Tag Archives: P. M. Hubbard

[March 20, 1969] Going through the motions… (April 1969 Fantasy and Science Fiction)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

What's the news across the nation?

And now for the man to whom the news wouldn't be the news without the news… here's Gidi!

Dateline: 1969

Apparently, President Nixon and Soviet head of government Kosygin have agreed not to blow up nuclear bombs on the ocean floor, of which there have been somewhere between zero and not many. This is being hailed as a tremendous accomplishment in the field of disarmament. The next great achievement will be banning test explosions on the 32nd day of every month.

I think the two deserve a Flying Fickle Finger of Fate, or the "Penetrating Pinky" as the producer calls it.

photo of a two men in suits (Dan Rowan and Dick Martin), the one on the right holding up a golden statuette of a hand with its index finger pointing and crowned by wings

Dateline: 1969

Britain is building a giant radio telescope to hear the beginning of the universe. Astronomers believe the cosmos apparently was once compressed into a tiny point, even smaller than Governor Reagan's brain, and when it expanded, the temperature of the stuff dropped, as it always does when you maintain the amount of matter but increase the volume of its container.

A temperature that was once immeasurably high has now gotten so low that it radiates at very low energy levels—detectable by super-sensitive antennas! I imagine the observatory will determine if this radio hiss is uniformly distributed or not. They're also looking for quasars, those objects that are super bright in the radio spectrum, but invisible to the naked eye, and which may be the most distant (and thus, the oldest) objects in the universe.

Of course, we all know the oldest thing you can get on the radio is Jack Benny…

Dateline: 1969

Two airliners were hijacked to Havana yesterday. That's the sixth time this year that there has been a "double-header" seizing. We must be running out of rebels and Communists by now—I would not be surprised to hear that the hijackers are just retirees looking for someplace cheaper than Miami.

Dateline: 1969

President Nixon is coming to San Diego tomorrow.  This will lay to rest any dispute, at least while he's here, as to the biggest Dick in town.

What's the news inside this issue?

I've just come back from a little bubble of time inside the roiling chaos that is the real world.  It was a little Los Angeles SF conclave called Escapade, filled with fans of all things fannish.  Keeping me company on this trip was the lastest issue of F&SF.  Although not quite such a rousing success as the con, the issue did have a couple of things to strongly recommend it.  Read on, and you'll see what they were:

illustrated
by Bert Tanner

Deeper Than the Darkness, by Gregory Benford

Greg Benford is a young man, part of an identical twin fannish duo, who I'm pretty sure lives right here in San Diego.  He was catapulted into the ranks of the professionals when he won an F&SF writing contest a few years back, and he's written a couple of pieces since then.

His latest is a space adventure involving Captain Clark, a tramp ship skipper impressed into navy service when the mysterious Quarm begin impinging on Terran star colonies.  Clark is one of the few men of caucasian ancestry left after the hot wars of the fraught centuries, and human civilization is now dominated by Asians and Polynesians.  Society is changed, too, more of a communal affair knitted together by cooperative social activies.  Prime among them is Sabal, also referred to as The Game, which is a sort of roleplaying exercise in which each participant offers up vignettes, epigrams, and other creative orations designed to complement rather than dispute the last speaker.  When fully harmony is reached, the Game is over.

It is frequent usage of Sabal that keeps the novice crew together as it reaches Regeln, a colony recently ravaged by the Quarm.  But Sabal is no defense against, and indeed, a exacerbator for, the particular malady spread by the aliens—a kind of extreme agrophobia that drives humans to literally burrow away from the light, from each other, from the universe.

This downbeat tale is readable, but its psychological and racial underpinnings are a little implausible and more than a little unsettling.

Three stars.

Some Very Odd Happenings at Kibblesham Manor House, by Michael Harrison

A WW2 veteran runs across a much aged and enervated war buddy.  Over beers, it turns out that the afflicted soldier has had an unfortunate run-in with the Celtic cult of Cybele, the Earth Mother.  Said sect, prominent two thousand years ago, demands great sacrifices of its adherents.  The male priests must scourge themselves, ultimately sacrificing that which most distinguishes them as men.

And Kibblesham, built on an ancient temple, infects all who inhabit it with Cybele's compulsion…

This is one of many old-fashioned pieces in the book, almost Lovecraftian in tone.  Not really to my taste.

Two stars.

line drawing of a man and woman picnicking, the trees around them false front props, and the man is saying,
by Gahan Wilson

Not Long Before the End, by Larry Niven

Some 12,000 years ago, before the final Ice Age, great magical societies were the rule.  One of the age's great sorcerers is a man simply known as Warlock.  In his 200 years of life, he has seen his powers wane several times, each instance compelling him to move on to a new locale, where his mana has been restored.  Upon investigation, Warlock determines a terrible truth, one which spells doom for his spell-based civilization.

In the meantime, a stupid swordsman named Hap, wielding the eldritch blade Glilendree (or is it the other way around?), shows up to challenge the wizard.  The ensuing battle is noteworthy, indeed.

This is one of Niven's only fantasies, and it's superb.  While "magic was common before the modern age" is a frequently mined lode, from Lord of the Rings to Conan to Norton's recent Operation: Time Search, Niven is the first, perhaps, to explain why the magic goes away.

Five stars.

Trouble on Kort, by William M. Lee

This is a police mystery set on the planet of Kort, on which a dozen outworlders have disappeared (kidnapped?) and a dozen natives have taken their own lives—all in the space of just a matter of weeks.  Peace Corps officer Jan Pierson is sent in to investigate.

It's a rather unremarkable tale, oddly juvenile in tone and occasionally tedious, but it's not unenjoyable.  I appreciated the love interest, the Kortian named "Marty", who did not get enough page time.

A low three.

The House, by P. M. Hubbard

A married couple, awarded a homestead plot in the bombed out fringes of London, tries to build a house amidst the rubble.  But the tumulus they choose as a foundation may already be occupied…

This tale is atmospheric but rather trivial, another of the throwbacks.  Two stars.

The Incredible Shrinking People, by Isaac Asimov

Last issue, the Good Doctor explained the pitfalls of neglecting physics when dealing with miniaturized or enlarged people.  This time, Isaac explains how he accounted for same while writing the novelization of Fantastic Voyage.

Neat stuff.  Four stars.

The Freak, by Pg Wyal

There are beggars and there are beggars.  The most deformed, crippled, and otherwise unordinary ones band together to form a union of sorts.  Tired of their low income, they go on strike, ensuring that the beautiful citizens of Gothopolis have no one to compare themselves to.

Soon, the "normal" Gothopolians go crazy, and their John Lindsay analog must come up with a drastic solution.

The build-up wasn't bad, but the message isn't as profound as Wyal (or editor Ferman) thought it was.

Two stars.

Say goodnight, Dick!

Just as the week's news was much of a muchness, so was this issue of F&SF more a marking of time than the making of a landmark.  Still, I am grateful for the Asimov and particularly the Niven, and the rest was not so much unpleasant as forgettable.

Good enough for now.  I look forward, as always, to next month's issue—and I hope you do, too!




[January 18, 1964] Pig's Lipstick (February 1964 Fantasy and Science Fiction)


by Gideon Marcus

President McKinley once famously observed around the Turn of the Century that everything that could be invented had been invented.  He was not entirely correct, as it turned out.  However, if one were to read the stultifying pages of F&SF these days, one might be convinced that all the SF that could be written had been written.  The February 1964 Fantasy and Science Fiction is a double-handful of cliches with a thin veneer of literary writing to make them "worthy."  It's no wonder editor Avram Davidson has moved to Mexico; he is probably fleeing his outraged readers — whomever's left of them, anyway.

The House by the Crab Apple Tree, by S. S. Johnson

The bad ship S. S. Johnson leads the issue with possibly the most offensive piece I've read since Garrett's Queen Bee.  It's an After The Bomb piece told from the point of view of one the world's last women, who is shacked up with her wretch of a husband and their fourteen year old daughter.  Barely sentient, our protagonist spends most of the story wondering which of the marauding male savages who terrorize her home would make the best husband for her kid.  After all, a woman needs a man.

Bad as it was, I read the whole story (for it it is passably well written) hoping to be pleasantly surprised.  I wasn't.  Mr. Johnson's protagonist shows no initiative at all (and, in fact, each of her episodes is characterized, even precipitated by her inaction), the daughter is violated in the end, and Davidson, in the height of tactlessness, chose to illustrate the gawdam cover of the magazine with a scene of the torture of said little girl.

One star and a new bottom for the magazine.  Shame, Mr. Davidson.  I hope the mail and telegrams stop service to your new home so you can do no more damage.

[And please see the letter sent in by Mr. Jonathan Edelstein, appended below.  It expresses what's fundamentally wrong with this story.  Thank you, Jonathan. (Ed.)]

The Shepherd of Esdon Pen, by P. M. Hubbard

Here's a stunner.  After spending half the vignette telling us about a Scottish shepherd of legend, a modern shepherd departs into a freak snowstorm, searching for his lost flock, and stumbles across the tomb of none other than the aforementioned herder. When he gets back, his sheep are safe.  WAS IT THE SHEPHERD OF EDSON PEN?!?

An ineptly told ghost story that earns two spectrally thin stars.

Ms Found in a Bottle Washed up on the Sands of Time, by Harry Harrison

A pointless bit of doggerel about a fellow intent on disproving the Grandfather's Paradox by doing away with his grandfather — only the old man has quicker draw.

Two stars.

Nobody Starves, by Ron Goulart

A satirical piece (or something) about a dystopian future for whose denizens everything is hunky dory until they stop being useful to society.  No one starves, in theory, but it's damned hard to get a bite to eat when you can't work for your supper.

There's probably a point or two buried under the glibness, but my eyes were too dizzy from rolling to find them.  Two stars.

One Hundred Days from Home, by Dean McLaughlin

The first ship to return from Mars is met halfway by a new ship zipping around at a good percentage of light speed.  The kid driving the speedster guffaws at the old men and their primitive junker, offering them a quick ride home.  Indignant, they refuse. 

Would NASA really send astronauts to Mars and back and not tell them about a huge breakthrough in space travel?  Do these fellows not even have radios?  Editor Davidson says he can't get any spaceship yarns these days, so he was happy to get this one.  With "science fiction" like this, who needs fantasy?

Two stars.

The Slowly Moving Finger, by Isaac Asimov

The Good Doctor has always done a decent job of making abstruse concepts accessible to the layperson.  But this non-fiction piece, about the maximum ages of various animals, is too simple and could have been paraphrased as one sentence: Every mammal but humans lives for one billion heart beats; people get four times that.

Three stars.

Little Gregory, by Evelyn E. Smith

An odd, vaguely SF tale about a woman employed as a governess by a robot for an alien child who turns out to be the vanguard of an extraterrestrial invasion.  It works insofar as it fulfills Smith's goal of telling a 21st Century story with 19th Century style, but I'm not sure why the thing was written at all.

Three stars, I guess.

Burning Spear, by Kit Denton

Pointless mood piece about a kid who can capture and wield sunlight, and the folks who die when they demand proof.

Two stars.

In the Bag, by Laurence M. Janifer

An obvious vignette probably inspired by a trip to the local laundry.  Blink and you'll miss it.  Three stars.  Maybe two.  Who cares?

The Fan: Myth and Reality, by Wilson Tucker

The first of a three-part series on fandom, this one is an historical essay (next month's by Robert Bloch will cover conventions).  I'm a big fan of Bob Tucker, as readers well know, but this is a superficial, perfunctory piece.  It's over quickly, though.  Three stars?  [Note: I forgot to cover this piece in the original printing — thanks to those who pointed out the omission! Ed.]

Come Where My Love Lies Dreaming, by Doris Pitkin Buck

Welcome to the overpopulated world of 2061, where the national parks on the Moon have a long waiting list, the domes open to let the air in only on rare occasion, and citizens take hallucinogenic pills to stay sane.  Still, despite the hoariness of the subject matter, it's not a bad read.  Welcome to the ranks of the prose writers, Ms. Buck.  Now go beyond the well-trodden path.

Three stars.

I'm sounding more and more like John Boston every day.  My wife likes it when I write snippy, but boy am I tired of having things to be snippy about.

Could we please get Tony Boucher or Robert Mills back in the editorial saddle again? 

— — —

(Need something to cleanse your palate?  See all the neat things the Journey did last year!)




[December 24, 1962] The Year 2 A.D. (After Davidson – the January 1963 Fantasy and Science Fiction)

[if you’re new to the Journey, read this to see what we’re all about!]


by Gideon Marcus

Trends are tricky things.  They require multiple data points to become apparent, and even then, careful analysis may be required to draw a proper conclusion.

I think I can safely say, however, that one-plus year into Avram Davidson's tenure as editor of F&SF, the magazine's quality has trended sharply and consistently downward.  Stories tend toward the obtuse, the purple, the (and this surprises me) hackneyed.  It's just not the sublime lyric beauty it used to be.

Why is this?  Let's explore some possible explanations:

1) F&SF can't get good writers anymore.

This clearly isn't true.  The Table of Contents of any given issue reads like a who's who of the genre.

2) Nobody is writing good sf anymore.

Demonstrably false.  Just look at the other mags.

3) The good writers save their best stuff for other magazines

This could be true, but given that F&SF pays some of the best rates (for science fiction anyway – three or four cents a word), I'd can't image F&SF is a second-resort mag.

4) Davidson's editorial preferences are driving the direction of F&SF.

A ha.  Davidson has been a writer of sf for many a year, and the trend in his writing has been toward the obscure and the prolix.  It shouldn't be a surprise to see the Davidson style creep into his magazine.  One trend I find particularly disturbing is the disappearance of women from F&SF's pages.  This magazine used to be the stand-out leader in publishing of woman authors, and its pages were better for it.  Now, female writers been conspicuously absent for two issues, and there had been fewer than normal in the months prior.  Nor can one argue that women are leaving the genre — F&SF's loss is the gain for the other digests.

The inevitable destination of this downward trend, the limit of quality as the time of Davidson's tenure goes to infinity, as it were, appears to be zero stars.  Sure, there are still stand-out issues, but they come fewer and farther between.  And the January 1963 F&SF isn't one of them…

The Golden Brick, P. M. Hubbard

The issue starts off well enough with this story of a Cornish ghost ship, imprisoned in which is a four hundred year old mad Alchemist with the Midas touch.  The tale is nicely crafted and atmospheric, but stories like this have been a dime a dozen in this mag.  Competent writing and imagery aren't enough.  Three stars.

Zap! and La Difference, Randall Garrett

Ugh.  Go away, Randy.

Dragon Hunt, L. Sprague de Camp

De Camp's life is the stuff of legends, as shows this essay on the globetrotting he undertook to familiarize himself with the locales of his recent historical fiction.  The piece contains tidbits of genuine interest, but the presentation is somehow lackluster.  Three stars.

Myths My Great-Granddaughter Taught Me, Fritz Leiber

In which the author's precocious descendant notes the frightening parallels between the Cold War of the 1980s and Ragnarok of Norse Myth.  This is the best story of the magazine, but again, we're treading familiar ground.  A minor piece from a major author.  Three stars.  (Happy 52nd birthday, by the way, Fritz.)

He's Not My Type!, Isaac Asimov

The Good Doctor's non-fiction articles always get read first, but I was disappointed this time around.  Perhaps it's because I felt Asimov explained blood types better in his recent book, The Living River, or maybe Davidson's too-barbed introduction put me in a bad mood (I must stop reading those first).  In any event, it is readable, which is the worst Asimov ever gets.  Three stars.

Way-Station, Henry Slesar

Imagine Zenna Henderson wrote a The People story, but rather than have it end in poignance, instead wrote a stock "horror" ending that one could see a mile away.  That's what scriptwriter Slesar offers up.  Where is Henderson, anyway?  Two stars.

Punch, Frederik Pohl

Pohl is a busy boy – not only does he edit two mags (three, come early next year), but he finds time to be published in all of them and Davidson's.  In Punch, it turns out that the many technological gifts of the newly encountered galaxy-spanning aliens have a sinister motivation.  It would have made a decent, if typical, episode of The Twilight Zone.  Three stars.

Speakeasy, Mack Reynolds

Last up is a short novel from a fellow who is typically featured in AnalogSpeakeasy depicts a future in which society has been stultified by success, a meritocracy that has calcified thanks to nepotism and inertia.  Only a few revolutionaries remain to shock life into the decaying culture of the Technocracy. 

Reynolds can do very good political thriller, viz. Mercenary from last year's Analog.  Unfortunately, Speakeasy is a rambling, naive mess that jumps the tracks about halfway through and runs headlong into a wall near the end.  I wonder if Analog's editor Campbell rejected it.  If so, I wonder why Davidson accepted it.  It doesn't really fit F&SF, either the current or past iterations of the magazine.  Two stars.

So there you have it, an issue that clocks in at a miserable 2.3 stars.  Even Davidson seems to agree that his stuff hasn't been very good – check out the scathing letter at the end of the mag (which may or may not have come from Davidson's pen, itself).  No more "purple cows," indeed.

Ah well.  That's enough kvetching for this season.  It's Christmas Eve, as well as the fourth night of Hannukah.  Go light a candle, illuminate a tree, drink some eggnog.  Or as a recent fancard admonishes, let there be "Goodwill to mellow fen."

[P.S. If you want the chance to nominate Galactic Journey for Best Fanzine next year, you need to register for WorldCon before the end of the year! (or have registered last year… but then you can only nominate, not vote.) The Journey will be at next year's WorldCon, so don't miss your chance to meet us and please help put us on the ballot for Best Fanzine!]