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Magazine/Anthology, Science Fiction/Fantasy, Serial

[September 2, 1967] Of Genies and Bottles (October 1967 IF)

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by David Levinson

The radiant genie

They say that, once you let the genie out of the bottle, it can be very hard to get him back in. Twenty-two years ago, we unleashed the genie of atomic warfare, and it has loomed ominously over humanity ever since. Most of us remember the tension of the Cuban Missile Crisis just five years ago (though it seems both farther in the past and more recent) and probably still feel a little uneasy whenever a warning siren goes off. Current predictions estimate as many as 25-30 nuclear-armed countries within 20 years.

William C. Foster, the chief American representative to the Eighteen Nation Committee on Disarmament.

Is this an inevitability? Perhaps not. In 1960, the Ten Nation Committee on Disarmament, composed of five Western and five Eastern countries, met briefly in the spring and early summer, but adjourned indefinitely in the face of the U-2 incident and the collapse of the planned Paris summit. Toward the end of the following year, the U. N. created the Eighteen Nation Committee on Disarmament, composed of the original ten countries and another eight non-aligned nations, which has been meeting regularly in Geneva since March of 1962. On August 11th, William C. Foster, the chief American representative on the committee, announced that the United States and the Soviet Union have agreed in principle on the terms of a nuclear non-proliferation treaty. The two nations submitted identical drafts to the U. N. on the 24th. These will (hopefully) form the basis of a treaty to be voted on by the General Assembly, that will at least rein in the genie.

A bottle of jinn

There are a couple of metaphorical genies out of the bottle in this month’s IF, not to mention all the demons of Hell. Let’s pop the cork.

The art is intriguing, but none of this happens in Hal Clement’s new novel. Art by Castellon

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Magazine/Anthology, Science Fiction/Fantasy, Serial

[August 2, 1967] The Bounds of Good Taste (September 1967 IF)

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by David Levinson

A diplomatic incident

In the Treaty of Paris of 1763, which ended the Seven Years War, France abandoned her claims to territory in what is today Canada (among others) in order to keep richer colonies in the Caribbean. Britain allowed her new subjects in Quebec to keep their language and religion, likely to keep them from making common cause with the fractious colonies along the Atlantic seaboard. Since then, there has been a strong undercurrent of nationalism among the French-speaking Québécois. Enter French President Charles de Gaulle.

Canada has extended an open invitation to representatives of countries exhibiting at the Expo 67 world’s fair. Last month, de Gaulle came to visit. The Canadian government was a little concerned. France hadn’t sent a representative to the funeral of Governor General Georges Vanier, who had been a personal friend of de Gaulle, or to the 50th anniversary ceremonies commemorating the Canadian victory at Vimy in the Great War. Rather than flying in to the Canadian capital Ottawa, de Gaulle arrived directly in Quebec City aboard a French naval vessel and went on to Montreal from there, with crowds cheering him along the way. He arrived on July 24th, and delivered an unscheduled speech from the balcony of the Montreal City Hall. He concluded by shouting “Vive le Québec libre!” (“Long live free Québec!”) and the crowd roared in approval.

President de Gaulle with foot firmly in mouth.

The next day, Prime Minister Lester Pearson issued an official rebuke, declaring that “Canadians do not need to be liberated” and pointing out that many Canadians died in the liberation of France. Justice Minister Pierre Trudeau wondered what the French reaction would be to the Canadian Prime Minister shouting “Brittany to the Bretons!” Even the French papers were critical. Meanwhile, de Gaulle visited the Expo and hosted a banquet at the French pavilion. The following day, he boarded a French military jet and flew home rather than making his scheduled visit to Ottawa. Whether this was deliberate interference in another country’s domestic affairs or just de Gaulle being de Gaulle, we’ll have to wait to see what the fallout may be.

Walking the line

Apropos of today's lede, at least one story in this month’s IF is about crossing or challenging the lines of what is in good taste. A couple more do that themselves.

This alien dude ranch has become a popular honeymoon spot. Art by Gray Morrow

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Magazine/Anthology, Science Fiction/Fantasy, Serial

[July 4, 1967] Angels and Demons (August 1967 IF)

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by David Levinson

The angels of our better nature…

It all started in January with a day of music and speeches called the Human Be-In in San Francisco’s Golden Gate Park. Young people came from all over, and as many as 30,000 people attended. When spring break rolled around, more and more descended on the city’s Haight-Ashbury district and other places around the Bay Area. Alarmed by the growing “hippie problem”, the Mayor and Board of Supervisors tried to stem the tide, but only drew greater attention to the mass migration. The trickle has become a flood, and tens of thousands of “flower children” have come to San Francisco. In response to the city’s inaction, various groups and organizations formed the Council for the Summer of Love, creating a free clinic and helping newcomers to find food and housing.

The official poster created by Bob Schnepf

Music is important to the youth movement, and two events in the Bay Area proved very popular. On June 10th and 11th, radio station KFRC held the Fantasy Fair and Magic Mountain Music Festival in the Cushing Memorial Amphitheater on Mount Tamalpais in Marin County, with all proceeds going to the Hunter’s Point Child Care Center. Bands from the region and farther afield performed on two stages, while visitors could also wander through the arts and crafts fair in the woods around the theater. Some of the bigger names included Dionne Warwick, the Byrds, Jefferson Airplane and the Doors. The event appears to have gone off without incident.

The festival was delayed one week due to bad weather.

One week later, the Monterey International Pop Festival took place down the coast. Inspired by the Monterey Jazz Festival and the Big Sur Folk Festival, this brainchild of John Phillips (of the Mamas and the Papas) and record producer Lou Adler was put together in just seven weeks. There was some overlap with the Fantasy Fair (Jefferson Airplane and the Byrds, for example), but there were some really big names as well, such as Simon and Garfunkel, the Animals, the Who, and of course the Mamas and the Papas. Sunday afternoon was given over to sitar player Ravi Shankar. The Who and Jimi Hendrix were afraid of being upstaged by the other, so they flipped a coin. Hendrix got to go second on Sunday evening, and after the Who finished their set by smashing their instruments, Hendrix topped them by setting his guitar on fire, smashing it and tossing the pieces into the audience.

This poster is a good example of the new psychedelic art style.

Summer officially begins with the solstice, when the sun reaches its northernmost point. In the pre-dawn hours on the 21st, a thousand or so hippies climbed the Twin Peaks in the heart of San Francisco to greet the sunrise with chants, drums and incense to inaugurate their hoped for Summer of Love. The sun even managed to burn through the fog around 7:00. Whether it really will be a summer of love or another long, hot summer like last year remains to be seen.

Hippie Randall DeLeon greets the sun and makes the front page of the San Francisco Chronicle.

… and the demons of our worst

This month’s IF is full of demons: personal, metaphorical and literal. But first, editor Fred Pohl makes the death of Worlds of Tomorrow official. The problem was distribution. Not enough news stands carried the magazine, and digests (unlike the slicks and their high ad rates) can’t get by on just subscription sales. So some of the features exclusive to Worlds of Tomorrow have been rolled into IF and the price is going up, both of which are reflected on the cover.

That’s not quite how black magic works in the new Blish novel, but it ought to be. Art by Morrow

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