Tag Archives: conventions

[May 8, 1968] A Visit to Thirdmancon, the 1968 British Science Fiction Convention


by Alison Scott

A report of the Thirdmancon, Eastercon 1968

It’s hard to overstate the anticipation I had for Eastercon 1968. It was going to be the largest national convention ever, with over 200 fans expected! In the end I understand that something like 150 people turned up; still the largest British national convention yet.

Flyer for Thirdmancon, the 1968 Eastercon

Still Riding the Slow Train

I set off from Hoe Street station on Good Friday morning in a state of considerable expectation. My journey was quite tedious, involving travelling into the city, crossing town on the Metropolitan line, taking the express train, but only as far as Stockport, and then finally changing to a beautiful but majestically slow branch line down to Buxton. The convention had originally been planned for a town with a mainline station, something I considered frequently while stopping at stations with names like Hazel Grove, Disley, Dove Holes, and Chapel-en-le-Frith.

Authentic Georgian Piles

Buxton is a beautiful spa town that has perhaps seen slightly better days. That was certainly true of St. Ann’s Hotel, situated at one end of the once glorious but now dilapidated Georgian Crescent. I arrived to find someone waving a sword through his car window. This set the scene for a very vibrant but perhaps rather disorderly con.

A small car in front of a Georgian terrace building. The driver is waving a large sword.

I was in the overflow hotel, at the other end of the terrace, and there were a lot of fans milling around. It turned out that the hotel had misplaced their booking, and mine. Fortunately they quickly realised I was a lone female traveller and sorted me out with a tiny single room that I suspected might have previously been used to store laundry. The hotel appears to have retained many original features, like the plumbing, the lino, and the bedlinen. Ah well, all I’d be doing here was sleeping.

A membership card for Thirdmancon, the 1968 Easter convention for Alison Scott

A convention membership badge for Thirdmancon, with an abstract red and black design and the name Alison Scott

After I picked up my badge and programme book, I was a bit overwhelmed at how many fans were there. I was later told it was nearly 150; a huge number for an S-F convention! Quite a lot were local to the northwest, but there were fans from Ireland and several from America. This year the convention was being run by the Delta film group from Manchester, and so there was a lot of film-themed programming, including some of their own films, other films, and film related items. So some of the influx of fans was other film buffs. But not all by any means. Luckily I spotted Ella Parker, who had magisterially formed a one-woman tea salon in the lounge, having noticed that everyone would pass through that point. I was just happy to see a friendly face and fellow London Circle member.

Ella introduced me to a group of German fans. My German is terrible, but their English was quite good. They’re bidding to hold Germancon, the World SF Convention, in Heidelberg, West Germany in 1970; that will be quite the event I’m sure. The decision will be made at this year’s Worldcon in America. They were drumming up support but most fans were pretty supportive anyway and in fact the convention passed a motion of support for the bid. I spoke to some of the US fans about it, and they think that US fans are also enthusiastic about the idea of Worldcon going to a non-English speaking country for the first time.

An advertisement for Germancon, the bid to hold the 1970 World SF convention in Germany

After a little while, we all moved into the convention hall. It was very striking! Eddie Jones had painted a huge backdrop featuring an alien landscape and a giant red star; a fitting setting for our weekend conventioning.

Films and even more Films

After the opening ceremonies, horror film buff John Ramsey Campbell gave a talk accompanied by films. I myself am not a horror film buff, but John Ramsey is very entertaining. I hear he is a promising writer, but I’m not a horror fiction buff either.

A photo of a young man in glasses dressed rather inexpertly as a knight
John Ramsey Campbell in his Knight of St Fantony regalia (Photo credit: Stan Nicholls)

This led naturally into a film show, featuring the work of the Delta film club and promising an X-rated film! I think it was probably a humorous rather than a scandalous one, but I returned to my room to save my energy for the rest of the weekend.

Saturday Morning: Fully Charged

I arose on Saturday in good time for the panel about starting fan clubs. I have no plans to leave London, and surely London will always have the London Circle? But it was interesting to hear about other cities and their clubs.

I then spent some time milling about with other fans. Most people at the convention were wearing ordinary working clothes, but some were dressed in jeans and other trendy gear. But on Saturday morning I encountered what I think might have been the most extraordinarily dressed man I’ve ever met in my life. I checked my wristwatch but the Fancy Dress was not due for several more hours. He was wearing bright pink trousers, an orange Chinese silk jacket with dragons on it, and a rather odd hat that looked a bit like a fez. “Oh, meet Peter Roberts!” said Beryl Mercer. “He thinks this is stylish, but I’d say he’s just an exhibitionist.”

As I was travelling by train, I had no desire to pick up books or mags at the auction, and I took the opportunity to have a walk around Buxton. It’s a very lovely spa town, though it has rather fallen on hard times. The hot thermal baths closed a few years ago, and the natural spa bath is now a public swimming pool. Saturday lunchtime is never a great time to visit such a place, so a swim will have to wait for another visit.

What is this Solar System Thing Anyway?

I returned to the convention in time for the talk by a Fellow of the Royal Astronomical Society, Alan Whittaker, “Life in the Solar System”. I think Mr Whittaker had judged his audience poorly; his talk was clearly aimed at people who had never heard anything of the planets rather than an audience who were deeply familiar with all nine of them. He could perhaps have altered his tone or content, given this, but chose not to.

By this time the con was running very late, and Ken Bulmer, giving his Guest of Honour speech, made great play of this. His speech was long but he delivered it at a furious pace. It was terrifically entertaining and we were all held spellbound. I didn’t take proper notes but Peter Weston told me later smugly that he had already made plans with Ken to republish his speech in the pages of his fanzine Speculation. Speculation is perhaps the best and most famous of current British fanzines. A small chunk of it was available to all at Thirdmancon in the form of the 'combozine', where samples of several current fanzines are bound together for distribution to convention members. This year’s combozine also featured Ethel Lindsay’s Scottische, the Bristol and District group’s Badinage, and Gothique.

After a second auction, the people who’d booked full board went off to dinner and some of the rest of us went out to explore alternatives in Buxton. There were not so many of these! But I knew I wouldn’t be able to eat as much dinner as the full board would be. When we returned, however, we discovered that the portion sizes on the set dinner were so small that some of the unhappy fans went out for a second dinner. According to Keith Freeman, the hotel manager was as unhappy as we were and swore he would never entertain the possibility of a science fiction convention again.

Nevertheless, our dinnertime woes were forgotten as soon as Eric Bentcliffe started his hilarious ‘Fandom Exposed’ slideshow. We were not sure what to expect, but of course this was a set of mostly funny and some fascinating slides from previous conventions, all narrated with great glee by Eric. This was followed by the Fancy Dress, won by Tony Walsh as “The Black Cloud”. I thought that Doreen Parker should have won for her turn as the girl from Cordwainer Smith’s “The Ballad of Lost C’Mell”.

Late Night Mayhem

Before we could all go and party, there was a grand jousting tourney, where Brian Burgess and Ted Tubb bashed each other with swords quite a lot. None of this had any noticeable effect on their very well-built suits of armour and eventually the entire thing was declared a draw.

A person wearing a home-made knight costume with black and yellow 'armour'. Onlookers appear amused.
I have no idea if this was Ted Tubb, Brian Burgess, or another challenging knight

Although there had been amiable parties on the Friday night, it was Saturday when they really got going. They were often very crowded; the rooms in this hotel were not large, and in some cases the siren call of free booze was enough to draw large numbers of fans, even if the free booze was the most questionable of home brews.

Ted Tubb had apparently brought a hogshead of home brewed wine, but I rather preferred the idea of Bill Pettit’s party with crates of perfectly good commercial beer. Oddly, so did everyone else, and I couldn’t get near it. The parties were spilling out into corridors and even staircases.

A group of science fiction fans, some in costume, standing cheering and drinking on a stairwell.
A stair party. Dave Kyle is in the centre here, and Bill Burns is to his right. Other fans are unidentified. (Photo credit: Howard Rosenblum)

Some of the more established femme fans took me under their wing. Although they insisted that all the fans were perfect gentlemen, it was clear that some of them might occasionally forget this fact after having a few drinks.

Eventually after far too much fun, I went to bed, glad that the first item on Sunday morning was the eminently skippable Annual General Meeting of the British Science Fiction Association

I did not feel quite so well on Sunday

I emerged a bit later for the second pro panel, which featured Christopher Priest, John Brunner, Ken Bulmer and Tom Disch, discussing “the difference between real life and fictional speculation.” You would expect it to be quite easy for these science-fiction professionals to spot the difference, really.

Four writers appearing on a panel.
Christopher Priest, John Brunner, Ken Bulmer, Tom Disch (showing the Eddie Jones backdrop)

The fan guest of honour was the winner of the Trans-Atlantic Fan Fund, Steve Stiles. I was pleased to get a chance to chat to him over the weekend. I learnt of his shock at the recent news from America that has been covered so well in the Journey. It had quite discouraged him at the very start of his trip, but he was determined to make the best of it. His talk was very good, but was interrupted by hecklers! I later learnt that they had been set up by Stiles himself; a jolly jape but perhaps a slightly embarrassing one?

text:"Steve Stiles T.A.F.F. Man '68 is our Fan G.O.H. Hi Steve!" There is an illustration of a whimsical spaceship carrying a banner saying "UK or Bust!"
Art from the Thirdmancon programme book

Assorted Ceremonies

The evening session on Sunday was a presentation of “This is your fan life” by Eric Bentcliffe to convention chair Harry Nadler. This used audio tape, film, slides, personal reminiscences, and a rambunctious high-kick dance by what appeared to be the entire Liverpool SF group.

That was followed by the presentation of the Doc Weir Award, which is a cup, held for one year, given to ‘a fan who deserves a bit of public recognition’, and a certificate. This year it went to Mary Reed. She was clearly a popular choice, and delighted and overwhelmed with the award.


Mary Reed with her Doc Weir certificate (Photo credit: Stan Nicholls

Messages from the Future

Dave Kyle told us all about his recent viewing of Stanley Kubrick’s new film, “Year 2001, a Space Odyssey”. It was based, apparently, on a short story by Arthur C Clarke, but is very different now. Clarke is expanding his short story into a novel and I will be very interested to both read it and see the film. Apparently it is opening in the West End in just a couple of weeks. I do hope the London Circle will organise a visit!

Finally we had the mysterious, and perhaps slightly bizarre, Knights of St Fantony ceremony, in which three new knights were invested in the order – Beryl Mercer, Doreen Parker and Ken McIntyre. Phil Rogers became the new Noble Master. That concluded the formal proceedings, but there was still a lot of partying to be done.

We carried on carousing long into the night. I was encouraged to try some more of Ted Tubb’s home-brew wine but I have resolved never to make the same mistake twice. Nevertheless, I only just managed to get up in time for breakfast and to catch my train home.

The convention had some problems with cancelled and late running items, and a hotel that bordered on the hostile. However, I had a splendid time and would like to thank all the Delta Group for putting on the con.

Thanks to Sandra Bond, Claire Brialey, Bill Burns (both in person and here), FANAC, Rob Hansen, and Dave Langford for help with this article.





[September 6, 1966] The Greatest (SF) show on Earth! (1966 Worldcon and Hugo Awards)


by Gideon Marcus

The Big Show



There are many science fiction conventions in the United States, from New York's Lunacon to Westercon, held in San Diego this year!  But the granddaddy of them all is the annual Worldcon, which travels from city to city as various fan groups are able to submit a winning bid to the con's members.

This year, Cleveland won the honor, and so the convention representing the three cities of Cleveland, Cincinnati, and Detroit was appropriately called "Tricon."  More than 800 fen (plural of fan, natch) descended upon the Sheraton-Cleveland (the historic "Renaissance") hotel for a long weekend of fun and fannery.  Even the best rooms at this ancient hotel were tiny, and several complained of dusty closets.  Luckily, we spent little time in our rooms!

As with every Worlcon there were panels and speeches, including one by Harlan Ellison, entertaining as always.


Calisphere photo

There was an Exhibit Hall…


Fanac photo

and an Art Show (the 7th annual, under the supervision of superfan Bjo Trimble)…


From John Skrtic

Bob Silverberg was inducted into the Knights of St. Fantony:


(from Mike Resnick)

Gene Roddenberry presented the pilots of the show, Star Trek, to much acclaim:


From Jay Kay Klein


Fanac photo

There was a masquerade judged by Fred and Carol Pohl, with yet more Star Trek-inspired costumage:


Fanac photo


Fanac photo


Fanac photo

But mostly, Worldcon was a venue for fans and pros to rub elbows, drink, shoot the breeze, and play cards.


Leigh Bracket, Lester Del Rey, Bob Silverberg, Isaac Asimov (Fanac photo)


Fanac photo

And, of course, the main event was learning which stories, people, and entities won this year's rocket-shaped awards. 


At the banquet awards ceremony: Is that the Young Traveler?  No!  It's Robyn Asimov! (From John Skrtic)

So for those of you who weren't there, here at last are the Hugo results!

Best Novel

A tie between Frank Herbert's Dune and Roger Zelazny's …and Call me Conrad.

Nominees

The Squares of the City by John Brunner [Ballantine, 1965]
The Moon is a Harsh Mistress by Robert A. Heinlein [IF]
Skylark DuQuesne by E.E. "Doc" Smith [IF]


I'm not surprised the Heinlein didn't win, despite being the best of these titles.  A lot of fen refused to vote for it given that it didn't finish until this year.  Of course, this means Heinlein's probably lost his chance for this one, which is a shame since it's his best work yet.

I'm happy to see the Zelazny prevented an unalloyed win for the not-really deserving Dune.  The Brunner was largely panned by folks whose opinions I respect (e.g. Algis Budrys and Judith Merril).  We never even reviewed it at the Journey as we weren't quite certain the subject matter was really SF.

As for the Smith, well, we think that was mostly an honor in memoriam since the Doc passed away last year.  The Skylark stories are quite dated, and the newest one was pretty lousy.


Short Fiction


‘Repent, Harlequin!’ Said the Ticktockman by Harlan Ellison [Galaxy, Dec. 1965]

Nominees

Marque and Reprisal, by Poul Anderson [,F&SF, Feb 1965]
Day of the Great Shout by Philip José Farmer [Worlds of Tomorrow Jan 1965]
Stardock by Fritz Leiber [Fantastic Sep 1965]
The Doors of His Face, the Lamps of His Mouth by Roger Zelazny [F&SF Mar 1965]


I'm sure Ellison was pleased to take home the rocketship.  There's not much to say here; all of these stories got or were nominated for Galactic Stars.  Fafhrd and Gray Mouser fans are going to be disappointed Stardock didn't win, I suppose.


Best Dramatic Presentation

No Winner.  There weren't even any candidates!  Apparently Harlan didn't have the Tricon committee's phone numbers, so he couldn't rattle chains at 3am (to be fair, he has since apologized for his behaviour last year.  Now he just needs to apologize for The Oscar…)


Best Professional Magazine

IF Science Fiction ed. Fred Pohl

Nominees

Galaxy ed. by Fred Pohl
Analog Science Fiction and Fact ed. by John W. Campbell, Jr.
Fantastic ed. by Cele Goldsmith
Fantasy and Science Fiction ed. by Avram Davidson and Joseph Ferman


The winner this year comes as quite a surprise to me.  Analog still has twice the readership of the next most-read mag.  I suppose IF did start Heinlein's serial, so maybe this was a back door way of giving the Hugo to R.A.H.  Still, IF finished at the bottom of our rankings last year. 

1965 was weird for most mags, though.  With Cele Goldsmith and Avram Davidson stepping down, and Pohl coming into his stride, I think everything was a bit in flux.

Best Professional Artist

Frank Frazetta

Nominees

Frank Kelly Freas
Jack Gaughan
Gray Morrow
John Schoenherr


Another big surprise.  I can see why Frazetta might be popular, what with his doing the covers for the Tarzan reprints in '64 and working on the Conan covers (the first due out in November of this year).  But he hardly did anything last year.

As for Schoenherr finishing below Gaughan and Morrow?  That's patently ridiculous.  Maybe that's just alphabetical order.  I don't have the vote tallies…

Best Fanzine

ERB-dom ed. by Camille Cazedessus, Jr.

Nominees

Yandro ed. by Robert Coulson and Juanita Coulson
Double: Bill ed. by Bill Mallardi
Niekas ed. by Edmund R. Meskys and Felice Rolfe
Zenith Speculation ed. by Peter R. Weston


With the Tarzan and other Edgar Rice Burroughs coming back into print, it makes sense that a Burroughs-specific fanzine would get the nod.  Of the other four, I know Yandro and Zenith Speculation, but not the other two.  I spend most of my time reading the newszines.

For the fourth year running, our own endeavor did not make the ballot.  I blame myself for the oversight.  For those reading, Best Fanzine is spelled "G-A-L-A-C-T-I-C J-O-U-R-N-E-Y".

Now that that's settled, I'm sure we'll get more votes next year!


Best All-Time Series

Foundation series, by Isaac Asimov

Nominees

Barsoom series, by Edgar Rice Burroughs
Future History series, by Robert A. Heinlein
Lensmen series, by Edward E. Smith
The Lord of the Rings, by J. R. R. Tolkien


This is a new category.  The nomination of Tolkien's series is significant — had not Donald Wollheim published the series in cheap paperback form, the adventures of Frodo and Samwise would be largely unknown.  The other nominees are unsurprising, though I was sad that neither Cordwainer Smith's nor Zenna Henderson's series were on the list.  If the "Best Series" Hugo continues, Smith could get the nod next year given his untimely death last month at the age of 53.

It is interesting that Asimov ultimately won as it seemed pretty clear the Tricon committee hoped Tolkien would get the nod (they proposed Lord of the Rings as an example from the first).  Well, as Harlan knows, you don't always get what you plump for.


So that's that!  It was an exhausting but thrilling time.  We enjoyed the small part we played in the proceedings, all the wonderful people we met, and we look forward to next year's event in New York!

(And don't forget to tune in September 8 at 8:30 PM (Pacific AND Eastern — two showings) for the world television premier of Star Trek!)

Come join us!




[September 2, 1965] A Clash of Cultures (THE 1965 WORLDCON)


by Mx. Kris Vyas-Myall

Loncon II

I am not a huge lover of fan conventions. I have attended one of the prior Eastercons and some small local gatherings, but no others, not being one for big crowds and with my job sometimes requiring unsociable hours.

However, I made an exception for LonCon II for a few reasons. Firstly, this is only the second WorldCon to be held outside of North America. Having missed the first one eight years ago, I didn’t want to miss it again. Secondly, the guest of honour is Brian W. Aldiss, who is one of my favorite writers of recent years (competing only with Ballard, Delany and Dick) and I did not want to pass an opportunity to see him speak. Thirdly, I have a number of fan-friends I only correspond with via mail and fanzines who are going to be there, so I will finally get to meet up in person. Finally, with a child on the way my chances to go in the future are likely to be less.

Worldcon 1965 Logo

Unlike many I did not invest in a hotel room but travelled down by train each day. Being only a couple of hours train ride it was not different from my usual work commute. However, I will admit it did make more tired than some of the other attendees who either got bed and breakfast rooms or stayed with friends in London.

Brian Aldiss, Duncan Lunan, Harry Harrison, Peter Day (Image via fiawol.org.uk)
Brian Aldiss, Duncan Lunan, Harry Harrison, Peter Day (Image via FIAWOL)

The first evening’s only panel was an interesting one with Harry Harrison claiming SF is “The Salvation of the Modern Novel”. However, the main feature of the evening was hanging out and meeting friends I hadn’t got to see in person in a long-time. Although crowded, the hotel bar was an enjoyable place to be.

One of the most important differences with the other fan gatherings was the size. Whilst I have heard it is smaller than many of the American gatherings, British conventions tend to only be a maximum of a hundred people. I have heard the estimate of attendees at around 400. There also seemed to be splits in the evening between American and British panellists.

Winners of the Most Authentic Heroic Fantasy costume, Ian and Betty Peters as John Carter and Dejah Thoris (Image via fiawol.org.uk)
Winners of the Most Authentic Heroic Fantasy costume, Ian and Betty Peters as John Carter and Dejah Thoris (Image via FIAWOL)

Ted White set the cat among the pigeons for declaring his distaste for the New Wave, saying that British magazines are full of  “stories which start nowhere and go nowhere” and that they are stuck in a twentieth century mode of writing, simply imitating mainstream fiction, calling for science fiction to be rooted in the adventure stories of the pulps.

But, as usual, the most controversial comments came from John W. Campbell. In the first panel, I previously mentioned, Irene Boothroyd enquired how much SF was slanted towards women readers and Campbell responded that 95% of science fiction readers are men, so economically they cannot do more. Though I found this a very facile argument I did appreciate Pete Taylor suggesting a 2.5 cent section of Analog for women readers and Harry Harrison suggesting a small section for hemaphrodites (whilst I am sure it was meant in jest as I do not consider myself male or female I choose to appreciate the recognition).

Putting aside how absurdly reductive Campbell is being, it definitely didn’t feel that way in this convention, where I would say it looked to me like a quarter to a third of the attendees were women. And the argument we have regularly seen stated in the papers that they are simply wives and girlfriends dragged along was patently shown to be untrue from the engagement on display.

Karen Anderson as she-devil (Image via fiawol.org.uk)
Karen Anderson as she-devil (Image via FIAWOL)

In a later panel on Monday, Campbell responded to the Watts riots by suggesting that the best solution was to reintroduce slavery and compared black people to worker bees who would die without it. Thankfully, the audience and other panellist had little patience for him, with Moorcock mocking Campbell, Brunner carefully disproving his arguments and the audience asking him tough questions he couldn’t answer.

Brian Aldiss in discussion with other European SF pros.
Brian Aldiss in discussion with other European SF pros (Image via FIAWOL)

That is not to say there were not some excellent talks. Brain W. Aldiss led a discussion on science fiction in Europe, and Brunner gave a lengthy talk entitled, How to Get High Without Going into Orbit.

The most notable part of the event was, as usual, the Hugo awards. Silverberg was presenting the winners and doing this incredibly slowly (some found this entertaining, I personally just found it irritating). Anyway here are the results:

Robert Silverberg, Ken Bulmer (Image via fiawol.org.uk)
Robert Silverberg, Ken Bulmer (Image via FIAWOL)

Best Novel

The Wanderer by Fritz Leiber [Ballantine, 1964] – 52 Votes

Nominees

Davy by Edgar Pangborn [St. Martin’s Press\Ballantine, 1964] – 48 Votes

The Planet Buyer by Cordwainer Smith [Pyramid, 1964] – 34 Votes

The Whole Man AKAThe Telepathist by John Brunner [Ballantine, 1964\Faber & Faber, 1965] – 26 Votes

No Award – 14 Votes

Best Novel The Wanderer Fritz Leiber

A tight race for first position with Leiber winning out. He's obviously the bigger name, but most of us at the Journey thought his book was the weakest of the field. However, Leiber has been campaigning hard in some of the British magazines and it received a lot of love for making references to fan culture and numerous other interests.

Best Short Fiction

Soldier, Ask Not by Gordon R. Dickson [Galaxy Oct 1964] – 60 Votes

Nominees

Once A Cop by Rick Raphael [Analog May 1964] – 47 Votes

Little Dog Gone by Robert F. Young [World of Tomorrow Feb 1964] – 37 Votes

No Award – 30 Votes

Soldier, Ask Not by Gordon R. Dickson

The Dickson got an honorable mention on our Galactic Stars, as did the Raphael, and it is definitely a worthy winner

Best Dramatic Presentation

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) [Columbia Pictures/Hawk Films] Directed by Stanley Kubrick; Screenplay by Stanley Kubrick, Terry Southern & Peter George; based on the novel Red Alert by Peter George – 99 Votes

Nominees

The Seven Faces of Dr. Lao (1964) [George Pal Productions/Metro-Goldwyn-Meyer] Directed by George Pal; Screenplay by Charles Beaumont; based on the novel The Circus of Dr. Lao by Charles G. Finney – 41 Votes

No Award – 33 Votes

Mary Poppins (1964) [Walt Disney Productions/Buena Vista Distribution Company] Directed by Robert Stevenson; Screenplay by Bill Walsh and Don daGardi; Based on the novel by P. L. Travers  – 1 Vote – Write In

Best Drama Dr Strangelove

A big win for Dr. Strangelove but not a big surprise there. Seven Faces is a good film, but Dr. Strangelove has been one of the most discussed movies of last year, (even if the Academy Awards appear to prefer musicals).

One interesting element is that all of the films, including the write-in, are based on novels. There are no original TV productions, such as The Outer Limits, Doctor Who or The Twilight Zone nor any original films such as Robinson Crusoe of Mars, The Gorgon or Mothra vs. Godzilla.

With Peter George accepting the award, this makes it the only British win.

Best Magazine

Analog Science Fiction and Fact ed. by John W. Campbell, Jr. – 63 Votes

Nominees

The Worlds of If ed. by Frederik Pohl  – 35 Votes

The Magazine of Fantasy & Science Fiction ed. by Avram Davidson  – 34 Votes

Galaxy ed. by Frederik Pohl  – 30 Votes

No Award – 12 Votes

Best Magazine Analog

Analog's win is no real surprise simply due to the sales level comparative to the other magazines. What is more of a surprise is that If finished second, whilst we got no nods for the Cele G. Lalli magazines nor for the British magazines, which have been excellent recently and usually appear on the nominations list.

Best Professional Artist

John Schoenherr – 58 Votes

Nominees

Ed Emshwiller – 56 Votes

Frank Frazette – 26 Votes

Jack Gaughan – 22 Votes

No Award – 12 Votes

Best Artist John Schoenherr

The closest battle of the awards with Schoenherr just beating perpetual winner Emshwiller by just two votes. Schoenherr is probably the most talented artist working in the field right now and fully deserves the award.

Best Publisher

Ballantine Books – 54 Votes

Nominees

Ace Books – 50 Votes

Pyramid Books – 33 Votes

Gollancz – 20 Votes

No Award – 17 Votes

Best Publisher Ballantine Books

Not a category we do at Galactic Journey [We will this year (Ed.)], but Ballantine is an unsurprising win with it printing 3 of the 4 best novel nominees. I personally have a slight issue with how much of their output is just reprinting Edgar Rice Burroughs novels on a loop, but the newer work they put out is always of a strong quality.

Best Fanzine

Yandro ed. by Robert Coulson and Juanita Coulson – 69 Votes

Nominees

Zenith ed. by Peter Weston – 35 Votes

Double Bill ed. by Bill Bowers and Bill Mallardi – 28 Votes

Best Fanzine Yandro

Parting Comments

I myself did not speak on the main programme but Cora Buhlert, Gideon Marcus, Erica Frank, and other members from the Journey were involved in this year’s events.

I did, however, take part in a slightly controversial fringe event organized by some fans outside of the Con hours. In the one I joined we discussed what books we think will be still being read at the end of the next century (as a new wave fan, you may be able to guess my biases).

In spite some of the problems and overcrowding it was still great to meet people and attend a Worldcon. Whilst I am unlikely to be at another one any time soon, I am sure our worldwide reporting team will keep attending them. So make sure to look out for other Journeyers at Tricon in Cleveland, Ohio next year!

[And don't miss your chance to see Kris, Cora, and Katie Heffner talk about the state of fandom in 1965, right on the heels of Worldcon! Register now!]






[October 8, 1964] Through Time and Space (November 1964 IF)


by Gideon Marcus

In the presence of greatness

This weekend, I attended a small gathering of SF fans in San Diego.  I'd been invited to give a talk on the first season of Doctor Who, a new science fiction show currently playing across the Atlantic in the UK.  While I've never actually seen any episodes (it doesn't air here, of course), thanks to the wonderful summaries of Jessica Holmes, and various promotional pictures and script transcripts I obtained, I was able to do a reasonable job of summarizing the Doctor's first year of adventures.

It appeared I wasn't the only one at this gathering who was familiar with Doctor Who — some enterprising fan had mocked up a full-size Dalek, one of the aliens featured on the show.  It even had a little engine in it!  Either that or the rope used to pull it along the floor was well-camouflaged…

What I absolutely did not expect was a surprise appearance from none other than Verity Lambert, herself — she is the youngest and only woman producer for the BBC, and she runs the production of Doctor Who. 

Does her presence in the States mean that her show will debut soon on American airwaves?  Stranger things have happened — after all, Danger Man (Secret Agent) made the jump in 1961, not to mention Supercar and Fireball XL5.

Fingers crossed!

The Issue at Hand

In the quiet spaces of the day, I pulled out my copy of the latest issue of IF, which clearly was supposed to have an October cover date, but thanks to problems with the printer, went out with one for November.  While this latest edition didn't have moments quite as stunning as those that transpired at the fan gathering, it was still worthy entertainment.


by Ed Emshwiller

The Hounds of Hell (Part 1 of 2), by Keith Laumer

We start on the baked desert city of Tamboula in the Free Republic of Algeria.  It is the early 21st Century, and this Mahgreb city is a latter-day Casablanca where intrigue abounds by night, and by day, warring Moroccans and Algerians drink together in an intoxicated armistice.  Enter Brigadier John Bravais, a secret agent posing as a journalist, sent to get the inside story on the North African conflict.  At first, the story reads like an Earth-bound Retief tale, with a smart-allecky agent quipping his way out of the hearts of the local authorities.

But in the middle of a battle-torn wasteland, John encounters something most horrifying — a wolf-headed, human-handed alien, fearsome and supremely powerful, appears and kills an Algerian officer with his mind, proceeding to surgically remove and store his brain. 


by Ed Emshwiller

The Brigadier is able to kill the alien, but when he returns to Tamboula to alert the authorities, he finds that the aliens are everywhere, in human guise, and with (apparently) android servants.  Now Bravais must make it back to the United States before he is captured…but who will he find when he gets there?

Keith Laumer is a facile action writer, and once he settles in, this piece is engaging.  The problem is, Bravais is a virtual cipher — his background, his personality, his motivations.  The setting is a mere thumbnail (unlike, say, the future Africa of Mack Reynolds).  And Laumer struggles with the bugaboo all writers (including me!) face when writing the first person viewpoint: excessive use of sentences starting with "I".

It may well be that this is a chopped down version, and when this two part serial be novelized, we'll get some expansion.  As is, Hounds is a decent adventure but will not be one of Laumer's enduring classics.

Three stars.

The Perfect People, by Simon Tully

Thirty years to finish a doctoral thesis?  It's possible, especially when the alien race you're studying remains stubbornly enigmatic.  The "symetroids" spend their day strolling and eating, making perfect circuits of their sea-side area over the course of several months.  They don't converse or use tools, yet their investigator is certain their is a pattern to their movements, a code to their sentience that he just needs a little more time to crack.  Sometimes perfection is perfectly impenetrable. 

Sadly, while this tale by neophyte Tully shows promise, its end does not pay off the beginning.

A high two stars.

The Ultimate Racer, by Gary Wright


by Ed Emshwiller

Newcomer Gary Wright's first work appeared in IF nearly two years ago.  Captain of the Kali was an interesting tale of naval combat on an alien world.  Wright's second work is more down to Earth, literally. 

In Racer, it is the 1990s, and auto racing has become truly "auto" — due to the lethality of the sport, humans have been banned from the driver seat, and cars are remote controlled or self-driving.  Among the sleek IBM-GMs and Volgas and Lotuses, one aging duo insists on racing their vintage 1980 Ferrarri.  But on the eve of the big race, one of the car's solenoids goes kaput, making telemetered driving impossible.

If you've read the classic Matheson story, Steel, then you'll recognize where this is going.  It gets there vividly and with great affection for the sport, but it also takes too a bit too long to reach the finish line.

Three stars.

The Diogenes Planet, by L. J. Stecher, Jr

How can a space merchant captain make a living if he's compelled to be 100% honest?  It all hinges on what truths he decides to tell…

If this shaggy dog tale is not one for the ages, there is certainly nothing unpleasant about it.  A good three stars.

Assassin & Son, by Thomas M. Disch

There's been much discussion here about how newcomer Tom Disch ranges from superb to, well, disappointingly less superb than he can be.  Rest easy — this is one of the good ones.

Around the far sun of Sepharad lies a hot world inhabited by the blob-like and telepathic Sephradim.  These seven-gendered aliens possess a particular racial quirk: when one is murdered, the killer augments their own powers with that of the victim.  For this reason, murder is specifically and rigorously outlawed.

By other Sephradim.

And so, a busy import business of human assassins has built up.  Highly esteemed and ritualized, the assassin tradition is a proud one, passed on from father to son.  But what role can a second-born have in such a system?  It's all a matter of opportunity.

Disch spins a beautiful tapestry here, creating truly alien extraterrestrials, and defining a unique culture that is as compelling as that of Frank Herbert's Dune World, developed with far fewer words.  My only complaint is that the novelette reads like the first few chapters of a book.  While being left wanting is usually a good sign, there is far too much left to be said!

Four stars…and fervent hopes for expansion.

Father of the Stars, by Frederik Pohl


by Ed Emshwiller

So far as I know, Fred Pohl is the only editor who contributes significant amounts of his own material to his magazines.  Far from being a self-aggrandizing enterprise, the issues in which his stuff appears are generally the better for it.

This concluding novelette features the last days of the man who gave humanity the stars, spending his fortune and life to fund 26 slower-than-light generation ships, only to see the development of FTL drives before any of the slowboats make planetfall.  What place can this superseded man have in history?

While Pohl never turns in a bad piece, there's not a great deal to this story.  This is a shame because the premise is fantastic, and I'd love to see a novel that expands on this theme.  Imagine generations of humans living and dying in their tiny mobile world, and once they reach their destination, it's already fully inhabited.  I know there have been stories that touch on the subject, but I don't think any have made it the central premise.

Add to that the superfluous bits about spacers grafting their consciousnesses to chimpanzees while their bodies remain in suspended animation, and the piece feels both undeveloped and misfocused.

But not bad.  Three stars.

Things to Come

Between meeting Ms. Lambert and exploring the wealth of worlds offered in this month's IF, October has started with a bang.  I can't wait to see what wonders the coming weeks have to offer!


[Join us at Portal 55, Galactic Journey's real-time lounge! Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




[July 22, 1964] (August 1964 Fantasy and Science Fiction)


by Gideon Marcus

(If you found us at San Diego Comic-Con and can't figure out why we seem to be 55 years behind you, this should clear things up!)

Bayside Heroics

This weekend, the family and I took a mini-vacation in our home town.  Living in the suburbs as we do, it's easy to forget that San Diego has so much to offer.  Balboa Park, Old Town, the Gaslamp, not to mention the docks and the waterfront. 

Of course, being who we are, we needed some kind of event to anchor the trip, such excuse being provided by a little get together of comics enthusiasts ambitiously dubbed "Comic-Con."  I think San Diego is big enough to warrant a real SFF con — perhaps we'll get our equivalent of Lunacon someday?

Anyway, time travel was the theme, and I ran across this fellow who looked a bit like a medieval version of me:

There were also these fantastic women dressed up as Spy vs. Spy from Mad Magazine.  Very impressive!

All was not roses, however.  I took along some reading material to while away the calm hours by the hotel poolside, a bunch of books and the latest issue of Fantasy and Science Fiction.  I had (dim) hopes that this installment might reverse, or at least halt, the declining trend in the magazine's quality.  Alas, such was not meant to be.

The Issue at Hand


Cover by James Roth

A Bulletin from the Trustees of the Institute for Advanced Research at Marmouth, Mass., by Wilma Shore

It's always a good idea to start your magazine with a hook, your best stuff.  Instead, Editor Davidson led the August 1964 issue with a short piece by newcomer Wilma Shore, a dialog between a scientist from the present and an everyman from the future — one that proves utterly fruitless.  It's the sort of throwaway gag that Jack Benny might make mildly amusing.  Here, it just droops like a wet rag.

Two stars.

"I Had Vacantly Crumpled It into My Pocket … But By God, Eliot, It Was a Photograph from Life!", by Joanna Russ

Evoking but not aping Lovecraft, Joanna Russ' latest turn involves a fellow with a taste for the pulps and nothing fantastical written since 1940ish.  An abrasive anti-social, he unexpectedly finds his love in a park, her nose in a tome by the long-dead H.P.  But does she really exist?  And what ominous specter animates her, gives her purpose?

Russ never fails to deliver something atmospheric, but in the end, I found the piece as insubstantial as the story's mysterious femme fatale.

Three stars.

Poor Planet, by J. T. McIntosh

A few pages into this "latest" tale by McIntosh, I had a distinct impression of deja vu.  In fact, my description from his story in the April 1959 Satellite, The Solomon Plan, will summarize things quite adequately:

"A terran spy tries to succeed where all of his predecessors have failed before: solving the mystery of the backward planet of [Solitaire].  Where the other planets of the 26th century terran federation enjoy a correspondingly advanced quality of life, the hyper-patriotic [Solitaire] seems to be stuck in the 20th century.  Moreover, their population is unaccountably low given the length of time it has been settled."

In fact, Poor Planet is almost identical to the prior tale (which, itself, was a reprint!) including the sub-plot involving our middle-aged spy meeting with, and ultimately turning, a young local spy.  However, in this one, the spy spends much of his time leering at the girl, noting her affections for him, and then decides that it's best if he be her new father-figure.  Because all girls (even ones who are adults) need a daddy, and her current one wasn't doing his job very well.

I thought the original story decent if somewhat implausible.  This new version is the worse for its ickyness.

Two stars.

Nada, by Thomas M. Disch

I had such high hopes for this one.  It starts like something from the pen of Zenna Henderson, a sweeping piece about a teacher trying to connect with a gifted but apathetic pre-teen.  But what starts out like the next installment of The People falters and ends as a lesser episode of The Twilight Zone

Two stars.

The Red Cells, by Theodore L. Thomas

Another short "Science Springboard" piece in which Mr. Thomas says that, since red blood cells are more robust in our youth, that the key to youth is to strengthen our red blood cells.  Correlation, causation… what's the difference?

Two stars.

Epitaph for the Future, by Ethan Ayer

Decent but forgettable poetry about a man (or a planet) and his/its desire for a plain, unadorned grave.

Three stars?

A Nice, Shady Place, by Dennis Etchison

Another newcomer, and a story straight from Weird Tales.  Young woman with freckled skin (we are told this many times) goes to summer camp with her lip-licking (we are told this many times) boyfriend to find out what became of her brother.  Turns out that the campers are all forcibly made hosts to salamander-thingies that take over their minds.  A la The Puppet Masters.

Young Etchison has not yet learned Polonius's dictum, and the piece is pure corn.

Two stars.

Redman, by Robert Lipsyte and Thomas Rogers

Lipsyte and Rogers offer a perhaps prescient look into the television of tomorrow, when shows won't just simulate violence but will actually feature real violence.  In this case, the program is Massacre, portraying the slaughter of the White Man at the hand of the Indians.  Except, in this case, the Blue-eyed Devils aren't actors.

At first, I thought this was going to be an interesting take on (perhaps justified) revenge by the consistently decimated natives of our continent, as seen by an actor who derives lineage from both camps.  In the end, I'm really not sure what the two authors were trying to say.

Two stars.

The Days of Our Years, by Isaac Asimov

If you want to know how the calendar got to be the way it is today, the good Doctor's article is a nice primer on the subject.  There's little in here I didn't know, but it was a fun read, nevertheless.  Also, I happen to know that the entertainer, whom he got off the hot seat by performing in his place, was none other than Tom Lehrer.

Four stars.

When the Change-Winds Blow, by Fritz Leiber

This one started well enough — a fellow wings through the air of partially terraformed Mars, trying to forget the atomic destruction that savaged Earth and killed his would-be beloved.  But it then segues into a vividly (one might uncharitably say "purplishly") rendered lucid dream involving a cathedral of sand and people from a poem.  I didn't like it.  I'm sure it'll be nominated for the Hugo.

One star.

In the Calendar of Saints, by Leonard Tushnet

Last up is (yet another) Deal with the Devil story, this one won by Old Nick.  The gotcha is only mildly clever, but the portrayal of Communist Poland, with which Tushnet is well-acquainted, is fascinating.

Three stars.

Summing Up

It's a good thing the rest of the weekend was such a blast because this issue was really quite lacking.  Oh well.  You tune in for the sardonic (half) wit, right?  On the positive side, there was some discussion of a renewal of The Twilight Zone.  The issue is finding a new host since Serling doesn't want the job anymore.

I have a modest proposal…


[Come join us at Portal 55, Galactic Journey's real-time lounge!  Talk about your favorite SFF, chat with the Traveler and co., relax, sit a spell…]




[September 5, 1963] Oh Brave New World (the 1963 Worldcon)


by Gideon Marcus

This has been a year of many firsts.  My first year as a full-time writer, my first published fiction story, and now, my first Worldcon.  Ever since I became a science fiction fan back in 1950, Worldcons have been mysterious, half-magic events that happened to other people.  I'd read reports in Fanac or Science Fiction Times or heard summaries from attendees, but they were never real for me.

Until now.

On August 31, 1963, I walked through the doors of the Statler-Hilton in Washington D.C. and attended Discon I, August 31 – September 2, 1963.


The Statler-Hilton in Washington D.C.

It was a weekend of panels, shopping, heated debate, raucous partying, fantastic costumes, and writers.  There, in the flesh, I saw some of the titans of a field I am just entering.  Most of them were somehow apart from me, beyond my ability to connect with at more than a perfunctory level.  Others were more than happy to mingle.  For instance, rising star Bob Silverberg, shared banter and contact information. 

Of course, Silverberg is the fellow who wrote the second-most offensive story I've ever read, the one that turned me off of the magazine Venture forever.  One can only hope he's grown out of his reactionary mindset.


Silverbob, himself! (from fanac)

But in addition to the cavalcade of celebrities, there were, of course, the hundreds of fans, and boy did we have fun together.  The names of a few with whom I connected: Denise Head, Al Jackson, Myriam Warren, Larry Niven, Joe Haldeman.  I even spent a little time palling around with young Astrid Anderson (daughter of Karen and Poul — I never quite managed to cross their path).  Precocious kid.  She's going places.

As usual, Galactic Journey presented a panel on the current state of fandom.  The room was packed, and the questions were excellent.  There was just one moment of heat: an attendee took umbrage at our less-than-flattering comments regarding Barry Goldwater.  Well, it's a free country.


Leiber, Emsh, Ley, Scithers, Brackett, Asimov, De Camp (from locus)

On the last day, we crammed into the main hall for the award ceremony.  The highlight of the luncheon was, without a doubt, the final award for "Dramatic Presentation."  You see, Isaac Asimov was presenting, as he usually does (a rumor that it would be Ted Sturgeon turned out to be unfounded — he wasn't there).  He made his little introductions for each of the winners, with increasing irritation as the night wore on. 

You see, he really wanted a Hugo, and he was upset that he had never gotten one in his 25 years of writing.  And now that he'd transitioned to mostly writing science articles, it was becoming clear (to him) that he never would. 

Once he reached the last envelope, he took a moment to treat us all to a tirade.  He knew, he said, why he had never gotten the golden rocketship.  It had nothing to do with merit.  It was anti-semitism, plain and simple.  We were all Nazis.  Yes, even me.

And with a snarl, he ripped open the final envelope and called out, "The award goes to I…" and froze, his tongue tripping on his own name.  It turned out that there was no Dramatic Presentation award this year.  Instead, Asimov was given a Hugo for his F&SF science articles — "putting the science in science fiction," the award read.

The laughter lasted quite a long time. 

As for the rest of the Hugos, well, here's how they went:

Best Novel

The Man in the High Castle by Philip K. Dick [Putnam, 1962]

Nominees

Sword of Aldones by Marion Zimmer Bradley [Ace, 1961]
A Fall of Moondust by Arthur C. Clarke [Harcourt, Brace & World, 1962]
Little Fuzzy by H. Beam Piper [Avon, 1962]
Sylva by Vercors [Putnam, 1961]


H. Beam Piper in tie at the convention (from zarthani)

This selection is truly remarkable.  Not a single one of these books made our Galactic Stars list this year (though, to be fair, A Fall of Moondust was on our list the prior year).  The Dick is decent, but not Hugo-worthy; ditto the Piper.  The Bradley is just awful.  None of us read Sylva, a French novel about a woman who turns into a fox, so we can't judge that one.

Short Fiction

The The Dragon Masters by Jack Vance [Galaxy Aug 1962]

Nominees

Myrrha by Gary Jennings [F&SF Sep 1962]
The Unholy Grail by Fritz Leiber [Fantastic October 1962]
When You Care, When You Love by Theodore Sturgeon [F&SF Sep 1962]
Where Is the Bird of Fire? by Thomas Burnett Swann [Science Fantasy Apr 1962]


Costumes of Fafhrd and the Gray Mouser at the convention (from fanac)

Here, we're on more common ground.  Of course, the WorldCon committee only picks five sub-novel length stories to award while the Journey gives out fifteen, which allows more opportunities for overlap between the two sets of awards.

The Vance is really an excellent novella, and I understand a sequel may be in the works.  The Leiber is definitely deserving, and its warm reception appears to have spurred a host of new Fahfrd and Mouser stories.  The Sturgeon is a reasonable choice, though it was not one of ours. 

We were not so taken by the Jennings, and we missed out on the Swann.  Would any of our fellow travelers like to clue us in?

Best Dramatic Presentation

No Winner

Nominees

Burn, Witch, Burn (1962) (alt: Night of the Eagle) [Anglo-Amalgamated/Independent Artists] Directed by Sidney Hayers; Screenplay by Charles Beaumont & Richard Matheson and George Baxt; based on the novel Conjure Wife by Fritz Leiber

The Day the Earth Caught Fire (1961) [British Lion/Pax] Directed by Val Guest; Written by Wolf Mankowitz & Val Guest

Last Year at Marienbad (1962) [Argos Films] Directed by Alain Resnais; Screenplay by Alain Resnais and Alain Robbe-Grillet; based on the novel The Invention of Morel by Adolfo Bioy Casares

The Twilight Zone (TV series) by Rod Serling [CBS]


From The Twilight Zone episode Little Girl Lost

As described above, no program managed to secure the gold rocket ship this year.  In any event, I am dismayed that we only covered two of the finalists.  We will endeavor to Do Better!

Best Professional Magazine

The Magazine of Fantasy & Science Fiction ed. by Robert P. Mills and Avram Davidson

Nominees

Analog Science Fiction and Fact ed. by John W. Campbell, Jr.
Galaxy ed. by H. L. Gold
Fantastic ed. by Cele Goldsmith
Science Fantasy ed. by John Carnell

Once again, the names are the same but the order changes.  There just aren't that many magazines around these days, though there has been a resurgence lately (and I just read that Wonder Stories may be back!)

I wonder if we should start covering Science Fantasy

Best Professional Artist

Roy G. Krenkel

Nominees

Ed Emshwiller
Virgil Finlay
Jack Gaughan
John Schoenherr

Krenkel's is a name I was unfamiliar with until recently.  He's the one responsible for the beautiful cover work on the Edgar Rice Burroughs reprints.  The others are, of course, staples of the magazine world.

Best Fanzine

Xero ed. by Richard A. Lupoff and Pat Lupoff

Nominees

Warhoon ed. by Richard Bergeron
Mirage ed. by Jack L. Chalker
Yandro ed. by Robert Coulson and Juanita Coulson
Shangri L’Affaires ed. by Fred Patten, Albert Lewis, Bjo Trimble and John Trimble

"Where is Galactic Journey?" you cry.  After all, it was widely reported that our beloved journal would be on the ballot this year.  Sadly, due to some arcane rule I don't quite understand, Galactic Journey was not eligible for the Hugo in 1963.  Maybe next year

Despite our not having officially been on the ballot, the Journey was invited to the Sunday night reveling that is traditional for Hugo losers.  We sent a representative; however, the Traveler and Editor decided to get some much-needed rest.  It had been a roller-coaster of a week, and we wanted to be fresh for the return to San Diego. 

Nevertheless, Worldcon was a blast.  We loved the venue, the friends, and the programming.  We will definitely attend next year.  Hope to see you there!

[We'll be discussing the Hugo winners, losers, and shoulda-beens all week, starting now, at Portal 55! Come join us!]




[April 21, 1963] Bully for Conventions (BullCon: The 1963 EasterCon)


By Ashley R. Pollard

BullCon, was the 14th British Eastercon held this year in Peterborough, and as usual a celebration of all things fannish.  British Eastercons are, as the name suggests, held over the Easter weekend (though in days gone by they were held over Whitsun holiday weekend).  And, despite being the national SF convention, they are independent events run by fans.

I was, for the usual reasons, unable to arrange travel to attend, but I was able to rely on my friend, Rob Hansen, who compiled the reports of those who attended.

This was a big convention, with over a 130 fans in attendance.  Not the biggest Eastercon on record, but up from last year's 94. All things considered, this seems to be an indicator of a healthy interest in science fiction and fantasy.  An added feature of this year's convention was the presence of a film crew, who were covering the event for local and national press, and recording interviews with the authors and artists for television and radio.

How glamorous!

BullCon was also the fifth anniversary of the BSFA: the British Science Fiction Association.  As you may remember, money was raised at last year's convention to create an award to honour Arthur Rose "Doc" Weir, who before his death had been the secretary of the BSFA.

The Doc Weir award will be given annually to recognize someone who has contributed to fandom, but who is otherwise unsung.  The quiet fan who goes about doing the necessary work that keeps things running, and this year I can happily report that the cup was awarded Peter Mabey.

Peter, is a member of both the Cheltenham Circle, the BSFA, and a founder member of the Order of St Fantony, which became known to fandom at large in 1957 at the British Worldcon.  Like all things fannish, the description of the group depends on who you talk to: secret Masters of Fandom; a group formed to greet Americans who came to over the pond; or a cringeworthy jape: a fannish practical joke.

Whatever position one takes I'm sure the Order of St Fantony will be around for a number of years.  Anyway, regardless of fannish sensibilities, well done Peter.  I hope you get to to many more conventions in the future.

Like all large fan run events, there were issues with the time the events were meant to start versus the actual time they did start.  Not unsurprising given the size of the hall used for the main events and the quality of the public address system.

So the good/bad news is that next year the convention is again being run in Peterborough because the hotel management liked the fans so much it invited them back.  The bad news is the cost of eating in the hotel.  For those who plan to attend next year, the best eateries are either the Minster Grill or fan favourite The Great Wall Chinese restaurant.

Moving on, Ken Slater opened the convention and introduced Brian Aldiss who then went on to interview some of the guests of honours before the BullCon program proper started.

With humour and charm, Brian introduced on Saturday morning the Guest of Honour, the incredibly handsome Edmund Crispin, which for those who don't know is a pseudonym of Robert Bruce Montgomery.  Our guest of honour also admitted to being a member of the BSFA, making him one of us.

His talk was titled, Science Fiction: Is it Significant?

The argument presented started by saying that SF genre certainly considers itself significant and or feels it's important to be seen as significant.  Especially in these times where mankind is taking its first steps into space and towards the stars.  However, he saw a danger in this because of the risk from being absorbed into mainstream literature.  He referenced crime fiction in the early thirties, to create a parallel for what happens when everybody starts writing in a genre they don't fully understand.

His second point led onto mainstream authors who have produced the occasional work of SF that were in his mind poor, for example, On the Beach by Nevil Shute.  His argument being that mainstream authors didn't understand the problems and conventions of the genre.  And this led to second-rate SF stories and the genre being labelled as bad.

His third point was the influence of television.

Here he was quite scathing saying, "there is little differentiation between merit and lack of merit."  In his opinion, the presence of aliens or spaceships is the only factor to differentiate TV SF from conventional moribund mundanity that is transmitted over the airwaves.

Mr. Crispin's fourth point was an observation that the idea of the cosmos had permeated the common culture, as evinced by the fact that even the Astronomer Royal had stopped saying traveling into space was foolish science fictional fantasy.  Which raised a chuckle at the inability of the British establishment to keep abreast of the times.

Finally, he drew his talk to a close by arguing that in SF, space travel is presupposed to be a fact or matter of course, not a theme in and unto itself.  He observed that SF authors crammed ideas into their short stories that would fill a novel in in other genres.  As an aside he said, "SF authors are generally underpaid," which raised a cheer of "Hear! Hear!" from author Harry Harrison.

He finished his interesting talk with a couple of observations.  The first that readers do not like to be told that people are unimportant, and that SF is a major revolution in the evolution of literature since the time of Shakespeare and Marlowe.

A question-and-answer session followed Mr. Crispin's talk, which touched upon the debasement of the SF genre in the eyes of the general public by mainstream writers.

The rest of the day was equally lively.  For example, one panel featuring a discussion about censorship, with an interesting number of anecdotes from the large number of SF authors in attendance.

Saturday evening was enlivened by the presence of a four piece band and the Fancy Dress Party.  The award for Best Monster went to Harry Nadler.  Janet Shorrock received a special prize for dressing up as a cat girl.  This year's convention theme was "After the End," so I shouldn't be surprised that Tony Walsh won first prize for dressing up as a sandwich-board-man with the slogans front and back, "Prepare to Meet Your Beginning" and "The Beginning is At Hand."  Some took their costumes out onto the streets to delight/scare the nonfans.

Another tradition at the Eastercon is the art competition.

This year the best colour work was won by Jack Wilson, runner up was Terry Jeeves.  Eddie Jones won the award for the best black and white artwork.  Terry Jeeves also garnered the award for best cartoon.  And, the backdrop used in the main hall, created by Marcus Ashby, was highly commended for contributing to the atmosphere that made the convention a success.

Parties.  There were a few.  One, run by Ella Parker and Ethel Lindsay attracted 53 people. All crammed into one small hotel room.  Allegedly, Harry Harrison caused a blast as he was forced to the floor but managed to keep hold of his drink.  Or so the story goes — the magnitude of the event is magnified in each retelling.

Sunday, besides the usual hangovers, the convention had a talk about the future of TAFF: The Transatlantic Fan Fund, presented by the current administrator Ethel Lindsay, with the support of Ron Bennet and Eric Bentcliffe.  A detailed discussion of the finances and cost were covered and whether reports were mandatory; it seems they're not.  But my feeling is that they are expected, and as we say over here, better late than never.

This was followed by the fifth anniversary AGM of the BSFA, where the chairman Terry Jeeves described the work and achievements of the organization over the last year.

There were two major crises. The first when the editor Ella Parker had to give up her post.  The second when the BSFA had to move the library to Liverpool.  Terry gave credit to all those whose hard work had carried the BSFA through this difficult time.

New members were being encouraged to join the BSFA.  When someone asked how, Brian Aldiss is reported to have quipped, "by thumbscrew," thereby cementing his reputation for being funny.

The Pro Panel was a special event this year due to the number of professional authors in attendance.  The first four speakers took a couple of questions from the audience, then tagged two other authors to come up and take their place.  The authorial equivalent of a relay teams.

First question: how do you write?

Harry Harrison makes notes when writing a short story, but novels involve long correspondences between him and his editor; Michael Moorcock said ideas often took up to two years going around in his mind before he wrote the story; Edmund Crispin reported that he tried to keep regular hours of 09.30 to 12.30, writing in long hand on lined paper.

Generally, he failed and by 11.30 he gave up and went to the pub. Clearly another "funny" guy.

Next a question was asked about sequels.

Harry Harrison responded that if a book is written "right" it doesn't need a sequel (of course that begs a definition of what is meant by "right"); Brian Aldiss' cryptic comment was, "for those in peril on the sequel;" and Edmund Crispin's opinion was that there are occasional exceptions to the rule about sequels (which, I infer, is don't).

Then the panel was asked a question about Russian SF.

Kingsley Amis stated that Russian SF lacked action driven by crisis because, "in a well-planned, well-run economy one does not find crises."  He told of Soviet stories in which aliens are intelligent and therefore socialist; Max Jakubowski, with, what I imagine, the benefit of having a Russian-British and Polish heritage, gave the pithy answer that Russian SF "is very heavy;" John Carnell drew parallels with early German SF; while Ken Bulmer and Mack Reynolds both spoke about about the importance of background in SF.

This was a very thought provoking panel, which ended because time had run out.  See my comments earlier on program problems.

Finally, the official programme was brought to a close with a film show.  This year two films were shown.

The first was Jean Cocteau's Orphee with English subtitles.  This was followed by Fritz Lang's Metropolis that was allegedly last shown at the Royal Hotel Festivention in 1951.  I say allegedly, because while it had been planned to be shown, the distributor instead sent a copy of the 1925 version of Lost World. Much hilarity ensued because Arthur C. Clarke ran the gramophone record player providing music to accompany the the dinosaur action.

So, watching Metropolis is considered a tradition, but in British SF fandom anything done more than once (even if the first time is a non-event) is considered a tradition.

It's also a British tradition for fans to provide sarcastic commentary on the acting of silent movies.  Depending on one's mood or level of inebriation, this can be tedious or exhilaratingly funny.  Funny things, traditions.

Lots of other stuff went on during the weekend, but the best thing that can be said about the event was the feeling that it could've gone on for longer, and let's do it all again next year.  I'm sure Ethel Lindsay will agree, as she was inveigled into running next years programme.

Anyway, next year I hope to attend the Eastercon.  We shall see if I manage the trip next time! 




[Oct. 2, 1962] Women of Washington, Unite!  (The Seventh Geek Girl Con in Seattle)

[if you’re new to the Journey, read this to see what we’re all about!]


by Gideon Marcus

Ah, Geek Girl Con.  Every year, Seattle's clarion call of intellectual feminine fandom calls us to attend Washington's signature science fiction/fantasy event.  It is an intimate (but growing) gathering of sff devotees with a fascination for things both creative and technical.

This year, as with last year, the Journey was invited to speak on the last 12 months in fandom, and boy did we have a lot to relate.  From coverage of Marvel Comics' slew of new superheroes to a report on this year's Hugo winners, and with a special piece on the woman pioneers of space exploration, our four panelists ensured that our several dozen attendees left educated and excited.

Of course, there was plenty more going on this year, from a burgeoning Huckster Hall to an active costuming scene.  There was a host of interesting panels.  We personally attended one on activism and how our breed of fanaticism can be channeled to make a positive difference in the world.  Sort of a "Fen Forward!" or "Beatniks for a Better world!"  With all the racial strife, economic inequality, strife on the foreign scene, and the increasing specter of Goldwater isolationism and reactionary policy going on, we need all of our wacky team united in the cause of improving society. 

There was also an excellent panel on Black fandom (there are more members than you think!) and the hope for the appearance of a Black comic superhero.  My bet is that, of the two big comics houses, Marvel is the more likely to dare in that direction.  But who knows?

Here, then, is a mini-gallery of some of the dressed-up friends I managed to snap photos of.  My apologies for not having so many this year – it was an awfully busy (but very fun!) time:


The radiant Sarah Kauppila as Snow White…and her lovely mother, Luann, as the Evil Queen


Cruella de Ville from last year's Disney film, 101 Dalmatians


Erika Rae Heins, a Middle Earth enthusiast


Rosemary, a modern-age Wonder Woman


Wilma Flintstone and Betty Rubble

That's it for this year, but it's almost a certainty we'll be flying back on Alaska Airlines come next October.  Especially now with their swell Convair 880s, which go a bit faster than the Boeing 707 and the Douglas DC-8.  First time we've ever ridden in one!

[AND DON'T MISS LIVE COVERAGE OF WALLY SCHIRRA'S SIGMA 7 MERCURY FLIGHT BEGINNING TONIGHT!]




[April 3, 1962] Wide-eyed in Wonder (WonderCon 1962)


by Gideon Marcus

Good golly, is it 1962 already? WonderCon remains one of the largest and most up-to-date conventions in the state. Attendance was well into the hundreds, likely due to the broad scope of fandoms covered. Everything from comic books to science fiction film and television – it's almost like Galactic Journey Con! (if you're new to the Journey, reference this summary article to see what we're all about.)

As always, I bummed around the Exhibit Hall and Art Show while the Young Traveler spent a lot of time in panels learning various art tips.

Check out this vendor who dealt in recent magazines and Ace Doubles – I cleaned him out, largely to get gifts for my panels.

I almost picked up this film magazine, but the loss of James Garner (from the show) is still too fresh…

I ran across an amazing store, The Rational Past, which sells all manner of antique and new treasures. Most importantly, they fixed my slide-rule case, which was falling off my belt, the leather was so fatigued.

Here's an amazing World Expo card case my friend, Professor Elliot, found. Nearly thirty years old. An antique!

And here are me and the Professor, doing our shtick in the Exhibit Hall:

And now, for your viewing pleasure, costumed attendees. I've grouped them by logical association:

Mary Todd Lincoln, First Lady

Vintage theme

Anastasia, Czarina of all the Russias

Colonel Sanders

His chicken was finger-lickin' good!

Disney

As charming a Minnie as you'd hope, and so tall!

I hope the little girl didn't cross the Queen's path!

A very timely set of costumes from 101 Dalmations– this movie came out just last year.

Alice in Wonderland

…and a witch!

Lensman

An excellent Kimball Kinnison, the Gray Lensman!

Curious George

May I have a collective "awwwww" from the audience?

The Addams Family

Wednesday Addams was a surprisingly popular costume choice.

Dick Tracy

Marvel Comics

I wonder if Captain America will be the next hero to be revived? I'm sure that'll make this booster happy!

National Comics

A strikingly good Amazon!

A picture-perfect "Man of Steel"

I'll end with my favorite costume of the event. Supergirl is a very recent character from National Comics who has stolen the heart of thousands of fans, me included.

That's it for WonderCon 1962. To all the new friends I made, feel free to drop me a line, either privately or for publication in the Comments section! See you at ComicCon in just three months…

[March 19, 1962] A convention of a different colour (Eastercon in the UK)


By Ashley R. Pollard

Last month I said I would talk about science fiction fan activity in Britain.  I think it only fair to say that my involvement with British science fiction fandom is peripatetic, as in unsettled, as I lack the stamina to be fully involved with fannish behaviour.  Not a bad thing per se, but not my cup of tea.  As such, I’m all too aware that my account of British Eastercons is rather secondhand, as I haven’t been to one for several years.

Furthermore, I’m not a Big Name Fan, because I stand at a distance from the core of those who move and shake the mores of fandom.  One could argue that I’m an old time fan who has gafiated from fandom, getting away from it all, since I rarely participate in fannish activities per se.  Before you jump to the conclusion that I therefore must be a sercon fan, serious and constructive, I should add I’m not that either.  For me the word FIJAGH says it all: fandom is just a goddam hobby.  It sums up my position perfectly

With those caveats in place let me talk about the British national science fiction convention.

The first thing I should state is that Eastercons are a relatively recent thing, which started seven years ago in 1955.  How time flies.  The first national SF convention was held in London in 1948, and called Whitcon, because it was held over the three-day weekend of Whitsun. 

For my American readers who may be unfamiliar with British Bank Holidays, Whitsun takes place seven weekends after Easter, my understanding is that in America it comes under the Pentecostal tradition.  You’ll excuse me if I’m a bit vague about Christian practices; they’re not my thing despite being brought up in a nominally Christian family.  We were what might be called Christians by default.  A very British thing that may not be fully understandable to those looking from outside of British culture.

The next four national SF conventions were also held in London before the convention moved in 1954 to Manchester.  By this time the number of people attending had started to drop precipitously, which caused quite a furore within fandom about what must be done?  With, people like Ken Slater and Vince Clarke, arguing that British fandom needed reinvigorating.

Resulting, though that implies far more causation for something that is mostly a loosely correlated series of events, in the formation of the BSFA in 1958 with Eric Bentcliffe and Terry Jeeves as joint secretaries.  So in 1959 the newly formed British Science Fiction Association (BSFA) took over running the national convention, which now takes place over the four-day Easter weekend.

This years Eastercon will happen on April 22nd, and is being held in Harrogate, which is in North Yorkshire.  Unfortunately, I will not be able to attend, due to the combination of a lack of time and money preventing me from doing so.

The official name is the rather prosaic The 1962 BSFA Easter Convention, the committee running the convention is made up of Ron Bennett and Phil Rogers.  They are the ones in charge of organizing the events during the weekend.  The fans are calling it Ronvention.

I’m told there are 94 fans going to Ronvention, which is split between the West Park and Clarendon hotels.  The West Park will be the venue for the Fancy Dress party, the theme being favourite characters from SF &F books; the BSFA will hold its AGM there to discuss what to do with the money raised for the Doc Weir Memorial Fund to honour him; and finally there will be a film shown there too.  Meanwhile everything else, like quizzes, an auction and a talk on the development of British fandom by Mike Rosenblum will take place at the Clarendon hotel.

Mr. Tom Boardman, of Boardman Books, is the Guest of Honour.  He edits the popular Mayflower SF series, which was one of the earliest publishers of SF in post-war Britain.  And, in addition to his work as editor and publisher, he also reviews SF for Books & Bookmen, a magazine published by Hansom Books.

Also attending is Ron Ellik, travelling from the USA courtesy of the Trans Atlantic Fan Fund.  This is a fan fund whose title says exactly what it does.  The roots of the fund lay in Forrest J Ackerman’s idea called the Big Pond Fund that eventually brought John Carnell to the American Worldcon in 1949.  This morphed into what is now known as TAFF when Walt Willis went to the 1953 Worldcon, and wrote a report about his travelling around America, which he published in his fanzine, Hyphen.

In addition to an American presence at Ronvention, I’m told that German fans Tom Schluck, Rolf Gindorf, Wolfgang Thadewald, Thea Grade, Horst Margeit, and Guntrum Ohmacht will be coming to demonstrate that the best way to get into a Britain is to come to as fans.

And lest you find yourself wondering if UK conventions be greatly different from American ones, fear not.  You will still encounter the masquerade balls, the awards ceremonies, the huckster sales, the vociferous fannish debates, and yes, the debauchery (though such entertainments lie in my past).

Before finishing this month's article I must thank my good friend Rob Hansen for his help with collating all the fannish information I’ve shared with you.  I would have been lost without his sterling work in recording the goings-on in fandom.  That is it for now, which just leaves me to say goodbye, and see you all again next month.