Tag Archives: 1970

[August 2, 1970] Fimbulsommer (September-October 1970 IF)


by David Levinson

Protecting the environment

Americans are becoming increasingly concerned about the environment. Smog and litter have been common complaints for many years, but people are now paying attention to things like pesticides and other chemicals in the ground and water. Some say that the current attention began with Rachel Carson’s Silent Spring in 1962, but 1969 may have been the tipping point.

Last year began with the disastrous oil spill off the coast of Santa Barbara, California. A few months later, the Cuyahoga River in Ohio caught fire (and not for the first time). The mayor of Cleveland tried unsuccessfully to use it as a springboard for cleaning up the river, but Time magazine picked up the story and used pictures of the more dramatic 1952 fire to launch its new “Environment” section. As the year drew to a close, the environment was also the subject of several papers presented at the Fall Meeting of the American Geophysical Union. All of which contributed to the massive participation in Earth Day back in April.

The government has noticed and begun to take action. Back in December, Congress passed the National Environmental Policy Act, which requires federal agencies to submit a report on the effects of planned projects on the environment. President Nixon signed it on New Year’s Day, declaring, "the 1970s absolutely must be the years when America pays its debt to the past by reclaiming the purity of its air, its waters, and our living environment." The Nixons even participated in Earth Day by planting a tree on the South Lawn of the White House.

One of the problems is that there are dozens of government agencies overseeing various aspects the environment and environmental policy. Sometimes they work at cross purposes or their goal is at odds with protecting the environment at large. For example, the bodies that oversee the approval of pesticides or fertilizers are concerned only with the improving crop yields, not with the larger effects on insect life or algal blooms far downstream of farms.

On July 9th, President Nixon submitted Reorganization Plan No. 3 to Congress. The plan proposes the creation of an Environmental Protection Agency into which all the various departments and agencies will be folded. The goal is to create concerted action, unified monitoring, and hopefully to eliminate conflicts of interest. This actually seems like a pretty good idea. It’s now up to Congress to approve or reject this reorganization.

Photograph of President Richard Nixon and his wife standing on the lawn outside the White House. Mrs. Nixon is using a shovel to plant a tree.The Nixons participating in Earth Day.

Taking the science out of science fiction

I’m not one to indulge in all the shouting about the Old School and the New Wave. Eventually, the two will reach a balance, and something new will emerge. The focus on character and society is all to the good; the fripperies of style over substance will soon be forgotten. But some of the stories in this month’s IF are enough to make me throw up my hands in despair and join the old guard in kvetching about what the New Thing is doing to science fiction.

Cover of Worlds of If Science Fiction depicting three shadowy figures in the foreground in front of a blue, spherical craft with a red wake, all against a wormholeish/tunnel blue background with a bright center. The cover announces the stories The Seventh Man by George C. Chesbro, Ballots and Bandits by Keith Laumer, and Life Cycle by Jark Sharkey, and the novel Fimbulsommer by Randall Garrett and Michael Kurland.Suggested by “Fimbulsommer.” Art by Gaughan.

Continue reading [August 2, 1970] Fimbulsommer (September-October 1970 IF)

[July 31, 1970] Not so Brillo… (August 1970 Analog)

Don't miss tonight's Spocktacular edition of Science Fiction Theater!  Starts at 7PM Pacific.  Also featuring the last appearance of Chet Huntley on the Huntley/Brinkley Report!


photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Paine-ful exit

The proverbial rats are leaving the sinking ship.  Not too long ago, a clutch of NASA scientists departed America's space agency, citing too much emphasis on engineering and propaganda.  Now, Thomas O. Paine, who took NASA's reins from its second adminstrator, Jim Webb, has announced his resignation.  He leaves the agency on September 15.  He lasted less than two years; contrast with Webb, who was there seven and a half.

Newspaper clipping of Thomas O. Paine with white hair, thick glasses, and a black tie. The caption reads 'Thomas O. Paine Leaving NASA post
Paine Lists Problems of NASA.'

Paine did not characterize his departure as any indication of disagreement with the agency's current direction.  He said he was leaving NASA in strong shape, and that this was the most appropriate time for his departure.  He's going back to a management position with General Electrics.

But Paine cannot be very happy with how things have been going lately.  NASA's work force has been gutted–from 190,000 to 140,000 personnel; the last Saturn V first stage will be completed next month; and the future of Apollo's successor, the Space Shuttle, is in doubt.  The poor director has watched the space agency go from the pinnacle of human achievement to a nadir unseen since the late '50s.  If only we'd adopted the Agnew "Mars Plan"

Deputy Administator George M. Low will take Paine's place for the time being.  A replacement has not yet been tapped.  Stay tuned!

Painful effort

If Paine left willingly, Analog editor John Campbell, on the other hand, seems determined not to let his magazine go until he does.  Which is sad because this month's issue is yet another indication of how far the once-proud property has fallen in quality."Two astronauts meet one another between a large satelite.
Cover of the August 1970 issue of Analog Science Fiction featuring a rocky lake landscape, with a large burning mass in the background. In the foreground, there is a rock-like alien with two eye stalks
Cover by Kelly Freas

Continue reading [July 31, 1970] Not so Brillo… (August 1970 Analog)

[July 28,1970] Cinemascope: Cry Me A River (Cry of the Banshee) and Games in Goatskin (Dionysus in ‘69)

For this month's Cinemascope, things get a little unusual.  The horror scene is nothing special, even with Vincent Price starring, but you must dig the filmed play that George reviews below!

Two movie posters—see below for fuller description

Continue reading [July 28,1970] Cinemascope: Cry Me A River (Cry of the Banshee) and Games in Goatskin (Dionysus in ‘69)

[July 26, 1970] "The Hearts of Men" and Women (June and July "Gay Pride" Protests)

 
By Jessica Dickinson Goodman

In the past 30 days, according to The New York Times, American homosexuals have shouted at a gubernatorial candidate on the street, forced the American Medical Association into private session, published theses and books, debated the "frivolous"ness of their rights with U.N. Youth Assembly delegates, been the subject of a positive resolution at the Lutheran Church in America's biennial convention, a negative note from a Vatican aide.

And perhaps most powerfully, they marched.  

New York Times Image Caption: "Treading in the steps of all the other miniroity groups that have been pressing their demands with demonstrations, homsexuals held a mass parade in New York last week to protest the discriminations they suffer." Photo: Grainy black and while photo of people hugging, a sign above reading "Gay Pride."

"Thousands of young men and women homosexuals from all over the Northeast marched from Greenwich Village to the Sheep Meadow in Central Park yesterday proclaiming 'the new strength and pride of the gay people.'"

Continue reading [July 26, 1970] "The Hearts of Men" and Women (June and July "Gay Pride" Protests)

[July 24, 1970] They’ve All Come To Look For America (Green Lantern co-starring Green Arrow)

Black & White Photo of writer of piece Kris Vyas-Mall
By Mx Kris Vyas-Myall

Last time I talked about popular music, I noted there was a battle between the past and the future. Looking at the sales figures today, it seems like the desire for nostalgia has won out. Around half the top 40 singles and over a third of the top 40 albums are in the country-folk-blues-rock style that is currently in vogue. The sound pioneered by The Band, CCR, Canned Heat and Buffalo Springfield (among others).

Four Album Cover:
Self Portrait - Bob Dylan
Bridge Over Troubled Water  - Simon & Garfunkel
Deja Vu - CSNY
Live 70 - Canned Heat
Some of the albums people are currently buying in droves

Furthermore, in a reverse of the British Invasion, it has been overwhelmingly American artists that have been selling, often singing about the old America. Whether this be The Beach Boys talking about the “cottonfields back home” (apparently, they no longer love California Girls), Elvis opining being “in the cold Kentucky rain” or CSNY telling us “country girl I think you’re pretty”, it seems Americana is big. Even British groups have been getting in on the act, with Christie saying they are “on [their] way to Yellow River” and Mungo Jerry singing the San Francisco Bay Blues, even though I doubt if any of them have spent much time on US soil.

Covers of Four Singles:
Up Around The Bend by Creedence Clearwater Revival
Cottonfields by The Beach Boys
Lady D'Arbanville by Cat Stevens
Groupie Girl by Tony Joe White
And singles that remain stubbornly in the charts over the summer

This has also extended to the more liberal themed songs in the charts, which seem to be about how America has gone wrong, whether that be Marvin Gaye’s version of Abraham, Martin and John or Joni Mitchell lamenting that “they paved paradise, put up a parking lot”.

The question of “what has happened to America?” seems to be one everyone is asking, and it has even entered into the world of comic books:

Green Lantern, Co-Starring Green Arrow

DC comics has not really been holding its own against Marvel recently. They launched a few interesting new characters but they have mostly disappeared from the shelves. This shake-up of three existing crime-fighters is unlike anything I have ever seen in the world of superheroes.

Continue reading [July 24, 1970] They’ve All Come To Look For America (Green Lantern co-starring Green Arrow)

[July 22, 1970] Solace for Your Trillion-Year-Old Spirit (George Malko's Scientology: The Now Religion)


by Arturo Serrano

I've spent the last few months exchanging letters with an American friend, who has been educating me about a curious phenomenon they're seeing over there: the quick emergence of new religions whose foundation is, uniformly, some account of an alleged extraterrestrial encounter. From the peculiar case of the Mormon faith, I already knew that the Americans had a unique ability to cook up a doctrine from whole cloth and make it explosively successful in terms of gaining devotees and social influence. But even that knowledge did not prepare me for the alarming piece of investigative journalism which my friend has mailed me along with his latest letter. It's a book published this year, written by a Dane called George Malko, with the title Scientology: The Now Religion. It describes the author's journey to explore and unravel a whole intricate system of theology, liturgy, morality, and salvation begun only two decades ago, by the obviously troubled science fiction writer of moderate fame, named Lafayette Ronald Hubbard.

Cover of the book Scientology: The New Religion, by George Malko. The illustration shows a big dollar sign in the middle of the page.
Delacorte Press, New York.

In a nutshell, Scientology (a bland, uncreative name if I've ever heard one) teaches that the human spirit has lived countless lives in countless bodies on countless planets, and we all carry the scars of emotional trauma accumulated over aeons of reincarnations. But fear not! The same church that reveals to you that you have this problem happens to be selling the solution: by letting a complete stranger take note of your darkest secrets in front of a lie detector, you can achieve the next level of enlightenment. And the next. And the next. With each milestone, you're supposed to become more in control of yourself, more unperturbed by the psychic echo of your past lives, and more capable of performing feats of paranormal wonder. There's a finely subdivided series of degrees of perfection you can rise to, provided that you can afford the requisite study materials. That's the only penitence that this church expects of you: the thousands upon thousands of dollars that it costs to buy its ever-increasing but, unsurprisingly, never complete form of happiness.

Continue reading [July 22, 1970] Solace for Your Trillion-Year-Old Spirit (George Malko's Scientology: The Now Religion)

[July 20, 1970] The Goat without Horns…among other things (August 1970 Fantasy and Science Fiction)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Of horses and streams

Tom Paine is trying the most desperate of Hail Mary passes.  Aviation Weekly just published a piece that the NASA administrator is pitching the idea of an international space station with at least six astronauts from a number of countries, possibly even from behind the Iron Curtain, to be launched in the Bicentennial year of 1976.

The price?  Diverting Apollos 15 and 19 to the Skylab program, scheduled to start in 1972, and shifting Apollos 17 and 18 to the new space station.  As a result, only two more Apollo missions would fly to the Moon.

There's some logic to this—after all, the Soviets have given up on the Moon, and we've already been twice.  Moreover, the Reds are now focusing on orbital space stations (if the recent Soyuz 9 flight and the prior triple Soyuz mission are any indication).  Shouldn't we change course, too?

I have to think this idea a plan to save the Space Shuttle.  With Senators Proxmire and Mondale sharpening their knives to gut the space agency's budget, Paine figures that the way to keep the next-generation orbital launch vehicle in business is to give it a fixed destination.  After all, once the two Apollos have been used, the only way to get astronauts to the station will be on the Space Shuttle.

A Space Shuttle Orbiter docks with the NAR Phase B Space Station using a module deployed from its payload bay and linked to the docking port atop its crew cabin. Image credit: North American Rockwell.
A Space Shuttle Orbiter docks with the NAR Phase B Space Station using a module deployed from its payload bay and linked to the docking port atop its crew cabin. Image credit: North American Rockwell. (text by David Portree)

The timing is awfully tight, though.  The Shuttle won't be done until at least 1977, which means the station will have to lie fallow for a while until the vehicle is online.  That's assuming the advanced station can even be developed and deployed in six years, which seems doubtful.  Skylab is just an adapted Saturn V upper stage.  This proposed station would probably be something entirely new.

In any event, it seems foolish to squander Kennedy's legacy and barely scratch the surface of the Moon, scientifically speaking, when an infrastructure for further exploration is already in place.  Shifting course so rapidly stinks of desperation.  As Walter Matthau once said, playing a gambler in an episode of Route 66, "Scared money always loses."

Of dolphins and dreams

The realm of science isn't the only dubious one this month.  Take a gander at the latest issue of Fantasy and Science Fiction to see what I mean…

Cover of The Magazine of Fantasy and Science Fiction's August issue, featuring 'The Goat Without Horns' by Thomas Burnett Swann and 'Isaac Asimov on astrology'-- the cover illustration is a black-haired nude white woman facing away from the viewer, standing thigh-deep in a claret sea and peering downward. Three improbably large & erect black dorsal fins tightly orbit her, cutting a circular wake, and an onyx platform floats above, out of her reach. Three crescent moons hang large in the sky, the largest one refracted through the only other feature projecting from the waves-- left of the woman is an enormous lenticular crystal within which is embedded vertically a chalky nude man, twisted to face the moon. Red and white flares lay a track of parabolic arcs charting from the horizon towards the crystal.
Cover by Bert Tanner

Continue reading [July 20, 1970] The Goat without Horns…among other things (August 1970 Fantasy and Science Fiction)

[July 19, 1970] Dips in road (Maze of Death, The Eternal Champion…and others—July Galactoscope #2)

For our second of July's Galactoscopes, we have quite the mixed bag: two winners and two losers.  Aren't you glad you've got us to navigate the dross for you?

Covers of four books. The first cover is for the novel Quest for the Future by A E van Vogt. The illustration shows a huge, green, tentacled monster about to eat a human whole. Text at the bottom right corner says: In the palace of immortality, all the probabilities of time are waiting for you. The second cover is for the novel The Eternal Champion by Michael Moorcock. The illustration shows a man sitting on a throne, holding a sword in one hand and a big, shiny crystal ball in the other. A naked woman is kneeling in front of him, pouring a drink into his mouth. The third cover is for the novel Anti-Man by Dean R Koontz. The illustration shows a multitude of people struggling to walk in order. In the foreground, a human face is half covered by a hand. The palm of the hand shows the eye that the hand covers on that face. Text in the middle says: Sam was a miracle being—and a curse to a dangerously overpopulated planet. The fourth cover is for the novel A Maze of Death by Philip K. Dick. The illustration shows blue clouds half-covering an orange setting sun. Beneath the clouds, half-closed eyes look downward.

Continue reading [July 19, 1970] Dips in road (Maze of Death, The Eternal Champion…and others—July Galactoscope #2)

[July 18, 1970] Two-star three step (July 1970 Galactoscope)

We're breaking up this month's Galactoscope in two—and the dross leads the back. The next three books are all sub-mediocre, but the reviews are well worth the price of admission!

Covers of three books. The first cover is for the book A Harvest of Hoodwinks by Robert Lory. The illustration shows a man in an astronaut suit standing at the entrance of a cave, carrying a lamp. The floor, walls and ceiling of the cave are covered in thick webs. Text on the cover says, Sleight of hand in sciences and sorceries. The second cover is for the book Masters of the Lamp by Robert Lory. The illustration shows a human figure wearing a white robe, standing atop a pillar. Next to the human figure is a floating black octopus. Below, a human face is surrounded by five small planets. Text on the cover says, Send a spy to find a god. The third cover is for the book Operation Ares by Gene Wolfe. The illustration shows three flying saucers over a field where people and wolves are standing.

Continue reading [July 18, 1970] Two-star three step (July 1970 Galactoscope)

[July 16, 1970] Journey Behind the Iron Curtain, Journey into Space

BW photo of Jason Sacks. He's a white man, with short light hair, rectangular glasses, and headphones.
by Jason Sacks

We here at the Journey pride ourselves on our international reach and viewpoint. We have writers from across the world, and we love to read work from a full spectrum of countries.

While we've dabbled a bit with Eastern European and Soviet fiction, this has been a bit of a blind spot for this zine.So when The Traveller asked me to review a new anthology of SF from behind the Iron Curtain, I jumped at the opportunity.

Other Worlds, Other Seas is a new anthology of  science fiction stories from Socialist countries, published by prestige publisher Random House and edited by expert Darko Suvin. Suvin was born in the Yugoslav province of Croatia, and emigrated to Canada where he teaches at McGill University in Montreal.

Suvin still has deep ties to his native region, and has gained a reputation as one of the foremost critics and experts on SF from that area of the world. As part of that effort, Suvin has assembled a collection of fiction from some of the most prominent writers from that region.

As Suvin himself says, this is by design a quick overview. Other Worlds, Other Seas is only 200 pages long, so longer pieces were unavailable, as were stories from countries like East Germany for various reasons.

What Suvin compiled here is a classic mixed bag of stories. A handful of tales here are brilliant, a handful feel pointless. Allow me to break down that roster below. Cover of 'Other Worlds, Other Seas, Science-Fiction Stories From Socialist Countries' in yellow text. featuring a surreal mountainscape with an appendage encircled by a disc sprouting from it. The bottom text reads in red 'Selected, edited and with a preface by DARKO SUVIN'. 

Continue reading [July 16, 1970] Journey Behind the Iron Curtain, Journey into Space