All posts by Gideon Marcus

[February 20, 1962] American Made (John Glen and the flight of Friendship 7)


by Gideon Marcus

And the Free World exhales.  At long last, an American has orbited the Earth.  This morning, Astronaut John Glenn ascended to the heavens on the back of an Atlas nuclear missile.  He circled the globe three times before splashing down in the Atlantic Ocean.

It is impossible to understate what this means for us.  The Soviets have been ahead of us in the Space Race since it started in 1957: First satellite, first lunar probe, first space traveler.  Last year, the best we could muster was a pair of 15 minute cannonball shots into the edges of space.  For two months, Glenn has gone again and again into his little capsule and lain on his back only to emerge some time later, disappointed by technical failure or bad weather.  Each time, the clock ticked; would the Soviets trump us with yet another spectacular display of technological prowess?

But this morning, everything was fine – the weather, the booster, the spacecraft, and the astronaut.  As I went to sleep last night, Glenn woke up.  He had the traditional low residue breakfast of orange juice, toast, eggs over-easy, fillet mignon, and Postum, before suiting up and entering the capsule.  That was at 5 AM his time (2 AM mine).  For five hours, the patient Colonel waited as his Atlas rocket, only recently tamed sufficiently for human use, was prepared and tested for flight.

At 9:47 AM his time, at last we saw the fire shoot out from beneath the missile, saw the Atlas and its black-painted cargo lift off, leaving its support gantry shrouded in white smoke.  For several minutes, the flight of mission Mercury-Atlas #6 was a strictly aural affair, the TV cameras' only subject being the now-empty launchpad.  But we heard the confident communication between Alan Shepard on the ground and Glenn hurtling skyward, America's first and American's latest spacemen, and we knew everything was still going well.

The sky went quickly from blue to black as Glenn struggled against six times his normal weight.  First, the Atlas' two side engines exhausted their fuel and detached.  A few minutes later, the central sustainer engine's job was complete, and the Mercury capsule, dubbed Friendship 7 by Glenn, flung itself from its empty booster.  Glenn was now in orbit, weightless, and cleared for his full three-orbit, five-hour mission.

For the first time, an American flight was long enough for the public to contemplate, to be worthy of news flashes.  And even though the last Soviet flight had spanned a full day, it was shrouded in secrecy until after its completion.  Glenn's mission was, on the other hand, entirely open.  Cockpit chatter was broadcast in the clear; each success and potential failure was presented for the world to hear.  Space travel had become a spectator sport.

The world participated.  Indeed, it had to.  An orbital mission requires global tracking.  Glenn's flight was monitored as he passed over exotic locales like Zanzibar, Woomera, Hawaii.  The citizens of the west Australian city of Perth turned their lights on for the astronaut's passage, providing a virtual streetlamp as he whizzed overhead at 18,000 miles per hour. 

Three sunsets and three sunrises greeted Colonel Glenn, though he was given precious little time to appreciate them, so crowded was his schedule with experiments and ship operations.  As the Mercury spacecraft's functions began to degrade in its third orbit, the value of an experienced human pilot became evident.  Glenn manually configured and trimmed the vessel to make the most of the journey and ensure the mission could be completed. 

Glenn's biggest challenge came at the end of the mission.  Sailing backwards over the Earth, the astronaut prepared to fire the ship's retrorockets, a blast of fire that would slow the craft such that it could break out of orbit and back toward ground.  But an indicator suggested that the Mercury's heat shield was loose.  If that were true, then there could be no returning for the astronaut – he would burn up on reentry. 

Was there anything the astronaut could do about the situation?  Well, the retrorocket package was held tight against the bottom of the bell-shaped craft (and thus, its heat shield) by a series of straps.  Normally, the retrorockets would be discarded before reentry.  This time, on the advisement of ground control, Glenn left the retrorockets strapped in.  The hope was that the straps would keep the shield attached, if it was indeed loose.

What a terrifying display that must have been for the pilot, watching flaming chunks of the retrorockets fly past his window as he tore through the white-hot outer layers of the atmosphere.  Glenn had plenty of other things to worry about.  The "G" forces spiked as the craft decelerated, and the ionization of the air cut off radio contact.  We all waited, white-knuckled, for some sign that the astronaut had survived the journey…or had been vaporized.

Then his voice crackled over the air again, the Mercury's striped parachutes were deployed, and we began breathing again.  A ship of the recovery fleet, the little destroyer called the U.S.S. Noa, was already close at hand when Friendship 7 touched down in the waves.  Once the capsule was hoisted aboard, the astronaut popped the side hatch, the one that had exploded prematurely for second astronaut Grissom.  An overheated but grinning Glenn stepped out of the Mercury, and into history.

Mercury's primary mission, to orbit and safely return a human, has been completed.  Nevertheless, there is obviously much life left in the bird.  Three more three-orbit flights are planned to shake out the bugs that plagued the latter portion of Glenn's flight.  Then 12, 24 hour, and perhaps multi-day flights are slated. 

Of course, the Soviets may soon respond with a flight that trumps ours, perhaps even a two-person mission.  But for now, the hour rightfully belongs to the West.  The democracies of the world at last have their emissary to the stars. 

Godspeed, John Glenn!

[February 14, 1962] St. Valentine's Update (The Second Sex in SFF, Part V)


by Gideon Marcus

It's not quite time for a funeral, yet!

Nearly a decade ago, the Chicken Littles of our genre scribbled at length in our magazines and buttonholed each other at conventions to voice their fears that science fiction was dying.  Well, it is true that we are down to just six American sff digests per month, off of the 40 magazine peak of 1953.  On the other hand, I'd argue that we're not that much worse off for having lost the lesser monthlies.  Moreover, sff novels still seem to be doing a brisk trade.

In the three years since I started this column, I've seen a cadre of new writers burst onto the scene; clearly, no one told them that their field is dead!  And while sff continues to be something of a man's world, this fact is changing, slowly but surely.  Since just last year, when I wrote 18 mini-biographies of the women authors of science fiction, I've become exposed to a whole new crop of female bylines.  Some of them are just new to me, having been in the biz for a long time.  Others are genuinely fresh onto the scene. 

Without further ado, the supplemental list for early 1962:

Doris Pitkin Buck

Currently an English teacher at Ohio State University, where at least two authors that I know of might have enjoyed her acquaintance: former OSU students John Jakes and Harlan Ellison.  Mrs. Buck is a comparative rarity in our genre.  Not many manage to balance unabashed love for sff and a "respectable" career in academia.  Said career includes an active college writing stint, a cluster of stories written in the early 50s and a couple of recent pieces, of which I was not particularly fond, but that nevertheless suggest a high degree of literacy. 

Mildred Clingerman

Like Buck, Clingerman is a veteran with ten years of professional sff experience under her belt.  Her consistent career has produced 16 stories, most of them published in the pages of Fantasy and Science Fiction.  Sadly for my readers, her last one came out in 1958, just before I started this column.  However, she recently released A Cupful of Space, a collection of all of work to date, so you can enjoy her quirky, often whimsical, occasionally macabre stylings all in a sitting.  Like Buck, she's a teacher, at the University of Arizona.

Kate Wilhelm

The elusive Ms. Wilhelm has enjoyed a prolific career that started in 1956 and yet has rarely crossed my path.  I first encountered her excellent The Mile-Long Spaceship in the April 1957 Astounding.  This tale of a telepathic contact across the stars was impressive despite its extreme shortness; it must have really impressed Astounding editor, John Campbell since his magazine tends to be the most staggish of the digests.  Her latest work, A Time to Keep was not in the same league, but everyone is entitled to periodic variances.  Here's hoping she publishes more works in the magazines I cover – there aren't many that I don't these days…

Otis Kidwell

Otis Kidwell, who acquired the surname Burger some time after her birth, sprang onto the sff scene just last year with the compelling The Zookeeper.  However, it was hardly the first publication of this noteworthy New Yorker (great-grandaughter of famed abolitionist, Sydney Howard Gay) – her short pieces have appeared in The New Yorker since 1957. 

Sydney J. Van Scyoc

"Joyce," as her family and friends know her, took on her mannish first name to help her break into the science fiction market.  It took several years of writing for her work to see print, but her premiere tale Shatter the Wall, which came out just last month, shows real promise. 

Maria Russell

Ms. Russell (real name, Mary R. Standard) is a true newcomer.  Her first (and currently only) story is The Deer Park, a haunting, surreal tale that was a fine addition to the F&SF in which it appeared.  Details on her non-writing career are scarce, but I am given to understand that she is computer systems analyst in Connecticut, a fine career for a science fictioneer. 

Anne Walker


Picture courtesy of the Vassar Chronicle

Ms. Walker (also known as Mrs. Gutterman) is a Vassar graduate and New England resident with but two stories to her name, but boy were they good ones.  She's newish, coming on the scene in 1959, so she has plenty of time ahead of her if she wants to continue.

Joy Leache

I'm afraid I know even less about Joy Leache, whose career started in 1959, and whose latest story, Satisfaction Guaranteed was a good'n.  Does anyone have a clue?

Rosemary Harris

A nurse during World War 2, Ms. Harris is Londoner whose first work, Hamlin, appeared in F&SF last year.  Hamlin is a derivative of the Pied Piper Tale, so it's no surprise that Ms. Harris also writes childrens' books.  Will she keep toes in both genres?

At this rate, we'll soon reach gender parity in scientifiction, which I think will be to its benefit.  After all, that will mean we are finally seeing the best efforts of our entire population, not just one half.  I can' wait to see who will be on the 1963 supplement!

[February 12, 1962] Out of the Wasteland (The Twilight Zone, Season 3, Episodes 17-20)


by Gideon Marcus

and


by Lorelei Marcus

Reading a recent Radio Television Daily, I see that Rod Serling is once again up for an award.  I'm not surprised.  While his latest achievement, The Twilight Zone has flagged a bit in quality this season, it has still been (for the most part) worthy TV.  In fact, the last four episodes do a lot toward watering the "vast wasteland" that has chagrined our new FCC Chairman of late.  Check these out:

ONE MORE PALLBEARER, by Rod Serling


by Gideon Marcus

This tale of a ne'er-do-well turned millionaire out to humiliate the elders who once impugned him should be a fairly straightforward story.  Said tycoon invites his former schoolteacher, priest, and senior army officer to a shelter with the intent of convincing them a nuclear attack is imminent.  He wants to hear them recant their criticisms and beg for mercy.  Instead, they stick to their guns, abandon the scoundrel as simulated sirens blare, and the poor fellow has a mental breakdown.

What makes this story interesting is how it's played.  We only hear of the tycoon's indiscretions from the sanctimonious authority figures.  The millionaire, in fact, comports himself with dignity and charisma.  One is left with the impression of a story turned on its head.  Was this man really as bad as all that?  If the do-gooders had spared him an ounce of compassion, might he not have been salvaged?  Did he even need salvation?  He certainly seems a better sort that the so-called "good guys." 

I'll never know if this depth was intentional, but it did make memorable an episode that, on the face of it, should not have been noteworthy.  Three stars.


by Lorelei Marcus

Ah it's that time again — I smell another round of Twilight Zone episode reviews! This time I think it's safe to say the old show has finally gotten its charm back.  Well, let's dive right in then! Our first episode was more faithful to the old Twilight Zone episodes, carrying that eerie charm it does so well.  This episode was about a man who believed he needed to get revenge on those who humiliated him in the past.  These people were a school teacher, an army officer, and a reverend. It was certainly a very interesting story, given an entire new layer by the acting that I don't think was intentional.  The story hinges on the fact that he was really a terrible person and deserved all their humiliations, but the character we see never seems like the same person, adding to the whole episode.

DEAD MAN'S SHOES, by Charles Beaumont


by Gideon Marcus

Now here's one that really sizzled.  An underworld type is rubbed out and left in the alley to rot, but when his shoes are pilfered by a Skid Row resident, the rogue gets a new lease on life as he possesses the bum's body to take revenge on those that murdered him.  The sparkle all comes from the excellent performance of Warren Stevens, who deftly manages the transition from broken-down hobo to dashing gunslinger.  Four stars.


by Lorelei Marcus

This second episode is fittingly named seeing how it was about a dead man and his shoes.  It was about an old alley bum who happens to come across a dead body with a rather nice pair of shoes.  He puts them on and well, I won't say anymore to avoid spoiling you.  I will say, however, that this episode was very well done.  The effects were nice and subtle, and the acting was certainly spectacular.  I highly recommend you watch this episode yourself; it was masterfully done and really stays true to that classic Twilight Zone feel.

THE HUNT, by Earl Hamner


by Gideon Marcus

Where do you go when you die, and how will you know you've got the right place?  That's the fundamental question behind this episode, which stars a old man and his dog, two old pals who go off to hunt 'coon and never come back.  It's a touching tearjerker of a backwoods tale, the likes of which I've not seen on this otherwise urban show, and I found it authentic – very reminiscent of my mother-in-law's home in Washington County, Maryland, in fact.  I also greatly appreciated the warm relationship between the fellow and his wife; it's not often that happy married couples are portrayed on TV, especially elderly ones.  Five stars.


by Lorelei Marcus

I would have to say this third episode was my favorite out of this bunch. However, this is to be expected considering it stars not only a dog, but a raccoon too! This charming story starts out with an old fashioned couple eating supper out in their old farmhouse.  The “Old Woman” is worried about her husband going 'coon hunting that night, but he insists and goes anyway.  Sure enough he gets bested by the animal and drowns with his dog.  He soon passes into the Twilight Zone, taking the rest of the episode to realize he's a ghost.  There is a twist at the end, but I'd rather you find out what it is yourself.

This was a sweet episode that wasn't too drawn out or overdone.  It was what it was, and I liked it.  I think you will too if you watch it.

SHOWDOWN WITH RANCE MCGREW, by Rod Serling (based on an idea by Frederic L. Fox)


by Gideon Marcus

You ever wonder how historical figures feel about how they're portrayed on TV?  Showdown involves a posse of Wild West outlaws sending representative Jesse James to put a certain marshmallowy actor in his place.  McGrew, an insufferable high-rent oater star, has put the black hats in a bad light, James says, and he wants the record set straight.

It's an episode with some genuinely funny bits, though the joke can only run so far without getting tired – about 18 minutes of the episode's 22 minute running time.  Like Pallbearer, however, this is another episode with hidden depths.  Jesse James and his gang are not interested in the truth.  Their aim is not to promote historical accuracy for the education of our television audience.  They want to be cast as the heroes.  In effect, they are bushwhacking our entertainment industry to advance their own agenda.  You know, exactly what you'd expect a bunch of last-century criminals to do.

Again, I don't know if this subtext was intentional, but it is intriguing.  Three stars.

And now I'll let the Young Traveler finish things off:


by Lorelei Marcus

This final episode was interesting.  It started off in the classic old Western town, which made us do a double take to make sure we were on the right channel!  Soon, the main cowboy drove on screen, telling us that this was indeed, a Twilight Zone episode.  The main cowboy was really an actor playing a cowboy for, you guessed it, a Western.  The only problem is, he was a completely terrible person in every way!  Worst of all, he was giving bad names to the honest men who were chosen to be the villain cowboys in the show.  So, naturally, these tough vigilantes of the past decided to choose someone to go talk to him face to face, in the Twilight Zone of course.  To be honest, I found this episode to be my least favorite out of these four.  This is by no means an insult considering that all the episodes this time around were fine.  This episode had a nice, satisfying, unpredictable ending and certainly got a few chuckles out of me; it just wasn't as good as the others.  I still recommend you watch it though.

Overall I thoroughly enjoyed these episodes. They all had charming qualities and great, satisfying stories. Each were unique in their own way, and really give me hope that we'll see more of the same in the future. My scores, in order, are 3.5, 4, 4.5, and 3, with an average of 3.75 out of 5 stars. I highly recommend you watch these episodes for yourself, and I hope you have just as good experiences as I did.

This is the Young Traveler, signing off.

[Feb. 10, 1962] Here is the News (March 1962 IF)


by Gideon Marcus

If "no news is good news," then this has been a very good week, indeed!  The Studebaker UAW strike ended on the 7th.  The Congo is no more restive than usual.  Laos seems to be holding a tenuous peace in its three-cornered civil war.  The coup is over in the Dominican Republic, the former government back in power.  John Glenn hasn't gone up yet, but then, neither have any Russians. 

And while this month's IF science fiction magazine contains nothing of earth-shattering quality, there's not a clunker in the mix – and quite a bit to enjoy!  Get a load of these headlines:

SURE THING

Poul Anderson's Kings who Die leads the issue.  Anderson has been writing a blue streak over the past decade, and I don't think I've disliked any of his work since this decade started.  One of my readers has noted Anderson's tendency toward the somber (A Bicycle Built for Brew and The High Crusade not withstanding), but I like a bit of gravitas in my stories. 

Kings who Die tells the moving tale of a shipwrecked astro-soldier picked up by The Enemy in the depths of space.  The captive is induced to join his foes, who have developed a super-weapon.  But in the end, it turns out that the prisoner has a weapon of his own, one hidden deep inside of him.

Told by most others, this would be a throwaway gimmick piece.  Anderson puts flesh on the bones of this story, despite it being rather short.  Four stars.

NO SUPRISES

I don't think Jim Harmon has missed an issue of IF in good long time.  This is generally to the reader's favor as Harmon oscillates between fair and superior (if never great or awful).  Dangerous Quarry has a cute title, but this tale of a town and its bad-luck mine of luxury granite feeles dashed off, metering in at around sin of π (or three stars).

AUTHOR KICKS SELF

I usually don't review Ted Sturgeon's nonfiction pieces, but this month's was long enough, and about an interesting-enough topic (Murray Leinster's myriad of nifty scientific inventions – real, not literary), that I felt it worth a rating: Three stars.

LOST CAT

I normally associate Stephen Barr's surreal stylings with Fantasy and Science Fiction, in whose pages I usually find him.  His latest story, Tybalt, thus, is an odd (but not unwelcome) addition to this month's IFTybalt has the distinction of being the first story I've read to feature time travel by aid of chemicals (as opposed to using a machine), and its feline-tinged middle section is excellent.  Too bad about the rather rough ending, though.  Three stars, though I am reasonably certain this will be a favorite of some of my readers.


by Burns

TAKE MY WIFE, PLEASE

Frank Banta is back again with The Happy Homicide, a cautionary tale about the dangers of relying on circumstantial evidence, particularly when the jury is sympathetic to the circumstances.  Never rely on a computer, at least so long as Perry Mason is around!  Three stars.

IT DOESN'T MATTER

James Stamers continues his upward trend with E Being.  The premise is fantastic: a pilot on the first Faster Than Light flight is converted into energy, fundamentally changing his nature but not his soul.  Upon this transformation, he finds himself in a community of radiation-eating, incorporeal creatures with a rather unique perspective on life (or perhaps it is we, the comparatively rare beings made up of…stuff…that are the oddballs).

I would have liked a serious exploration of these concepts, something philosophical and profound (e.g. The Star Dwellers, by James Blish).  Instead, Stamers plays the story for horror and laughs (an odd combination, but it works) and E Being ends up a fun tale, if a lost opportunity.  Three stars.

RETIEF STRIKES AGAIN!

The best-known interstellar diplomat is back, this time attempting to solve the mystery of the misplaced heavy cruiser.  Laumer's The Madman from Earth plays Retief a bit straighter than I'm used to, which I think is to the story's ultimate benefit.  However, Laumer commits the whodunnit writer's cardinal sin: he never explains just how Retief gains the critical piece of information on which his success hinges.  Three stars.

NOW YOU SEE IT…

Wrapping things up is a charming piece of whimsy by R.A. Lafferty (who else?) called Seven-Day Terror, which involves a thieving brat, who absconds with necessary items, and the precocious little girl who sets things to rights.  Four stars, making this issue a worthy palindrome. 

Read all about it!


by Emsh

[February 1, 1962] Silver Lining (January Space Race round-up!)


by Gideon Marcus

January has been a frustrating month in the Space Race.  We are no closer to matching the Soviets in the manned competition, much less beating them, and our unmanned shots have been a disappointment, too.  That said, it's not all bad news in January's round-up: stick to it through the end, and you'll see cause for cheer!

Quintuplets fail to deliver

The Air Force has been playing around with combined launches for a while now.  After all, if you're going to spend millions of dollars to throw a booster away, you might as well get multiple bangs for your buck.  Sadly, the latest attempt, a Thor Ablestar launch on January 24 dubbed "Composite 1," failed when the top stage tumbled in orbit and failed to separate from its payloads.

What we lost: SolRad 4, for measuring solar X-rays (only visible above the curtain of the atmosphere); Lofti 2, which would have examined the effects of Earth's ionosphere on Very Low Frequency radio transmissions; Surcal, a strictly military probe designed to calibrate the navy's communications net in orbit; the wholly civilian Injun 2, which would help map the Van Allen belts (see below); and Secor, a big balloon that would have helped the Army with their ranging equipment.

Copies of these probes will end up at some point, either launched together on a big rocket or separately on little ones.

Moon Miss-ion

It's been a bad run of luck for NASA's latest moon program, Project Ranger.  After the failure of the first two Ranger missions, designed to test the probe's engineering and return sky science, there were high hopes for the lunar flight, launched January 26. 

Things went badly from the beginning.  Ranger 3 was pushed into a bad trajectory by a faulty guidance system.  Not only did it rush past the moon, failing both to hit the target or end up in orbit, but it was pointed the wrong way the entire length of the journey.  No useful data or pictures were obtained.  That nifty seismometer that makes up Ranger's Rudolph nose went completely unused. 

Ranger 4, a carbon copy of #3, should launch in the next few months.  Hopefully, they'll have the kinks worked out by then.  This is one of those clear places where the Communists are ahead in the space race, having pioneered both lunar orbit and the moon's surface several years ago.

A rain check for Mercury

The third time turned out also not to be the charm for Major John Glenn.  His orbital Mercury mission has now been postponed three times.  It's a good thing the Marine is so good-natured; I know I'd be frustrated.

The first delay happened on January 22 when there was a failure in the spacecraft's oxygen system.  Definitely something I'd like working on a five hour flight!  On the 27th, cloud cover prevented the launch, and just today, there was a problem with the temperamental Atlas booster.  The next opportunity to launch won't come until February 13.

So much is riding on this flight.  The Soviets have already launched two of theirs into orbit while we flutter futilely on the ground.  Newspapers and talking heads are already opining that we'll have a Red-staffed space station and a Red-dominated moon before long if we don't hurry to catch up. 

Explorer 12: Reaping the harvest

Here's the good news: I've said before that the most exciting thing about a satellite is not its fiery launch but the heap of data it returns.  That's where the taxpayer gets one's money's worth and where the scientist sees the payoff.  Explorer 12 was the latest in the series of probes (starting with America's first, Explorer 1) sent into orbit to probe the hellish fields of charged particles that circle the Earth.  The spacecraft is still up there, though it went silent in December.  However, in its four months of life, it learned a great deal about the furthest reaches of our planet's influence.

For one, Explorer 12 found that the outer of the two "Van Allen" belts around our planet is made mostly of protons rather than electrons (though there are still plenty of the latter — enough to make hanging around a dangerous proposition for astronauts).  Those protons, particularly the less energetic ones, have been linked to solar magnetic storms, which result in spectacular auroras on Earth.

Perhaps even more interesting is that the probe found the edge of the Earth's magnetosphere.  "What's that?" you ask.  Well, our planet is a giant magnet, probably the result of a dense iron core that spins deep inside the Earth.  These magnetic lines of force extend far beyond the Earth's crust and 70,000 kilometers into space where they trap the wind of high energy particles from our sun.  This keeps them from scouring away our atmosphere. 

Where our magnetic field meets the field carried on the solar wind, called the magnetopause, there is an area of turbulence and disorganized magnetism. It is now believed that the sun's wind smashes against the Earth's field, creating a bow shock – the kind you'd see when a blunt body is smacked by a supersonic gas.  Moreover, the Outer Van Belt "breathes" inward and outward, responding to waves in the solar wind.

And speaking of magnetic fields, NASA scientists just released findings from the intentionally short-lived Explorer 10 found a magnetic "shadow" behind the Earth.  Specifically, the solar wind seems to hit our planet's magnetosphere and deflect around the Earth, but the magnetic field acts as kind of an umbrella, shielding a large portion of near-Earth space. 

The general contours of Earth's magnetic environment have thus been mapped.  Neat stuff, eh?

[January 30, 1962] Heads or Tails? (Ace Double F-127)


by Gideon Marcus

What if the South had won at Antietam?  Or the Mongols had not been so savaged by the Hungarians at Mohi?  If Hitler had grown up an artist?  Time travel has been a staple of science fiction since the genre was formalized.  One of the newer flavors of the time travel oeuvre is the "sideways-in-time" story, where the "what-if" has become reality.  Sometimes the tale is told in isolation, the characters unaware of any other history.  Oftimes, the alternate timeline is just one of many.

Keith Laumer published one of the latter type in the pages of last year's Fantastic, an engaging yarn called Worlds of the Imperium.  In this serial, Brion Bayard, a minor diplomat dispatched to Stockholm, is abducted by agents from another Earth.  The world he is brought to is under the benign domination of an Anglo-German empire, one whose technology and culture are somewhat mired in the Victorian age, but with one critical difference: The Imperium has perfected the Maxoni-Cocini engine that facilitates cross-timeline travel.

The M-C drive is a finicky thing.  One slight error in construction results not only in the destruction of the vehicle, but the entire planet.  In fact, the Imperium's timeline is surrounded to a vast distance by blighted worlds where development of the M-C drive resulted in catastrophe.  Only two exceptions exist – our Earth ("Blight Insular Three"), and a closely related world ("Blight Insular Two") that avoided M-C destruction but fell prey to atomic apocalypse.  This latter world has begun to raid the Imperium timeline with increasing effectiveness; it is only a matter of time until they succeed in its conquest.  Bayard is the key to the Imperium's survival.

I won't tell you how he is the key, nor anything else about the plot of this fun book, just published as one half of Ace Double F-127.  It reads a bit like one of Laumer's Retief novels without the comedy.  I like any story that features a hero who is my age (42), and it is one of the few books that accurately portrays the debilitating aftereffects of being truly worked over in a fight.  On the negative side of the ledger, Imperium is a bit too short and a touch too glib; while the adventure is exciting and the histories intriguing, somehow, the work fails to leave a much impact.  Also, the female lead, the intrepid Swede Barbro, is as undeveloped as a pencil sketch, which makes the ensuing romance between her and Bayard feel tacked on. 

Still, I do love alternate history, and Imperium is decent (if not stellar) Laumer.  Three and a half stars.

Now, flip over F-127, and what do we have?  Seven from the Stars, the brand new second novel by Marion Zimmer Bradley (she gave us The Door through Space last year.)

In Stars, a handful of alien colonists survive a spaceship malfunction on the edge of known (to them) space.  Refugees from a telepathic society (the Dvaneth), three of them are psi-endowed. The planet on which the seven have crashed is not immediately identified, but it becomes quickly apparent that the world is Earth. 

This is something of a mixed blessing: Earth is hospitable to the Dvaneth, who are human in every way (this extreme coincidence is never explained.) Moreover, the telempathic castaway called Mathis is able to learn and convey the languages of the Texan natives to the refugees.  Since the colonists look Hispanic, fitting in does not prove difficult.  There is even a Dvaneth citizen already installed on Earth, a Watcher who reports on planetary affairs from behind the shield of a terran cover identity.  If the colonists can find him, they are halfway to safety.

There is a downside, however.  The incorporeal parasite beings, the Rhu-inn, the bane of Dvaneth existence, are endemic to Earth's sector of space.  Having no bodies of their own, they inhabit those of hapless humans, forcing them to to their bidding.  Until a planetary shield can be erected against the Rhu-inn, Earth cannot be visited by Dvaneth vessels, and the castaways have no chance of rescue.  Worse still, it quickly becomes apparent that a Rhu-inn has already infested at least one human, and planetary conquest is imminent.  Can the invader be stopped in time?

All in all, not a bad set up, if a bit hoary.  Where the book falls down is execution.  Bradley is a new writer, and it shows, with all emotions and dialogue dripping with melodrama – the book equivalent of the comic strips' inability to use any punctuation but the exclamation mark.  As in Imperium, the romance subplots are perfunctory and hackneyed. 

Most disturbing is the constant undercurrent of violence.  I'm not certain if this was a stylistic choice on Bradley's part, a way of distinguishing the Dvaneth culture, but if people aren't striking each other, or contemplating striking each other, they are shouting.  Bradley's castaways are constantly at the edge of a rage, their knuckles white in clenched fists.  Only the albino empath, Dionie, seems to rise above base emotions – and Bradley makes her the victim of a near rape!  I suppose this kind of roughness is tolerable (expected?) in a Howard-esque fantasy (a la Door through Space) but in Stars, I found it off-putting.  Two stars.

Should you pick up F-127?  While it is the least of the Ace Doubles I've yet picked up, I think the Laumer makes it a worthy purchase, particularly at just 40 cents.  And you may like Stats better than I did.

Coming up…January's exciting Space Race developments!

[By the way, I have been advised that Galactic Journey qualifies for "Best Fanzine" rather than "Best Related Work."  If you were planning on nominating the Journey for a Hugo, we would greatly appreciate your changing your vote accordingly.  Thank you!]

[January 25, 1962] Shameless self-promotion (Nominate Galactic Journey for the Hugo!)

Each year, authors compete through the written word for the honor of owning a miniature replica of a spaceship.  Since 1953, the Hugo Award has been the most regular and prestigious honor bestowed to those of us in the science fiction and fantasy genres.  They represent a true expression of democracy, being nominated and voted by the fans.  It is not just the authors who are recognized: editors, filmmakers, even fans can win the golden rocket statuette.

And that's why we are asking for your nomination.

Galactic Journey has brought you the latest in science fact and fiction for over three years, since October 1958.  It's been a tremendous pleasure and privilege to review the monthly sff digests, the new books, the best (and worst!) scientifiction TV shows and movies, enormously rewarding to report on the myriad space shots as they happen.  Coverage of 1960's pitched election season was eye-opening and exciting. 

Though it was not originally our mission, the Journey has become a progressive entity, focusing on the women and minority contributors that add to the diversity and value of our fandom, yet who are overlooked and underrepresented. 

Oh, how we've grown in three years!  Since this column's humble beginnings, our staff of two has grown to ten, including an overseas correspondent.  Last June, we began providing the latest news on the right-hand side of our pages.  In August, no less a personage than Rod Serling honored us for our coverage of The Twilight Zone.

The Journey is a labor of love.  We have never charged a dime for it, nor have we offered space for paid advertisements.  It is free, and it always will be.  Our reward is the many friends we have made and the support of our fans.

If you enjoy this column (and we assume you must if you are here reading this article) then we ask but one favor.  The ability to nominate and vote for Hugo candidates is limited to those with membership to the annual Science Fiction WorldCon.  It's a fun event, and you should attend if you can. 

However, even if you cannot be physically present, you can purchase a "supporting membership."  This will enfranchise you to vote, and the WorldCon committee will send you a ballot posthaste.  If you nominate the Journey for award, please do so in the "Best Fanzine" category [this article originally recommended nomination for "Related Work," but we have been advised that this is incorrect].

But you must purchase your membership by January 31 to be able to vote, so don't delay!

We at the Journey would greatly appreciate your support, both in the form of nomination and publicizing this notice.  If you could spread the word amongst your circles, wherever you post your bills, this would spread awareness of this campaign far beyond the reach of our personal presses.  Plus, studies show that people who dig the Journey are the coolest cats, the envy of their peers.

Be a cool cat.  Vote for the Journey.  Spread the word.  And thank you for being part of the Galactic Journey family.

[January 19, 1962] Killing the Messenger (February 1962 Analog)


by Gideon Marcus

I said in a recent article that science fiction runs the gamut from the hard-nosed to the fantastic, and that the former can be found most consistently inside the pages of Analog magazine.

Well, the February 1962 issue has proved me a liar.

The problem is Analog's editor, Mr. John W. Campbell.  Once a luminary in the field, really hatching an entire genre back in the late 30's, Campbell has degenerated into the crankiest of cranks.  And since he offers 3 cents a word for folks to stroke his ego, he necessarily gets a steady stream of bespoke stories guaranteed to be published.

Want to know the secret to getting printed in Analog?  Just include psi powers and a healthy dose of anti-establishment pseudo-scientific contrarianism, and you're in like Flynn.

Case in point: this issue's lead story, The Great Gray Plague, by Raymond F. Jones.  Never have I seen such a cast of straw men this side of a cornfield.  The setup is that the snooty head of a government agency that oversees science grants refuses to consider the bucolic Clearwater College as a candidate because they rank so low on the "Index."  Said "Index" comprises a set of qualifications, some reasonable like the ratio of doctorates to students and published papers per year, to the ridiculous like ratio of tuxedoes to sport coats owned by the faculty and the genetic pedigree of the staff.  Thus, the "Index" serves as a sort of Poll Tax for institutions, making sure only the right kind remain moneyed.  The Dean of Clearwater makes an impassioned argument to the government employee that such a narrow protocol means thousands of worthy scientists and their inventions get snubbed every year in favor of established science.

So far, so good, I guess.  But then, as if on cue, a pair of "crackpot" farmers submit a request for review of a telepathic crystal they've developed.  Of course, the government man dismisses the request out of hand.  Of course, the progressive Dean investigates.  Of course the thing works.  And, of course, one of the crackpots is really an alien testing humanity's ability to assimilate science that doesn't gibe with current theory (and if you didn't figure that twist out immediately, you're reading the wrong stuff).

Now, there is merit to the idea that science is not a gradual evolution towards perfection.  In fact, Historian of Science Dr. Thomas Kuhn recently advanced the notion that science works within "paradigms" that are only overthrown with some violence and replaced with other paradigms.  For instance, there was no gentle, step-by-step transition from Ptolemy to Copernicus – the Sun went around the Earth, and the data was squeezed into that model (however ill-fitting) until suddenly the Earth was determined to orbit the Sun and everything fit into place.  Another example is phlogiston theory, which almost did a good job of explaining why substances gained weight when they burned…said theory being turned on its ear when the true nature of oxidation was discovered.

However, Plague isn't really making Kuhn's point.  It's making Campbell's, which is, in short, "If all these highfalutin 'scientists' would actually give a chance to people pushing psi, reactionless drives, and perpetual motion machines, then they'd quickly see the merit to these 'crackpot' ideas."

Sorry, John.  Whatever bad things one might say about inertia in the scientific establishment, the fact is that it exists for a reason.  Science must, necessarily, be incredulous.  It must seek out and process data according to the scientific method.  And let's be honest, John – science has given the Dean Drive and the Heironymous Machine and Dr. Rhine a fair shot.  They've been found wanting.  Give it up and stop kneeling at the altar of charlatans like L. Ron Hubbard. 

Or turn over Analog's reins to someone else.  There's a paradigm shift I'd love to see.

Having used up so much space with the above rant, I shall endeavor to be brief with the rest.  Pandemic, by the consistent J. F. Bone, is a gripping, grim tale of planetary disaster…with a rather silly resolution.  If anything, however, the first three quarters of the story give ample evidence that Bone can write – does he have any novels in print I don't know about?  Three stars.

This month's science fact article, Power Supplies for Space Vehicles (Part 1 of 2) by J. B. Friedenberg is a refreshing departure from Analog's usual offerings, featuring as it does actual science.  Friendeberg's piece discusses photovoltaic, thermoelectric, and thermionic power supplies in a comprehensive (if unentertaining) fashion.  About as much fun as reading the encyclopedia, which I generally enjoy, but you may not.  Two stars.

Neil Goble is a brand new author from Okie whose cute Master of None hints at a fair talent to come.  The story's moral: pursuit of knowledge for knowledge's sake is a worthy endeavor.  I heartily agree.  Three stars.

That leaves Hail to the Chief by "Sam and Janet Argo."  It's a meandering piece about the lengths to which a politician goes to get a non-politician elected President of the United States.  It's not particularly plausible, nor is it remotely science fiction, seemingly more a platform for a series of puns on the candidate's name ("Cannon").  This is a story with Randy Garrett's fingerprints all over it.  Two stars.

Thus ends the worst issue of Analog since the magazine took on the new moniker.  The proof is in the pudding, and Chef John's fare is poor stuff indeed.  I hope we get a new cook soon.

(By the way, it certainly seems that this month's cover was influenced by the new tower planned for Los Angeles airport – you decide…)

[January 16, 1962] Accidents (un)happen (The Twilight Zone, Season 3, Episodes 13-16)


by Gideon Marcus

It is common practice in statistics to average out data over time in a rolling fashion.  This gives you smoother lines, free of the jagged spikes of noisy data.  For the last several months, The Twilight Zone has shown a definite tendency toward the lower end of the quality scale, at least in comparison with its brilliant earlier seasons. 

But, I'm happy to report that the last month (ending January 5, anyway) showed a distinct and sustained improvement.  I'll let the Young Traveler do most of the talking this time around since I find I don't have much to improve upon her insights!

(Once upon a time, written by Richard Matheson and featuring the great Buster Keaton as a janitor who is propelled from the late 19th Century into the world of today…)


by Lorelei Marcus

Going into these four weeks, I was really dreading what was to come. Prior experience had given me doubts about the quality of these most recent Twilight Zone episodes. Thankfully, this time around, you will not have to hear me rant about how awful these past few episodes were!

To start us off, we had a charming little episode about a man from 1892. He goes to the present (1962) and finds a large scientist who just so happens to be obsessed with that earlier time period. I won't say much more about the plot since I highly recommend you see the episode yourself. It did give us a lot of laughs, and was partly shot in the old, silent movie style. This was definitely a breath of fresh air from the usual grim twilight zone themes.

(Five Characters in Search of an Exit, adapted by Rod Serling from a story by Marvin Petal, whose title is literally descriptive…)

This second episode did return to a darker feel, but this time it was done fairly well. The episode started out with a small group of oddly specific but different people. A soldier, clown, ballerina, hobo and piper stuck in a completely metal prison, but with an open top. Despite guessing the answer at pretty much the beginning of the episode, it still managed to reveal just little enough information to keep it interesting.  At one point I wondered if this was a metaphor for depression, that feeling of being trapped with no exit, accepting the hopelessness of escape, and eventually giving up entirely.  Just to keep you on your toes, I won't tell you the ending. I do recommend you watch this episode yourself. Even though me and my father predicted many things that happened, it never felt like the episode went on for too long, which frankly, is a real treat these days.

(A Quality of Mercy, adapted by Rod Serling from an idea by Sam Rolfe, in which an American platoon Lieutenant must weigh the virtues of assaulting a beleaguered Japanese position on the eve of V-J day…)

Unfortunately, this batch was not quite four for four. At least this episode was forgettable enough that I could pretend it didn't happen at all! Alas no, I must do a review on it for you readers, so here I go. As I said before, the episode itself was entirely mediocre, but I did like the message and the effects. “Everyone is human, even if they are the enemy” is a great lesson that I think to be very true. The makeup was fairly impressive at making one of the actors look asian, and the Japanese accents weren't completely atrocious. I would recommend spending your 20 minutes in a more productive manner, but I will not stop you from watching this episode.


by Gideon Marcus

My problem with this episode was absence of crisis.  Rather than allowing the Lieutenant to learn from his jaunt through the Twilight Zone, and then let the audience judge the wisdom of his actions, instead decisions are made for the protagonist, and the whole plot sort of meanders along without influence by the show's participants.  More tightly written, and with actual consequences, this could have been a great one.  C'est la TV.

(Intermission, in which the Traveler family detours away from The Twilight Zone by way of The Twilight Zone…)


by Lorelei Marcus

Before we watched this fourth episode, my dad got caught up in the game show, The Price Is Right, where people were bidding on this cool looking soda fountain! When it ended we changed the channel and started watching. The episode had a much different feel this time, being more of a comedy sitcom rather than the usual Twilight Zone format. The twist seemed to be that one of the cast members was a talking horse! Oh wait a minute, we weren't watching Twilight Zone, we were watching Mr. Ed! Oops.

So Mr. Ed finishes and we go to watch Twilight Zone. Perhaps, we thought, we would be able to catch the end of it, enough to make a review on. We were pretty sure we'd found the right show; it certainly was more true to Twilight Zone in that it had a lot of scientific themes. Still, it was very different, mainly in the fact that it was entirely cast with puppets!  Oops, again! Turns out we were watching Supercar, not Twilight Zone

That's when we realized were still on the wrong network. So we turn to CBS, and find…The Andy Griffith show. Good enough. I like this show. 

Still, what happened to Twilight Zone? We start getting ready for bed, only then remembering that this was Monday, and Twilight Zone airs on Friday. OOPS. Darned winter break. Made us forget entirely what day of the week it was!

(Nothing in the Dark, by George Clayton Johnson, featuring a return of Mr. Death and the woman whose profound fear of him has kept her alive – so far…)

Well, the Friday after that wild goose chase, we did end up watching the last Twilight Zone episode. This episode was a lot more reminiscent of older Twilight Zone shows, which was really nice to see after all the lousy newer ones. Like the second episode, it had a good theme ("Things in darkness are the same as they are in the light, and should not be feared") which I really appreciated. The episode was just long enough to tell a full satisfying story, and it was never too predictable. The acting was slightly off, but it was intentionally so, hinting at certain hidden truths, but not all out saying them. Over all it was a well rounded episode that I thoroughly enjoyed.

My episode scores, in order, are 4, 3, 2, and 3.5. This comes out to an average of 3 stars out of 5. I very much enjoyed most of these episodes and recommend you watch the first, third, and fourth ones. With such a good lineup, it's starting to look a little more promising in terms of episode quality. Hopefully it will continue to be this way for the next few weeks!

This is the Young Traveler, signing off.

[January 12, 1962] Odd one out (February 1962 Galaxy)


by Gideon Marcus

Science fiction is a broad genre.  It includes hard scientific, nuts-and-bolts projections that read like modern tales with just a touch of the future in them; this is the kind of stuff the magazine Analog is made up of.  Then you've got far out stuff, not just fantasy but surrealism.  The kind of work Cordwainer Smith pulls off with such facility that it approaches its own kind of realism.  In this realm lie the lampoons, the parables, the just plain kooky.  They get labeled as "science fiction," but they don't predict futures that could actually happen, nor do they incorporate much real science.  Rather, they end up in the sf mags because where else would they go?  The Magazine of Fantasy and Science Fiction showcases this type as a good portion of their monthly offerings (appropriately enough — "Fantasy" is in the name).

Galaxy magazine has always trod a middle road, delivering pure scientific tales, fantastic stories, and pieces of psychological or "soft" science fiction that fall somewhere in between.  It's that balance that is part of what makes Galaxy my favorite magazine (that and stubborn loyalty – it was my first subscription). 

The first Galaxy of 1962, on the other hand, veers heavily into the fantastic.  Virtually every story presented has a distinct lack of grounding in reality.  Does it work?  Well…see for yourself.

Fred Pohl and his lately deceased frequent partner Cyril Kornbluth wrote a whole lot together.  In fact, I think they've published more since Kornbluth's death than while he was alive!  I have to think Pohl is doing most of the work on Kornbluth's outlines, but perhaps there's something mystical going on.  Anyway, Critical Mass is the latest from this duo, a satirical "if this goes on" piece combining the mania for construction of bomb shelters and the public passion for baseball.  An entertaining piece though lacking in nuance.  Three stars.

LaGrange points, those places of gravitational stability involving two celestial bodies, were the topic of a recent Asimov piece.  Willy Ley now discusses them in his latest science column, For Your Information: Earth's Extra Satellites.  There's interesting stuff here though I'm afraid the Good German no longer has the gift for presentation that the Good Doctor possesses.  Three stars.

Shatter the Wall is an odd piece by newcomer, Sydney Van Scyoc.  Television, now taking up entire walls of houses, has become the object of the world's attention.  In particular, a prosaic domestic drama featuring four stars whom everyone tries to emulate.  Wall reads like a dream, and if taken in that way, is a neat story.  I found it a little too off-kilter to really connect, however.  You might feel differently.  Three stars.

There's a new hobby I've discovered called "board wargaming."  Players do battle using cardboard chits representing military units and a set of rules considerably more involved that those of, say, Chess or Checkers.  Avalon Hill, a publishing company, started the fad with Tactics II, a simulation of modern strategic warfare, and recently followed it up with a D-Day game and a couple on Civil War battles.

Now, imagine if the world stopped settling their differences with armed conflicts and instead resorted to simulated fighting. 

That's the premise of James Harmon's The Place Where Chicago Was.  All war is simulated, presumably facilitated by computer.  Big cities are not actually destroyed in enemy pseudo-attacks.  Rather, they are simply quarantined for twenty years and left to fend for themselves.  Residents are forbidden to leave; outsiders are restricted from entering.  To enforce the peace, giant psycho-transmitters are set up that broadcast pacifistic thoughts to the populace. 

It's such an implausible idea that I have to think Harmon is attempting some kind of satire.  On the other hand, it doesn't read like satire.  It's well written, but I don't quite know what to make of it.  Three stars.


by Cowles

The Martian Star-Gazers is a "non-faction" piece by Ernst Mason, whom I've never heard of.  It tells the sad story of the erstwhile inhabitants of the Red Planet, done in by their fear of the heavens.  I appreciated Mason's take on Martian constellations, particularly their contrast with terrestrial counterparts.  Three stars.

Algis Budrys writes deep, thoughtful stuff with a somber edge.  The Rag and Bone Men features a stranded alien intelligence that has taken over the Earth but only wishes to be able to go back home.  Terran science simply isn't up to the task, and neither are the mind-slaved humans who labor at it.  A weird, perhaps overly poetic story.  Three stars.

Ed Wellen is back with another non-faction "Origins" piece, Origins of Galactic Fruit Salad.  A catalog of intergalactic service decorations, it's in the same vein as his last piece: Origins of the Galactic Short-Snorter.  Sadly, unlike that work, Galactic Fruit Salad commits the cardinal sin of any comedic piece – it's not funny.  One star.

The Big Engine, by Fritz Leiber, is solipsism done backwards.  The world is a giant machine, all of its pieces playing preordained parts save for the few components that become self-aware.  There's not much to this story, but I must confess that I found it all the more memorable for having read it on a busy street corner, where the thrum of Leiber's mechanical world was most immediate.  Three stars.

The balance of the issue comprises Part 2 of Poul Anderson's Day after Doomsday, which as I said in my last article, was disappointing in comparison to the promising first half. 

While I applaud the effort toward experimentation in this issue, the result is an oddly monotonous clutch of stories, no "real" sf here.  Each of the tales might have been decent sandwiched between traditional stories, but they become an abstract, off-putting blob in unrelieved combination.  Galaxy would do well to return to its heterogeneous mix of sf types; I think trying to beat Analog or F&SF at their own games would be a bit of a forlorn hope.

See you in two with a "Fantastic" update!