installment felt distinctly of the period, this could easily have been produced today by Philip K. Dick. It continues to ask great questions about our future, balancing the good and bad of possibilities.

Five Stars

Echo by William F. Temple

We come now to a new tale by an old hand. This is an unusual spy story, where the Saurian Venusians have taken over the body of Richard Gaunt by use of a temporary echo of the personality of Narvel. They intend to steal the secrets of Organic Materials Inc., however, it turns out that being a human is harder than it seems.

Whilst it is a more original take on the genre, I found it confusing and unpleasant.

A low two stars

Plane People by Wallace West

Astronomers observe the two dimensional comet.
Illustration by Paul Orban

Finally, we have the return of Wallace West with this piece from Astounding November 1933. Whilst studying a two dimensional comet, astronomer Adolph Strauss, his son Frank, Frank’s girlfriend Marie and clerk Bert Wheeler, find themselves transported on to it. There they discover an entire civilization of flat people.

The group are surrounded by the flat Plane People
Illustration by Paul Orban

This is a combination of Off on a Comet, Flatland and A Princess of Mars without managing to be anywhere near as interesting as any of them. I found the whole experience silly and dull. Add to that the unpleasant writing of Marie throughout, it is incredibly weak.

One Star

Rankings for Famous #5, with The City of Spider winning.
Once more showing my opinions are at odds with the average Famous reader.

Famous #6

Famous #5 Cover
Illustration by Frank R. Paul, illustrating The Individualists for the original 1933 Wonder Stories publication

The Hell Planet by Leslie F. Stone

Illlustration for Hell Planet with the crew surrounded by Vulcanites
Illustration by Frank R. Paul

The crew of the Adventure travel to the (much hypothesized at the time, 1932) planet Vulcan, close to the sun. They are in search of Cosmicite, a rare metal which can act as a near perfect insulator. However, Vulcan is dangerous to human life and the Vulcanites may not be keen to part with it.

Stone does a great deal of work to make the Vulcanites another civilization and not merely generic tribespeople. And although the work does contain some cliches of the period, it ends up being smarter than I expected.

Four Stars

The Dragon-Kings by L. Sprague de Camp

The first poem for Famous, from the current laureate of F&SF, apparently being an ode to dinosaurs. I can’t help think it may have been rejected by his usual venue for being very poor fare.

One Star

The Individualists by Laurence Manning

Individualists image showing Winters hiding from a walking city.
Full version of cover illustration

In the fourth installment of The Man Who Awoke series, Winters now awakes in 20,000 AD where he finds a world full of cities that move around like Wells’ Martian Tripods and battle each other, but inside they have only a single inhabitant.

This portion feels different to the prior installment in a few ways. Firstly, whilst the others are more complexly thought-out societies, this feels more Swiftian in its approach, absurdism to make a point. Secondly, he ends being unable to make any changes to this era, the individual tendency being overwhelming. Thirdly, another person decides to copy his methods of suspension. How the last part will play out we will have to see in the final installment.

Not my favourite piece but still fascinatingly told and makes great points.

Four stars

More Than One Way by Burt K. Filer

The final new piece is from one of Pohl’s recent discoveries. Humans of 2071 are trying to deal with Denobleans (flying snake creatures). Scotty and Mel develop the EDM (ensephalodigital manipulator) which allows them to pursue alternative paths of evolution of creatures including man.

Ridiculous science, psi-powers, dull engineering details, human ingenuity beating aliens. I would bet my hind teeth this was an Analog reject.

One Star

The Invulnerable Scourge by John Scott Campbell

The final story comes from November 1930’s Wonder Stories. Following a debate between Dr. Riis and Prof. Pfeffler over the superiority of man or insect, the former develops an insect that is completely immune to natural predators. Unsurprisingly it escapes.

With the first-place result for City of Spiders, I guess a lot of readers like these bug-based horror tales. This one is more apocalyptic and good at times, but I was mostly rolling my eyes at it and the ending is a big disappointment.

Two Stars

Rankings for Famous #5, with City of Sleep winning.
Well, one person disliked the West novelette at least…

Past or Future?

Chainmail miniskirt design from 1967
Is Paco Rabane's design meant to be futuristic or historical?

Once again, it seems that sometimes new is better, at others the old has something to teach us. In the 1990s or 2000s, will people be trying to imitate the styles of the 1960s? Only time will tell.






[August 10, 1966] Dollars and Cents (September 1966 Fantastic)


by Victoria Silverwolf

Render Unto Caesar

There's a new way to lose your money when visiting Las Vegas. A hotel, showroom, and casino called Caesars Palace (no apostrophe) opened a few days ago. As the name implies, it has an ancient Rome theme rather than the Western theme found in most gambling dens in Sin City.


A showgirl advertises the grand opening. I don't think that's an authentic costume of the time.

The inauguration ceremony is said to have cost one million dollars, including money spent on huge amounts of caviar, filet mignon, crabmeat, and champagne.


A page from a brochure advertising the place. Or possibly an illustration for a time travel story.

The Deuce Gets Loose

Speaking of losing money, today the United States Department of the Treasury announced that it would no longer print two-dollar bills. (The U.S. Mint hadn't actually printed any since June 30, but now they're going to stop completely.)


Thomas Jefferson looks glum about the situation. At least he'll still be on the nickel.

Two-dollar bills only make up a tiny percentage of the paper money in circulation. Some folks think they're unlucky. They're welcome to give any they don't want to me.

Wild Success

One thing you can do with a two-dollar bill is buy a couple of 45 rpm single records, and maybe even have a little change left over. A lot of people are shelling out a buck or so for the current Number One smash hit Wild Thing by the British band the Troggs. This raw, energetic tune was originally recorded last year by an American group called, appropriately enough, the Wild Ones, but failed to reach the charts.


It's the only rock 'n roll hit I can recall that features an extended ocarina solo.

You Pays Your Money And You Takes Your Choice

If you've only got fifty cents to your name, you can still purchase a copy of the current issue of Fantastic. That's less than one-third of a cent per page, so it sounds like a pretty good deal.

Of course, as my esteemed colleague John Boston recently pointed out, both Amazing and Fantastic are publishing lots of reprints without paying the authors. Whether you want to support these publications or boycott them is your choice. As for me, duty calls.


Cover art by Frank R. Paul.

Of course, the image on the front is also a reprint, and I doubt it was paid for either. In any case, it comes from the back cover of the April 1942 issue of Amazing Stories.


Here's the original painting, titled City of the Future. Looks a lot better this way, doesn't it?

For a Breath I Tarry, by Roger Zelazny

As the cover announces, here's the author's newest story.

Wait a minute! Haven't I read this before? Let me see, where could it have been?

Oh, yeah, it appeared in the March issue of New Worlds, and was reviewed by my esteemed colleague Mark Yon just a few months ago. I hope the author got paid twice.


Anonymous cover art.

I cannot hope to match the quality of this outstanding article. I will simply offer my own views, for whatever they might be worth.


Illustrations by Gray Morrow.

Long after humanity has disappeared, Earth is controlled by machines. Orbiting the planet is the supreme ruler, Solcom. Dwelling deep underground is a rival machine, named Divcom. (An allegory with God and the Devil seems intended, and some of the story reminds me of the Book of Job. However, the plot is completely original, and not merely a retelling of the Bible story.)

Solcom creates a machine to rule the northern hemisphere, calling it Frost. The ruler of the southern hemisphere is Beta. Frost makes a hobby of studying what little remains of humanity's relics. A machine named Mordel, in the service of Divcom, comes to Frost with a supply of ancient books. These excite Frost's curiosity, and it sets out on a quest to understand human emotions; in fact, to become a human being. Mordel offers Frost a deal. It will give Frost all the aid it requires to achieve this goal, but if Frost comes to realize that the task is impossible, it will have to serve Divcom forever.

(An allusion to the legend of Faust also seems intended. Note the similarity in names.)

Frost travels to the southern hemisphere, in order to witness one of the last places where people dwelled. This act is in defiance of Solcom's will, leading to a conflict between creator and created. (We are told that a temporary malfunction in Solcom's operation, at the time it made Frost, caused Frost to be unique among machines. Perhaps this is a form of original sin.)


What Frost wants to be.

I have barely touched the surface of a remarkable story. I haven't mentioned, for example, the giant ore-digging machine that carries the remains of the human being it accidentally killed within itself, causing all the machines it encounters to listen to its story. The fact that it bears parts of a dead human is enough to make other machines obey it, a subtle and important point. I also haven't talked about the role Beta plays in the plot. Go see for yourself.

Five stars.

"You Can't See Me!", by William F. Temple

If we allow the Zelazny tale to be considered new, our first reprint comes from the June 1951 issue of Fantastic Adventures.


Cover art by Walter H. Hinton.

A fellow discovers that the people around him are happily conversing with folks he can't see. At first, a few others witness the same peculiarity, assuming the chatterers are crazy. Soon everybody succumbs to the delusion, and only the protagonist doesn't have an imaginary companion.


Illustration by Gerald Hohns. I assume all the reprinted drawings failed to earn the artists any new money, just like the writers.

Of course, there's an explanation for this strange happening. It's a pretty weak one, unfortunately, and the story just kind of fizzles out toward the end. Although it's not really a comedy, the fact that the main character has the unlikely name Zechariah Zebedee Zyzincwicz, and that this unusual moniker is relevant to the plot, tells you that you shouldn't take it too seriously.

Two stars.

Carousel, by August Derleth

This chiller comes from the April 1945 issue of Fantastic Adventures.


Cover art by R. E. Epperley.

A little girl lives with her father and a wicked stepmother, straight out of a fairy tale. The evil woman is insanely jealous of the man's affection for his daughter, and would even be happy to see her dead.


Illustrations by Robert Fuqua.

A few years before the story begins, a mob lynched a carnival worker, leaving behind a wrecked merry-go-round. The child often goes to play in the ruins, claiming to be friends with a black man. The wicked stepmother takes advantage of the situation to make sure the girl is punished for her actions, whipping her severely. She follows her to the merry-go-round, hoping that the dangerous machinery will cause the child to suffer a fatal accident. (The implication that the woman intends to cause the accident is pretty clear.) Things don't work out the way she expects.


The haunted carousel.

As you can probably tell from this synopsis, there are no surprises at all in the plot. It's a pretty ordinary horror story, of the supernatural punishment variety. Although the murder of the carnival worker is obviously due to racial hatred, this isn't really relevant, which lessens the story's impact.

Three stars.

The Little People, by Eando Binder

This fantasy novella first appeared in the March 1940 issue of Fantastic Adventures.


Cover art by Robert Fuqua.

A scientist, his adult daughter, and her boyfriend are in a cabin somewhere in a remote area. The gruesome discovery of a cat with its throat cut is the first hint that something weird is going on. The next odd happening is the disappearance of a gold watch.

We find out right away that a community of fairies, or whatever you want to call them, is located nearby. One of them went into the cabin to steal the watch as a sign of bravery, in order to win the hand of the woman he loves, and had to kill the cat to escape.


Illustrations uncredited. They might be by Robert Fuqua again.

A rival for the fairy woman's affection tries to outdo the other by stealing a pair of binoculars. He gets caught by the scientist, who wants to exploit the little people as a scientific curiosity. The two young people are more sympathetic to their plight. The rival acts as a traitor to his kind, helping the scientist capture others.


Happier times, before the big people trap them.

The fairy man who stole the watch undertakes the dangerous task of rescuing his people from their captor, as well as defeating the treacherous rival.

I may as well mention here that Eando Binder is a pseudonym, used by brothers Earl (deceased) and Otto Binder. They're best known for a series of stories about the robot Adam Link. My sources tell me that this story is the work of Otto alone. In any case, it's not a bad fairy tale, if not outstanding in any way. Animal lovers should be warned that the cat is not the only creature to fall victim to the diminutive hero.

Three stars.

The Psionic Mousetrap, by Murray Leinster

The March 1955 issue of Amazing Stories is the source for this Cold War thriller.


Cover art by Edward Valigursky.

Our hero parachutes into the Soviet Union on a suicide mission. His grim task is to kill a kidnapped scientist before he can reveal the secrets of powerful psionic technology to the Reds.


Illustration by Paul Orban.

Things go badly right from the start. The hero winds up in the hands of the enemy. They force him to complete the work of the captured scientist, which turns out to be their undoing.

I didn't get much out of this spy yarn. The plot depends on the fact that the Commies are too materialistic to believe in psionics, which was a little hard to swallow. The story's conclusion strains credulity as well. You'd expect something like this in a mediocre issue of Astounding, given the fact that psionics is pretty much just another word for magic.

Two stars.

No More Tomorrows, by David H. Keller, M.D.

Here's a Kelleryarn (as they used to call the works of this author) from the December 1932 issue of Amazing Stories.


Cover art by Leo Morey.

The narrator develops a substance that destroys the part of the brain that allows one to imagine the future. He plans to sell the secret of this stuff to a trio of Soviet agents for a ton of money.


Illustration by Leo Morey also.

He rather stupidly whips up a vial of the substance, as well as a vial of plain water, in order to brag about his plot to the woman he wants to marry. (He figures that being a multimillionaire will win her hand.) Predictably, she winds up switching the two vials, so the narrator is hoist by his own petard.

This story has an intriguing premise, but it isn't developed very well. As I've indicated, the switching of the two vials requires that the narrator act like a complete fool. (There doesn't seem to be any reason at all to have a vial of water around.) The three Soviet agents are bizarrely deformed, as the illustration indicates. I guess the author really hates Communism, but this makes the whole thing seem ridiculous.

Two stars.

Rocket to Gehenna, by Doris Piserchia

At last! A story that hasn't appeared anywhere else. It's the author's first publication, too. It's a comic tale in the form of a series of letters. (A work of epistolary fiction, for those of you with highfalutin vocabularies.)

It seems that Earth sends the bodies of the deceased to the supposedly uninhabited planet Gehenna. It turns out that the place is occupied by a caterpillar-like alien and a very naïve human boy. Since they have the power to transport anything from one place to another, they start sending bodies back to Earth. The boy also captures a woman, because he thinks he needs a wife, although he doesn't even know the basic anatomical facts of life.

This is all very silly stuff. It's obviously trying to be a wacky farce, but I didn't find it very amusing. Let's hope the author does better work in the future.

One star.

Did You Get Your Money's Worth?

The Zelazny story, all by itself, is worth the four bits you'll pay for the magazine. The rest of it goes downhill at a rapid pace. If you have half a buck to spare, you might want to give it a try.


That isn't exactly what I had in mind.



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