Tag Archives: galaxy

[Jan. 21, 1960] Siamese, if you please (February 1960 Galaxy, part 2)

I made fun of Galaxy editor Horace Gold for the slightly panicked tone in this month's editorial.  It's clear that he has concerns that the quality of his magazine might dip unless he can tap a reservoir of new talent.

That said, the February 1960 Galaxy finishes as it started (and as did its sister, the January 1960 IF)–on the good side of three stars, but not too far from the middle.  Let us see how Part 2 turned out.

I am sad to report that Willy Ley's articles just aren't as engaging as once they were.  They were what originally sold me on getting subscription, Galaxy being the first magazine I followed regularly.  The lovable ex-German just seems unfocused and a little cranky these days.

Zenna Henderson's Something Bright, on the other hand, is that engaging mix of magic, grit, unease, and wonder that I have come to expect from her.  This one is told from the point of view of a Depression-era teen who has a close encounter with a peculiar, and rather frightening, neighbor.  It's nice to see work by two woman authors in Galaxy, a sign that the genre as a whole is becoming more balanced.


Dillon

Simak's Crying Jag takes place in a similar setting—he does enjoy those rustic tales, evocative of his home in rural Minnesota.  In this one, the rather soused protagonist becomes the friend and keeper of an alien for whom sad stories are an intoxicant.  Everybody wins in this one, as the storytellers thus find themselves free of their psychological pain.  Not stellar, but enjoyable.


Wallace Wood

For some reason, I really enjoyed David Fisher's East in the Morning, about a intellectual prodigy who must wait until his very old age for his genius to bear fruit.  It is told in this detached yet gripping manner that I found engaging.  Perhaps there is a bit of identification, too—after all, I too blazed through my early life displaying signs of promise and even, perhaps, genius… but I'm still waiting to make my mark.  Someday.


Dick Francis

Sadly, the magazine has stumbles to an unimpressive finish.  Jim Wannamaker is a new face to the science fiction world, and his Death's Wisher, about a psychokinetic who threatens to blow up the world by setting off its hydrogen bombs, is not an impressive first outing.  Truth to tell, I almost fell asleep. 


Dick Francis

Space news is up next.  All about a midget Mercury and its furry astronaut.  Stay tuned!

(all Galaxy magazines can be found here)

Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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[Nov. 17, 1959] Dead Center (December 1959 Galaxy and wargames)

Hello, fellow travelers!  As promised, here's a round-up of this month's Galaxy magazine.

Or should I say Galaxy Science Fiction?  According to editor Horace Gold (and I somehow missed this), Galaxy was misprinted last month with the old logo and the old price!  They really lost their shirt on that issue, sadly.  On the other hand, Gold is going to try not being ashamed of what he peddles and see if it affects sales positively or adversely.  I'm hoping for the former.

Diving into the stories, George O. Smith continues to write in a workmanlike fashion.  His The Undetected is part thriller, part who-dunnit, part romance, and features a psionic detective looking for a psionic criminal.  And you thought it could only happen in Astounding.


Virgil Finlay

The often-excellent Phillip K. Dick has a lackluster story in this ish: War Game.  In the future, the tricky Ganymedians are constantly trying to sneak subversive toys past our customs censors.  In this case, they succeed by occupying the attention of a pair of said censors with a sort of automated toy soldier kit.  It's the sort of throwaway tale I'd have expected ten years ago.


Wallace Wood

On the other hand, it provides an excellent segue to an exciting new arena of gaming.  A hundred years ago, the Germans invented sandbox "wargaming," wherein they simulated war with a set of rules and military units in miniature.  A half-century later, H.G. Wells proposed miniature wargaming as a way of scratching the human itch for violence without bloodshed.  Fletcher Pratt, popularized the naval miniature combat game in World War 2, playing on the floor of a big lobby.

A fellow named Charles Roberts has taken the concept of miniature wargaming and married it to the tradition of board-gaming (a la Scrabble and Monopoly or Chess, perhaps a prototype wargame).  Thanks to his revolutionary Tactics, and its sequel Tactics II, two players can simulate war on a divisional scale between the fictional entities of "Red" and "Blue" using a gameboard map, cardboard pieces, and dice.  While perhaps not as visually impressive as facing off thousands of tin soldiers against each other, it is far more accessible and inexpensive. 

War leaves me cold; I am a confirmed pacifist.  But there is fun in the strategy and contest that a wargame provides.  I look forward to seeing what new wargames Roberts' Avalon Hill company comes up with.  Perhaps we'll see games with a science fictional theme in the near future—imagine gaming the battles depicted in Dorsai! or Starship Soldier

To the next story: Jim Harmon is a fine writer, and his Charity Case, about a fellow hounded by demons who cause his luck to be absolutely the worst, starts out so promisingly that the rushed ending is an acute disappointment.  Maybe next time.


Dick Francis

Fred Pohl's The Snowmen is a glib, shallow cautionary tale covering subject matter better handled in Joanna Russ' Nor Custom Stale.  In short, humanity's need to consume compels it to generate power from heat pumps that accelerate the process of entropy leaving Earth in a deep freeze. 

I did like Robert Bloch's Sabbatical, about a time traveler from 1925 who quickly determines that the grass is always greener in other time zones, and one might as well stay home.  I enjoyed the off-hand predictions about the future—that Communism will no longer be the big scare, to be replaced with Conservativism; the patriarchy will be replaced with a matriarchy; the average weight of folks will be dramatically higher.  I guess we'll see which ones come true.

Finally, we have Andy Offut's Blacksword.  I had hoped for an epic fantasy adventure.  Instead, I got one of those satirical political romps wherein one man plays chess with thousands of inferior minds, and things work out just as he planned.  And then it turns out he's just a pawn (or perhaps a castle) in a bigger political chess game.  Inferior stuff.


Wallace Wood

All told, this issue tallied at three stars.  The problem is that this issue wasn't a mix of good and bad but rather a pile of unremarkable stories.  With the exception of the Sheckley and the Ley article, and perhaps Bloch's short story, it was rather a disappointment.

Of course, this month's Astounding prominently features Randall Garrett, again.  Out of the frying pan, into inferno.

See you in two!  Try not to get involved with any rigged quiz shows…


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P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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[Nov. 6, 1959] In someone else's skin for a while (December 1959 Galaxy)

Whenever I read the book review columns by Floyd Gold, Damon Knight, Groff Conklin, etc., or the science articles by Willy Ley and Isaac Asimov, I’m always as fascinated by the little personal details they disclose as the information and opinions they provide.  It’s a glimpse into their lives that humanizes their viewpoint.  Anecdotes make fun reading, too.

Since I assume all of my readers (bless the five of you!) feel similarly, otherwise why bother reading my column, I thought I’d share a little bit about how information gets into my brain prior to article composition.

My issues all come by mail subscription now as it is significantly cheaper than buying them on the newsstand and more consistent.  It means I’m no longer hunting the newsstands for other magazines, but now that there are so few active digests, this seems the best way to go. 

I have an evening ritual that I’ve preserved since my teen years, particularly in the Fall and Winter when the sun sets early.  After coming home from work, the rays of sunlight slanted sharply against my driveway, I pull out my portable radio and a beverage, rest my back against a tree or lamppost, and read until the sun dips below the horizon.  Here in Southern California, we get a nice mix of White, Negro, and Latin stations, so I can listen to all the latest Rock ‘n Roll and Rumba as well as the insipid croonings of Paul Anka and Pat Boone.  It makes for a delightful half hour of escape from the real world better than M, reefer, or any other drug you’d care to mention.

What have I been reading, you ask?  This bi-month’s issue of Galaxy, of course—December 1959 to be exact.  Galaxy is the most consistent of the four magazines to which I have subscriptions, generally falling in the upper middle of the pack.


EMSH

As always, I started with Willy Ley’s column.  I’m impressed that after ten years of writing, he still finds interesting topics to teach about.  In this one, he discusses the (probably) extinct Giant Sloth and the efforts naturalists have made over the centuries to learn more about the creature.  I love paleontology, so it was right up my alley.  By the way, for the overly curious, this piece I read while soaking in a nice hot bath over the weekend.

Leading the book is Robert Sheckley’s newest, Prospector’s Special.  The setting is Venus , where a handful of hardscrabble miners brave the blazing heat and sandwolves of the Venusian deserts in the hopes of finding a vein of Goldenstone.  It’s one of those stories where the protagonist runs into worse and worse luck and has to use wits to survive to the end, which has a suitably happy ending.  Bob is invariably good, particularly at this kind of story, and I polished this one off in the same aforementioned bath. 


DILLON

Rosel George Brown continues to be almost good, which is frustrating, indeed.  Her Flower Arrangement is the first-person narrated story of a rather dim housewife and how the bouquet she and her kindergartener made turned out to unlock the secrets of the universe.  It comes from a refreshing female perspective, but it’s just a bit too silly and affected to work well. 


DILLON

Con Blomberg’s only written one other story, and that one appeared in Galaxy two years ago.  His Sales Talk is interesting, about two salesmen who try to sell a recalcitrant unemployed fellow on the joys of living vicariously through the taped memories of others.  The would-be mark makes a compelling argument against the dangers of becoming a worthless consumer.  There is, of course, a twist, which I half-predicted before the end. 

There's an interesting point to the story.  In the first place, it predicts a “post-scarcity” economy.  Let me explain: There are three sectors to the economy.  They are Agricultural, Manufacturing, and Service.  Until a few hundred years ago, Agricultural was far and away the dominant sector, with most people relying on subsistence farming.  Then the Industrial Revolution hit, and the peasants moved to the city to work on the assembly line, while farming became more and more mechanized, requiring fewer people.  As industry became more efficient, the Service sector grew—waiters, courtesans, attorneys, doctors, advertisers, artists, etc. 

But what happens when industry and agriculture become fully mechanized?  What if robots take over the Service sector?  What is left for humans to produce?  The world only has so much need for art, music, politics, and religion.  In a post-scarcity economy, most of us will become consumers, so the more pessimistic predictions go.  And all we'll do all day is lie around living other people's dreams, predicts Blomberg.


MORROW

Is the idea that plugging oneself into a memory-tape machine, experiencing all five senses and the feelings of the original senser, all that different from watching a film or reading a good story?  After all, both take you out of reality for a while, make you feel along with the protagonists.  When full “Electronic Living” becomes possible, will it really be a revolution or just evolution?  Food for thought.

That’s what I’ve got so far.  Stay tuned soon for further reviews of this extra-thick magazine.  You’ll next hear from me in sunny Orlando, Florida!


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P.S. Galactic Journey is now a proud member of a constellation of interesting columns.  While you're waiting for me to publish my next article, why not give one of them a read!



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Momentum stalled (October 1959 Galaxy; 8-13-1959)

I really enjoy the broadness of Galaxy's 196-page format.  It allows for novellas and novelets, which is a story size I've come to prefer.  F&SF has lots of stories per issue, too, but they tend to be very short.  Astounding likes serials, which can be fine if they're good, but dreary if they're not.  I mentioned last time that this month's issue was looking to be a star all through.  Let's see if that prediction held true.


All pictures by Dick Francis

Wilson Tucker's King of the Planet certainly did not disappoint.  You may remember that Tucker wrote the excellent Galaxy novel, The City in the Sea.  His writing skills are on full display in the instant story, about a old old man who has outlasted all of his comrades. and now lives a solitary existence in a mausoleum, the one remaining survivor of a colony of humans.  Every so often, he is visited by other humans from faraway stars.  They question him, conduct surveys, and then they leave, puzzled at the self-styled king's longevity and solitude.  King is the story of one such visit.  There is an interesting, religious twist at the end; what is your take?  Let me know, would you?

Silence, by Englishman John Brunner, is also fine reading.  Abdul Hesketh has been the captive of the inhuman Charnogs, with whom humanity has been at war with for decades, for 28 years.  When he is at last rescued, his mind has been thoroughly damaged by the ordeal, and his treatment at the hands of his saviors, which amounts to near-torture as they attempt to pry useful intelligence from him, is anything but therapeutic.  A little let down by the ending, but a fascinating psychological exploration.

Sadly, the last two stories are not up to the standard set by the rest of the magazine.  Elizabeth Mann Borgese, polymath daughter of the famed German philosopher, Thoman Mann, has never written anything I really liked, and True Self is no exception.  It is a story of plastic surgery and feminine beautification taken to an absurd level.  A worthy topic of satire, but not a very engaging piece.

Lastly, "Charles Satterfield" (co-editor Fred Pohl, presumably working for peanuts) has a rather mediocre novelette (Way Up Younder) set on a future colony world with a decidedly Ante-bellum Southern culture with robots standing in for Black slaves.  It’s not bad; it just sort of lies there.

Where does that leave us with the star tally?

Sadly, the last two stories dropped the issue from 4 to 3.5 stars.  A pity, really.  What’s better?  A tight, good issue, or a less-good longer issue?
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The momentum of quality (October 1959 Galaxy, first part; 8-11-1959)

Last year, Galaxy moved to a bi-monthly format.  Coincident with that was a drop in writer rates per word.  I had had concerns that there would be a corresponding drop in quality.  Thankfully, this year's issues have been of consistently high quality.


All pictures by Dick Francis

Moreover, Galaxy really isn't a bi-monthly anymore.  Inside the front cover of this month's (October) issue is a full-page advertisement for IF magazine, which is now owned by the same publishers, has the same editors, and appears in Galaxy's off months.  Quacks like a duck; sounds as if Galaxy is a monthly, and every other month, is an oversized issue, to boot.

One of the reasons Galaxy can still fill its pages is that both the editor (H.L.Gold) and his brother (Floyd Gold, known as Floyd Gale) are both fair writers in their own right.  Their opening novella, co-written under the pseudonym "Christopher Grimm," is called Someone to Watch Over Me, and it is almost excellent.

Len Mattern is a space merchant, seasoned from decades of meandering from star to star in a tramp freighter.  His obsession is the high-class prostitute, Lyddy, and Len has spent his entire adult life amassing sufficient wealth to wed her, which he does at the story's beginning.  The rest of the tale is told mostly in flashback.  In this universe, traversing hyperspace has the most unsettling effect on travelers: they become unnatural beasts with tentacles and extra eyes.  All but the most hardened spacer must knock her/himself out for the journey or suffer profound psychological trauma.

Mattern, however, has discovered that hyperspace is a destination, as well as a conduit, and it is inhabited.  Moreover, some items that are useless in our dimension become highly valuable in the other, and vice versa.  Mattern becomes the first to establish trade relations with the horrible but peaceful aliens.  One of them even accompanies Mattern for the next decade of highly lucrative commerce, becoming a combination best-friend and perpetual shadow.

If the story has any flaw, it's a sort of dismissive view of women, though, to be fair, one of the best characters is the alien queen, at once beautiful and terrible.  My favorite line: "I see no reason…why a male should be deemed incapable of ruling, provided he is under careful supervision." 

Worthwhile reading.  I'm glad the Gold brothers are writing as well as editing.

E.C. Tubb's Last of the Morticians is short and unremarkable, about two undertakers weathering a lack of business resulting from the recent advent of immortality.  Their solution: bury something other than people!

Willy Ley's article this month is a little scattered, but the latter two thirds (he has split the column in three this time) is quite good.  And bad Ley is still fine reading.  I especially liked his piece on "Zilphion," a now-extinct Graeco-Roman spice plant.

Last for today is the very good "A Death in the House," by Cliff Simak.  Simak is a very uneven writer, I have found, but when he's on top of his game, he is a real stand-out.  Death is reminiscent in tone and subject of Dickson's E Gubling Dow from May's Satellite, but far better in in execution.  In this tale, Old Mose (whom, until I saw the illustration, I pictured as Black), is a lonely farmer whose heart is big enough to rescue a rather repulsive alien that he finds mortally wounded on his property.  It's really quite a beautiful story with a rather happy ending.  In stark contrast to Garrett, Simak actually kept me up until I'd finished!

From what I can tell, the rest of the magazine is excellent, too.  This issue may well earn the coveted four star rating.  Only Galaxy has managed this feat of consistent quality in 1959, though excellent stories have appeared in other magazines, of course.
Stay tuned, and thanks for reading!

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The Dregs (August 1959 Galaxy; 6-09-1959)

Writing a column is 50% inspiration and 50% deadline.  Normally, I get pleny of ideas for articles from the fiction I read, the movies I watch, the news I hear.  But sometimes, nothing seems to spark that desire to put fingertips to typewriter, and I wrack my brain trying to thing of something interesting to convey to my readers (both of you) before the all-powerful deadline sweeps over me.

The problem, ya see, is that the rest of this month's Galaxy just isnt very good.  Nevertheless, it's all I have to write about. 

Robert Silverberg's Mugwump Four is, like most of his work, strictly mediocre.  A poor fellow gets stuck in a temporal and interdimensional war between roly-poly mutants and baseline humans only to find himself in an endless time loop (though the protagonist jumps to that conclusion awfully quickly).  About the most noteworthy aspect of the story is the illustration provided by Mad Magazine's Don Martin.  The style is very recognizable.

License to Steal, by Louis Newman, is this month's "Non-fact" article, Galaxy's attempt at humor.  I wish they'd stop bothering.  In summary: alien obtains a License to Steal, abducts an apartment building from Earth, sells its inhabitants off as willing slaves (read "guests") to a very pleasant family, and then runs into legal troubles. 

I did rather enjoy W.T. Haggert's Lex, about a fellow who invents an automated factory that ultimately develops intelligence and becomes his "wife."  The science behind the invention seems pretty sound (a combination of organic and electronic computing), and I'm happy to see a robot story that doesn't end in disaster, though this tale's end is bittersweet.

William Tenn's The Malted Milk Monster, about a fellow who gets trapped in a deranged girl's dream world, is suitably horrifying but not terribly rewarding. 

Finally, rounding out the issue is Fred Pohl's The Waging of the Peace, a "funny" story about the dangers of outlawing advertisement in conjunction with building automated factories.  I skimmed, truth to tell.

The best part of the latter half of this month's book was Floyd Gale's review of Mario Pei's The Sparrows of Paris, a modern werewolf tale.  For those of us who are fans of Pei's linguistic work, it's a treat to learn that he also does fiction.

Not that interesting today?  My apologies.  I'll be better next time…

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The pen is mighty painful (August 1959 Galaxy, Part 1; 6-02-1959

Just what is this world coming to?

Reading this month's edition of Galaxy, it was hammered home just how far our linguistic standards have fallen.  Have you ever read a letter from the last century?  Even the prose from the most humble of fellows is lyric and articulate.  And while the published fiction might sometimes be a bit purple, there's no denying the facility the authors had with our language.

And now?  I'm only half-way through the August 1959 Galaxy, and I've spotted "there" for "their" as well as "effect" for "affect."  I thought this magazine was supposed to be edited.

I'm overreacting, you say.  I know what the writer meant–what's the big deal?  Here's my deal: we pay a contractor to build a house properly, we pay a doctor to do an operation correctly, and we pay a wordsmith to write competently.  If our literary experts can't be bothered to communicate clearly, that will inevitably lead to a trickle-down of linguistic sloppiness.  Half a century from now, who knows how far standards will decline?

That's about my gripe quota for the month.  I'm happy to say that the actual content of the magazine is pretty good, malaprops aside.  I assume you've all picked up an issue so we can compare notes.

Cliff Simak hasn't written anything I've loved since Junkyard, but his latest, No Life of Their Own is pretty solid.  Four kids, at least two of them quite alien, share a rural summer together several centuries in the future.  Their pastimes are pretty timeless, though with some notable exceptions, largely derived from the alien nature of the children and their families.  It's not an entirely idyllic setting–all of the farmers in the area are suffering from a run of unmitigated bad luck, whereas the meanest cuss of them all seems to be blessed.  There's a reason, and the kids find it out. 

Warning: There is a little bit of cruelty to a cat.  Rest assured, however, that the cat is not unduly damaged, and the malefactor gets a comeuppance.

Newcomer Michael Shaara contributes Citizen Jell.  If you were a fugitive with the ability to do tremendous good, but only at the cost of your freedom, what would be your tipping point?  That's the subject of Shaara's ultimately heartwarming story.

Willy Ley has another excellent article, this time on the solar orbit of Mechta, the Soviet lunar probe.  I must say, I have to admire a fellow who can remain the first item on my monthly science fiction read list for a decade.

Finally (for today), there is The Spicy Sound of Success, by the prolific Jim Harmon.  For some reason, interstellar explorers become afflicted with transphasia (the swapping of sensory inputs–taste for sound, etc.) when scouting a new world.  This story involves a daring rescue and an interesting first contact. 

Join me next time for a round-up of this double-sized, bi-monthly edition… unless the Air Force's impending space shot stops the presses!

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Double-size equals Double-good (June 1959 Galaxy, second part; 4-14-1959)

There's been big news in the space world over the weekend, but I want to talk about it next time so I can see how things shake out.  Thus, without further ado, I move onto the rest of the extra-thick Galaxy June 1959.

Avram Davidson is a bit of a writing fiend–it seems I find one of his stories in every magazine I pick up, and they all tend toward the quite good.  Take Wooden Indians is one of the good'ns.  It's a delightfully confusing (at first) tale of time travel, artistic expression, and nostalgia for Americana, that straightens out nicely at the end.  Of course, I imagine there are many out there who would use time travel to save the real Indians rather than their wooden likenesses, but that's another story (one I'd be interested in reading–smallpox inoculations handed out five hundred years ago might do the trick…)

Willy Ley's article is, as usual, worthy reading.  I particularly like his answer to the question, "What is the best size for a payload?"  Answer: depends on what you're trying to do.  If you want to map the Earth's magnetic fields, lots of small satellites are better than one big one.  The Soviets like to brag on the size of their probes, but they are of limited utility if they only put up a few.

The next story is from prolific pulp writer, Richard Wilson, who spends most of his time writing for Future these days (I haven't picked up any copies).  Traveling Companion Wanted has been described by one of my very favorite readers as a Victorian fantasy, wherein a space traveler falls into the ocean in his space suit and ends up swept by current into a globe-spanning underwater river.  On his way, he ends up the unexpected guest of a subterranean race of advanced, Eskimo-ish natives.  Unfortunately, they can't figure out how to unsuit the traveler, and he nearly starves (I found this bit rather horrific).  But all's well that ends well–he makes it back to the surface with the resolution to revisit the fantastic realm he discovered.  It looks like he'll be successful, too!

I'm afraid the "non-fact" article by Larry M. Harris, Extracts from the Galactick Almanack, really isn't worth the space it takes in the magazine.  It's one of those "droll" pieces, this one about musical accomplishments of various aliens.  Skip it.

Soft Touch, by Daniel F. Galouye, is another matter, entirely, though like his last story, it is frustratingly underdeveloped.  In the future, there is a mutant strain of humanity that is utterly moral and good, incapable of lying or hurting a fellow person.  They are treated poorly by their non-mutant neighbors because everyone hates a do-gooder.  Very impactful and well-written stuff… but the ending is way too rushed.  Another 5-10 pages would have been nice.

The final tale of the issue is No Place for Crime, by J.T. McIntosh.  It's rare that a locked door mystery is told from the point of view of the criminals, and McIntosh keeps you guessing as to its outcome until the very end.  One of the better pieces in the issue, and typical of the writer.

Given Pohl's masterpiece, Davidson and McIntosh's excellent work, the decent Wilson and Galouye stories, the fine Ley article, and the unimpressive Harris, I'd say this issue is a solid "4."  I'd like Mr. Wood to stop drawing such lurid cheesecake illustrations, however…

See you on Wednesday with news… from SPAAAACCCCE!



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Whatever Counts (June 1959 Galaxy, first part; 4-11-1959)

I mentioned last week that Satellite no longer prints full-length novels between its covers anymore.  It looks like that role is now going to Galaxy, which, in its new, 196-page format, can accommodate longer works more comfortably.  In short order, it looks like Galaxy will specialize in two-part serials, responding to reader requests for same. 

I'm a fan of longer stories in my magazines.  F&SF scratches my short story itch quite nicely, and there are lots of good science fiction novels coming out, so that intermediate length can only be found in the digests.  I find that the novella/short novel length is quite good for adequately developing a concept without overly padding the matter.


Cover by EMSH

That length was certainly used to excellent effect in Fred Pohl's new space exploration/first-contact thriller, Whatever Counts.  What a fine story.  With the exception of some over-traditional gender roles (in the far future, I'd expect women to be more than secretaries and babysitters), Pohl paints a quite mature and sophisticated vision of tomorrow.  Moreover, while the female characters have traditional roles, they also get to be intelligent and vital protagonists.  Just skip over the rather exploitative art…

So what's the story actually about?  The Explorer II, essentially a generation colony ship, though the journey "only" takes about seven years, is part of humanity's first gasp of interstellar expansion.  Unfortunately, during the vessel's journey, our race (as a whole) makes contact with its first alien species, the technologically and biologically more-sophisticated "Gormen."  Wherever we encounter the Gormen, we are able to offer but feeble resistance.

The same is true for several of the crew of the Explorer II, who are quickly captured by the Gormen upon touchdown.  Their trials at the hands of the Gormen, and the nifty way in which they make escape, are all interesting and well-written.  But what really sold me was the attention to detail.  The colony ship is plausible, the Gormen truly alien, the characters well-realized, and the style both gritty and artistic.  And I really like any story that takes the time to explain where characters are going to take care of their toilet needs…


illustration by WOOD

I'd hate to spoil any more than I already have.  Just go read it!  (Please note that the author has not given me permission to freely distribute this story.  If you can, I'd buy a copy.)

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Interstellar eavesdroppers (April 1959 Galaxy wrap up; 2-08-1959)

Since the second decade of this century, humanity has been indiscrimately pouring out a star's worth of electromagnetic waves.  First with radio and now television, there is a sphere of information heading out to the stars at the speed of light that has already passed Arcturus, Capella, and is just now reaching Alderamin.  Imagine what conception an alien race must have of us judged solely on the basis of our advertisements, entertainment programming and news bulletins.

Now imagine an alien whose very form is shaped by these media.  That's the premise behind Avram Davidson and Laura Goforth's cleverly titled Love Called This Thing.  Like all of Davidson's stuff, it's short and brilliant (I have not heard of Ms. Goforth before; perhaps the story was her idea).  Read it if you can.

Security Plan by Joe Farrell is no great shakes, but it is a cute and diverting tale of time travel involving the years 1959 and 1991.  There is apparently a lot of profit to be had in inflation.  My favorite parts dealt with the outré styles of the future; they are extreme extrapolations of modern beat culture.  Absolutely sub-zero, o-daddy!

Fred Pohl's The Bitterest Pill is another science fiction potboiler involving an eidetic-memory drug.  You'll see the ending a mile away.  Possibly the weakest entry of the bunch.

Rounding out the issue is Gordy Dickson's The Man in the Mailbag, which I liked very much.  Not quite a first contact story, in this one, humanity is trying to negotiate diplomatic and trade relations with a race that is singularly unimpressed with humans.  It's not difficult to see why: the aliens (Dilbians) are all eight feet tall if they're an inch.  Prideful, honorable, and incredibly strong, humans are comparatively puny and inspiring of mistrust.  As it is put by one of the elder Dilbians (in my favorite passage of the story), "What if, when you were a lad, some new kid moved into your village?  He was half your size, but he had a whole lot of shiny new playthings you didn't have, and he came up and tapped you on the shoulder and said, 'C'mon, from now on we'll play my sort of game?'  How'd you think you'd have felt?"

Solving the diplomatic and economic impasse is left to the temperamental young redhead, John Tardy.  It so happens that a young lady, nicknamed "Greasy Face" has been abducted by a Dilbian tough (with the ominous and deserved name of Streamside Terror), and Tardy's boss believes that sending a Terran out to rescue her is just the ticket to demonstrates humanity's pluck and worthiness.  To ensure that Tardy makes it all the way to Streamside Terror without being waylaid, he is dispatched as a mail parcel to be carried on the back of a Dilbian postman.  This is about the safest place to be as the proud Dilbian postal service has a work ethic that would be familiar to anyone who served in the United States (or Persian) Postal Service.  Of course, this story has a twist, and the damsel in distress is not quite so distressed (and far more resourceful) than one might think. 

What I really like about this tale is that this time, for a change, despite all our unquestionable technological prowess, humanity is on the weaker footing and the writer treats the aliens with respect.  But then, this isn't Astounding.  Or Cliff Simak.

Feeding the issue into JOURNEYVAC, this issue comes out a solid 3.75 stars.  The magazine seems to be weathering the format change reasonably well, so far.

See you on the 10th!  And if you're new to the column, leaf through the older entries.  Feel free to share them with your friends, too.



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