Category Archives: Magazine/Anthology

Science Fiction and Fantasy in print

Bad History Repeats (August 1959 Astounding, second part; 7-18-1959)

All right, all right.  There is no putting off at least an initial review of this month’s Astounding.  Actually, I’m more than half done, but I covered The Aliens earlier, so there was much reading to do to have anything of substance to report.

Randall Garrett’s Dead Giveaway literally put me to sleep several times before I was able to finish it.  The premise isn’t so bad, though it is quite hoary: humanity finds a long lost alien civilization whose technologies seem to dovetail perfectly with our own.  A bunch of eggheads (male, white, of course) determine that the abandoned city is actually a gift designed to give us a leg up.  It is also a test—do we have the ability, as a species, to accept the help?

This is discussed in one of the more ludicrous paragraphs ever written by Randy (and there is much competition):

Scholar Duckworth said: "It takes a great deal of humility—a real feeling of honest humility—to admit that one is actually inferior to someone—or something—else. Most people don't have it—they rebel because they can't admit their inferiority."

"Like the examples of the North American Amerindian tribes." Turnbull said. "They hadn't reached the state of civilization that the Aztecs or Incas had. They were incapable of allowing themselves to be beaten and enslaved—they refused to allow themselves to learn. They fought the white man to the last ditch—and look where they ended up."

"Precisely," said Duckworth. "While the Mexicans and Peruvians today are a functioning part of civilization—because they could and did learn."

"I'd just as soon the human race didn't go the way of the Amerindians," Turnbull said.

I’m reasonably certain that this is not how history went in the Americas.  If I’m not mistaken, the native Mexicans and Peruvians were devastated and supplanted by an imported European aristocracy.  Sure, they didn’t end up on reservations, but it is also disingenuous to suggest that they gratefully accepted European wisdom and, as a result, are better off than their impoverished North American counterparts (who had the temerity to, you know, fight for their lives).

I was going to give this story two stars, but upon reflection, I think it belongs at the bottom of the ash heap.  Which is too bad, because it is sandwiched between two quite good tales.

Which brings us to The Outsiders, the second of the Rim stories by A. Bertram Chandler.  It is a direct sequel to To Run The Rim, about the adventures of a pack of oddball space traders on the edge of the galaxy.  And it’s well worth reading.  In the last tale, Calvert and his band of misfits saved an interstellar liner and secured a tidy reward.  In The Outsiders, the crew buys its own ship and attempts operation as an independent concern.  I was happy to see that the ship’s complement is half-female by the end, all of them competent, hardened spacers.

Of course, for Calvert the dreamer, a hardscrabble life of tramp spacing isn’t enough.  Instead, he wants to chase legends of alien ghost ships floating Outside in the vast emptiness of intergalactic space.  Following a hot lead, he and his crew ultimately find what they’re looking for…

But we won’t know the resolution of this tale until the next story.  Or perhaps the one after that.  I strongly suspect there will be a book compilation of these stories when all is said and done, and it will be worth buying.  A strong, four-star story.  It only misses five stars for being so clearly a bridging piece.

Next time: the rest of the magazine and a review of the Analytical Laboratory!



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Kookie Aliens (August 1959 Astounding, first part)

I’m a bit of an etymology nut, so when I recently heard the hit song, “Kookie, Kookie (Lend me your Comb),” I became intrigued by the provenance of the final lyric, “Baby, you’re the ginchiest.”

Turning to my Dictionary of American Slang, I found that ginch was 30s slang for a woman, a rather unflattering depersonalizing word.  It is akin to, and possibly related to “wench.”  Some people have taken “ginchiest” to mean “tops” or “the best,” but seeing how the male singer is a self-absorbed, beat-spouting jerk, and the girl (from his viewpoint) keeps pestering him, I think he really means, “Man… you’re such an annoying chick!”

Maybe I think too hard on trivial matters.

I’m happy to announce that this month’s Astounding starts with a bang, but first, I want to detour to the issue’s non-fiction article.  It’s the second of its kind that I’ve seen recently, an overdramatic, underrational speculation into the effects of weightlessness and space on the human psyche.  The author opines that, in the absence of normal sensory input or gravity, a person trapped in a tin can for any length of time will go nuts.

Well, people have survived on submarines for 50 years just fine (save for the occasional unfortunate build-up of carbon dioxide).  I suspect our future astronauts will remain sane.  It’s not as if we’re sending them into space inside of sensory deprivation tanks.

Now the fiction.  Murray Leinster has a really excellent story in this ish that I hate to spoil with too much description.  It’s a story of first contact, of an encounter between spaceships, of the interplay between crews, alien and familiar.  And it features a female bridge officer!  Leinster’s penchant for repetitive sentences, like he’s orally reciting an Homeric ode, is a little off-putting, but not cripplingly so.

I give it 5 stars.  How about you?

P.S. I’d planned to write more, but the next story in the book is a Randall Garrett, and I fell asleep five pages in.  I shall try again tonight.  Until next time, dear readers…



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IF Returns! (July 1959 IF; 7-07-1959)

There is a certain perverse joy to statistics.  Think of the folks who spend hours every week compiling baseball scores, hit averages, etc.  It’s a way to find a pattern to the universe, I suppose. 

To date, I’ve sort of off-handedly rated issues on a 1 to 5 star scale.  Last weekend, I went through my issues and compiled real statistics.  Here’s my methodology:
Each story/article gets rated 1 to 5 with these meanings.

5: Phenomenal; I would read again.
4: Good; I would recommend it to others.
3: Fair; I was entertained from beginning to end, but I would not read again or recommend.
2: Poor; I wasted my time but was not actively offended.
1: Abysmal; I want my money back!

I generally skip editorials and book reviews (in the ratings; I do read them… except for Campbell's editorials).

I then average all the stories in the book.  I do another, weighted, average where I factor in the length of a story (i.e. if the long stories are great and the short ones are terrible, the latter do not bring down the score as much).  Generally, the two scores are close.

My preliminary analysis has confirmed what I’d already felt in my gut–Fantasy and Science Fiction is a consistently better magazine than Astounding.  F&SF runs a consistent 3 or 3.5 average.  That may not sound like a lot, but any score over 3 means there must be at least one good story inside.  I haven’t reviewed a magazine that scored a 4 yet.
Astounding, on the other hand, runs in the 2.5 to 3 range.  This is why I find the magazine a chore.

I haven’t don’t Galaxy yet, but I suspect it will fall in between the two above magazines.

Using my brand new rating system, let’s talk about the new IF Science Fiction.  I’m afraid it’s not quite up to Galaxy’s standards, nor even those set by Damon Knight’s outing as editor, but it’s not horrible, either.

The issue starts strongly enough with F. L. Wallace’s Growing Season, about a starship hydroponics engineer with a contract out on his life.  It’s a very plausible and advanced story whose only flaw is that it ends too quickly and in a pat manner.   4 stars.

The Ogre, on the other hand, is a disappointing turn-out from normally reliable Avram Davidson.  As one reader observed, it falls between two stools, being neither chilling nor funny.  It’s another story where an anthropologist would rather kill than revise a pet theory, in this case, the date of Neanderthal extinction.  2 stars.

Wynne Whiteford, of whom I had not heard before, though I understand he’s been around for a while, writes a rather hackneyed tale of immortality and body-snatching called Never in a Thousand Years.  If you don’t see the end coming from the beginning, you’re not looking very hard.  2 stars.

Sitting Duck, by Daniel Galouye, is one of those stories with a uncannily relevant but unnecessary parallel subplot.  In this case, aliens are hunting humans from artificial “blinds” in the shapes of homes, malls, and movie theater… just like the protagonist when he hunts ducks from blinds.  It really doesn’t work as a story, but it’s not execrable.  Just primitive.  2 stars.

I rather enjoyed Mutineer by Robert Shea, in which cities have reverted to city states (albeit high-technology ones), professions are regimented, and soldiers are both fearsome and feared.  There are interesting parallels to be drawn to Classical Greece, perhaps.  3 stars.

Paul Flehr’s A Life and a Half is inconsequential, a bitter reminiscence by an old-timer about a century from now, noting how much better things were “back then.”  It has a rather strong Yiddish tone throughout, however, so it’s not all bad.  2 stars.

Rosel George Brown continues to show potential that is never quite realized.  In Car Pool, a young mother struggles with mixing alien and human children in a pre-school setting; at the same time, she wrestles with her plainness and puritanical virtuosity.  I liked it, but it is not quite great.  3 stars.

Baker’s Dozens is about a series of duplicate persons who encounter life and death in a number of interesting ways in their interstellar journeys.  The story is mainly a vehicle for author, Jim Harmon’s, groan-worthy puns.  3 stars.

IF ends as it began, with a quite good story by Phillip K. Dick called Recall Mechanism.  It combines a post-apocalyptic world with investigations into psychiatry and precognition.  I’m torn between assigning it a 4 or a 5.  If only there were an integer between the two!

Averaged out, this issue clocks in at 3 stars.  You could definitely do worse, and the first and last stories are worth reading.

See you in two days, and thanks for reading!



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Cats, IF, and Yankee Doodle (7-04-1959)

If you have a cat, you know what impediments to constructive activity they can be.  Perhaps you're purposefully striding to your next chore; the cat will rub up against you or flop on the floor in a coy manner, and you will have no choice but to stop and give it a good petting.  Maybe you're trying to read or, say, type up an article related to science fiction; said cat will purr alluringly, magically appearing under your hands, rendering keys or pages quite inaccessible.

There are worse fates, I suppose.

Luckily, I had the force of will to extricate myself from feline obstruction.  It only took about 45 minutes!  And now, without further delay, I can tell you all about the revived IF Science Fiction magazine.

Six months ago, I lamented that no sooner had I rediscovered IF, daringly helmed by Damon Knight, than the magazine folded.  Imagine my pleasure upon learning that IF had not been discontinued but merely sold.  In fact, looking at the masthead, I found that the new editor is H.L.Gold!  It looks as if IF is going to be Galaxy's sister publication appearing in alternate months.  This effectively makes Galaxy a monthly again.  IF is only 130 pages long, while Galaxy is 196.  This puts the average number of pages at 163, which is a good length for a monthly digest.  Hurrah!

But the real question is whether or not the quality of Galaxy #2 is up to the standards of the original.  After all, there is no Willy Ley article to look forward to.  On the other hand, it looks like Fred Pohl will be a regular feature submitter, and a quick glance at the names of writers appearing inside (Rosel George Brown!) is encouraging.

So stay tuned.  I'm afraid festivities in celebration of our nation's 183rd birthday preclude me from telling you about the July 1959 IF just yet.  But I'll be back in three days with a full report.  In the mean time, why don't you pick up a copy, and we can explore this new magazine together.

If you are from the United States of America, Happy Independence Day!  If you're from the United Kingdom, no hard feelings.  And if you're from anywhere else, Happy July 4th (or July 5th) of No Particular Consequence!



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The Bomb, the Clock, and the Devil (August 1959 Fantasy and Science Fiction; 7-02-1959)

In this month’s F&SF editorial, editor Doug Mills reports that he’s gotten a number of complaints regarding the oversaturation of stories in the post-apocalyptic, time travel, and deal-with-the-Devil genre.  Mr. Mills’ response was that any genre can be oversaturated, but quality will always be quality, and F&SF will publish quality stories in whatever genre it pleases.  In fact, there are stories dealing with all three of the "oversaturated" genres in this issue.

What do you think?  I have to agree with Mr. Mills.  Personally, I can never get enough of After the Bomb stories, time travel is often a hoot, and the Devil features in relatively few tales these days, in my experience.   But I’d like your opinion on the matter.
I had not realized that Poul Anderson’s Time Patrol story had taken up so much of the current issue; there isn’t much left to review.  There is some goodness, however:

Rosebud, by Ray Russell, is teleological nonsense in a single-pager.  Damon Knight’s book review column deals with horror, and is interesting, as usual.  I wish he were still helming IF (come to think of it, I just received this month’s copy… I wonder who’s in charge.)

Kit Reed’s Empty Nest is well nigh unreadable, but I think it’s a horror about being eaten by anthropoid birds.

Obituary, by Isaac Asimov, is actually quite good, and one of his few stories from the viewpoint of a woman.  It involves domestic abuse, a truly evil (yet in a plausible and everyday sort of way) villain, and a satisfactory, grisly come-uppance.  I hope the good doctor is not writing from experience in this one…

Finally, we’ve got Pact, by Poul Anderson (under his pseudonym, Winston P. Sanders).  This is the aforementioned Devilish Deal story, and it is my favorite story of the issue.  I hear you gasp–an Anderson story is my favorite?  Yes!  It's clever all the way through, this story of a demon summoning a human in the hopes of consumating a contract.  Fine stuff.

My apologies for the shortness of this installment.  I'll make it up next time.  Perhaps.

P.S. One of the reasons I enjoy science fiction so much is the clever gadgets.  In Asimov's story, the villain uses a "desktop computer" with some sort of typewriter keys attached.  Boy, would that be a fine tool to have, and I've never seen the like in a story before.  Something to look forward to in a decade or two?



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I am Cyrus, King of the World (August 1959 Fantasy and Science Fiction, 1st half; 6-30-1959)

For most people, the beginning of the month coincides with the 1st (or, as my late father might say, the “oneth”—i.e., May the “oneth” followed by May the “tooth”).  For me, and doubtless for most of my science fiction loving sistren and brethren, the month starts around the 26th, which is when the science fiction magazines hit the newsstands.

Of course, those who get their issues via mail-order get them at varying times, but in general, the last week of the month preceding the month preceding the cover date  (I did not stutter; the duplication is intentional) is when the goodies arrive.  For me, that’s The Magazine of Fantasy and Science Fiction (generally good), Astounding Science Fiction (often bad, but sometimes good), and on a bi-monthly and alternating basis, Galaxy (generally decent), and IF (quality as yet undetermined).  When these run out, I pray for interesting space news and/or interesting new novels.  Exhausting these, I turn to my collection of older books, preferably ones I have been given the right to distribute freely.

I am currently at the giddy start of a new month, and I’ve decided to eat my dessert first, tearing through the August 1959 F&SF.  Take my hand, and away we go!

Jay Williams generally sticks to juveniles, co-writing the Danny Dunn series, which are pretty fun if you’re the right age to enjoy them (pre-teen).  His Operation LadyBird opens up this month’s issue, and it’s a lighthearted romp on a Venus that a United Nations force has recently cleaned of a loathsome alien menace.  Turns out that we were actually called in (unwittingly) by Venusians (who look just like Hopi Indians) to act as exterminators.  I liked the story better when it was called Cat and Mouse, but the story is not without its charms, and it does feature a strong female character, a resourceful Soviet major.

Asimov’s column is good this month.  The Ultimate Split of the Second begins as a primer on measuring really big and small things.  The Doctor recommends using the time it takes light to travel certain small distances as really small units of time (i.e. a light meter, a light kilometer, etc.).  This the flip side to using light years, minutes, hours, for distance measuring.

Then he gives us a survey of the latest discoveries of subatomic particles, exciting new things that are the very bleeding edge of modern physics.  Their halflives are exceedingly small, so the nomenclature described above comes in handy to describe them. 

The prolific Carol Emshwiller (whose husband’s art graces the pages of many digests under the byline “EMSH”) has an interesting post-apocalyptic mood piece called Day at the Beach.  There’s not much to it; it is largely the depiction of a family in a ruined, but not extinguished, United States.  Gasoline is exorbitantly expensive, most citizens have lost all of their hair, mutations are legion, and there is not much law and order.  Diverting, forgettable.

Fantasist Marcel Aymé’s The Walker-Through-Walls is cute, though it is a reprint from 1943.  Our straight-laced protagonist discovers that, in mid-life, he has the ability to traverse walls as if they did not exist.  He resists exploiting this power, but little by little, he succumbs to temptation.  First, he terrifies his tyrannical boss, then he becomes a dashing, popular thief.  Ultimately, he becomes involved in a torrid affair that proves to be his undoing.  Well-written, somewhat fluffy.

Finally, for today, we have Poul Anderson’s latest Time Patrol story.  As you know, I have a bit of a love-hate relationship with the good Swede, but this one is pretty good.  For those who don’t know, the Time Patrol is an organization based in the far future that recruits constables from across time to police for alterations in the timeline.  It’s a tough task, but it is made easier by the laws of the universe which have the time stream move along in a way not unlike a river—it takes a lot to get a substantial altering of course.
 Patrolman Manse Everard, nominally stationed in the late ‘50s, is approached by Cynthia, wife of his best friend, and object of Manse’s unrequited affections, to find her husband, who has disappeared without a trace some 2500 years in the past.  Unable to say no, Manse takes an unauthorized trip to the Persian Empire of Cyrus the Great to find his friend, who turns out to be none other than the King of Kings himself!  It’s an exciting but somewhat ironic and bittersweet story, and it gets extra stars for being about a rather unsung but personal favorite era of mine.

All told, the first half (and a little extra) of this issue has had no clunkers, but also no home runs, to mix my metaphors.  Call it 3.5?
See you in two days!



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Less than astounding…  (July 1959 Astounding; 6-23-1959)

I suppose it was too much to hope for two good issues of Astounding in a row.  The magazine that Campbell built is back to its standard level of quality, which is to say the bar is not very high.  Still, I read the stories so you don't have to (if you don't want), so here's all the news that fits to print.

Randal Garrett's But I don't think isn't horrible.  It's actually genuine satire, about a ordnance evasion officer (a "Guesser") who ends up inadvertently jumping ship during shoreleave.  He is the denizen of a lawfully evil and hierarchical society, and the story is all about the miserable things he does and that are done to him in large part due to this evil culture.  It'll leave a dirty taste in your mouth, like old cigarette butts, but I think it was actually intentional this time. 

It's not exactly downhill from here, but there aren't exactly heights, either.  The next story, Broken Tool, by Theodore L. Thomas, is a short piece about a candidate for the Space Corps, who ends up washing out because he, ironically, doesn't have enough attachment to his home planet of Earth.  A "gotcha" story, the kind I might expect to find in one of the lesser magazines… not that they exist anymore.

I generally like Algis Budrys, and his Straw, about an entrepreneur who pulled himself up by his bootstraps and became the Big Man of the underwater community of Atlantis, isn't bad.  It's just not terribly great. 

Isaac Asimov has an interesting article entitled, Unartificial elements, explaining how all of the elements humans have managed to synthesize actually do exist in nature, albeit in rather small amounts.  This was the best part of the magazine.

There are two stories after the last installment of Dorsai, which I reviewed last time.  Chris Anvil's Leverage is a mildly entertaining story about colonists dealing with a planet's ecosphere that has a single-minded, but fatally flawed, vendetta against the settlers.  Another low-grade story I'd expect in Imagination or somewhere similar.

Finally, we have Vanishing Point, by C.C. Beck, the illustrator for D.C.'s Captain Marvel.  It's all about what happens when an artist learns the true nature of perspective.  Cute, but, again, not much to it.

Campbell published the user reviews for March and April 1959.  I won't go into great detail, but suffice it to say, Leinster's Pirates of Ersatz topped both months.  But in March, Despoiler of the Golden Empire got #2, whereas my favorite, The Man Who Did Not Fit was bottommost.  The April results were less disappointing–Now Inhale got #2, and Wherever You Are got #3.  I probably would have swapped the places, but I suppose a female protagonist may be too much for Analog readers to swallow comfortably.

Lots of space launches coming up–a Vanguard and a Discoverer, so expect some launch reports this week!

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Starting strong (July 1959 Fantasy and Science Fiction;6-13-1959)

It's those haunting, evocatively written F&SF stories that keep me a regular subscriber.  July's issue opens with Robert F. Young's To Fell a Tree, about the murder (mercy killing?) of the tallest tree imaginable, and the dryad that lived within.  It'll stay with you long after you turn the last page, this sad, but not entirely desolate, tale.  So far, it's the best I've seen by Young.

Asimov's column, this month, is a screed against the snobbery of the champions of liberal arts and humanities to the practitioners of science.  I'm told that the rivalry is largely good-natured, but Dr. Asimov seems to have been personally slighted, and his article is full of invective. 

Avram Davidson's Author, Author is next: venerable British mystery writer is ensnared by the very butlers and baronets who were the subjects of his novels.  I found most interesting the interchange between the author and his publisher, in which the latter fairly disowns the former for sticking to a stodgy old format, the country-house murder, rather than filling pages with sex and scandal.  I found this particularly ironic as my wife is a mysteries fan who appreciates whodunnits of an older vintage, from Conan Doyle to Sayers.  She has, of late, become disenchanted with the latest, more cynical crop of mysteries.  I suspect she would have words for the publisher in Davidson's story.

For Sale, Reasonable is a short space-filler by Elizabeth Mann Borgese about a fellow soliciting work in a world where automation has made human labor obsolete.  Damon Knight's following book review column is devoted to The Science Fiction Novel, Imagination and Social Criticism, a book of essays written by some of the field's foremost authors.  It sounds like a worthy read.

Jane Roberts' Impasse hits close to home–a young lady loses her last living relative, her grandfather.  So great is her grief that, by an act of will, she returns him to life, though the old man is not too happy about it.  The story struck a chord with me as I lost my family when I was quite young, and I can certainly identify with the poor girl's plight.

The Harley Helix is another fill-in-the-space short short by Lou Tabakow, the moral of which is There Ain't No Such Thing as a Free Lunch (i.e. the First Law of Thermodynamics).  Success Story, which I reviewed last time, is next.

Raymond E. Banks has the penultimate tale, with Rabbits to the Moon, a thoroughly nonsensical tale about the teleportation of creatures (including humans). Its only flaw, that the transported arrive without a skeleton, is made into a selling point.

Last up is The Cold, Cold Box by Howard Fast.  The richest man in the world becomes afflicted with terminal cancer and has himself frozen in 1959 so that the future can cure him.  But the members of his company's board of directors have a different agenda, particularly after they become the world's de facto controlling oligarchy. 

It's good reading all the way through, but it's the lead novella that really sells it.  3.5 stars, I'd say.

I'm off to the movies tonight, so expect a film review soon!

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Big Man ($100 contest; 5-11-1959)

Want to make a quick $100? 

Fantasy & Science Fiction is running a contest this month (July 1959) related to one of the stories in the latest issue.  Of course, I immediately turned to page 87 to read the story. 

Success Story is the tale in question, and it's by a fellow whose work I'd never read before, a Ms. or Mr. H.M. Sycamore.  I'll tell you the whole plot since I don't have permission to reprint, and I suspect you'll all want a chance to get in on this contest before it's too late.

Stan Budzik has invented a time machine, or at least figured how to make one.  But he needs financial backing to get it off the ground to the tune of a whopping $7,000.  Enter Harry Bottomley, a diminutive young man with one suit and just over $7,000, the proceeds of a recent inheritance.

Through a series of mishaps, Mr. Bottomley ends up as the world's first time traveller, albeit unwillingly.  Unfortunately the guy, who already has a complex about his height, not only ends up one day in the future, he also finds himself just two-and-a-half feet tall!

It turns out that the expansion of the universe affects everything universally, including its denizens.  Harry, having missed out on a day of expansion, is half his former size in relation to everything else.  Naturally, this causes a near meltdown for Harry.  But what goes forward can also go backward.  Harry makes a return trip from the future to regain his original size, but this time, he travels back a little more than a day, and ends up a strapping 6 foot 4 inch hunk of a man.

Stan and his team realize they've hit upon something and sell "height therapy" to folks with Short Man's Syndrome.  The one complication, mentioned off-handedly in the story's conclusion, is that while volume changes, mass does not.  A 120-pound bantam Harry became a 120-pound hulk.  I imagine Mr. Bottomley became a "floater" if he was previously a "sinker."

Now for the contest: Stan figured out a profitable use for this time machine.  Can you?  Remember the parameters:

Anything can be sent through time, but it will shrink in size by a factor of two for each day it transits; conversely, it will double in size for each day it travels backward.  This makes it impractical for explorative time travel, I would think.  Mass stays constant.

Here's my idea:

Since mass stays the same, regardless of size, the device is not particularly useful for miniaturization.  On the other hand, one could make some awfully light dirigibles using canisters of gas sent back in time.  With the cost of helium not inconsiderable, I could see some definite use of this application.

For your chance at a crisp C-note, send your ideas to:

Success Editor
Fantasy and Science Fiction
527 Madison Ave.
New York 22, New York

If you'll send me a copy, I'll print it in this column so all can bask in your cleverness.

Next time, I'll review the rest of the magazine.  In the meantime, let's see your ideas!

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The Dregs (August 1959 Galaxy; 6-09-1959)

Writing a column is 50% inspiration and 50% deadline.  Normally, I get pleny of ideas for articles from the fiction I read, the movies I watch, the news I hear.  But sometimes, nothing seems to spark that desire to put fingertips to typewriter, and I wrack my brain trying to thing of something interesting to convey to my readers (both of you) before the all-powerful deadline sweeps over me.

The problem, ya see, is that the rest of this month's Galaxy just isnt very good.  Nevertheless, it's all I have to write about. 

Robert Silverberg's Mugwump Four is, like most of his work, strictly mediocre.  A poor fellow gets stuck in a temporal and interdimensional war between roly-poly mutants and baseline humans only to find himself in an endless time loop (though the protagonist jumps to that conclusion awfully quickly).  About the most noteworthy aspect of the story is the illustration provided by Mad Magazine's Don Martin.  The style is very recognizable.

License to Steal, by Louis Newman, is this month's "Non-fact" article, Galaxy's attempt at humor.  I wish they'd stop bothering.  In summary: alien obtains a License to Steal, abducts an apartment building from Earth, sells its inhabitants off as willing slaves (read "guests") to a very pleasant family, and then runs into legal troubles. 

I did rather enjoy W.T. Haggert's Lex, about a fellow who invents an automated factory that ultimately develops intelligence and becomes his "wife."  The science behind the invention seems pretty sound (a combination of organic and electronic computing), and I'm happy to see a robot story that doesn't end in disaster, though this tale's end is bittersweet.

William Tenn's The Malted Milk Monster, about a fellow who gets trapped in a deranged girl's dream world, is suitably horrifying but not terribly rewarding. 

Finally, rounding out the issue is Fred Pohl's The Waging of the Peace, a "funny" story about the dangers of outlawing advertisement in conjunction with building automated factories.  I skimmed, truth to tell.

The best part of the latter half of this month's book was Floyd Gale's review of Mario Pei's The Sparrows of Paris, a modern werewolf tale.  For those of us who are fans of Pei's linguistic work, it's a treat to learn that he also does fiction.

Not that interesting today?  My apologies.  I'll be better next time…

(Confused?  Click here for an explanation as to what's really going on)


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