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[August 4, 1969] A Small Step and a Giant Leap (Apollo-11, Part 2)


by Kaye Dee

The crew of Apollo-11 has returned home in triumph, splashing down safely in the Pacific Ocean on 24 July US time, at the end of their historic mission. The New York Times Editorial of 20 July has called their epic adventure “more than a step in history; it is a step in evolution.” Those footprints (well, bootprints, like Col. Aldrin's above) on the Moon mark the beginning of humanity's giant leap from its home planet into the cosmos.


Despite their hero status, right now the crew of Apollo-11 are pariahs – in quarantine to ensure that they have not brought home any nasty surprises from the Moon in the form of unknown pathogens. But alongside the treasure trove of Moonrocks, what they have brought home is a stunning visual record of Mankind's "greatest adventure", and I have waited a little to prepare this article so that it could be illustrated with many of the images taken during the flight (which had not been developed and distributed until now). I hope you’ll agree that it has been worth the delay.

The Apollo-11 mission has been epic in every sense of the word – so much so, that my intended two-part article has evolved into a three-part story, the final chapter to come after the astronauts are released from their quarantine.

A Smooth Cruise
At the end of Part 1, we left the Apollo-11 crew on their coast to the Moon, which was largely routine and uneventful. Despite the intrinsically dangerous nature of the Apollo-11 mission, the flight was, overall, probably the most trouble-free Apollo mission to date. Certainly, the Operations Supervisor at the Honeysuckle Creek Manned Space Flight (MSFN) Tracking Station has described it as “a very smooth mission from our perspective”, and I understand that Mission Control in Houston thought the same, despite the stresses inherent in such a historically significant undertaking as the first Moon landing. 

Coming to You in Living Colour
34 hours into the flight, Mr. Armstrong, Col. Aldrin and Col. Collins gave their first public television broadcast. Highlights of the 36-minute transmission (in colour for those countries with colour TV service) included views of the Earth, Lunar Module (LM) Pilot Aldrin demonstrating zero-g push-ups and “Chef” Collins dishing up a space food chicken stew. 

Compare the resolution of this photo taken by the crew with the television image of a similar view of the Earth at around 10,000 nautical miles

Another television transmission took place 55 hours after launch, with a 96-minute colour broadcast. Shown live in the US, Japan, western Europe and much of South America, this show again included views of the Earth, now 201,300 miles away. Viewers could see the removal of the probe and drogue docking apparatus and the opening of the spacecraft tunnel hatch to the LM, with Command Module (CM) Pilot Collins making jokes about his non-union “stagehands” (Armstrong and Aldrin).

Col. Aldrin entered the LM first, followed by Mr. Armstrong, providing a tour around the vehicle that would land the first human beings on the Moon. Aldrin also described the Moonwalking gear waiting to be used.


Aldrin in the LM during its first checkout. His sunglasses were specially developed by Australian ophthalmologist Dr. John Colvin

Into Lunar Orbit
On mission day four, Col. Collins swung the Command Service Module (CSM) around, so that the crew could look at the rapidly approaching Moon, its crater-pocked surface now filling their windows. As the spacecraft entered the Moon’s shadow, Mr. Armstrong noted “Now we are able to see stars again and recognise constellations for the first time on the trip. The sky is full of stars, just like the nights on Earth. But all the way here, we’ve only been able to see stars occasionally… but not recognise any star patterns.”

An eerie view approaching the Moon in its shadow, with the solar corona and dimly Earthlit craters appearing around the lunar rim

Like Apollo-8 and 10, the CSM engine burn required to place Apollo-11 into lunar orbit had to occur behind the Moon, with the crew out of direct contact with the Earth. Shortly before they disappeared behind the Moon, while in contact with the MSFN station near Madrid, the astronauts described the lunar surface they could see through their windows, with Col. Collins likening its colour to “Plaster of Paris grey.”


After a Trans-Lunar Coast that lasted for 73 hours, 5 minutes and 35 seconds, a 5 minute 57.53 second burn placed Apollo-11 exactly where it should be – in a lunar orbit of 195 by 69 miles. When reporting to Mission Control on the Lunar Orbit Insertion burn, once contact was re-established, Col. Collins could only say “It was like… perfect.”

Around the Moon
Orbiting the Moon, in their Columbia, like the heroes of Jules Verne’s “Autour de la Lune” (Around the Moon) in their Columbiad, at 78 hours and 20 minutes into the mission Armstrong, Aldrin and Collins offered viewers back on Earth a 40-minute live colour television transmission that showed spectacular views of the lunar surface and the approach path to the LM Eagle’s planned landing site. As the spacecraft prepared to go behind the Moon again, Aldrin quipped, “And as the Moon sinks slowly in the west, Apollo-11 bids good day to you,” paraphrasing Lowell Thomas’ famous travelogue sign-off to fit the occasion.


As Apollo-11 approached the Sea of Tranquility for the first time, it was early dawn on the surface below, with long, black shadows stretching across the cratered Moonscape.

Just over two hours later, CMP Collins initiated a second engine burn of 16.88 seconds, to place the spacecraft into an elliptical orbit, ready for the LM to depart for the lunar surface. This burn was critical, because if it was even two seconds too long it could put Apollo-11 on a collision course with the other side of the Moon!

Checking out the LM
A little over 81 hours after launch, during their fourth orbit of the Moon, LMP Aldrin entered the LM, to power up and checkout the spacecraft systems. Then Commander Armstrong and Col. Aldrin called Mission Control in Houston for the first time from the lunar landing vehicle, using the “Eagle” callsign.

A view of the approach to the Apollo-11 landing site, captured during the LM checkout period. It has been annotated with formal and unofficial names to show the approach path

Once this communications test was completed, the astronauts began to prepare for a sleep period. Collins suggested that Armstrong and Aldrin take the most comfortable sleeping positions in the Command Module, so they would get a good rest before the landing attempt. He was undoubtedly concerned about the possibility of an error due to overtiredness, which could have catastrophic consequences for the mission and the crew. The possibility of having to return to Earth alone if disaster should strike the lunar module crew seems to have weighed on Col. Collins’ mind, as he mentioned his understandable apprehension in several interviews prior to the flight.


Just before the sleep period, the astronauts captured another glorious vision of the Earth hovering above the lunar surface that is certain to become as iconic as Apollo-8’s Earthrise image

The Big Day Arrives
On 20 July (21 July in the eastern hemisphere, including Australia), astronauts Armstrong and Aldrin donned their spacesuits in the CM equipment bay, before entering Eagle for their descent to the lunar surface. After sealing the hatch and completing the final checkout of the LM, they extended Eagle’s landing gear and prepared to separate from the CSM.


This manoeuvre took place behind the Moon, during the 13th orbit, so as to place Eagle on the correct descent trajectory to touch down at the ALS-2 landing site. The LM moved away from Columbia and pirouetted around so that Col. Collins could inspect the vehicle and ensure that Eagle was totally ready for its historic descent to the Moon. “The Eagle has wings,” Armstrong assured Mission Control, as he and Aldrin put the craft through its paces. A nine-second Reaction Control System engine burn by the CSM then separated the two spacecraft to a safe distance apart

Meanwhile, Back in Mission Control
In focussing on the astronauts, it’s easy to forget the flight controllers and their support teams monitoring, guiding and approving every stage of a manned space flight.

Flight Director Kranz (second from right) in the MOCR

For the critical lunar landing phase of Apollo-11, the Mission Operations Control Room (MOCR), better known as Mission Control in Houston, was staffed by the White Team of flight controllers, under Flight Director, Mr. Eugene Kranz, usually known as Gene. The space specialists now filling roles that did not even exist outside the pages of science fiction a decade ago, have an average age of just 26 years! Rookie astronaut Charles Duke served as CAPCOM, the direct contact with the astronauts.

CAPCOM Duke, with Apollo-8's Jim Lovell, the Apollo-11 backup commander, listening in

As the time for Apollo-11’s historic landing approached, every available audio outlet in Mission Control had a headset plugged into it, to listen to the spacecraft communications channel. Senior NASA officials and astronauts, including Alan Shepard and John Glenn, positioned themselves in the MOCR to be eyewitnesses to the fulfillment of President Kennedy’s bold challenge of 1961. The families of the crew were also present.

The Eagle Stoops to the Moon
The Descent Orbit Insertion (DOI) burn needed to land Eagle safely on the Moon, required a 30 second firing of the LM descent engine. All the telemetry data being received at Mission Control indicted that everything was going to plan, but the landing on the Moon’s surface was (aside from re-entry) the most dangerous part of the flight: within forty minutes, the Eagle and its crew would either “land, crash or abort”, determining the success of the mission.


At 102:33:05.01 GET (Ground Elapsed Time) Eagle fired its descent engine to commence the landing sequence. Unexpectedly, the burn placed the LM 4.6 miles further downrange than planned, resulting in the landing point being 4.6 miles beyond the designated ALS-2 site. It seems the cause of this discrepancy was some residual pressure in the tunnel connecting the CM and LM when the two craft undocked (the tunnel should have been in vacuum, but had not been fully decompressed). This pushed the spacecraft apart with more velocity than planned.

With the LM’s legs facing the flight path, the astronauts were essentially flying backwards and unable to see where they were going, although they could see landmarks passing by and knew where they were as they descended towards the Moon’s surface. 

Problems Arise
As the LM’s altitude decreased, the on-board radar data was critical for evaluation and comparison with altitude data from the tracking stations on Earth. But a potential electrical problem with the radar was just one of an increasing number of problems that began to arise as the LM dropped towards the lunar surface. Communications difficulties with Mission Control meant that Col. Collins in Columbia had to relay some messages between Houston and Eagle.

Nevertheless, when Flight Director Kranz polled his team, they were all prepared to give the “Go!” for powered descent. Guidance Officer Steve Bales had the only reservations, noting that the spacecraft was moving a little faster than planned. As a result, Eagle was going to land further downrange than planned, in what was expected to be a rockier area.

Abort?
At 102:38:22 GET the astronauts received a 1202 alarm, which meant their computer was overloaded by irrelevant data from the rendezvous radar (which should have been switched off) and couldn’t do all the tasks in the time available. Would the landing have to be aborted?

The backroom boys supporting Mission Control. They realised the alarms were minor issues

With the lives of Commander Armstrong and Col. Aldrin – and the success of the entire mission – in their hands, Guidance Officer Bales and his support team fortunately recognised the issue immediately and were able to give assurance that the computer would perform, nevertheless, and landing could proceed. When a similar 1201 alarm sounded, with Eagle just 2,000 ft above the lunar surface, they once again gave a positive response for the landing to continue.

Heading for Touchdown
With four minutes until touchdown, communications between the LM and Earth finally strengthened and stablised. Another rollcall of the flight controllers gave the landing the “Go!” to proceed.

At 9,000 ft, the LM began to drop its legs to point down to the Moon’s surface. Mission Commander Armstrong was trained to land the LM, controlling the spacecraft’s flight while looking out the window at the landing site. Col. Aldrin’s role was to concentrate on the display panel and provide Armstrong with the information he needed as he guided the Eagle safely down to the lunar surface. At this point, the flight control team back on Earth could do no more for the landing: everything now depended on the skill and teamwork of Armstrong and Aldrin.

Commander Armstrong flying the LM to touchdown in a training simulation

As an experienced test pilot, Neil Armstrong chose to fly the final landing phase (about the last ¾ of a mile to the touch down spot from a thousand feet) manually, like flying a helicopter. This enabled him to exercise his judgement to fly beyond the intended landing position, when it became clear that “a gigantic crater and lots of very big rocks” made it a very unfavourable position to touch down.

Time is Running Out!
Extending his downrange flight, Mr. Armstrong searched for a more suitable landing site, but time and fuel were fast running out. At around 250 ft altitude, an amber light warned that only 5 per cent fuel remained – there were only 94 seconds left to land! Approaching 100 ft above the Moon’s surface, the downblast of the LM’s descent engine began to stir up the dust, making it difficult for Armstrong to gauge their velocity, or sight a safe place to land, by observing surface features.

View from the LM window about 30 seconds before touchdown, with the shadow of an LM leg and contact probe against the lunar surface

Finally, with just 10 seconds of fuel left, as Armstrong saw the shadow of the LM stretching in front of him, Col. Aldrin called “Contact light!”, indicating that one of Eagle’s landing leg probes had touched the lunar surface. So gently that the crew barely noticed it, the first manned spacecraft from Earth touched down on the surface of the Moon! It was 102:45:40 GET, 15:17CDT on 20 July in the United States. (For us on the east coast of Australia, it was 6.17am on a cold winter’s morning!)

“The Eagle has Landed!”
Inside the Eagle, Mr. Armstrong and Col. Aldrin apparently looked across at each other and silently shook their space-gloved hands, celebrating the success of their flight in reaching the Moon’s surface. But as historic as that safe landing was, the astronauts had to immediately prepare the LM for a sudden abort ascent in the event the landing had damaged the Eagle, or some other emergency arose.

Eagle's shadow on the Moon's surface following the landing. This view was taken after the Moonwalk and the astronaut's bootprints can be seen on the surface

“Houston, Tranquility Base here. The Eagle has landed!” Apollo-11 Commander Armstrong announced proudly to Mission Control and the world, as soon as he was sure that Eagle had touched down safely. Since the descent stage of the LM will remain on the Moon (and presumably be designated as a historic monument in the future), it was an appropriate gesture to identify its landing site as Tranquility Base – Earth’s first outpost on another world.

In Mission Control, the flight controllers briefly celebrated, before Flight Director Kranz called for a “Stay/No Stay” decision from his team just one minute after landing. There were abort points at three and twelve minutes after landing – after that, the astronauts would have to wait for Columbia to go around the Moon again. At each decision point, flight controllers approved Eagle to stay on the lunar surface.

The Loneliest Man
While Eagle’s crew on the Moon were in constant communication with Mission Control, CMP Collins was orbiting the Moon, relying on events being relayed to him so that he knew what was happening. After forty minutes of complete isolation behind the Moon on each orbit, he could talk and listen to the Earth for seventy minutes, through either the Goldstone or Tidbinbilla DSN stations. However, he only had about eight minutes in direct contact with Eagle each time his orbit passed over Tranquility Base. Fortunately, Columbia was in the contact zone when Eagle was landing, so that he could hear the verbal exchanges of the touchdown, but his general communication isolation from the Earth, and from his crewmates, earned Mike Collins the nickname “the Loneliest Man”.

Where Did They Land?
Each time he passed over the Sea of Tranquility, Collins scanned the lunar surface for signs of the LM, hoping to spot the spacecraft (he never did) and any landmarks that would assist in identifying Eagle’s actual landing site: since Commander Armstrong had taken the LM further downrange than planned in search of a safe landing site, its exact position on the lunar surface was uncertain.
Annotated NASA image showing Collins' attempts to sight the Eagle's landing site. Very close, but no cigar!

Using huge lunar maps and data from the spacecraft and tracking stations, the Mapping Sciences Laboratory in Houston had narrowed the landing site down to a 5-mile radius, but Eagle’s crew could not identify anything of significance from their position. It wasn’t until Apollo-11 was halfway back to Earth that a chance remark by Mr. Armstrong finally helped the mappers to pinpoint the location of the landing site!

Going for a (Moon) Walk
Apollo-11’s flight plan called for a four-hour rest period after touching down on the Moon. However, as everything had gone according to schedule, the astronauts were eager to take their first steps on the lunar surface before their rest period. Two hours after landing, Armstrong requested Mission Control’s approval to postpone the scheduled sleep period and go out on the lunar surface straight away.


Mission Control concurred, and Armstrong and Aldrin began to carefully don their lunar Extravehicular Activity (EVA) spacesuits. In the cramped space of the LM’s cabin, surrounded by vulnerable switches and instrument panels, this took considerably longer than the expected preparation time of about two hours. Every move in the donning process had to be meticulously carried out and checked, ultimately taking around 3½ hours for the crew to be fully suited up and ready for Mankind’s historic first steps onto the Moon.

Preparing for the Moonwalk Broadcast
Like me, I’m sure you will be surprised to learn that NASA originally intended to provide only radio coverage of Apollo-11’s history-making first steps on the Moon! It was not until early this year that the decision was finally made to include television coverage of the lunar EVA! However, as a contingency, Westinghouse (which produced the colour television camera used in the Apollo 10 and 11 Command Modules) had been contracted to develop a compact television camera that could be used on the lunar surface. This slow-scan black and white camera has a vertical resolution of 320 lines scanned at 10 frames per second, designed to work with the small transmission bandwidth available from the LM on the Moon, which was not sufficient for a standard TV signal.


The Westinghouse Apollo-11 Lunar Surface Camera was initially mounted in the Modular Equipment Stowage Assembly (MESA), in the LM Descent Stage, positioned so that it could see the astronauts descending the ladder to step onto the lunar surface. Because of its design, and the limited space available within the MESA, the camera had to be mounted upside down. This meant that the transmitted view of Mission Commander Armstrong coming down the ladder was upside down, and a special switch had to be activated at the reception station on Earth to invert the image to the right way up. This step was not necessary when the camera was removed from the MESA and set up on the Moon’s surface itself to cover the activities of the lunar EVA.

On the Apollo-11 flight plan, the lunar EVA was scheduled so that the television transmission would be received at the Goldstone DSN station, where the 210 ft “Mars” antenna would provide maximum reception capability of the relatively weak television signal. However, should the Moonwalk should occur when Goldstone was unable to receive the television signals, NASA contracted the 210 ft Parkes Radio Telescope in Australia to act as a back-up to receive the astronaut telemetry and television broadcast from the Moon. As events transpired, it was fortunate that this arrangement was in place! The "Mars" DSN antenna at Goldstone, so called because it was developed to support space probes to Mars

Live from the Moon (via Australia)!
When Neil Armstrong finally backed gingerly out of the narrow LM hatch in his bulky spacesuit, he pulled a small ring to activate the television camera in the MESA. At 109:22:00 GET, the first television from the surface of the Moon was received at Goldstone. In Australia, where the Moon was just rising into their field of view, Honeysuckle Creek MSFN station (which was tracking the LM) and the Parkes Radio Telescope could also see the television transmission. 

The Honeysuckle Creek antenna, near Canberra, tracking Eagle on the Moon just as Armstrong stepped onto the surface

Although the picture quality received at Goldstone was good, the vision sent to Houston was extremely contrasty, due to incorrect settings on the scan converter that turned the slow-scan signal into one suitable for regular television broadcast. It was also initially upside down, as the camera operator forgot to flick the inversion switch. The images received at Honeysuckle Creek, though of lower resolution due to its smaller antenna, were clearer than Parkes, where the signal strength was very low. After a few moments switching between signals for the best picture, the broadcast controllers at Houston settled on the signals from Honeysuckle Creek for the initial global television transmission of Armstrong coming down the ladder and stepping onto the Moon’s surface.

About nine minutes later, when the Moon had risen high enough at Parkes to provide a much stronger signal, the quality of its images led the broadcast controllers to switch to the Parkes feed. This was used for the rest of the two-and-a-half-hour broadcast from the lunar surface.

The combined Australian and NASA team at Parkes were so dedicated to ensuring that the historic lunar television broadcast was made available to the world, that they kept the radio telescope in operation and stayed at their posts, even when a violent storm arose with windspeeds well in excess of the safe operating limit of the antenna.

“One Small Step for Man”
Moving carefully down the ladder on the leg of the LM, testing every phase of the descent to the surface, Mission Commander Neil Armstrong halted momentarily on the Eagle’s footpad to describe the lunar surface. At 109:24:15 GET, 21:56 CDT July 20 he then took Mankind’s first step onto another world, saying “That’s one small step for Man. One giant leap for Mankind”.

Armstrong about to take the First Step, as seen on the monitor at Honeysuckle Creek.

Armstrong had not shared with anyone what he planned to say as he stepped onto the Moon, and while his first words on the lunar surface will undoubtedly resound through history, they are, in fact, something of a non-sequitur. There’s already speculation that he may have slightly flubbed his intended line – understandable due to the stress and tension of the circumstances – and that he really meant to say “That’s one small step for a man (meaning himself). One giant leap for Mankind", which would be more logical (and indeed, later in the flight, Aldrin quoted Armstrong's utterance with the "a" included).

That First Step was watched around the world by an estimated 650 million viewers, potentially making it the most viewed television event in history (unless 700 million really did watch the Our World broadcast in 1967!). Millions more listened-in on the radio. There are estimates that 93% of televisions in the US were tuned the broadcast.

To watch the historic event, people gathered around television screens at home, or wherever they could find them. In Australia, where television ownership is still relatively low, crowds gathered around the shopfronts of any building displaying a television, like the bank shown below, since the Moonwalk occurred around lunchtime. School children spent the day in front of sets in the classroom or assembly hall. Seasoned newsmen around the world, like your famous Walter Cronkite, struggled to convey their emotions as the ancient dream of touching the Moon was realised in Armstrong's "small step".

On the Surface of the Moon
After ensuring that the Moon’s surface could bear his weight, Armstrong moved around a little, collecting a contingency sample of lunar soil – more correctly called regolith – and a couple of small rocks, in case he had to make a quick retreat to the LM. He also took a series of photographs. At least there would be something for the scientists if Eagle had to make an emergency departure! On the other side of the Moon at the time, Col. Collins was disappointed to miss the historic moment of Armstrong’s first step.


Sixteen minutes later, Col. Aldrin began backing cautiously out of Eagle’s hatch to join Armstrong, making a joke about not locking them out of the LM. On reaching the surface, an awestruck Aldrin described the vista before him as “magnificent desolation”.

As they inspected their spacecraft and their surroundings, both astronauts found their suits comfortable to walk around in, although they found it difficult to stand up again after bending down to pick up an object. 

Ceremonial Activities
As a momentous historic event, the Moonwalk included several ceremonial activities, commencing with the unveiling of a small commemorative plaque, marking the place that humans first landed on the Moon, that was attached to between the third and fourth rungs of the LM ladder. At 109:52:19 GET, the two astronauts gathered around the Eagle’s ladder and ‘unveiled’ this plaque by removing its cover. Armstrong then read the inscription aloud for everyone back on Earth.

Armstrong reading the plaque, with Aldrin beside him. You can almost see the astronauts' faces!

After this moving moment, Mr. Armstrong and Col. Aldrin removed the television camera from the MESA and set it up on a stand, so that it could view their field of operations as they went about performing the real work of their mission.

Although not listed on their procedure checklist, the astronauts' next ceremonial task was setting up a US flag, just as the polar explorers of the past have done on reaching their goals. Since the United Nations’ Outer Space Treaty, established in 1967, prohibits any nation on Earth from claiming ownership of the Moon, the US Government has been very careful to state that the flag-planting is purely symbolic, recognising the United States as the first country to land on the Moon, but not representing territorial claim.

The astronauts found it difficult to insert the flagpole into the lunar surface and had trouble extending the arm designed to stretch out the flag to its full extent on the airless lunar surface. However, this worked to good effect, creating the impression that the flag was actually waving in a breeze.

Aldrin poses with the "waving" flag

When the astronauts planted the flag on the Moon's surface, an identical flag was raised in the MOCR.

As a symbolic act of international representation, a silicon disc about the size of a 50-cent piece was placed on the Moon's surface. It contains goodwill messages in the form of statements from leaders of 73 countries around the world, although the USSR and the People's Republic of China are not included.

A final symbolic event took place a little while later, at 110:16:30 GET, when President Richard Nixon made the first interplanetary phone call from the Oval Office in the White House directly to the astronauts on the Moon. Armstrong and Aldrin stood before the television camera to receive the call, so it could be telecast as a split-screen, showing both the astronauts and President Nixon in conversation. The President praised the astronauts for their historic achievement, adding “Because of what you have done, the heavens have become a part of Man’s world… For one priceless moment in the whole history of Man, all the people on this Earth are truly one.”

Down to Work
After the ceremonial activities, the real work of the Apollo-11 astronauts began. Aldrin conducted experiments to determine the extent of an astronaut’s mobility, attempting to run and hop like a kangaroo. He also took a core tube sample of the regolith, although he was not able to drive a core tube far into the surface.

Two more images destined to become iconic, I'm sure. Aldrin on the lunar surface, and a close-up of the impression his boot is making in the regolith!

Mr. Armstrong carried out geological observations and collected bulk samples of rock and regolith. He took a large number of photographs of the lunar surface, from close-ups of rock structures and regolith to panoramas and views of craters.

Because Armstrong was usually carrying the camera, the majority of Apollo-11 photographs of an astronaut on the lunar surface show Col. Aldrin. The picture above is one of the rare images – as distinct from television coverage or film – of Armstrong on the lunar surface.

Col. Aldrin set out the EASEP (Early Apollo Scientific Experiments Package), the first set of scientific instruments to be placed on the Moon. EASEP instruments include: a seismic detector to measure Moonquake activity, a laser reflector that can be targetted from Earth to precisely measure the distance between our planet and its satellite; a solar wind particle collector; and even a tiny detector to measure the characteristics of lunar dust. Tracking stations on Earth are now collecting data from these instruments to continually monitor conditions around the landing site, even though the astronauts have departed (bringing the solar wind collector sheet back with them to Earth for analysis). 

Aldrin setting up the EASEP seismic detector

The solar wind particle collector

The lunar laser ranging experiment for making precise measurements of the distance between the Earth and the Moon

Back to the LM
After 2 hours 31 minutes and 40 seconds, Neil Armstrong and “Buzz” Aldrin concluded their activities on the surface of the Moon, loading back into the LM some 47lbs of lunar rocks and regolith. They had taken 339 images of the lunar surface and their activities, and walked a total of 1100 yds, travelling a maximum of 67 yds from the LM. The extent of the Apollo-11 lunar excursions could be contained within a football field, but from this small beginning future missions will expand the range of their activities, exploring further away from the LM.


Back aboard Eagle, the astronauts’ first chore was to pressurise the cabin and begin stowing the rock boxes and film magazines. To allow for the weight of the lunar samples, the astronauts’ lunar overboots, life support backpacks, spacecraft trash, and any other gear no longer required, were jettisoned onto the Moon’s surface (proving that humans can leave litter anywhere!).


Elated but exhausted, Armstrong and Aldrin then took time to rest and get some sleep, Col. Aldrin curled up in the limited floor space of the LM, while Armstrong rigged up a sleeping place on the cover of the ascent engine. Neither of them slept well, though future lunar crews will have proper hammocks, I'm told.

After more than 21½ hours on the Moon, Mr. Armstrong and Col. Aldrin prepared their ship for lift off, firing their ascent engine just one minute behind the flight plan scheduled time at 124:22:01 GET. The blast from the engine appears to have knocked over the flagpole planted by the astronauts, but that didn’t dampen the crew’s spirits as the ascent engine worked as expected and set them on a trajectory to rendezvous with Col. Colins in Columbia

This article has been lengthy, but there has been so much to cover with such a historic mission. I'm going to pause at this triumphant moment in the story, and will continue with a final wrap-up later this month, when we will hopefully have even more information as the lunar samples are analysed and the Apollo-11 crew are released from isolation.






[June 28, 1967] Around the World in Two Seconds (Our World Global Satellite Broadcast)


by Kaye Dee

I love how our world is drawing closer every day to some of the amazing futures that science fiction has spread before us. I’ve written before about the importance of satellite communications in connecting this divided planet. Just two days ago, 24 countries around the globe were linked together in the first world-spanning live satellite broadcast, titled – appropriately enough – Our World.

Our World's visual symbol incorporates a modernised version of da Vinci's "Vitruvian Man", with arms encircling the globe, and vertical and horizontal lines representing longitude and latitude

Down Under Comes Up Live – from a town with no television!
For us in Australia, being instantaneously connected to the rest of the world through phone and television is a major step in breaking the “tyranny of distance” that has shaped our national history. Our first Satellite Earth Station was opened just last October in Carnarvon, a remote township in Western Australia, whose only other connection to the rest of the world is a phone line. It’s no wonder NASA wanted to provide a satellite connection back to the United States for its tracking station located there, using the INTELSAT communications network. Just after the station opened, a mishap with the launch of the first INTELSAT II satellite (Blue Bird) on 26 October placed the satellite into the wrong orbit, providing an opportunity for the first satellite broadcast from Down Under.


SES Carnarvon's unusual antenna, one of only four that have been built for the INTELSAT network. Officially described a 42-foot aperture cassegrain-fed folded-horn antenna, you can see why it's nicknamed the “sugar scoop”

According to my friend at the Australian Broadcasting Commission (ABC), some hasty calculations revealed that short segments of television broadcast could be relayed to the United Kingdom via INTELSAT II in its unplanned elliptical orbit. So the ABC and the BBC quickly put together a plan for a live telecast, called Down Under Comes Up Live, from Carnarvon – a town which doesn’t even have a television service!

Connection was the theme, and ordinary people were the stars of the show. The program reunited three families of British immigrants living in Carnarvon, two of whom who happened to be employees of the NASA tracking station, with their relatives in the BBC studios in London. It also included some interviews with local residents talking abut life in their remote community. Introducing new babies to family is a universal ritual, and it's delightful to see that it was one that played out in both Down Under Comes Up Live and Our World.

Down Under Comes Up Live was a direct one-way broadcast (a return signal was not possible for technical reasons) that was a complex undertaking (and a good rehearsal for our involvement in Our World). Without a local television station in Carnarvon, ABC outside broadcast vans and their technical staff made a 560 mile trip from Perth to produce the program. The vision was sent live to London from the satellite station, but the audio to and from London was transmitted separately by cable.

On Friday 25 November 1966, more than twelve minutes of television was broadcast to London. Although the program was seen live in the UK, rather ironically, we couldn’t see it live in Australia because there are no television links between Carnarvon and Perth. We had to wait for a few days to see this history-making program, once a film copy of the UK broadcast was flown back to Australia.

Incoming – Australia Day at Expo 67
Apart from a few test transmissions, it was just three weeks ago that we saw the first satellite broadcast into Australia – a live telecast of Australia’s ‘special day’ at Expo 67 in Montreal. This time the transmission came via NASA’s Applications Technology Satellite (ATS)-1. To support this program, NASA has established a temporary satellite station at Cooby Creek dam, about 14 miles north of Toowoomba in Queensland.

The picturesque setting for NASA's Cooby Creek tracking station that brought both Australia Day at Expo 67 and Our World to Australia via ATS-1

Several hundred thousand people around the country, including my sister’s family and I, watched live through the early hours of 7 June our time, as Australia took centre stage in Canada. The program commenced with Prime Minister Harold Holt officially opening the Australian Pavilion at the Expo. Special events for “Australia Day” included boomerang throwing, sheep-dog trials, wood chopping contests and tennis matches with members of the Australian Davis Cup team. Celebrity was an important theme for the variety concert, "Pop Goes Australia", which showcased Australian talent, including the internationally-known Rolf Harris and The Seekers.

The clarity of the satellite picture from Montreal was surprisingly good: I’ve heard that hundreds of viewers rang the ABC in Sydney wanting to be assured that the vision really was being broadcast live from Canada! I just wish I could find some decent reproductions to show you or had thought to take a picture on the screen of our TV set. 

Our World – joining hands (almost) around the planet
So, with just two satellite broadcasts under its belt, from 4.50am Australian Eastern Time on 26 June, Australia participated in the Our World program, helping to string Puck's "girdle around the world". We joined 13 other nations in providing television content for the first live global television broadcast, which instantaneously linked 24 countries on six continents via four communications satellites, with the signals travelling around the world in just 2 seconds!

The brainchild of the BBC, though produced under the auspices of the European Broadcasting Union, the global telecast was controlled from the BBC in London, with America’s National Educational Television in New York City feeding items from the United States, Canada, Mexico, Australia and Japan to the British Control Centre. Literally thousands of technicians handled the outside broadcasts and studio operations around the world. Satellite ground stations in Australia (NASA's Cooby Creek facility again), Japan, Canada, the United States, Britain and France transmitted sound and vision to and from the satellites. As each of the contributing countries provided commentary in their own language, there was also the necessity of rapidly translating the various languages, so that everyone in the receiving countries could understand what was being said.

The technical complexity of Our World is evident from this diagram, which shows just part of the world-wide links between television stations and satellites necessary to make the global broadcast a reality

Given the incredible technical complexity of the television transmission, it’s quite amazing that the two-hour program was carried through with very few technical problems – especially when the entire broadcast was televised live, with no filmed insertions or other previously produced material apart from the opening montage. We saw everything as it happened.

Our World was intended as a major achievement for both space technology and international relations, a bridge between East and West in these troubled times of wars cold and hot. Unfortunately, at the last minute, politics reared its ugly head and the USSR and several Eastern European nations that were originally going to participate pulled out of the broadcast just a few days before, as a protest against the recent war in the Middle East. This was disappointing and made for some hurried re-arrangement of parts of the program, but it didn’t dampen the mostly aspirational tone of the broadcast as a celebration of human achievement and hope for a more peaceful future. There was also the irony that a US segment about the Glassboro, New Jersey conference between American president Lyndon Johnson and Soviet premier Alexei Kosygin was still included in the broadcast, although – since the Our World producers insisted that no politicians could be shown – only an external view of the house where the conference was being held was televised.

New Babies and their World
The broadcast crossed countries, seas and time zones, and was presented as fusing “yesterday”, “today” and “tomorrow” (by dint of the different time zones around the world) into a globe-encircling “now”. The birth of several babies across the world opened the program, which was presented in a sense as a “survey” of the world into which these newborns are entering.

A baby in Mexico, born live on television for all the world to see!

The babies are introduced to their new world through several themes: This Moment's World (what people were doing are doing at that moment around the world); the Hungry World (what scientists are doing to attempt to solve or alleviate the hunger problem); the Crowded World (looking at proposed solutions to the population explosion); Aspiration to Physical Excellence (the continual attempt to develop physical skill); Aspiration to Artistic Excellence (the drive to excel in the arts); and the World Beyond (focussed on astronomy and space travel. Within these themes, vignettes of life and activity from around the world formed the tapestry of the program. Even if some of the actual presentation was, quite frankly, dull and pedestrian (the excitement was, after all, the fact that we were seeing something live from another part of the globe), I thought the concept was an interesting way to approach telling the story of our planet. If an extra-terrestrial civilisation one day happens to intercept this program as its signals travel through space, they'll learn a lot more about the reality of the Earth and its people from Our World than they will get from episodes of I love Lucy.

Everyday Life

The theme This Moment's World presented a panorama of people and activities in various parts of the globe, moving through evening in Europe to afternoon in New York City, with a visit to Tunis along the way. I loved the views of old and new parts of the city. We saw Marshall McLuhan being interviewed in a Toronto television control room, people swimming at the beach at lunchtime in Vancouver, Canada (making us Aussies all envious on a cold winter's morning) and workmen digging a subway at 4am in Japan. Since the program took place between 5.00 am and 7.00 am Australian Eastern time, our first contribution commenced at 5:22 am local time, with a visit to the Hammer Street Tram Depot in Melbourne, where the first tram of the day was departing to service Monday morning commuters. 

This segment was the first cross to the Southern Hemisphere and came directly after the broadcast from Japan. The switch from Japan to Australia was apparently the most technically complicated of the program, as the Japanese and Australian satellite stations had to switch immediately from transmission to receiving mode and back again. The material coming into Australia also had to be converted from the 525-line system to our 625-line format for local broadcast, while the segment going out of Australia had to be converted from 625 to 525-line in order to be sent back to the US and then on to London!

Sweden gave us the first – and almost the only – female presenter in the program!

Global Concerns
Australia also featured in the Hungry World theme, which concentrated on food production and the issues of feeding an ever-growing world population. In addition to items from the United States and a shrimp farm in Takamatsu, Japan, we visited the Canberra phytotron, a laboratory run by the national scientific research agency, CSIRO. In the phytotron, plants can be grown under a wide range of closely controlled climatic conditions. It’s claimed to be one of the world's finest and most up-to-date facilities for plant research, and a number of international scientists work there alongside local researchers.

The CSIRO phytotron's Director, Dr. Lloyd Evans, at work in his plant laboratory. Apparently, he often starts his workday at 5am, so he didn't have to get up earlier than usual for the show!

A couple of segments that were of interest to me in The Crowded World theme were a visit to Cumbernauld (near my father’s home town of Glasgow, Scotland), which was the recipient of an international award for best planning in a new town, and a glimpse of Habitat, a new concept of living accommodation, on display at Expo '67.

Human Achievement
In Aspiration to Physical Excellence, there were contributions from Rome, Sweden, France (where a parachutist made a dizzying free fall with a camera strapped to him), and Winnipeg, Canada, where a 16-year-old Butterfly champion attempted to beat her own world indoor swimming record.


We get to watch live as actors rehearse the wedding scenes from Italian director Franco Zefferelli's next film, Romeo and Juliet
Aspiration to Artistic Excellence included a visit to the Maeght Foundation museum of modern art in France, with artists Marc Chagall and Joan Miro, Leonard Bernstein and pianist Van Cliburn rehearsing Rachmaninoff's Third Piano Concerto. Opera singer Maria Callas, and painter Pablo Picasso also featured. In the context of this theme, it’s interesting to note that the Our World anthem, which accompanied the opening montage was composed by Frenchman Georges Delerue, whose musical score credits includes the recent Academy Award winning motion picture, A Man for All Seasons. He wrote the melody based on the rhythm established by the words “Our World”, sung in 22 different languages by the Vienna Boys’ Choir.

But the highlight of this theme has to be a ‘fly on the wall’ visit to a recording studio where the fabulous Beatles were recording their latest anthem “All You Need is Love”, which was specially written for the Our World broadcast! You can see them below, surrounded by their many friends in the music world, who came to the recording party and became informal backing singers. The black and white shot shows how we saw the FAB Four in the live broadcast, while the colour photo was taken just before the televised performance. 

 
Reaching for the Stars
The World Beyond theme took us to the heart of the Space Race, with a visit to Cape Kennedy to see a Saturn V Moon rocket on the pad being readied for its first flight. The telecast also came to a close on the theme of outer space, with a visit to Australia’s Parkes radio telescope – at 210 ft. the largest fully-steerable radio telescope in the world. Here we sat in on an observation of the most distant object currently known – a mysterious quasar only discovered last year by the Parkes telescope's director, Dr. John Bolton. It’s so far away that its light and radio signals take 13,000 million years to reach us!

An ABC cameraman, wearing a heavy jacket in the early morning winter cold, prepares for filming the Our World segment at the Parkes Radio Telescope.

So that was Our World. A fascinating mix of banality and creativity, made magical by the technology of the Space Age, and the knowledge that everyone watching was sharing the experience simultaneously with millions of others across our planet in a way that has never before been possible. With a worldwide audience estimated between 350 and 700 million, the broadcast was a potent demonstration of the potential reach of satellite television. I'm sure that before too long, satellite television from around the world will be a regular occurrence, bringing us news, sport, entertainment and major world events – and we here in Australia will have to get used to being up at all hours of the night to watch! But I wonder what will top this broadcast's incredible audience reach? The first manned landing on the Moon, perhaps?





[July 20, 1965] No War of the Worlds After All? (Mariner IV reaches Mars)


by Kaye Dee

Just a few days ago, on July 15, NASA’s Mariner IV space probe made history by being the first spacecraft to successfully reach the planet Mars, capturing images of its surface. These are the first close-up views of another planet in our solar system and the initial pictures suggest that, despite what science fiction would have us believe, Earth won’t have to fear an invasion from Mars any time soon!

The first close-up image ever taken of Mars, showing the limb of the planet and a haze-like feature that might be clouds. The smallest features in this image are roughly 3 miles across, but there's no sign of Martian canals!

The Canals of Mars

Mars has been an object of intense scientific and popular fascination since the last century, when telescope observations first suggested that the planet was potentially Earthlike, since it showed polar caps and surface changes that appeared to represent seasonal variations due to the growth and die-back of vegetation. Then, in 1877, the Italian astronomer Schiaparelli observed what he called “canali” on Mars. He apparently meant grooves or channels on the Martian surface, but his work was translated into English as “canals” and some astronomers took this literally to mean that he had observed structures that were the work of intelligent beings.

A section of one of Percival Lowell’s maps of Mars, published in his 1895 book Mars. The complete map depicted 184 named canals marked on it using numbers.

By the end of the 19th Century, the idea that there is intelligent life on Mars had taken hold, thanks particularly to the writings of American astronomer Percival Lowell (the same Percival Lowell who is also associated with the discovery of the Planet Pluto!) He believed in a Martian civilisation that had constructed vast networks of canals to bring water from the planet’s poles and wrote several books and innumerable newspaper articles detailing his observations of canal systems on the Red Planet. Science fiction stories like H.G. Well’s War of the Worlds, first published in 1897, and Edgar Rice Burroughs' "Barsoom" series further encouraged popular belief that there was intelligent life on Mars and generated something of a ‘Mars mania’ that has grown across the 20th Century.

Cover of the August 1927 issue of Amazing depicting the iconic Martian machines from Wells' War of the Worlds. This powerful story has been re-interpreted on radio and film and has had a tremendous influence in shaping popular perceptions of life on Mars.

The Mars Race

Most scientists have accepted for a decade or more now that modern telescope observations indicate that it is unlikely that higher forms of life will be found on Mars after all. Yet the fascination with Mars has been so strong that it’s not surprising the planet became an early target for space exploration, after the Moon. The Soviet Union started the race to Mars in October 1960, with “Marsnik” 1 and 2. We don’t know much about these probes, but it seems they both failed even to reach orbit. The USSR’s Mars 1 flew past Mars in June 1963, but it had stopped sending back data in March. Sputnik 22 and Sputnik 24, both launched around the same time as Mars 1, are also believed to be elements of a failed Mars mission. Zond 2, launched just 2 days after Mariner IV, is also assumed to be an attempted Mars mission, though it, too, ceased transmitting en route. Clearly, getting to Mars is hard. Mariner IV was meant to be a twin mission with Mariner III, but that mission also failed at launch.

Even though Mars 1 ceased transmitting long before it reached Mars, the USSR still celebrated it as an achievement on its 1964 Cosmonauts Day stamp.

Mariner IV was launched on an Atlas Agena rocket from Cape Canaveral at 12:22 GMT on November 28, last year. It has an octagonal magnesium frame, 50 inches across the diagonal and 18 inches high, which houses the electronic equipment, propulsion system and attitude control gas supplies and regulators. Four solar panels, containing a total of 28,224 solar cells, are attached to the top of the frame. They are able to generate 310 watts of power at the distance of Mars from the Sun. Mariner also has two antennae for transmitting data back to Earth: An elliptical high-gain parabolic antenna and an omnidirectional low-gain antenna, mounted on a seven-foot, four-inch-tall mast next to the high-gain antenna.

Mariner IV is an incredibly sophisticated space probe for its size, packed with scientific instruments, plus its television camera system. Its design is a radical departure from the conical design used for the Ranger Moon probes and NASA's successful Mariner II mission to Venus.

Deep Space Laboratory

For its relatively small size, Mariner IV is a spacegoing scientific laboratory, designed to measure the conditions in deep space between Mars and the Earth and in the vicinity of Mars itself. Its scientific instruments include a helium magnetometer to measure the characteristics of the interplanetary and planetary magnetic fields; an ionization chamber/Geiger counter, to measure the charged-particle intensity and distribution in interplanetary space and in the vicinity of Mars; a cosmic ray telescope, to measure the direction and energy spectrum of protons and alpha particles; a solar plasma probe, to measure the very low energy charged particle flux from the Sun, and a cosmic dust detector, to measure the momentum, distribution, density, and direction of cosmic dust. Although the Geiger counter failed in February and the plasma probe's performance is degraded, the other instruments are all working well.

Mariner IV's 'endless loop' magnetic tape recorder. Its 330ft of tape has a storage capacity of 5.24 million bits – right at the cutting-edge of recording technology!

Probably the most important instrument on Mariner IV, and certainly the one of the most interest to the public, is its television camera, designed to obtain close-up images of the Martian surface. The camera is mounted on a scan platform at the bottom centre of the spacecraft and consists of 4 parts: a Cassegrain telescope with a 1.05° by 1.05° field of view; a shutter and red/green filter assembly with 0.08s and 0.20s exposure times; a slow scan vidicon tube which translates the optical image into an electrical video signal, and the electronic systems required to convert the analogue signal into a digital signal for transmission. During the fly-by of Mars, all the television images and the data gathered by the scientific instruments were stored on an ‘endless loop’ four-track magnetic tape recorder for later transmission back to Earth. 

First Pictures from Another World

On July 15 Mariner 4 passed within 6117 miles of Mars, spending just 25 minutes doing visual observations of the planet’s surface. During that brief time, its television camera captured 21 full pictures and part of a 22nd, the first ever close-up images of the surface of another planet. Each photo covers an area of about 77 square miles. It takes about 10 hours to transmit each image back to Earth and each picture is being transmitted twice to ensure that all the data is correctly received.

The second Mariner IV image released by NASA shows the border of Elysium Planitia and Amazonis Planitia. Taken from around 9,940 miles, the picture is about 310 miles across and 560 miles from top to bottom because the surface is curving away. North is up and the sun is illuminating the area from the southeast.

Only three of the Mariner Mars images have so far been released, but already they have disappointed scientists and the public alike by putting an end to any hope of finding intelligent life on the Red Planet. What they have so far revealed is a world that looks more like the Moon than the Earth, with no signs of water, vegetation or animal life. When this is coupled with the findings of the scientific instruments, which show that Mars has an atmosphere of carbon dioxide with only a very low atmospheric pressure (only a fraction of that found on Earth, which was quite a surprise to scientists), a daytime temperature of -148 degrees F and no magnetic field (meaning that the surface of the planet is bombarded by the solar wind and cosmic radiation), it means that the prospects for any kind of life on Mars are very small indeed. However, Mariner’s images only cover just 1% of the Martian surface, so perhaps we should not entirely give up hope that future missions will find Mars more exciting and scientifically interesting than it seems right now. After all, the pictures have not yet revealed the cause of the apparent seasonal changes observed from Earth….

The third image we have seen so far shows the Orcus Patera region in western Amazonis Planitia. It was taken with the sun only 13 degrees from vertical, so the topography is hard to make out, although some raised areas can be seen at upper left. The image is 202 miles across and 319 miles from top to bottom. The resolution is about 1.9 miles and north is up.

Australia Plays Its Part

Australia has played a crucial role in the Mariner IV mission, with its first images being received at the Tidbinbilla tracking station outside Canberra. NASA’s second Deep Space Network station in Australia, Tidbinbilla became operational in December 1964 so that it could support the Mars mission. As the signal from Mars is very weak, the station asked the civil aviation authorities to divert any aircraft that might interfere with the reception of the signals from Mariner at the time of the fly-by. This resulted in an amusing incident: at the critical time, just when Mariner 4 had gone behind Mars, the direct phone from Canberra Airport rang and the station was asked if it was experiencing interference from a UFO! It now seems that the offending object was a weather balloon and not a Martian saucer come to check on what the Earthmen are up to.


Nestled in a secluded valley, for protection from radio interference from nearby Canberra, NASA's Tidbinbilla Deep Space Network Station received the first images of Mars from Mariner IV. Australia is host to a growing number of NASA tracking stations covering all its space tracking networks.

A Role for a Radio Telescope

Australia’s Parkes radio telescope, the largest fully steerable radio telescope in the world, also played a role in receiving Mariner IV’s Mars images. NASA is basing the design of its new 210 ft antennae for the Deep Space Network on that of the Parkes telescope. As a demonstration of its tracking capabilities, Parkes has also tracked Mariner IV and received some of its images from Mars. Its greater antenna size, and therefore better reception capabilities, mean that its images will be more detailed than those received by the 85 ft dishes at Tidnbinbilla and other NASA stations and they will enhance the overall quality of Mariner IV’s Mars pictures when the Parkes and Tidbinbilla images are combined. I hope that NASA will release the rest of the Mariner images soon: even if they have dashed almost a century of Martian fantasies, they are revealing a planet that is very different from what we have expected and I wonder what further surprises might be in store for us as we explore more of Mars and the rest of the Solar System….

The world-leading radio telescope developed by the Commonwealth Scientific and Industrial Research Organisation, Australia's national civil scientific research body. Located near Parkes, New South Wales, this astronomical instrument is also proving its value as a space tracking facility and I'm sure that NASA will call on it again in the future for further tracking support