Tag Archives: Frank Herbert

[April 20, 1970] Not the final quarry (May 1970 Fantasy and Science Fiction)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Tunnel light

There have been a lot of happy endings recently.  The postal strike is over, thanks to the government agreeing to an 8% raise for federal employees.  Ditto the air traffic control strike.  Nixon's third nominee to fill the vacant seat on the Supreme Court, 8th Circuit Court of Appeals Justice Harry Blackmun, isn't somewhere to the right of Ghengis Khan.  The Apollo 13 astronauts made it back home by the skin of their teeth.

Newspaper photo of Harry Blackmun

But of course, the old stories go on.  The Vietnam war has grown to include Cambodia—if Domino Theory is to be believed, we'll soon be fighting in the streets of Canberra.  Teachers are on strike in California; Governor Reagan says they're "against the children".  And actor Michael Strong says you can't walk the streets of the nation's capital without a good chance of getting mugged.

And so, it is appropriate that the latest issue of The Magazine of Fantasy and Science Fiction is a mixed bag.  Some of it will thrill you, some of it will leave you cold.  On the other hand, none of it will mug you.

The Issue at Hand

A robot sits on a nighttime apocalyptic desert reading a trail of issues of Fantasy and Science Fiction
by Mel Hunter

Continue reading [April 20, 1970] Not the final quarry (May 1970 Fantasy and Science Fiction)

[March 31, 1970] Seed stock (April 1970 Analog)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

It's the end of the month, and that means the latest Analog is on tap.  This one starts and even mids with the usual drudgery… but the latter third breeds a little hope.

April 1970 cover of 'analog SCIENCE FICTION SCIENCE FACT' featuring a blue man in a large visor helmet with a single eye decal pointing over the shoulder of a hooded wizard writing in a notebook, wearing a large medallion. The caption reads HERE, THERE BE WITCHES
EVERETT B/> COLE
by Kelly Freas

Continue reading [March 31, 1970] Seed stock (April 1970 Analog)

[March 2, 1970] Par for the course (April 1970 IF)


by David Levinson

The Veep that couldn’t shoot straight

I’m no fan of golf (unless it involves little windmills), but a lot of people seem to like it. They show it on TV and not a week goes by without at least one golf joke in the funny pages. It also intersected with politics last month. February continues to be the month that gives me very little to talk about, so I guess this is it.

The Professional Golfers’ Association likes to start their tour early in the pleasant climes of Hawaii and California. One such event is the Bob Hope Desert Classic held on a variety of courses in the Coachella Valley near Palm Springs. The highlight of the tournament for many is the pro-am event, where the pros competing in the tournament are matched with (celebrity) amateurs for one day’s round.

Pro Doug Sanders—best known for his odd swing and dapper dress—found himself in a foursome with Bob Hope, California Senator (and former song-and-dance man) George Murphy, and Vice President Spiro Agnew. On his very first shot, the Veep managed to hook the ball so far to the left it ended up on the path for an adjacent fairway. (Probably the farthest left he’s gone since being elected governor.) Trying to get back to the right fairway, he then sliced hard to the right. (This whole thing is starting to sound like a metaphor for Agnew’s political career.)

Bob Hope and Doug Sanders were standing in the path of the ball. Hope managed to duck out of the way, but Sanders was struck on the head. The blow drew blood, which Hope mopped up with a towel. Agnew was duly apologetic, and Sanders played gamely onward. At the nine-hole break, he was examined by a doctor, and the wound was sprayed with a pain-deadener.

Wire photo of Doug Sanders, Vice President Agew, and Bob Hope Wire photo of the aftermath.

Agnew went on to have a terrible day. He frequently missed putts and took penalties for giving up on a hole. As the AP put it, “Agnew chatted amiably with the fans when his ball landed in or near them, which was often.” Sanders didn’t do much better, though he was already having a poor tournament. He won $200, far less than the top prize of $25,000. Agnew rather crassly quipped that it should just about cover his medical bills.

Am I picking on Spiro Agnew? Yes. Yes, I am. After his recent attack on the press, he deserves all the opprobrium he can get. He’s already being talked about as the clear front-runner for the Republicans in 1976. Let’s nip that idea in the bud right now.

Down the fairway

When he took over as editor, Ejler Jakobsson got off to a strong start. Since then, there’s been something of a return to form, although those C+ to B- issues have felt fresher than they did in recent years under Fred Pohl. Has he sent this issue cleanly down the fairway, hit a hole in one, or—worst of all—smacked the reader in the head with an errant shot? Let’s find out.

Cover of the April 1970 edition of if Science Fiction, featuring a large undersea robot illustration. Art for Waterclap by Gaughan.Arrival at Ocean-Deep. Art for “Waterclap” by Gaughan

Continue reading [March 2, 1970] Par for the course (April 1970 IF)

[February 2, 1970] Deceptive Appearances (March 1970 IF)


by David Levinson

The Super Fight

Back in 1967, a radio producer by the name of Murray Woroner came up with the idea of using a computer to work out who the best heavyweight fighter of all time is. He polled 250 boxing writers and came up with a list of 16. He then worked closely with a programmer to input everything that could be determined about each boxer into a computer.

Match-ups were set up as a single-elimination tournament to be broadcast as a series of radio plays. Each fight was run through an NCR 315 computer the night before broadcast to create a blow-by-blow account of the fight. Woroner and boxing announcer Guy LeBow would then “call” the fight as if it were really happening. In the end, Rocky Marciano beat Jack Dempsey and was awarded a championship belt worth $10,000.

The arbiter, an NCR 315.The arbiter, an NCR 315.

Ali was not happy. The computer had him losing in the quarter finals to Jim Jeffries, a boxer he has little respect for. He sued for defamation of character, asking for $1 million. They settled when Ali agreed to take part in a filmed version of a computerized fight between him and Marciano in return for $10,000 and a cut of the box office.

Last year, Ali and Marciano got together and sparred for over 70 rounds, filming a few different versions of events that the computer might predict. Marciano dropped 50 pounds and wore a toupee so he’d look more like he did in his prime. Ali probably had to get back in shape too, since he’s been banned from boxing for refusing induction into the army. Instinct seems to have taken over for both men. Ali bloodied Marciano’s nose and opened cuts over his eyes (Rocky always bled easily); at one point, Ali was so exhausted he refused to go back into the ring (until he got another $2,000) and could barely raise his arms enough to eat breakfast the next day. Filming ended just three weeks before Marciano was killed in a plane crash last Labor Day.

Armed with hours of footage and the top secret computer result, Woroner and his team put together a film they dubbed The Super Fight. On January 20th, it aired in 1,500 theaters in the US, Canada, and Europe via closed-circuit television, with viewers paying a whopping $5.00 a head.

How did it turn out? Ali is not happy. The computer had him knocked out in the 13th round. He’s talking about another defamation suit. Maybe he’ll change his mind when he finds out that was only in the US and Canada. European viewers saw Ali win by TKO. The producers are also talking about destroying all the prints.

Boxing Poster captioned AT THIS THEATRE JANUARY 20, 1970 - 10 PM-E.S.T.
THE SUPER FIGHT
ONE SHOWING ONLY
THE ONLY 2 UNDEFEATED HEAVYWEIGHT CHAMPIONS IN HISTORY 
ROCKY MARCIANO VS MUHAMMAD ALI (CASSIUS CLAY)
ON FILM LIVE! IN COLOR TICKETS ON SALE NOW!Movie poster for the event. That “LIVE!” is a little deceptive, which is something else Ali is complaining about.

It’s a rather science-fictional concept we’ve seen in other guises. Maybe Murray Woroner got his original idea from the Star Trek episode “A Taste of Armageddon.” Of course, any statistician will tell you that a single simulation doesn’t really say anything. Rolling a die once doesn’t tell you if it’s fair; it takes hundreds or thousands of repetitions to determine that. But when the computer needs 45 minutes to determine the events of one match, this is the best that can be expected. For now.

Not what it looks like

Authors like to counter readers’ expectations. It’s a good way to evoke a response, particularly in a genre that has a fair number of cliches and formulas. Sometimes, the surprise comes from the author doing something that’s not what you expect that particular writer to do or say. This month’s IF offers some of both.

Cover of the March 1970 issue of IF science fiction, depicting an astronaut carrying an antenna on the surface of the moon, looking out onto the Earth and its magnetic field depicted in white, orange, red and blue.Art actually for “SOS,” rather than just suggested by. Maybe because it’s by Mike Gilbert, not the overworked Jack Gaughan.

Continue reading [February 2, 1970] Deceptive Appearances (March 1970 IF)

[January 2, 1970] Under Pressure (February 1970 IF)


by David Levinson

Pressure Cooker

Every December, the American Geophysical Union holds its Fall Meeting in San Francisco. There, a number of papers are presented on a wide variety of topics in fields such as geology, oceanography, meteorology, space, and many more. Usually, it might produce a paragraph or two in the back pages of your newspaper on an attempt to predict earthquakes or some new information about the Moon, but this year’s meeting garnered headlines (hardly front page news, but more than just filler). Most of attention went to the proposal to detonate a nuclear bomb on the Moon to build up a seismological picture of our neighbor and the news that Apollo 12 was struck by lightning twice as it rose into the skies above Florida. However, it was another article that caught my eye.

Most of the column inches went to a presentation by Dr. E.D. Goldberg of the Scripps Institute of Oceanography. He spoke of the “complex ecological questions” raised by the amount of toxic substances we’re dumping into the ocean. The use of lead in gasoline results in 250,000 tons winding up in the ocean every year, over and above the 150,000 tons that are washed there naturally. Oil tankers and other ships discharge a million tons of oil into the sea annually, with the result that there are “cases of fish tasting of petroleum.” Mackerel had to be taken off the market in Los Angeles due to unacceptable levels of DDT, while in Japan 200 people were poisoned and 40 died before authorities traced the cause to mercury discharged into Minimata Bay by a chemical company. Dr. Goldberg asked, “Will [pollution] alter the ocean as a resource? Will we lose the ocean?”

Dr. Edward D. Goldberg, a white man with gray hair in a suit and tie.  He is sitting on a desk, holding a book, and smiling.Dr. Edward D. Goldberg of the Scripps Institute of Oceanography in La Jolla, California

That seems like the sort of pollution we can do something about. Perhaps more concerning is the warning provided by J.O. Fletcher of the Rand Corporation. Fletcher is a retired Air Force Colonel, best known for being part of the crew that landed a plane at the North Pole and for establishing a weather station on tabular iceberg T-3 (now known as Fletcher’s Ice Island), which is still in use. He called carbon dioxide the most important atmospheric pollutant today. It is responsible for one-third to one-half of the warming thus far in the 20th century. The human contribution may surpass that of nature within a few decades. Global warming could increase the melting of the polar ice caps and change the Earth’s climate.

A photograph of Col. J. O. Fletcher, a white man  wearing snow pants, a thermal undershirt, suspenders, and a winter hat.  He is having a conversation with a second unidentified person who is completely obscured by their parka hood.Col. Fletcher (r.) on his ice island in 1952. This was the most recent photo of him I could find.

Fletcher’s warning was underscored by Dr. William W. Kellogg of the National Center for Atmospheric Research, who stressed the need to educate people that “man has got to change his way.” He added that global climate is going to have to become a problem that can be managed.

A headshot photograph of Dr. William W. Kellogg, a white man with brown hair.Dr. William W. Kellogg of the National Center for Atmospheric Research, in Boulder, Colorado

If the warnings of Fletcher and Kellogg sound familiar, that’s because you read it in IF first. Back in the April, 1968 issue, Poul Anderson had a guest editorial talking about the dangers of increased warming. In the August issue of the same year, Fred Pohl had an editorial warning about increasing levels of carbon dioxide. [And Isaac Asimov wrote about it back in 1958! (ed.)] An article from UPI has a much wider reach than IF, and people are more likely to take working scientists more seriously than a couple of science fiction writers. Let’s hope they pay attention.

Pressure Tests

It’s not uncommon for authors to put their characters through the wringer, pushing them to or even past their breaking point. Some would argue it’s the best way to get a story out of a setting and characters. Several of the stories in this month’s IF have taken that approach, though one subject has an awfully low tolerance for stress.

The cover painting of the February 1970 edition of IF. The background is a red wash with a streak of yellow across it.  In the center floats a gray spaceship.  Its left side is a sphere covered with circular indentations, some of which have antennae coming out. The center part is a short rod that seems to be threaded like a bolt.  Its right side is a group of spheres arranged in a circle around the end of the rod.  The spheres look like eyeballs looking out from the spaceship in all directions. Behind and to the left of the spaceship is the face of a young Asian woman, drawn to be about the same size as the spaceship.  She is facing left but looking apprehensively backward at the ship. She is lit yellow by the streak in the background.  Above her float three black manta rays.Cover by Gaughan. Supposedly suggested by Whipping Star, but it looks more like it illustrates Pressure Vessel to me.

Continue reading [January 2, 1970] Under Pressure (February 1970 IF)

[December 2, 1969] Communication Breakdown (January 1970 IF)

[New to the Journey?  Read this for a brief introduction!]


by David Levinson

Free press

American readers and those who follow American politics are no doubt well aware of President Nixon’s speech on the “Vietnamization” of the war in Indo-China. All three national networks carried the speech, of course, and followed it up with analysis and commentary. This apparently didn’t sit well with the White House.

On November 13th, Vice President Spiro Agnew addressed a regional Republican committee in Des Moines, Iowa, in which he attacked the networks, accusing them of political bias in their news coverage. He complained that the president’s speech had been subjected to “instant analysis and querulous criticism” without giving the American people time to digest the speech for themselves. Agnew accused “a small and unelected elite” of exerting undue influence on public opinion without any check on their power. He even called it a form of censorship.

Vice President Spiro Agnew addressing the Midwest Regional Republican Committee.

Some television executives accused Agnew of attempting to undermine the freedom of the press and intimidate a form of journalism that requires a government license in order to broadcast. I’d say the intimidation was at least partly successful, since all three networks carried the Vice President's speech. However, the networks are also fighting back. The CBS news magazine 60 Minutes devoted a full hour to rebutting Agnew’s charges.

When asked if anyone in the administration had an advance look at the speech, White House press secretary Ron Ziegler denied it. He also said that the White House would have no reaction to statements by other members of the administration and that Nixon and Agnew had not discussed the speech. That’s nonsense. A speech like this would never be made without approval at the highest levels, and if it had been, the White House would have promptly issued a statement distancing Nixon from the remarks or at least trying to soften them. I’d say the administration has fired a shot across the bows of the news media.

White House Press Secretary Ron Ziegler

Continue reading [December 2, 1969] Communication Breakdown (January 1970 IF)

[September 12, 1969] Earthshaking (October 1969 Galaxy)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Time for a change

My local rag, The Escondido Times-Advocate, isn't much compared to, say, The Los Angeles Times.  But every so often, they are worth the subscription fee (beyond the TV listings and the funnies).  Take this article, for instance, which might well be at home in a Willy Ley column:

Basically, CalTech has a new timepiece with more precision, accurate to the hundredth of a second, so that when it is used in conjunction with a seismometer, earthquakes can be better mapped.  More excitingly, the new clock weighs just eight pounds—less than a tenth that of the hundred-pound monster it replaces.

Transistors have made it to geology.

We hear all about small computers and more efficient satellites, but this story really drives home just how quickly the miniaturization revolution is diffusing to all walks of life.  Is a computerized pocket slide rule or a Dick Tracy phone that far off?

Making waves


by Gray Morrow

A lot has happened this year at the old gray lady of science fiction, Galaxy.  They changed editors.  They lost their science columnist.  And as we shall see from the latest issue, things are starting to change, ever so slightly.

Continue reading [September 12, 1969] Earthshaking (October 1969 Galaxy)

[September 4, 1969] Plus ça change (October 1969 IF)


by David Levinson

Silly season

It’s considered a truism in journalism that nothing happens in August, so the papers run filler stories about silly things to make up their page count. Sure, Hurricane Camille killed hundreds as it raged from Mississippi to Virginia, and China and the Soviet Union are on the brink of war, but that doesn’t sell papers. Madison Avenue also has a truism: sex sells. Now, the two have come together.

Newsday columnist Mike McGrady was disgusted by the schlocky, sex-obsessed books that regularly make the best-seller lists, so he recruited a bunch of fellow journalists (19 men and five women, by one count) to write a deliberately bad, oversexed book. The result is Naked Came the Stranger, in which the editors worked hard to remove any literary value from the tale of a New York woman’s sexual escapades.

When the book sold 20,000 copies, McGrady and his co-conspirators decided they’d better come clean. Nineteen of them appeared on The Dick Cavett Show, being introduced as Penelope Ashe (the book’s purported author) and walking out to the strains of A Pretty Girl Is Like a Melody. As a result of their confession and discussion of their motives, the book has become even more popular. And as of last Sunday, it’s on the New York Times list of best-sellers. You have to laugh to keep from crying.

Penelope Ashe, in part, with the cover model superimposed.

This puts me in mind of a similar literary hoax with a more sfnal connection. Back in 1956, radio host Jean Shepherd was unhappy with the way best-seller lists were being compiled and urged his listeners to ask their local bookstores to order I, Libertine by Frederick R. Ewing. He offered some vague hints about the plot, and many listeners who were in on the joke created references to the book elsewhere. Demand was so high, publisher Ian Ballantine convinced Theodore Sturgeon to knock out a quick novel based on an outline from Shepherd. Betty Ballantine wrote the last chapter as Sturgeon lay in exhausted sleep on the Ballantines’ couch after trying to write the whole thing in one sitting. The cover by Frank Kelly Freas is full of visual jokes and puns. The book is rumored to have gone to number one, but it doesn’t seem to have been on any lists, probably out of pique on the part of the list makers.


The pub sign features a shepherd’s crook and a sturgeon. Art by Frank Kelly Freas

New and old

I think we’re starting to see some of the influence of new editor Ejler Jakobsson. Editor Emeritus Fred Pohl doesn’t seem have ever had anything nice to say about the New Wave, while there is at least one story in this month’s IF with a nod in that direction. There’s a new printer, with a crisper typeface (though it seems better suited to a news magazine than fiction). No one’s mixed up their e’s and o’s, but instead of lines being printed out of order, some lines are just missing. Hopefully, that will be corrected in future issues.

Supposedly for Seeds of Gonyl. If so, it’s from later in the novel. Art by Gaughan

Continue reading [September 4, 1969] Plus ça change (October 1969 IF)

[August 14, 1969] Twin tragedies (September 1969 Galaxy)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Murder in Hollywoodland

Senseless mass death is no stranger to the headlines these days.  We've had the Boston Strangler.  The Texas sniper.  The Chicago nurse murderer.  But this last week, southern California got a shocking introduction into this club.

At least seven were killed on the nights of the 8th/9th and then the 9th/10th, including Valley of the Dolls actress, Sharon Tate (pregnant with her first child), in two Los Angeles neighborhoods: ritzy Beverly Crest and SilverLake.  At first, the scenes were so grisly and bizarre that police suspected some kind or ritual.  Jay Sebring, the famous hairstylist who gave Dr. McCoy his "brainy" JFK-style hair-do, and Tate were found stabbed, tied up and hanging on alternate sides of the same rafter, both wearing black hoods.  Market owners Leon and Rosemary La Bianca, the SilverLake victims murdered on the second night, were similarly hooded, the latter with red X marks carved into her body.


Wheeling Sharon Tate from her home

Homicide squads are currently swarming the San Gabriel Valley, and while Inspector Harold Yarnell and medical examiner Thomas Noguchi had no insights to offer when they appeared before NBC's cameras on the 10th, police do see connections.  "Pig" was scrawled on the door of the Tate home, while "Death to Pigs" was found on the home of the La Biancas, formerly the residence of Walt Disney.  Police have not indicated whether they believe the homicides were done by the same person or persons, or if a copycat was inspired by the first murders.

It's shocking, senseless, and tragic.  While the murders took place in upper class homes (one of the deceased was heir to the Folger coffee fortune), the motive appears not to have been robbery.  Just angry, hateful death.  It's not a happy time in the Southland right now.

Death in New York

While not of the same magnitude, at least in terms of human misery, nevertheless the latest issue of Galaxy science fiction is so bad, that one wonders if someone is trying to put the institution down.


by Donald H. Menzel

Humans, Go Home!, by A. E. van Vogt


by Jack Gaughan

A married human couple, immortal but catching the death-wish that has killed most of humanity, has lived on the world of Jana for 400 years.  They have used that time to accelerate the development of the humanoid species there, urging 4000 years of technological advance in that time—in part through the use of Symbols, abstract concepts made real by the power of belief.  The Janans have their own problems: the women don't like procreation or children, and the men must rape them to propagate the species.

Eventually, the humans are put on trial for their efforts, and (I'm told) we learn there is a lot more to the setup than meets the eye, and that everything the characters believe is actually some kind of falsehood.

I found this first piece impenetrable, giving up about halfway through.  Thankfully, a friend of mine, who is fonder of Van Vogt, gave the piece a write up in his 'zine.  That's good, as I was dreading having to slog through this one and analyze it, as if it were a book report for a hated school-assigned novel.  At 50 years old, I'm allowed to pick my poison.

One star.

Martians and Venusians, by Donald H. Menzel


by Donald H. Menzel

Professor of Astronomy and Planetary Sciences at Harvard offers up his clairvoyant images of Martian wildlife, complete with pictures (q.v. the cover).  I wonder if Dr. Menzel has an eight-year old child who really wanted to get published, as well as some blackmail leverage on Galaxy editor Jakobssen, because I can't see any other way this peurile, pointless piece ever saw print.

One star.

Out of Phase, by Joe Haldeman

Braaxn the G'drellian is the adolescent member of an alien anthropological team.  He was selected to infiltrate the humans for his shape-changing abilities; unfortunately, the youth also has a racial fetish for the infliction and appreciation of pain—common to all of his kind at that age.

Can he be stopped before he unleashes a terror that will exterminate the entire human race?

An unpleasant, but competently written story.  Haldeman is new, so of course, there's a "clever" twist to finish things off.

Three stars

The Martian Surface, by Wade Wellman

Wellman's wishful thinking in poetry is that, despite the obvious hostility of the Martian surface, life could still somehow cling to it.  Written to coincide with the arrival of the new Mariners, it is no more or less accurate for their flyby.

Three stars.

Passerby, by Larry Niven


by Jack Gaughan

A ramscoop pilot stumbles upon a professional people-watcher in a park.  The "rammer" has a story to tell, a tale of being lost among the stars, and of the titanic alien he encounters in the blackness of space.

This is one of Niven's few stories not set in "Known Space", and it's a simple one.  That said, it reads well, particularly out loud, and there is the usual, deft detail that Niven imparts with just a few, well-chosen words.

Janice liked it, but thought it rather shallow.  Lorelei, on the other hand, loved that it had a philosophical message beyond the good storytelling.

So, four stars, and easily the best piece of the issue (not much competition…)

Citadel, by John Fortey


by Jack Gaughan

Aliens descend on Earth, erecting mysterious edifices and offering the secrets of the universe.  Twenty years later, most of humanity is under their thrall; those who enroll for alien "classes" invariably leave society and end up part of the worldwide hive mind.  One organization has a plan to infiltrate the extraterrestrials, to at least find out what's going on, if not stop them.

But can they handle the truth?

Answer: probably, especially if they've seen The Twilight Zone.

Nice setup, but a really novice tale.

Two stars.

Revival Meeting, by Dannie Plachta


by M. Gilbert

A "corpsicle" wakes up after a century, but instead of finding a cure for his disease, he finds he's been roused for a more sinister purpose.

This story doesn't make much sense, and it's also about the bare minimum one can do with the concept of frozen people (again, Niven's covered these bases pretty thoroughly with The Jigsaw Man and A Gift from Earth.

Two stars.

For Your Information (Galaxy, September 1969), by Willy Ley

For reasons that will shortly become apparent, it's a real pity that this non-fiction column is not one of Ley's best.  It's a scattershot on rocket fuel (well, the oxidizer one combines with the rocket fuel to make it burn), modern pictographic writing, and the latest crop of satellites.

It's just sort of limp and dry, a far cry from the scintillating stuff that helped make early '50s Galaxy such a draw.

Three stars.

Dune Messiah (Part 3 of 5), by Frank Herbert


by Jack Gaughan

It is astonishing how little Frank Herbert can pack into 50 pages. In this installment, Paul Atreides, Emperor, is trying to make sense of a recurring vision, that of a moon falling (his precognition having been hampered by the presence of a clairvoyant "steersman"—the spice-addicted navigators of the space lanes).

He visits the Reverend Mother of the Bene Gesserit, whom he has locked up in prison, to let her know that his consort, the Fremen Chani, is finally pregnant (despite Paul's wife, Irulan, furtively feeding her contraceptives for years).  But Paul also knows that the birth of the heir will mean Chani's death.

Then Paul heads out to the house of a desert Fremen, father of the girl who had been found dead by Alia last installment.  The Emperor heads out there at the girl's invitation—she's not actually alive, but rather, her form has been taken by a shapeshifting assassin.

At the home, Paul meets a dwarf who warns him of impending danger.  Whereupon, an atomic bomb explodes overhead.

Along with the endless viewpoint changes and the nonstop italicized thought fragments, we also have more of the innovation Herbert came up with for this book: repetition of dialogue through slightly different permutation.  Seriously, the whole story so far could have been a novelette, and we're almost done!

Anyway, I didn't hate Dune, but I felt it was overrated.  This sequel, however, is just wretched.

One star.

Credo: Willy Ley: The First Citizen of the Moon (obituary), by Lester del Rey


by Jack Gaughan

And now the real tragedy—Willy Ley is dead.  He was only 62.

I knew that he was a science writer who fled Nazi Germany.  I did not know how integral he was to the field of rocket science.  A key member of the German rocketry club, he was a mentor to Wehrner von Braun.  The key difference between the two is Ley immigrated to the U.S.A. rather than serve Der Fuhrer.  Von Braun did not.

Ley went on, of course, to be one of the most esteemed science writers—up there with Asimov, at least in his main fields, zoology and rocketry.  He died less than a month before Armstrong and Aldrin stepped on the Moon.  Denied the Holy Land, indeed.

I have no idea whether there are more Ley articles in the pipeline.  There was supposed to be a new, twelve-part series, but who knows if it was ever completed or submitted.

Sad news indeed.  Four stars.

Autopsy report

Galaxy hasn't topped three stars since the June hiatus accompanying editor Pohl's departure/sacking, but this is, by far, the worst issue of the magazine in a long time.  Was Pohl fired for his declining discernment?  Or did he accept a bunch of substandard stuff as a flip of the bird to the new ownership?

Whatever the answer, I certainly hope things improve soon.  Without Ley, without quality stories, Galaxy is heading for the skids, but quick.






[July 8, 1969] Nowhere fast (August 1969 Galaxy)

It's Moon fortnight!

We are broadcasting LIVE coverage of the Apollo 11 mission (with a 55 year time slip), so mark your calendars. From now until the 24th, it's (nearly) daily coverage, with big swathes of coverage for launch, landing, moonwalk, and splashdown.

Tell your friends!

Broadcast Schedule

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

The Warm War

If you, like me, are a regular watcher of Rowan and Martin's Laugh In, you might be excused for having a rather simple view of the current situation in the Middle East.  According to that humorous variety show, Israel devastated the armies of its Arab neighbors in June 1967, and (to quote another comedian, Tom Lehrer), "They've hardly bothered us since then."

It's true that the forces of the diminutive Jewish state took on Egypt, Jordan, and Syria, like David against Goliath, smiting armies and air forces in just six days, ultimately ending up in occupation of lands that comprise more area than Israel itself.

But all has not been quiet…on any front.  Hardly had the war ended that both Israelis and Arabs began trading significant shots.  A commando raid here, a bombing mission there, a naval clash yonder—none of it rising to the level of a mass incursion, but nevertheless, a constant hail of explosives.  Last summer, Egyptian President Nasser, eager to recover prestige he lost in the '67 debacle, declared a "War of Attrition".  The fighting has escalated ever since.

Just the other day, the Egyptians and Israelis exchanged artillery fire across the Suez Canal—the current de facto border between the nations—for twelve hours.  Two Israelis were wounded; the Egyptians are keeping mum about any of their losses.  Last month, Israeli jets buzzed Nasser's house in Cairo, which Jerusalem claims is the reason for the recent sacking of the Egyptian air force chief and also Egypt's air defense commander.


Israeli mobile artillery shells Egyptian positions

The United Nations views this conflict with increasing concern, worried that it might expand, go hot, and possibly involve bigger powers.  The Security Council this week is working on a resolution calling for an arms embargo against Israeli unless the state abandon its plans to formally annex East Jerusalem, taken from Jordan two years ago.

It seems unlikely that the Knesset (the Israeli Parliament) or Prime Minister Golda Meir will buckle to foreign pressure, however.  Nor can we expect that President Nasser, Jordan's King Hussein, or the coup-rattled government of Syria to be particularly tractable either.  The beat goes on.

Same ol'

One generally looks to science fiction for a refreshing departure from the real world, but as the latest issue of Galaxy shows, sometimes you're better off just reading the funnies.


by John Pederson Jr.

Continue reading [July 8, 1969] Nowhere fast (August 1969 Galaxy)