by David Levinson
Not with a bang but a whimper
– T. S. Eliot, The Hollow Men
Starting with a Bang
This month, we note with regret the passing of Monsignor Georges Lemaître on June 20th, at the age of 71. You are likely wondering who that was and what a Catholic priest has to do with the sort of things we usually discuss here at the Journey. Though not well known in America, Msgr. Lemaître was one of the most important theoretical astronomers of this century. After earning his PhD. in mathematics in his native Belgium, he spent a year at Cambridge under Arthur Eddington, who introduced him to modern cosmology, followed by a year at the Massachusetts Institute of Technology under Harlow Shapley. In 1927, he published a paper in a minor Belgian journal in which he proposed that the red shift of other galaxies could be explained by an expanding universe. That was two years before Edwin Hubble published his theory of a relationship between velocity and distance for extragalactic bodies. Lemaître also made a first estimation of the constant now called the Hubble constant.
Then in 1931, he suggested that the vectors of all the objects could be tracked backwards to a single point. He dubbed this the “primeval atom”. This is the beginning of the theory which Fred Hoyle called the “big bang” in contrast to his favored steady-state theory. The evidence in favor of Lemaître’s theory has mounted over the years, and it now looks to be the best explanation for the beginning of the universe. The Monsignor was also a mathematician and one of the first people to use computers for cosmological calculations. He was elected to the Pontifical Academy of Sciences in 1946 and served as its president since 1960. Although a devout Catholic, he firmly believed that science and religion were not in conflict, but nevertheless should not be mixed.
Lemaître with Robert Millikan and Albert Einstein following a lecture at the California Institute of Technology in 1933.
Ending with a Whimper
They say an author should try to come up with a good opening line, or hook, to grab the reader’s attention. Things like “It was a bright cold day in April, and the clocks were striking thirteen,” “It was a pleasure to burn,” or (one of my favorites) “If I had cared to live, I would have died.” It’s important to start with a bang, but all too often writers forget about a satisfying ending. Stories taper off into nothing, plot threads are never tied up, or ridiculous bits of action are introduced out of nowhere to get the author out of a corner they painted themselves into. Quite a few of the stories in this month’s IF start off promisingly, if not with a bang, and end not with a whimper, but a resounding thud.
No matter what the Table of Contents says, this outer space construction site has nothing to do with The Foundling Stars. Art by McKenna
The Foundling Stars, by Hal Clement
Astronomer Elvin Toner doesn’t accept the standard theory of star formation which says that random fluctuations in the density of nebulae initiate a snowball effect that allows the gas to become dense enough to trigger stellar ignition. So he has come to the Orion Spur along with his assistant Dick Ledermann and pilots Hoey and Luisi to perform an experiment. He intends to run an interferometer with a baseline of several light-hours on the gas and dust of the nebula. That means the pilots will have to hold their ships completely motionless with respect to each other. Because a change in the center of gravity of either ship by as much as a micron will ruin the experiment, the two men will have to remain as motionless as possible for several hours. The first run hiccups for some unknown reason, and on the second Hoey sneezes.
Toner and Ledermann await the results. Art by McClane
This starts off like a typical Hal Clement story. Unfortunately, once Hoey sneezes, the story becomes more like something from the ‘40s written by one of those lesser authors who are forgotten today. The secret to stellar formation is the most un-Clement-like answer I can think of. Well-written, and I might have liked it better under a different name.
A disappointing three stars.
Slot Machine, by H. B. Michel
Two aliens (or maybe demons) are playing the slots in a casino, using humans as currency. They act just like a married human couple.
Michel is this month’s first time author. The story is awful. I have a vague sense of what the writer was aiming for, but it’s a complete miss. Maybe if I knew what slot machine symbols mean, I’d have understood it a little better.
One star.
Peace Corps, by Robert Moore Williams
Jim Jiro is a member of the Peace Corps. Not the youth volunteer organization called into being by President Kennedy, but an intelligence organization of the world government, much like the CIA or MI-6. He’s on his way back from the Moon, where miners have been disappearing. Pursued by invisible aliens, he falls into the hands of their human criminal allies. How high a price will he have to pay in order to save humanity?
Jim checks the mirror for invisible enemies. Art by Virgil Finlay
The story is as bad as that precis makes it sound, but it actually gets off to a promising start. Unfortunately, it soon stumbles and eventually comes to a crashing thud. Williams has been around since the late ‘30s and the plot is entirely out of those days, although the writing itself is more modern. I’ve never understood why criminal organizations always aid invading aliens in these sorts of stories. It’s as if they have no sense of self-preservation. Anyway, the descent into the worst of the pulp era is all the more disappointing after a good start.
Two stars.
Conventions Galore, by Lin Carter
After looking at Worldcon last month, this time around Our Man in Fandom takes a look at other conventions around the United States. From relaxed conventionettes to fully programmed conventions, there are lots of get-togethers all over. Alas, due to the demands of publishing many of them have already happened, but it’s worth a look to see if something might be happening in your area.
Three stars.
The Hour Before Earthrise (Part 2 of 3), by James Blish
In the first installment, teenager Dolph Haertl invented anti-gravity and flew to Mars in a packing crate, followed soon after by his almost girlfriend Nanette. We open this month with the kids’ parents gradually coming to believe the truth and the story getting picked up by the press, first as a silly season piece and then a “baby in the well” story. Eventually, everyone but the parents decide there’s no way the kids could still be alive. However, one or two mathematicians have started working on Dolph’s theory.
Meanwhile on Mars, Dolph and Nanette manage to survive. They’re able to expand their shelter somewhat and resort to eating the residue of the lichen they process for oxygen and water. Amazingly, after eating the stuff, they are able to survive for a time outside without oxygen or warm clothing. They discover a sort of lobster-scorpion they can use to supplement their diet, and then Dolph finds a weak radio signal, apparently a beacon. Hoping to attract the attention of whoever is behind the beacon, he comes up with a way to interrupt the signal. As the installment ends, they encounter a large cat-like predator. To be concluded.
Dolph contemplates lunch. Art by Morrow.
I was pretty hard on this novel last month. Things have improved somewhat. Blish has dropped the alternation of story and science lecture that made me compare this to Danny Dunn. This is closer to a Heinlein juvenile, with a focus on survival through technology and engineering. I’m tempted to give Blish points for acknowledging the basic facts of human female biology, but he loses them for literally connecting menstruation to the Moon. Toss in the still silly premise and a Mars that is somewhere between that of the old planetary romances and what we know of Mars today and the improvements don’t add up to much.
Just barely three stars.
He Looked Back, by Carl Jacobi
After running out of money on her Caribbean vacation, narrator Jennie has wound up in the country of San Carlo. She landed a job running a hotel switchboard and taking shorthand occasionally on the side. Captain Juan La Cola of the Confidential Police is staying at the hotel and seems to have foreknowledge of accidents befalling high-ranking members of the government and has expressed unhappiness with the dictator running his country. With a bit of snooping, Jennie discovers that he also has some odd allies.
Now, that’s a name I’ve not heard in a long time. Jacobi was a pretty big deal in the Pulp Era. He was best known for his weird fiction and adventure tales, almost single-handedly turning adventures set in Borneo and Baluchistan into genres of their own. His science fiction was less successful, mostly space opera of the lesser sort. Although the pulpy bones of this story are clear, it still manages to be relatively modern. The prose isn’t purple, the plot doesn’t rely overmuch on coincidence, and Jennie’s voice is very authentic. It could have been shorter, and the ending is very much from thirty years ago, but it’s not a bad read.
Three stars.
The Junk Man Cometh, by Robin Scott
Perce Sansoni, now an ex-congressman from West Virginia thanks to bucking the party machine and contemplating an independent run for Senator, has returned to the family junk business. They pick up some Army surplus generators for a song, but the crew bringing them to junkyard is hijacked, killing two employees and sending brother Buzz to the hospital. Eventually, the hijackers are proven to be aliens and Perce is captured for a time. Everything heads to a final confrontation in the family junkyard.
One of the hijackers. Art by Gaughan
Not a great story, but probably the best in a fairly weak issue. It’s certainly the only one that doesn’t trip over its own feet and has a reasonably satisfying ending. Perce is an engaging narrator and his family is well drawn. At the very least, it’s the one story this month where I could say, “I enjoyed that.”
A solid, but not quite high, three stars.
Summing Up
What have we learned this month? Endings are hard. Sometimes even old pros can’t quite figure out how to wrap things up. No matter how good your hook is, if you leave the reader unhappy at the end, it’s going to be harder to set the hook next time. If you can’t go out with a bang, at least hope for a whimper, because a thud is the least satisfying thing of all. As Walter Cronkite says, “That’s the way it is.”
Chandler playing with alternate universes again. Hope this one’s better than the last.
Skipping the serial:
I didn't understand anything about what was going on in "The Foundling Stars." The experiment went way over my head, and the revelation at the end didn't make any sense to me.
"Slot Machine" had nothing but the basic idea. At least it was short.
"Peace Corps" was all slam-bang action, of a rather distasteful sort, and the evil aliens from the Moon didn't convince me for a second.
"He Looked Back" didn't grab me, but it wasn't terrible. It was just kind of forgettable.
"The Junk Man Cometh" probably was the best of a poor selection. It started off pretty interesting, but went on for too long.
Not a great issue!